Zola Quotes

We've searched our database for all the quotes and captions related to Zola. Here they are! All 100 of them:

If you ask me what I came to do in this world, I, an artist, will answer you: I am here to live out loud.
Émile Zola
Sin ought to be something exquisite, my dear boy.
Émile Zola
I am little concerned with beauty or perfection. I don't care for the great centuries. All I care about is life, struggle, intensity.
Émile Zola
I would rather die of passion than of boredom.
Émile Zola (The Ladies' Paradise)
I am here to live out loud.
Émile Zola
Civilization will not attain to its perfection until the last stone from the last church falls on the last priest.
Émile Zola
The artist is nothing without the gift, but the gift is nothing without work.
Émile Zola
Blow the candle out, I don't need to see what my thoughts look like.
Émile Zola (Germinal (Les Rougon-Macquart, #13))
There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.
Émile Zola
If you shut up truth and bury it under the ground, it will but grow, and gather to itself such explosive power that the day it bursts through it will blow up everything in its way.
Émile Zola
If people can just love each other a little bit, they can be so happy.
Émile Zola (Germinal)
If you ask me what I came into this life to do, I will tell you: I came to live out loud.
Émile Zola
I have but one passion: to enlighten those who have been kept in the dark, in the name of humanity which has suffered so much and is entitled to happiness. My fiery protest is simply the cry of my very soul.
Émile Zola (J'accuse!)
When truth is buried underground it grows, it chokes, it gathers such an explosive force that on the day it bursts out, it blows up everything with it.
Émile Zola
She was cold by nature, self-love predominating over passion; rather than being virtuous, she preferred to have her pleasures all to herself.
Émile Zola (Pot Luck)
Respectable people... What bastards!
Émile Zola (The Belly of Paris (Les Rougon-Macquart, #3))
Art is a corner of creation seen through a temperament.
Émile Zola
It is not I who am strong, it is reason, it is truth.
Émile Zola
The fate of animals is of far greater importance to me than the fear of appearing ridiculous.
Émile Zola
When you have a sorrow that is too great it leaves no room for any other.
Émile Zola
Don't go looking at me like that because you'll wear your eyes out.
Émile Zola (La Bête humaine (Les Rougon-Macquart, #17))
When lovers kiss on the cheeks, it is because they are searching, feeling for one another's lips. Lovers are made by a kiss.
Émile Zola (The Fortune of the Rougons (Les Rougon-Macquart, #1))
The past was but the cemetery of our illusions: one simply stubbed one's toes on the gravestones.
Émile Zola (The Masterpiece)
We are like books. Most people only see our cover, the minority read only the introduction, many people believe the critics. Few will know our content.
Émile Zola
They dared not peer down into their own natures, down into the feverish confusion that filled their minds with a kind of dense, acrid mist.
Émile Zola (Thérèse Raquin)
When there is no hope in the future, the present appears atrociously bitter.
Émile Zola (Therese Raquin)
Men have been found to resist the most powerful monarchs and to refuse to bow down before them, but few indeed have been found to resist the crowd, to stand up alone before misguided masses, to face their implacable frenzy without weapons and with folded arms to dare a no when a yes is demanded. Such a man was Zola!
Hannah Arendt (The Origins of Totalitarianism)
Je n'ai guère de souci de beauté ni de perfection... Je n'ai souci que de vie, de lutte, de fièvre.
Émile Zola
These young people naturally grow up with ideas different from ours, for they are born for times when we shall no longer be here
Émile Zola (Work (Les Quatre Évangiles, #2))
Did not one spend the first half of one's days in dreams of happiness and the second half in regrets and terrors?
Émile Zola (The Joy of Life)
Crever pour crever, je préfère crever de passion que de crever d'ennui !
Émile Zola (The Ladies' Paradise)
Oh, the fools, like a lot of good little schoolboys, scared to death of anything they've been taught is wrong!
Émile Zola (The Masterpiece)
Violence has never prospered, you can't remake the world in a day. Anyone who promises to change everything for you all at once is either a fool or a rogue!
