Z Get Quotes

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Logic will get you from A to Z; imagination will get you everywhere.
Albert Einstein
Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.
Mark Z. Danielewski (House of Leaves)
So I hear we get to go to town this weekend. Want to catch a movie or something? --Z P.S. That is, if Jimmy doesn't mind. Translation: This weekend might be a good chance for us to see each other outside our school in a social environment, free of competetiton. I do not view other boys as threats, and I enjoy making them seem insignificant by calling them the wrong names. (Translation by Macey McHenry)
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
I still get nightmares. In fact, I get them so often I should be used to them by now. I'm not. No one ever really gets used to nightmares.
Mark Z. Danielewski (House of Leaves)
I believe in whatever gets you throught the night. [...] Night is the hardest time to be alive. For me, anyway. It lasts so long, and four A.M.knows all my secrets.
Poppy Z. Brite
Will you get off me!" "But I'm giving you CPR-" "I will die before kissing you, Hollywood." Z tried to sit up, his breathing heavy. "Don't even think about it.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
No one ever really gets used to nightmares.
Mark Z. Danielewski (House of Leaves)
Sometimes I get depressed about my age. In March I’ll be 26. If man weren’t measured in numbers, but rather letters, I’d be turning Z. And then I’d be dead.
Jarod Kintz (I Should Have Renamed This)
Fang: “Let them blow up the world, and global-warm it, and pollute it. You and me and the others will be holed up somewhere, safe. We’ll come back out when they’re all gone, done playing their games of world domination." Max: “That’s a great plan. Of course, by then we won’t be able to go outside because we’ll get fried by the lack of the ozone layer. We’ll be living at the bottom of the food chain because everything with flavor will be full of mercury or radiation or something! And there won’t be any TV or cable because all the people will be dead! So our only entertainment will be Gazzy singing the constipation song! And there won’t be amusement parks and museums and zoos and libraries and cute shoes! We’ll be like cavemen, trying to weave clothes out of plant fibers. We’ll have nothing! Nothing! All because you and the kids want to kick back in a La-Z-Boy during the most important time in history!” Fang: “So maybe we should sign you up for a weaving class. Get a jump start on all those plant fibers.” Max: "I HATE YOU!!!" Fang: "NO YOU DOOOOOON'T!!" Voice: "You two are crazy about each other.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
The front door swung open, and Zsadist strode into the house. Wrath glared. "Nice of you to show up, Z. Busy tonight with the females?" "How about you get off my dick?
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Yeah. A feeling. Like the whole point of my life from the alleys in Bangkok to the yachts and private island to coming here like a crazy person trying to fly a helicopter like all of it from birth to here point A to point Z was all some big cosmic trick to get me to meet you. - Sanjit to Lana
Michael Grant (Plague (Gone, #4))
Nights were the worst. I'd try to get some sleep, only to be thrown out of bed and dragged out into the compound for another game of "Let's whack Bobby in the dark!" - Bobby Pendragon, RoZ
D.J. MacHale (The Rivers of Zadaa (Pendragon, #6))
This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place ... You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep. Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name. And then the nightmares will begin.
Mark Z. Danielewski (House of Leaves)
What can I say, I'm a sucker for abandoned stuff, misplaced stuff, forgotten stuff, any old stuff which despite the light of progress and all that, still vanishes every day like shadows at noon, goings unheralded, passings unmourned, well, you get the drift. As a counselor once told me -a counselor for Disaffected Yought, I might add: "You like that crap because it reminds you of you." Couldn't of said it better or put it more bluntly. Don't even disagree with it either.
Mark Z. Danielewski (House of Leaves)
Maybe they did what they had to do to live, and tried to get a little love and have a little fun before the darkness took them.
Poppy Z. Brite (Lost Souls)
I'm not a violent person. I'm not advocating violence. But I am an angry person. I'm advocating for more people to get angry. Get moved.
S.K. Ali (Love from A to Z (A Coming-of-Age Romance))
Hal Incandenza has an almost obsessive dislike for deLint, whom he tells Mario he sometimes cannot quite believe is even real, and tries to get to the side of, to see whether deLint has a true z coordinate or is just a cutout or projection.
David Foster Wallace (Infinite Jest)
I came up with myself. FAYZ. Spelled F-A-Y-Z. It stands for Fallout Alley Youth Zone. Fallout Alley, and nothing but kids." Howard laughed his mean laugh. "Don't worry, Astrid, it's just a FAYZ. Get it? Just a FAYZ.
Michael Grant (Gone (Gone, #1))
. . . show the other side, the one that gets people out of bed the next morning, makes them scratch and scrape and fight for their lives because someone is telling them that they're going to be okay.
Max Brooks (World War Z: An Oral History of the Zombie War)
So let me help you out. My favorite color is-hell, I don't know. I've never cared enough to think about it. My favorite movie is-what else-ZOMBIELAND. But not because the good guys win in the end, though that's a plus, but because Emma Stone is hot." I snorted. He was SUCH a guy. "My favorite band is-" "Let me guess," I interjected. "White Zombie? Slayer?" "Red. And no, not just because I want zombies to bleed.What about you? Who do you like? Because honestly, I'm surprised you know White Z and Slayer." "I like Red,too, but I'm partial to Skillet. Used to listen to them with my sister. But why wouldn't I know the other bands?" "You look so angelic." "And do you think angels are hot?" I asked primly, trying to play it cool so that I wouldn't reveal what a mess I was on the inside. All this time, he'd wanted to get to know me and date me. What craziness! "The hottest.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
What can I say, I'm a sucker for abandoned stuff, misplaced stuff, forgotten stuff, any old stuff which despite the light of progress and all that, still vanishes every day like shadows at noon, goings unheralded, passings unourned, well, you get the drift.
