Your Suppose Quotes

We've searched our database for all the quotes and captions related to Your Suppose. Here they are! All 100 of them:

What you're supposed to do when you don't like a thing is change it. If you can't change it, change the way you think about it. Don't complain.
Maya Angelou (Wouldn't Take Nothing for My Journey Now)
You haven't got a letter on yours," George observed. "I suppose she thinks you don't forget your name. But we're not stupid-we know we're called Gred and Forge.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
They’re not hideous,” said Tessa. Will blinked at her. “What?” “Gideon and Gabriel,” said Tessa. “They’re really quite good-looking, not hideous at all.” “I spoke,” said Will, in sepulchral tones, “of the pitch-black inner depths of their souls.” Tessa snorted. “And what color do you suppose the inner depths of your soul are, Will Herondale?” “Mauve,” said Will.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Romance is thinking about your significant other, when you are supposed to be thinking about something else.
Nicholas Sparks
Life is full of screwups. You're supposed to fail sometimes. It's a required part of the human existance.
Sarah Dessen (Along for the Ride)
If you’re the sickness, I suppose you can’t also be the cure.
Holly Black (The Wicked King (The Folk of the Air, #2))
Spend your free time the way you like, not the way you think you're supposed to.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Sometimes the best way to find out what you’re supposed to do is by doing the thing you’re not supposed to do.
Gayle Forman (Just One Day (Just One Day, #1))
i do not say 'good-bye.' i believe that's one of the bullshittiest words ever invented. it's not like you're given the choice to say 'bad-bye' or 'awful-bye' or 'couldn't-care-less-about-you-bye.' every time you leave, it's supposed to be a good one. well, i don't believe in that. i believe against that.
David Levithan (Will Grayson, Will Grayson)
Well, that depends, I suppose. I heard someone once say that men dance the same way they have sex. So, if you want everyone here to think you're the kind of guy who just sits around and—" He stood up. "Let's dance.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
I used to think soul mates were two of the same. I used to think I was supposed to look for somebody that was like me. I don't believe in soul mates anymore and I'm not looking for anything. But if I did believe in them, I'd believe your soul mate was somebody who had all the things you didn't, that needed all the things you had. Not somebody who's suffering from the same stuff you are.
Taylor Jenkins Reid (Daisy Jones & The Six)
You're supposed to say, 'All I want is your happiness. I'll do whatever it takes, even if it means being without you.'" "Sorry," Noah said. "I'm just not that big of a person.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Aren’t they supposed to be hiring someone else to train me full-time anyway?” “Yes,” he said, getting up and pulling her to her feet along with him,“ and I’m worried that if you get into the habit of making out with your instructors, you’ll wind up making out with him, too.” “ Don’t be sexist. They could find me a female instructor.” “In that case you have my permission to make out with her, as long as I can watch.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
There were people who went to sleep last night, poor and rich and white and black, but they will never wake again. And those dead folks would give anything at all for just five minutes of this weather or ten minutes of plowing. So you watch yourself about complaining. What you're supposed to do when you don't like a thing is change it. If you can't change it, change the way you think about it.
Maya Angelou
Act in such a way that you treat humanity, whether in your own person or in the person of any other, never merely as a means to an end, but always at the same time as an end.
Immanuel Kant (Grounding for the Metaphysics of Morals/On a Supposed Right to Lie Because of Philanthropic Concerns)
Peeta, you were supposed to wake me after a couple of hours," I say. "For what? Nothing's going on here," he says. "Besides, I like watching you sleep. You don't scowl. Improves your looks a lot." This, of course, brings on a scowl that makes him grin.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I wish someone had told me that love isn’t torture. Because I thought love was this thing that was supposed to tear you in two and leave you heartbroken and make your heart race in the worst way. I thought love was bombs and tears and blood. I did not know that it was supposed to make you lighter, not heavier. I didn’t know it was supposed to take only the kind of work that makes you softer. I thought love was war. I didn’t know it was supposed to… I didn’t know it was supposed to be peace.
Taylor Jenkins Reid (Daisy Jones & The Six)
She knew he was angry, but she couldn't stop laughing. "Forgive me, Po. I was only trying to get your attention." "And I suppose it never occurs to you to start small. If I told you my roof needed rebuilding, you'd start by knocking down the house.
Kristin Cashore (Graceling (Graceling Realm, #1))
Of course." He picked up the brown bag of candy on the table. "What's your . . ." He trailed off as he weighed the bag in his hands. "Didn't I give you three pounds of candy?" She smiled impishly. "You ate half the bag!" "Was I supposed to save it?" "I would have liked some!" "You never told me that." "Because I didn't expect you to consume all of it before breakfast!" She snatched the bag from him and put it on the table. "Well, that just shows poor judgement on your part, doesn't it?
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
How were you supposed to change- in ways both big and small- when your family was always there to remind you of exactly the person you apparently signed an ironclad contract to be?
Taylor Jenkins Reid (Malibu Rising)
Warning: If you are reading this then this warning is for you. Every word you read of this useless fine print is another second off your life. Don't you have other things to do? Is your life so empty that you honestly can't think of a better way to spend these moments? Or are you so impressed with authority that you give respect and credence to all that claim it? Do you read everything you're supposed to read? Do you think every thing you're supposed to think? Buy what you're told to want? Get out of your apartment. Meet a member of the opposite sex. Stop the excessive shopping and masturbation. Quit your job. Start a fight. Prove you're alive. If you don't claim your humanity you will become a statistic. You have been warned.
