Young Ma Quotes

We've searched our database for all the quotes and captions related to Young Ma. Here they are! All 100 of them:

One word, Ma'am," he said, coming back from the fire; limping, because of the pain. "One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
It's easy to remember, because dating rhymes with mating, and they're almost the same [...] So your mom thinks we're ma-- Uh, dating?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Ma chère, I serve a man who multiplied the loaves and fishes”—he smiled, nodding at the pool, where the swirls of the carps’ feeding were still subsiding—“who healed the sick and raised the dead. Shall I be astonished that the master of eternity has brought a young woman through the stones of the earth to do His will?” Well, I reflected, it was better than being denounced as the whore of Babylon.
Diana Gabaldon (Outlander (Outlander, #1))
Kya remembered, those many years ago, Ma warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. “Unworthy boys make a lot of noise,” Ma had said. She read a consolation for females. Nature is audacious enough to ensure that the males who send out dishonest signals or go from one female to the next almost always end up alone.
Delia Owens (Where the Crawdads Sing)
and I looked and looked at her, and knew as clearly as I know I am to die, that I loved her more than anything I had ever seen or imagined on earth, or hoped for anywhere else. She was only the faint violet whiff and dead leaf echo of the nymphet I had rolled myself upon with such cries in the past; an echo on the brink of a russet ravine, with a far wood under a white sky, and brown leaves choking the brook, and one last cricket in the crisp weeds... but thank God it was not that echo alone that I worshipped. What I used to pamper among the tangled vines of my heart, mon grand pch radieux, had dwindled to its essence: sterile and selfish vice, all that I cancelled and cursed. You may jeer at me, and threaten to clear the court, but until I am gagged and halfthrottled, I will shout my poor truth. I insist the world know how much I loved my Lolita, this Lolita, pale and polluted, and big with another’s child, but still gray-eyed, still sooty-lashed, still auburn and almond, still Carmencita, still mine; Changeons de vie, ma Carmen, allons vivre quelque, part o nous ne serons jamais spars; Ohio? The wilds of Massachusetts? No matter, even if those eyes of hers would fade to myopic fish, and her nipples swell and crack, and her lovely young velvety delicate delta be tainted and torneven then I would go mad with tenderness at the mere sight of your dear wan face, at the mere sound of your raucous young voice, my Lolita.
Vladimir Nabokov (Lolita)
Then the great old, young, beautiful princess turned to Curdie. 'Now, Curdie, are you ready?' she said. 'Yes ma'am,' answered Curdie. 'You do not know what for.' 'You do, ma'am. That is enough.
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))
Don’t rush, my dear. It is not fitting for a ma’hana, and only makes you look guilty.
S.G. Blaise (The Last Lumenian (The Last Lumenian, #1))
Rosa Parks turned to me sweetly and asked, 'Now, Bryan, tell me who you are and what you're doing.' I looked at Ms. Carr to see if I had permission to speak, and she smiled and nodded at me. I then gave Ms. Parks my rap. 'Yes, ma'am. Well, I have a law project called the Equal Justice Initiative, and we're trying to help people on death row. We're trying to stop the death penalty, actually. We're trying to do something about prison conditions and excessive punishment. We want to free people who've been wrongly convicted. We want to end unfair sentences in criminal cases and stop racial bias in criminal justice...Ms. Parks leaned back smiling. 'Ooooh, honey, all that's going to make you tired, tired, tired.' We all laughed. I looked down, a little embarrassed. Then Ms. Carr leaned forward and put her finger in my face and talked o me just like my grandmother used to talk to me. She said, 'That's why you've got to be brave, brave, brave.' All three women nodded in silent agreement and for just a little while, they made me feel like a young prince.
Bryan Stevenson (Just Mercy)
Very good, Mr.—?” “Robinson,” the boy supplied. Ms. Terwilliger produced a clipboard and scanned a list. “Ah, there you are. Robinson. Stephanie.” “Stephan,” corrected the boy, flushing as some of his friends giggled. Ms. Terwilliger pushed her glasses up her nose and squinted. “So you are. Thank goodness. I was just thinking how difficult your life must be with such a name. My apologies. I broke my glasses in a freak croquet accident this weekend, forcing me to bring my old ones today. So, Stephan-not-Stephanie, you’re correct. It’s a temple. Can you be more specific?” ... “Indeed it is,” she said. “And your name is?” “Sydney.” “Sydney …” She checked the clipboard and looked up in astonishment. “Sydney Melbourne? My goodness. You don’t sound Australian.” “Er, it’s Sydney Melrose, ma’am,” I corrected. Ms. Terwilliger scowled and handed the clipboard to Trey, who seemed to think my name was the funniest thing ever. “You take over, Mr. Juarez. Your youthful eyes are better than mine. If I keep at this, I’ll keep turning boys into girls and perfectly nice young ladies into the descendants of criminals.
Richelle Mead (Bloodlines (Bloodlines, #1))
What’s your name?” I ask again. “Chris,” he says. “Chris Young.” I exhale dramatically, blowing my bangs out of my eyes. “I can take you,” I reply. “But if you try anything, I’ll shoot you right between the eyes. Seriously.” He almost smiles. “Yes, ma’am.
Summer Lane (State of Emergency (Collapse, #1))
what is amazing in nature is that the female, because of their role to protect their young and to protect their family or social group, are the ones with the keener sense of awareness. Yet this is the opposite with humans where the females are less aware of danger and less able to personally defend and protect themselves as well as their young. - Raising A Strong Daughter: What Fathers Should Know by Finlay Gow JD and Kailin Gow MA
Kailin Gow
Ma warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. “Unworthy boys make a lot of noise,” Ma had said.
Delia Owens (Where the Crawdads Sing)
She's on the stairs, ma'am, getting her breath,' said the young servant, who had not been long up from the country, where my mother had the excellent habit of getting all her servants. Often she had seen them born. That's the only way to get really good ones. And they're the rarest of luxuries.
Marcel Proust (Remembrance of Things Past: Volume I - Swann's Way & Within a Budding Grove)
You will be the one chosen to reach out to embrace man once again as the heart. So that all will be as it should. ‘Fatu-ma-le-ele-ele’ You will give your fire so that Man may live. And he will give his heart so that earth may live. Thus it has been spoken.
Lani Wendt Young (When Water Burns (Telesa, #2))
Ma knows everything except the things she doesn’t remember right, or sometimes she says I’m too young for her to explain a thing.
Emma Donoghue (Room)
When they arrived at the palace she had a word with Grant, the young footman in charge, who said it was security and that while ma'am had been in the Lords the sniffer dogs had been round and security had confiscated the book. He though it had probably been exploded. 'Exploded?' said the Queen. 'But it was Anita Brookner.
Alan Bennett (The Uncommon Reader)
I insist the world know how much I loved my Lolita, this Lolita, pale and polluted, and big with another's child, but still gray-eyed, still sooty-lashed, still auburn and almond, still Carmencita, still mine; Changeons de vie, ma Carmen, allons vivre quelque part oы nous ne serons jamais sиparиs; Ohio? The wilds of Massachusetts? No matter, even if those eyes of hers would fade to myopic fish, and her nipples swell and crack, and her lovely young velvety delicate delta be tainted and torn--even then I would go mad with tenderness at the mere sight of your dear wan face, at the mere sound of your raucous young voice, my Lolita.
Vladimir Nabokov (Lolita)
but what was surprising and difficult of explanation was the fact that sex—woman, that is to say—also attracts agreeable essayists, light-fingered novelists, young men who have taken the M.A. degree; men who have taken no degree; men who have no apparent qualification save that they are not women.
Virginia Woolf (A Room Of One's Own: The Virginia Woolf Library Authorized Edition)
But fidelity to language is often infidelity to thought.
León María Guerrero (The Young Rizal)
You young but I’ma tell you anyway. Never leave a man bleeding and breathing if the beef ain’t over. He’ll come back for you. They always do.
T. Styles (Kali: Raunchy Relived)
warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. “Unworthy boys make a lot of noise,” Ma had said.
Delia Owens (Where the Crawdads Sing)
They were big and black and rubber—the kind of boots you might be wearing as you came in the kitchen door, shaking off your rain slicker and saying, Grab the young’uns, Ma. Crick’s a-rising.
