β
The past is always tense, the future perfect.
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β
Zadie Smith
β
Every moment happens twice: inside and outside, and they are two different histories.
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β
Zadie Smith (White Teeth)
β
You are never stronger...than when you land on the other side of despair.
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Zadie Smith (White Teeth)
β
She wore her sexuality with an older woman's ease, and not like an awkward purse, never knowing how to hold it, where to hang it, or when to just put it down.
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Zadie Smith
β
The greatest lie ever told about love is that it sets you free.
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Zadie Smith (On Beauty)
β
The very reason I write is so that I might not sleepwalk through my entire life.
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Zadie Smith
β
Time is how you spend your love.
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Zadie Smith
β
You don't have favourites among your children, but you do have allies.
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Zadie Smith (On Beauty)
β
You must live life with the full knowledge that your actions will remain. We are creatures of consequence.
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Zadie Smith (White Teeth)
β
Any woman who counts on her face is a fool.
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Zadie Smith (On Beauty)
β
Sometimes you get a flash of what you look like to other people.
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β
Zadie Smith (On Beauty)
β
Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.
β
β
Zadie Smith (White Teeth)
β
...the wicked lie, that the past is always tense and the future, perfect.
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Zadie Smith (White Teeth)
β
...They cannot escape their history any more than you yourself can lose your shadow.
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β
Zadie Smith (White Teeth)
β
In the end, your past is not my past and your truth is not my truth and your solution - is not my solution.
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Zadie Smith (White Teeth)
β
Stop worrying about your identity and concern yourself with the people you care about, ideas that matter to you, beliefs you can stand by, tickets you can run on. Intelligent humans make those choices with their brain and hearts and they make them alone. The world does not deliver meaning to you. You have to make it meaningful...and decide what you want and need and must do. Itβs a tough, unimaginably lonely and complicated way to be in the world. But thatβs the deal: you have to live; you canβt live by slogans, dead ideas, clichΓ©s, or national flags. Finding an identity is easy. Itβs the easy way out.
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β
Zadie Smith (On Beauty)
β
She hopes for nothing except fine weather and a resolution. She wants to end properly, like a good sentence.
β
β
Zadie Smith (The Autograph Man)
β
Nowadays I know the true reason I read is to feel less alone, to make a connection with a consciousness other than my own.
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β
Zadie Smith (Changing My Mind: Occasional Essays)
β
If religion is the opiate of the people, tradition is an even more sinister analgesic, simply because it rarely appears sinister. If religion is a tight band, a throbbing vein, and a needle, tradition is a far homelier concoction: poppy seeds ground into tea; a sweet cocoa drink laced with cocaine; the kind of thing your grandmother might have made.
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β
Zadie Smith (White Teeth)
β
It's a funny thing about the modern world. You hear girls in the toilets of clubs saying, "Yeah, he fucked off and left me. He didn't love me. He just couldn't deal with love. He was too fucked up to know how to love me." Now, how did that happen? What was it about this unlovable century that convinced us we were, despite everything, eminently lovable as a people, as a species? What made us think that anyone who fails to love us is damaged, lacking, malfunctioning in some way? And particularly if they replace us with a god, or a weeping madonna, or the face of Christ in a ciabatta roll---then we call them crazy. Deluded. Regressive. We are so convinced of the goodness of ourselves, and the goodness of our love, we cannot bear to believe that there might be something more worthy of love than us, more worthy of worship. Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.
β
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Zadie Smith (White Teeth)
β
They had nothing to say to each other. A five-year age gap between siblings is like a garden that needs constant attention. Even three months apart allows the weeds to grow up between you.
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Zadie Smith (On Beauty)
β
This is what divorce is: taking things you no longer want from people you no longer love.
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Zadie Smith (White Teeth)
β
I am very selfish, really. I lived for love.
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Zadie Smith (On Beauty)
β
I am the sole author of the dictionary that defines me.
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β
Zadie Smith (NW)
β
I don't ask myself what did I live for, said Carlene strongly. That is a man's question. I ask whom did I live for.
