Zap Quotes

We've searched our database for all the quotes and captions related to Zap. Here they are! All 100 of them:

I don’t care how intelligent or attractive someone is, if he zaps your energy, he isn’t for you. True chemistry is more than intellectual compatibility. Beyond surfaces, you must be intuitively at ease.
Judith Orloff
Percy grunted. “Believe me, some days I regret the choice. Oh, you want to turn down our offer? Okay, fine! ZAP! Lose your memory! Go to Tartarus!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
And the seventh hero…Leo Valdez?” Nico raised his eyebrows. “You remember his name?” “Of course! He invented the Valdezinator. Oh, what a musical instrument! I barely had time to master its major scales before Zeus zapped me at the Parthenon. If anyone could help me, it would be Leo Valdez.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
Zap,’ I said. ‘That’s the technical term for it, is it? What do you call someone who’s been zapped?’ ‘Mr. Crispy,’ said Kumar.
Ben Aaronovitch (Whispers Under Ground (Rivers of London, #3))
At least the statue didn’t rumble, “DIE, UNBELIEVERS!” and zap the mortals to dust. Reyna had once dealt with a statue of the goddess Diana like that. It hadn’t been her most relaxing day.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Big deal. So you fell in love with someone. Don’t you see what happened? This guy touched a place in your heart deeper than you thought you were capable of reaching, I mean you got zapped, kiddo. But that love you felt, that’s just the beginning. You just got a taste of love. That’s just limited little rinky-dink mortal love. Wait till you see how much more deeply you can love than that. Heck, Groceries—you have the capacity to someday love the whole world. It’s your destiny. Don’t laugh.
Elizabeth Gilbert (Eat, Pray, Love)
Let's lay it right on the line. Bigotry and racism are among the deadliest social ills plaguing the world today. But, unlike a team of costumed super-villains, they can’t be halted with a punch in the snoot, or a zap from a ray gun. The only way to destroy them is to expose them—to reveal them for the insidious evils they really are.
Stan Lee
Bloated!" he cried. The corresponding hieroglyph flew through the air, bursting against a demon's chest in a spray of light. Instantly, the demon swelled like a water balloon and rolled screaming down the pyramid. "Flat!" Thoth blasted another demon, who collapsed and shriveled into a monster-shaped doormat. "Intestinal problems!" Thoth yelled. The poor demon who got zapped with that one turned green and doubled over.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Delirium: You use that word so much. Responsibilities. Do you ever think about what that means? I mean, what does it mean to you? In your head? Dream: Well, I use it to refer that area of existence over which I exert a certain amount of control or influence. In my case, the realm and action of dreaming. Delirium: Hump. It's more than that. The things we do make echoes. S'pose, f'rinstance, you stop on a street corner and admire a brilliant fork of lightning--ZAP! Well for ages after people and things will stop on that very same corner, stare up at the sky. They wouldn't even know what they were looking for. Some of them might see a ghost bolt of lightning in the street. Some of them might even be killed by it. Our existence deforms the universe. THAT'S responsibility.
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
Those brain-zapped kids weren’t the only - or maybe even the worst - enemy.
Ilsa J. Bick (Ashes (Ashes Trilogy, #1))
I swear, Kat, you drive like you’re playing a video game. (Cassandra) Yeah, yeah. Wanna see the ray gun I have under the hood to zap them if they don’t get out of my way? (Katra)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
Actually, the zapping light was kinda like Sookie’s fairy-light-thing. Do you think there’s any chance I’m a fairy?” “No, Z. Focus. True Blood is fiction. This is the real world.
P.C. Cast (Hidden (House of Night, #10))
I exchanged my flannel shirt for a Rangers jersey and zapped the television on. Probably I should make more phone calls, but the Rangers were playing and priorities were priorities.
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
Things change so quickly. Just when you get used to something, zap! It changes. Just when you begin to understand someone, zap! They grow up. The same is happening with Katie. She changes every day; her face just becomes so much more grown-up every time I look at her. Sometimes I have to stop pretending I’m interested in what she’s saying in order to realize that I actually am interested. We go shopping for clothes together and I take her advice, we eat out for lunch and giggle over silly things. I just can’t cast my mind back to the time when my child stopped being a child and became a person.
Cecelia Ahern (Love, Rosie)
That's why I preach today. Do not do spite," he said. "Spite does not pay. It goes around and misses the object that you aim and comes back and zaps you. And you're the one who pays for it.
Isabel Wilkerson
That’s why I preach today, Do not do spite,” he said. “Spite does not pay. It goes around and misses the object that you aim and comes back and zaps you. And you’re the one who pays for it.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
Oh God, that hurts,” she whimpered. “What hurts?” Kye asked, sounding concerned. “The invisible man pounding spikes into my head.” “That doesn’t sound good. Maybe you should take out an invisible Taser gun and zap the son of a bitch.
Julie James (About That Night (FBI/US Attorney, #3))
What's the biggest thing you've zapped with a fireball?' I asked. 'That would be a tiger,'said Nightingale. 'Well don't tell Greenpeace,' I said. 'They're an endagered species.' 'Not that sort of tiger,' said Nightingale. 'A Panzer-kampfwagen sechs Ausf E.' I stared at him. 'You knocked out a Tiger tank with a fireball?' 'Actually I knocked out two,' said Nightingale. 'I have to admit that the first one took three shots, one to disable the tracks, one through the driver's eye slot and one down the commander's hatch - brewed up rather nicely.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
If you don’t open that exit hatch this moment I shall zap straight off to your major data banks and reprogram you with a very large axe, got that?
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Use meditation to heal yourself from the infectious effect of energy drainers. Furthermore, excuse yourself from activities and people who tend to zap your energy.
Prem Jagyasi
In the instant Miu touched her hair, Sumire fell in love, like she was crossing a field and bang! a bolt of lightning zapped her right in the head. Something akin to an artistic revelation.
Haruki Murakami (Sputnik Sweetheart)
What the hell do you want from me?” I’m glad my voice doesn’t crack like my insides. “Your fire.” His lips graze the lobe of my ear and a zap of shivers shoot through my body. “Your fight.” His voice drops to a low, tingle-inducing range. “Your everything.
Rina Kent (Cruel King (Royal Elite, #0))
Poor Eric came home to see his brother, only to find (Zap!Pow!Dams burst!Bombs go off!Wasps fry:ttssss!) he's got a sister.
Iain Banks (The Wasp Factory)
Note to self," Joel commented. "When you go into Arious it's a 'no touchee, no zappee' situation! Paelen tapped Emily. "I suggest we try it again, just so I can see Joel's face when he gets zapped!" "Let's not, but say we did," Emily said.
Kate O'Hearn
Quote of the day: (Opening chapter from, Heresy) "He zaps from channel to channel, finally accepting to complete the job, bravely initiated by the alcohol, to further numb his tortured brain, and watch an emission, perfectly tailored for the degenerated masses, cynically named, ‘Switzerland has talent
Gary Edward Gedall
Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.
James McBride (The Heaven & Earth Grocery Store)
Why do I even have to say this? Why do I have to say "Get off the unique and probably alien living plinth that zaps the unwary?" What is wrong with my life that I have to say these things out loud...?
