Young Frankenstein Quotes

We've searched our database for all the quotes and captions related to Young Frankenstein. Here they are! All 26 of them:

Fun was fine when you were young, but as you got older it was kindness that counted, kindness that showed up.
Coco Mellors (Cleopatra and Frankenstein)
You okay?’ Nate asked warily. My fingers shook with the hangover as I leaned across my sink. ‘I look like the Bride of Frankenstein with a massive hangover.’ ‘I’d be hungover too if I’d just had to fuck Frankenstein.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
Fun was fine when you were young, but as you got older, it was kindness that counted. Kindness that showed up.
Coco Mellors (Cleopatra and Frankenstein)
The atomic bomb which we dropped on the people of Hiroshima was first envisioned by a woman, not a man. She was, of course, Mary Wollstonecraft Shelley. She didn't call it an "atomic bomb." She called it "the monster of Frankenstein.
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: Advice for the Young)
Young ladies take their notions of our sex from the novels written by their own, and compared with the monstrosities that masquerade for men in the pages of that nightmare literature, Phytagoras' plucked bird and Frankenstein's demon were fair average specimens of humanity. In these so-called books, the chief lover, or Greek god, as he is admiringly referred to -by the way, they do not say which "Greek god" it is that the gentleman bears such a striking likeness to; it might be hump-backed Vulcan, or double-faced Janus, or even driveling Silenus. He resembles the whole family of them, however, in being a blackguard, and perhaps this is what is meant.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
My favorite historical response to someone hearing about a “big” death comes from the character Henry Clerval in Mary Shelley’s masterwork, Frankenstein. When Henry learns that his best friend Victor Frankenstein’s young brother William has been murdered, he says, “I can offer you no consolation, my friend. Your disaster is irreparable. What do you intend to do?” Perfect. There is no consolation. The disaster is irreparable. I’ve read Frankenstein twice since our Henry died. It is my companion in grief. It should surprise no one who reads it that Mary Shelley was a bereaved mother.
Rob Delaney (A Heart That Works)
Poor William!" said he, "dear lovely child, he now sleeps with his angel mother! Who that had seen him bright and joyous in his young beauty, but must weep over his untimely loss! To die so miserably; to feel the murderer's grasp! How much more a murderer, that could destroy such radiant innocence! Poor little fellow! one only consolation have we; his friends mourn and weep, but he is at rest. The pang is over, his sufferings are at an end for ever. A sod covers his gentle form, and he knows no pain. He can no longer be a subject for pity; we must reserve that for his miserable survivors.
Mary Wollstonecraft Shelley (Frankenstein)
I was myself when young, but that wears out in a very short time.
Mary Wollstonecraft Shelley (Frankenstein: (Active TOC, Active Footnotes ,Illustrated))
Making Young Frankenstein was the happiest I’d ever been on a film.
Gene Wilder (Kiss Me Like A Stranger: My Search for Love and Art)
Fun was fine when you were young, but as you got older it was kindness that counted, kindness that showed up.
Coco Mellors (Cleopatra and Frankenstein)
...for Hobie, who sorrowed over these elegant old remnants as if they were underfed children or mistreated cats, it was a point of duty to rescue what he could and then with his gifts as carpenter and joiner to recombine them into beautiful young Frankensteins that were in some cases plainly fanciful but in others such faithful models of the period that they were all but indistinguishable from the real thing. p452
Donna Tartt (The Goldfinch)
I had a wonderful rejuvenating half-hour massage before going backt to work. "You"re under a lot of stress because your chakras are way out of whack," the pleasant young masseuse informed me. That, and I'm working a graveyard shift sifting through fetid human remains under Frankenstein conditions, I thought privately. That, and the chakras.
Judy Melinek (Working Stiff: Two Years, 262 Bodies, and the Making of a Medical Examiner)
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
My brothers were considerably younger than myself; but I had a friend in one of my schoolfellows, who compensated for this deficiency. Henry Clerval was the son of a merchant of Geneva, an intimate friend of my father. He was a boy of singular talent and fancy. I remember, when he was nine years old, he wrote a fairy tale, which was the delight and amazement of all his companions. His favourite study consisted in books of chivalry and romance; and when very young, I can remember, that we used to act plays composed by him out of these favourite books, the principal characters of which were Orlando, Robin Hood, Amadis, and St. George.
Mary Wollstonecraft Shelley (Frankenstein)
Well? Does anybody here wish to belong to a selfish young lady who will keep you as a handsome pet and will refuse to compromise on anything? Make yourself known if you are indeed that fool.” There was a long, dead silence. Angelika glared at him. “Is that how you would have introduced me at the military academy ball?” “Are you still angry about that? It was weeks ago.” “Yes. I am angry that my brother refused to take me somewhere to dance with soldiers and meet the new commander.” She put her hands on her hip. “It’s my fault that I’m considered odd, and superior, and a bit witchy. But it’s your fault, too.” Victor ran a hand through his famous honey-red hair; the same color as hers. He conceded. “I accept that I could do more. But I draw the line at country dances.
