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There were some people, it seemed, who were incapable of being pleasant about anything. Of course, the cars that such people drove tended to be difficult as well. Nice cars have nice drivers; bad cars have bad drivers. A person's gearbox revealed everything that you could want to know about that person, thought Mr J.L.B. Matekoni.
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Alexander McCall Smith (The Good Husband of Zebra Drive (No. 1 Ladies' Detective Agency, #8))
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I cannot see myself in a new car. I am a tiny white van person. That is what i want!
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Alexander McCall Smith (The Good Husband of Zebra Drive (No. 1 Ladies' Detective Agency, #8))
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I wired my gas pedal to my stereo, so now when I crank up the volume the car accelerates.
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Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
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My blender has a more powerful engine than my car, but my car doesn’t make smoothies as well. I drive a Toyota Starbucks Limited Edition.
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Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
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You know that when Irving puts the dog in the car, it is no longer in the yard. When Edna goes to church, her head goes with her. If Doug is in the house, he must have gone through some opening unless he was born there and never left. If Sheila is alive at 9 A.M. and is alive at 5 P.M., she was also alive at noon. Zebras in the wild never wear underwear. Opening a jar of a new brand of peanut butter will not vaporize the house. People never shove meat thermometers in their ears. A gerbil is smaller than Mt. Kilimanjaro.
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Steven Pinker (How the Mind Works)
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The glove compartment of my car is empty, but one of these days, I’m going to fill it with an assortment of gloves—everything from boxing gloves to the oven mitts I used when I burned my last bridge.
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Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
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We saw sundials built 300 years ago that are more accurate than any watch or calendar developed electronically today. We got cold feet when it came to crossing the road in Jaipur and decided whatever was on the other side wasn’t worth attempting to cross even on a zebra crossing. We ate in a restaurant that clearly indicated ‘No firearms or guns permitted,’ which made us feel safe. We saw a street fight in Agra over a traffic situation, the only one in the whole ten days. And we learned that when a car driver honks his horn it means, “I’m turning left,” or “I’m turning right,” or “I’m going straight ahead,” or “I’m overtaking on the inside,” or “I’m overtaking on the outside,” or “I just feel like honking my horn for absolutely no reason whatsoever other than I haven’t done it in a while.
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Karl Wiggins (Wrong Planet - Searching for your Tribe)
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The small town of Kasane stands on the high veld plains of the northern horn of Botswana, a tourist haven shouldering the economy of the small but rich country.
The town is located some one thousand kilometers north-east of the Capital City, Gaborone, with its hard blue skies and river-clear air, Kasane is a piece of paradise in this desert region; a shit-hole for the natives apparently as I was to learn, but still the place is a slice of heaven for tourists coming from outside.
At the center of the small town resides an underrated true wonder of nature. A place called Plateau from which one can observe a pack of lions stalking a herd of Zebras; wildebeests crowded together like bees; a fish eagle splashing against the slow moving river and come out bearing a fighting catfish; herds of elephants and Buffaloes grazing and browsing the green mass of flora that escorts what seems like a coiling dark green phantom.
The entire place below Plateau to the north is a wide array of interconnected channels, caressed on the sides by tall evergreen grass. The true wonder that is the exemplar of the Chobe District.
The gravel to the height of ‘Plateau’ snakes through tall, fat baobab trees rising and falling, offering breathtaking views of the dense ridges, then dipping into creeks filled with clusters of dilapidated shacks and mobile homes with junk cars and abandoned road construction machinery scattered about. It clings to more defined creeks with shallow rapids and water clear enough to drink.
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Thabo Katlholo
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In my dream, the passenger seat of my car was a toilet. I guess I was on my way to pick up a politician.
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Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
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Too bad my car key won’t start my house. And to answer your unasked question, no you can’t use my toaster like a dual vagina. At least not for the two-for-one price. That price only applies on Tuesdays.
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Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
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A car crash could be considered art, and I’d like to install one in a museum. Helmets would be sold at the admission booth.
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Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
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I am addicted to comfort,” I thought as I tumbled into the wood chips. I have become divorced from nature; I don’t know what the names of the trees and birds are. I don’t know what berries to eat or which stars will guide me home. I don’t know how to sleep outside in a wood or skin a rabbit. We have become like living cutlets, sanitized into cellular ineptitude. They say that supermarkets have three days’ worth of food. That if there was a power cut, in three days the food would spoil. That if cash machines stopped working, if cars couldn’t be filled with fuel, if homes were denied warmth, within three days we’d be roaming the streets like pampered savages, like urban zebras with nowhere to graze. The comfort has become a prison; we’ve allowed them to turn us into waddling pipkins. What is civilization but dependency? Now, I’m not suggesting we need to become supermen; that solution has been averred before and did not end well. Prisoners of comfort, we dread the Apocalypse. What will we do without our pre-packed meals and cozy jails and soporific glowing screens rocking us comatose? The Apocalypse may not arrive in a bright white instant; it may creep into the present like a fog. All about us we may see the shipwrecked harbingers foraging in the midsts of our excess. What have we become that we can tolerate adjacent destitution? That we can amble by ragged despair at every corner? We have allowed them to sever us from God, and until we take our brothers by the hand we will find no peace.
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Russell Brand (Revolution)
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There are few studio photographs of the making of Abbey Road, but a number of outtakes from the cover shoot exist. In each of the zebra crossing pictures Lennon walks hunched, expressionless, with his hands in his trouser pockets. However, pictures taken beforehand of the group waiting on the studio steps are even more revealing. Lennon appears pale, furrowed, haggard and at least a decade older than his 28 years. Ono was once again pregnant at the time of the car crash; it ended in miscarriage in October. Lennon arranged for Harrods to deliver a double bed to EMI Studios, allowing her to be near him while he worked and she recuperated. She slept, read and knitted, and a microphone was suspended above the bed for her to add her thoughts during the Beatles’ recording sessions, a development which would
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Joe Goodden (Riding So High: The Beatles and Drugs)
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No chickens.” “Zebras?” Maggie Rose asked. Mom laughed. “Crocodiles? Anteaters? Giraffes?” Bryan guessed. All the humans in the car were laughing, so I wagged. People don’t have tails to let others know they’re happy, but laughter is the next best thing.
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W. Bruce Cameron (The Misfit Donkey (Lily to the Rescue! #6))