Émile Zola
There’s only one thing that warms my heart, and that is the thought that we are going to sweep away these bourgeois.
Émile Zola (Germinal)
Inability, human incapacity, is the only boundary to an art.
Émile Zola (Le Naturalisme Au Theatre)
Sin became a luxury, a flower set in her hair, a diamond fastened on her brow.
Émile Zola (La Curée)
A ruined man fell from her hands like a ripe fruit, to lie rotting on the ground.
Émile Zola (Nana)
M. Zola sits down to give us a picture of the Second Empire. Who cares for the Second Empire now? It is out of date. Life goes faster than Realism, but Romanticism is always in front of Life.
Oscar Wilde (The Decay Of Lying)
Death had to take her little by little, bit by bit, dragging her along to the bitter end of the miserable existence she'd made for herself. They never even knew what she did die of. Some spoke of a chill. But the truth was that she died from poverty, from the filth and the weariness of her wretched life.
Émile Zola (L'Assommoir)
Il n'y a rien comme l'amour pour donner du courage aux jeunes gens.
Émile Zola
The day is not far off when one ordinary carrot may be pregnant with revolution.
Émile Zola
If something's just, I'll let myself be hacked to bits for it.
Émile Zola
Nothing could be more heart rending than this mute and motionless dispair
Émile Zola (Thérèse Raquin)
Zola smills, smuggles, what is that word? What is it, that word for the happy teeth??
Sharon Creech (The Unfinished Angel)
One forges one's style on the terrible anvil of daily deadlines.
Émile Zola
From the moment I start a new novel, life’s just one endless torture. The first few chapters may go fairly well and I may feel there’s still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book’s no good, far inferior to my earlier ones, until I’ve wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it’s finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that’s nearly broken his back . . . Then it starts all over again, and it’ll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I’ve done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!
Émile Zola (The Masterpiece)
In the sudden change that had come over her heart she no longer recognized herself
Émile Zola (Thérèse Raquin)
So, I decide to treat saying no in the same way I treat saying thank you. Say no and then don't say anything else. I come up with three different clear ways of saying no. * "I am not going to be unable to do that." * Zola gives me: "That is not going to work for me." * And there's simply: "No.
Shonda Rhimes (Year of Yes)
Very well, sir. A woman's opinion, however humble she may be, is always worth listening to, if she's got any sense...If you put yourself in my hands, I shall certainly make a decent man of you.
Émile Zola (The Ladies' Paradise)
It was always the same; other people gave up loving before she did. They got spoilt, or else they went away; in any case, they were partly to blame. Why did it happen so? She herself never changed; when she loved anyone, it was for life. She could not understand desertion; it was something so huge, so monstrous that the notion of it made her little heart break.
Émile Zola (Une page d'amour)
While the storm was erupting, she stayed, staring at it, watching the shafts of lightning, like someone who could see serious things, far away in the future in these sudden flashes of light.
Émile Zola (L'Assommoir)
The passion for defiling things was inborn in her. It was not enough for her to destroy them, she had to soil them too.
Émile Zola (Nana)
She might have liked to try to strangle him with those slender fingers of hers, but she wanted to make a job of it and this great patience with which she waited for her claws to grow was in itself a form of enjoyment.
Émile Zola
Le soleil mentait, quand il se couchait si doux et si calme, au milieu de la grande sérénité du soir.
Émile Zola (La Mort d'Olivier Bécaille et autres nouvelles)
A god of kindness would be charitable to all. Your god of wrath and punishment is but a monstrous phantasy...It is not necessary that one should humble oneself to deserve assistance, it is sufficient that one should suffer.
Émile Zola
All of a sudden, in the good-natured child, the woman stood revealed, a disturbing woman with all the impulsive madness of her sex, opening the gates of the unknown world of desire. Nana was still smiling, but with the deadly smile of a man-eater.
Émile Zola (Nana)
She wanted to live, and live fully, and to give life, she who loved life! What was the good of existing, if you couldn't give yourself?
Émile Zola (The Joy of Life)
An entire lifetime would not be long enough for you to exhaust the glance of the young harvest-girl.