Mark Z. Danielewski (House of Leaves)
To get a better idea try this: focus on these words, and whatever you do don’t let your eyes wander past the perimeter of this page. Now imagine just beyond your peripheral vision, maybe behind you, maybe to the side of you, maybe even in front of you, but right where you can’t see it, something is quietly closing in on you, so quiet in fact that you can only hear it as silence. Find those pockets without sound. That’s where it is. Right at this moment. But don’t look. Keep your eyes here. Now take a deep breath. Go ahead take and even deeper one. Only this time as you start to exhale try to imagine how fast it will happen, how hard it’s gonna hit you, how many times it will stab your jugular with it’s teeth or are they nails?, don’t worry, that particular detail doesn’t matter, because before you have time to even process that you should be moving, you should be running, you should at the very least be flinging up your arms – you sure as hell should be getting rid of this book – you won’t have time to even scream. Don’t look. I didn’t.
Mark Z. Danielewski
Can you ever "solve" disease, unemployment, war, or any other societal herpes? Hell no. All you can hope for is to make them manageable enough to allow people to get on with their lives. That's not cynicism, that's maturity.
Max Brooks (World War Z: An Oral History of the Zombie War)
I could see her get all nervous but she was also excited. Nightmares have that quality, don't they?
Mark Z. Danielewski (House of Leaves)
Do you understand economics? I mean big-time, prewar, global capitalism. Do you get how it worked? I don't, and anyone who says they do is full of shit.
Max Brooks (World War Z: An Oral History of the Zombie War)
I live at the end of some interminable corridor which the lucky damned can call hell but which the much unluckier atheists - and your mother heads up that bunch- must simply get used to calling home.
Mark Z. Danielewski (House of Leaves)
You wouldn't believe how much harder it's getting for me to just leave my studio. It's really sad. In fact these days the only thing that gets me outside is when I say: Fuck. Fuck. Fuck. Fuck you. Fuck me. Fuck this. Fuck. Fuck. Fuck.
Mark Z. Danielewski (House of Leaves)
Tom gets by, Navidson succeeds. Tom just wants to be, Navidson must become. And yet despite such obvious differences, anyone who looks past Tom's wide grin and considers his eyes will find surprisingly deep pools of sorrow. Which is how we know they are brothers, because like Tom, Navidson's eyes share the same water.
Mark Z. Danielewski (House of Leaves)
Kurt Cobain OD'd on heroin before committing suicide, but he also OD'd on fame. Cobain was like Basquiat: They both wanted to be famous, and were brilliant enough to make it happen. But then what? Drug addicts kill themselves trying to get that feeling they got from their first high, looking for an experience they'll never get again. In his suicide note, Cobain asked himself, "Why don't you just enjoy it?" and then answered, "I don't know!" It's amazing how much of a mindfuck success can be.
Jay-Z (Decoded)
It’s like I have no idea who I am anymore,” said Tristan. “Who the hell was that?” “I don’t know, but he’s like…the porn fairy…and I’m not letting him get away.
Z.A. Maxfield (Crossing Borders (Crossing Borders, #1))
If not, let me offer you some instruction in at least one area: get thee to a dictionary and be relentless about your visits there.
Mark Z. Danielewski (House of Leaves)
Which is the other reason hip-hop is controversial: People don't bother trying to get it. The problem isn't in the rap or the rapper or the culture. The problem is that so many people don't even know how to listen to the music.
Jay-Z (Decoded)
Life keeps throwing me stones. And I keep finding the diamonds...
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
Let it shine, the light in you. Oh, and that's delighting me! Various colors shining through. Elated, it fills my soul with ecstasy.
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
Just don't go out fighting. I don't need to know where you're going, that's your biz. But if you get yourself killed, I got ninety-nine problems and you're the biggest one of them." Rehv to John
J.R. Ward
And all you other cats throwin' shots at Jigga, | You only get half a bar: fuck y'all niggaz.
Jay-Z
After a while Mary said, “Zsadist?” “Yeah?” “What are those markings?” His frowned and flicked his eyes over to her, thinking, as if she didn’t know? But then . . . well, she had been a human. Maybe she didn’t. “They’re slave bands. I was . . . a slave.” “Did it hurt when they were put on you?” “Yes.” “Did the same person who cut your face give them to you?” “No, my owner’s hellren did that. My owner . . . she put the bands on me. He was the one who cut my face.” “How long were you a slave?” “A hundred years.” “How did you get free?” “Phury. Phury got me out. That’s how he lost his leg.” “Were you hurt while you were a slave?” Z swallowed hard. “Yes.” “Do you still think about it?” “Yes.” He looked down at his hands, which suddenly were in pain for some reason. Oh, right. He’d made two fists and was squeezing them so tightly his fingers were about to snap off at the knuckles. “Does slavery still happen?” “No. Wrath outlawed it. As a mating gift to me and Bella.” “What kind of slave were you?” Zsadist shut his eyes. Ah, yes, the question he didn’t want to answer. For a while it was all he could do to force himself to stay in the chair. But then, in a falsely level voice, he said, “I was a blood slave. I was used by a female for blood.” The quiet after he spoke bore down on him, a tangible weight. “Zsadist? Can I put my hand on your back?” His head did something that was evidently a nod, because Mary’s gentle palm came down lightly on his shoulder blade. She moved it in a slow, easy circle. “Those are the right answers,” she said. “All of them.” He had to blink fast as the fire in the furnace’s window became blurry. “You think?” he said hoarsely. “No. I know.
J.R. Ward (Father Mine (Black Dagger Brotherhood, #6.5))
Sometimes we gotta be brave even when we're scared. We gotta not let being scared keep us from thinkin' straight. That's all brave is, boy, when you come right down to it, not lettin' the fear get you so turned around you start doin' stupid things, instead of what you know you ought to do.