Chuck Palahniuk (Fight Club)
And how do you know that you're mad? "To begin with," said the Cat, "a dog's not mad. You grant that?" I suppose so, said Alice. "Well then," the Cat went on, "you see a dog growls when it's angry, and wags it's tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
You think because he doesn't love you that you are worthless. You think that because he doesn't want you anymore that he is right -- that his judgement and opinion of you are correct. If he throws you out, then you are garbage. You think he belongs to you because you want to belong to him. Don't. It's a bad word, 'belong.' Especially when you put it with somebody you love. Love shouldn't be like that. Did you ever see the way the clouds love a mountain? They circle all around it; sometimes you can't even see the mountain for the clouds. But you know what? You go up top and what do you see? His head. The clouds never cover the head. His head pokes through, beacuse the clouds let him; they don't wrap him up. They let him keep his head up high, free, with nothing to hide him or bind him. You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.
Toni Morrison
I've found time can heal most anything and you just might find who you're supposed to be.
Taylor Swift
Remind me again-why do you hate me so much?" I don't hate you." Could've fooled me." She folded her cap of invisibility. "Look...we're just not supposed to get along, okay? Our parents are rivals." Why?" She sighed. "How many reasons do you want? One time my mom caught Poseidon with his girlfriend in Athena's temple, which is hugely disrespectful. Another time, Athena and Poseidon competed to be the patron god for the city of Athens. Your dad created some stupid saltwater spring for his gift. My mom created the olive tree. The people saw that her gift was better, so they named the city after her." They must really like olives." Oh, forget it." Now, if she'd invented pizza-that I could understand.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Love is never supposed to hurt. Love is supposed to heal, to be your haven from misery, to make living fucking worthwhile.
Mia Asher (Arsen: A Broken Love Story)
This time Magnus answered it, his voice booming through the tiny entryway. "WHO DARES DISTURB MY REST?" Jace looked almost nervous. "Jace Wayland. Remember? I'm from the Clave." "Oh, yes." Magnus seemed to have perked up. "Are you the one with the blue eyes?" "He means Alec," Clary said helpfully. "No. My eyes are usually described as golden," Jace told the intercom. "And luminous." "Oh, you're that one." Magnus sounded disappointed. If Clary hadn't been so upset, she would have laughed. "I suppose you'd better come up.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
High school sucked. It was a universal truth, and whoever said these were supposed to be the best years of your life was probably drunk or delusional.
Kami Garcia (Beautiful Darkness (Caster Chronicles, #2))
If Jem dies, I cannot be with Tessa,” said Will. “Because it will be as if I were waiting for him to die, or took some joy in his death, if it let me have her. And I will not be that person. I will not profit from his death. So he must live.” He lowered his arm, his sleeve bloody. “It is the only way any of this can ever mean anything. Otherwise it is only —” “Pointless, needless suffering and pain? I don’t suppose it would help if I told you that was the way life is. The good suffer, the evil flourish, and all that is mortal passes away,” Magnus said. “I want more than that,” said Will. “You made me want more than that. You showed me I was only ever cursed because I had chosen to believe myself so. You told me there was possibility, meaning. And now you would turn your back on what you created.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Have you ever been to a place you're supposed to love, but all you can think about is home?
Cynthia Hand (Unearthly (Unearthly, #1))
A day can really slip by when you're deliberately avoiding what you're supposed to do.
Bill Watterson (There's Treasure Everywhere (Calvin and Hobbes, #10))
To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures who people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you. It is like losing--I'm sorry, I would rather not go on.
Yann Martel (Life of Pi)
Then you're aping him. Valentine was one of the most arrogant and disrespectful men I've ever met. I suppose he brought you up to be just like him." "Yes," Jace said, unable to help himself, "I was trained to be an evil mastermind from a young age. Pulling the wings off flies, poisoning the earth's water supply — I was covering that stuff in kindergarten. I guess we're all just lucky my father faked his own death before he got to the raping and pillaging part of my education, or no one would be safe.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Major, to what extent did you act upon your feelings for Miss LaRoux?" "Medium." "Excuse me?" "How am I supposed to answer that question?
Amie Kaufman (These Broken Stars (Starbound, #1))
You had this expression on your face, like you weren’t quite sure you were supposed to be on Earth.
pleasefindthis (I Wrote This For You (I Wrote This For You #4))
Good things aren't supposed to just fall into your lap. God is very generous, but He expects you to do your part first.
Audrey Hepburn
I thought lightning wasn't supposed to strike in the same place twice....sure it does...but only if you're too dumb to move.
Jodi Picoult (My Sister’s Keeper)
You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.
Toni Morrison (Song of Solomon)
I was supposed to be waiting up here when you got back, only your Phoenix lot got in the way...” “Yes, they do that,” said Dumbledore.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
As for being somewhere you're not supposed to be--Maybe you're here for a reason, or there is no reason.
Tammara Webber (Easy (Contours of the Heart, #1))
...you expect me to fall on my back with my legs spread." "Not necessarily. ... You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
I do not say goodbye. I believe that's one of the bullshitiest words ever invented. It's not like you're given the choice to say bad-bye, or awful-bye, or couldn't-care-less-about-you-bye. Everytime you leave, it's supposed to be a good one.
John Green (Will Grayson, Will Grayson)
She's a woman, you're a dude. You're not supposed to understand her. That's not what she's after.... She doesn't want you to understand her. She knows that's impossible. She just wants you to understand yourself. Everything else is negotiable.
Neal Stephenson (Snow Crash)
You have to forget about what other people say, when you're supposed to die, or when you're supposed to be loving. You have to forget about all these things. You have to go on and be crazy. Craziness is like heaven.
Jimi Hendrix
He sighed contentedly. “How are you feeling, my dear?” “I feel like punching you for calling me ‘my dear’ mostly.” I poked his bare stomach. Smiling, he crawled to sit over me. “Fine then. My darling? My pet? My love?” “Any of those would work, so long as you’ve reserved it solely for me,” I said, my hands mindlessly wandering his chest, his arms. “What am I supposed to call you?” “Your Royal Husbandness. It’s required by law, I’m afraid.