Warren Ellis (Planetary, Volume 1: All Over the World and Other Stories)
In 1965, a psychologist named Martin Seligman started shocking dogs. He was trying to expand on the research of Pavlov--the guy who could make dogs salivate when they heard a bell ring. Seligman wanted to head in the other direction, and when he rang his bell, instead of providing food, he zapped the dogs with electricity. To keep them still, he restrained them in a harness during the experiment. After they were conditioned, he put these dogs in a big box with a little fence dividing it into two halves. He figured if the dog rang the bell, it would hop over the fence to escape, but it didn't. It just sat there and braced itself. They decided to try shocking the dog after the bell. The dog still just sat there and took it. When they put a dog in the box that had never been shocked before or had previously been allowed to escape and tried to zap it--it jumped the fence. You are just like these dogs. If, over the course of your life, you have experienced crushing defeat or pummeling abuse or loss of control, you convince yourself over time that there is no escape, and if escape is offered, you will not act--you become a nihilist who trusts futility above optimism. Studies of the clinically depressed show that they often give in to defeat and stop trying. . . Any extended period of negative emotions can lead to you giving in to despair and accepting your fate. If you remain alone for a long time, you will decide loneliness is a fact of life and pass up opportunities to hang out with people. The loss of control in any situation can lead to this state. . . Choices, even small ones, can hold back the crushing weight of helplessness, but you can't stop there. You must fight back your behavior and learn to fail with pride. Failing often is the only way to ever get the things you want out of life. Besides death, your destiny is not inescapable.
David McRaney (You Are Not So Smart)
Last question: will I really get zapped by lightning if I call Zeus's Fist the 'Poop Pile'? PJ: Only one way to find out! NDA: Go ahead, kid! I'm sure my dad would love to meet you. AC: Percy! Nico! PJ and NDA: Anna-be-eth!
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
Everybody gets jolted. You, me, before we die we’ll all get nailed, lots of times. But that doesn’t mean we’ll get turned into witches. You can’t avoid getting zapped, but you can avoid passing the mean energy on. That’s the interesting thing about witches, the challenge of them-- learning not to hit back, or hit somebody else, when they zap you. You can bury the zap, for instance, like the gods buried the Titans in the center of the earth. Or you can be like a river when a forest fire hits it--phshhhhhhhhhhhh! Just drown it, drown all the heat and let it wash away.
David James Duncan (The Brothers K)
I wished for my fairy godmother, the good witch of the north, or some other bitch with a wand to glide in here and zap these arrow-shooting assholes.
Jocelynn Drake (Nightwalker (Dark Days, #1))
Zapped while zipping.
Tim O'Brien (The Things They Carried)
It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy.
James McBride (The Heaven & Earth Grocery Store)
Hawkeye: ...Remember when Magneto brain-zapped the X-Men into fightin' us? There's mind control goin' on here. That or Cyclops is- Hank: I appreciate your concern, Hank, but I consulted Wolverine. He vouched for both Magneto and Ms Frost. And we, of all people, can't begrudge someone a second chance. Hawkeye: Second chance? Magneto's had, like, THIRTY! How many times're we gonna get burned before we stop cookin' naked? [...] Hank: Listen, why don't you stay here and supervise the students? Things are tense enough with Pietro in there. Hawkeye: Okay, kids, huddle up! We're gonna work on resisting mind control today. No particular reason.
Christos Gage (Avengers Academy, Vol. 3: Second Semester)
Double-zap,” said Tag. “That is not a technical term, I hope,” murmured Asil. “Only the most technically advanced people can use ‘double-zap’ correctly,” Anna told Asil sotto voce. “You and I shouldn’t try it.
Patricia Briggs (Burn Bright (Alpha & Omega, #5))
I'm not ashamed of wanting you. And yes, I've missed touching you, and holding you, and I want that again. But that isn't all I've missed about you since you left town." He placed his palms on the sides of her face, bringing her gaze back to his. "I've missed the way you glance around when you think your karma is going to zap you. I miss watching you walk and the way you push your hair behind your ears. I miss the sound of your voice, and that you try to be a vegetarian and can't. I miss that you believe you're a pacifist even as you shock me on the arm. I've missed everything about you, Gabrielle.
Rachel Gibson (It Must Be Love)
If I so do my best, may this story be recorded and printed and zipped and zapped into hands and eyes and ears and minds and hearts everywhere, and may it no longer be my story but belong to each reader who drinks it in, to make them bigger or smaller as needed; to fill in those tiny holes and smooth over the rough places; to make them sigh and laugh and dream and wonder; to pass a lonely afternoon or enliven a dull evening; to in every regard do just what a story is supposed to do, which is become whatever each reader needs most at that moment.
Shannon Hale (A Wonderlandiful World (Ever After High, #3))
Hundreds of words await ostracism from our functional vocabularies: waltz and fizz and squeeze and booze and frozen pizza pie, frizzy and fuzzy and dizzy and duzzy, the visualization of emphyzeema-zapped Tarzans, wheezing and sneezing, holding glazed and anodized bazookas, seized by all the bizarrities of this zany zone we call home. Dazed or zombified citizens who recognize hazardous organizations of zealots in their hazy midst, too late - too late to size down. Immobilized we iz. Minimalized. Paralyzed. Zip Zap. ZZZZZZZZZ. Crazy. Crazy. Did I say crazy?
Mark Dunn (Ella Minnow Pea: A Novel in Letters)
You should have me there as your representative to make sure he doesn’t try to zap you with his sexy ray.” “Zap me with his sexy ray?” “You know what I’m talking about. I barely saw him and I’m feeling the effects. He’s like an…electromagnetic pulse of sexy or something. So does his friend, Eric. They shouldn’t be allowed in public.” “That’s not how electromagnets work.” “Whatever. You get my point.
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
They used a hard vocabulary to contain the terrible softness. Greased they'd say. Offed, lit up, zapped while zipping. It wasn't cruelty, just stage presence. They were actors. When someone died, it wasn't quite dying, because in a curious way it seemed scripted, and because they had their lives mostly memorized, irony mixed with tragedy, and because they called it by other names, as if to encyst and destroy the reality of death itself.
Tim O'Brien (The Things They Carried)
But I don’t wanna go to the grocery store!” Her forehead connected with the table’s surface. “It’s a mean nasty place with soccer moms blocking the aisles as they talk to their friends or on their cell phones, kids running and screaming all over the place.AndFred,theproduceguy,fondleshismelons 5o ways to hex your lover 45 while looking at mine. And I’m not allowed to zap any of them!” she moaned. “It’s so not fair!
Linda Wisdom (50 Ways to Hex Your Lover (Hex, #1))
Spite does not pay. It goes around and misses the object that you aim and comes back and zaps you. And you’re the one who pays for it.” LOS
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
Plus, it would be fun. Don’t you think? I’ve always wanted to tase someone. Zap!” Zuzana mimicked convulsions.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
You zapped your own brain?" "And it didn't do me any harm apart from the dizziness and the vomiting spells and the weirdly persistent ringing in my ears. Also the blackouts and the moodswings and the creeping paranoia. Apart from that, zero side effects, if you don't count numb fingertips. Which I don't." "Because he also lost the ability to count," said Donegan. "That was temporary," snapped Gracious.