Poppy Z. Brite
The minute you land in New Orleans, something wet and dark leaps on you and starts humping you like a swamp dog in heat, and the only way to get that aspect of New Orleans off you is to eat it off. That means beignets and crayfish bisque and jambalaya, it means shrimp remoulade, pecan pie, and red beans with rice, it means elegant pompano au papillote, funky file z'herbes, and raw oysters by the dozen, it means grillades for breakfast, a po' boy with chowchow at bedtime, and tubs of gumbo in between. It is not unusual for a visitor to the city to gain fifteen pounds in a week--yet the alternative is a whole lot worse. If you don't eat day and night, if you don't constantly funnel the indigenous flavors into your bloodstream, then the mystery beast will go right on humping you, and you will feel its sordid presence rubbing against you long after you have left town. In fact, like any sex offender, it can leave permanent psychological scars.
Tom Robbins (Jitterbug Perfume)
Life always gives us another change: It's called "To Move On".
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
I inherited that penchant for intellectualism, a character flaw that these days can only be thoroughly eradicated by getting Z’ed up.
John Green (Zombicorns)
Everyone smiles in the same language, Happiness knows no frontiers, no age. No difference thar makes us feel apart if a smile can win even a broken heart.
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
I’m someone who gets consumed by stuff. It engulfs me, wraps me up in its embrace, and doesn’t let me be until I’ve deal with it.
S.K. Ali (Love from A to Z (A Coming-of-Age Romance))
...get thee to a dictionary and be relentless about your visits there. p. 591
Mark Z. Danielewski
Oprah, for instance, still can't get past the n-word issue (or the nigga issue, with all apologies to Ms. Winfrey). I can respect her position. To her, it's a matter of acknowledging the deep and painful history of the word. To me, it's just a word, a word whose power is owned by the user and his or her intention. People give words power, so banning a word is futile, really. "Nigga" becomes "porch monkey" becomes "coon" and so on if that's what in a person's heart. The key is to change the person. And we change people through conversation, not through censorship.
Jay-Z (Decoded)
From dopamine’s point of view, having things is uninteresting. It’s only getting things that matters. If you live under a bridge, dopamine makes you want a tent. If you live in a tent, dopamine makes you want a house. If you live in the most expensive mansion in the world, dopamine makes you want a castle on the moon. Dopamine has no standard for good, and seeks no finish line. The dopamine circuits in the brain can be stimulated only by the possibility of whatever is shiny and new, never mind how perfect things are at the moment. The dopamine motto is “More.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
Hip-hop has always been controversial, and for good reason. When you watch a children's show and they've got a muppet rapping about the alphabet, it's cool, but it's not really hip-hop. The music is meant to be provocative - which doesn't mean it's necessarily obnoxious, but it is (mostly) confrontational, and more than that, it's dense with multiple meanings. Great rap should have all kinds of unresolved layers that you don't necessarily figure out the first time you listen to it. Instead it plants dissonance in your head. You can enjoy a song that knocks in the club or has witty punch lines the first time you hear it. But great rap retains mystery. It leaves shit rattling around in your head that won't make sense till the fifth or sixth time through. It challenges you. Which is the other reason hip-hop is controversial: People don't bother trying to get it. The problem isn't in the rap or the rapper or the culture. The problem is that so many people don't even know how to listen to the music.
Jay-Z (Decoded)
Raise your vibration, Not your tone of voice.. You gain inspiration, For Peace is a choice.
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
Sometimes we called one another by our future doctor names. We did it partly to be funny, but mostly because we liked it when people did it back to us.
David Z. Hirsch (Didn't Get Frazzled: humorous medical fiction)
Stress and sleep deprivation had a funny way of liberating the mind from previously held truisms, replacing them with a more compliant desperation.
David Z. Hirsch (Didn't Get Frazzled: humorous medical fiction)
Tony:...but you need something to do about Noah. Paul: I know, I know. The only problem being that (a) he thinks I'm getting back with my ex-boyfriend, (b) he thinks I'll only hurt him, because (c) I've already hurt him and (d) someone else has already hurt him, which means that I'm hurting him even more. So (e) he doesn't trust me, and in all fairness, (g) every time I see him, I (h) want everything to be right again and I (i) want to kiss him madly. This means that (j) my feelings aren't going away anytime soon, but (k) his feelings don't look likely to budge, either. So either (l) I'm out of luck, (m) I'm out of hope, or (n) there's a way to make it up to him that I'm not thinking of. I could (o) beg, (p) plead, (q) grovel, or (r) give up. But, in order to do that, I would have to sacrifice my (s) pride, (t) reputation, and (u) self-respect, even though (v) I have very little of them left and (w) it probably wouldn't work anyway. As a result, I am (x) lost, (y) clue-free, and (z) wondering if you have any idea whatsoever what I should do.
David Levithan (Boy Meets Boy)
What are you doing here?” – Sundown “Zarek sent me in, just in case.” – Sasha “’Cause shit rolls downhill.” – Sundown “Yeah, and what upsets Z gets my ass kicked. Have I ever told you how much it chafes me that Astrid gave that psycho bastard god powers? I swear I go to bed every night with the one desire to rip out his throat, and I don’t even live with them anymore. Sad, isn’t it?” – Sasha
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
...because I'm sure that as soon as things really get back to "normal," once our kids or grandkids grow up in a peaceful and comfortable world, they'll probably go right back to being as selfish and narrow-minded and generally shitty to one another as we were.
Max Brooks (World War Z: An Oral History of the Zombie War)
What about the FDA? Please, are you serious? Back then the FDA was one of the most underfunded, mismanaged organizations in the country. I think they were still high-fiving over getting Red No. 218 out of M&Ms.
Max Brooks (World War Z: An Oral History of the Zombie War)
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
When you have butterflies and you’re feeling anxious and you have anxiety or are nervous, that’s when you’re most powerful... A lot of people, instead of honing this power and using it, they allow it to just consume them. There’s another quote that says, ‘A big challenge, a big pressure is like a fire, it’s like a raging fire. Either you can allow this fire to consume you and just take you over completely, or you can gain control of this fire and harness it and you blow it right at your opponent, Dragonball Z style.’ That’s what I’m trying to do, trying to get my emotions under control and use this adrenaline to my advantage.
Jon Jones
Vishous came up onto the dais, his eyes down. He accepted the silver glove from Z and slipped it over the black leather he already wore on his hand. Then he scored himself with a quick flash of the black blade and stared at the skull as his blood dripped down into the basin, joining the others'. "My flesh," he whispered. He seemed to hesitate before turning to Butch. Then he pivoted and their eyes met. As candlelight flickered over V's hard face and got caught in his diamond irises, Butch felt his breath get tight: At that moment, his roommate looked as powerful as a god...and maybe even as beautiful. Vishous stepped in close and slid his hand from Butch's shoulder to the back of his neck. "Your flesh," V breathed. Then he paused, as if asking for something. Without thinking, Butch titled his chin up, aware that he was offering himself, aware the he...oh, fuck. He stopped his thoughts, completely weirded out by the vibe that had sprung up from God only knew where. In slow motion Vishous's dark head dropped down and there was a silken brush as his goatee moved against Butch's throat. With delicious precision, V's fangs pressed against the vein that ran up from Butch's heart, then slowly, inexorably, punched through skin. Their chests merged. Butch closed his eyes and absorbed the feel of it all, the warmth of their bodies so close, the way V's hair felt soft on his jaw, the slide of a powerful male arm as it slipped around his waist. On their own accord, Butch's hands left the pegs and came to rest on V's hips, squeezing that hard flesh, bringing them together from head to foot. A tremor went through one of them. Or maybe...shit, it was more likely they both shuddered.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
But Zelda, what wouldn't you give to go back to the beginning, to be those people again, the future so fresh and promising that it seems impossible not to get it right?
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
How rude could you get? She was treating a boy she'd only just met as an inferior being. The only other person I can think of who does that is a Saiyan prince.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。1)
Working hard is not a waste of time, but a state of mind. Keep pushing your limits until you reach the edge. Then be kind and rewind.
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep. Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name. And then the nightmares will begin.
Mark Z. Danielewski
New York has a thousand universes in it that don't always connect but we do all walk the same streets, hear the same sirens, ride the same subways, see the same headlines in the Post, read the same writings on the walls. That shared landscape gets inside of all of us and, in some small way, unites us, makes us think we know each other even when we don't.
Jay-Z (Decoded)
When we get home, I'll make you some soup or something." "God. Don't be nice." "All right." Jeff spoke softly into the darkness. "When we get home, I'll make some soup, and when you're not looking, I'll spit in it.
Z.A. Maxfield (Gasp!)
So what do I do with the rest of my time? he thought. Live rent-free with my parents, write in my notebooks, go out dancing, catch a buzz, get laid? It doesn't sound so bad. But what if I only have, say, five more years to live?
Poppy Z. Brite (Exquisite Corpse)
As far back as Yossarian could recall, he explained to Clevinger with a patient smile, somebody was always hatching a plot to kill him. There were people who cared for him and people who didn't, and those who hated him were out to get him. They hated him because he was Assyrian. But they couldn't touch him, he told Clevinger, because he had a sound mind in a pure body and was as strong as an ox. They couldn't touch him because he was Tarzan, Mandrake, Flash Gordon. He was Bill Shakespeare. He was Cain, Ulysses, the Flying Dutchman; he was Lot in Sodom, Deirdre of the Sorrows, Sweeney in the nightingales among trees. He was miracle ingredient Z-247. He was - Crazy!" Clevinger interrupted, shrieking. "That's what you are! Crazy!" "immense. I'm a real slam-bang, honest-to-goodness, three-fisted humdinger. I'm a bona fide Supraman." "Superman?" Clevinger cried. "Superman?" Supraman," Yossarian corrected.
Joseph Heller (Catch-22)
I guess I'm hoping the weapons will make me feel better, grant me some kind of fucking control, especially if I sense the dullness inside me get too heavy and thick, warning me that something is again approaching, creeping slowly towards my room, no figment of my imagination either but as tangible as you and I, never ceasing to scratch, waiting, perhaps for a word or an order or some other kind of sign to at last initiate this violent and by now inevitable confrontation - always as full of wrath as I am full of fear.
Mark Z. Danielewski (House of Leaves)
Anyone getting starry-eyed about owning a bookstore should ask herself a few questions: Can you lift a box weighing fifty pounds? Do you know what cat pee on paper smells like and can you get it out? Will you exude patience while solving puzzles that start "I'm looking for a book..." and peter out somewhere between "it has 'The' in the title" and "It has a red cover and the author was a soldier whose last name started with S. Or was it Z?
Wendy Welch (The Little Bookstore of Big Stone Gap: A Memoir of Friendship, Community, and the Uncommon Pleasure of a Good Book)
While most of my articles seem unrelated, they typically have one common thread: obsession. They are about ordinary people driven to do extraordinary things—things that most of us would never dare—who get some germ of an idea in their heads that metastasizes until it consumes them.
David Grann (The Lost City of Z: A Tale of Deadly Obsession in the Amazon)
Christy said. "It's just weird, your seeing him like that. What are you going to do?" "Nothing. What can I do?" "Maybe he'll call you to see if you're okay," Katie said. "No," Christy said, "in the movies he would have told his friend to stop the car, and he would have run back to you with an umbrella and walked you the rest of the way hoe, and you would have made him a pot of tea." Sierra laughed. "I am drinking tea right now," she said. "Maybe my life is a low budget 'B' movie, and all I get is the tea. No hero. No umbrella." "Yeah, well then my life is a class 'Z' movie," Katie said. "No tea. No hero. No umbrella. No plot--" "Yours is more of a mystery," Christy interrupted cheerfully. "The ending will surprise all of us.
Robin Jones Gunn (In Your Dreams (Sierra Jensen, #2))
One of the reasons Ayaan said she loves being Muslim is because it makes her feel like a natural feminist. "Like hello? Our queen Khadija didn't wait for the man she had her eye on to ask her, to get on his knees. Nope. Instead, she said, 'I like you, oh employee of mine. Will you marry me?' And then, after they hitched, she just kept her job as his boss. Mad respect.
S.K. Ali (Love from A to Z (A Coming-of-Age Romance))
One of the reasons inequality gets so deep in this country is that everyone wants to be rich. That's the American ideal. Poor people don't like talking about poverty because even though they might live in the projects surrounded by other poor people and have, like, ten dollars in the bank, they don't like to think of themselves as poor. It's embarrassing. When you're a kid, even in the projects, one kid will mercilessly snap on another kid over minor material differences, even though by the American standard, they're both broke as shit.
Jay-Z (Decoded)
We both thrive in the late hours, appreciate its sad taste and never get in the way of each other's dreams, even though Lude just wants more money, better parties and prettier girls and I want something else. I'm not even sure what to call it anymore except I know it feels roomy and it's drenched in sunlight and it's weightless and I know it's not cheap. Probably not even real.
Mark Z. Danielewski (House of Leaves)
Mother Nature is a serial killer.No ones better. More creative. Like all serial killers, she can't help but the urge to get caught. What good are all those brilliant crimes if nobody takes the credit? So she leaves crumbs. Now, the hard part is, and why you spend decades in school, is seeing the crumbs for the clues they are. Sometimes the thing you thought to be the most brutal aspect of the virus, actually turns out to be the chink in its armor. She loves disguising her weaknesses as strengths. She's a b*tch.
Character from World War Z Andrew Fassbauch
We need to spread more seeds and fill this Planet with love to be surrounded by flowers just everywhere! It starts by simply opening up our hearts and hands to one another. It's in simple things where true Happiness may flourish.
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
...So I put it out of its misery, if it really was miserable, and tried not to think about it. That was another thing they taught us at Willow Creek: don't write their eulogy, don't try to imagine who they used to be, how they came to be here, how they came to be this. I know, who doesn't do that, right? Who doesn't look at one of those things and just naturally start to wonder? It's like reading the last page of a book... your imagination just naturally spinning. And that's when you get distracted, get sloppy, let your guard down and end up leaving someone else to wonder what happened to you.
Max Brooks (World War Z: An Oral History of the Zombie War)
Don't let your inner demons Take the best of your creeds. If God gives you lemons, You must plant the seeds. Do not be so self-absorbed That you can't see the tree. If you succumb to what's morbid You bury your chance to be free.
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
My brother betrayed me and our people. If I were as cold as I'd like to be, his hide would be on the floor so everyone could walk on him. Unfortunately, my other brothers were a little disturbed by that so we compromised with the wall." "Understood," Ash said. "Where's the rest of the pack?" "In the back.We're staying out of it. We don't like to kill our own." Zarek snorted at that."Unless it's your brother." Dante approached Zarek and the two of them had a mutual sneer-off."Law of the jungle.The betrayee gets to eat the betrayer." Zarek gave him a droll stare."Law of my jungle. Kill them all and let Hades sort them out." Dante actually laughed at that. "I like this one, Ash. He understands us." "Gee, Z," Ash said jokingly. "I think you may have found a new friend after all. That should make Astrid happy.
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep.
Mark Z. Danielewski (House of Leaves)
Rappers, as a class, are not engaged in anything criminal. They're musicians. Some rappers and friends of rappers commit crimes. Some bus drivers commit crimes. Some accountants commit crimes. But there aren't task forces devoted to bus drivers or accountants. Bus drivers don't have to work under the preemptive suspicion of law enforcement. The difference is obvious, of course: Rappers are young black men telling stories that the police, among others, don't want to hear. Rappers tend to come from places where police are accustomed to treating everybody like a suspect. The general style of rappers is offensive to a lot of people. But being offensive is not acrime, at least not one that's on the books. The fact that law enforcement treats rap like organized crime tells you a lot about just how deeply rap offends some people--they'd love for rap itself to be a crime, but until they get that law passed, they come after us however they can.
Jay-Z (Decoded)
Addiction is a bargain with the cosmos: only stay time, and I'll remain in this holding pattern, too. The uncrossable gap between now and the past is given tangible form and conquered, daily, in the real but bridgeable gap between what I need and what I can get. Addiction creates a god so that time will stop--why all gods are created. God might be another story.
Ann Marlowe (How to Stop Time: Heroin from A to Z)
The way the snowflakes float like tiny feathers—there’s an elegance to it. I could watch for hours. It’s hypnotic. It reminds me of the feeling I get when I stand on the beach, watching the waves. I’m mesmerized by the power, the vastness, and the mysteries of nature. There’s definitely something holy or divine about it. I wonder if it’s the same feeling people get when they enter a church.
Alex Z. Moores (Living in Water)
No, you don’t get to touch yourself in my car.” “Why not?” It wasn’t a whine, it wasn’t. My voice was too deep to whine. It was more of a… whoan. Or something. I couldn’t think. “Three reasons. One, I don’t want to get into an accident trying to keep my eyes on you. Two, if I got into an accident, or if we were pulled over for indecent exposure, the mood killing would be the least of our problems. Three,” and here it was, the tone I loved, that I could barely wait for even though I knew I wasn’t going to like what he had to say, “for the rest of the night, that’s mine. Don’t touch it.
Cari Z. (Making It Work)
Remember you future counselors and bringers of relief: there will never be a cure for life's problems because so many of tomorrow's problems will be new. Good words, like good work and good thinking, help, even if good words are a lot like highway paint. They can keep plenty of heavy things moving at 70 MPH from going the wrong way. But that doesn't mean life won't cross over if it has to. Learn to avoid the collisions. Find other directions. Often a new yes is the best no. Life lived well doesn't get easier but it does get better. Learn to let things go by. And don't be reluctant: life is al[l]ways surpassing us by. Enjoy it.
Mark Z. Danielewski (Honeysuckle & Pain (The Familiar, #3))
Nicotine, in fact, is an unusual drug because it does very little except trigger compulsive use. According to researcher Roland R. Griffiths, PhD, professor of psychiatry and behavioral sciences at the Johns Hopkins University School of Medicine, “When you give people nicotine for the first time, most people don’t like it. It’s different from many other addictive drugs, for which most people say they enjoy the first experience and would try it again.” Nicotine doesn’t make you high like marijuana or intoxicated like alcohol or wired up like speed. Some people say it makes them feel more relaxed or more alert, but really, the main thing it does is relieve cravings for itself. It’s the perfect circle. The only point of smoking cigarettes is to get addicted so one can experience the pleasure of relieving the unpleasant feeling of craving, like a man who carries around a rock all day because it feels so good when he puts it down.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
At first glance, it seems hard to believe these two men are even related let alone brothers. Tom is content if there happens to be a game on and a soft place from which to watch it. Navidson works out every day, devours volumes of esoteric criticism, and constantly attaches the world around him to one thing: photography. Tom gets by, Navidson succeeds. Tom just wants to be, Navidson must become. And yet despite such obvious differences, anyone who looks past Tom's wide grin and considers his eyes will find surprisingly deep pools of sorrow. Which is how we know they are brothers, because like Tom, Navidson's eyes share the same water.
Mark Z. Danielewski (House of Leaves)
Our lips just trespassed on those inner labyrinths hidden deep within our ears, filled them with the private music of wicked words, hers in many languages, mine in the off color of my own tongue, until as our tones shifted, and our consonants spun and squealed, rattled faster, hesitated, raced harder, syllables soon melting with groans, or moans finding purchase in new words, or old words, or made-up words, until we gathered up our heat and refused to release it, enjoying too much the dark language we had suddenly stumbled upon, craved to, carved to, not a communication really but a channeling of our rumored desires, hers for all I know gone to Black Forests and wolves, mine banging back to a familiar form, that great revenant mystery I still could only hear the shape of, which in spite of our separate lusts and individual cries still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn fueled by sound, hers screeching, mine – I didn’t hear mine – only hears, probably counter-pointing mine, a high-pitched cry, then a whisper dropping unexpectedly to practically a bark, a grunt, whatever, no sense any more, and suddenly no more curves either, just the straight away, some line crossed, where every fractured sound already spoken finally compacts into one long agonizing word, easily exceeding a hundred letters, even thunder, anticipating the inevitable letting go, when the heat is ultimately too much to bear, threatening to burn, scar, tear it all apart, yet tempting enough to hold onto for even one second more, to extend it all, if we can, as if by getting that much closer to the heat, that much more enveloped, would prove … - which when we did clutch, hold, postpone, did in fact prove too much after all, seconds too much, and impossible to refuse, so blowing all of everything apart, shivers and shakes and deep in her throat a thousand letters crashing in a long unmodulated fall, resonating deep within my cochlea and down the cochlear nerve, a last fit of fury describing in lasting detail the shape of things already come. Too bad dark languages rarely survive.
Mark Z. Danielewski (House of Leaves)
Oh C'mon. Can you ever "solve" poverty? Can you ever "solve" crime? Can you ever "solve" disease, unemployment, war or any other societal herpes? Hell no. All you can hope for is to make them manageable enough to allow people to get on with their lives. That's not cynicism, that's maturity. You can't stop the rain. All you can do is just build a roof that you hope won't leak, or at least leak on the people who are gonna vote for you.
Max Brooks (World War Z: An Oral History of the Zombie War)
Some people have used this song as evidence that I worship the devil, which is another chapter for the big book of stupid. It's really just laughable. But the sad part is that it's not even remotely a song about devil worship! It's a song about the intersection of some basic human emotions, the place where sadness meets rage, where our need to mourn meets our lust for justice, where our faith meets our inclination to take matters into our own hands, like karmic vigilantes. People who hear the word Lucifer and start making accusations are just robbing themselves of an opportunity to get in touch with something deeper than that, something inside their own souls.
Jay-Z (Decoded)
Well, Pip,’ said Joe, ‘be it so or be it son’t, you must be a scholar afore you can be a oncommon one, I should hope! The king upon his throne, with his crown upon his ed, can’t sit and write his acts of Parliament in print, without having begun, when he were a unpromoted Prince, with the alphabet – Ah!’ added Joe, with a shake of the head that was full of meaning. ‘and begun at A too, and worked his way to Z. And I know what that is to do, though I can’t say I’ve exactly done it.’ There was some hope in this piece of wisdom, and it rather encouraged me. ‘Whether common ones as to callings and earnings,’ pursued Joe reflectively, ‘mightn’t be the better of continuing for to keep company with common ones, instead of going out to play with oncommon ones – which reminds me to hope there were a flag, perhaps?’ ‘No, Joe.’ ‘(I’m sorry there weren’t a flag, Pip.) Whether that might be or mightn’t be, is a thing as can’t be looked into now, without putting your sister on the Rampage; and that’s a thing not to be thought of, as being done intentional. Lookee here, Pip, at what is said to you by a true friend. Which this to you the true friend say. If you can’t get to be oncommon through going straight, you’ll never get to do it through going crooked. So don’t tell no more on ‘em, Pip, and live well and die happy.’ Chapter 9
Charles Dickens (Great Expectations)
What I’m about to tell you,” Elliott told me, “ninety-nine percent of people in the world will never understand.” For the first time all week, it was just the two of us. Elliott had told Austin he wanted to talk to me one-on-one. We were standing on a rooftop lounge during sunset, looking out at the Manhattan skyline. “You see, most people live a linear life,” he continued. “They go to college, get an internship, graduate, land a job, get a promotion, save up for a vacation each year, work toward their next promotion, and they just do that their whole lives. Their lives move step by step, slowly and predictably. “But successful people don’t buy into that model. They opt into an exponential life. Rather than going step by step, they skip steps. People say that you first need to ‘pay your dues’ and get years of experience before you can go out on your own and get what you truly want. Society feeds us this lie that you need to do x, y, and z before you can achieve your dream. It’s bullshit. The only person whose permission you need to live an exponential life is your own. “Sometimes an exponential life lands in your lap, like with a child prodigy. But most of the time, for people like you and me, we have to seize it for ourselves. If you actually want to make a difference in the world, if you want to live a life of inspiration, adventure, and wild success—you need to grab on to that exponential life—and hold on to it with all you’ve got.
Alex Banayan (The Third Door: The Wild Quest to Uncover How the World's Most Successful People Launched Their Careers)
But that's a good match for the way I've always approached life. I've always believed in motion and action, in following connections wherever they take me, and in not getting entrenched. My life has been more poetry than prose, more about unpredictable leaps and links than simple steady movement, or worse, stagnation. It's allowed me to stay open to the next thing without feeling held back by a preconceived notion of what I'm supposed to be doing next. Stories have ups and downs and moments of development followed by moments of climax; the storyteller has to keep it all together, which is an incredible skill. But poetry is all climax, every word and line pops with the same energy as the whole; even the spaces between the words can feel charged with potential energy. It fits my style to rhyme with high stakes riding on every word and to fill every pause with pressure and possibility. And maybe I just have ADD, but I also like my rhymes to stay loose enough to follow whatever ideas hijack my train of thought, just like I like my mind to stay loose enough to absorb everything around me.
Jay-Z (Decoded)
A very distinct pattern has emerged repeatedly when policies favored by the anointed turn out to fail. This pattern typically has four stages: STAGE 1. THE “CRISIS”: Some situation exists, whose negative aspects the anointed propose to eliminate. Such a situation is routinely characterized as a “crisis,” even though all human situations have negative aspects, and even though evidence is seldom asked or given to show how the situation at hand is either uniquely bad or threatening to get worse. Sometimes the situation described as a “crisis” has in fact already been getting better for years. STAGE 2. THE “SOLUTION”: Policies to end the “crisis” are advocated by the anointed, who say that these policies will lead to beneficial result A. Critics say that these policies will lead to detrimental result Z. The anointed dismiss these latter claims as absurd and “simplistic,” if not dishonest. STAGE 3. THE RESULTS: The policies are instituted and lead to detrimental result Z. STAGE 4. THE RESPONSE: Those who attribute detrimental result Z to the policies instituted are dismissed as “simplistic” for ignoring the “complexities” involved, as “many factors” went into determining the outcome. The burden of proof is put on the critics to demonstrate to a certainty that these policies alone were the only possible cause of the worsening that occurred. No burden of proof whatever is put on those who had so confidently predicted improvement. Indeed, it is often asserted that things would have been even worse, were it not for the wonderful programs that mitigated the inevitable damage from other factors. Examples of this pattern are all too abundant. Three will be considered here. The first and most general involves the set of social welfare policies called “the war on poverty” during the administration of President Lyndon B. Johnson, but continuing under other labels since then. Next is the policy of introducing “sex education” into the public schools, as a means of reducing teenage pregnancy and venereal diseases. The third example will be policies designed to reduce crime by adopting a less punitive approach, being more concerned with preventive social policies beforehand and rehabilitation afterwards, as well as showing more concern with the legal rights of defendants in criminal cases.
Thomas Sowell (The Thomas Sowell Reader)
So you never really tried to solve the problem. Oh, c’mon. Can you ever “solve” poverty? Can you ever “solve” crime? Can you ever “solve” disease, unemployment, war, or any other societal herpes? Hell no. All you can hope for is to make them manageable enough to allow people to get on with their lives. That’s not cynicism, that’s maturity. You can’t stop the rain. All you can do is just build a roof that you hope won’t leak, or at least won’t leak on the people who are gonna vote for you. What does that mean? C’mon… Seriously. What does that mean? Fine, whatever, “Mister Smith goes to motherfuckin’ Washington,” it means that, in politics, you focus on the needs of your power base. Keep them happy, and they keep you in office.
Max Brooks (World War Z: An Oral History of the Zombie War)
Do you understand economics? I mean big-time, prewar, global capitalism. Do you get how it worked? I don’t, and anyone who says they do is full of shit. There are no rules, no scientific absolutes. You win, you lose, it’s a total crapshoot. The only rule that ever made sense to me I learned from a history, not an economics, professor at Wharton. “Fear,” he used to say, “fear is the most valuable commodity in the universe.” That blew me away. “Turn on the TV,” he’d say. “What are you seeing? People selling their products? No. People selling the fear of you having to live without their products.” Fuckin’ A, was he right. Fear of aging, fear of loneliness, fear of poverty, fear of failure. Fear is the most basic emotion we have. Fear is primal. Fear sells. That was my mantra. “Fear sells.
Max Brooks (World War Z: An Oral History of the Zombie War)
half-blood of the eldest gods . . . shall reach sixteen against all odds . . .” I hesitated, staring at the next lines. A cold feeling started in my fingers as if the paper was freezing. “And see the world in endless sleep, The hero’s soul, cursed blade shall reap.” Suddenly Riptide seemed heavier in my pocket. A cursed blade? Chiron once told me Riptide had brought many people sorrow. Was it possible my own sword could get me killed? And how could the world to fall into endless sleep, unless that meant death? “Percy,” Chiron urged. “Read the rest.” My mouth felt like it was full of sand, but I spoke the last two lines. “A single choice shall . . . shall end his days. Olympus to per—pursue—” “Preserve,” Annabeth said gently. “It means to save.” “I know what it means,” I grumbled. “Olympus to preserve or raze.” The room was silent. Finally Connor Stoll said, “Raise is good, isn’t it?” “Not raise,” Silena said. Her voice was hollow, but I was startled to hear her speak at all. “R-a-z-e means destroy.” “Obliterate,” Annabeth said. “Annihilate. Turn to rubble.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
When it comes to signing up new talent, that's what I'm looking for-- not just someone who has the skill, but someone built for this life. Someone who has the work ethic, the drive. The gift that Jordan had wasn't just that he was willing to do the work, but he loved doing it, because he could feel himself getting stronger, ready for anything. He left the game and came back and worked just as hard as he did when he started. He came into the game as Rookie of the Year, and he finished the last playoff game of his career with a shot that won the Bulls their sixth championship. THAT'S THE KIND OF CONSISTENCY THAT YOU CAN ONLY GET BY ADDING DEAD-SERIOUS DISCIPLINE TO WHATEVER TALENT YOU HAVE.