Sally Thorne (Angelika Frankenstein Makes Her Match)
Safie related that her mother was a Christian Arab, seized and made a slave by the Turks; recommended by her beauty, she had won the heart of the father of Safie, who married her. The young girl spoke in high and enthusiastic terms of her mother, who, born in freedom, spurned the bondage to which she was now reduced. She instructed her daughter in the tenets of her religion and taught her to aspire to higher powers of intellect and an independence of spirit forbidden to the female followers of Mahomet. This lady died; but her lessons were indelibly impressed on the mind of Safie, who sickened at the prospect of again returning to Asia and being immured within the walls of a harem, allowed only to occupy herself with infantile amusements, ill-suited to the temper of her soul, now accustomed to grand ideas and a noble emulation of virtue. The prospect of marrying a Christian and remaining in a country where women were allowed to take a rank in society was enchanting to her.
Mary Wollstonecraft Shelley (Frankenstein)
Less is not known as a teacher, in the same way Melville was not known as a customs inspector. And yet both held the respective positions. Though he was once an endowed chair at Robert’s university, he has no formal training except the drunken, cigarette-filled evenings of his youth, when Robert’s friends gathered and yelled, taunted, and played games with words. As a result, Less feels uncomfortable lecturing. Instead, he re-creates those lost days with his students. Remembering those middle-aged men sitting with a bottle of whiskey, a Norton book of poetry, and scissors, he cuts up a paragraph of Lolita and has the young doctoral students reassemble the text as they desire. In these collages, Humbert Humbert becomes an addled old man rather than a diabolical one, mixing up cocktail ingredients and, instead of confronting the betrayed Charlotte Haze, going back for more ice. He gives them a page of Joyce and a bottle of Wite-Out—and Molly Bloom merely says “Yes.” A game to write a persuasive opening sentence for a book they have never read (this is difficult, as these diligent students have read everything) leads to a chilling start to Woolf’s The Waves: I was too far out in the ocean to hear the lifeguard shouting, “Shark! Shark!” Though the course features, curiously, neither vampires nor Frankenstein monsters, the students adore it. No one has given them scissors and glue sticks since they were in kindergarten. No one has ever asked them to translate a sentence from Carson McCullers (In the town there were two mutes, and they were always together) into German (In der Stadt gab es zwei Stumme, und sie waren immer zusammen) and pass it around the room, retranslating as they go, until it comes out as playground gibberish: In the bar there were two potatoes together, and they were trouble. What a relief for their hardworking lives. Do they learn anything about literature? Doubtful. But they learn to love language again, something that has faded like sex in a long marriage. Because of this, they learn to love their teacher.
Andrew Sean Greer (Less (Arthur Less, #1))
I come from a long line of Frankensteins long before Mary Shelley was even born.” “Really. How fascinating. And what did you do for a living before you retired and moved to Black Falls?” “Oh, I haven't retired. I'm still doing research, the same as I have since I was a young man.” Mia pondered his reply. “What kind of research, may I ask?” “Genetic research, cloning, organ replacements…. Some reanimation.” Mia’s face creased with misgiving. “Mr. Frankenstein, I….” “Please. Dr. Frankenstein. I must insist,” he said emphatically.
Billy Wells (Scary Stories: A Collection of Horror- Volume 4)
Mary Shelley, who at only nineteen years of age conceived her immortal Gothic novel, Frankenstein. Needless to say, Gene Wilder and I will always be in her debt.
Mel Brooks (Young Frankenstein: A Mel Brooks Book: The Story of the Making of the Film)
magician flourishing handkerchiefs from a hat, he realized he’d been wrong. Fun was fine when you were young, but as you got older it was kindness that counted, kindness that showed up.
Coco Mellors (Cleopatra and Frankenstein)
Being underwhelmed is part of being young. My generation has higher expectations than yours.
Coco Mellors (Cleopatra and Frankenstein)
Nothing is so painful to the human mind as a great and sudden change.” ― Marry Shelley, Frankenstein
Barton Ludwig (Blitzball: A Clone of Hitler Battles Nazi's in Sci-Fi Young Adult Novel)
Heart, Eye, starting to sound like we're building Frankenstein.
L.L. McKinney (A Blade So Black (The Nightmare-Verse #1))
I learned of the cruelty of man to his fellow man, and it did not come as any great surprise.
Chris Priestley (Mister Creecher)
We must deal with our failures just as well as our successes, with quiet dignity and grace
Gene Wilder (Young Frankenstein: A Novel)
I felt worse now, for having known love and losing it, than I ever did in those hours of lonely despair.
Chris Priestley (Mister Creecher)