Derek Landy (The Maleficent Seven (Skulduggery Pleasant, #7.5))
Out,” he said. People who can supply that amount of firepower don’t need to supply verbs as well. Ford and Arthur went out, closely followed by the wrong end of the Kill-O-Zap gun and the buttons. Turning
Douglas Adams (The Restaurant at the End of the Universe (Hitchhiker's Guide, #2))
Jason still wasn’t sure how he felt about that. He’d acted like an idiot, announcing in front of everyone that she was a knockout. Not like there’d been anything wrong with her before. Sure, she looked great after Aphrodite zapped her, but she also didn’t look like herself, not comfortable with the attention.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
James, you’d like Lou Reed,” Michael insisted. “He was bisexual.” Their laughter turned to coughs. They were all staring at me when I turned around. I told myself to relax. “Oh, yeah?” I said. “He doesn’t sound bisexual.” Michael just shook his head, but Ronan and Glenn smiled. “They did electroshock therapy on him when he was a teenager,” Michael said. “Electro-what?” said Glenn. “They electrocuted people?” “Kind of. They zapped their brains to alter their personalities. That’s how they tried to make gay people straight back then.” They all looked at me for a response. I shrugged. “So, he was bisexual? It worked halfway?
Kenneth Logan (True Letters from a Fictional Life)
Shelly, what is this?" "What?" "This." She shook her fork. "A Rocky Mountain oyster." "Is it a shellfish?" "No, it's a testicle." "Oh, my God!" She dropped the fork as if it had suddenly zapped her. "Whose?" Dylan burst out laughing. "Not mine." "They came from the Rocking C. I bought 'em during castration season," Shelly told her. "You bought them? Oh, my God!" "Well," Shelly answered as if Hope were the crazy one, "they don't just give away free oysters, you know." "No, I don't know. I'm from California. We eat real food. We don't eat cow ball.
Rachel Gibson (True Confessions (Gospel, Idaho #1))
Go ’head mouth off to me some mo’. I buzz you with my buzzer.” Bennett lowered the paper to the table. “For the last time, it’s not a ‘buzzer.’ It’s not like one of those party tricks that gives somebody a little zap. It’s a Taser. It’s for self-defense, not for smacking someone you can’t reach, and not for frying the brains out of the neighbor’s dog.
Dawn Lee McKenna (Riptide (The Forgotten Coast, #2))
But good writers have a reason for doing things the way they do them, and if you tinker with their work, taking it upon yourself to neutralize a slightly eccentric usage or zap a comma or sharpen the emphasis of something that the writer was deliberately keeping obscure, you are not helping. In my experience, the really great writers enjoy the editorial process. They weigh queries, and they accept or reject them for good reasons. They are not defensive. The whole point of having things read before publication is to test their effect on a general reader. You want to make sure when you go out there that the tag on the back of your collar isn’t poking up—unless, of course, you are deliberately wearing your clothes inside out.
Mary Norris (Between You & Me: Confessions of a Comma Queen)
His master plan to get them all out the door early met its first check of the day when he opened his closet door to discover that Zap the Cat, having penetrated the security of Vorkosigan House through Miles's quisling cook, had made a nest on the floor among his boots and fallen clothing to have kittens. Six of them. Zap ignored his threats about the dire consequences of attacking an Imperial Auditor, and purred and growled from the dimness in her usual schizophrenic fashion. Miles gathered his nerve and rescued his best boots and House uniform, at a cost of some high Vor blood, and sent them downstairs for a hasty cleaning by the overworked Armsman Pym. The Countess, delighted as ever to find her biological empire increasing, came in thoughtfully bearing a cat-gourmet tray prepared by Ma Kosti that Miles would have had no hesitation in eating for his own breakfast. In the general chaos of the morning, however, he had to go down to the kitchen and scrounge his meal. The Countess sat on the floor and cooed into his closet for a good half-hour, and not only escaped laceration, but managed to pick up, sex, and name the whole batch of little squirming furballs before tearing herself away to hurry and dress.
Lois McMaster Bujold (Memory (Vorkosigan Saga, #10))
He was now suddenly hot, as hot as if he’d been in a kitchen baking cinnamon rolls in August. I already knew vampires could sweat, under certain conditions, like being chained to a wall of a house with sunlight coming in through the windows. He was sweating again now. Some of his sweat fell on me. I’ve always rather liked sweat. On other occasions when I’ve had a naked, sweating male body up against mine, I’ve tended to feel that it meant he was getting into what was going on. This usually produces a similar enthusiasm in me. Not that there was anything going on…exactly. Yet. Remember how fast and suddenly this was all happening. And if he was in shock so was I. Maybe my brain hadn’t fully come with me in that zap through the void, like my clothes manifestly hadn’t. With a truly masterful erection now pressed against me I turned my head again and licked his sweating shoulder. What happened next probably lasted about ten seconds. Maybe less. I don’t think I heard the sound he made; I think I only felt it. He moved his hands again, to tip my face toward him, and kissed me. I can’t say I noticed any fangs. I had the lingering vestige of sense not to try anything clever with my teeth, which with a human lover I would have. But I was nonetheless busy with tongue and hands. I wriggled a little under him. I kissed him back as he tangled his fingers in my hair. I arched up off the floor a trifle to press myself more thoroughly against him. I was undoubtedly making some noises of my own…
Robin McKinley (Sunshine)
I squealed as he swung me up over his shoulder and started striding back toward the waterfront. “Nikolas, put me down, you big lug!” I yelled through my laughter. He patted my backside. “This time my Mori and I are in complete agreement.” “You do know I can zap your warrior ass, right?” I squirmed and he held me tighter. His deep laugh warmed me to my toes. “But you won’t.” “How do you know?” “Because you like me... a lot.” I stopped wriggling and started grinning like a fool. What could I say? He was right.     ~
Karen Lynch (Rogue (Relentless, #3))
Here’s a free tip,” his father says: “The feds aren’t terribly impressed by infantile egoism. In fact, if Objectivism were at the center of human philosophical discourse rather than the fringes, we wouldn’t be here—the Big Zap would have arrived decades ago. But I’m going to be generous and let you write down the ghost of Ayn Rand as a brain fart. I won’t bring her up again if you don’t.
Cory Doctorow (The Rapture of the Nerds)
I stand. "I'm not going to San Diego." I zap him with a don't-mess-with-me look. "I have plans for spring break, important plans, plans that were planned eons ago." "Sherry-" "You are not ruining my life. I "-and I jab my thumb into my chest- "can do that all on my own.
Barrie Summy (I So Don't Do Mysteries (I So Don't Do..., #1))
I may well be bringing fresh notions or concepts that will cause many people to think of me as a bit odd, but I’m okay with that, because maybe I’m just conscious and alive in a batty old world. That said, it doesn’t mean everyone will ‘get’ me, there are a million aromas and zings and zaps and tangs and wallops in the world. We all have a different piquancy. What I do mean, however, is that my tribe can find me.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
You smell like electric sunshine.” “Electric sunshine?” she asks. “What exactly does that smell like?” I shift, my body precariously growing closer. “Radiance with a zing, like soft summer meadows zapped by lightning. Like a sweet combination of fire and rain. Soft and edgy. Bright and dark all in one.
Meghan Quinn (The Way I Hate Him (Almond Bay, #1))
You know when you meet someone and there’s just that feeling?” She didn’t respond. “It’s like it’s fate. There’s just that zap in the air and you know it’s got to happen eventually. And when it does, it’s going to be spectacular.” I opened one eye, beyond pleased to see her trying to hide a smile. “Right, Jean?
Kylie Scott (Chaser (Dive Bar, #3))
it's going great. Two months in, and I've created three apps." "Apps?" "For people who buy my book as an e-book --which will be everybody. The first is called Don't Look. It's for the overly sensitive. It blurs and turns the type red when a dog dies or a baby is born with a birth defect. Stuff like that. My second is It's Not Okay When You Say It, and it delivers an electrical zap if the reader laughs at a racial slur. My third is Jesus Thesaurus, which replaces explicit sexual language with church words. So, when one of my characters 'saints' a guy's 'disciple', He'll beg her to 'cavalry' his 'Baptists' and 'shout amen'.
Helen Ellis (American Housewife)
To pragmatists, the letter Z is nothing more than a phonetically symbolic glyph, a minor sign easily learned, readily assimilated, and occasionally deployed in the course of a literate life. To cynics, Z is just an S with a stick up its butt. Well, true enough, any word worth repeating is greater than the sum of its parts; and the particular word-part Z can, from a certain perspective, appear anally wired. On those of us neither prosaic nor jaded, however, those whom the Fates have chosen to monitor such things, Z has had an impact above and beyond its signifying function. A presence in its own right, it’s the most distant and elusive of our twenty-six linguistic atoms; a mysterious, dark figure in an otherwise fairly innocuous lineup, and the sleekest little swimmer ever to take laps in a bowl of alphabet soup. Scarcely a day of my life has gone by when I’ve not stirred the alphabetical ant nest, yet every time I type or pen the letter Z, I still feel a secret tingle, a tiny thrill… Z is a whip crack of a letter, a striking viper of a letter, an open jackknife ever ready to cut the cords of convention or peel the peach of lust. A Z is slick, quick, arcane, eccentric, and always faintly sinister - although its very elegance separates it from the brutish X, that character traditionally associated with all forms of extinction. If X wields a tire iron, Z packs a laser gun. Zap! If X is Mike Hammer, Z is James Bond. If X marks the spot, Z avoids the spot, being too fluid, too cosmopolitan, to remain in one place. In contrast to that prim, trim, self-absorbed supermodel, I, or to O, the voluptuous, orgasmic, bighearted slut, were Z a woman, she would be a femme fatale, the consonant we love to fear and fear to love.
Tom Robbins
Elphaba concentrated on the first Oompa-Loompa on the left. “Iskviesti Zaibo!” A bolt of lightning seemed to come from everywhere and zapped the poor Dymon, who popped like a kernel of popcorn and let out a squeal. “Did I hurt it?” But she didn’t need an answer, as it pulled itself up from the snow and brushed itself off.
Abramelin Keldor (The Goodwill Grimoire)
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.
James McBride (The Heaven & Earth Grocery Store)
If I could mark clearly, convincingly and consistently what was good for me and also what was bad — if I could say yes and also no, as if it were the law — it would become my law. It finally had to. I understood that it wouldn’t be easy, it would be very hard; I’d need to resist the habit I had developed long ago – with conviction. I’d have to be impolite, an inconvenience, and sometimes awkward. But if I could commit, all that discomfort would add up to zap predatory threats like a Taser gun. I’d stun them. They’d bow to me. I’d let my no echo against the mountains. And better to feel bad for a moment saying no – and stop it – than to get harmed.
Aspen Matis (Girl in the Woods: A Memoir)
Willem puts down his fork and knife. 'This is falling in love.' With his finger, he swipes a bit of the Nutella from inside his crepe and puts a dollop on the inside of my wrist. It is hot and oozy and starts to melt against my sticky skin, but before it has a chance to slither away, Willem licks his thumb and wipes the smear of Nutella off and pops it into his mouth. It all happens fast, like a lizard zapping a fly. 'This is being in love.' And he takes my other wrist, the one with my watch on it, and moves the watchband around until he sees what he's looking for. Once again, he licks his thumb. Only this time, he rubs it against my birthmark, hard, as if trying to scrub it off. 'Being in love is a birthmark?' I joke as I retract my arm. But my voice has a tremble in it, and the place where his wet thumbprint is drying against my skin burns somehow. 'It's something that never comes off, no matter how much you might want it to.' 'You're comparing love to a...stain?' He leans so far back in his seat that the front legs of his chair scrape off the floor. He looks very satisfied, with the crepe or with himself, I'm not sure. 'Exactly.
Gayle Forman (Just One Day (Just One Day, #1))
After three hours, I come back to the waiting room. It is a cosmetic surgery office, so a little like a hotel lobby, underheated and expensively decorated, with candy in little dishes, emerald-green plush chairs, and upscale fashion magazines artfully displayed against the wall. A young woman comes in, frantic to get a pimple "zapped" before she sees her family over the holidays. An older woman comes in with her daughter for a follow-up visit to a face-lift. She is wearing a scarf and dark glasses. The nurse examines her bruises right out in the waiting room. And you are in the operating room having your body and your gender legally altered. I feel like laughing, but I know it makes me sound like a lunatic.
Joan Nestle
Ride the Lightning!
Zap (Skylanders)
Our hearts connect with others all the time, the electricity zipping and zapping all over the place. We can't even sense it most of the time, but then we meet The One, and that's when the beat changes ever so slightly to match theirs. That's what they call a match – when the music inside your chest beats in synchronization with the one you're meant to be with.
Vivi Barnes (Paper or Plastic (Entangled Teen))
Notre génération est trop superficielle pour le mariage. On se marie comme on va au MacDo. Après, on zappe. Comment voudriez-vous qu'on reste toute sa vie avec la même personne dans la société du zapping généralisé? Dans l'époque où les stars, les hommes politiques, les arts, les sexes, les religions n'ont jamais été aussi interchangeables? Pourquoi le sentiment amoureux ferait-il exception à la schizophrénie générale? Et puis d'abord, d'où nous vient donc cette curieuse obsession: s'escrimer à tout prix pour être heureux avec une seule personne? Sur 558 types de sociétés humaines, 24 % seulement sont monogames. La plupart des espèces animales sont polygames. Quant aux extraterrestres, n'en parlons pas: il y a longtemps que la Charte Galactique X23 a interdit la monogamie dans toutes les planètes de type B#871. Le mariage, c'est du caviar à tous les repas: une indigestion de ce que vous adorez, jusqu'à l'écœurement. “ Allez, vous en reprendrez bien un peu, non? Quoi? Vous n'en pouvez plus? Pourtant vous trouviez cela délicieux il y a peu, qu'est-ce qui vous prend? Sale gosse, va!” La puissance de l'amour, son incroyable pouvoir, devait franchement terrifier la société occidentale pour qu'elle en vienne à créer ce système destiné à vous dégoûter de ce que vous aimez.
Frédéric Beigbeder (L'amour dure trois ans - Le roman suivi du scénario du film)
As a last resort, with the orange nearing my face and my back pressing hard against the sharp edge of my broadcast table, I grabbed my phone to tell Carlos that if I didn't make it home tonight, it wasn't because I didn't love him, or didn't want to watch a documentary on special scientific graphs, or was too obsessed with my job to relax and enjoy a good meal and some television. It was only because I was zapped out of existence by a lunatic Non-John Peters. And that, in fact, I do love Carlos, and I would want nothing more than to watch a documentary on scientific graphs over some homemade linguini, or go out to eat again, or whatever. But then, as I grabbed my phone, I thought: That's way too long to write for a text. So I just hit John Peters upside the head with it...
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
Okay, I know--my superpower--I'd be able to shoot lightening bolts out from my fingertips--great big knowledge network lightening bolts--and when a person was zapped by one of those bolts, they'd fall down on their knees and once on their knees, they'd be under water, in this place I saw once off the east coast of the Bahamas, a place where a billion electric blue fish swam up to me and made me a part of their school--and then they'd be up in the air, up in Manhattan, above the World Trade Center, with a flock of pigeons, flying amid the skyscrapers, and then--then what? And then they'd go blind, and then they'd be taken away--they'd feel homesick--more homesick than they'd felt in their entire life--so homesick they were throwing up--and they'd be abandoned, I don't know...in the middle of a harvested corn field in Missouri. And then they'd be able to see again, and from the edges of the field people would appear--everybody they'd known--and they'd be carrying Black Forest cakes and burning tiki lamps and boom boxes playing the same song, and they sky would turn into a sunset, the way it does in Walt Disney brochure, and the person I zapped would never be alone or isolated again.
Douglas Coupland (All Families are Psychotic)
I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Is that true?” I asked Dad. “Are they gone for good?” Dad shifted in his seat, uneasy. “Not necessarily. But Sophie, the risk involved in bringing them back…It’s almost too great to fathom.” “I can fathom all kinds of things,” I told him. “Try me.” I think I might have seen pride in Dad’s eyes. Or maybe it was just a gleam of Why is my offspring so insane? Still, he answered me. “If you destroy both the ritual and the witch or warlock who used it, the spell itself can be reversed.” I shrugged. “That doesn’t sound so hard.” “I wasn’t finished. They must be destroyed simultaneously.” Swallowing, I tried to sound cheerful. “Again, not so bad. Get Lara to hold the piece of paper, zap them both with, um, some fire or something, and bam! Instant demon reversal.” “And they must be destroyed in the pit where the demons were raised,” Dad continued, as if I hadn’t said anything. Seriously, he had to stop doing that. “Oh, and as the piece de resistance, you’ll need to do a spell to close the pit itself, with both the ritual and the witch inside it. And that’s such an intense ritual that it could actually pull whatever’s around the pit into it as well.” “Like, the person doing the spell?” “Like, the whole damn island the put is on.” “Oh. Okay. Well, that is definitely…challenging. But not impossible. And we have the grimoire, that’s one bonus, right? Even if the demon-raising ritual isn’t in it.” “Sophie Alice Mercer,” Mom said warningly, just as Dad said, “Atherton,” and Aislinn said, “Brannick.” I threw my hands up. “Look, it doesn’t matter what you call me. I’ll hyphenate, how about that?
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Notre génération est trop superficielle pour le mariage. On se marie comme on va au MacDo. Après, on zappe. Comment voudriez-vous qu'on reste toute sa vie avec la même personne dans la société du zapping généralisé? Dans l'époque où les stars, les hommes politiques, les arts, les sexes, les religions n'ont jamais été aussi interchangeables? Pourquoi le sentiment amoureux ferait-il exception à la schizophrénie générale? Et puis d'abord, d'où nous vient donc cette curieuse obsession: s'escrimer à tout prix pour être heureux avec une seule personne? Sur 558 types de sociétés humaines, 24 % seulement sont monogames. La plupart des espèces animales sont polygames. Quant aux extraterrestres, n'en parlons pas: il y a longtemps que la Charte Galactique X23 a interdit la monogamie dans toutes les planètes de type B#871.
Frédéric Beigbeder (L'amour dure trois ans - Le roman suivi du scénario du film)
This was before the importance of set and setting was understood. I was brought to a basement room, given an injection, and left alone.” A recipe for a bad trip, surely, but Richards had precisely the opposite experience. “I felt immersed in this incredibly detailed imagery that looked like Islamic architecture, with Arabic script, about which I knew nothing. And then I somehow became these exquisitely intricate patterns, losing my usual identity. And all I can say is that the eternal brilliance of mystical consciousness manifested itself. My awareness was flooded with love, beauty, and peace beyond anything I ever had known or imagined to be possible. ‘Awe,’ ‘glory,’ and ‘gratitude’ were the only words that remained relevant.” Descriptions of such experiences always sound a little thin, at least when compared with the emotional impact people are trying to convey; for a life-transforming event, the words can seem paltry. When I mentioned this to Richards, he smiled. “You have to imagine a caveman transported into the middle of Manhattan. He sees buses, cell phones, skyscrapers, airplanes. Then zap him back to his cave. What does he say about the experience? ‘It was big, it was impressive, it was loud.’ He doesn’t have the vocabulary for ‘skyscraper,’ ‘elevator,’ ‘cell phone.’ Maybe he has an intuitive sense there was some sort of significance or order to the scene. But there are words we need that don’t yet exist. We’ve got five crayons when we need fifty thousand different shades.” In
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.
James McBride (The Heaven & Earth Grocery Store)
Or maybe Frank founded it,” Lilly said, once. Meaning nihilism, meaning anarchy, meaning trivial silliness and happiness in the face of gloom, meaning depression descending as regularly as night over the most mindless and joyful of days. Frank believed in zap! He believed in surprises. He was in constant attack and retreat, and he was equally, constantly, wide-eyed and goofily stumbling about in the sudden sunlight—tripping across the wasteland littered with bodies from the darkness of just a moment ago.
John Irving (The Hotel New Hampshire)
Normal is guns and the normal America that really wants to be great again. Then there's another normal if your skin color is the wrong color and another if you're educated and another if you think education is brainwashing and there's an America that believes in vaccines for kids and another that says that's a con trick and everything one normal believes is a lie to another normal and they're all on TV depending where you look, so, yeah, it's confusing. I'm really trying to understand which this is America now. Zap zap zap.
Salman Rushdie (Quichotte)
This isn't the first time I've used this, and the test subject showed no signs of impaired cognitive ability." "Who was the test subject?" asked Aurora. "I test everything out on myself before taking it into the field." She stared at him. "You zapped your own brain?" "And it didn't do me any harm apart from the dizziness and the vomiting spells and the weirdly persistent ringing in my ears. Also the blackouts and the mood swings and the creeping paranoia. Apart from that, zero side effects, if you don't count the numb fingertips. Which I don't.
Derek Landy (The Maleficent Seven (Skulduggery Pleasant, #7.5))
And what did you want?” His eyes sparkled with laughter. “I wanted to find the nearest bar and drink until I forgot a certain orphan with bewitching green eyes. I kept telling myself it was my Mori who wanted you, but the truth was, I noticed you before my demon did, and I wanted to see you again.” Warmth pooled in my stomach. “Would you do it differently now?” “Yes.” “What would you do?” “I’d do this.” I squealed as he swung me up over his shoulder and started striding back toward the waterfront. “Nikolas, put me down, you big lug!” I yelled through my laughter. He patted my backside. “This time my Mori and I are in complete agreement.” “You do know I can zap your warrior ass, right?” I squirmed and he held me tighter. His deep laugh warmed me to my toes. “But you won’t.” “How do you know?” “Because you like me... a lot.