Suzanne Brockmann (Infamous)
A day off meant we could do things we’d always meant to do. Like go to the Botanical Garden, the Frick Collection, or something. Read some fiction. Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money. Like learn to be a better photographer. And even if we didn’t get around to it on that day, our free day, maybe it was enough just to feel the possibility that we could if we wanted to, which is another way of saying that we wanted to feel young, though many of us were that if nothing else.
Ling Ma (Severance)
I had a moment to wonder just what he did at David Emerson's, which really was where Libertyville's elite bought. Was he a salesman? I could see him showing some smart young lady around, saying, Here's one fuck of a nice couch, ma'am, and look at this goddam settee, we sure didn't have nothing like that on Guadalcanal when those fucking stoned-out Japs came at us with their Maxwell House swords.
Stephen King (Christine)
It is safe to say that poetry cannot be translated.
León María Guerrero (The Young Rizal)
Sex and its nature might well attract doctors and biologists; but what was surprising and difficult of explanation was the fact that sex—woman, that is to say—also attracts agreeable essayists, light-fingered novelists, young men who have taken the M.A. degree; men who have taken no degree; men who have no apparent qualification save that they are not women.
Virginia Woolf (Virginia Woolf: Complete Works (OBG Classics): Inspired 'A Ghost Story' (2017) directed by David Lowery)
Stay young as long as you can. This world can be mighty cruel to a grown up.
M.A. Wood (War and Me)
Once I asked Ma who’d taken the picture, but she couldn’t remember. Maybe Ma’s death took it, I thought. Maybe it was laughing back at her, knowing everything that would happen, as she posed in happy ignorance. In Ma’s young face there was no trace that Anthony Jr. would strangle himself inside her. That her husband would leave, that her daughter would become me.
Wally Lamb (She's Come Undone)
You know, if it wasn't for all those tattoos and piercings, you turned into an attractive young man." "Thank you ma'am," I smiled, deciding not to tell her that I got boatloads of pussy that liked the look of my tattoos and liked the feel of one particular piercing of mine.
Jessica Gadziala (Killer (Savages #2))
Kya remembered, those many years ago, Ma warning her older sisters about young men who overrated their rusted-out pickups or drove jalopies around with radios blaring. “Unworthy boys make a lot of noise,” Ma had said.
Delia Owens (Where the Crawdads Sing)
Kya remembered, those many years ago, Ma warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. “Unworthy boys make a lot of noise,” Ma had said.
Delia Owens (Where the Crawdads Sing)
I’d been there not six weeks, Dust Bowl dirt still coating my young rowdy’s lungs—and despite my God-fearing ma, that’s what I was, a dirt-farm rowdy, pure as a cow pie, cunning as a wild hog, and already well acquainted with the county sheriff, the dust layering my every breath leaving little room for the Holy Spirit to breathe on me.
Lynda Rutledge (West with Giraffes)
People here say that there is something strange, but only about Dawn. The other girls, they are normal, polite young women. They all look alike, like tiny replicas of their Ma. But Dawn, she looks nothing like them and she acts nothing like them.
Carys Jones (Sunkissed)
For a moment, I was perfectly relaxed, and I began enjoying the sight of this beautifully candlelit room full of well-dressed people. Then Mr. Merchant made a grab for my décolletage from behind, and I almost spilled the punch. “One of those dear, pretty little roses slipped out of place,” he claimed, with an insinuating grin. I stared at him, baffled. Giordano hadn’t prepared me for a situation like this, so I didn’t know the proper etiquette for dealing with Rococo gropers. I looked at Gideon for help, but he was so deep in conversation with the young widow that he didn’t even notice. If we’d been in my own century, I’d have told Mr. Merchant to keep his dirty paws to himself or I’d hit back, whether or not any little roses had really slipped. But in the circumstances, I felt that his reaction was rather—discourteous. So I smiled at him and said, “Oh, thank you, how kind. I never noticed.” Mr. Merchant bowed. “Always glad to be of service, ma’am.” The barefaced cheek of it! But in times when woman had no vote, I suppose it wasn’t surprising if they didn’t get any other kind of respect either. The talking and laughter gradually died away as Miss Fairfax, a thin-nosed lady wearing a reed-green dress, went over to the pianoforte, arranged her skirts, and placed her hands on the keys. In fact, she didn’t play badly. It was her singing that was rather disturbing. It was incredibly . . . well, high-pitched. A tiny bit higher, and you’d have thought she was a dog whistle.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Sometimes he dreamt he held her; that he would turn in bed and she would be there. But she was gone and he was old. Nearly seventy. Only cool paint met his fingers. “Ma très chère . . .” Darkness started to fall, dimming the paintings. He felt the crumpled letter in his pocket. “I loved you so,” he said. “I never would have had it turn out as it did. You were with all of us when we began, you gave us courage. These gardens at Giverny are for you but I’m old and you’re forever young and will never see them. . . .
Stephanie Cowell (Claude & Camille: A Novel of Monet)
Laura knew then that she was not a little girl any more. Now she was alone; she must take care of herself. When you must do that, then you do it and you are grown up. Laura was not very big, but she was almost thirteen years old, and no one was there to depend on. Pa and Jack had gone, and Ma needed help to take care of Mary and the little girls, and somehow to get them all safely to the west on a train.
Laura Ingalls Wilder
I’m getting thirstier every minute. If it didn’t hurt you, it won’t hurt me. If my papa was here, he’d let me have some.” “You’re not going to tell him about it, are you?” said Jesse. His face had gone very pale under its sunburn. He stood up and put a bare foot firmly on the pile of pebbles. “I knew this would happen sooner or later. Now what am I going to do?” As he said this, there was a crashing sound among the trees and a voice called, “Jesse?” “Thank goodness!” said Jesse, blowing out his cheeks in relief. “Here comes Ma and Miles. They’ll know what to do.” And sure enough, a big, comfortable-looking woman appeared, leading a fat old horse, and at her side was a young man almost as beautiful as Jesse. It was Mae Tuck with her other son, Jesse’s older brother. And at once, when she saw the two of them, Jesse with his foot on the pile of pebbles and Winnie on her knees beside him, she seemed to understand. Her hand flew to her bosom, grasping at the old brooch that fastened her shawl, and her face went bleak. “Well, boys,” she said, “here it is. The worst is happening at last.
Natalie Babbitt (Tuck Everlasting)
What a pity it wouldn't stay!' sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter 'Ah, my dear! Let this be a lesson to you never to lose YOUR temper!' 'Hold your tongue, Ma!' said the young Crab, a little snappishly. 'You're enough to try the patience of an oyster!
Lewis Carroll (Alice's Adventures in Wonderland & Through the Looking-Glass (Classic Illustrated Edition))
Young man.” They all swiveled to face the old lady propped up in the bed nearby. “Your young woman has been through a lot, and it appears she loves you very much.” The woman smiled. “Humor an old lady and kiss her again.” Axel barked out a laugh. “Yes, ma’am,” Lachlan said. “And please don’t do your shirt up yet, either.” The old lady winked.
Anna Hackett (Mission: Her Protection (Team 52, #1))
Is something funny, Lord Marce?” asked a young woman, standing in front of a desk. She was wearing imperial green. This was clearly the emperox, and equally clearly he’d just blown his entrance. He bowed. “I’m sorry, Your Majesty,” he said. “I was surprised by your office.” “How so?” “I … well. Ma’am. It looks like a museum exploded inside of it.
John Scalzi (The Collapsing Empire (The Interdependency, #1))
Si possono cancellare i ricordi, forse, ma ciò che abbiamo vissuto ritorna sempre a tormentarci, in una forma o nell'altra
Ilaria Pasqua (Il giardino degli aranci - Il mondo di nebbia)
Pensavo che bisognava nascondersi e cacciavo invece nella borsa le cose più assurde. Ma non me ne rammarico, ci tengo di più ai ricordi che ai vestiti.
Anne Frank (The Diary of a Young Girl)
There is a difference between loving someone while seeing their potential and loving someone for that potential, and I fear too many young ladies don't understand that.
M.A. Nichols
Listen son, at ma age love is a nuisance of a thing. What ye want is some easy company on a Tuesday night, a bit of help runnin’ the hoose, and if yer lucky a bit of nookie as long as ye can both lie on yer side while ye’re at it.” Mungo didn’t laugh at the joke. Jocky dropped his dout into his mug. “What ye want is an easy life. There’s nothin’ easy about love.