Kiera Cass (The One (The Selection, #3))
You are mistaken, Mr. Darcy, if you suppose that the mode of your declaration affected me in any other way, than as it spared the concern which I might have felt in refusing you, had you behaved in a more gentlemanlike manner." (Elizabeth Bennett)
Jane Austen (Pride and Prejudice)
He gazed amusedly down the table at Tessa. “You’re the shape-changer, aren’t you?” he said. “Magnus Bane told me about you. No mark on you at all, they say.” Tessa swallowed and looked him straight in the eye. They were discordantly human eyes, ordinary in his extraordinary face. “No. No mark.” He grinned around his fork. “I do suppose they’ve looked everywhere?” “I’m sure Will’s tried,” said Jessamine in a bored tone.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Okay. Would you rather I looked like Hugh Jackman or George Clooney?” “Johnny Depp,” she says. She answers a little too fast for my comfort. “What the hell, Lake? You’re supposed to say Will! You’re supposed to say you want me to look like me!” “But you weren't one of the options,” she says. “Neither was Johnny Depp!
Colleen Hoover (Point of Retreat (Slammed, #2))
Artemis: (shocked) Why, Doctor? This is a sensitive area. For all you know I could be suffering from depression. Doctor Po: I suppose you could. Is that the case? Artemis: (head in hands) It's my mother, Doctor. Doctor Po: Yes? Artemis: My mother, she... Doctor Po: Your mother, yes? Artemis: She forces me to endure this ridiculous therapy when the school's so-called counsellors are little better than misguided do-gooders with degrees.
Eoin Colfer (The Arctic Incident (Artemis Fowl, #2))
Can we please focus? We are supposed to be professionals." Holly said. "Not me!" said Orion cheerily, "I'm just a Teenager with hormones running wild and may I say, young fairy lady, they're running wild in your direction.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
Falling's the part that takes your breath away. It's the part when you can't believe the person standing in front of you both exists and happened to wander into your path. It's supposed to make you feel lucky to be alive, exactly when and where you are.
Emily Henry (Beach Read)
I know what good morals are, but you're supposed to disregard good morals when you're living in a crazy, bad world. If you're in hell, how can you live like an angel? You're surrounded by devils,trying to be an angel? That's like suicide.
Tupac Shakur (Tupac: Resurrection, 1971-1996)
If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.
Patrick Rothfuss
You shouldn't try to stop everything from happening. Sometimes you're supposed to feel awkward. Sometimes you're supposed to be vulnerable in front of people. Sometimes it's necessary because it's all part of you getting to the next part of yourself, the next day.
Cecelia Ahern (The Book of Tomorrow)
What do you think?" I ask. "Your suit looks like mine." Kenji frowns. "I'm supposed to be the one with the black suit. Why can't you have a pink suit? Or a yellow suit-" "Because we're not the freaking Power Rangers," Winston says, rolling his eyes.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
The only reason you say that race was not an issue is because you wish it was not. We all wish it was not. But it’s a lie. I came from a country where race was not an issue; I did not think of myself as black and I only became black when I came to America. When you are black in America and you fall in love with a white person, race doesn’t matter when you’re alone together because it’s just you and your love. But the minute you step outside, race matters. But we don’t talk about it. We don’t even tell our white partners the small things that piss us off and the things we wish they understood better, because we’re worried they will say we’re overreacting, or we’re being too sensitive. And we don’t want them to say, Look how far we’ve come, just forty years ago it would have been illegal for us to even be a couple blah blah blah, because you know what we’re thinking when they say that? We’re thinking why the fuck should it ever have been illegal anyway? But we don’t say any of this stuff. We let it pile up inside our heads and when we come to nice liberal dinners like this, we say that race doesn’t matter because that’s what we’re supposed to say, to keep our nice liberal friends comfortable. It’s true. I speak from experience.
Chimamanda Ngozi Adichie (Americanah)
Sighing, she gave a brief nod. “I was supposed to win. I was supposed to finish you off. They never counted on you winning. And then you didn’t kill me. It was awful.” “You’re welcome,” I said, feeling fresh anger ignite. “I’ll try not to humiliate you by letting you live next time.” (Max II to Max)
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
We all have the potential to fall in love a thousand times in our lifetime. It's easy. The first girl I ever loved was someone I knew in sixth grade. Her name was Missy; we talked about horses. The last girl I love will be someone I haven't even met yet, probably. They all count. But there are certain people you love who do something else; they define how you classify what love is supposed to feel like. These are the most important people in your life, and you’ll meet maybe four or five of these people over the span of 80 years. But there’s still one more tier to all this; there is always one person you love who becomes that definition. It usually happens retrospectively, but it happens eventually. This is the person who unknowingly sets the template for what you will always love about other people, even if some of these loveable qualities are self-destructive and unreasonable. The person who defines your understanding of love is not inherently different than anyone else, and they’re often just the person you happen to meet the first time you really, really, want to love someone. But that person still wins. They win, and you lose. Because for the rest of your life, they will control how you feel about everyone else.
Chuck Klosterman (Killing Yourself to Live: 85% of a True Story)
I love you so much I’ll never be able to tell you; I’m frightened to tell you. I can always feel your heart. Dance tunes are always right: I love you body and soul: —and I suppose body means that I want to touch you and be in bed with you, and i suppose soul means that i can hear you and see you and love you in every single, single thing in the whole world asleep or awake
Dylan Thomas
The point is, not to resist the flow. You go up when you're supposed to go up and down when you're supposed to go down. When you're supposed to go up, find the highest tower and climb to the top. When you're supposed to go down, find the deepest well and go down to the bottom. When there's no flow, stay still. If you resist the flow, everything dries up. If everything dries up, the world is darkness.