Jay-Z (Decoded)
Zits,” I said. “Z-I-T-S. Actually, I don’t think you even need electric bolts. You could just breathe on us.” I looked him in the eyes and smiled. “Seriously, dude, when was the last time you brushed your teeth?” “Shut up!” “No, really. Did you eat a diaper?” “Shut up!” he shouted. He squinted. “Do you know how much I enjoyed guarding your mother? I shocked her at least a dozen times just to watch her squeal.” “Yeah, well you could have just sat next to her and let her smell you. That would have been much worse. I’ve had hamsters with better hygiene.” “Enough! Don’t think I won’t electrocute you, Vey!” Taylor looked at me as if I’d lost my mind. “It’s his Tourette’s, he can’t help it.” “I’m scared, Zits,” I said. “You know Hatch would have your head if you did. But here’s my promise: after I’m in charge, my first command is to make you my shoeshine boy. You’ll be following me around with a towel.” “You’ll never be in charge.” “No, that’s what Hatch said. You heard him. He wants my power. I’m not kidding, Zits. When Hatch was trying to get me to join you guys, he promised me that you would be my servant.” Zeus looked at me with a worried expression. After a moment he shouted, “Shut up! And stop calling me Zits!” “I don’t think I will. In fact, it’s going to be the first rule I make. I’m going to have everyone else call you that.” “I don’t care what Hatch says. I’m gonna fry you, Vey.” “Oooh, now I’m really shaking. You don’t have enough juice in you to light a flashlight.” “Michael!” Taylor shouted. “Stop it. He’s got a temper. I’ve seen it.” “You should listen to the cheerleader, Vey.” He stepped toward me. “You think you’re so cool. But you can’t shoot electricity like me, can you? You’re just a flesh-covered battery.” “And you’re a flesh-covered outhouse. You should tie a couple hundred of those car air fresheners around your neck.” “Last warning!” Zeus shouted. “I’m not kidding, Zits. There are porta-potties with better aromas. Would a little deodorant kill you? What was the last year you took a bath?
Richard Paul Evans (The Prisoner of Cell 25 (Michael Vey, #1))
You sayin' you want to go?" "Don't you?" "Hell no!" "Okay,I'll tell Matt and Jared that they can go to Paris without us." The only response was stunned silence, and I finally turned to smile at him. "Do you want to reconsider?" I asked. "The wedding's in Paris?" "Yep." His dark eyes were huge, and I could see so much in them. He was excited, almost giddy. I could see it bubbling up in him, but he was trying t stay calm and not get his hopes up. "Can we afford Paris?" "No," I said, "but it doesn't matter. Cole's footing the bill." He grabbed my shirt and pushed me back against the countertop, almost as if he was going to kiss me, but stopped short, looking into my eyes. "Are you serious?" "Would I lie to you about something like this?" "No." "Do you think I'd make it up just to tease you?" "No." "Yes." He backed up a step. "Yes what?" he asked. I could hardly keep from laughing that I'd finally managed to turn the tables on him with his own backward form of communication. "Yes, I'm absolutely serious. Cole offered to fly us all to Paris." ... His expression was so full of hope, I thought it was a good thing I hadn't tried to say no. He put his hand against my cheek and looked into my eyes. "Tell me what you want to do." All I had to do was tell him the truth. I brushed his hair out of his eyes and said, "I want to do whatever will make you happy." He smiled at me, the huge, excited smile of a child who woke up from his nap to find himself in Disneyland. "I want to go to Paris." "Okay," I said as I leaned down to kiss him. "Then you will.
Marie Sexton (Paris A to Z (Coda, #5))
Evolution endowed us with intuition only for those aspects of physics that had survival value for our distant ancestors, such as the parabolic orbits of flying rocks (explaining our penchant for baseball). A cavewoman thinking too hard about what matter is ultimately made of might fail to notice the tiger sneaking up behind and get cleaned right out of the gene pool. Darwin’s theory thus makes the testable prediction that whenever we use technology to glimpse reality beyond the human scale, our evolved intuition should break down. We’ve repeatedly tested this prediction, and the results overwhelmingly support Darwin. At high speeds, Einstein realized that time slows down, and curmudgeons on the Swedish Nobel committee found this so weird that they refused to give him the Nobel Prize for his relativity theory. At low temperatures, liquid helium can flow upward. At high temperatures, colliding particles change identity; to me, an electron colliding with a positron and turning into a Z-boson feels about as intuitive as two colliding cars turning into a cruise ship. On microscopic scales, particles schizophrenically appear in two places at once, leading to the quantum conundrums mentioned above. On astronomically large scales… weirdness strikes again: if you intuitively understand all aspects of black holes [then you] should immediately put down this book and publish your findings before someone scoops you on the Nobel Prize for quantum gravity… [also,] the leading theory for what happened [in the early universe] suggests that space isn’t merely really really big, but actually infinite, containing infinitely many exact copies of you, and even more near-copies living out every possible variant of your life in two different types of parallel universes.
Max Tegmark (Our Mathematical Universe: My Quest for the Ultimate Nature of Reality)
He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.
Colson Whitehead (Apex Hides the Hurt)