Douglas Stuart (Young Mungo)
Help young people. Help small guys. Because small guys will be big. Young people will have the seeds you bury in their minds, and when they grow up, they will change the world.” – Jack Ma
Think Maverick (Entrepreneur: Jack Ma, Alibaba and the 40 Thieves of Success (Entrepreneurship Guide Book 2))
Thank yuh, ma’am, but don’t say you’se ole. You’se uh lil girl baby all de time. God made it so you spent yo’ ole age first wid somebody else, and saved up yo’ young girl days to spend wid me.
Zora Neale Hurston (Their Eyes Were Watching God)
For hero-worship often defeats its own ends; the boy who "cannot tell a lie," the boy who kept his finger in the hole in the dike, tend to become myths, admired perhaps but to be neither imitated nor equalled.
León María Guerrero (The Young Rizal)
Il fango ti può nutrire, mentre il fuoco ti ridurrà in cenere, ma i folli, i bambini e le fanciulle scelgono sempre il fuoco. Mud would nourish you, where fire would only consume you, but fools and children and young girls would choose fire every time.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
I can only imagine what goes on in that head of yours…” he teased. “I assure you I haven’t taken up black magic, ritualistic sacrifice, or—” “Plushophilia?” I tagged on. “Excuse me?…” came his half-confused, half-intrigued reaction. “An obsession with stuffed animals,” I clarified. “I mean, you are a young one…” “Where did you come up with that?” He kept his hands firmly covering my eyes, but I could hear the amused smile in his voice. “Is that even a real word?” “I’m a doctor, I know these things,” I shrugged.
M.A. George (Relativity (Proximity, #2))
So many of the men who came to the West were southerners— men looking for work and a new life after the Civil War—that chivalrousness and strict codes of honor were soon thought of as western traits. There were very few women in Wyoming during territorial days, so when they did arrive (some as mail-order brides from places like Philadelphia) there was a standoffishness between the sexes and a formality that persists now. Ranchers still tip their hats and say, "Howdy, ma'am" instead of shaking hands with me. Even young cowboys are often evasive with women. It's not that they're Jekyll and Hyde creatures—gentle with animals and rough on women—but rather, that they don't know how to bring their tenderness into the house and lack the vocabulary to express the complexity of what they feel.
Gretel Ehrlich
something funny, Lord Marce?” asked a young woman, standing in front of a desk. She was wearing imperial green. This was clearly the emperox, and equally clearly he’d just blown his entrance. He bowed. “I’m sorry, Your Majesty,” he said. “I was surprised by your office.” “How so?” “I … well. Ma’am. It looks like a museum exploded inside of it.” Obelees Atek sucked in her breath and apparently was now waiting for the emperox to sentence him to a beheading. Instead she laughed, openly, loudly. “Thank you,” she said, with emphasis.
John Scalzi (The Collapsing Empire (The Interdependency, #1))
Ah, my dear! Let this be a lesson to you never to lose your temper!' 'Hold your tongue, Ma!' said the young Crab, a little snappishly. 'You're enough to try the patience of an oyster!' 'I wish I had our Dinah here, I know I do!' said Alice aloud, addressing nobody in particular.
Lewis Carroll (Alice's Adventures in Wonderland)
Voi siete così giovine, così al di qua d’ogni inizio, e io vi vorrei pregare quanto posso, caro signore, di aver pazienza verso quanto non è ancora risolto nel vostro cuore, e tentare di aver care le domande stesse come stanze serrate e libri scritti in una lingua molto straniera. Non cercate ora risposte che non possono venirvi date perché non le potreste vivere. E di questo si tratta, di vivere tutto. Vivete ora le domande. Forse v’insinuate così a poco a poco, senz’avvertirlo, a vivere un giorno lontano la risposta. Forse portate in voi la possibilità di formare e creare, quale una maniera di vita singolarmente beata e pura; educatevi a questo compito, - ma accogliete in grande fiducia quanto vi accade e se solo vi accade dal vostro volere, da qualche necessità del vostro intimo, prendetelo su voi stesso e non odiate nulla.
Rainer Maria Rilke (Letters to a Young Poet)
Ma raised her eyes to the girl’s face. Ma’s eyes were patient, but the lines of strain were on her forehead…. “When you’re young, Rosasharn, ever’thing that happens is a thing all by itself. It’s a lonely thing. I know, I ‘member, Rosasharn.” Her mouth loved the name of her daughter. “You’re gonna have a baby, Rosasharn, and that’s somepin to you lonely and away. That’s gonna hurt you, an’the hurt’ll be lonely hurt, an’ this here tent is alone in the worl’, Rosasharn.” She whipped the air for a moment to drive a buzzing blow fly on, and the big shining fly circled the tent twice and zoomed out into the blinding sunlight. And Ma went on, “They’s a time of change, and when that comes, dyin’ is a piece of all dyin’, and bearin’ is a piece of all bearin’, an bearin’ an’ dyin’ is two pieces of the same thing. An’ then things ain’t lonely any more. An’ then a hurt don’t hurt so bad, ’cause it ain’t a lonely hurt no more, Rosasharn. I wisht I could tell you so you’d know, but I can’t.” And her voice was so soft, so full of love, that tears crowded into Rose of Sharon’s eyes, and flowed over eyes and blinded her.
John Steinbeck (The Grapes of Wrath)
I was like everyone else. We all hoped the storm would knock things over, fuck things up enough but not too much. We hoped the damage was bad enough to cancel work the next morning but not so bad that we couldn’t go to brunch instead. Brunch? he echoed skeptically. Okay, maybe not brunch, I conceded. If not brunch, then something else. A day off meant we could do things we’d always meant to do. Like go to the Botanical Garden, the Frick Collection, or something. Read some fiction. Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money. Like learn to be a better photographer. And even if we didn’t get around to it on that day, our free day, maybe it was enough just to feel the possibility that we could if we wanted to, which is another way of saying that we wanted to feel young, though many of us were that if nothing else.
Ling Ma (Severance)
Sigmund Freud disse che non sapeva cosa vogliono le donne. Io sono così intelligente che non solo ho capito cosa c'è che non va nel mondo, il Codice di Hammurabi, ma anche cosa vogliono le donne. Le donne vogliono un sacco di persone con cui parlare. Di cosa vogliono parlare? Vogliono parlare di tutto
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: Advice for the Young)
Ma chère, I serve a man who multiplied the loaves and fishes”—he smiled, nodding at the pool, where the swirls of the carps’ feeding were still subsiding—“who healed the sick and raised the dead. Shall I be astonished that the master of eternity has brought a young woman through the stones of the earth to do His will?
Diana Gabaldon (Outlander (Outlander, #1))
Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money. Like learn to be a better photographer. And even if we didn't get around to it on that day, our free day, maybe it was enough just to feel the possibility that we could if we wanted to, which is another way of saying that we wanted to feel young, though many of us were that if nothing else.
Ling Ma (Severance)
Ma was isolated and alone. Under those circumstances people behave differently. Kya made a soft groan. “Please don't talk to me about isolation. No one has to tell me how it changes a person. I have lived it. I am isolation," Kya whispered with a slight edge. "I forgive Ma for leaving. But I don't understand why she didn't come back- why she abandoned me. You probably don't remember, but after she walked away, you told me that a she-fox will sometimes leave her kits if she's starving or under some other extreme stress. The kits die- as they probably would have anyway- but the vixen lives to breed again when conditions are better, when she can raise a new litter to maturity. "I've read a lot about this since. In nature- out yonder where the crawdads sing- these ruthless-seeming behaviors actually increase the mother's number of young over her lifetime, and thus her genes for abandoning offspring in times of stress are passed on to the next generation. And on and on. It happens in humans, too. Some behaviors that seem harsh to us now ensured the survival of early man in whatever swamp he was in at the time. Without them, we wouldn't be here. We still store those instincts in our genes, and they express themselves when certain circumstances prevail. Some parts of us will always be what we were, what we had to be to survive- way back yonder.