Haruki Murakami (The Wind-Up Bird Chronicle)
But they love each other," Clary said, appalled. "Isn't that what love means? That you're supposed to be there for the other person to turn to, no matter what?" Luke looked toward the river, at the dark water moving slowly under the light of the autumn moon. "Sometimes, Clary," he said, "love just isn't enough.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
The older lady harrumphed. "I warned you, daughter. This scoundrel Hades is no good. You could've married the god of doctors or the god of lawyers, but noooo. You had to eat the pomegranate." "Mother-" "And get stuck in the Underworld!" "Mother, please-" "And here it is August, and do you come home like you're supposed to? Do you ever think about your poor lonely mother?" "DEMETER!" Hades shouted. "That is enough. You are a guest in my house." "Oh, a house is it?" she said. "You call this dump a house? Make my daughter live in this dark, damp-" "I told you," Hades said, grinding his teeth, "there's a war in the world above. You and Persephone are better off here with me." "Excuse me," I broke in. "But if you're going to kill me, could you just get on with it?
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Leo lowered his screwdriver. He looked at the ceiling and shook his head like, What am I gonna do with this guy? "I try very hard to be annoying," Leo said. "Don't insult my ability to annoy. And how am I supposed to resent you if you go apologizing? I'm a lowly mechanic. You're like the prince of the sky, son of the Lord of the Universe. I'm supposed to resent you." "Lord of the Universe?" (Jason) "Sure, you're all-bam! Lightning man. And 'Watch me fly. I am the eagle that soars-" (Leo) "Shut up, Valdez." (Jason) Leo managed a little smile. "Yeah, see. I do annoy you." "I apologize for apologizing." (Jason) "Thank you." He went back to work, but the tension had eased between them. Leo still looked sad and exhausted-just not quite so angry.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Calvin: Look, a dead bird! Hobbes: It must've hit a window. Calvin: Isn't it beautiful? It's so delicate. Sighhh... once it's too late, you appreciate what a miracle life is. You realize that nature is ruthless and our existence is very fragile, temporary, and precious. But to go on with your daily affairs, you can't really think about that...which is probably why everyone takes the world for granted and why we act so thoughtlessly. It's very confusing. I suppose it will all make sense when we grow up. Hobbes: No doubt.
Bill Watterson (There's Treasure Everywhere (Calvin and Hobbes, #10))
Good. So you may be dense, but you’re not an idiot.’ ‘How can you even talk to me like that? Don’t you know I can summon zombies and skeletons and –’ ‘Right now you couldn’t summon a wishbone without melting into a puddle of darkness, di Angelo,’ Will said. ‘I told you, no more Underworldy stuff, doctor’s orders. You owe me at least three days of rest in the infirmary. Starting now.’ Nico felt like a hundred skeletal butterflies were resurrecting in his stomach. ‘Three days? I – I suppose that would be okay.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
I don’t suppose I really know you very well - but I know you smell like the delicious damp grass that grows near old walls and that your hands are beautiful opening out of your sleeves and that the back of your head is a mossy sheltered cave when there is trouble in the wind and that my cheek just fits the depression in your shoulder.
Zelda Fitzgerald
Not everything is supposed to become something beautiful and long-lasting. Sometimes people come into your life to show you what is right and what is wrong, to show you who you can be, to teach you to love yourself, to make you feel better for a little while, or to just be someone to walk with at night and spill your life to. Not everyone is going to stay forever, and we still have to keep on going and thank them for what they’ve given us.
Emery Allen
What would I gain from telling you the first moment I realized you were meant to be mine? Nothing. You’re supposed to protect what you love, Sal. You taught me that. I didn’t wake up one day and know I didn’t want to live without your horrible temper. I saw so much of me in you at first, but you aren’t like me at all. You’re you, and I will go to my grave before I let anyone change any part of you. I know that without a doubt in my mind. This,” he pointed between us. “This is what matters.
Mariana Zapata (Kulti)
Knock, knock!" he called in a high, singsong voice. For a moment, silence. Then a thud and a crash, as if something heavy had been hurled at the door. "Go away!" snarled the voice from within. "Ah, no. That's not how the joke goes," called Rob. "I say 'knock, knock', and you're supposed to answer with 'who's there?'" "Fuck off!" Nope, that's still wrong." Robbie seemed unperturbed. I, however, was horrified at Ethan's language, though I knew it wasn't him. "Here," continued Rob in an amiable voice, "I'll go through the whole thing, so you'll know how to answer next time." He cleared his throat and pounded at the door again. "Knock, knock!" he bellowed. "Who's there? Puck! Puck who? Puck, who will turn you into a squealing pig and stuff you in the oven if you don't get out of our way!" And with that, he banged the door open.
Julie Kagawa (The Iron King (The Iron Fey, #1))
So, tell me,” he whispers. “How fast did you climb those fourteen stories?” Thomas makes a disapproving sound in his throat, but I break into a grin. Storm’s past. Metias loves me again. “Six minutes,” I whisper back to my brother. “And forty-four seconds. How do you like that?” “That must be some sort of record. Not that, you know, you’re supposed to do it.
Marie Lu (Legend (Legend, #1))
Are you the new person drawn toward me? To begin with, take warning - I am surely far different from what you suppose; Do you suppose you will find in me your ideal? Do you think it so easy to have me become your lover? Do you think the friendship of me would be unalloy'd satisfaction? Do you think I am trusty and faithful? Do you see no further than this façade—this smooth and tolerant manner of me? Do you suppose yourself advancing on real ground toward a real heroic man? Have you no thought, O dreamer, that it may be all maya, illusion?
Walt Whitman (Leaves of Grass)
Well enough,” I reply. “Remember, you’re drunk. And happy. You’re supposed to be lusting over your escort. Try smiling a little more.” Day plasters a giant artificial smile on his face. As charming as ever. “Aw, come on, sweetheart. I thought I was doing a pretty good job. I got my arm around the prettiest escort on this block—how could I not be lusting over you? Don’t I look like I’m lusting? This is me, lusting.” His lashes flutter at me. He looks so ridiculous that I can’t help laughing. Another passerby glances at me. “Much better.
Marie Lu (Prodigy (Legend, #2))
Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?" Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do. You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.