Émile Zola (Truth (Les Quatre Évangiles, #3))
When a peasant begins to feel the need for instruction, he usually becomes fiercely calculating.
Émile Zola (The Fortune of the Rougons (Les Rougon-Macquart, #1))
And then there are always clever people about to promise you that everything will be all right if only you put yourself out a bit... And you get carried away, you suffer so much from the things that exist that you ask for what can't ever exist. Now look at me, I was well away dreaming like a fool and seeing visions of a nice friendly life on good terms with everybody, and off I went, up into the clouds. And when you fall back into the mud it hurts a lot. No! None of it was true, none of those things we thought we could see existed at all. All that was really there was still more misery-- oh yes! as much of that as you like-- and bullets into the bargain!
Émile Zola
Men were springing up, a black avenging host was slowly germinating in the furrows, thrusting upward for the harvests of future ages. And very soon their germination would crack the earth asunder.
Émile Zola (Germinal)
Sometimes she was seized with hallucinations and thought she was buried in some vault together with a lot of puppet-like corpses which nodded their heads and moved their legs and arms when you pulled the strings.
Émile Zola (Thérèse Raquin)
She was a virgin and a warrior, disdainful of the male, which was what eventually convinced people that she really must be off her head.
Émile Zola (La Bête humaine)
they seemed to be greater strangers than before
Émile Zola (Therese Raquin)
The truth is on the march and nothing will stop it.
Émile Zola
Over all crowds there seems to float a vague distress, an atmosphere of pervasive melancholy, as if any large gathering of people creates an aura of terror and pity.
Émile Zola (The Attack on the Mill and Other Stories)
He wept for truth which was dead, for heaven which was void. Beyond the marble walls and gleaming jewelled altars, the huge plaster Christ had no longer a single drop of blood in its veins.
Émile Zola (Pot Luck)
Living in musty shadows and dismal, oppressive silence, Thérèse could see her whole life stretching out before her totally void, bringing night after night the same cold bed and morning after morning the same empty day.
Émile Zola (Thérèse Raquin)
In my view you cannot claim to have seen something until you have photographed it.
Émile Zola
She [Sidonie Rougon] never spoke of her husband, nor of her childhood, her family, or her personal concerns. There was only one thing she never sold, and that was herself.
Émile Zola (La Curée)
When sometimes, behind his back, they called him a tyrant, he merely smiled and uttered this profound observation: "If some day I turn liberal, they will say I have let them down.
Émile Zola (His Excellency (Les Rougon-Macquart, #6))
They were brutes, no doubt, but brutes who could not read, and who were dying of hunger.
Émile Zola (Germinal)
He [Muffat] experienced a sense of pleasure mingled with remorse, the sort of pleasure peculiar to those Catholics whom the fear of hell spurs on to commit sin.
Émile Zola (Nana)
In Paris, everything's for sale: wise virgins, foolish virgins, truth and lies, tears and smiles.
Émile Zola (The Attack on the Mill and Other Stories)
Etre pauvre à Paris, c'est être pauvre deux fois.
Émile Zola (La Curée)
They have so smothered me in their middle-class refinement that I don't know how there can be any blood left in my veins. I lowered my eyes, put on a dismal, silly expression, just like them; I was just as dead-and-alive as they were.
Émile Zola (Thérèse Raquin)
He [Maxime] was twenty, and already there was nothing left to surprise or disgust him. He had certainly dreamt of the most extreme forms of debauchery. Vice with him was not an abyss, as with certain old men, but a natural, external growth.
Émile Zola (La Curée)
Why then should money be blamed for all the dirt and crimes it causes? For is love less filthy - love which creates life?
Émile Zola (L'Argent (Les Rougon-Macquart, #18))
Since the same human mire remains beneath, does not all civilisation reduce itself to the superiority of smelling nice and living well?
Émile Zola (L'Argent (Les Rougon-Macquart, #18))
He knew that, from now on, every day would be alike, that they would all bring the same sufferings. And he saw the weeks, the months, the years that awaited him, gloomy and implacable, coming one after the other, falling on him and suffocating him bit by bit. When the future is without hope, the present takes on a vile, bitter taste.