Karen Lynch
Shaver’s worldview was a deeply paranoid one in which pretty much everything of importance was traced back to evil deros and sinister machines in the hollow earth. He did not believe in God, an afterlife, a spiritual world, or paranormal powers: all such htings were the purely physical and totally illusory effects of the ray machines of the deros. We have all been duped, and we are constantly being zapped in our dreams, diseases, and disasters. “The unseen world beneath our feet, malignant and horrible, is complete in its mastery of Earth,” he declared with not a doubt or qualification in sight. So, too, there is no such thing as astral travel or spirits. The spirits seen in séances are in fact projections of the machines controlled again by entirely physical creatures seething and scheming below us. Like other hollow earthers before him, Richard Shaver was what Palmer called “an extreme materialist.” He knew nothing of the psychology of projection, and he seemed completely incapable of thinking symbolically or metaphorically, which I take as a fairly clear symptom of whatever psychological condition he suffered.
Jeffrey J. Kripal (Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal)
TIDY UP YOUR WORKSPACE BEFORE YOU CALL IT A DAY. When you go to an office, you can leave your messy home, well, at home. Not so for remote workers. And this is a problem, because working in a messy space zaps your concentration. Research shows clutter can trigger the release of cortisol (the stress hormone). Messy homes are also linked to increased procrastination. Before you clock out each night, spend five minutes putting things away, organizing your papers, and removing dirty glasses. You’ll appreciate your efforts when you sit down to your desk the next morning.
Aja Frost (Work-from-Home Hacks: 500+ Easy Ways to Get Organized, Stay Productive, and Maintain a Work-Life Balance While Working from Home! (Life Hacks Series))
It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
A big slice of the strange, a zap to the synaptic net, the shock of unending Otherness moistened with meaning, special stinks, grace notes, blaring daylight that illuminated without instructing. A marathon that addicted. To wake up from cold sleep and go into that, fresh from the gewgaws and flashy bubble gum of techno-Earth, was – well, a consummation requiring digestion. She could see that Redwing worried at this, could not let it go. Neither could she. Vexing thoughts came, flying strange and fragrant through her mind, but they were not problems, no. They were the shrapnel you carried, buried deep, wounds from meeting the strange.
Gregory Benford (Shipstar (Bowl of Heaven, #2))
The list of correlations to that night is as long as the Jersey coast. And so is the list of reasons I shouldn't be looking forward to seeing him at school. But I can't help it. He's already texted me three times this morning: Can I pick you up for school? and Do u want 2 have breakfast? and R u getting my texts? My thumbs want to answer "yes" to all of the above, but my dignity demands that I don't answer at all. He called my his student. He stood there alone with me on the beach and told me he thinks of me as a pupil. That our relationship is platonic. And everyone knows what platonic means-rejected. Well, I might be his student, but I'm about to school, him on a few things. The first lesson of the day is Silent Treatment 101. So when I see him in the hall, I give him a polite nod and brush right by him. The zap from the slight contact never quite fades, which mean he's following me. I make it to my locker before his hand is on my arm. "Emma." The way he whispers my name sends goose bumps all the way to my baby toes. But I'm still in control. I nod to him, dial the combination to my locker, then open it in his face. He moves back before contact. Stepping around me, he leans his hand against the locker door and turns me around to face him. "That's not very nice." I raise my best you-started-this brow. He sighs. "I guess that means you didn't miss me." There are so many things I could pop off right now. Things like, "But at least I had Toraf to keep my company" or "You were gone?" Or "Don't feel bad, I didn't miss my calculus teacher either." But the goal is to say nothing. So I turn around. I transfer books and papers between my locker and backpack. As I stab a pencil into my updo, his breath pushes against my earlobe when he chuckles. "So your phone's not broken; you just didn't respond to my texts." Since rolling my eyes doesn't make a sound, it's still within the boundaries of Silent Treatment 101. So I do this while I shut my locker. As I push past him, he grabs my arm. And I figure if stomping on his toe doesn't make a sound... "My grandmother's dying," he blurts. Commence with the catching-Emma-off-guard crap. How can I continue Silent Treatment 101 after that? He never mentioned his grandmother before, but then again, I never mentioned mine either. "I'm sorry, Galen." I put my hand on his, give it a gentle squeeze. He laughs. Complete jackass. "Conveniently, she lives in a condo in Destin and her dying request is to meet you. Rachel called your mom. We're flying out Saturday afternoon, coming back Sunday night. I already called Dr. Milligan." "Un-freaking-believable.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Oh, you’re going to zap me with penicillin and pesticides. Spare me that and I’ll spare you the bomb and aerosols. But don’t confuse progress with perfectibility. A great poet is always timely. A great philosopher is an urgent need. There’s no rush for Isaac Newton. We were quite happy with Aristotle’s cosmos. Personally, I preferred it. Fifty-five crystal spheres geared to God’s crankshaft is my idea of a satisfying universe. I can’t think of anything more trivial than the speed of light. Quarks, quasars—big bangs, black holes—who gives a shit? How did you people con us out of all that status? All that money? And why are you so pleased with yourselves?
Tom Stoppard (Arcadia)
They waited. And waited. And waited some more. Still nothing happened. She turned to Evan and looped her arms round his neck. "I think we might have to kiss. Aurora started them [The Harps] playing with her human boyfriend. I bet hey didn't just hold hands." Suddenly he looked just like the boys at school, impish and foxy. He out his arms tight around her neck. "Or maybe we have to do something more?" She laughed. "You wish." Their faces were inches apart. Little sparks of static were flashing and clicking between them. "I want to kiss you, just in case," he said. So he did, right there beneath the hard in the weird purple light, with their hair standing out like dandelion's. Her first true kiss. Strange. Soft. Sweet. And pretty painful because of the sparks that flew between their lips and zapped of their teeth. And the next moment they were hugging and kissing and almost falling over, until they bumped up against the harp. And this time it didn't ripple beneath them, it gave way." Page 272
Kathryn James (Frost (Mist, #2))
You say you know these streets pretty well? The city knows you better than any living person because it has seen you when you are alone. It saw you steeling yourself for the job interview, slowly walking home after the late date, tripping over nonexistent impediments on the sidewalk. It saw you wince when the single frigid drop fell from the air-conditioner 12 stories up and zapped you. It saw the bewilderment on your face as you stepped out of the stolen matinee, incredulous that there was still daylight after such a long movie. It saw you half-running up the street after you got the keys to your first apartment. It saw all that. Remembers too. Consider what all your old apartments would say if they got together to swap stories. They could piece together the starts and finishes of your relationships, complain about your wardrobe and musical tastes, gossip about who you are after midnight. 7J says, ''So that's what happened to Lucy; I knew it would never work out.'' You picked up yoga, you put down yoga, you tried various cures. You tried on selves and got rid of them, and this makes your old rooms wistful: why must things change? 3R says: ''Saxophone, you say? I knew him when he played guitar.'' Cherish your old apartments and pause for a moment when you pass them. Pay tribute, for they are the caretakers of your reinventions.
Colson Whitehead
We, and the universe we live in, produce and operate in a sea of natural and unnatural electrical and magnetic fields. The earth, for example, pulses at about 10 Hz, like a small engine. Our bodies, as you may remember from chapter 1, are really electromagnetic machines. We simply can't move a muscle or produce a thought without an electrical impulse - and wherever there is electricity, a magnetic field is also produced, which is why we link the two together into one word: electromagnetic." Ann Louise Gittleman
Ann Louise Gittleman (Zapped: Why Your Cell Phone Shouldn't Be Your Alarm Clock and 1,268 Ways to Outsmart the Hazards of Electronic Pollution)
When left alone, the typical teenager begins to wonder: “What is my girlfriend doing now? Am I getting zits? Will I get to finish the math assignment on time? Are those dudes I had a fight with yesterday going to beat me up?” In other words, with nothing to do, the mind is unable to prevent negative thoughts from elbowing their way to center stage. And unless one learns to control consciousness, the same situation confronts adults. Worries about one’s love life, health, investments, family, and job are always hovering at the periphery of attention, waiting until there is nothing pressing that demands concentration. As soon as the mind is ready to relax, zap! the potential problems that were waiting in the wings take over.
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
Aveva paura che i suoi amici e sua madre l’avrebbero trattato come Frankenstein, se avessero saputo la verità, e così Sam tenne alta la guardia per impedire che qualcuno si avvicinasse troppo e per non farsi sfuggire niente di bocca. Sam pensò che fosse l’unico modo per proteggere il vero se stesso, ma questo lo rinchiuse in un asfissiante isolamento. Anche quando era circondato dai suoi amici più cari, Sam si sentiva completamente solo. Fu durante la scuola media che udì il termine transessuale per la prima volta. Aveva già letto quella parola un paio di volte, ma sentirla ebbe un effetto completamente diverso e gli aprì gli occhi sul vero significato del termine. Stava facendo zapping alla televisione una sera e si fermò su una replica di un vecchio talk show. Il titolo recitava Transessuali in America e il conduttore stava intervistando due donne e un uomo trans. Sam rimase stregato dal programma. Gli ospiti trans raccontavano le difficoltà che avevano vissuto crescendo come persone del sesso opposto, la frustrazione di vivere in un mondo che non li capiva e la libertà che avevano provato una volta completata la loro trasformazione.
Chris Colfer (Stranger Than Fanfiction)
Soon after my husband and I started living together, he learned to make noise before coming into my writing space. He learned to do this because if he didn’t I would get startled and scream. That would startle him and he would scream. It was ‘Night of the Living Dead’ meets Edvard Munch till we worked things out. When I write, especially when the writing takes off, I fall into a trancelike state in which I dream with my eyes open. This is why I write. It is the opium I crave, this entry into another state of consciousness. I used to think it meant I was a great writer, that it was proof of my 'genius.' I also used to think it meant I was a nut who zapped into hallucination as soon as her husband shut the door – ‘Diary of a Mad Housewife’ with computer. I now realize it merely means I am writing.
Marcia Golub
So those are the basics. I know some of you are going to be complaining, like, Ah, you forgot to talk about Cheez Whiz, the god of mice! You forgot to mention Bumbritches, the god of bad fashion statements! Or whatever. Please. There are about a hundred thousand Greek gods out there. I'm a little too ADHD to include every single one of them in a single book. Sure, I could tell you how Gaea raised an army of giants to attack Olympus. I could tell you how Cupid got his girlfriend, or how Hecate got her farting weasel. But that would take a whole other book. (And please don't give the publisher any ideas. This writing gig is HARD!) We've covered most of the major players. You probably know enough now to avoid getting zapped into a pile of ash if you ever come across any of the twelve Olympians. Probably. “Me, I’m late to meet my girlfriend. Annabeth is going to kill me. Hope you enjoyed the stories. Stay safe out there, demigods. Peace from Manhattan, Percy Jackson
Rick Riordan (Percy Jackson's Greek Gods)
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.
James McBride (The Heaven & Earth Grocery Store)
I realize that it’s weird that this appendix is in the middle of the book instead of at the end where appendixes are supposed to be, but it works better here, and technically your appendix is in the middle of your body so it sort of makes sense. Probably God had the same issue when Adam was like, “I don’t want to sound ungrateful, but it sort of hurts when I walk. Is that normal? Is this thing on my foot a tumor?” And God was like, “It’s not a tumor. That’s your appendix. Appendixes go at the end. Read a book, dude.” Then Adam was all, “Really? Because I don’t want to second-guess you but it seems like a design flaw. Also that snake in the garden told me it doesn’t even do anything.” And God shook his head and muttered, “Jesus, that fucking snake is like TMZ.” And then Adam was like, “Who’s Jesus?” and God said, “No one yet. It’s just an idea I’m throwing around.” And then God zapped Adam’s appendix off his foot and stuck it in Adam’s midsection instead in case he decided to use it later. But the next day Adam probably asked for a girlfriend and God was like, “It’s gonna cost you a rib,” and Adam was all, “Don’t I need those? Can’t you just make her out of my appendix?” And the snake popped out and hissed, “Seriously, why are you so attached to this appendix idea? Don’t those things occasionally explode for no reason whatsoever?” and God was like, “THIS IS NONE OF YOUR BUSINESS, JEFFERSON. I’M STARTING TO QUESTION WHY I EVEN MADE YOU.” And Adam was like, “Wait … what? They explode?” And God was all, “I’M NOT NEGOTIATING WITH YOU, ADAM.” And that’s why appendixes go in the middle and should probably be removed.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
All right, but you know Star Trek, and ‘Beam me up, Scotty’? How they can teleport people around?” “Yeah. The transporters.” “Do you know how they work?” “Just … special effects. CGI or whatever they used.” “No, I mean within the universe of the show. They work by breaking down your molecules, zapping you over a beam, and putting you back together on the other end.” “Sure.” “That is what scares me. I can’t watch it. I find it too disturbing.” I shrugged. “I don’t get it.” “Well, think about it. Your body is just made of a few different types of atoms. Carbon, hydrogen, oxygen, and so on. So this transporter machine, there is no reason in the world to break down all of those atoms and then send those specific atoms thousands of miles away. One oxygen atom is the same as another, so what it does is send the blueprint for your body across the beam. Then it reassembles you at the destination, out of whatever atoms it has nearby. So if there is carbon and hydrogen at the planet you’re beaming down to, it’ll just put you together out of what it has on hand, because you get the exact same result.” “Sure. “So it’s more like sending a fax than mailing a letter. Only the transporter is a fax machine that shreds the original. Your original body, along with your brain, gets vaporized. Which means what comes out the other end isn’t you. It’s an exact copy that the machine made, of a man who is now dead, his atoms floating freely around the interior of the ship. Only within the universe of the show, nobody knows this. “Meanwhile, you are dead. Dead for eternity. All of your memories and emotions and personality end, right there, on that platform, forever. Your wife and children and friends will never see you again. What they will see is this unnatural photocopy of you that emerged from the other end. And in fact, since transporter technology is used routinely, all of the people you see on that ship are copies of copies of copies of long-dead, vaporized crew members. And no one ever figures it out. They all continue to blithely step into this machine that kills one hundred percent of the people who use it, but nobody realizes it because each time, it spits out a perfect replacement for the victim at the other end.
David Wong (This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It (John Dies at the End, #2))
the agonisingly stilted telephone call with George. Chapter 5 Disturbing Siesta Time Marigold deigned to join me for a stroll around the village in lieu of the promised dip. An enormous pair of rather glamorous sunglasses paired with a jaunty wide-brimmed straw sunhat, obscured her face, making it impossible to read her expression though I guessed she was still miffed at being deprived of her swim. As we walked past the church and the village square the leafy branches of the plane trees offered a shaded canopy against the sun. Our steps turned towards one of the narrow lanes that edged upwards through the village, the ancient cobbles worn smooth and slippery from the tread of donkeys and people. The sound of a moped disturbed the peace of the afternoon and we hastily jumped backwards at its approach, pressing our bodies against a wall as the vehicle zapped past us, the pensioned-off rider’s shouted greeting muffled by the noisy exhaust. Carrier bags of shopping dangling from the handlebars made me reflect the moped was the modern day equivalent of the donkey, though less useful; the old man was forced to dismount and cart the bags of shopping on foot when the cobbled lane gave way to steps. Since adapting to village life we had become less reliant on wheels. Back in Manchester we would have thought nothing of driving to the corner shop, but here in Meli we delighted in exploring on foot, never tiring of discovering
V.D. Bucket (Bucket To Greece, Volume Three)
God’s goodness comes to us amidst the battle and dust of our own suffering, our own long defeat. God always arrives with healing. But he is humble and meek, a king who comes in through the back door of our hearts not to conquer and raze our imperfections away but to hold and heal us by the intimacy of his touch, his presence here with us in the inmost rooms of our suffering. The power of God is radically gentle, never rough with our needs or careless with our yearning. God is fixed upon the restoration of our whole selves and souls, not just the bits that everyone else can see. Yet the very tenderness of his power is something we sometimes treat as his weakness or cruelty because we crave a more visible result. The healing kind of power is not the sort we’ve been taught to respect by existence in a fallen world where power just means brute force. We want the swift and the visible: illness zapped away, money in our hands, brilliant doctors, prosperous lives, and conversion stories by the thousands. We crave visibility and approbation and health and big crowds that make us feel important enough to forget the frail selves we used to be. When we pray for God to come in power to save us, we often picture a scenario in which God invades our lives as the ultimate mighty man to banish our frailty and make us something entirely other than we are, capable of the will and force whose lack we so deeply feel. But God cradles and cherishes our frailty, and that is where the true power of his love is known. I always think it intriguing that in the Gospels Jesus seems far less interested in the faith and hope at work in broken people than merely the healing of their bodies. For I think God knows there is no real healing until our hearts are healed of their fear, our minds cleansed of doubt. Broken bodies, shattered hopes, suffering minds, terrible pasts - they leave us deathly ill with the twisted belief that love can never be great enough to encompass the whole of the story. We feel that we must subtract or conceal part of ourselves if we are ever to win the love of other people or God himself. We are diminished in our own eyes by our suffering, taught to despair of our dreams, to give up our hope that God will come with goodness in his hands. So God creeps in, gentle, and we know his touch because we are not discarded or dismissed, but healed. He comes to unravel our self-doubt, to untangle the evil we have believed, to call us back from the dark lands of our insecurity. He calls us by name and wakes us from sleep so that we rise to ask what this kind and precious King commands, and so often his command is simply to open our hands so that they may be filled with his goodness. For when God arrives as the healer, we learn anew that the anguished hopes we carry are held within God’s hand like the hazelnut of Mother Julian’s vision. The story he weaves for us may look radically different from what we thought we desired, but when it arrives, we will recognize it as the intimate gift of a love whose will for us is always so much greater than our own.
Sarah Clarkson (This Beautiful Truth: How God's Goodness Breaks into Our Darkness)
All right, but you know Star Trek, and ‘Beam me up, Scotty’? How they can teleport people around?” “Yeah. The transporters.” “Do you know how they work?” “Just … special effects. CGI or whatever they used.” “No, I mean within the universe of the show. They work by breaking down your molecules, zapping you over a beam, and putting you back together on the other end.” “Sure.” “That is what scares me. I can’t watch it. I find it too disturbing.” I shrugged. “I don’t get it.” “Well, think about it. Your body is just made of a few different types of atoms. Carbon, hydrogen, oxygen, and so on. So this transporter machine, there is no reason in the world to break down all of those atoms and then send those specific atoms thousands of miles away. One oxygen atom is the same as another, so what it does is send the blueprint for your body across the beam. Then it reassembles you at the destination, out of whatever atoms it has nearby. So if there is carbon and hydrogen at the planet you’re beaming down to, it’ll just put you together out of what it has on hand, because you get the exact same result.” “Sure. “So it’s more like sending a fax than mailing a letter. Only the transporter is a fax machine that shreds the original. Your original body, along with your brain, gets vaporized. Which means what comes out the other end isn’t you. It’s an exact copy that the machine made, of a man who is now dead, his atoms floating freely around the interior of the ship. Only within the universe of the show, nobody knows this. “Meanwhile, you are dead. Dead for eternity. All of your memories and emotions and personality end, right there, on that platform, forever. Your wife and children and friends will never see you again. What they will see is this unnatural photocopy of you that emerged from the other end. And in fact, since transporter technology is used routinely, all of the people you see on that ship are copies of copies of copies of long-dead, vaporized crew members. And no one ever figures it out. They all continue to blithely step into this machine that kills one hundred percent of the people who use it, but nobody realizes it because each time, it spits out a perfect replacement for the victim at the other end.” I
David Wong (This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It (John Dies at the End, #2))
You look…exactly the same.” Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying. “No, you look…just like how I remembered you.” John Ambrose reaches out, and I think he’s trying to hug me but he’s only trying to take my bag from me, and there’s a brief but strange dance that mortifies me but he doesn’t seem to notice. “So thanks for inviting me.” “Thanks for coming.” “Do you want me to take this stuff up for you?” “Sure,” I say. John takes the bag from me and looks inside. “Oh, wow. All of our old snacks! Why don’t you climb up first and I’ll pass it to you.” So that’s what I do: I scramble up the ladder and he climbs up behind me. I’m crouched, arms outstretched, waiting for him to pass me the bag. But when he gets halfway up the ladder, he stops and looks up at me and says, “You still wear your hair in fancy braids.” I touch my side braid. Of all the things to remember about me. Back then, Margot was the one who braided my hair. “You think it looks fancy?” “Yeah. Like…expensive bread.” I burst out laughing. “Bread!” “Yeah. Or…Rapunzel.” I get down on my stomach, wriggle over to the edge, and pretend like I’m letting down my hair for him to climb. He climbs up to the top of the ladder and passes me the bag, which I take, and then he grins at me and gives my braid a tug. I’m still lying down but feel an electric charge like he’s zapped me. I’m suddenly feeling very anxious about the worlds that will be colliding, the past and the present, a pen pal and a boyfriend, all in this little tree house. Probably I should have thought this through a bit better. But I was so focused on the time capsule, and the snacks, and the idea of it--old friends coming back together to do what we said we’d do. And now here we are, in it. “Everything okay?” John asks, offering me his hand as I rise to my feet. I don’t take his hand; I don’t want another zap. “Everything’s great,” I say cheerily. “Hey, you never sent back my letter,” he says. “You broke an unbreakable vow.” I laugh awkwardly. I’d kind of been hoping he wouldn’t bring that up. “It was too embarrassing. The things I wrote. I couldn’t bear the thought of another person seeing it.” “But I already saw it,” he reminds me.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))