Anaïs Nin
One word, Ma'am," he said, coming back from the fire; limping, because of the pain. "One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
Our eyes meet, and something dangerous sparks. He hates you, I remind myself. “Kiss me again,” he says, drunk and foolish. “Kiss me until I am sick of it.” I feel those words, feel them like a kick to the stomach. He sees my expression and laughs, a sound full of mockery. I can’t tell which of us he’s laughing at. He hates you. Even if he wants you, he hates you. Maybe he hates you the more for it. After a moment, his eyes flutter closed. His voice falls to a whisper, as though he’s talking to himself. “If you’re the sickness, I suppose you can’t also be the cure.” He drifts off to sleep, but I am wide awake.
Holly Black (The Wicked King (The Folk of the Air, #2))
I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean.
Toni Morrison
The end of the world started when a pegasus landed on the hood of my car. Up until then I was having a great afternoon.Technically I wasn't supposed to be driving because I wouldn't turn sixteen for another week, but my mom and my stepdad, Paul, took my friend Rachel and me to the private stretch of beach on the South Shore, and Paul let us borrow his Prius for a short spin. Now, I know what your thinking, Wow, that was really irresponsible of him, blah, blah, blah, but Paul knows me pretty well. He's seen me slice up demons and leap out of exploding buildings, so he probably figured taking a car a few hundred yards wasn't exactly the most dangerous thing I'd ever done.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.
Anaïs Nin
MEMORY'S SO TREACHEROUS. ONE MOMENT YOU'RE LOST IN A CARNIVAL OF DELIGHTS, WITH POIGNANT CHILDHOOD AROMAS , THE FLASHING NEON OF PUBERTY, ALL THAT SENTIMENTAL CANDY-FLOSS ... THE NEXT , IT LEADS YOU SOMEWHERE YOU DON'T WANT TO GO... ...SOMEWHERE DARK AND COLD, FILLED WITH THE DAMP, AMBIGUOUS SHAPES OF THINKS YOU'D HOPED WERE FORGOTTEN. MEMORIES CAN BE VILE, REPULSIVE LITTLE BRUTES. LIKE CHILDREN, I SUPPOSE. HAHA. BUT CAN WE LIVE WITHOUT THEM? MEMORIES ARE WHAT OUR REASON IS BASED UPON. IF WE CAN'T FACE THEM, WE DENY REASON ITSELF! ALGHOUGH, WHY NOT? WE AREN'T CONTRACTUALLY TIED DOWN TO RATIONALITY! THERE IS NO SANITY CLAUSE! SO WHEN YOU FIND YOURSELF LOCKED ONTO AN UNPLEASANT TRAIN OF THOUGHT, HEADING FOR THE PLACES IN YOUR PAST WHERE THE SCREAMING IS UNBEARABLE, REMEMBER THERE'S ALWAYS MADNESS. MADNESS IS THE EMERGENCY EXIT... YOU CAN JUST STEP OUTSIDE, AND CLOSE THE DOOR ON ALL THOSE DREADFUL THINGS THAT HAPPENED. YOU CAN LOCK THEM AWAY... FOREVER.
Alan Moore (Batman: The Killing Joke)
I... There was a time when I stopped talking. Just like you. My reasons were a little bit different, but I think the feelings of being ashamed of myself and hating myself are the same. Here, it says to "like yourself." What does that mean? Good things- how are you supposed to find them? I only know things that I hate about myself. Because that's all I know, I hate myself. But even if you force yourself to find good things, it feels so empty. It doesn't work that way. People like your teacher just don't get it. I think when you hear someone say they like you, for the first time, then you can begin to like yourself. I think when someone accepts you, for the first time, you feel like you can forgive yourself a little. You can begin to face your fears with courage.
Natsuki Takaya
You always were selfish. Your one fault. Not willing to share anything, are you?" Suddenly, Damon's lips curved up in a singularly beautiful smile. But fortunately the lovely Elena is more generous. Didn't she tell you about our little liaisons? Why? The first time we met she almost gave herself to me on the spot." "That's a lie!" "Oh, no, dear brother, I never lie about anything important. Or do I mean unimportant? Anyway, your beauteous damsel nearly swooned into my arms. I think she likes men in black." As Stefan stared at him, trying to control his breathing, Damon added, almost gently, "You're wrong about her, you know, You think she's sweet and docile like Katherine. She isn't. She's not your type at all, my saintly brother. She has a spirit and a fire in her that you wouldn't know what to do with." "And you would, I suppose." Damon uncrossed his arms and slowly smiled again. "Oh, yes.
L.J. Smith (The Awakening / The Struggle (The Vampire Diaries, #1-2))
Certainly the most destructive vice if you like, that a person can have. More than pride, which is supposedly the number one of the cardinal sins - is self pity. Self pity is the worst possible emotion anyone can have. And the most destructive. It is, to slightly paraphrase what Wilde said about hatred, and I think actually hatred's a subset of self pity and not the other way around - ' It destroys everything around it, except itself '. Self pity will destroy relationships, it'll destroy anything that's good, it will fulfill all the prophecies it makes and leave only itself. And it's so simple to imagine that one is hard done by, and that things are unfair, and that one is underappreciated, and that if only one had had a chance at this, only one had had a chance at that, things would have gone better, you would be happier if only this, that one is unlucky. All those things. And some of them may well even be true. But, to pity oneself as a result of them is to do oneself an enormous disservice. I think it's one of things we find unattractive about the american culture, a culture which I find mostly, extremely attractive, and I like americans and I love being in america. But, just occasionally there will be some example of the absolutely ravening self pity that they are capable of, and you see it in their talk shows. It's an appalling spectacle, and it's so self destructive. I almost once wanted to publish a self help book saying 'How To Be Happy by Stephen Fry : Guaranteed success'. And people buy this huge book and it's all blank pages, and the first page would just say - ' Stop Feeling Sorry For Yourself - And you will be happy '. Use the rest of the book to write down your interesting thoughts and drawings, and that's what the book would be, and it would be true. And it sounds like 'Oh that's so simple', because it's not simple to stop feeling sorry for yourself, it's bloody hard. Because we do feel sorry for ourselves, it's what Genesis is all about.