Delia Owens (Where the Crawdads Sing)
Che la vita di un uomo sia soltanto un sogno è già stato affermato da molti, e tale sentimento si è impadronito anche di me. Quando considero i limiti entro cui sono prigioniere le forze attive e speculative dell'uomo, quando vedo che ogni attività mira all'unico scopo di soddisfare i bisogni, i quali, a loro volta, servono soltanto a prolungare la misera esistenza, e poi comprendo che l'appagamento su certi punti delle nostre speculazioni non è altro che sognante rassegnazione perché dipingiamo soltanto variopinte figure e luminosi panorami sulle pareti fra le quali siamo prigionieri, tutto ciò, Guglielmo, mi ammutolisce. Rientro in me stesso e trovo un universo! Ma formato più di presentimenti e di oscuri desideri che di immagini e di forze viventi. Allora tutto si confonde davanti ai miei sensi, e io sorrido e continuo a sognare nel mondo.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
I can take you,” I reply. “But if you try anything, I’ll shoot you right between the eyes. Seriously.” He almost smiles. “Yes, ma’am.
Summer Lane (State of Emergency (Collapse, #1))
But “ma’am” doesn’t translate in the North, where it just startles and offends.
Rob Sheffield (Talking to Girls About Duran Duran: One Young Man's Quest for True Love and a Cooler Haircut)
Passionately develop a positive and pragmatic psychology; a fine skill set; strategic thinking; and execution effectiveness.
Jason L. Ma (Young Leaders 3.0: Stories, Insights, and Tips for Next-Generation Achievers)
Yes, ma’am, but can I get a piece of the chocolate cake to go?” She gave me a long look. “You that hungry?” Laughing, I shook my head and decided to go for it. She wasn’t going to let it drop, anyway. “No, Cooper’s waiting for us at their house”—I gestured to a wide-eyed Sawyer—“because he had to work late, so this will be a nice surprise.” The wily old woman gave me a knowing look. “Nice to think of his roommate.” “No, he’s our other boyfriend.” And it was out. Sawyer was waiting for the ceiling to come crashing down, but she grinned. “I got a book like that at home. I’ll get you boys a big piece to take to your fella.” Alice walked off, still grinning and mumbling something about how she wished things had been different back in her day. I had to laugh. She’d have been hell on wheels when she was young no matter what the social norms had been then. Shaking his head and clearly trying to figure out what had happened, Sawyer watched her walk away. He and Cooper must have had a difficult time growing up, but I was glad he was getting to see that there were people out there who wouldn’t care. And then there were dirty old ladies who were going to have entirely too much fun caring.
M.A. Innes (The Accidental Master (The Accidental Master #1))
Negli esseri giovani il desiderio si nasconde dapprima sotto la maschera del gioco, poi sotto quella della lotta. Disprezzo, crudeltà, sofferenza costituivano le loro più segrete delizie, ma ne erano a malapena consapevoli. Non conoscevano la tenerezza, non volevano conoscerla: la giudicavano indegna di loro; provavano piacere a dilaniarsi. I loro cuori erano nuovi; le ferite si rimarginavano facilmente.
Irène Némirovsky (Due)
Mr St. John entered the little telegraph office, gave in his message, and was exchanging a few words with the clerk, when a female voice was heard speaking in hurried accents. Frederick at the moment was behind the partition unseen by the newcomer. 'Young man, can I send a telegram off at once? It's in a hurry?' 'You can send a telegram,' responded the clerk. 'Where's it to?' 'Paris.' 'What's the message?' 'I've written it down, so that there may be no mistake. It's quite private, and must be kept so: a little matter that concerns nobody. And be particular, for it's from Castle Wafer. Will it reach Paris tonight?' 'Yes,' said the clerk, confidentially, as he counted the words. 'How much to pay?' 'Twelve-and-sixpence.' 'Twelve-and-sixpence! What a swindle.' 'You needn't pay it if you don't like.' 'But then the telegram would not go?' 'Of course it wouldn't.' The sound of silver dashed down on the counter was heard. 'I can't stop to argue the charge, so I must pay it,' grumbled the voice. 'But it's a shame, young man.' 'The charges ain't of my fixing,' responded the young man. 'Good afternoon, ma'am.' She bustled out again as hurriedly as she had come in, not having suspected that the wooden partition had any one behind it.
Mrs. Henry Wood (St. Martin's Eve)
Imparai a vedere. Era talmente facile, mi stupii che non mi fossi mai accorta di nulla prima di allora. Vidi che c’era sofferenza in ogni luogo, ma vidi anche la tenacia e la speranza, a volte vidi la gioia. Scrissi sempre tutto.
Anna Giraldo (Meet you on the other side: Un luogo del cuore)
The Christmas I was sixteen, my ma and I were poorer than church mice. My pa died when I was two, taking her heart with him." A smile curved his lips. "She could have remarried for a more comfortable life. But she couldn't bring herself to do it. We were happy, though, her and I. Just when I was getting old enough to do odd jobs, bring in some money to make her life easier, she got sick. I stayed home to nurse her. She had no strength left. But somehow she'd scraped together the last of her red yarn and made me a pair of stockings. My Christmas gift that year." Sensing his thoughts lingered in the past, Louisa brushed a finger over the scrap in her palm. "She died several weeks later." Louise caught her breath, aching for the pain of that young man. "I took a lot of ribbing for wearing red stockings. But I didn't give them up, even when I could afford to. I felt like they kept my ma close. Like she was with me." Tears welled up in Louisa's eyes. One dripped over. He caught the drop on the tip of his finger. "They brought me luck." "That's why you're called Red. I wondered.
Debra Holland (Montana Sky Christmas (Montana Sky, #3.1))
Debra pointed her purses lips in Max’s direction. “Overnight guests are forbidden. No exceptions.” “Did you just have the audacity to judge me?” Gina blocked the nurse’s route to the door. “Without knowing the least little thing about me?” Debra lifted an eyebrow. “Well, I have seen your underwear, dear.” “Exactly,” Gina said. “You’ve seen my underwear—not my personality profile, or my resume, or my college transcript, or—” “If you think for one second,” the nurse countered, “that anything about this situation is even remotely unique—” “That’s enough,” Max said. Gina, of course, ignored him. “I don’t just think it, I know it,” she said. “It’s unique because I’m unique, because Max is unique, because—” Debra finally laughed. “Oh, honey, you are so . . . young. Here’s a tip I don’t usually bother to tell girls like you: If I find one pair of panties on the floor, it’s only a matter of time before I find another. And I hate to break it to you, hon, but the girl who comes out of the bathroom next time, well . . . She isn’t going to be you.” “First of all,” Gina said grimly, “I’m a woman, not a girl. And second, Grandma . . . You want to bet it’s not going to be me?” “I said, that’s enough,” Max repeated, and they both turned to look at him. About time. He was used to clearing his throat and having an entire room jump to full attention. “Ms. Forsythe, you took my blood pressure—you have the information you needed, good day to you, ma’am. Gina . . .” He wanted to tell her to untwist her panties and put them back on, but he didn’t dare. “Sit,” he ordered instead, motioning to the desk chair that could be pulled beside the bed. “Please,” he added when Nurse Evil smirked on her way out the door.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Tutto è portare a termine e poi generare. Lasciar compiersi ogni impressione e ogni germe d’un sentimento dentro di sé, nel buio, nell’indicibile, nell’inconscio irraggiungibile alla propria ragione, e attendere con profonda umiltà e pazienza l’ora del parto d’una nuova chiarezza: questo solo si chiama vivere da artista: nel comprender come nel creare. Qui non si misura il tempo, qui non vale alcun termine e dieci anni son nulla. Essere artisti vuol dire: non calcolare e contare; maturare come l’albero, che non incalza i suoi succhi e sta sereno nelle tempeste di primavera senz’apprensione che l’estate non possa venire. Ché l’estate viene. Ma viene solo ai pazienti, che attendono e stanno come se l’eternità giacesse avanti a loro, tanto sono tranquilli e vasti e sgombri d’ogni ansia. Io l’imparo ogni giorno, l’imparo tra i dolori, cui sono riconoscente: pazienza è tutto!
Rainer Maria Rilke (Letters to a Young Poet)
Eve turned away as a whispered “yes, ma'am” reached her ears. She closed her eyes and breathed deeply. Why was she saving this asshole? Eve opened her eyes and unlocked the heavy steel bolt securing the five-by-two slab of oak. She looked back, ready to give him the signal to haul ass, when all the air punched from her lungs. Naked. It was the only word her stunned mind could form. Eve spun in place, and her rear bumped against the door. Guerin stood there, completely nude, with his briefs and coat in his grip. “W-wh-what are you doing?” Dear God, she was stuttering like a young girl who'd never seen “boy parts” before.