Émile Zola (Thérèse Raquin)
Good gracious!" she exclaimed, "she's been more than an hour in there! When the priests set about cleansing her of her sins, the choir-boys have to form in line to pass the buckets of filth and empty them in the street!
Émile Zola (The Belly of Paris (Les Rougon-Macquart, #3))
With other women he had not been able to touch their flesh without experiencing the desire to devour it, as though ravenous with an abominable hunger to butcher them. But this one, could he then love her, and not kill her?
Émile Zola (La Bête humaine)
It was at times like this that one of those waves of bestiality ran through the mine, the sudden lust of the male that came over a miner when he met one of these girls on all fours, with her rear in the air and her buttocks busting out of her breeches.
Émile Zola (Germinal)
Jean-Louis had never had a day's illness in his life. He was tall and as gnarled as an oak. The sun had baked his skin until it had the colour and toughness and stillness of a tree. With advancing years, he had lost his tongue. He now never spoke, considering such an activity pointless.
Émile Zola (The Attack on the Mill and Other Stories)
Boredom was at the root of Lazare's unhappiness, an oppressive, unremitting boredom, exuding from everything like the muddy water of a poisoned spring. He was bored with leisure, with work, with himself even more than with others. Meanwhile he blamed his own idleness for it, he ended by being ashamed of it.
Émile Zola (The Joy of Life)
It is a crime to poison the minds of the meek and the humble, to stoke the passions of reactionism and intolerance, by appealing to that odious anti-Semitism that, unchecked, will destroy the freedom-loving France of the Rights of Man. It is a crime to exploit patriotism in the service of hatred, and it is, finally, a crime to ensconce the sword as the modern god, whereas all science is toiling to achieve the coming era of truth and justice.
Émile Zola (J'accuse!)
But newspapers have a duty to truth,' Van said. Lev clucked his tongue. 'They tell the truth only as the exception. Zola wrote that the mendacity of the press could be divided into two groups: the yellow press lies every day without hesitating. But others, like the Times, speak the truth on all inconsequential occasions, so they can deceive the public with the requisite authority when it becomes necessary.' Van got up from his chair to gather the cast-off newspapers. Lev took off his glasses and rubbed his eyes. 'I don't mean to offend the journalists; they aren't any different from other people. They're merely the megaphones of the other people.
Barbara Kingsolver (The Lacuna)
Oui, c'est votre idée, à vous tous, les ouvriers français, déterrer un trésor, pour le manger seul ensuite, dans un coin d'égoïsme et de fainéantise. Vous avez beau crier contre les riches, le courage vous manque de rendre aux pauvres l'argent que la fortune vous envoie... Jamais vous ne serez dignes du bonheur, tant que vous aurez quelque chose à vous, et que votre haine des bourgeois viendra uniquement de votre besoin enragé d'être des bourgeois à leur place.
Émile Zola (Germinal)
Like certain devotees, who think they can fool God and wrest a pardon by paying lip-service to prayer and adopting the humble attitude of the penitent, Therese humiliated herself, beat her chest, found words of repentance, without having anything in the bottom of her heart except fear and cowardice.
Émile Zola (Thérèse Raquin)
His remorse was purely physical. Only his body, strained nerves, and cowering flesh were afraid of the drowned man. Conscience played no part in his terrors, and he had not the slightest regret about killing Camille; in his moments of calm, when the spectre was not present, he would have committed the murder over again had he thought his interests required it.
Émile Zola (Thérèse Raquin)
In the midst of these fine gentlemen with their great names and their ancient traditions of respectability, the two women sat face to face, exchanging tender glances, triumphant and supreme in the tranquil abuse of their sex, and their open contempt for the male. And the gentlemen applauded them.
Émile Zola (Nana)
And that wreched creature without hands or feet, who had to be put to bed and fed like a child, that pitiable remnant of a man, whose almost vanished life was nothing more than one scream of pain, cried out in furious indignation: 'What a fool one must be to go and kill oneself!' " - 'Joy of Life
Émile Zola
These people came into the world and left it bound to their soil, proliferating on their own dung-hills with slow deliberation like the uncomplicated soul of trees which scatter their seed about their feet, with little conception of any larger world beyond the dun rocks among which they vegetated.