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β
Zadie Smith (On Beauty)
β
Then he gave her a kiss on the forehead that felt like a baptism and she wept like a baby.
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β
Zadie Smith (White Teeth)
β
Pulchritude--beauty where you would least suspect it, hidden in a word that looked like it should signify a belch or a skin infection.
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β
Zadie Smith (White Teeth)
β
But it makes an immigrant laugh to hear the fears of the nationalist, scared of infection, penetration, miscegenation, when this is small fry, peanuts, compared to what the immigrant fears - dissolution, disappearance.
β
β
Zadie Smith
β
The future's another country, man... And I still ain't got a passport.
β
β
Zadie Smith (On Beauty)
β
Tell the truth through whichever veil comes to hand β but tell it. Resign yourself to the lifelong sadness that comes from never Βbeing satisfied.
β
β
Zadie Smith
β
Right. I look fine. Except I don't,' said Zora, tugging sadly at her man's nightshirt. This was why Kiki had dreaded having girls: she knew she wouldn't be able to protect them from self-disgust. To that end she had tried banning television in the early years, and never had a lipstick or a woman's magazine crossed the threshold of the Belsey home to Kiki's knowledge, but these and other precautionary measures had made no difference. It was in the air, or so it seemed to Kiki, this hatred of women and their bodies-- it seeped in with every draught in the house; people brought it home on their shoes, they breathed it in off their newspapers. There was no way to control it.
β
β
Zadie Smith (On Beauty)
β
The object of the passion is just an accessory to the passion itself.
β
β
Zadie Smith
β
She loved you in the morning because the day was new.
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β
Zadie Smith (The Autograph Man)
β
It's easy to confuse a woman for a philosophy
β
β
Zadie Smith (On Beauty)
β
Full stories are as rare as honesty.
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β
Zadie Smith (White Teeth)
β
She did what girls generally do when they don't feel the part: she dressed it instead.
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Zadie Smith (On Beauty)
β
Happiness is not an absolute value. It is a state of comparison.
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β
Zadie Smith (NW)
β
A truth was being revealed to me: that I had always tried to attach myself to the light of other people, that I had never had any light of my own. I experienced myself as a kind of shadow.
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β
Zadie Smith (Swing Time)
β
No fiction, no myths, no lies, no tangled webs - this is how Irie imagined her homeland. Because homeland is one of the magical fantasy words like unicorn and soul and infinity that have now passed into language.
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Zadie Smith (White Teeth)
β
There was an inevitability about the road towards each other which encouraged meandering along the route.
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Zadie Smith (NW)
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We cannot love something solely because it has been ignored. It must also be worthy of our attention.
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Zadie Smith
β
She measured time in pages. Half an hour, to her, meant ten pages read, or fourteen, depending on the size of the type, and when you think of time in this way there isnβt time for anything else.
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Zadie Smith (Swing Time)
β
Perhaps sex isn't of the body at all. Perhaps it is a function of language.
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Zadie Smith (NW)
β
He was bookish, she was not; he was theoretical, she political. She called a rose a rose. He called it an accumulation of cultural and biological constructions circulating around the mutually attracting binary poles of nature/artifice.
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Zadie Smith (On Beauty)
β
People arenβt poor because they make bad choices. They make bad choices because theyβre poor.
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Zadie Smith (Swing Time)
β
Where I come from," said Archie, "a bloke likes to get to know a girl before he marries her."
"Where you come from it is customary to boil vegetables until they fall apart. This does not mean," said Samad tersely, "that it is a good idea.
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Zadie Smith (White Teeth)
β
I am seized by two contradictory feelings: there is so much beauty in the world it is incredible that we are ever miserable for a moment; there is so much shit in the world that it is incredible we are ever happy for a moment.
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β
Zadie Smith (Feel Free: Essays)
β
Boys are just boys after all, but sometimes girls really seem to be the turn of a pale wrist, or the sudden jut of a hip, or a clutch of very dark hair falling across a freckled forehead. I'm not saying that's what they really are. I'm just saying sometimes it seems that way, and that those details (a thigh mole, a full face flush, a scar the precise shape and size of a cashew nut) are so many hooks waiting to land you.