Jessica Lee (Undying Desire (The Enclave, #3))
You say it's this young woman's birthday?" he asked, hoping he didn't sound too eager. "Yes." Mrs. Brigham practically sobbed into her lace hanky. Rider hid his smile at her histrionics behind a mask of concern. "Well, we can't disappoint the girl on her birthday, now can we, ma'am?" "You changed your mind then?" she gushed happily. Rider offered his most charming smile, an attribute that had never failed to win a woman yet. "I'd be honored to take you and Miss Vaughn to the social." "Oh,thank you, Mr. Sinclair. I knew you were a true gentleman. Willow is such a dear young woman.So sweet and feminine." Rider choked on his coffee.
Charlotte McPherren (Song of the Willow)
CONCLUDING ADVICE A core piece of wisdom I want to impart to teenagers and young adults is this: In life, school, or work, you must resourcefully act with purpose, curiosity, and wisdom toward positive outcomes, if not a vision. Passionately develop a positive and pragmatic psychology; a fine skill set; strategic thinking; and execution effectiveness. Continuously practice, strengthen, and expand this repertoire in you. Doing so will help you go a long way. You will become even more successful, more effective in powering through obstacles, fear, and failures, and more fulfilled in life, school, or work. Managing failures and mistakes made—including bouncing back from
Jason L. Ma (Young Leaders 3.0: Stories, Insights, and Tips for Next-Generation Achievers)
One article on reproductive strategies was titled "Sneaky Fuckers." Kya laughed. As is well known, the article began, in nature, usually the males with the most prominent secondary sexual characteristics, such as the biggest antlers, deepest voices, broadest chests, and superior knowledge secure the best territories because they have fended off weaker males. The females choose to mate with these imposing alphas and are thereby inseminated with the best DNA around, which is passed on to the female's offspring- one of the most powerful phenomena in the adaptation and continuance of life. Plus, the females get the best territory for their young. However, some stunted males, not strong, adorned, or smart enough to hold good territories, possess bags of tricks to fool the females. They parade their smaller forms around in pumped-up postures or shout frequently- even if in shrill voices. By relying on pretense and false signals, they manage to grab a copulation here or there. Pint-sized male bullfrogs, the author wrote, hunker down in the grass and hide near an alpha male who is croaking with great gusto to call in mates. When several females are attracted to his strong vocals at the same time, and the alpha is busy copulating with one, the weaker male leaps in and mates one of the others. The imposter males were referred to as "sneaky fuckers." Kya remembered, those many years ago, Ma warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. "Unworthy boys make a lot of noise," Ma had said. She read a consolation for females. Nature is audacious enough to ensure that the males who send out dishonest signals or go from one female to the next almost always end up alone. Another article delved into the wild rivalries between sperm. Across most life-forms, males compete to inseminate females. Male lions occasionally fight to the death; rival bull elephants lock tusks and demolish the ground beneath their feet as they tear at each other's flesh. Though very ritualized, the conflicts can still end in mutilations. To avoid such injuries, inseminators of some species compete in less violent, more creative methods. Insects, the most imaginative. The penis of the male damselfly is equipped with a small scoop, which removes sperm ejected by a previous opponent before he supplies his own. Kya dropped the journal on her lap, her mind drifting with the clouds. Some female insects eat their mates, overstressed mammal mothers abandon their young, many males design risky or shifty ways to outsperm their competitors. Nothing seemed too indecorous as long as the tick and the tock of life carried on. She knew this was not a dark side to Nature, just inventive ways to endure against all odds. Surely for humans there was more.
Delia Owens (Where the Crawdads Sing)
«Quando ami qualcuno, questo qualcuno diventa parte di ciò che sei. È in tutto quello che fai. È nell’aria che respiri, nell’acqua che bevi, nel sangue che ti scorre nelle vene. Il suo tocco ti resta sulla pelle, la sua voce ti resta nelle orecchie, i suoi pensieri ti restano nella mente. Conosci i suoi sogni perché quelli brutti ti trafiggono il cuore e quelli belli sono anche i tuoi. E non pensi che sia perfetto, ma conosci i suoi difetti, la verità profonda dentro al suo cuore, le ombre di tutti i suoi segreti, che però non ti spaventano: anzi, te lo fanno amare ancora di più, perché tu non vuoi la perfezione. Vuoi quella persona. Vuoi…»” “Signora della mezzanotte (Italian Edition)”. iBooks.
Cassandra Clare
Mrs. Indianapolis was in town again. She looked like a can of Sprite in her green and yellow outfit. She always likes to come down to the front desk just to chat. It was 4:04 am and thankfully I was awake and at the front desk when she got off the elevator and walked towards me. 
 “Good morning, Jacob,” she said.
 “My name is Jarod,” I replied.
 “When did you change your name?” “I was born Jarod, and I’ll probably die. Maybe.”
 “You must be new here. You look like a guy named Jacob that used to work at the front desk.”
 “Nope, I’m not new. And there’s no Jacob that’s worked the front desk, nor anybody who looks or looked like me. How can I assist you, Mrs. Indianapolis?”
 “I’d like to inform you that the pool is emitting a certain odor.”
 “What sort of odor?”
 “Bleach.”
 “Ah, that’s what we like to call chlorine. It’s the latest craze in the sanitation of public pools. Between you and me, though, I think it’s just a fad.”
 “Don’t get sassy with me, young man. I know what chlorine is. I expect a clean pool when I go swimming. But what I don’t expect is enough bleach to get the grass stain out of a shirt the size of Kentucky.”
 “That’s not our policy, ma’am. We only use about as much chlorine as it would take to remove a coffee stain the size of Seattle from a light gray shirt the size of Washington.” “Jerry, I don’t usually give advice to underlings, but I’m feeling charitable tonight. So I’ll tell you that if you want to get ahead in life, you have to know when to talk and when not to talk. And for a guy like you, it’d be a good idea if you decided not to talk all the time. Or even better, not to talk at all.”
 “Some people say some people talk too much, and some people, the second some people, say the first some people talk to much and think too little. Who is first and who is second in this case? Well, the customer—that’s you, lady—always comes first.”
 “There you go again with the talking. I’d rather talk to a robot than to you.”
 “If you’d rather talk to a robot, why don’t you just find your husband? He’s got all the personality and charm of a circuit board. Forgive me, I didn’t mean that.”
 “I should hope not!”
 “What I meant to say was fried circuit board. It’d be quite absurd to equate your husband’s banter to a functioning circuit board.”
 “I’m going to have a talk to your manager about your poor guest service.”
 “Go ahead. Tell him that Jerry was rude and see what he says. And by the way, the laundry room is off limits when no lifeguard is on duty.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
Ekaterin glanced back over her shoulder. “He didn’t look very well this morning, Pym. You really shouldn’t have let him get out of bed.” “Oh, I know it, ma’am,” Pym agreed morosely. “But what’s a mere armsman to do? I haven’t the authority to countermand his orders. What he really needs, is looking after by someone who won’t stand his nonsense. A proper Lady Vorkosigan would do the trick. Not one of those shy, simpering ingénues all the young lords seem to be looking to these days—he’d just ride right over her. He needs a woman of experience, to stand up to him.” He smiled apologetically down at her. “I suppose so,” sighed Ekaterin. She hadn’t really thought about the Vor mating scene from the armsmen’s point of view. Was Pym hinting that his lord had such an ingénue in his eye, and his staff was worried it was some sort of mismatch?
Lois McMaster Bujold
Era molto stressante stare a vedere quali sarebbero state le reazioni: se l’avrebbero rifiutato, o se sarebbero riusciti anche solo a capire cosa significava quando un ragazzo trans dichiarava di essere gay. Ma non per Julian. Lui l’aveva detto quasi in tono di sfida. In un modo che diceva che non gli importava cosa pensassero gli altri al riguardo. Era una cosa che lo intimidiva e lo riempiva di ammirazione al tempo stesso.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
The hotel was a chain, crisp and white on the outside, warm and beige on the inside, with green neon announcing its name and function. There was a small crowd in the lobby. Maybe nine people, not exactly in line for the desk, mostly just standing around, either talking on cell phones, or looking frustrated, or both. Two equipment failures earlier in the day had caused chaos. Reacher was not a frequent flier, but he recognized the signs. The clerk at the reception desk beckoned them closer. She was a young woman in a fitted jacket, with a scarf around her neck. There was some kind of secret urgency in her gesture. She said, “Sir, madam, I have one room left. If you need it, you should probably grab it now.” Chang said, “Only one room?” “Yes, ma’am, because the airlines had a problem today.” “Is there another hotel?” “Not in the airport.” Reacher said, “We’ll take the room.