Émile Zola (La Faute de l'abbé Mouret (Les Rougon-Macquart, #5))
The whole of Paris was lit up. The tiny dancing flames had bespangled the sea of darkness from end to end of the horizon, and now, like millions of stars, they burned with a steady light in the serene summer night. There was no breath of wind to make them flicker as they hung there in space. They made the unseen city seem as vast as a firmament, reaching out into infinity.
Émile Zola (Une page d'amour)
... Have you ever reflected that posterity may not be the faultless dispenser of justice that we dream of? One consoles oneself for being insulted and denied, by reyling on the equity of the centuries to come; just as the faithful endure all the abominations of this earth in the firm belief of another life, in which each will be rewarded according to his deserts. But suppose Paradise exists no more for the artist than it does for the Catholic, suppose that future generations prolong the misunderstanding and prefer amiable little trifles to vigorous works! Ah! What a sell it would be, eh? To have led a convict's life - to have screwed oneself down to one's work - all for a mere delusion!... "Bah! What does it matter? Well, there's nothing hereafter. We are even madder than the fools who kill themselves for a woman. When the earth splits to pieces in space like a dry walnut, our works won't add one atom to its dust.
Émile Zola
There Albine lay, panting, exhausted by love, her hands clutched closer and closer to her heart, breathing her last. She parted her lips, seeking the kiss which should obliterate her, and then the hyacinths and tuberoses exhaled their incense, wrapping her in a final sigh, so profound that it drowned the chorus of roses, and in this culminating gasp of blossom, Albine was dead.
Émile Zola (La Faute de l'abbé Mouret (Les Rougon-Macquart, #5))
A silence fell at the mention of Gavard. They all looked at each other cautiously. As they were all rather short of breath by this time, it was the camembert they could smell. This cheese, with its gamy odour, had overpowered the milder smells of the marolles and the limbourg; its power was remarkable. Every now and then, however, a slight whiff, a flute-like note, came from the parmesan, while the bries came into play with their soft, musty smell, the gentle sound, so to speak, of a damp tambourine. The livarot launched into an overwhelming reprise, and the géromé kept up the symphony with a sustained high note.
Émile Zola (The Belly of Paris (Les Rougon-Macquart, #3))
His creation was a sort of new religion; the churches, gradually deserted by a wavering faith, were replaced by this bazaar, in the minds of the idle women of Paris. Women now came and spent their leisure time in his establishment, the shivering and anxious hours they formerly passed in churches: a necessary consumption of nervous passion, a growing struggle of the god of dress against the husband, the incessantly renewed religion of the body with the divine future of beauty.
Émile Zola (The Ladies' Paradise)
Oh, that's typical of you modern young men; you've nibbled at science and it's made you ill, because you've not been able to satisfy that old craving for the absolute that you absorbed in your nurseries. You'd like science to give you all the answers at one go, whereas we're only just beginning to understand it, and it'll probably never be anything but an eternal quest. And so you repudiate science, you fall back on religion, and religion won't have you any more. Then you relapse into pessimism...Yes, it's the disease of our age, of the end of the century: you're all inverted Werthers.
Émile Zola (The Joy of Life)
She alone was left standing, amid the accumulated riches of her mansion, while a host of men lay stricken at her feet. Like those monsters of ancient times whose fearful domains were covered with skeletons, she rested her feet on human skulls and was surrounded by catastrophes...The fly that had come from the dungheap of the slums, carrying the ferment of social decay, had poisoned all these men simply by alighting on them. It was fitting and just. She had avenged the beggars and outcasts of her world. And while, as it were, her sex rose in a halo of glory and blazed down on her prostrate victims like a rising sun shining down on a field of carnage, she remained as unconscious of her actions as a splendid animal, ignorant of the havoc she had wreaked, and as good-natured as ever.
Émile Zola (Nana)