Stephen Fry
Loving someone is like moving into a house," Sonja used to say. "At first you fall in love with all the new things, amazed every morning that all this belongs to you, as if fearing that someone would suddenly come rushing in through the door to explain that a terrible mistake had been made, you weren't actually supposed to live in a wonderful place like this. Then over the years the walls become weathered, the wood splinters here and there, and you start to love that house not so much because of all its perfection, but rather for its imperfections. You get to know all the nooks and crannies. How to avoid getting the key caught in the lock when it's cold outside. Which of the floorboards flex slightly when one steps on them or exactly how to open the wardrobe doors without them creaking. These are the little secrets that make it your home.
Fredrik Backman (A Man Called Ove)
According to Buddhism, the root of suffering is neither the feeling of pain nor of sadness nor even of meaninglessness. Rather, the real root of suffering is this never-ending and pointless pursuit of ephemeral feelings, which causes us to be in a constant state of tension, restlessness and dissatisfaction. Due to this pursuit, the mind is never satisfied. Even when experiencing pleasure, it is not content, because it fears this feeling might soon disappear, and craves that this feeling should stay and intensify. People are liberated from suffering not when they experience this or that fleeting pleasure, but rather when they understand the impermanent nature of all their feelings, and stop craving them. This is the aim of Buddhist meditation practices. In meditation, you are supposed to closely observe your mind and body, witness the ceaseless arising and passing of all your feelings, and realise how pointless it is to pursue them. When the pursuit stops, the mind becomes very relaxed, clear and satisfied. All kinds of feelings go on arising and passing – joy, anger, boredom, lust – but once you stop craving particular feelings, you can just accept them for what they are. You live in the present moment instead of fantasising about what might have been. The resulting serenity is so profound that those who spend their lives in the frenzied pursuit of pleasant feelings can hardly imagine it. It is like a man standing for decades on the seashore, embracing certain ‘good’ waves and trying to prevent them from disintegrating, while simultaneously pushing back ‘bad’ waves to prevent them from getting near him. Day in, day out, the man stands on the beach, driving himself crazy with this fruitless exercise. Eventually, he sits down on the sand and just allows the waves to come and go as they please. How peaceful!
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Let's suppose that you were able every night to dream any dream that you wanted to dream. And that you could, for example, have the power within one night to dream 75 years of time. Or any length of time you wanted to have. And you would, naturally as you began on this adventure of dreams, you would fulfill all your wishes. You would have every kind of pleasure you could conceive. And after several nights of 75 years of total pleasure each, you would say "Well, that was pretty great." But now let's have a surprise. Let's have a dream which isn't under control. Where something is gonna happen to me that I don't know what it's going to be. And you would dig that and come out of that and say "Wow, that was a close shave, wasn't it?" And then you would get more and more adventurous, and you would make further and further out gambles as to what you would dream. And finally, you would dream ... where you are now. You would dream the dream of living the life that you are actually living today.
Alan W. Watts
One last thing," he said. "Stop looking for me." "I'm not looking for you." I scoffed. He touched his index finger to my forehead, my skin absurdly warming under his touch. It didn't escape me that he couldn't seem to stop finding reasons to touch me. Nor did I miss that I didn't want him to stop. "Under all the layers, a part of you remembers. It's the part that came looking for me tonight. It's that part that's going to get you killed, if you're not careful." We stood face-to-face, both of us breathing hard. The sirens were so close now. "What am I supposed to tell the police?" I said. "You're not going to talk to the police." "Oh, really? Funny, because I plan on telling them exactly how you rammed that tire iron into Gabe's back. Unless you answer my questions." He gave an ironic snort. "Blackmail? You've changed, Angel.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
You! You tricked me! I never want to see you or that bottle of liquid arsenic again!” I chucked the empty moonshine jug at him. Or tried to. It missed him by a dozen feet. He picked it up in astonishment. “You drank the whole bloody thing? You were only supposed to have a few sips!” “Did you say that? Did you?” He reached me just as I felt the ground tip. “Didn’t say anything. I’ve got those names, so that’s all that matters, but you men…you’re all alike. Alive, dead, undead—all perverts! I had a drunken pervert in my pants! Do you know how unsanitary that is?” Bones held me upright. I would have protested, but I couldn’t remember how to. “What are you saying?” “Winston poltergeisted my panties, that’s what!” I announced with a loud hiccup. “Why, you scurvy, lecherous spook!” Bones yelled in the direction of the cemetery. “If my pipes still worked, I’d go right back there and piss on your grave!
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone: I just miss you, in a quite simple desperate human way. You, with all your un-dumb letters, would never write so elementary a phrase as that; perhaps you wouldn’t even feel it. And yet I believe you’ll be sensible of a little gap. But you’d clothe it in so exquisite a phrase that it would lose a little of its reality. Whereas with me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal. So this letter is just really a squeal of pain. It is incredible how essential to me you have become. I suppose you are accustomed to people saying these things. Damn you, spoilt creature; I shan’t make you love me any the more by giving myself away like this —But oh my dear, I can’t be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I don’t love. I have brought it to a fine art. But you have broken down my defences. And I don’t really resent it.