Lee Child (Make Me (Jack Reacher, #20))
Dear Daddy, I thought I would drop you a few lines to tell you that all this shit is really doing my head in and I just can’t cope with it anymore. Ma was not going to tell me who I could hang around with and neither could you. It’s alright now because you all got your own way and I don’t need anywhere to live anymore. I am going to commit suicide. Please make sure he he gets locked up because it is his fault you are going to lose me. Thanks for all you help Dad, I don’t know what I would have done without you. I know the pigs were up last night, cause I heard them. It looks like they won’t be sending me into care but they will be sending me to the grave. Thank God. I am too young to handle this, my whole life has been ruined. I really wish I could stay around to look after you Daddy but it would ruin my own life. I hope I did not hurt your feelings. I will miss you and I still love you.
Mason Freid (Suicide Note: A Real Collection of Real Suicide Letters)
D’istinto le venne da abbracciare il ragazzo ma lui si ritrasse: «Mi attacchi il raffreddore!». Coco non rise più. Il rifiuto la offese. Ma David le afferrò le mani e infine la strinse a sé in un abbraccio caloroso. Sensuale. Le sussurrò nell’orecchio: «Sei speciale. Attaccami pure il raffreddore!». Coco chiuse gli occhi. Sentì suonare tutti i violini del mondo. L’unico rumore pesante e profondo fu quello del battito del cuore. David aveva un odore buono. Fresco.
Roberta Rizzo (Rossa come l'amore perduto)
Instead, their only daughter was only going to Kerala, just a dodgy neighbouring state, doing one of those five-year integrated MA degrees that held no charm, required no intellectual prowess, and did not even further one’s job prospects. ‘Everyone from Kerala comes here to study, but our unique daughter decides to go there. What can I do?’ My father’s intermittent grumbling was amplified by my mother who spoke non-stop about sex-rackets, ganja, alcoholism and foreign tourists, making Kerala – a demure land of lagoons and forty rivers – appear more and more like Goa.
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)
Fleur listened thoughtfully with his flute in his lap, one hand stroking his German shepherd, when I think how you used to be, Fleur, I really got to wonder, but Mabel couldn’t divert the boy’s gaze from under that overhang of hair, and just as well he thought, so she doesn’t see the anger in his eyes, the rage shaking his body, furious with himself, and though it was a warm autumn and hot at noon, he was glad to retreat deep inside the hoodie that hid his chin but couldn’t stop the piercing words that went straight to the young musician’s heart, Mabel’s voice was like his own, what exactly have you done, Child Prodigy Fleur, not to be that flower crushed in the street, just a raggedy stuffed hoodie, what, what, geez you reek of alcohol, the cocktails your ma serves in the pub by the ocean when the illegal families come out to dance on the beach on Saturday nights and your ma gives them free drinks that knock them out right there, while ever since the divorce, your pa and grandpa stayed on the land, poor land back in Alabama, and haven’t they all just driven you backwards, shrunk you down to their own size, you could have gone to study in Vienna,
Marie-Claire Blais (Nothing for You Here, Young Man)
Ma raised her eyes to the girl's face. Ma's eyes were patient, but the lines of strain were on her forehead. Ma fanned and fanned the air, and her piece of cardboard warned off the flies. "When you're young, Rosasharn, ever'thing that happens is a thing all by itself. It's a lonely thing. I know, i 'member, Rosasharn." Her mouth loved the name of her daughter. "You're gonna have a baby, Rosasharn, and that's somepin to you lonely and away. That's gonna hurt you, an' the hurt'll be lonely hurt, an' this here tent is alone in the worl', Rosasharn." She whipped the air for a moment to drive a buzzing blow fly on, and the big shining fly circled the tent twice and zoomed out into the blinding sunlight. And Ma went on, "They's a time of change, an' when that comes, dyin' is a piece of dyin', and bearin' is a piece of bearin', an' bearin' an' dyin' is two pieces of the same thing. An' then things ain't so lonely any more. An' then a hurt don't hurt so bad, 'cause it ain't a lonely hurt no more, Rosasharn. I wisht I could tell you so you'd know, but I can't." And her voice was so soft, so full of love, that tears crowded into Rose of Sharon's eyes, and flowed over her eyes and blinded her.
John Steinbeck
Molto spesso sentiamo che ci manca qualcosa e proprio ciò che ci manca ci sembra di ritrovarlo in un altro, al quale attribuiamo non solo tutto quello che abbiamo, ma anche una certa ideale felicità. E cosi, questo essere beato, che noi stessi abbiamo creato, è completo e perfetto. Se noi invece, pur con le nostre debolezze e le nostre miserie, pensiamo solo a continuare il nostro lavoro, ci accogiamo subito che con il nostro passo tardo e lento arriviamo più lontano degli altri con tutti i loro remi e il loro vento in poppa - e allora, se restiamo alla pari con gli altri o addirittura passiamo loro davanti, finiamo con l'avere per noi un certo rispetto.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
Avrebbe voluto parlarle. Lo vedeva per chi era realmente? Anche se era una cosa che la sua stessa famiglia non riusciva a fare? Yadriel aveva passato molti anni della sua vita sentendosi incompreso da tutti tranne che da Maritza. Quando le aveva detto di essere trans, tre anni prima, lei non aveva battuto ciglio. «Ay, finalmente!» aveva detto, esasperata ma sorridente. «Avevo capito che c’era qualcosa sotto. Stavo aspettando che sputassi il rospo.» Durante quel periodo, Maritza aveva mantenuto religiosamente il segreto, alternando l’uso dei generi senza fare una piega, passando da quello maschile quando erano da soli, a quello femminile quando erano in compagnia, finché Yadriel non si era sentito pronto.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
Even if there is no connection between diversity and international influence, some people would argue that immigration brings cultural enrichment. This may seem to be an attractive argument, but the culture of Americans remains almost completely untouched by millions of Hispanic and Asian immigrants. They may have heard of Cinco de Mayo or Chinese New Year, but unless they have lived abroad or have studied foreign affairs, the white inhabitants of Los Angeles are likely to have only the most superficial knowledge of Mexico or China despite the presence of many foreigners. Nor is it immigrants who introduce us to Cervantes, Puccini, Alexander Dumas, or Octavio Paz. Real high culture crosses borders by itself, not in the back pockets of tomato pickers, refugees, or even the most accomplished immigrants. What has Yo-Yo Ma taught Americans about China? What have we learned from Seiji Ozawa or Ichiro about Japan? Immigration and the transmission of culture are hardly the same thing. Nearly every good-sized American city has an opera company, but that does not require Italian immigrants. Miami is now nearly 70 percent Hispanic, but what, in the way of authentic culture enrichment, has this brought the city? Are the art galleries, concerts, museums, and literature of Los Angeles improved by diversity? Has the culture of Detroit benefited from a majority-black population? If immigration and diversity bring cultural enrichment, why do whites move out of those very parts of the country that are being “enriched”? It is true that Latin American immigration has inspired more American school children to study Spanish, but fewer now study French, German, or Latin. If anything, Hispanic immigration reduces what little linguistic diversity is to be found among native-born Americans. [...] [M]any people study Spanish, not because they love Hispanic culture or Spanish literature but for fear they may not be able to work in America unless they speak the language of Mexico. Another argument in favor of diversity is that it is good for people—especially young people —to come into contact with people unlike themselves because they will come to understand and appreciate each other. Stereotyped and uncomplimentary views about other races or cultures are supposed to crumble upon contact. This, of course, is just another version of the “contact theory” that was supposed to justify school integration. Do ex-cons and the graduates—and numerous dropouts—of Los Angeles high schools come away with a deep appreciation of people of other races? More than half a century ago, George Orwell noted that: 'During the war of 1914-18 the English working class were in contact with foreigners to an extent that is rarely possible. The sole result was that they brought back a hatred of all Europeans, except the Germans, whose courage they admired.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
In order to have a healthy mind, you need a healthy body (and vice versa). Find quiet time by yourself to prioritize, reflect, reorganize, and plan. In college it is very easy to get caught up in exams and extracurriculars. But it is important to stop every now and then, to just clear your mind of the stresses you have and think about the bigger picture. Ask yourself purposeful questions about your goals. Talking to others is important as well. In order to cope with the stresses of college life, you have to have a support system. Some of the best moments among college friends arise when people genuinely share their thoughts, without actively trying to impress each other. While it is perfectly normal to shift
Jason L. Ma (Young Leaders 3.0: Stories, Insights, and Tips for Next-Generation Achievers)
Gli esseri che ne hanno la possibilità - è vero che si tratta degli artisti, e io ero convinto da tempo che non lo sarei mai stato - hanno anche il dovere di vivere per sé; ora, l'amicizia è una dispensa da questo dovere, un'abdicazione a se stessi. Persino la conversazione, che dell'amicizia è il modo d'esprimersi, è una divagazione superficiale, che non ci fa acquistare nulla. Possiamo conversare tutta una vita senza far altro che ripetere all'infinito il vuoto di un minuto, mentre il cammino del pensiero, nel lavoro solitario della creazione artistica, si snoda in profondità, l'unica direzione che non ci sia preclusa, e nella quale ci sia dato anzi dl progredire - sebbene con maggior fatica - verso un risultato di verità. E l'amicizia non soltanto è priva, come la conversazione, di qualsiasi virtù; è anche funesta. Infatti l'impressione di noia cui non possono sottrarsi, quando rimangono accanto agli amici - cioè alla superficie di se stessi - anziché proseguire nel profondo il loro itinerario di scoperte, quelli fra noi la cui legge dl sviluppo sia puramente interna, questa impressione di noia, quando poi ci ritroviamo soli, l'amicizia ci persuade a rettificarla, a ricordare con emozione le parole dell'amico, a considerarle come un apporto prezioso, mentre noi non siamo come costruzioni cui si possano aggiungere pietre dall'esterno, ma come alberi che traggono dalla propria Iinfa il nodo successivo del loro fusto, il piano superiore della loro fogliazione.
Marcel Proust (In the Shadow of Young Girls in Flower)
A woman decides to have a facelift for her 50th birthday. She spends $15,000 and feels pretty good about the results. On her way home, she stops at a news stand to buy a newspaper. Before leaving, she says to the clerk, "I hope you don’t mind my asking, but how old do you think I am?" "About 32," is the reply. "Nope! I’m exactly 50," the woman says happily. A little while later she goes into McDonald’s and asks the counter girl the very same question. The girl replies, "I’d guess about 29." The woman replies with a big smile, "Nope, I’m 50." Now she’s feeling really good about herself. She stops in a drug store on her way down the street. She goes up to the counter to get some mints and asks the clerk this burning question. The clerk responds, "Oh, I’d say 30." Again she proudly responds, "I’m 50, but thank you!" While waiting for the bus to go home, she asks an old man waiting next to her the same question. He replies, "I’m 78 and my eyesight is going. Although, when I was young, there was a sure-fire way to tell how old a woman was. If you permit me to put my hands under your bra, then, and only then can I tell you EXACTLY how old you are." They wait in silence on the empty street until her curiosity gets the best of her. She finally blurts out, "What the hell, go ahead." He slips both of his hands under her blouse and begins to feel around very slowly and carefully. He bounces and weighs each breast and he gently pinches each nipple. He pushes her breasts together and rubs them against each other. After a couple of minutes of this, she says, "Okay, okay...How old am I?" He completes one last squeeze of her breasts, removes his hands, and says, " Ma dam, you are 50." Stunned and amazed, the woman says, "That was incredible, how could you tell?" The old man says, "Promise you won’t get mad?" "I promise I won’t," she says. "I was behind you in McDonald’s.
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
THE OBEDIENCE GAME DUGGAR KIDS GROW UP playing the Obedience Game. It’s sort of like Mother May I? except it has a few extra twists—and there’s no need to double-check with “Mother” because she (or Dad) is the one giving the orders. It’s one way Mom and Dad help the little kids in the family burn off extra energy some nights before we all put on our pajamas and gather for Bible time (more about that in chapter 8). To play the Obedience Game, the little kids all gather in the living room. After listening carefully to Mom’s or Dad’s instructions, they respond with “Yes, ma’am, I’d be happy to!” then run and quickly accomplish the tasks. For example, Mom might say, “Jennifer, go upstairs to the girls’ room, touch the foot of your bed, then come back downstairs and give Mom a high-five.” Jennifer answers with an energetic “Yes, ma’am, I’d be happy to!” and off she goes. Dad might say, “Johannah, run around the kitchen table three times, then touch the front doorknob and come back.” As Johannah stands up she says, “Yes, sir, I’d be happy to!” “Jackson, go touch the front door, then touch the back door, then touch the side door, and then come back.” Jackson, who loves to play army, stands at attention, then salutes and replies, “Yes, sir, I’d be happy to!” as he goes to complete his assignment at lightning speed. Sometimes spotters are sent along with the game player to make sure the directions are followed exactly. And of course, the faster the orders can be followed, the more applause the contestant gets when he or she slides back into the living room, out of breath and pleased with himself or herself for having complied flawlessly. All the younger Duggar kids love to play this game; it’s a way to make practicing obedience fun! THE FOUR POINTS OF OBEDIENCE THE GAME’S RULES (MADE up by our family) stem from our study of the four points of obedience, which Mom taught us when we were young. As a matter of fact, as we are writing this book she is currently teaching these points to our youngest siblings. Obedience must be: 1. Instant. We answer with an immediate, prompt “Yes ma’am!” or “Yes sir!” as we set out to obey. (This response is important to let the authority know you heard what he or she asked you to do and that you are going to get it done as soon as possible.) Delayed obedience is really disobedience. 2. Cheerful. No grumbling or complaining. Instead, we respond with a cheerful “I’d be happy to!” 3. Thorough. We do our best, complete the task as explained, and leave nothing out. No lazy shortcuts! 4. Unconditional. No excuses. No, “That’s not my job!” or “Can’t someone else do it? or “But . . .” THE HIDDEN GOAL WITH this fun, fast-paced game is that kids won’t need to be told more than once to do something. Mom would explain the deeper reason behind why she and Daddy desired for us to learn obedience. “Mom and Daddy won’t always be with you, but God will,” she says. “As we teach you to hear and obey our voice now, our prayer is that ultimately you will learn to hear and obey what God’s tells you to do through His Word.” In many families it seems that many of the goals of child training have been lost. Parents often expect their children to know what they should say and do, and then they’re shocked and react harshly when their sweet little two-year-old throws a tantrum in the middle of the grocery store. This parental attitude probably stems from the belief that we are all born basically good deep down inside, but the truth is, we are all born with a sin nature. Think about it: You don’t have to teach a child to hit, scream, whine, disobey, or be selfish. It comes naturally. The Bible says that parents are to “train up a child in the way he should go: and when he is old, he will not depart from it” (Proverbs 22:6).
Jill Duggar (Growing Up Duggar: It's All about Relationships)
She told him the origins of the “buck dance,” when “white people would come up and say ‘N____r, dance’, and then start shooting around the feet of blacks so that they would dance like everything.” 45 Big Ma was an important presence in Jimmy’s childhood and adolescence, and he credited her with giving him a unique and powerful sense of historical change. “When she talked about slavery,” he recalled, “she always talked not about how they freed the slaves, but about how [slaveholders] surrendered. There was a big difference. She saw the change as something that had been won by somebody, not something that had been given. She realized that there had been a struggle and that somebody had to lose.” 46 It would not take much for young Jimmy to see a historical connection and a continuity in struggle between these two moments—the buck dance that Big Ma witnessed in her childhood and the marauding Selma sheriff who came to town “shooting and raising Cain to see the colored folks run” during his childhood. Big Ma lived until the mid-1930s, when Jimmy was in his teens. By this time he could see new spaces of struggle emerging from shifts in the region’s economy and black people’s employment patterns. These shifts had impacted his family, specifically through his father’s work opportunities, and would shape his own prospects. Cotton continued to be an important part of the economy, both in the state and in the Black Belt region, but its significance declined relative to Alabama’s growing industrial economy. African Americans saw expanded employment opportunities, as labor shortages, strikes, and union organizing during the first two decades of the century led companies to open up jobs previously unavailable to black workers. The steel industry, which had previously satisfied its need for cheap labor with immigrant workers, came to rely heavily on black labor after World War I. 47
Stephen Ward (In Love and Struggle: The Revolutionary Lives of James and Grace Lee Boggs (Justice, Power, and Politics))
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
When I moved to the U.S. at six, I was unrecognizable to my mother. I was angry, chronically dissatisfied, bratty. On my second day in America, she ran out of the room in tears after I angrily demanded that she buy me a pack of colored pencils. You're not you! she sputtered between sobs, which brought me to a standstill. She couldn't recognize me. That's what she told me later, that this was not the daughter she had last seen. Being too young, I didn't know enough to ask: But what did you expect? Who am I supposed to be to you? But if I was unrecognizable to her, she was also unrecognizable to me. In this new country, she was disciplinarian, restrictive, prone to angry outbursts, easily frustrated, so fascist with arbitrary rules that struck me, even as a six-year-old, as unreasonable. For most of my childhood and adolescence, my mother was my antagonist. Whenever she'd get mad, she'd take her index finger and poke me in the forehead. You you you you you, she'd say, as if accusing me of being me. She was quick to blame me for the slightest infractions, a spilled glass, a way of sitting while eating, my future ambitions (farmer or teacher), the way I dressed, what I ate, even the way I practiced English words in the car..She was the one to deny me: the extra dollar added to my allowance; an extra hour to my curfew; the money to buy my friends' birthday presents, so that I was forced to gift them, no matter what the season, leftover Halloween candy. In those early days, we lived so frugally that we even washed, alongside the dishes in the sink, used sheets of cling wrap for reuse. She was the one to punish me, sending me to kneel in the bathtub of the darkened bathroom, carrying my father's Casio watch with an alarm setting to account for when time was up. Yet it was I who would kneel for even longer, going further and further, taking more punishment just to spite her, just to show that it meant nothing. I could take more. The sun moved across the bathroom floor, from the window to the door.
Ling Ma (Severance)
That's all well and good,but my concern is for Willow. I think she's beginning to realize that she both needs and wants the respect and companionship of the women in this town. And frankly, a man with your reputation can only hurt her. Not that I think you'd deliberately cause her harm. I don't. But the girl already has several black marks against her and your attentions could very well add to her problems.Do you understand what I'm trying to tell you?" Rider plowed his fingers through his jet hair. "Yes, you'd like me to stay clear of her. I understand,but I'm afraid I can't do that. Look, I know it's asking a lot,but you'll have to trust me where Willow Vaughn is concerned. I promise you that she'll come to no harm from me." "Trust,Mr. Sinclair,is something to be earned." "I know,and I hope you'll give me time to earn yours. But if you want me to pack up and find another place to stay, I'll understand." She considered that a moment. "No," she finally answered. "It would serve no purpose. This town has become a haven for every outlaw in the country and if every boarding house and hotel in Tombstone emptied out the disreputables, they'd soon go broke. I doubt I'll be held accountable for housing one more. Besides, at least this way,I can keep an eye on you." Rider smiled and stood, politely helping her to her feet. "Thanks. And by the way, for what it's worth, I'm not an outlaw." "If I truly believed you were, young man, you'd know it." "I'm very sorry for any trouble I might have caused you, Mrs. Brigham. Now if you'll excuse me, I have to change my clothes and saddle the horses." Rider walked to the parlor doors, glancing back over his shoulder as Miriam added, "You've asked me to trust you,Mr. Sinclair. Don't disappoint me or I guarantee you'll be sorry. I may be a woman, and not a young one at that, but I still have a few good tricks up my sleeve. If Willow suffers so much as a broken fingernail on your account, you'll have me to answer to." Rider inclined his head and opened the door to leave. "I'll do my best, ma'am, but much depends on the young lady." Knowing he'd already said more than he should, he turned and left.
Charlotte McPherren (Song of the Willow)
cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her
Rosie Clarke (The Girls of Mulberry Lane (Mulberry Lane #1))
Your house is lovely, ma’am.” The duchess gave her a radiant smile. “If you like, I’ll take you on a tour later this afternoon. We have some very good art, and interesting old f-furniture, and some beautiful views from the second floor.” “Oh, that would be—” Pandora began, but to her annoyance, Lord St. Vincent interrupted from behind them. “I had already planned to take Lady Pandora on an outing this afternoon.” Pandora glanced over her shoulder with a quick frown. “I would prefer a tour of the house with the duchess.” “I don’t trust you around unfamiliar furniture,” Lord St. Vincent said. “It could be disastrous. What if I have to pull you out of an armoire, or God forbid, a credenza?” Embarrassed by the reminder of how they’d met, Pandora said stiffly, “It wouldn’t be proper for me to go on an outing without a chaperone.” “You’re not worried about being compromised, are you?” he asked. “Because I’ve already done that.” Forgetting her resolution to be dignified, Pandora stopped and whirled to face the provoking man. “No, you didn’t. I was compromised by a settee. You just happened to be there.” Lord St. Vincent seemed to enjoy her indignation. “Regardless,” he said, “you have nothing to lose now.” “Gabriel—” the duchess began, but fell silent as he slid her a glance of bright mischief. The duke regarded his son dubiously. “If you’re trying to be charming,” he said, “I should tell you that it’s not going well.” “There’s no need for me to be charming,” Lord St. Vincent replied. “Lady Pandora is only pretending disinterest. Beneath the show of indifference, she’s infatuated with me.” Pandora was outraged. “That is the most pomposterous thing I’ve ever heard!” Before she had finished the sentence, however, she saw the dance of mischief in Lord St. Vincent’s eyes. He was teasing, she realized. Turning pink with confusion, she lowered her head. Within a few minutes of arriving at Heron’s Point, she had tumbled on the drive, lost her hat and her temper, and had used a made-up word. It was a good thing Lady Berwick wasn’t there, or she’d have had apoplexy. As they continued to walk, Lord St. Vincent fell into step beside Pandora while the duchess followed with the duke. “Pomposterous,” he murmured, a smile in his voice. “I like that one.” “I wish you wouldn’t tease,” Pandora muttered. “It’s difficult enough for me to be ladylike.” “You don’t have to be.” Pandora sighed, her momentary annoyance fading into resignation. “No, I do,” she said earnestly. “I’ll never be good at it, but the important thing is to keep trying.” It was the statement of a young woman who was aware of her limitations but was determined not to be defeated by them. Gabriel didn’t have to look at his parents to know they were thoroughly charmed by Pandora. As for him . . .
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
He’s close enough now that I can hear his footfall on the pavement, and I know my chances of outrunning him are slim. I’m practically in a full sprint, and my pounding heart is begging me to take it down a notch. I try to will my feet to keep pace with its beat; but I think it’s humanly impossible to run that fast. And then it dawns on me that my footsteps are the only ones I hear. Somewhere along the way, Tristan’s must have come to a stop. And I can’t quite explain why I’m running this fast in the first place. I slow to a jog, intending to just pick up with my original pace; but I can’t seem to suck in breaths fast enough to propel my feet any further. My molten shoes stutter to a stop, as my hands come to rest on my knees. I’m still wheezily sucking in breath after breath of thick, humid air, when I warily turn to look over my shoulder. Tristan’s standing about fifty feet back, hands on his hips and a completely flummoxed twist in his forehead, his chest rising and falling with equally winded gasps. Evidently I was running faster than I gave myself credit for. As he silently watches me, regaining his breath as I do mine, the confusion on his face turns to undeniable hurt (and not the physical kind). I’ve wounded him, and I can’t even explain why. Man, I really am an ass. I start the slow walk of shame back to where he stands, one hand upon my hip as I pull in a few more calming deep breaths. I’m debating whether to concoct some excuse for my behavior…Maybe I left my contacts out today, and didn’t recognize his face? Who would blame me for running for my life, if a stranger seemed to be following me? But as I amble closer—his wrinkled forehead already fading in the wake of a welcoming smile—I decide not to dig myself a deeper hole. I’m already a straight-up jerk. I’d rather not add lying to my repertoire.
M.A. George (Aqua)