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β
Zadie Smith
β
For ridding oneself of faith is like boiling seawater to retrieve the salt--something is gained but something is lost.
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Zadie Smith (White Teeth)
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Oh, I know that. You know me, baby, I cannot be broken. Takes a giant to snap me in half.
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Zadie Smith (On Beauty)
β
... don't ever underestimate people, don't ever underestimate the pleasure they receive from viewing pain that is not their own... Pain by itself is just Pain. But Pain + Distance can = entertainment, voyeurism, human interest, cinΓ©ma vΓ©ritΓ©, a good belly chuckle, a sympathetic smile, a raised eyebrow, disguised contempt.
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Zadie Smith (White Teeth)
β
But the problem with readers, the idea we're given of reading is that the model of a reader is the person watching a film, or watching television. So the greatest principle is, "I should sit here and I should be entertained." And the more classical model, which has been completely taken away, is the idea of a reader as an amateur musician. An amateur musician who sits at the piano, has a piece of music, which is the work, made by somebody they don't know, who they probably couldn't comprehend entirely, and they have to use their skills to play this piece of music. The greater the skill, the greater the gift that you give the artist and that the artist gives you. That's the incredibly unfashionable idea of reading. And yet when you practice reading, and you work at a text, it can only give you what you put into it. It's an old moral, but it's completely true.
β
β
Zadie Smith
β
In a whisper he began begging forβand, as the sun set, receivedβthe concession people always beg for: a little more time.
β
β
Zadie Smith (On Beauty)
β
When the male organ of a man stands erect, two thirds of his intelect go away. And one third of his religion.
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Zadie Smith (White Teeth)
β
Our children will be born of our actions. Our accidents will become their destinies. Oh, the actions will remain. It is a simple matter of what you will do when the chips are down, my friend. When the fat lady is singing. When the walls are falling in, and the sky is dark, and the ground is rumbling. In that moment our actions will define us. And it makes no difference whether you are being watched by Allah, Jesus, Buddah, or whether you are not. On cold days a man can see his breath, on a hot day he can't. On both occasions, the man breathes.
β
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Zadie Smith (White Teeth)
β
Each couple is its own vaudeville act.
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Zadie Smith (On Beauty)
β
I cannot believe homosexuality is that much fun. Heterosexuality certainly is not.
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Zadie Smith (White Teeth)
β
This is what a woman is: unadorned, after children and work and age, and experience-these are the marks of living.
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Zadie Smith (On Beauty)
β
When I write I am trying to express my way of being in the world. This is primarily a process of elimination: once you have removed all the dead language, the second-hand dogma, the truths that are not your own but other people's, the mottos, the slogans, the out-and-out lies of your nation, the myths of your historical moment - once you have removed all that warps experience into a shape you do not recognise and do not believe in - what you are left with is something approximating the truth of your own conception.
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β
Zadie Smith
β
Not everyone wants this conventional little life youβre rowing your boat toward. I like my river of fire. And when itβs time for me to go I fully intend to roll off my one-person dinghy into the flames and be consumed. I'm not afraid.
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Zadie Smith (NW)
β
Jerome said, It's like, a family doesn't work anymore when everyone in it is more miserable than they would be if they were alone, You know?
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Zadie Smith (On Beauty)
β
Sometimes I wonder if people don't want freedom as much as they want meaning.
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Zadie Smith (Swing Time)
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People don't settle for people. They resolve to be with them. It takes faith. You draw a circle in the sand and agree to stand in it and believe in it.
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β
Zadie Smith (The Autograph Man)
β
While she was becoming, everyone grew up and became.
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Zadie Smith (NW)
β
She represents love, beauty, purity, the ideal female and the moon...and she's the mystère of jealousy, vengeance and discord, AND, on the other hand, of love, perpetual help, goodwill, health, beauty and fortune.