Vita Sackville-West (The Letters of Vita Sackville-West and Virginia Woolf)
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?" Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?" Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be." Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations." "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story." Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen." "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now." "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Haven't I? - he thought. Haven't I thought of it since the first time I saw you? Haven't I thought of nothing else for two years? ...He sat motionless, looking at her. He heard the words he had never allowed himself to form, the words he had felt, known, yet had not faced, had hoped to destroy by never letting them be said within his own mind. Now it was as sudden and shocking as if he were saying it to her ...Since the first time I saw you ...Nothing but your body, that mouth of yours, and the way your eyes would look at me, if ...Through every sentence I ever said to you, through every conference you thought so safe, through the importance of all the issues we discussed ...You trusted me, didn't you? To recognize your greatness? To think of you as you deserved - as if you were a man? ...Don't you suppose I know how much I've betrayed? The only bright encounter of my life - the only person I respected - the best business man I know - my ally - my partner in a desperate battle ...The lowest of all desires - as my answer to the highest I've met ...Do you know what I am? I thought of it, because it should have been unthinkable. For that degrading need, which would never touch you, I have never wanted anyone but you ...I hadn't known what it was like, to want it, until I saw you for the first time. I had thought : Not I, I couldn't be broken by it ...Since then ...For two years ...With not a moments respite ...Do you know what it's like, to want it? Would you wish to hear what I thought when I looked at you ...When I lay awake at night ...When I hear your voice over a telephone wire ...When I worked, but could not drive it away? ...To bring you down to things you cant conceive - and to know that it's I who have done it. To reduce you to a body, to teach you an animal's pleasure, to see you need it, to see you asking me for it, to see your wonderful spirit dependent on the upon the obscenity of your need. To watch you as you are, as you face the world with your clean, proud strength - then to see you, in my bed, submitting to any infamous whim I may devise, to any act which I'll preform for the sole purpose of watching your dishonor and to which you'll submit for the sake of an unspeakable sensation ...I want you - and may I be damned for it!
Ayn Rand
I needed to say something. Something romantic! Something to sweep her off her feet. "You’re like a potato!" I shouted after her. "In a minefield." She froze in place. Then she spun on me, her face lit by a half-grown fruit. “A potato,” she said flatly. “That’s the best you can do? Seriously?” “It makes sense,” I said. “Listen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, ‘I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.” “A potato.” “Sure. French fries? Mashed potatoes? Who doesn’t like potatoes?” “Plenty of people. Why can’t I be something sweet, like a cake?” “Because cake wouldn’t grow in a minefield. Obviously.” She stared down the hallway at me for a few moments, then sat on an overgrown set of roots. Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.
Brandon Sanderson (Firefight (The Reckoners, #2))
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?” “Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says. “Your father? Why?” I ask. “He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says. “What? You’re making that up!” I exclaim. “No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’” “That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father. “So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says. “Oh, please,” I say, laughing. “No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.” “Without success,” I add. “Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death. It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true? “You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.” “I am now,” I say. “Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!” I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Simon whispered to me, “But is everything okay?” “No,” Tori said. “I kidnapped her and forced her to escape with me. I’ve been using her as a human shield against those guys with guns, and I was just about to strangle her and leave her body here to throw them off my trail. But then you showed up and foiled my evil plans. Lucky for you, though. You get to rescue poor little Chloe again and win her undying gratitude.” “Undying gratitude?” Simon looked at me. “Cool. Does that come with eternal servitude? If so, I like my eggs sunnyside up.” I smiled. “I’ll remember that.” *** “Oh, right. You must be starving.” Simon reached into his pockets. “I can offer one bruised apple and one brown banana. Convenience stores aren’t the place to buy fruit, as I keep telling someone.” “Better than these. For you, anyway, Simon.” Derek passed a bar to Tori. “Because you aren’t supposed to have those, are you?” I said. “Which reminds me…” I took out the insulin. “Derek said it’s your backup.” “So my dark secret is out.” “I didn’t know it was a secret.” “Not really. Just not something I advertise.” ... “Backup?” Tori said. “You mean he didn’t need that?” “Apparently not,” I murmured. Simon looked from her to me, confused, then understanding. “You guys thought…” “That if you didn’t get your medicine in the next twenty-four hours, you’d be dead?” I said. “Not exactly, but close. You know, the old ‘upping the ante with a fatal disease that needs medication’ twist. Apparently, it still works.” “Kind of a letdown, then, huh?” “No kidding. Here we were, expecting to find you minutes from death. Look at you, not even gasping.” “All right, then. Emergency medical situation, take two.” He leaped to his feet, staggered, keeled over, then lifted his head weakly. “Chloe? Is that you?” He coughed. “Do you have my insulin?” I placed it in his outstretched hand. “You saved my life,” he said. “How can I ever repay you?” “Undying servitude sounds good. I like my eggs scrambled.” He held up a piece of fruit. “Would you settle for a bruised apple?” I laughed.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
I never believed in Santa Claus. None of us kids did. Mom and Dad refused to let us. They couldn't afford expensive presents and they didn't want us to think we weren't as good as other kids who, on Christmas morning, found all sorts of fancy toys under the tree that were supposedly left by Santa Claus. Dad had lost his job at the gypsum, and when Christmas came that year, we had no money at all. On Christmas Eve, Dad took each one of us kids out into the desert night one by one. "Pick out your favorite star", Dad said. "I like that one!" I said. Dad grinned, "that's Venus", he said. He explained to me that planets glowed because reflected light was constant and stars twinkled because their light pulsed. "I like it anyway" I said. "What the hell," Dad said. "It's Christmas. You can have a planet if you want." And he gave me Venus. Venus didn't have any moons or satellites or even a magnetic field, but it did have an atmosphere sort of similar to Earth's, except it was super hot-about 500 degrees or more. "So," Dad said, "when the sun starts to burn out and Earth turns cold, everyone might want to move to Venus to get warm. And they'll have to get permission from your descendants first. We laughed about all the kids who believed in the Santa myth and got nothing for Christmas but a bunch of cheap plastic toys. "Years from now, when all the junk they got is broken and long forgotten," Dad said, "you'll still have your stars.