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Zadie Smith (On Beauty)
β
Generally, women can't do this, but men retain the ancient ability to leave a family and a past. They just unhook themselves, like removing a fake beard, and skulk discreetly back into society, changed men. Unrecognizable.
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β
Zadie Smith (White Teeth)
β
You're a library of me.
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β
Zadie Smith
β
He had her in his heart, but not always in his mind.
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β
Zadie Smith (The Autograph Man)
β
- You look fine.
- Right. I look fine. Except I don't, said Zora, tugging sadly at her man's nightshirt. This was why Kiki had dreaded having girls: she knew she wouldn't be able to protect them from self-disgust.
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β
Zadie Smith (On Beauty)
β
These days, it feels to me like you make a devil's pact when you walk into this country. You hand over your passport at the check-in, you get stamped, you want to make a little money, get yourself started... but you mean to go back! Who would want to stay? Cold, wet, miserable; terrible food, dreadful newspapers - who would want to stay? In a place where you are never welcomed, only tolerated. Just tolerated. Like you are an animal finally house-trained.
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Zadie Smith (White Teeth)
β
...'this is real. This life. We're really here - this is really happening. Suffering is real. When you hurt people, it's real. When you fuck one of our best friends, that's a real thing and it hurts me.
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Zadie Smith (On Beauty)
β
Well-run libraries are filled with people because what a good library offers cannot be easily found elsewhere: an indoor public space in which you do not have to buy anything in order to stay.
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Zadie Smith (Feel Free: Essays)
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Sometimes, one wants to have the illusion that one is making ones own life, out of one's own resources.
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β
Zadie Smith (NW)
β
People talk about the happy quiet that can exist between two loves, but this, too, was great; sitting between his sister and his brother, saying nothing, eating. Before the world existed, before it was populated, and before there were wars and jobs and colleges and movies and clothes and opinions and foreign travel -- before all of these things there had been only one person, Zora, and only one place: a tent in the living room made from chairs and bed-sheets. After a few years, Levi arrived; space was made for him; it was as if he had always been. Looking at them both now, Jerome found himself in their finger joints and neat conch ears, in their long legs and wild curls. He heard himself in their partial lisps caused by puffy tongues vibrating against slightly noticeable buckteeth. He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.
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Zadie Smith (On Beauty)
β
I do feel comforted to discover I'm not the only person on this earth who has no idea what life is for, nor what is to be done with all this time aside from filling it.
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Zadie Smith (Intimations)
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Under every friendship there is a difficult sentence that must be said, in order that the friendship can be survived.
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Zadie Smith (The Autograph Man)
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(and Catholics give out forgiveness at about the same rate as politicians give out promises and whores give out)
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Zadie Smith (White Teeth)
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That girl,' tutted Alsana as her front door slammed, 'swallowed an encyclopedia and a gutter at the same time.
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Zadie Smith (White Teeth)
β
No one is more ingenious than the poor, wherever you find them. When you are poor every stage has to be thought through. Wealth is the opposite. With wealth you get to be thoughtless.β βI
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Zadie Smith (Swing Time)
β
Then you begin to give up the very idea of belonging. Suddenly this thing, this belonging,it seems like some long, dirty lie ... and I begin to believe that birthplaces are accidents, that everything is an accident. But if you believe that, where do you go? What do you do? What does anything matter?
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β
Zadie Smith
β
And so it happened again, the daily miracle whereby interiority opens out and brings to bloom the million-petalled flower of being here, in the world, with other people. Neither as hard as she had thought it might be nor as easy as it appeared.
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Zadie Smith (On Beauty)
β
He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.
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Zadie Smith (On Beauty)
β
This, after all, was the month in which families began tightening and closing and sealing; from Thanksgiving to the New Year, everybody's world contracted, day by day, into the microcosmic single festive household, each with its own rituals and obsessions, rules and dreams. You didn't feel you could call people. They didn't feel they could phone you. How does one cry for help from these seasonal prisons?
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Zadie Smith (On Beauty)
β
... Clara was a teenage girl like any other; the object of her passion was only an accessory to the passion itself, a passion that through its long suppression was now asserting itself with volcanic necessity.
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Zadie Smith (White Teeth)
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I find it impossible to experience either pride or shame over accidents of genetics in which I had no active part. I'm not necessarily proud to be female. I am not even proud to be humanβI only love to be so.
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Zadie Smith
β
Please. Do me this one, great favor, Jones. If ever you hear anyone, when you are back home...if ever you hear anyone speak of the East," and here his voice plummeted a register, and the tone was full and sad, "hold your judgment. If you are told 'they are all this' or 'they do this' or 'their opinions are these,' withhold your judgment until all the facts are upon you. Because that land they call 'India' goes by a thousand names and is populated by millions, and if you think you have found two men the same among that multitude, then you are mistaken. It is merely a trick of the moonlight.
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Zadie Smith (White Teeth)
β
Writing exists (for me) at the intersection of three precarious, uncertain elements: language, the world, the self. The first is never wholly mine; the second I can only ever know in a partial sense; the third is a malleable and improvised response to the previous two.
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Zadie Smith (Feel Free: Essays)
β
Because immigrants have always been particularly prone to repetition - it's something to do with that experience of moving from West to East or East to West or from island to island. Even when you arrive, you're still going back and forth; your children are going round and round. There's no proper term for it - original sin seems too harsh; maybe original trauma would be better.
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Zadie Smith (White Teeth)
β
We are so convinced of the goodness of ourselves, and the goodness of our love, we cannot bear to believe that there might be something more worthy of love than us, more worthy of worship. Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.
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Zadie Smith (White Teeth)
β
How much longer on the divan? Why does sex have to mean everything? OK, it can mean something, but why everything? Why do thirty years have to go down the toilet because I wanted to touch somebody else? Am I missing something? Is this what it comes down to? Why does the sex have to mean everything?
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Zadie Smith (On Beauty)
β
He was having an odd paternal rush, a blood surge that was also about blood and was presently hunting through Howard's expansive intelligence to find words that would more effectively express something like don't walk in front of cars take care and be good and don't hurt or be hurt and don't live in a way that makes you feel dead and don't betray anybody or yourself and take care of what matters and please don't and please remember and make sure
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Zadie Smith (On Beauty)
β
This because it is never really very cold in England. It is drizzly, and the wind will blow; hail happens, and there is a breed of Tuesday in January in which time creeps and no light comes and the air is full of water and nobody really loves anybody, but still a decent jumper and a waxen jacket lined with wool is sufficient for every weather England's got to give.
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Zadie Smith (On Beauty)
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...despite all this, it is still hard to admit that there is no one more English than the Indian, no one more Indian than the English. There are still young white men who are angry about that; who will roll out at closing time into the poorly lit streets with a kitchen knife wrapped in a tight fist. But it makes an immigrant laugh to hear the fears of the nationalist, scared of infection, penetration, miscegenation, when this is small fry, peanuts, compared to what the immigrant fears - dissolution, disappearance.
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Zadie Smith (White Teeth)
β
She had that thing most people don't have - curiosity. She might not have always got the right answers, but she wanted to ask the questions. It's very hard if you are interested in ideas and all that, ideas and the philosophies of the past, it's very hard to find someone around here to really talk to. That's the tragedy of the thing really I mean, when you think about it. Certainly I can't find anyone around here to talk to anymore. And for a woman it's even harder you see. They can feel very trapped - because of the patriarchy. I do feel everyone needs to have these little chats now and then.
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Zadie Smith (NW)
β
(a) Are the skies you sleep under likely to open up for weeks on end?
(b) Is the ground you walk on likely to tremble and split?
(c) Is there a chance (and please check the box, no matter how small that chance seems) that the ominous mountain casting a midday shadow over your home might one day erupt with no rhyme or reason?
Because if the answer is yes to one or all of these questions, then the life you lead is a midnight thing, always a hair's breadth from the witching hour; it is volatile, it is threadbare; it is carefree in the true sense of that term; it is light, losable like a key or a hair clip. And it is lethargy: why not sit all morning, all day, all year, under the same cypress tree drawing the figure eight in the dust? More than that, it is disaster, it is chaos: why not overthrow a government on a whim, why not blind the man you hate, why not go mad, go gibbering through the town like a loon, waving your hands, tearing your hair? There's nothing to stop you---or rather anything could stop you, any hour, any minute. That feeling. That's the real difference in a life.
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Zadie Smith
β
What do we want from our mothers when we are children? Complete submission. Oh, it's very nice and rational and respectable to say that a woman has every right to her life, to her ambitions, to her needs, and so on--it's what I've always demanded myself--but as a child, no, the truth is it's a war of attrition, rationality doesn't come into it, not one bit, all you want from your mother is that she once and for all admit that she is your mother and only your mother, and that her battle with the rest of life is over. She has to lay down arms and come to you. And if she doesn't do it, then it's really a war, and it was a war between my mother and me. Only as an adult did I come to truly admire her--especially in the last, painful years of her life--for all that she had done to claw some space in this world for herself.
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Zadie Smith (Swing Time)
β
USURY: Everybody's looking for the job in which you never have to pay anyone their pound of flesh. Self-employed nirvana. A lot of artists like to think of themselves as uncompromising; a lot of management consultants won't tell you what they do until they've sunk five pints. I don't think anybody should give themselves air just because they don't have to hand over a pound of flesh every day at 5pm, and I don't think anyone should beat themselves with broken glass because they do. If you're an artist, well, good for you. Thank your lucky stars every evening and dance in the garden with the fairies. But don't fool yourself that you occupy some kind of higher moral ground. You have to work for that. Writing a few lines, painting a pretty picture - that just won't do it.
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Zadie Smith (On Beauty)
β
She was a woman still controlled by the traumas of her girlhood. It made more sense to put her three-year-old self in the dock. As Dr Byford explained, she was really the victim of a vicious, peculiarly female psycological disorder: she felt one thing and did another. She was a stranger to herself.
And were they still like that, she wondered - these new girls, this new generation? Did they still feel one thing and do another? Did they still only want to be wanted? Were they still objects of desire instead of - as Howard might put it - desiring subjects? No, she could see no serious change. Still starving themselves, still reading women's magazines that explicitly hate women, still cutting themselves with little knives in places they think can't be seen, still faking their orgasms with men they dislike, still lying to everybody about everything.
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Zadie Smith (On Beauty)
β
We are split people. For myself, half of me wishes to sit quietly with legs crossed, letting the things that are beyond my control wash over me. But the other half wants to fight a holy war. Jihad! And certainly we could argue this out in the street, but I think, in the end, your past is not my past and your truth is not my truth and your solution---it is not my solution. So I do not know what it is you would like me to say. Truth and firmness is one suggestion, though there are many people you can ask if that answer does not satisfy. Personally, my hope lies in the last days. The prophet Muhammad---peace be upon Him!---tells us that on the Day of Resurrection everyone will be struck unconscious. Deaf and dumb. No chitchat. Tongueless. And what a bloody relief that will be.
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Zadie Smith (White Teeth)
β
Some writers are the kind of solo violinists who need complete silence to tune their instruments. Others want to hear every member of the orchestraβtheyβll take a cue from a clarinet, from an oboe, even. I am one of those. My writing desk is covered in open novels. I read lines to swim in a certain sensibility, to strike a particular note, to encourage rigour when Iβm too sentimental, to bring verbal ease when Iβm syntactically uptight. I think of reading like a balanced diet; if your sentences are baggy, too baroque, cut back on fatty Foster Wallace, say, and pick up Kafka, as roughage. If your aesthetic has become so refined it is stopping you from placing a single black mark on white paper, stop worrying so much about what Nabokov would say; pick up Dostoyevsky, patron saint of substance over style.
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Zadie Smith (Changing My Mind: Occasional Essays)