Jeannette Walls (The Glass Castle)
I don’t like anything here at all.” said Frodo, “step or stone, breath or bone. Earth, air and water all seem accursed. But so our path is laid.” “Yes, that’s so,” said Sam, “And we shouldn’t be here at all, if we’d known more about it before we started. But I suppose it’s often that way. The brave things in the old tales and songs, Mr. Frodo, adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that’s not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn’t. And if they had, we shouldn’t know, because they’d have been forgotten. We hear about those as just went on, and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same; like old Mr Bilbo. But those aren’t always the best tales to hear, though they may be the best tales to get landed in! I wonder what sort of a tale we’ve fallen into?” “I wonder,” said Frodo, “But I don’t know. And that’s the way of a real tale. Take any one that you’re fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don’t know. And you don’t want them to.
J.R.R. Tolkien (The Lord of the Rings)
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake. Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.” “Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.” “I’m not afraid of London,” Cecily said defiantly. Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh* She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.” Will blinked at her words. You are my brother, and I want to go with you. It was the sort of thing he was used to hearing Jem say. Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination. “Do you even care where I’m going?” he said. “What if I were going to hell?” “I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?” “Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.” “Wouldn’t you stop them?” “I suppose it would depend on whether they cut me a part of the profit.” She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?” “How do you know the drugs are for Jem?” Will said. “I’m not an idiot, Will.” “No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.” “So what am I?” Cecily said. Will exhaled, too desperate to check himself. “You are my weakness.” “And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.” “Oh,” said Will, “and what do you want?” “I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child. “The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.” “Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.” Will fought the urge to shake her. “Are you ready?” She nodded, and he raised his hand to knock on the door.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
What are my options?" "You could read obscure poetry while I play the triangle, I suppose. Or we can smother ourselves in peanut butter and howl at the moon. Use your imagination." "Fine,"I said. "You take my hand and back up toward the bed." "Excellent choice. What then?" "You sit down, and pull me down with you." "Where are you?" he asked. "You pull me onto your lap." "Where are your legs?" "Around your waist." "Well," Noah said, his voice slightly rough. "This is getting interesting. So I'm on the edge of your bed. I'm holding you on my lap as you straddle me. My arms are around you, bracing you there so you don't fall. What am I wearing?"... "What do you usually wear to bed?" I asked. Noah said nothing. I opened my eyes to an arched brow and a devious grin. Oh my God. "Close. Your. Eyes," he said. I did. "Now, where were we?" "I was straddling you," I said. "Right. And I'm wearing..." "Drawstring pants." "Those are quite thin, you know." I'm aware. ... "Right," he said. "So what are you wearing?" "I don't know. A space suit. Who cares?" "I think this should be as vivid as possible," he said. "For you," he clarified, and I chuckled. "Eyes closed," he reminded me. "I'm going to have to institute a punishment for each time I have to tell you." "What did you have in mind?" "Don't tempt me. Now, what are you wearing?" "A hoodie and drawstring pants too, I guess." "Anything underneath?" "I don't typically walk around without underwear." "Typically?" "Only on special occasions." "Christ. I meant under your hoodie." "A tank top, I guess." "What color?" "White tank. Black hoodie. Gray pants. I'm ready to move on now." I felt him nearer, his words close to my ear. "To the part where I lean back and pull you down with me?" Yes. "Over me," he said. Fuck. "The part where I tell you that I want to feel the softness of the curls at the nape of your neck? To know what your hipbone would feel like against my mouth?" he murmured against my skin. "To memorize the slope of your navel and the arch of your neck and the swell of your-
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
To the most inconsiderate asshole of a friend, I’m writing you this letter because I know that if I say what I have to say to your face I will probably punch you. I don’t know you anymore. I don’t see you anymore. All I get is a quick text or a rushed e-mail from you every few days. I know you are busy and I know you have Bethany, but hello? I’m supposed to be your best friend. You have no idea what this summer has been like. Ever since we were kids we pushed away every single person that could possibly have been our friend. We blocked people until there was only me and you. You probably haven’t noticed, because you have never been in the position I am in now. You have always had someone. You always had me. I always had you. Now you have Bethany and I have no one. Now I feel like those other people that used to try to become our friend, that tried to push their way into our circle but were met by turned backs. I know you’re probably not doing it deliberately just as we never did it deliberately. It’s not that we didn’t want anyone else, it’s just that we didn’t need them. Sadly now it looks like you don’t need me anymore. Anyway I’m not moaning on about how much I hate her, I’m just trying to tell you that I miss you. And that well . . . I’m lonely. Whenever you cancel nights out I end up staying home with Mum and Dad watching TV. It’s so depressing. This was supposed to be our summer of fun. What happened? Can’t you be friends with two people at once? I know you have found someone who is extra special, and I know you both have a special “bond,” or whatever, that you and I will never have. But we have another bond, we’re best friends. Or does the best friend bond disappear as soon as you meet somebody else? Maybe it does, maybe I just don’t understand that because I haven’t met that “somebody special.” I’m not in any hurry to, either. I liked things the way they were. So maybe Bethany is now your best friend and I have been relegated to just being your “friend.” At least be that to me, Alex. In a few years time if my name ever comes up you will probably say, “Rosie, now there’s a name I haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum and dad when they have dinner parties with friends and talk about old times. They always mention people I’ve never even heard of when they’re talking about some of the most important days of their lives. Yet where are those people now? How could someone who was your bridesmaid 20 years ago not even be someone who you are on talking terms with now? Or in Dad’s case, how could he not know where his own best friend from college lives? He studied with the man for five years! Anyway, my point is (I know, I know, there is one), I don’t want to be one of those easily forgotten people, so important at the time, so special, so influential, and so treasured, yet years later just a vague face and a distant memory. I want us to be best friends forever, Alex. I’m happy you’re happy, really I am, but I feel like I’ve been left behind. Maybe our time has come and gone. Maybe your time is now meant to be spent with Bethany. And if that’s the case I won’t bother sending you this letter. And if I’m not sending this letter then what am I doing still writing it? OK I’m going now and I’m ripping these muddled thoughts up. Your friend, Rosie
Cecelia Ahern (Love, Rosie)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson