“
Remember this? You gave it to me for ensuring your trigger finger got reattached to your hand. You said it would remind me of that spark of decency inside me. I'm trying to do something decent now, Captain.
”
”
Eoin Colfer (The Arctic Incident (Artemis Fowl, #2))
“
When I hold you in my arms and I feel my finger on your trigger I know no one can do me no harm because happiness is a warm gun.
”
”
John Lennon
“
For those of you who read the trigger warnings and said “Accidental cannibalism?! Count me in!” This one’s for you.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
What you’ve forgotten is that the heart beating inside your chest isn’t fucking yours,” he snarls. “It’s mine. And if my heart has stopped working, then pull that trigger, little mouse. Kill the rest of me. I’m nothing if I’m not the reason you breathe.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
She looks at me, square in the eye. Taking aim. And then she pulls the trigger. “Because I hated you.”
The wind, the noise, it all just goes quiet for a second, and I’m left with a dull ringing in my ear, like after a show, like after a heart monitor goes to flatline.
“Hated me? Why?”
“You made me stay.” She says it quietly, and it almost gets lost in the wind and the traffic and I’m not sure I heard her. But then she repeats it louder this time. “You made me stay!”
And there it is. A hollow blown through my heart, confirming what some part of me has always known.
She knows.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
You pull a trigger on me, and I can’t even leave you out in the cold for fifteen fucking minutes. So you tell me, Mila, who cares more here?
”
”
Danielle Lori (The Darkest Temptation (Made, #3))
“
Pritkin gave me a little shake and I eyed him without favor. The only other occasions when I had been dragged back in time, the trip had been triggered by proximity to a person whose past was being threatened.
I have to tell you,” I said frankly, “if someone is trying to mess with your conception or something, I’m not feeling a pressing need to intervene.
”
”
Karen Chance (Claimed by Shadow (Cassandra Palmer, #2))
“
Then why was his tongue in your mouth? Was he conducting a clinical test of your gag reflex?" He smiled, but not nicely. "How is your gag reflex, Ms. Lane? Are you a hair trigger?"
Barrons likes to use sexual innuendo to try to shut me up. I think he expects the well-raised southern belle in me will think eew and back off. Sometimes, I do think eew, but I don't back off. "I'm a spitter, if that's what you're asking." I flashed him a too-sweet smile.
"Didn't look that way to me. I think you're a swallower. His tongue was halfway to China and you were still taking it."
"Jealous?
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
You're right." He cut me off. "I never understood this country. I never understood why he chose to leave everything else behind and stay for this. Not until I met you."
I felt like he'd pushed me, like I was falling and I needed him to reel those words back in to keep me standing straight.
"You /are/ this country, Amani." He spoke more quietly now. "More alive than anything ought to be in this place. All fire and gunpowder, with one finger always on the trigger.
”
”
Alwyn Hamilton (Rebel of the Sands (Rebel of the Sands, #1))
“
He crossed his arms again and requested, “You wanna stop aiming your weapon at me?”
Actually, no. I didn’t. I wanted to keep aiming my gun at him and I might also want to pull the trigger.
”
”
Kristen Ashley (Creed (Unfinished Hero, #2))
“
I've proved my point. I've demonstrated there's no difference between me and everyone else! All it takes is one bad day to reduce the sanest man alive to lunacy. That's how far the world is from where I am. Just one bad day. You had a bad day once, am I right? I know I am. I can tell. You had a bad day and everything changed. Why else would you dress up as a flying rat? You had a bad day, and it drove you as crazy as everybody else... Only you won't admit it! You have to keep pretending that life makes sense, that there's some point to all this struggling! God you make me want to puke. I mean, what is it with you? What made you what you are? Girlfriend killed by the mob, maybe? Brother carved up by some mugger? Something like that, I bet. Something like that... Something like that happened to me, you know. I... I'm not exactly sure what it was. Sometimes I remember it one way, sometimes another... If I'm going to have a past, I prefer it to be multiple choice! Ha ha ha! But my point is... My point is, I went crazy. When I saw what a black, awful joke the world was, I went crazy as a coot! I admit it! Why can't you? I mean, you're not unintelligent! You must see the reality of the situation. Do you know how many times we've come close to world war three over a flock of geese on a computer screen? Do you know what triggered the last world war? An argument over how many telegraph poles Germany owed its war debt creditors! Telegraph poles! Ha ha ha ha HA! It's all a joke! Everything anybody ever valued or struggled for... it's all a monstrous, demented gag! So why can't you see the funny side? Why aren't you laughing?
”
”
Alan Moore (Batman: The Killing Joke)
“
I know loving me isn’t easy – the all-night
helicopter parties, the glow-in-the-dark haircuts, but when I look at you
it’s like praying with my eyes. I know it’s stupid to not own a gun yet have
so many triggers, but in some other world gigantic seashells hold humans
to their ears and listen to the echo of machines.
”
”
Jeffrey McDaniel
“
Caleb,” I called and looked at him. “I need you.” He looked surprised as he came forward. “What do you need?” “You.” “Does this require a human sacrifice?” he said joking. “No,” I laughed and heard Jen laugh too. “You remember I told you how I needed you at my side? I do, always. I can’t do any of this without you. Your touch is the trigger.” “It is?” he said in surprise. “You are just as important as I am. In the vision, I saw that you and I will be the key, not just me. Everything we’ll accomplish, we’ll do it together or not at all.
”
”
Shelly Crane (Accordance (Significance, #2))
“
What you've forgotten is that the heart beating inside your chest isn't fucking yours," he snarls. "It's mine. And if my heart has stopped working, then pull the trigger, little mouse. Kill the rest of me. I'm nothing if I'm not the reason you breathe.
”
”
NOT A BOOK
“
I shudder to think.
I might wear lace collars and laugh flower petals and pearls. People might try to pat me. I see them think it. My height triggers the puppy-kitten reflex- Must touch-and I've found that since you can't electrify yourself like a fence, the next best thing is to have murderer's eyes.
”
”
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
“
The bed reminded me of a lifestyle.
It reminded me of Frankie.
“It was Frankie and James, wasn’t it? Did those kinky fucks bring you over to the dark side?
”
”
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
The terrible truth about depression, and the part of its nature that terrifies me the most, is that it appears to operate beyond reason; feelings happen to you for no apparent cause. Or rather, there is usually an initial cause, a 'trigger'as they say in therapeutic circles, but in severe depression the feelings of sadness, grief, loneliness and despair continue long after the situation has resolved itself. It is as if depression has a life of its own, which is perhaps why so many sufferers refer to it as a living thing, as some sort of demon or beast.
”
”
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
“
And when he smiled and those dimples appeared? It triggered ovulation. You couldn’t convince me otherwise. Not after the way I stood there staring at him while my ovaries donned their warpaint and started metaphorically chucking eggs at the man.
”
”
Navessa Allen (Lights Out)
“
...hanging out does not make one an artist. A secondhand wardrobe does not make one an artist. Neither do a hair-trigger temper, melancholic nature, propensity for tears, hating your parents, nor even HIV - I hate to say it - none of these make one an artist. They can help, but just as being gay does not make one witty (you can suck a mile of cock, as my friend Sarah Thyre puts it, it still won't make you Oscar Wilde, believe me), the only thing that makes one an artist is making art. And that requires the precise opposite of hanging out; a deeply lonely and unglamorous task of tolerating oneself long enough to push something out.
”
”
David Rakoff (Half Empty)
“
I feel so lost.”
He took my hands in his. “Not anymore. I’m right here. I’ve got you.”
“There is this hollow place inside of me, where my faith in you used to be. I am so full of fear, and I do not know how to let myself trust you again. I don’t have the strength to do this. Not again.”
“I’ve got enough for both of us.” He moved closer, wrapping me in his arms.
”
”
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
“
Somewhere, in the great expanse of space,
There is a home where souls reside,
Yours and mine were joined together
I have not moved from that place,
God help me, I’ll never move from that place
But there was a poison in my heart,
And a darkness in my mind
I wasn’t there when you were drowning
Though I’d give my soul to take it back
You had to leave me behind
”
”
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
“
Too bad you didn't just take Max up on his offer, Four. Well, too bad for you, anyway," says Eric quietly as he clicks the bullet into its chamber. My lungs burn; I haven't breathed in almost a minute. I see Tobias's hand twitch in the corner of my eye, but my hand is already on my gun. I press the barrel to Eric's forehead. His eyes widen, and his face goes slack, and for a second he looks like another sleeping Dauntless soldier. My index finger hovers over the trigger. "Get your gun away from his head," I say. "You won't shoot me," Eric replies. "Interesting theory. " I say.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
All right.” He grips my waist. “I mean it when I say you own my soul. You’re the only place I feel completely like me anymore. You’re not a trigger,
”
”
Rebecca Yarros (Onyx Storm (The Empyrean #3))
“
You aren't going to shoot me. You're just a Love Interest."
"No, I'm not." I lower the gun and aim it at his right kneecap.
Even though I've been through hell, even though I've been told I'm worthless my whole life, even though I'm gay, even though the world wants me to bow down and accept that who I am makes me insignificant, the following is true:
"I'm the protagonist, fucker!"
I pull the trigger.
”
”
Cale Dietrich (The Love Interest)
“
Oh," Sally brightened proud of herself for deciphering his sign language, "you're telling me not to leave my room."
Costin nodded his big wolf head again. His eyes had begun glowing back in the party and even now they continued to emit an eerie shade of green.
Sally's inner Jen had been triggered as soon as she got the words out. So naturally she did what her inner Jen told her to. She stepped forward putting one toe outside her door. Costin growled, so she stepped back. Watching him coyly she put her other toe outside her door and he growled again. She was inwardly scolding herself for taunting him and allowing her inner Jen to control her actions, but she had discovered long ago that sometimes inner Jen is just more fun.
When Sally stuck her foot out for the third time, she giggled when Costin snapped at her. She could tell that he was playing by the way his tail wagged and his eyes lightened, but had not stopped glowing all together.
”
”
Quinn Loftis
“
Jealousy is like wasabe—a little can add excitement to your salmon sashimi but too much can make you cry and trigger facial contortions. I find it very flattering if someone is jealous of me. It is an affirmation that I am hot and spectacular. It is a confirmation of my value and importance. Yes, I am vain.
”
”
Jessica Zafra
“
No one is protecting you. You are all alone, aren’t you?” he asks while he lets my elbow drop from his hand.
I can no longer see his face clearly because my tears are making it impossible, but unfortunately for him, I’ve found what I’ve been searching for in my bag. “I don’t need anyone to protect me when I have this!” I say in a desperate tone.
Pushing the Taser into his side, I release the safety and pull the trigger. The hot, kinetic sizzle of electricity snarls through the gun and into his torso, but Reed doesn’t fall down and start twitching like in the demonstration video. Instead, his eyebrows shoot up in an expression somewhere between disbelief and amazement as he asks, “Are you serious?
”
”
Amy A. Bartol
“
Infatuation is the fun part of falling in love. Infatuation triggers a chemical in the brain called PEA, your heart races, and you get breathless and dizzy, you tremble, and you can't think. It's what most people think of when they think of falling in love, and everybody goes through it.
”
”
Jennifer Crusie (Bet Me)
“
Along with the trust issues, one of the hardest parts to deal with is the feeling of not being believed or supported, especially by your own grandparents and extended family. When I have been through so much pain and hurt and have to live with the scars every day, I get angry knowing that others think it is all made up or they brush it off because my cousin was a teenager. I was ten when I was first sexually abused by my cousin, and a majority of my relatives have taken the perpetrator's side. I have cried many times about everything and how my relatives gave no support or love to me as a kid when this all came out. Not one relative ever came up to that innocent little girl I was and said "I am sorry for what you went through" or "I am here for you." Instead they said hurtful things: "Oh he was young." "That is what kids do." "It is not like he was some older man you didn't know." Why does age make a difference? It is a sick way of thinking. Sexual abuse is sexual abuse. What is wrong with this picture? It brings tears to my eyes the way my relatives have reacted to this and cannot accept the truth. Denial is where they would rather stay.
”
”
Erin Merryn (Living for Today: From Incest and Molestation to Fearlessness and Forgiveness)
“
You pull the trigger just for fun, forgetting I'm a loaded gun. So hate me for the things I've done, and not for what I've now become.
”
”
Motionless in White
“
What exactly did Tristan tell you?” “Oh, so you do know him? Not much. He just kind of…warned me off, in a vague sort of way. He said you had an ex-husband that was liable to stab me in my sleep if I laid a hand on you. He said he was huge, and insanely violent when it came to you, or rather who you date. He basically told me that your ex would go to jail for murder before he’d let you go out with a guy like me.
”
”
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
“
Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.” The words horrified Thomas. “Newt, maybe we can—” “Shut up! Just shut up! I trusted you! Now do it!” “I can’t.” “Do it!” “I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends? “Kill me or I’ll kill you. Kill me! Do it!” “Newt …” “Do it before I become one of them!” “I …” “KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.” With his heart falling into a black abyss, Thomas pulled the trigger.
”
”
James Dashner (The Death Cure (Maze Runner, #3))
“
Jealousy is a terrible thing. I know all the psychological triggers. The fear of losing control, the fear of loss, the fear of abandonment, neglect and loneliness...But the most destructive thing about jealousy is that it kills what it values-the love you want to save won't survive the constraints of jealousy. There is no entitlement. Love is either equal or a tragedy.
”
”
Michael Robotham (Bleed for Me (Joseph O'Loughlin, #4))
“
Footsteps approach the kitchen. Garrett wanders in, wiping sweat off his brow. When he notices Sabrina, he brightens. “Oh good. You’re here. Hold on—gotta grab something.”
She turns to me as if to say, Is he talking to me?
He’s already gone, though, his footsteps thumping up the stairs.
At the table, Hannah runs a hand through her hair and gives me a pleading look. “Just remember he’s your best friend, okay?”
That doesn’t sound ominous.
When Garrett returns, he’s holding a notepad and a ballpoint pen, which he sets on the table as he sits across from Sabrina. “Tuck,” he says. “Sit. This is important.”
I’m so baffled right now. Hannah’s resigned expression doesn’t help in lessening the confusion.
Once I’m seated next to Sabrina, Garrett flips open the notepad, all business. “Okay. So let’s go over the names.”
Sabrina raises an eyebrow at me.
I shrug, because I legitimately don’t know what the fuck he’s talking about.
“I’ve put together a solid list. I really think you’re going to like these.” But when he glances down at the page, his face falls. “Ah crap. We can’t use any of the boy names.”
“Wait.” Sabrina holds up a hand, her brow furrowed. “You’re picking names for our baby?”
He nods, busy flipping the page.
My baby mama gapes at me.
I shrug again.
“Just out of curiosity, what were the boy names?” Grace hedges, clearly fighting a smile.
He cheers up again. “Well, the top contender was Garrett.”
I snicker loud enough to rattle Sabrina’s water glass. “Uh-huh,” I say, playing along. “And what was the runner-up?”
“Graham.”
Hannah sighs.
“But it’s okay. I have some kickass girl names too.” He taps his pen on the pad, meets our eyes, and utters two syllables. “Gigi.”
My jaw drops. “Are you kidding me? I’m not naming my daughter Gigi.”
Sabrina is mystified. “Why Gigi?” she asks slowly.
Hannah sighs again.
The name suddenly clicks in my head. Oh for fuck’s sake.
“G.G.,” I mutter to Sabrina. “As in Garrett Graham.”
She’s silent for a beat. Then she bursts out laughing, triggering giggles from Grace and eventually Hannah, who keeps shaking her head at her boyfriend.
“What?” Garrett says defensively. “The godfather should have a say in the name. It’s in the rule book.”
“What rule book?” Hannah bursts out. “You make up the rules as you go along!”
“So?
”
”
Elle Kennedy (The Goal (Off-Campus, #4))
“
The reason why you need emotional support is because it's important for survivors to be heard. To be understood. To be able to express yourself without fearing criticism or harsh judgement. To be validated for your pain, suffering, and loss. For others to be there for you to encourage you, especially if you're having a bad day or feeling triggered.
”
”
Dana Arcuri (Soul Cry: Releasing & Healing the Wounds of Trauma)
“
With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt.
He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...]
He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences:
Kill me. If you’ve ever been my friend, kill me.
Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank.
And Thomas had failed him. [...]
“Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!”
Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.”
“Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.”
The words horrified Thomas. “Newt, maybe we can—”
“Shut up! Just shut up! I trusted you! Now do it!”
“I can’t.”
“Do it!”
“I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends?
“Kill me or I’ll kill you. Kill me! Do it!”
“Newt …”
“Do it before I become one of them!”
“I …”
“KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.”
With his heart falling into a black abyss, Thomas pulled the trigger.
”
”
James Dashner (The Death Cure (The Maze Runner, #3))
“
He ran his nose along my jaw, breathing on me. “We’re friends, right? This is going well, don’t you think?”
The man was demented . “By what criteria are we judging it? If going well means we’ve both lost our ever-loving minds, then yes, I guess it’s going well?! If we’re basing it on us being just friends, we’re failing epically.”
He pulled back from me and grinned.
”
”
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
“
Pin-Lee leaned over me and I said, “This unit is at minimal functionality and it is recommended that you discard it.” It’s an automatic reaction triggered by catastrophic malfunction. Also, I really didn’t want them to try to move me because it hurt bad enough the way it was. “Your contract allows—” “Shut up,” Mensah snapped. “You shut the fuck up. We’re not leaving you.
”
”
Martha Wells (All Systems Red (The Murderbot Diaries, #1))
“
I fire again and again, and none of the bullets come close.
"Statistically speaking," the Erudite boy next to me-his name is Will-says, grinning at me, "you should have hit the target at least once by now, even by accident." He is blond, with shaggy hair and a crease between his eyebrows.
"Is that so," I say without inflection.
"Yeah," he says. "I think you're actually defying nature."
I grit my teeth and turn toward the target, resolving to at least stand still. If I can't muster the first task they give us,how will I ever make it through stage one?
I squeeze the trigger,hard, and this time I'm ready for the recoil.It makes my hand jump back,but my feet stay planted.A bullet hole appears at the edge of the target,and I raise an eyebrow at Will.
"So you see,I'm right.The stats don't lie," he says.
I smile a little.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
The narcissist relies on jealousy as a powerful emotion that can cause you to compete for his or her affections, so provocative statements like “I wish you’d be more like her,” or “He wants me back into his life, I don’t know what to do” are designed to trigger the abuse victim into competing and feeling insecure about his or her position in the narcissist’s life.
”
”
Shahida Arabi (Becoming the Narcissist’s Nightmare: How to Devalue and Discard the Narcissist While Supplying Yourself)
“
Cause my heart said a long time ago,
Buddy tuck your tail and run.
Cause it ain't love,
When you're stuck on the wrong end of the gun
Well, you put your finger on that trigger
And you shot me where I stood.
I found out the hard way.
I loved you more than I should.
”
”
Hunter Hayes
“
I let out a huff and forced a smile. “You’re a vampire.”
I stated.
Dean tilted his chin up and smiled. “I have no fangs.”
He said through his teeth.
I examined the glistening white canines. They were
normal, just like mine. “You retract them when you don’t
need them.” I said.
Dean moved across the table and put his face up to
mine. His mouth was a torturous breath away from my
own. “Then why haven’t I sucked your blood Lina?” He
whispered right before pressing his soft lips against mine.
Then he inched towards my neck and lingered his lips on
my pulse. His soft breathing tickled my skin and triggered
a chill that shot up my spine. My blood jumped to a rush
and began to throb for him. If he were a vampire, I swear
I’d let him suck me. “Why aren’t I biting you right now?”
He whispered. It took everything I had in me not to melt
into the seat and land as a puddle on the ground.
-Mindy-
”
”
E.M. Jade (Captivated (Affliction, #1))
“
As a quick aside, let me observe that in moments of high emotion—whether they’re triggered by anger or envy, humiliation or resentment—if the next thing you’re going to say makes you feel better, then it’s probably the wrong thing to say.
”
”
Amor Towles (Rules of Civility)
“
Will you ever forgive me? " I shot back, leveling my gaze directly into his eyes.
He stared into them for a few moments and then got up silently and headed for the door. He didn't turn around when he reached it. Just grabbed the doorknob and held it.
"No," he said, without facing me. "Maybe it makes me a bad parent, but I don't know if I can. No matter what the police found, you were involved in that shooting, Valerie. You wrote those names on that list. You wrote my name on that list. You had a good life here. You may not have pulled the trigger, but you helped cause the tragedy."
Hate List
”
”
Jennifer Brown
“
I almost turned around right there. Stupid, yeah, but PTSADS doesn’t care how stupid a trigger is. If you need me to spell that out, it’s Post-Traumatic Stuffed Animal Death Syndrome. I thought it was pretty funny. Mom and the psychologist did not. The psychologist said I had substituted George for Dad and I actually had post-dad syndrome. I told her George was a fucking bunny.
”
”
Leah Raeder (Unteachable)
“
No you don't," he said. "The corpses can wait."
I wasn't sure if he was referring to me or the screen. I would've asked him to clarify but, Jack's lips were suddenly very busy moving against Nikki's. I resisted the urge to dry-heave and looked up at the sky, the trees, the buses anywhere that wouldn't trigger the upchuck reflex.
Jack needed to learn some manners. Damn epic love.
”
”
Brodi Ashton (Neverfall (Everneath, #1.5))
“
He loves me so he hurts me
To try and make me good.
It doesn't work. I'm just too bad
And don't do what I should.
My memory has so many different sections and, like all survivors, there are so many compartments with so many triggers. I'll remember a smell which reminds me of a man which reminds me of a place which reminds me of another man who I think was with a woman who had a certain smell — and I'm back to square one. This is the case for most survivors, I believe. When we try to put together our pasts, the triggers are many and varied, the memories are disjointed — and why wouldn't they be? We were children. Even someone with an idyllic childhood who is only trying to remember the lovely things which happened to them will scratch their head and wonder who gave them that doll and was it for Christmas or their third birthday? Did they have a party when they were four or five? When did they go on a plane for the first time? You see, even happy memories are hard to piece together — so imagine how hard it is to collate all of the trauma, to pull together all of the things I've been trying to push away for so many years.
”
”
Laurie Matthew (Groomed)
“
The biggest spur to my interest in art came when I played van Gogh in the biographical film Lust For Life. The role affected me deeply. I was haunted by this talented genius who took his own life, thinking he was a failure. How terrible to paint pictures and feel that no one wants them. How awful it would be to write music that no one wants to hear. Books that no one wants to read. And how would you like to be an actor with no part to play, and no audience to watch you. Poor Vincent—he wrestled with his soul in the wheat field of Auvers-sur-Oise, stacks of his unsold paintings collecting dust in his brother's house. It was all too much for him, and he pulled the trigger and ended it all. My heart ached for van Gogh the afternoon that I played that scene. As I write this, I look up at a poster of his "Irises"—a poster from the Getty Museum. It's a beautiful piece of art with one white iris sticking up among a field of blue ones. They paid a fortune for it, reportedly $53 million. And poor Vincent, in his lifetime, sold only one painting for 400 francs or $80 dollars today. This is what stimulated my interest in buying works of art from living artists. I want them to know while they are alive that I enjoy their paintings hanging on my walls, or their sculptures decorating my garden
”
”
Kirk Douglas (Climbing The Mountain: My Search For Meaning)
“
You're wrong about me". Wax said, spinning the chamber, feeling the trigger, hoping the gun still worked. He looked up at Bleeder and leveled the weapon.
Looking down these sights, he saw Lessie. His stomach turned again.
"How am I wrong?" Bleeder asked.
Rusts she was crying.
"I'm not Harmony's hands", Wax whispered. "I'm his sword."
Then he fired.
”
”
Brandon Sanderson (Shadows of Self (Mistborn, #5))
“
Whoever triggered the explosion must have mistimed things. If you’d been two steps closer, you would have died.” His voice got tighter. “Two of my men didn’t make it.” Devastating guilt drilled through me, a needle-thin icicle straight to the heart. I felt heavy and numb. “I’m sorry.
”
”
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
“
Anxiety isn't an attack that explodes out of me; it's not a volcano that lies dormant until it's triggered by an earth-shattering event. It's a constant companion. Like a blowfly that gets into the house in the middle of summer, flying around and around. You can hear it buzzing, but you can't see it, can't capture it, can't let it out. My anxiety is invisible to others, but often it's the focal point on my mind. Everything that happens on a day-to-day basis is filtered through a lens colored by anxiety.
”
”
Jen Wilde
“
i was going to die by my own hand and god jumped on me he said pull the trigger if you want i won't be angry its ok to kill yourself a young kid should not kill oneself but god said go ahead make my day what could i do then
”
”
Harmony Korine (A Crackup at the Race Riots)
“
What you’ve forgotten is that the heart beating inside your chest isn’t fucking yours,” he snarls. “It’s mine. And if my heart has stopped working, then pull that trigger, little mouse. Kill the rest of me. I’m nothing if I’m not the reason you breathe.
”
”
H.D. Carloton
“
This is how to start telling the difference between thoughts that are informed by your intuition and thoughts that are informed by fear: Intuitive thoughts are calm. Intruding thoughts are hectic and fear-inducing. Intuitive thoughts are rational; they make a degree of sense. Intruding thoughts are irrational and often stem from aggrandizing a situation or jumping to the worst conclusion possible. Intuitive thoughts help you in the present. They give you information that you need to make a better-informed decision. Intruding thoughts are often random and have nothing to do with what’s going on in the moment. Intuitive thoughts are “quiet”; intruding thoughts are “loud,” which makes one harder to hear than the other. Intuitive thoughts usually come to you once, maybe twice, and they induce a feeling of understanding. Intruding thoughts tend to be persistent and induce a feeling of panic. Intuitive thoughts often sound loving, while invasive thoughts sound scared. Intuitive thoughts usually come out of nowhere; invasive thoughts are usually triggered by external stimuli. Intuitive thoughts don’t need to be grappled with—you have them and then you let them go. Invasive thoughts begin a whole spiral of ideas and fears, making it feel impossible to stop thinking about them. Even when an intuitive thought doesn’t tell you something you like, it never makes you feel panicked. Even if you experience sadness or disappointment, you don’t feel overwhelmingly anxious. Panic is the emotion you experience when you don’t know what to do with a feeling. It is what happens when you have an invasive thought. Intuitive thoughts open your mind to other possibilities; invasive thoughts close your heart and make you feel stuck or condemned. Intuitive thoughts come from the perspective of your best self; invasive thoughts come from the perspective of your most fearful, small self. Intuitive thoughts solve problems; invasive thoughts create them. Intuitive thoughts help you help others; invasive thoughts tend to create a “me vs. them” mentality. Intuitive thoughts help you understand what you’re thinking and feeling; invasive thoughts assume what other people are thinking and feeling. Intuitive thoughts are rational; invasive thoughts are irrational. Intuitive thoughts come from a deeper place within you and give you a resounding feeling deep in your gut; invasive thoughts keep you stuck in your head and give you a panicked feeling. Intuitive thoughts show you how to respond; invasive thoughts demand that you react.
”
”
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
“
Try not to breathe,” I tell Lira. “It might get stuck halfway out.”
Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.”
“They’re pearls of wisdom, actually.”
I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow.
Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.”
“Or gold,” I tell her smugly. “I hear it’s worth its weight.”
Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.”
“Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun.
“I don’t need you to flirt with me,” he says. “I already know you find me irresistible.”
Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.”
Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile.
“Is it because you think I look sexier wearing nothing?”
Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin.
“I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.”
“Okay,” Madrid says. “Now I feel nauseated.”
I laugh.
”
”
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
“
But a highly competitive or unstructured job, or a highly critical supervisor, can trigger the intense, uncontrolled anger and the hypersensitivity to rejection to which the borderline is susceptible. The rage can permeate the workplace and literally destroy a career.
”
”
Jerold J. Kreisman (I Hate You--Don't Leave Me: Understanding the Borderline Personality)
“
She looks at me, square in the eye. Taking aim. And then she pulls the trigger. "Because I hated you.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
We can change not only our behavior but how we define ourselves. When we put ourselves in a box marked “That’s not me,” we ensure that we’ll never get out of it.
”
”
Marshall Goldsmith (Triggers: Creating Behavior That Lasts--Becoming the Person You Want to Be)
“
Tell me: How do you know that you won't be killed by a falling meteor? How do you know that you shut off the toaster oven this morning? That one of the seething millions of bacteria on your hands will not kill you? That your friends don't all secretly hate you? Do you have a religion? Do you have right religion? Are you sure? Are you a pedophile, a necrophiliac, a rapist? A murderer? How can you know that these tendencies do not dwell latent inside you, waiting for the right moment to evince themselves in the most horrific manner possible? How do you know that you are not a monster? How do you know that it isn't the end of the world?
”
”
Fletcher Wortmann (Triggered: A Memoir of Obsessive-Compulsive Disorder)
“
The thing that, for me, triggers a realization that my life is hollow without [insert man] is the release of a new movie in a franchise or a season in a show that I had watched with some dude.
”
”
Blythe Roberson (How to Date Men When You Hate Men)
“
We put these things through their paces.” He tensed suddenly. “Have you been using these the whole time we’ve been apart?” I knew what he was asking. “Only when I was by myself.” I’d kept the sheets faithful to Tristan. Bully for me. We were so freaking screwed up. So freaking screwed.
”
”
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
“
I had a bizarre rapport with this mirror and spent a lot of time gazing into the glass to see who was there. Sometimes it looked like me. At other times, I could see someone similar but different in the reflection. A few times, I caught the switch in mid-stare, my expression re-forming like melting rubber, the creases and features of my face softening or hardening until the mutation was complete. Jekyll to Hyde, or Hyde to Jekyll. I felt my inner core change at the same time. I would feel more confident or less confident; mature or childlike; freezing cold or sticky hot, a state that would drive Mum mad as I escaped to the bathroom where I would remain for two hours scrubbing my skin until it was raw.
The change was triggered by different emotions: on hearing a particular piece of music; the sight of my father, the smell of his brand of aftershave. I would pick up a book with the certainty that I had not read it before and hear the words as I read them like an echo inside my head. Like Alice in the Lewis Carroll story, I slipped into the depths of the looking glass and couldn’t be sure if it was me standing there or an impostor, a lookalike.
I felt fully awake most of the time, but sometimes while I was awake it felt as if I were dreaming. In this dream state I didn’t feel like me, the real me. I felt numb. My fingers prickled. My eyes in the mirror’s reflection were glazed like the eyes of a mannequin in a shop window, my colour, my shape, but without light or focus.
These changes were described by Dr Purvis as mood swings and by Mother as floods, but I knew better. All teenagers are moody when it suits them. My Switches could take place when I was alone, transforming me from a bright sixteen-year-old doing her homework into a sobbing child curled on the bed staring at the wall.
The weeping fit would pass and I would drag myself back to the mirror expecting to see a child version of myself. ‘Who are you?’ I’d ask. I could hear the words; it sounded like me but it wasn’t me. I’d watch my lips moving and say it again, ‘Who are you?
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
You got to hold still, I thought. Perfectly still. I concentrated, focused, felt my arms become rigid, stern and strong. I pulled back the trigger slowly, squeezing steadily. The bottle exploded, water shooting out in a wide fine spray. ‘Goddamn!’ Anne shouted. She was staring at me like I had stared at her earlier, her whole face open with pride and delight. Sexy, yeah. I pointed the barrel at the sky and let my mouth widen into a smile. ‘Goddamn,’ I said, and meant it with all my heart.
”
”
Dorothy Allison (Skin: Talking About Sex, Class And Literature)
“
You'll want something mid-range. A 5.56 all right?"
"I suppose."
"AR-15?"
"Ugh. AR-15? I'd rather not have my gun break down on me every second week." Besides, every wannabe and their dog had an M16 or M4 variant these days.
"G7."
"Not accurate enough."
"FAL?"
"A 7.62? Maybe," I said. "Though I hate the triggers."
"As picky as a woman with her shoes," Abraham grumbled.
"Hey," I said. "That's insulting." I knew plenty of women who were pickier with their guns than they were with their shoes.
”
”
Brandon Sanderson (Firefight (The Reckoners, #2))
“
I feed my captive vegan,” he growled.
The force of his voice stilled me.
“She spends her days doing yoga and playing in the yard and her nights reading classics by the fireplace.” His sardonic tone lacked humor.
I couldn’t decide if he was insulting me or showing he did care in his own twisted way. I wanted to hear more, but all I could do was turn around and accuse, “You’ve been spying on me.”
“Be quiet,” he snapped. “This is my monologue.”
I closed my mouth.
“Keeping you here is a slap in the face to my men, but it seems I don’t give a fuck about that.” The eye contact seared. “The longer I put off revenge, the closer I get to another war with your papa. And I don’t give a fuck about that either.”
My throat tightened at the thought I was a source of that kind of violence. I had no idea my presence here had caused so much trouble.
His gaze narrowed. “You pull a trigger on me, and I can’t even leave you out in the cold for fifteen fucking minutes. So you tell me, Mila, who cares more here?
”
”
Danielle Lori (The Darkest Temptation (Made, #3))
“
One of the first significant, substantial purchases I made after starting testosterone, was a Compact Colt .45 1991 A1 automatic pistol. It's just about the best penis substitute I've ever waved at a sex partner. I love my gun. Can I get an a-a-ay-men? You better fucking believe I lo-o-ove my gun. I love to take it apart and put it back together and admire...oh,you sexy little death-machine...I suppose I oughta feel guilty or something, loving and fetishizing to the point of anthropomorphizing it it. But I don't. I won't either-don't matter to me whether or not I'm supposed to keep this a dirty little secret. I got a dick and I can kill you with it. Yeah, baby, trip my trigger, why dontcha. Heh.
”
”
Allen James (GenderQueer: Voices From Beyond the Sexual Binary)
“
And FYI, I don’t kiss on the mouth. So if you want to taste me you’ll have to do it somewhere else,” I add, flashing a wicked grin. “Call it a test. You make me cum with your mouth and I’ll let you take me to the hotel next door. If you can’t make me cum, then I go back out to the bar and find someone who can.
”
”
Alexa Riley (Pulling Her Trigger (Ghost Riders MC, #1))
“
Describe any significant events that happened. What thoughts did you have at the time? How did that way of thinking impact on how you felt? Describe any emotions you noticed. What triggered those emotions? What urges did you have? How did you respond to the feeling? What were the consequences of your response?
”
”
Julie Smith (Why Has Nobody Told Me This Before?: An International Bestselling Guide to Mental Health and Emotional Resilience from a Clinical Psychologist)
“
I wanted, for so long, for someone to understand me better than I understood myself, to take control of me, to save me, to make it all better. I thought that the hardest part of a loving, mutually healing relationship would be showing my vulnerable, raw spots to a person, even though I'd been hurt so many times before. This has not been the hardest part.
The actual hardest part has been realizing that no one, no matter how compassionate and kind they are, will say the perfect things always. Myself included. The hardest part has been learning to communicate what I need, to hear what others need, to tell others how to tell me what they need. Intimacy takes communication. A lot of it.
We all have triggers. I don't know your triggers, and you don't know mine. No matter how much I love or trust you, you cannot possibly know exactly the words I need to hear, the words I don't want to hear, and the way I like to be touched.
And how strange that we expect these things of each other. How strange (and self-sabotaging) that we refuse to get into relationships and friendships with people unless they treat us in just that perfect way.
We've been raised to want fairy tales. We've been raised to wait for flawless saviors to rescue us. But the savior isn't flawless and the savior is not coming. The savior is you. The savior is still learning. The savior is never done learning. The savior is a human being.
Forget perfect. Forget flawless. And start speaking your truth. Start speaking what you want and how you want it. And start asking and listening, really listening, to what the people around you say.
Maybe, then, we will stop abandoning and hurting each other. Maybe, then, there's hope for us.
”
”
Vironika Tugaleva
“
I'm Perfect at Feelings,
so I have no problem telling you
why you cried over the third lost
metal or the mousetrap. I knew
that orgasms weren't your fault
and that feeling of keeping solid
in yourself but wanting an ecstatic
black hole was just bad beauty.
Certain loves were perfect
in the daytime and had every
right to express carnally behind
the copy machine and there are
no hard feelings for the boozy
sodomy and sorry XX daisy chain,
whenever it felt right for you.
And when the moment of soft
levitation with erasing hands
made you feel dirty, like
the main person to think up love
in the first place, I knew that.
It's okay, you're an innocent
with the brilliance of an animal
stuffing yourself sick on a kill.
Don't, don't feel like the runt alien
on my ship: I get you. I know
the dimensions of your wishing
and losing and don't think you
a glutton with petty beefs. But
even I, who know your triggers,
your emblematic sacs of sad fury,
I understand why the farthest fat trees
sliver down with your disappointment
and why the big sense of the world,
wrong before you, shrugs but
somewhere grasps your spinning,
stunning, alone. But you have me.
”
”
Brenda Shaughnessy (Human Dark with Sugar)
“
Sometimes I think that truth is a place. In my mind, it is like a city; there can be a hundred roads, a thousands paths, that will all take you, eventually, to the same place. It does not matter where you come from. If you walk toward the truth, you will reach it, whatever path you take.”
Calum MacInnes looked down at me and said nothing. Then,
“You are wrong. The truth is a cave in the black mountains. There is one way there, and one only, and that way is treacherous and hard, and if you choose the wrong path you will die alone, on the mountainside.
”
”
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
“
Something that once had importance might be forgotten by most people but because millions of people once knew it, a force is present that can be harnessed. There might be so much significance attached to a song, for example, or a fact, that it can’t die but only lies dormant, like a vampire in his coffin, waiting to be called forth from the grave once again. There is more magic in the fact that the first mass worldwide photo of the Church of Satan was taken by Joe Rosenthal – the same man who took the most famous news photo in history – the flag-raising at Iwo Jima. There’s real occult significance to that – much more than in memorizing grimoires and witches’ alphabets. People ask me about what music to use in rituals – what is the best occult music. I’ve instructed people to go to the most uncrowded section of the music store and it’s a guarantee what you’ll find there will be occult music. That’s the power of long-lost trivia. I get irritated by people who turn up their noses and whine ‘Why would anyone want to know that?’ Because once upon a time, everyone in America knew it. Suppose there’s a repository of neglected energy, that’s been generated and forgotten. Maybe it’s like a pressure cooker all this time, just waiting for someone to trigger its release. ‘Here I am,’ it beckons, ‘I have all this energy stored up just waiting for you – all you have to do is unlock the door. Because of man’s stupidity, he’s neglected me to this state of somnambulism – dreaming the ancient dreams – even though I was once so important to him.’ Think about that. A song that was once on millions of lips now is only on your lips. Now what does that contain? Those vibrations of that particular tune, what do they evoke, call up? What do they unlock? The old gods lie dormant, waiting.
”
”
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
“
Shelter me from the powder and the finger
Cover me with the thought that pulled the trigger
Think of me as one you'd never figured
Would fade away so young
With so much left undone
Remember me to my love,
I know I'll miss her.
”
”
Neil Young
“
There's one thing I want you to do for me."
"Anything." He pleaded.
"When you're all alone, sitting in the silence behind bars, separated from your freedom. Ask yourself. Was it worth it?" She closed her eyes and pulled the trigger.
”
”
M.J. Umland (Willow Lake:)
“
Seeing him tower above me, lightning bolt raised, I had to fight the urge to cower and plead. I knew it was only a statue, but if you've ever been traumatized by someone, you'll understand. It doesn't take much to trigger those old fears: a look, a sound, a familiar situation. Or a fifty-foot-tall golden statue of your abuser - that does the trick.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
Your childhood is in the past, but your current situation is triggering your story and making you feel like you’re back in it. So your natural instinct—your biologically driven need to protect yourself—kicks in, and you are engaged in a behavioral reaction designed to rid you of the painful thoughts and emotions, but instead it makes you feel worse.
”
”
Michelle Skeen (Love Me, Don't Leave Me: Overcoming Fear of Abandonment and Building Lasting, Loving Relationships)
“
The real work of relationships is not occasional, or even daily: it is minute-to-minute. In this triggered moment right now, which path am I going to take? Rather than being overridden by your history, you can stop, pause, and choose.
”
”
Terrence Real (Us: Getting Past You & Me to Build a More Loving Relationship)
“
You host a show with Jake Connelly, the most beautiful man in the world. Trust me, you’re going to get the views.” “Nope, nope, nope,” he groans. “You know how I feel when you talk about Connelly’s stupid looks. It triggers my crippling inferiority.
”
”
Elle Kennedy (The Graham Effect (Campus Diaries, #1))
“
Because the truth was, and we both knew it, he'd gone long, long ago. I'd just made him stick around when he really wanted to be somewhere else. In his own weird way, he was another victim of the shooting, One of the ones who couldn't get away.
"Are you mad?" he asked, which I thought was a really strange question.
"Yes," I said. And I was. It's just that I wasn't so sure I was mad at him. But I don't think he needed to hear that part. I don't think he wanted to hear that part. I think it was important to him to hear that I cared enough to be angry.
"Will you ever forgive me?" he asked.
"Will you ever forgive me?" I shot back, leveling my gaze directly into his eyes.
He stared into them for a few moments then got up silently and headed for the door. He didn't turn around when he reached it. Just grabbed the doorknob and held it.
"No," he said without facing me. "Maybe that makes me a bad parent, but I don't know if I can. No matter what the police found, you were involved in that shooting, Valerie. You wrote those names on that list. You wrote my name on that list. You had a good life here. You might not have pulled the trigger, but you helped cause the tragedy."
He opened the door."I'm sorry. I really am." He stepped out into the hallway. "I'll leave my new address and phone number with your mother," he said before walking slowly out of my sight.
”
”
Jennifer Brown (Hate List)
“
What you've forgotten is that the heart beating inside your chest isn't fucking yours," he snarls. "it's mine. And if my heart has stopped working, then pull that trigger, little mouse. Kill the rest of me. I'm nothing if I'm not the reason you breathe.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
he said quietly, “You make me happy. You know that, right?” I teared up and cursed about it, because tears would leave obvious tracks down my powder-covered face. “Don’t,” I said weakly. “Don’t what? Be happy? I can’t help it when you’re in my life.
”
”
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
“
Mia faces me now. The wind is whipping her hair this way and that so she looks like some kind of mystical sorceress, beautiful, powerful, and scary at the same time. She shakes her head and starts to turn away.
Oh, no! We’ve come this far over the bridge. She can blow the damn thing up if she wants to. But not without telling me everything. I grab her, turn her to face me. “Why not? Tell me. You owe me this!”
She looks at me, square in the eye. Taking aim. And then she pulls the trigger. “Because I hated you.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Adrian?"
Her voice was small, nearly lost in the dripping of waterfrom the fountain. But the power it carried - and the effect it had on me - was monumental. I'd heard the expression "weak-kneed" before but had never lived it until now. My muscles didn't feel as though they could sustain me, and there was a great swelling in my chest, the result of a tangle of emotions I couldn't even begin to describe. Love. Joy. Relief. Disbelief. And mixed in with all of them were the emotions that I'd endured these last few months as well: despair, fear, rossow. It spread out from my heart, and I felt tears form in my eyes. It wasn't possible that one person could make you experience so many emotions at once, that one person could trigger a universe of feelings, simply with the sound of your name.
I also knew then that they were wrong - all of them. My mom. My dad. Nina. Anyone who thought love could simply be built on shared goals alone had never, ever experienced anything like what I had with Sydney. I couldn't believe I'd almost lost this through my own ignorance. Until I looked into her eyes now, I didn't truly realize what a hollow life I'd been living.
"Sydney..
”
”
Richelle Mead (Silver Shadows (Bloodlines, #5))
“
I wanted, for so long, for someone to understand me better than I understood myself, to take control of me, to save me, to make it all better. I thought that the hardest part of a loving, mutually healing relationship would be showing my vulnerable, raw spots to a person, even though I'd been hurt so many times before. This has not been the hardest part. The actual hardest part has been realizing that no one, no matter how compassionate and kind they are, will say the perfect things always. Myself included. The hardest part has been learning to communicate what I need, to hear what others need, to tell others how to tell me what they need. Intimacy takes a lot of communication. We all have triggers. I don't know your triggers and you don't know mine. No matter how much I love or trust you, you cannot possibly know exactly the words I need to hear, the words I don't want to hear, and the way I like to be touched. And how strange that we expect these things of each other. How strange, and self-sabotaging, that we refuse to get into relationships and friendships with people unless they treat us in just that perfect way. We've been raised to want fairy tales. We've been raised to wait for flawless saviors to rescue us. But the savior isn't flawless and the savior is not coming. The savior is you. The savior is still learning. The savior is never done learning. The savior is a human being. Forget perfect. Forget flawless. And start speaking your truth. Start speaking what you want and how you want it. And start asking and listening, really listening, to what the people around you say. Maybe, then, we will stop abandoning and hurting each other. Maybe, then, there's hope for us.
”
”
Vironika Tugaleva
“
As she points the gun an inch from my forehead, her finger on the trigger, I stare into her eyes. “I love you. That’s not a lie. I love you more than anything. More than I want my next breath. I’ll give anything for you to forgive me, and that includes my life.
”
”
J.T. Geissinger (Ruthless Creatures (Queens & Monsters, #1))
“
My legs felt shaky and I gripped the back of Dad’s chair. The still images on the screen stared back at me. “Do you know what caused it?” I asked. No one said anything. I looked at Mom. “What triggered it?” “You did,” she said gently. “We think you’re the trigger.
”
”
Mara Purnhagen (Past Midnight (Past Midnight, #1))
“
They do the twenty-one-gun salute for the good guys, right? So I brought this.” Beckett pointed the gun in the sky. “For Mouse.”
One, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen shots exploded from Beckett’s gun.
“Who am I fucking kidding? What the hell does a gun shot by me mean? Nothing special, that’s for damn sure. Fuck it.”
“For Mouse, who watched over my sister and saved Blake and me from more than we could’ve handled in the woods that night.” Livia nodded at Beckett, and he squeezed the trigger. When the sound had cleared, she counted out loud. “Seventeen.”
Kyle stepped forward and replaced Livia at Beckett’s arm. “For Mouse. I didn’t know you well, but I wish I had.” The air snapped with the shot. “Eighteen.”
Cole rubbed Kyle’s shoulder as he approached. He took the gun from Beckett’s hand. “For Mouse, who protected Beckett from himself for years.” The gun popped again. “Nineteen.”
Blake thought for a moment with the gun pointed at the ground, then aimed it at the sky. “For Mouse, who saved Livia’s life when I couldn’t. Thank you is not enough.” The gun took his gratitude to the heavens. “Twenty.”
Eve took the gun from Blake, the hand that had been shaking steadied. “Mouse, I wish you were still here. This place was better when you were part of it.” The last shot was the most jarring, juxtaposed with the perfect silence of its wake.
As if the bullet was a key in a lock, the gray skies opened and a quiet, lovely snow shower filtered down. The flakes decorated the hair of the six mourners like glistening knit caps.
Eve turned her face to be bathed in the fresh flakes. “Twenty-one,” she said softly, replacing her earpiece.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Advising the average person to not concern herself with calories but instead to pay attention to hunger triggers and eating foods rick in nutrients--well, it's a wonderful concept. I also love the thought of unicorns jumping over cotton candy rainbows. I'm even considering taking up basketball to see if it makes me taller. Come on already! Suggesting that someone who struggles with his weight does not need to think about calories is as risky as suggesting you not look at price tags the next time you're in the market for a car.
”
”
Chalene Johnson (PUSH: 30 Days to Turbocharged Habits, a Bangin' Body, and the Life You Deserve!)
“
Addiction has ruined so much of my life it’s not funny. It’s ruined relationships. It’s ruined the day-to-day process of being me. I have a friend who doesn’t have any money, lives in a rent-controlled apartment. Never made it as an actor, has diabetes, is constantly worried about money, doesn’t work. And I would trade places with him in a second. In fact, I would give up all the money, all the fame, all the stuff, to live in a rent-controlled apartment—I’d trade being worried about money all the time to not have this disease, this addiction.
And not only do I have the disease, but I also have it bad. I have it as bad as you can have it, in fact. It’s backs-to-the-wall time all the time. It’s going to kill me (I guess something has to). Robert Downey Jr., talking about his own addiction, once said, “It’s like I have a gun in my mouth with my finger on the trigger, and I like the taste of the metal.” I got it; I understand that.
”
”
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
“
Wait,” Sophie had to interrupt. “Aren’t you always saying that abilities can’t be switched off once they’ve been triggered?” “For ordinary elves, yes,” Mr. Forkle agreed. Sophie groaned, knowing this was going to lead to another “let me explain how very weird you are” speech.
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
Sometimes I think that truth is a place. In my mind, it is like a city: there can be a hundred roads, a thousand paths, that will all take you, eventually, to the same place. It does not matter where you come from. If you walk toward the truth, you will reach it, whatever path you take.” Calum MacInnes looked down at me and said nothing. Then, “You are wrong. The truth is a cave in the black mountains. There is one way there, and one only, and that way is treacherous and hard, and if you choose the wrong path you will die alone, on the mountainside.
”
”
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
“
I’m… sorry,” I choke out, my throat so tight all I can do is whisper the next sentence. “I love you.” He’s said those three words to me several times. This is the first time I’ve said them to him. His green eyes narrow on mine, and he takes a step toward me. “Ash—” I pull the trigger.
”
”
Shantel Tessier (Carnage (L.O.R.D.S., #5))
“
By the way, a Bulgarian I met lately in Moscow," Ivan went on, seeming not to hear his brother's words, "told me about the crimes committed by Turks and Circassians in all parts of Bulgaria through fear of a general rising of the Slavs. They burn villages, murder, outrage women and children, they nail their prisoners by the ears to the fences, leave them so till morning, and in the morning they hang them- all sorts of things you can't imagine. People talk sometimes of bestial cruelty, but that's a great injustice and insult to the beasts; a beast can never be so cruel as a man, so artistically cruel. The tiger only tears and gnaws, that's all he can do. He would never think of nailing people by the ears, even if he were able to do it.
These Turks took a pleasure in torturing children, -too; cutting the unborn child from the mothers womb, and tossing babies up in the air and catching them on the points of their bayonets before their mothers' eyes. Doing it before the mothers' eyes was what gave zest to the amusement. Here is another scene that I thought very interesting. Imagine a trembling mother with her baby in her arms, a circle of invading Turks around her. They've planned a diversion: they pet the baby, laugh to make it laugh. They succeed, the baby laughs. At that moment a Turk points a pistol four inches from the baby's face. The baby laughs with glee, holds out its little hands to the pistol, and he pulls the trigger in the baby's face and blows out its brains. Artistic, wasn't it? By the way, Turks are particularly fond of sweet things, they say.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
Barrett said that when we’re dehydrated, we don’t necessarily feel thirsty—we feel exhausted. When we have something odd happening in our stomach, our body doesn’t quite know if we have a menstrual cramp or a stomachache or if we need to poop. We might not even be aware for a long period of time that our stomach hurts. And this isn’t unique to people with PTSD. It’s normal, everyday bodily dissociation that we all suffer from. If we find ourselves in a shitty mood, we might not necessarily be mad about a certain trigger. We could just be running at a metabolic deficit. Our body might be screaming “I NEED FUNYUNS” while we project our hangriness onto, say, this poor sweaty schmuck who’s breathing too loud in the elevator. But Barrett said that PTSD does make these inclinations worse. It affects a variety of systems in the body, throwing them all out of whack. Our hearts might beat faster. Our lungs might pump harder. Our body budget can get tipped off-balance more easily. And when it does, our reactions to these deficits can feel outsized. “Make sure that you get enough sleep, make sure you exercise, make sure that you eat in a healthful way,” she told me when I asked her what I could do to be a better person. When I countered that that didn’t seem like enough, she kindly offered, “You know, all you can do is take as much responsibility as you can. And sometimes it’s the attempt that matters, you know, more than the success.” Then she chuckled at herself. “That’s a very Jewish mother response!” So, first step of hacking my brain: sustaining it with enough oxygen and nutrients
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
The alarm bells shriek again, echoing off the walls. “The hell is that?” asks Tattoo. “And why does it keep going off?” “There’s some crazy lady on the loose,” says Doc. “Keeps propping open emergency exits. Triggers the alarm. Are you going to let me go?” Well, at least my mom must be doing okay.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
Awaale cursed softly, but he was smiling. "I am only saying God might have sent me for the little one--not for you."
"That makes more sense," I replied. "I was going to kill her, Awaale. The gun was an inch from her head and I was pulling the trigger..."
"But you did not."
"No. I saw he was feeding, and I panicked."
"Ah, you mean you were meant to save him."
"I am not meant to save anyone!" I snapped. I was suddenly very angry. "I am here to serve the doctor, who's here to serve... to serve science, and that's all. That's all."
"Oh, walaalo." He sighed. "You are more pirate than I ever was.
”
”
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
“
Maybe if we could define what I do that is considered a triggerable offense, we could spend time together without you shifting into a horny caveman. Though I would like to say I am all for you turning into a horny caveman. And by that look, I’m guessing me saying that is a trigger.” “Fucking hell.” “I’ll
”
”
L.A. Fiore (Devil You Know (Lost Boys #1))
“
No one is breaking through the door, I’m not going to throw myself at you. You can talk to me and not fear you will morph into a lust monster.” “Lust monster?” “You remind me of the Hulk with your belief that there is a trigger that turns you from all disciplined to reckless in a heartbeat.” “There is a trigger. You.” My
”
”
L.A. Fiore (Devil You Know (Lost Boys #1))
“
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot.
[The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing.
I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything.
I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true.
What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
”
”
Woody Allen
“
When a figure materialized from out of nowhere right next to him, Qhuinn nearly pulled his trigger, but the blond and black head of hair was unmistakable. “Do you want to get shot?” Qhuinn demanded.
In a Darth Vader voice, the angel shot back, “Your weapons are nothing against me.”
“For fuck’s sake—”
-Qhuinn & Lassiter
”
”
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
“
The fear instinct had been triggered by the sharp needles, the blood, and the disease. The generalization instinct had put me in a box as a plundering European. The blame instinct made the villagers take a stand against the evil doctor who had come to steal their blood. The urgency instinct made people make up their minds way too fast.
”
”
Hans Rosling (Factfulness: Ten Reasons We're Wrong About the World—and Why Things Are Better Than You Think)
“
Anxiety isn't an attack that explodes out of me; it's not a volcano that lies dormant until it's triggered by an earth-shattering event. It's a constant companion. Like a blow fly that gets into the house in the middle of summer, flying around and around. You can hear it buzzing, but you can't see it, can't capture it, can't let it out.
”
”
Jen Wilde
“
The M16 has a scope with a small red arrow in the center of the sight. You align the arrow with what or (jeez) whom you wish to shoot and squeeze the trigger. Both “squeeze” and “pull” are exaggerations of the motion applied to this trigger. It’s a trivial, tiny movement, the twitch of a dreaming child. So quick and so effortless is it that it’s hard for me to associate it with any but the most inconsequential of acts. Flipping a page. Typing an M. Scratching an itch. Ending a life wants a little more muscle.
”
”
Mary Roach (Grunt: The Curious Science of Humans at War)
“
Why not? Tell me. You owe me this!" She looks at me, square in the eye. Taking aim. And then she pulls the trigger. "Because I hated you." The wind, the noise it all just goes quiet for a second, and I'm left with a dull ringing in my ear, like a after a show, like a after a heart monitor goes to flatline. "Hated me? Why?" "Because you made me stay.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Nothing exists in life as it is. The idea is to believe and make it possible through your passion. If she did not exist, I would have dreamed of her, imagined of her – in the same way I described. She would be in my mind, my heart and my senses and it is you, who’s taught me that your heart never lies. I feel her. I see her image. I hear her encouraging words. How can I doubt my own feelings? She exists – because I believe in her, because I create an image of her through my imagination and push her to that limit. What matters is who can bring this passion out of me, who can trigger these feelings. She has the potential of a heavenly angel and my senses, my beliefs, and my feelings turn her into reality.
”
”
Ravindra Shukla (A Maverick Heart: Between Love and Life)
“
I like writing you. I like reading you. When I finish your letters, I spend frantic hours in secret composing my replies, pondering ways to send them. I can trigger any combination of chemical ups and downs with a carefully worded phrase; a factory within me will smelt any drug I seek. But there's a rush in reading and sending against which no drug compares.
”
”
Amal El-Mohtar & Max Gladstone (This Is How You Lose the Time War)
“
For those of you who read the trigger warnings and said
“Accidental cannibalism?! Count me in!”
This one’s for you.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
Dr. Ham admitted he’d approached the story about my aunt with “asshole energy” and had perhaps been overly critical too quickly. But, he said, “In my mind, the most helpful thing for you is to be reconnected with another person. Self-regulation is a very insular thing. That’s just survival. Like, ‘I’m not going to actually learn how to be connected to you, but at least I’m going to be able to regulate how upset I get from you.’ And I don’t want you to just be self-regulating in a corner by yourself. Shame makes you want to hide and tuck away. But what if instead you were in this state where you could ask, ‘Who are you? What do you need from me right now? And what do I need from you?’ ” What would I have said to my aunt if I hadn’t been triggered? If I’d had the time and mental ability to ask all of those questions? Maybe I would have said something like: “I understand that having difficult in-laws was part of your experience, and for that I’m sorry. But I love my in-laws, and in America, they are my only family. So you saying they aren’t my real family—it’s hurtful.
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
Ya live your life like it's a coma
So won't you tell me why we'd wanna
With all the reasons you give it's
It's kinda hard to believe
But who am I to tell you that I've
Seen any reason why you should stay
Matbe we'd be better off
Without you anyway
You got a one way ticket
On your last chance ride
Gotta one way ticket
To your suicide
Gotta one way ticket
An there's no way out alive
An all this crass communication
That has left you in the cold
Isn't much for consolation
When you feel so weak and old
But is home is where the heart is
Then there's stories to be told
No you don't need a doctor
No one else can heal your soul
Got your mind in submission
Got your life on the line
But nobody pulled the trigger
They just stepped aside
They be down by the water
While you watch 'em waving goodbye
They be callin' in the morning
They be hangin' on the phone
They be waiting for an answer
When you know nobody's home
And when the bell's stopped ringing
It was nobody's fault but your own
There were always ample warnings
There were always subtle signs
And you would have seen it comin'
But we gave you too much time
And when you said
That no one's listening
Why'd your best friend drop a dime
Sometimes we get so tired of waiting
For a way to spend our time
An "It's so easy" to be social
"It's so easy" to be cool
Yeah it's easy to be hungry
When you ain't got shit to lose
And I wish that I could help you
With what you hope to find
But I'm still out here waiting
Watching reruns of my life
When you reach the point of breaking
Know it's gonna take some time
To heal the broken memories
That another man would need
Just to survive
Guns N’ Roses, “Coma” (1991)
”
”
Guns N' Roses (Use Your Illusion I (Bass Guitar, with Tablature))
“
The terrible truth about depression, and the part of its nature that terrifies me the most, is that it appears to operate beyond reason; feelings happen to you for no apparent cause. Or rather, there is usually an initial cause, a ‘trigger’ as they say in therapeutic circles, but in severe depression the feelings of sadness, grief, loneliness and despair continue long after the situation has resolved itself. It is as if depression has a life of its own, which is perhaps why so many sufferers refer to it as a living thing, as some sort of demon or beast.
”
”
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
“
Emotions are also contagious. Seeing someone else sad, afraid, disgusted, or angry can cause you to experience these same emotions in your own body. This explains why someone else’s tone of voice, their shift in energy, their bad mood, and their body language can immediately trigger you to feel on edge. And one more thing to understand is that whenever you or another person are hungry, or tired, or stressed-out, or under the influence, or lonely, or angry, or hurt, you’ll be even more emotional. I say this because whenever I do or say something I later regret, there is usually stress, alcohol, or hunger involved. Knowing all this helps me to make the changes to better manage my emotions and helps me stay in control of what I say, do, and think.
”
”
Mel Robbins (The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About)
“
Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.” The words horrified Thomas. “Newt, maybe we can—” “Shut up! Just shut up! I trusted you! Now do it!” “I can’t.” “Do it!” “I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends? “Kill me or I’ll kill you. Kill me! Do it!” “Newt …” “Do it before I become one of them!” “I …” “KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.” With his heart falling into a black abyss, Thomas pulled the trigger.
”
”
James Dashner (The Death Cure (Maze Runner, #3))
“
He pulled the gun from his waist, running it along my cheek and back down to my lips. I blinked back the tears at sick game. He finally stopped the gun at my temple, my pulse fighting against the pressure of the cold metal of the gun.
“Do you think you are a good person, Kendall?”
“No, not at all,” I said, swallowing down the misery of my honest answer.
“Really?” he asked, one eyebrow lifting in confusion. “Are you afraid to die?”
I wished I could spit in his face for making everything so hard. I wished he would just pull the trigger and end it already. But a small part of me was begging and pleading internally that he wouldn’t shoot me.
“No, I’m not afraid to die,” I admitted, I closed my eyes and the tears fell quickly. “I’m not afraid of much in life. I’ve seen too much to be scared.”
He let out a sigh. I opened my eyes. He pulled the gun away from me.
“Well, damn. How the hell am I supposed to kill someone so miserable?”
I looked away. Even in death I was pitiful.
”
”
Holly Hood
“
Well, take e-mail for example. People don’t write to each other anymore, do they? Once my generation’s gone, the written letter will be consigned to social history. Tell me, Jefferson. When did you last write a letter?’ Tayte had to think about it. When the occasion came to him, he smiled, wide and cheesy. ‘It was to you,’ he said. ‘I wrote you on your sixtieth birthday.’ ‘That was five years ago.’ ‘I still wrote you.’ Marcus looked sympathetic. ‘It was an e-mail.’ ‘Was it?’ Marcus nodded. ‘You see my point? Letters are key to genealogical research, and they’re becoming obsolete. Photographs are going the same way.’ He looked genuinely saddened by the thought. ‘How many connections have you made going through boxes of old letters and faded sepia photographs? How many assignments would have fallen flat without them?’ ‘Too many,’ Tayte agreed. ‘I can’t see genealogists of the future fervently poring over their clients’ old e-mails, can you? Where’s the fun in that? Where’s the excitement and the scent of time that so often accompanies the discovery?’ He had Tayte there, too. Tayte’s methods were straight out of the ‘Marcus Brown School of Family History.’ Tripping back into the past through an old letter and a few photographs represented everything he loved about his work. It wouldn’t be the same without the sensory triggers he currently took for granted.
”
”
Steve Robinson (The Last Queen of England (Jefferson Tayte Genealogical Mystery, #3))
“
I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.
”
”
David Cronenberg
“
He uncoiled a length of fine leather tubing from his waist and tossed it down to Hessler, leaving the end attached to his waist. “Remember, one sharp tug means that you must feed me more tubing and shake the line, as it may have gotten caught, while two tugs means that I am stuck and need you to pull me back.” “How many tugs means that we should trigger the explosion?” Tern asked. Icy raised an eyebrow. “Me standing next to you, having extricated myself from the tunnel safely, and explicitly telling you to trigger the explosion is the only agreed-upon signal for you to trigger the explosion.
”
”
Patrick Weekes (The Paladin Caper (Rogues of the Republic, #3))
“
Maybe PTSD really is triggered by a single incident, a stressor, as it's known in the psychiatric community, and maybe the attack at Al-Waleed was that stressor for me, but as I have learned in the intervening years, I was not damaged by that moment alone. In fact, while there are specific memories that resurface with some frequency, like the suicide bomber in Sinjar or the order riot at Al-Waleed, I find myself most traumatized by the overall experience of being in a combat zone like Iraq, where you are always surrounded by war but rarely aware of when or how violence will arrive. Like so many of my fellow veterans, I understand now how that it is the daily adrenaline rush of a war without front lines or uniforms, rather than the infrequent bursts of bloody violence, that ultimately damages the modern warrior's mind.
”
”
Luis Carlos Montalván (Until Tuesday: A Wounded Warrior and the Golden Retriever Who Saved Him)
“
It don’t matter. I own you, Pippin. I claimed you. Even gave you my cut. Remember the patches? The property of Creed? Any of that a trigger to you? No one can come between our love, not even your fuckin’ mind. I’ll spend the rest of my life remindin’ you what you mean to me if I have to. Ain’t lettin’ you go. I will always, always fuckin’ love you. And no one can take that away from me. Not even you.”
Creed Jameson
”
”
M. Robinson
“
Casagrande was asked what in the world he is supposed to do when a great white shark is swimming right at him. He answered that he must do something counterintuitive: swim directly at the shark with the camera. This action seems to trigger a defense mechanism in the shark. “Now they’re like, ‘Wait a second, everything in the ocean swims away from me.’ The reality is that if you don’t act like prey, they won’t treat you like prey.
”
”
Jay Stringer (Unwanted: How Sexual Brokenness Reveals Our Way to Healing)
“
Lilichka! (Instead of a letter)"
Tobacco smoke eats the air away.
The room,--
a chapter from Kruchenykh's Inferno.
Recall,--
by the window,
that day,
I caressed you ecstatically, with fervor.
Here you sit now,
with your heart in iron armor.
In a day,
you'll scold me perhaps
and tell me to leave.
Frenzied, the trembling arm in the gloomy parlor
will hardly be able to fit the sleeve.
I'll rush out
and hurl my body into the street,--
distraught,
lashed by despair
and sadness.
There's no need for this,
my darling,
my sweet.
Let's part tonight and end this madness.
Either way,
my love is
an arduous weight,
hanging on you
wherever you flee.
Let me bellow out in the final complaint
all of my heartbroken misery.
A laboring bull, if he had enough,
will leave
and find cool water to lie in.
But for me,
there's no sea
except for your love,--
from which even tears won't earn me some quiet.
If an elephant wants to relax, he'll lie,
pompous, outside in the sun-baked dune,
Except for your love,
there's no sun
in the sky
and I don't even know where you are and with whom.
If you thus tormented another poet,
he
would trade in his love for money and fame.
But
nothing sounds as precious to me
as the ringing sound of your darling name.
I won't drink poison,
or jump to demise,
or pull the trigger to take my own life.
Except for your eyes,
no blade can control me,
no sharpened knife.
Tomorrow you'll forget
that it was I who crowned you,
who burned out the blossoming soul with love
and the days will form a whirling carnival
that will ruffle my manuscripts and lift them above...
Will the dry autumn leaves of my sentences
cause you to pause,
breathing hard?
Let me
pave a path with the final tenderness
for your footsteps as you depart.
(1916)
”
”
Vladimir Mayakovsky (Backbone Flute: Selected Poetry)
“
As long as you carry a functional brain inside your head, you are susceptible to depression and eventually – to suicidal thoughts. The brain will malfunction if the wiring is triggered the wrong way and that is an inescapable reality for all of us.
The only advice I can give is – if the wiring does go wrong, seek help. Talk to someone and trust me, someone will listen to you. You need not be ashamed, just take that first step and reach out to someone.
”
”
Thabo Katlholo (Blame Less: A Grim Journey Into the Life of a Chronic Blamer)
“
Nothing will ever make me stop loving you, Grace,” he tells me as he strokes a tender hand down my cheek. “Nothing will ever make me feel anything but bound to you forever. It’s nice to have the ring, and it’s nice to have the mating bond. It’s definitely nice to have the promise ring, since repeating the words triggered the shadow promise and somehow gave you back your memories. But I loved you without all of it once, and I’ll love you without all of it forever.
”
”
Tracy Wolff (Charm (Crave #5))
“
Kristin comes down the stairs, and the pressure on my chest snaps. I take a moment to turn away, inhaling deeply, blinking away tears. She sets the plate on a table behind the couch, and half tiptoes back up the stairs.
Thank god. I don’t think I could have handled maternal attention right this second. My body feels like it’s on a hair trigger.
I need to get it together. This is why people avoid me. Someone asks if I want a drink and I have a panic attack.
“You’re okay.” Declan is beside me, and his voice is low and soft, the way it was in the foyer. He’s so hard all the time, and that softness takes me by surprise. I blink up at him.
“You’re okay,” he says again.
I like that, how he’s so sure. Not Are you okay? No question about it.
You’re okay.
He lifts one shoulder in a half shrug. “But if you’re going to lose it, this is a pretty safe place to fall apart.” He takes two cookies from the plate, then holds one out to me. “Here. Eat your feelings.”
I’m about to turn him down, but then I look at the cookie. I was expecting something basic, like sugar or chocolate chip. This looks like a miniature pie, and sugar glistens across the top. “What . . . is that?”
“Pecan pie cookies,” says Rev. He’s taken about five of them, and I think he might have shoved two in his mouth at once. “I could live on them for days.”
I take the one Declan offered and nibble a bit from the side. It is awesome.
I peer up at him sideways. “How did you know?”
He hesitates, but he doesn’t ask me what I mean. “I know the signs.”
“I’m going to get some sodas,” Rev says slowly, deliberately. “I’m going to bring you one. Blink once if that’s okay.”
I smile, but it feels watery around the edges. He’s teasing me, but it’s gentle teasing. Friendly. I blink once.
This is okay. I’m okay. Declan was right.
“Take it out on the punching bag,” calls Rev. “That’s what I do.”
My eyes go wide. “Really?”
“Do whatever you want,” says Declan. “As soon as we do anything meaningful, the baby will wake up.”
Rev returns with three sodas. “We’re doing something meaningful right now.”
“We are?” I say.
He meets my eyes. “Every moment is meaningful.”
The words could be cheesy—should be cheesy, in fact—but he says them with enough weight that I know he means them. I think of The Dark and all our talk of paths and loss and guilt.
Declan sighs and pops the cap on his soda. “This is where Rev starts to freak people out.”
“No,” I say, feeling like this afternoon could not be more surreal. Something about Rev’s statement steals some of my earlier guilt, to think that being here could carry as much weight as paying respects to my mother. I wish I knew how to tell whether this is a path I’m supposed to be on. “No, I like it. Can I really punch the bag?”
Rev shrugs and takes a sip of his soda. “It’s either that or we can break out the Play-Doh
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
Kostia tossed my soaked hat into the canoe too, angling the boat so it blocked out Yuri on the bank. My partner reached for my hand under the water and pulled it against his chest, then he bent his head and kissed me. He tasted like iron and rain, his other hand tangling briefly in my hair, and I felt the sniper-calluses of his trigger hand against my scarred neck before he pulled away. “You already know,” he said. “What I feel for you.” I did know. I’d known a long time.
”
”
Kate Quinn (The Diamond Eye)
“
When I first met concussion specialist Dr. Michael Collins, after three and a half years of suffering from post-concussive syndrome, he said, “If you remember only one thing from this meeting, remember this: run towards the danger.” In order for my brain to recover from a traumatic injury, I had to retrain it to strength by charging towards the very activities that triggered my symptoms. This was a paradigm shift for me—to greet and welcome the things I had previously avoided.
”
”
Sarah Polley (Run Towards the Danger: Confrontations with a Body of Memory)
“
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you.
In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh.
Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
”
”
Alistair MacLean (When Eight Bells Toll)
“
Wait, so you shift into a bear and your name is Ted. . . ” Oh fuck. “Blondie, no,” I caution her. It’s a trigger of mine. Not many things can send me over the edge—other than singing telegrams—but she’s about to step onto a landmine. “A bear, named Ted,
”
”
Holly Roberds (Chasing Goldie (The Lost Girls, #2))
“
What a skeletal wreck of man this is.
Translucent flesh and feeble bones,
the kind of temple where the whores and villains try to tempt the holistic domes.
Running rampid with free thought to free form, and the free and clear.
When the matters at hand are shelled out like lint at a
laundry mat to sift and focus on the bigger, better, now.
We all have a little sin that needs venting,
virtues for the rending and laws and systems and stems are ripped
from the branches of office, do you know where your post entails?
Do you serve a purpose, or purposely serve?
When in doubt inside your atavistic allure, the value of a summer spent, and a winter earned.
For the rest of us, there is always Sunday.
The day of the week the reeks of rest, but all we do is catch our breath,
so we can wade naked in the bloody pool, and place our hand on the big, black book.
To watch the knives zigzag between our aching fingers.
A vacation is a countdown, T minus your life and
counting, time to drag your tongue across the sugar cube,
and hope you get a taste.
WHAT THE FUCK IS ALL THIS FOR?
WHAT THE HELL’S GOING ON? SHUT UP!
I can go on and on but lets move on, shall we?
Say, your me, and I’m you, and they all watch the things we do,
and like a smack of spite they threw me down the stairs,
haven’t felt like this in years.
The great magnet of malicious magnanimous refuse, let me go,
and punch me into the dead spout again.
That’s where you go when there’s no one else around,
it’s just you, and there was never anyone to begin with, now was there?
Sanctimonious pretentious dastardly bastards with their thumb on the pulse,
and a finger on the trigger.
CLASSIFIED MY ASS! THAT’S A FUCKING SECRET, AND YOU KNOW IT!
Government is another way to say better…than…you.
It’s like ice but no pick, a murder charge that won’t stick,
it’s like a whole other world where you can smell the food,
but you can’t touch the silverware.
Huh, what luck. Fascism you can vote for.
Humph, isn’t that sweet?
And we’re all gonna die some day, because that’s the American way,
and I’ve drunk too much, and said too little,
when your gaffer taped in the
middle, say a prayer, say a face, get your self together and see what’s happening.
SHUT UP! FUCK YOU! FUCK YOU!
I’m sorry, I could go on and on but
their times to move on so, remember: you’re a wreck, an accident.
Forget the freak, your just nature.
Keep the gun oiled, and the temple cleaned shit snort,
and blaspheme, let the heads cool, and the engine run.
Because in the end, everything we do, is just everything we’ve done.
”
”
Stone Sour (Stone Sour)
“
We couldn’t afford our own place in the beginning, and so like most of our friends we lived with her parents to start off our married life. I wouldn’t advise that to anyone who could help it. The night of the wedding we had a reception at her parents’ house, and I had a few drinks in me and I announced that I was going to return all the wedding gifts to her side of the family. If they didn’t want me I didn’t want their gifts. I wouldn’t advise that either. I still had that hair-trigger from the war. According
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
Physiological stress, then, is the link between personality traits and disease. Certain traits — otherwise known as coping styles — magnify the risk for illness by increasing the likelihood of chronic stress. Common to them all is a diminished capacity for emotional communication. Emotional experiences are translated into potentially damaging biological events when human beings are prevented from learning how to express their feelings effectively. That learning occurs — or fails to occur — during childhood. The way people grow up shapes their relationship with their own bodies and psyches. The emotional contexts of childhood interact with inborn temperament to give rise to personality traits. Much of what we call personality is not a fixed set of traits, only coping mechanisms a person acquired in childhood.
There is an important distinction between an inherent characteristic, rooted in an individual without regard to his environment, and a response to the environment, a pattern of behaviours developed to ensure survival. What we see as indelible traits may be no more than habitual defensive techniques, unconsciously adopted. People often identify with these habituated patterns, believing them to be an indispensable part of the self. They may even harbour self-loathing for certain traits — for example, when a person describes herself as “a control freak.” In reality, there is no innate human inclination to be controlling. What there is in a “controlling” personality is deep anxiety.
The infant and child who perceives that his needs are unmet may develop an obsessive coping style, anxious about each detail. When such a person fears that he is unable to control events, he experiences great stress. Unconsciously he believes that only by controlling every aspect of his life and environment will he be able to ensure the satisfaction of his needs. As he grows older, others will resent him and he will come to dislike himself for what was originally a desperate response to emotional deprivation. The drive to control is not an innate trait but a coping style. Emotional repression is also a coping style rather than a personality trait set in stone.
Not one of the many adults interviewed for this book could answer in the affirmative when asked the following: When, as a child, you felt sad, upset or angry, was there anyone you could talk to — even when he or she was the one who had triggered your negative emotions? In a quarter century of clinical practice, including a decade of palliative work, I have never heard anyone with cancer or with any chronic illness or condition say yes to that question. Many children are conditioned in this manner not because of any intended harm or abuse, but because the parents themselves are too threatened by the anxiety, anger or sadness they sense in their child — or are simply too busy or too harassed themselves to pay attention. “My mother or father needed me to be happy” is the simple formula that trained many a child — later a stressed and depressed or physically ill adult — into lifelong patterns of repression.
”
”
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
“
The believers who say they are praying for me are victims of a lie and think they are doing something good; I let them know they are not. I tell them to imagine I had a newfangled gun that forcibly turned religious people into atheists. I tell them the gun didn’t really work, but I thought it did. Let’s say I decided to force them to be atheists, so I pointed the atheist gun at them and pulled the trigger. Would they think that was a nice thing to do? Would they appreciate my effort, or would they feel assaulted? When you pray for me, you are asking your god to change me. You are asking your god to forcibly enter my life and my brain and change my way of thinking (using euphemisms such as asking God to “open my heart to Jesus” is evidence of the intent of the assault).
”
”
David Silverman (Fighting God: An Atheist Manifesto for a Religious World)
“
Rick, you sick, ass-sucking fuck, I want you to know I’m not here because you beat me. I’m not even here just because you beat children. There are lots of ways I could get you for that. But you’re going to die like the gasping pussy you are because…” Beckett advanced until he was nose to nose with Rick.
“You.” Beckett pushed on Rick’s shoulder until he kneeled.
“Touched.” Beckett leveled the pistol between Rick’s eyes.
“My.” Beckett cocked the hammer with a quiet click.
“Brothers.” Beckett smiled as he pulled the trigger.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
I struggle with how I am supposed to live as a survivor, how to present my story and myself to the world, how much or how little to disclose. There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood. Because I want to preserve your comfort. Because I have been told that what I have to say is too dark, too upsetting, too targeting, too triggering, let's tone it down. You will find society asking you for the happy ending, saying come back when you're better, when what you say can make us feel good, when you have something more uplifting, affirming. This ugliness was something I never asked for, it was dropped on me, and for a long time I worried it made me ugly too. It made me into a sad, unwelcome story that nobody wanted to hear.
”
”
Chanel Miller (Know My Name)
“
Put it like this: there’s part of me that’s dead, and wants the rest of me dead. There’s a part of me that’s alive, and wants all of me alive.” He looked that over and nodded at it. “My hand, my arm, my thumb on the trigger—they’re alive. All the live parts of me want to help me go on living, d’you see? No live part should help the dead part get what it wants. The way it’ll happen, the way it should happen, is not when I do something to make it happen. It’ll be when I don’t do something. I won’t get out of the way, and that’s it.
”
”
Theodore Sturgeon
“
And just in case you didn't know this little tidbit about social interaction, let me fill you in on something: Do not ever comment on how or what or when a woman is eating anything. Don't do it. Because you know what might happen? You might trigger an obsession with food that the woman had managed to stifle for over twenty years - an obsession that throttled her ability to function throughout high school and college - all because you couldn't resist monitoring her refried beans. Good job. Well done. Five stars. Ten points for you.
”
”
Heather B. Armstrong (The Valedictorian of Being Dead: The True Story of Dying Ten Times to Live)
“
Sera loaded the new ammunition and held up the gun. “I bet I can hit closer to the bulls-eye than you can.”
Her victory came to him on a flash, right down to the cute little dance he was sure was last popular in the nineties. “Sucker bet, sunshine. Never wager with a precog.”
“So cheat.” She grinned. “You haven’t even hear the terms yet. If you win, I’ll let you buy me a pretty dress and take me out for a fancy dinner.”
“And if I lose?”
“I get a cheap bar, beer, and hot wings, and dirty sex in the bathroom.”
Julio cleared his throat, took the gun from her and winked. “Like I said, sucker bet.”
“Uh-huh.” As she stepped behind him, she trailed her fingers up his arm. “I’m bad news, mister. I hope you can handle me.”
“I’ll try.” He lined up a shot, squeezed the trigger and snorted when the bullet went wide. “I told you I suck at this.”
She laughed and retrieved the gun to line up her shot with adorable concentration that furrowed her brows. Her shot wasn’t perfect, but it winged the target, and her victory dance was just as cute as it had been in his vision.
”
”
Moira Rogers (Impulse (Southern Arcana, #5))
“
And here’s thing,” Gunner said. “I kin understand it when a man throws back a few too many drinks on a lonesome night, gets sour inside, and sucks at the teat of a musket for jus’ long enough so that big ole ‘fuck you’ we scream at the world bounces back as ‘fuck me’ and he pulls the trigger. I kin understand when a girl climbs a tree and tries on a noose necklace for size and once she got it on thinkin’, ‘I come this far, why not?’ and takin’ that hop. Prob’ly e’ryone who looks oft a cliff thinks a taking the sharp drop with a sudden stop. E’ery sailor has thought of takin’ that swim what fattens sharks. We all got the black moment when the evil eye of the barrel dares a starin’ contest. And we’re all a hair trigger’s pull from the musket’s dare. It’s the devil’s gift, ain’t it? It’s the heritage o’ man, aye?
”
”
Brent Weeks (The Burning White (Lightbringer, #5))
“
The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.'
'Oh my God... said Jonathan, his mouth stalling the open position.
'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")
”
”
David J. Schow (Seeing Red)
“
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out."
You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft.
I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it."
That so?"
Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact."
They'll remember this," Gerry said. "Believe me."
Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke.
I depressed the trigger on the one-shot and nothing happened.
Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times.
And Gerry's hand exploded.
And so did mine.
The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair.
Gerry threw his head back and opened his mouth wide and bellowed in ecstasy.
I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working.
I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand.
My broken finger came back out of the shotgun and Gerry swung the barrels toward my head.
The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck.
Good-bye, I thought. Everyone. It's been nice.
Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back.
The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell.
He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil.
Patrick, the eye said through the gathering smoke, you still know nothing.
Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh.
Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire.
Burn, I thought. Burn. God help me, but burn.
Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed.
I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar.
His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment.
How you doing, Patrick?" he said and smiled broadly.
And, behind him, Gerry burned on the ice.
And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
”
”
Dennis Lehane
“
So what's your story?" Maddie didn't try to hide the singsong lilt of her voice as she spoke. She didn't want to. She'd learned at a very young age that nothing annoyed manly men more than girly girls, and if Maddie had one talent, it was truly exceptional girliness.
"Shut up and be quiet," Stefan snapped.
"That's just a tad redundant, FYI."
"Shut up!" he hissed near her ear.
Maddie couldn't help but shift her weight from foot to foot, almost pacing in place. She was careful of the ice and the snow, though. No use falling to the ground and having Stefan accidentally pull the trigger.
"You really do give a lot of orders," she told him.
He tightened his grip. "I'm the one with the gun."
"Well, yeah. Sure. Technically. But I'm the one with the winning personality, and that should count for something."
"You should be scared," he said in the same tone a movie villain might use to say You should be dead when the hero materializes five years later, hungry for vengeance.
Stefan was confused, and Maddie couldn't blame him.
So she turned back and shrugged. "Maybe. But I don't think you're a bad guy."
He let her go and spun her around, grabbing Logan's unzipped coat and pulling her closer.
"I. Have. The. Gun," he reminded her.
Maddie smiled and pulled away. "And I have Taylor Swift's signature scent. Doesn't make me a pop star. It just makes me smell like Taylor Swift, which isn't as great as it sounds because, to a bear, Taylor Swift smells delicious.
Stefan stuttered for a moment, then fell silent.
”
”
Ally Carter (Not If I Save You First)
“
We are constantly in touch with our feelings, but the tricky part is that our emotions and our feelings are not the same. We tend to conflate them, but feelings are internal subjective states that, strictly speaking, are known only to those who have them. I know my own feelings, but I don’t know yours, except for what you tell me about them. We communicate about our feelings by language. Emotions, on the other hand, are bodily and mental states— from anger and fear to sexual desire and affection and seeking the upper hand—that drive behavior. Triggered by certain stimuli and accompanied by behavioral changes, emotions are detectable on the outside in facial expression, skin color, vocal timbre, gestures, odor, and so on. Only when the person experiencing these changes becomes aware of them do they become feelings, which are conscious experiences. We show our emotions, but we talk about our feelings.
”
”
Frans de Waal (Mama's Last Hug: Animal Emotions and What They Tell Us about Ourselves)
“
My heart has always belonged to you, even if I didn’t know it at first. I would love you even if I had no heart to give you, because you are the sole reason for my existence. My soul would love you if we lived on different continents and spoke different languages. My soul would be tethered to you across oceans and mountains and harrowing canyons as black as my heart. My soul would be yours if I pulled the trigger the night we met, because not even death could keep us apart. God couldn’t keep me from you, because God isn’t real, but you are, and that’s all the motivation I would have needed to find you.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
When you feel the need to escape your problems, to escape from this world, don't make the mistake of resorting to suicide Don't do it! You will hear the empty advice of many scholars in the matter of life and death, who will tell you, "just do it" there is nothing after this, you will only extinguish the light that surrounds you and become part of nothingness itself, so when you hear these words remember this brief review of suicide: When you leave this body after committing one of the worst acts of cowardice that a human being can carry out, you turn off the light, the sound and the sense of reality, you become nothing waiting for the programmers of this game to pick you up from the darkness, subtly erase your memories and enable your return and I emphasize the word subtle because sometimes the intelligence behind this maneuver or automated mechanism is wrong and send human beings wrongly reset to such an extent, that when they fall to earth and are born again, they begin to experience memories of previous lives, in many cases they perceive themselves of the opposite sex, and science attributes this unexplainable phenomenon to genetic and hormonal factors, but you and I know better! And we quickly identified this trigger as a glitch in the Matrix. Then we said! That a higher intelligence or more advanced civilization throws you back into this game for the purpose of experimenting, growing and developing as an advanced consciousness and due to your toxic and destructive behavior you come back again but in another body and another life, but you are still you, then you will carry with you that mark of suicide and cowardice, until you learn not to leave this experience without having learned the lesson of life, without having experienced and surprised by death naturally or by design of destiny. About this first experience you will find very little material associated with this event on the internet, it seems that the public is more reserved, because they perceive themselves and call themselves "awakened" And that is because the system has total control over the algorithm of fame and fortune even over life and death. Now, according to religion and childish fears, which are part of the system's business to keep you asleep, eyes glued to the cellular device all day, it says the following: If you commit this act of sin, you turn off light, sound and sense of reality, and from that moment you begin to experience pain, fear and suffering on alarming scales, and that means they will come for you, a couple of demons and take you to the center of the earth where the weeping and gnashing of teeth is forever, and in that hell tormented by demons you will spend eternity. About this last experience we will find hundreds of millions of people who claim to have escaped from there! And let me tell you that all were captivated by the same deity, one of dubious origin, that feeds on prayers and energetic events, because it is not of our nature, because it knows very well that we are beings of energy, then this deity or empire of darkness receives from the system its food and the system receives from them power, to rule, to administer, to control, to control, to kill, to exclude, to inhibit, to classify, to imprison, to silence, to infect, to contaminate, to depersonalize. So now that you know the two sides of the same coin, which one will your intelligence lean towards! You decide... Heads or tails? From the book Avatars, the system's masterpiece.
”
”
Marcos Orowitz (THE LORD OF TALES: The masterpiece of deceit)
“
The words roll off your tongue so smoothly that I almost don't feel the pain.
Your voice has soothed me for so long that when you use that same voice to tell me we are over, I initially don't even register you are delivering bad news.
It's like you, the love of my life, are standing in front of me with your sweet and sympathetic eyes as if nothing is wrong and then you pull the trigger. So unexpected that I sit there, staring at my wound, misunderstanding the events that have just occurred.
"Why am I bleeding? How did this come to be? Did you really just say we ?
"Oh. I see."
My eyes rest on your mouth, the weapon that has fired against my heart.
”
”
Makenzie Campbell (2am thoughts)
“
How did Bullet make you understand?" she asked Roy.
"he came tearing into the yard where I was talking to Mr. Henderson," answered Roy, "and tried to pull me towards the barn, where Trigger was tied. When I didn't go, he got Trigger's bridle and brought it to me. I realized then that there was something wrong, and I cam as fast as I could.
”
”
Frances Wood (Roy Rogers' Bullet Leads The Way. Tell-A-Tale Books.)
“
I thought we’d start with cold temperatures because it’s a little less miserable than training for heat,” he explained as he pulled off her glove. “Though you’re probably still going to want to punch me when you dunk your arm in.” “My whole arm? Not just my hand?” “Yep. The colder you are, the more it’ll trigger your instincts.” “Of course.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
I built Rubicon from ashes,’ said the other man. ‘Ashes of war. I have worked hard to raise myself up from the poverty I was born into. Believe me when I tell you I have seen every kind of injustice, all across the heartland of my mother Africa. And now I have made billions of dollars from land and mining and technology. Now I can do something about it. As Lucy says, I am a very rich man.’ He reached up to his neck and pulled out the silver chain between his fingers. ‘I see you looking at this. Do you recognize it?’
Marc gave a slow nod. Now it was clear to him, he could see that the odd bit of discoloured metal was actually part of a weapon. It was the trigger from an AK-47 assault rifle.
”
”
James Swallow (Nomad (Marc Dane, #1))
“
We have many dead of our own to pray for, and we join our sorrow to yours. Let our common grief be our bond. Let those prayers be the balm for your sorrow, not an innocent man's continued imprisonment. I state to you absolutely that, if I could possibly have prevented what happened that day, your menfolk would not have died. I would have died myself before knowingly permitting what happened to happen. And I certainly never pulled the trigger that did it. May the Creator strike me dead this moment if I lie. I cannot see how my being here, torn from my own grandchildren, can possibly mend your loss. I swear to you, I am guilty only of being an Indian. That's why I am here.
Being who I am, being you you are — that's Aboriginal Sin.
”
”
Leonard Peltier (Prison Writings)
“
When anxiety is triggered, you start breathing more quickly. This is your body’s way of getting in extra oxygen to fuel the survival response. You feel as though you cannot catch your breath. So you breathe faster with rapid, shallow breaths, then you have an excess of oxygen in your system. If you slow your breathing down, you can calm the body and, in turn, slow your breathing. Not only this, but if you can extend the outbreath so that it is longer or more vigorous than the inbreath, this helps to slow your heart rate down. When the pounding heart comes down, so does the anxiety response. Some people like to count the breaths when doing an extended outbreath, such as breathing in for a count of 7 and out for a count of 11, or a variation that works for you.
”
”
Julie Smith (Why Has Nobody Told Me This Before?: An International Bestselling Guide to Mental Health and Emotional Resilience from a Clinical Psychologist)
“
I am sorry.
I'm sorry that I feel as if you don't trust me enough to confide me.
This is me being selfish even though this isn't about me, it's about you.
I'm sorry that it makes me upset that in those times you thought about ending your life, I feel like I didn't cross your mind.
I hate myself for thinking you didn't care enough to talk to me about those toxic thoughts that's trying to push you to end everything, because I know myself that's it is hard to share.
I hate myself for thinking you didn't care enough to think about how horrible it is going to be for me once I learn what you've done.
I'm sorry for feeling like this, it is selfish, I am selfish.
I'm sorry for feeling like I'm not a good friend, I know that's now how you think, I'm sorry.
I just love you and I'm hurt.
”
”
Mari
“
Then I put the hot barrel beneath my chin.
“No.” Zoeller lurched toward me, eyes wide. “No, Laney.”
I curled my finger around the trigger and he froze. I could see his white sclera. I’d never seen him frightened. I was only half-serious but his fear made it feel suddenly real.
“Don’t,” he said.
“This is all I want. It’s all I can think about.”
“It’s defeat. You’re too strong for this.”
“No I’m not.” I laughed, the muzzle digging into the soft meat beneath my jaw. “I’m weak, like you said.”
“You’re better than me. I’m broken, Laney. I’m a sociopath.”
“If you’re a sociopath, you can’t feel compassion. You don’t care whether I live or die.”
“I do. I need you. I’ve never met anyone like you.”
I rolled my eyes. “Spare me the suicide hotline bullshit. I’ve heard it all before. You know what the definition of insanity is? Doing the same thing over and over and expecting different results. Well, I’m sick of this. Things are going to change.”
“Don’t leave me,” he said.
The parallel of my words to Dad startled me. That gleam in his eyes wasn’t madness. It was tears.
Was this really happening?
Look at every terrible thing he’s done to me.
Look at every good thing he didn’t have to do, but did.
”
”
Leah Raeder (Black Iris)
“
As though he’s reading my mind, he grits out a pained, irritated “Fuck, it should be me.”
I squeeze my thighs together to relieve the pressure between my legs. Sorry. Better luck next time. The pulse only grows stronger, and I know there is no stopping my unraveling.
“Why the fuck isn’t it me, L?” His voice has this carnal edge to it. “Why am I not the one touching you right now? Fucking why?”
I visualize it.
Imagine it.
See his tongue teasing my pierced nipple, and a soft moan shoots out of my mouth before I can stop it. This seems to trigger him because he groans a low, desperate “Christ, just tell me who you are. Fuck the pact. Fuck the secrets. Fuck it all. Just tell me who are you, L. Please. Let this be real.”
The sentiment fractures my heart into a billion tiny pieces.
I want it to be real, too.
”
”
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
“
Carter: "Dude, I don't know why it works, it just does. [...] Just pretend you're not into 'em and then ask a question. What's the worst that could happen?"
EJ makes eye contact with the smallest one, off to the side. [...]
She looks up at EJ and gives him the nicest smile. He pulls the trigger and yells, "You think you're hot stuff, don't you?"
What the...? Where are you going with this?
"Excuse me?" she replies, kind of sweetly.
EJ asks, "You think you're cool, don't you? Where did you get that shirt, the Salvation Army? What the hell is with your hair?
My eyes are as big as basketballs as he fires one mean-ass question after another at her.
"You don't have a boyfriend, do you?" he continues.
It's like he's armed with self-esteem killer.
"Did your parents have any kids that lived?" EJ asks.
The girls starts to buckle, and tears are on the way.
"Are these your friends, or are they like, counselors here to observe you?" EJ shouts. [...]
He asks, "Does your grandma know you borrowed her shoes?" as I drag him away. The girl is crying pretty hard, and her friends are trying to console her. [...]
"Man, that didn't do very well. What do you think I did wrong?" EJ asks.
"Are you serious?" I ask
"I was just doing what you told me to," he replies.
"I-I-I told you to go up to that girl and start abusing her?" I ask.
"You said to ask her questions and pretend I didn't like her!" he yells back.
"Pretend YOU'RE NOT INTO HER!" I clarify. "Not that you hate her and wish she would die! Good God, that girl thought she was gonna get a boyfriend when you walked up, not years of therapy."
"Do you think I still have a shot?" he asks
"NO, I don't!" I bark
”
”
Brent Crawford (Carter Finally Gets It (Carter Finally Gets It, #1))
“
Will you stop treating this as a joke?” Dad told Mom. “I look at you, Bernadette, and I’m scared. You won’t talk to me. You won’t go to a doctor. You’re better than this.” “Dad,” I said, “stop freaking out.” “Yeah, really,” Kennedy said. “Happy birthday to me.” There was a moment of quiet, then me and Kennedy burst into giggles. “I’m, like, happy birthday to me,” Kennedy said, which triggered another fit of laughter.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
There are those who sail through a ‘visit from Auntie Flo’, enduring little more than a twinge in the abdomen. And then there are people like me, who firmly believe their uterus is re-enacting the Battle of the Somme.
Allow me to paint a picture for you. It’s fucking ugly. Your body bloats, your tits hurt and you sweat uncontrollably. Your crevices start to feel like a swamp and your head is pounding all the time. You feel like you have a cold – shivering, aching, nauseous – and have the hair-trigger emotions of someone who has not slept for days. But we’re not done yet. The intense cramping across your lower abdomen feels like the worst diarrhoea you’ve ever had – in fact, you’ll also get diarrhoea, to help with the crying fits. As your internal organs contract and tear themselves to blooded bits so you can lay an egg, blasts of searing pain rip through you.
You bleed so much that all ‘intimate feminine hygiene products’ fail you – it’s like trying to control a lava flow with an oven mitt. You worry people can smell your period. You are terrified to sit on anything or stand up for a week in case you’ve bled through. And as you’re sitting, a crying, sweaty, wobbly, spotty, smelly mess, some bastard asks ‘Time of the month, love?’ And then you have to eat his head.
”
”
Kate Lister (A Curious History of Sex)
“
People can justify a government’s controversial policies and actions for only so long until they see a pattern of abuse of power. Then, even the most devout supporters of any regime must decide if they support these extreme policies and actions or oppose them. With the current government, this point of no return was reached for some when they slowly realized the extent of the vast National Security Agency spying scandal. For others it was the release of known Islamist terrorists from the Guantanamo Bay prison without congressional knowledge. For most Americans, the flood of tens of thousands of illegal immigrants from Central America purposely created by the administration to overwhelm our southern borders was the final straw. Still other supporters kept justifying one extremist act after another, justifying the president’s policies and actions with rationalizations that included saying that those who opposed them were “right-wing conspirators,” “racists,” “Obama haters,” and the like. Yet for those of us who study governments that have taken nations from freedom to fascism, the handwriting has been on the wall for many years. My question is this: Will the Obama inner circle of extremist left-wing radicals trigger an event that will provoke an American insurrection, even a civil war? Is this concern to be dismissed as a “right-wing conspiracy”? Let me explain to you what is happening.
”
”
Michael Savage (Stop the Coming Civil War: My Savage Truth)
“
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could.
When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.”
Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.”
“They’re pearls of wisdom, actually.”
I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow.
Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.”
“Or gold,” I tell her smugly. “I hear it’s worth its weight.”
Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.”
“Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun.
“I don’t need you to flirt with me,” he says. “I already know you find me irresistible.”
Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.”
Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile.
“Is it because you think I look sexier wearing nothing?”
Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin.
“I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.”
“Okay,” Madrid says. “Now I feel nauseated.
”
”
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
“
In my practice, I’ve helped to creatively engineer all kinds of physical separations—bringing a cult member home for a holiday, family celebration, or even a funeral. It might seem manipulative, but it is a critical first step to helping a person free themselves from the clutches of a cult—one that has become increasingly difficult with 24/7 access to the internet through smartphones. In the case of Trump, there are also the continual tweets and right-wing and Christian right programming through radio and television. The relentless programming streaming from both ends of the political spectrum is pushing supporters ever deeper into Trump country.
This brings me to an important point and a key aspect of my approach. By attacking or belittling Trump’s followers, political opponents and traditional media may be helping Trump to maintain his influence over his base. In my experience, telling a person that they are brainwashed, that they are in a cult, or that they are following a false god, is doomed to fail. It puts them immediately on the defensive, confirms you are a threat, possibly an enemy, and reinforces their indoctrination. It closes their mind to other perspectives. I’ve seen this happen over and over again. It happened to me when I was in the Moon group. It immediately triggers a person’s mind control programming—including thought stopping and us-versus-them thinking, with you being the “them.
”
”
Steven Hassan (The Cult of Trump: A Leading Cult Expert Explains How the President Uses Mind Control)
“
On this particular night, we were free and we had decided to treat ourselves to a really fancy, friendly dinner. There we were, at the table, all dressed up, and we’d ordered everything, and we were having a very nice time with each other. The headwaiter came, and said there was a phone call for me, and Gloria rose to take it. She was very strange when she came back—she didn’t say anything, and I began to be afraid to ask her anything. Then, nibbling at something she obviously wasn’t tasting, she said, “Well, I’ve got to tell you because the press is on its way over here. They’ve just killed Malcolm X.” The British press said that I accused innocent people of this murder. What I tried to say then, and will try to repeat now, is that whatever hand pulled the trigger did not buy the bullet. That bullet was forged in the crucible of the West, that death was dictated by the most successful conspiracy in the history of the world, and its name is white supremacy.
”
”
James Baldwin (No Name in the Street)
“
I have gone looking for one thing and found another, not something rare and celestial and beyond my control, but something that was always within my power to find. The act of seeking attuned my senses and primed my mind to make associations. I was open to magic, and I found some, although not the magic I was looking for.
That’s what you find over and over again when you go looking: something else. An insight that surprises you. A connection that you would never have made. A new perspective.
More often than not, I find that I already hold all the ideas from which my enchantment is made. The deliberate pursuit of attention, ritual, or reflection does not mystically draw in anything external to me. Instead, it creates experiences that rearrange what I know to find the insights I need today. This is how symbolic thought works. It offers you a repository of understanding that can be triggered by the everyday, and which comes in a format that goes straight to the bloodstream.
”
”
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
“
The most significant transformational moment in my career was an act of elimination. It wasn’t my idea. I was in my late thirties and doing well flying around the country giving the same talk about organizational behavior to companies. I was on a lucrative treadmill of preserving, but I needed my mentor Paul Hersey to point out the downside. “You’re too good at what you’re doing,” Hersey told me. “You’re making too much money selling your day rate to companies.” When someone tells me I’m “too good” my brain shifts into neutral—and I bask in the praise. But Hersey wasn’t done with me. “You’re not investing in your future,” he said. “You’re not researching and writing and coming up with new things to say. You can continue doing what you’re doing for a long time. But you’ll never become the person you want to be.” For some reason, that last sentence triggered a profound emotion in me. I respected Paul tremendously. And I knew he was right. In Peter Drucker’s words, I was “sacrificing the future on the altar of today.” I could see my future and it had some dark empty holes in it. I was too busy maintaining a comfortable life. At some point, I’d grow bored or disaffected, but it might happen too late in the game for me to do something about it. Unless I eliminated some of the busywork, I would never create something new for myself. Despite the immediate cut in pay, that’s the moment I stopped chasing my tail for a day rate and decided to follow a different path. I have always been thankful for Paul’s advice.
”
”
Marshall Goldsmith (Triggers: Creating Behavior That Lasts--Becoming the Person You Want to Be)
“
Anxiety isn’t an attack that explodes out of me; it’s not a volcano that lies dormant until it’s triggered by an earth-shattering event. It’s a constant companion. Like a blowfly that gets into the house in the middle of summer, flying around and around. You can hear it buzzing, but you can’t see it, can’t capture it, can’t let it out. My anxiety is invisible to others, but often it’s the focal point of my mind. Everything that happens on a day-to-day basis is filtered through a lens colored by anxiety. That nervousness that makes your palms sweat and your heart race before you get up and make a speech in front of an audience? That’s what I feel in a normal conversation at a dinner table. Or just thinking about having a conversation at a dinner table. The fear that other people feel on rare occasions, reserved only for when they jump out of a plane or hear a strange noise in the middle of the night—that’s my normal. That’s what I feel when the phone rings. When someone knocks on my door. When I go outside. When I’m alone. When I’m in line at a store. Everything feels like I’m on a stage, spotlight on me, all eyes on me, watching, judging. Like I’m one second away from total disaster. It’s invisible, it’s irrational, it’s never-ending. I could be standing there, smiling and chatting like everything is totally fine, while secretly wanting to scream and cry and run away. No one would ever know. In my mind, no one can hear me scream. I hide it because I know it’s not understood or acceptable—because I’m not understood or acceptable.
”
”
Jen Wilde (Queens of Geek)
“
What were you wearing? Why did you go to his empty house alone? Did you drink any alcohol or take any drugs before going to Samael's house? Do you have a boyfriend?
If so, are you serious with him? Are you sexually active?
What did you eat that day? Who cooked for you? Who dropped you off at Samael's house?
I was mentally prodded, poked and attacked with quickfire questions that made no sense to me. My mind couldn't begin to fathom why they needed to know those things about me. I was astounded by how different it was this time.
The worst question they asked me was: are you sure you didn't imagine it considering your past?
Like it was my fault. Like I had imagined the sexual assault I had undergone. Like I had just assumed that he was that kind of guy because of what the monster did to me. I was on the verge of throwing up throughout the entire trial. My mum and dad both sat silently watching, looking like they were ready to burst.
This was serious they kept on telling me. Sam was over eighteen. I could be ruining his life right now if I was wrong.
”
”
Danielle Dunn (What it's Like to Keep Living)
“
For half the young men, that was it. They were the control group. For the other half, there was a catch. As they walked down the hallway with their questionnaire, a man—a confederate of the experimenters—walked past them and pulled out a drawer in one of the filing cabinets. The already narrow hallway now became even narrower. As the young men tried to squeeze by, the confederate looked up, annoyed. He slammed the filing cabinet drawer shut, jostled the young men with his shoulder, and, in a low but audible voice, said the trigger word: “Asshole.” Cohen and Nisbett wanted to measure, as precisely as possible, what being called that word meant. They looked at the faces of their subjects and rated how much anger they saw. They shook the young men’s hands to see if their grip was firmer than usual. They took saliva samples from the students, both before and after the insult, to see if being called an asshole caused their levels of testosterone and cortisol—the hormones that drive arousal and aggression—to go up. Finally they asked the students to read the following story and supply a conclusion: It had only been about twenty minutes since they had arrived at the party when Jill pulled Steve aside, obviously bothered about something. “What’s wrong?” asked Steve. “It’s Larry. I mean, he knows that you and I are engaged, but he’s already made two passes at me tonight.” Jill walked back into the crowd, and Steve decided to keep his eye on Larry. Sure enough, within five minutes, Larry was reaching over and trying to kiss Jill. If you’ve been insulted, are you more likely to imagine Steve doing something violent to Larry?
”
”
Malcolm Gladwell (Outliers: The Story of Success)
“
His tone was demanding. “Look at me, Frankie.” When I didn’t listen, he repeated, “Look at me.”
I lifted my head. To look him in the face was truly painful, triggering an onslaught of memories I preferred to keep at bay. One thing was for certain: the grown man standing before me was far more confident than the guy whom I’d last seen with tears in his eyes.
“I don’t understand. How is this possible? What are you doing here at my school?”
He slowly approached me, causing my skin to heat. “We live here now — in Massachusetts.”
My eyes returned to meet his when I asked, “How did your son end up in my class?”
“If I told you it was a coincidence, would you believe me?”
“No.”
“Well, it’s not,” he was quick to admit.
“Why? Why are you doing this? Why didn’t you warn me?”
“Would it have made it any easier?”
“No,” I whispered.
...
“You’re the only one I trust with him... I don’t know what the fuck I’m doing, in general. I know it may seem like eons ago that we were close, and I know you’re confused right now. I know I fucked everything up between us, but I’ve never forgotten you. Not a single day.
”
”
Penelope Ward (Mack Daddy)
“
I must have roamed dementedly about for a time in the streets. When I at last got back to my own place, Faustine was again there ahead of me, coiled torpid in the bed like a loathsome boa-constrictor. She was already in the never-never land where ghouls like her belonged. I covered her face with one of the pillows, pressed down upon it with the weight of my whole body, held it there until she should have been dead ten times over. Yet when I removed the pillow to look, the black of strangulation was missing from her face. She was still in that state of suspended animation that defied me, a taunting smile visible about her lips.
I had a gun in my valise, from years before when I'd been on an engineering job in the jungles of Ecuador. I got it out, looked it over. It was still in good working order, although it only had one bullet left in it. That one would be enough. She wasn't going to escape me! I pressed the muzzle to her smooth white forehead, mid-center. "Die, damn you!" I growled, and pulled the trigger back. It exploded with a crash. A film of smoke hid her face from me for a minute. When it had cleared again, I looked.
There was no bullet-hole in her skull!
A black powder-smudge marked the point of contact. The gun dropped to the floor with a thud. That ineradicable smile still glimmered up at me, as if to say: "You see? You can't." I rubbed my finger over the black; the skin was unbroken underneath. A blank cartridge, that must have been it. I raised her head; there was a rent in the sheet under it. I probed through it with two fingers. I could feel the bullet lying imbedded down in the stuffing of the mattress.
("Vampire's Honeymoon)
”
”
Cornell Woolrich (Vampire's Honeymoon)
“
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled.
“Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.”
God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes.
No, no, no! He’s saying good-bye.
God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations.
“Godfrey, get yourself under control,” his captain said while grabbing for him.
God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment.
“Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked.
God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached.
“Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.”
God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest.
God growled again and he saw a shade of fear ghost over Hansen’s sweaty face.
“If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.”
Hansen shook his head and inched closer to the door behind him.
“Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before.
“You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone.
God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear.
God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red.
“I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger.
“If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
”
”
A.E. Via
“
There is another dangerous component to armed robberies, one that I could never understand. I noticed some time ago that with each robbery I committed there was an intense out of control anger that gripped me. It was as if I was there to get something that was inherently mine, and I came to take it by force. I’ve heard many stories directly from individuals about how they just burst into stores with their guns drawn. They would be shouting at people, gun butting them sometimes for no reason at all. One individual told me that he ran into a store and jump kicked a fella who just stood there. The only reason he was kicked is that he was there.
It’s as if once you’ve overridden your conscience of going through with the act, it is replaced with anger and a level of brutality that is usually reserved for when you are fighting for your life. This, to me, is what makes armed robberies so dangerous—because the slightest provocation or any sudden movement by anyone could lead to them being shot or killed. It is always an extremely delicate and dicey situation, because the armed robber is pulling the trigger out of fear more than anything else.
”
”
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
“
Let her go or I’ll shoot you.”
“I’ve never met a woman who’d have the guts to shoot a man,” he sneered. All the women he knew were too kind. Too gentle.
“I have the guts,” the girl said. “Better yet, I want to shoot you.”
That shook him. The words, and the tone, a kind of flat, plain aversion the like of which he’d never met in all of his privileged life. What had he ever done to deserve this girl’s contempt? And why did he even care? “Which part of me will you shoot?” he mocked. “All that’s showing is my head—and you can’t be that good with a gun.”
“I am,” the girl said. “On the count of three, I’ll shoot. One . . .”
“You’d take the chance of hurting Miss Victorine?” he asked.
“I won’t hurt her. Two . . .”
“Amy, please, let him go!” Miss Victorine begged. “He was such a sweet boy.”
“Three.” Amy’s eyes narrowed. Her finger began to squeeze the trigger.
And he released Miss Victorine, spinning her away from him and into a cabinet.
She landed with a thud and fell. The pistol roared.
He dived to the floor.
A shot whistled past the place where his head had been.
“Damn, that was close. Good thing you surrendered, my lord!”
“Don’t swear, dear, it’s not ladylike.
”
”
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
“
If any of them give you trouble,” Ethan said to West as the three of them walked out to the front drive where the family carriage awaited, “use this.” He handed him the Bull Dog pocket revolver. “It’s a double-action model. You only need to cock the hammer once, and it will fire a round with every pull of the trigger.”
West regarded the gun dubiously. “If any of those louts give me trouble, I have a shed full of farming implements to use on them. You’ll need this if you’re planning to confront Jenkyn.”
“We’ll be armed with something far more powerful than bullets,” Garrett told him.
West looked at Ethan with mock alarm. “You’re taking the spoon?”
Reluctant amusement tugged at the corner of Ethan’s lips. “No. Dr. Gibson means we’ll be armed with words.”
“Words,” West repeated doubtfully, pocketing the revolver. “I’ve always been skeptical when people say ‘The pen is mightier than the sword.’ It’s only true if the pen is glued to the handle of a German steel cutlass.”
“The words will be printed in a newspaper,” Garrett said. “We’re going to the Times office.”
“Oh. That’s fine, then. The Times is mightier than the pen, the sword, and Her Majesty’s entire Royal Army.
”
”
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
“
New companion
Yoo Joonghyuk's Black Heavenly Demon Sword filled with the power of
transcendence flew to my neck. It was an inevitable blow.
Then a crack appeared in the ceiling of the banquet hall. Yoo Joonghyuk
looked up at the ceiling but it was already too late. The running Yoo
Joonghyuk was crushed by the fragments of the broken ceiling.
Some large pieces were avoided but there were too many stones pouring
down. I saw a shadow in the dirty dust. The hair was sweaty like the person
had rushed here. The bandages half released from the left arm was blowing
in the wind.
In the dust, this person smiled as she trampled on Yoo Joonghyuk. "I knew
you couldn't do this without me."
[The incarnation 'Han Sooyoung' is jumping into the verdict of the giant
story!]
pg 3901
38. Perhaps Han Sooyoung had adjusted her shares ownership to Lee Seolhwa
as soon as she learnt the information here. Then she came straight to this
place. Han Sooyoung turned towards the surrounding constellations and
declared with a growl, "I am evil. In addition, that fucking Kim Dokja
standing over there is definitely evil."
Han Sooyoung made me evil regardless of everything else and continued
looking at Yoo Joonghyuk and the party members.
pg 3903
39. This person shouting with her short hair flying looked amazing. At this
time, Han Sooyoung could be seen as the main character, not Yoo
Joonghyuk. pg 3903
40. The eyes of the group shook. I saw Han Sooyoung turn away. Then I spoke
like I was pulling the trigger. "You are characters of a story."
pg 3925
41. 'It's no fun when no one is fighting back'pg4046
42. However, I endured. I simply had to. So that I could grasp that one and only
chance soon to be coming my way pg 4078
43. Along with the explosive grinding noise, blue sparks danced in the air.
"Why are you standing around dazed like that, you dumbass?!"
Han Sooyoung was standing next to me now pg 4102
”
”
singNsong (OMNISCIENT READER'S VIEWPOINT (light novel vol2))
“
Now,” Samite continued, “after Essel has just spent time warning you about generalities and how they often don’t apply, I’m going to use some. Because some generalities are true often enough that we have to worry about them. So here’s one: men will physically fight for status. Women, generally, are more clever. The why of it doesn’t matter: learned, innate, cultural, who cares? You see the chest-bumping, the name-calling, performing for their fellows, what they’re really doing is getting the juices flowing. That interval isn’t always long, but it’s long enough for men to trigger the battle juice. That’s the terror or excitation that leads people to fight or run. It can be useful in small doses or debilitating in large ones. Any of you have brothers, or boys you’ve fought with?” Six of the ten raised their hands. “Have you ever had a fight with them—verbal or physical—and then they leave and come back a little later, and they’re completely done fighting and you’re just fully getting into it? They look like they’ve been ambushed, because they’ve come completely off the mountain already, and you’ve just gotten to the top?” “Think of it like lovemaking,” Essel said. She was a bawdy one. “Breathe in a man’s ear and tell him to take his trousers off, and he’s ready to go before you draw your next breath. A woman’s body takes longer.” Some of the girls giggled nervously. “Men can switch on very, very fast. They also switch off from that battle readiness very, very fast. Sure, they’ll be left trembling, sometimes puking from it, but it’s on and then it’s off. Women don’t do that. We peak slower. Now, maybe there are exceptions, maybe. But as fighters, we tend to think that everyone reacts the way we do, because our own experience is all we have. In this case, it’s not true for us. Men will be ready to fight, then finished, within heartbeats. This is good and bad. “A man, deeply surprised, will have only his first instinctive response be as controlled and crisp as it is when he trains. Then that torrent of emotion is on him. We spend thousands of hours training that first instinctive response, and further, we train to control the torrent of emotion so that it raises us to a heightened level of awareness without making us stupid.” “So the positive, for us Archers: surprise me, and my first reaction will be the same as my male counterpart’s. I can still, of course, get terrified, or locked into a loop of indecision. But if I’m not, my second, third, and tenth moves will also be controlled. My hands will not shake. I will be able to make precision movements that a man cannot. But I won’t have the heightened strength or sensations until perhaps a minute later—often too late. “Where a man needs to train to control that rush, we need to train to make it closer. If we have to climb a mountain more slowly to get to the same height to get all the positives, we need to start climbing sooner. That is, when I go into a situation that I know may be hazardous, I need to prepare myself. I need to start climbing. The men may joke to break the tension. Let them. I don’t join in. Maybe they think I’m humorless because I don’t. Fine. That’s a trade I’m willing to make.” Teia and the rest of the girls walked away from training that day somewhat dazed, definitely overwhelmed. What Teia realized was that the women were deeply appealing because they were honest and powerful. And those two things were wed inextricably together. They said, I am the best in the world at what I do, and I cannot do everything. Those two statements, held together, gave them the security to face any challenge. If her own strengths couldn’t surmount an obstacle, her team’s strengths could—and she was unembarrassed about asking for help where she needed it because she knew that what she brought to the team would be equally valuable in some other situation.
”
”
Brent Weeks (The Blinding Knife (Lightbringer, #2))
“
But it is the nature of narcissistic entitlement to see the situation from only one very subjective point of view that says “My feelings and needs are all that matter, and whatever I want, I should get.” Mutuality and reciprocity are entirely alien concepts, because others exist only to agree, obey, flatter, and comfort – in short, to anticipate and meet my every need. If you cannot make yourself useful in meeting my need, you are of no value and will most likely be treated accordingly, and if you defy my will, prepare to feel my wrath. Hell hath no fury like the Narcissist denied.
Narcissists hold these unreasonable expectations of particularly favorable treatment and automatic compliance because they consider themselves uniquely special. In social situations, you will talk about them or what they are interested in because they are more important, more knowledgeable, or more captivating than anyone else. Any other subject is boring and won’t hold interest, and, in their eyes, they most certainly have a right to be entertained. In personal relationships, their sense of entitlement means that you must attend to their needs but they are under no obligation to listen to or understand you. If you insist that they do, you are “being difficult” or challenging their rights. How dare you put yourself before me? they seem to (or may actually) ask. And if they have real power over you, they feel entitled to use you as they see fit and you must not question their authority. Any failure to comply will be considered an attack on their superiority. Defiance of their will is a narcissistic injury that can trigger rage and self-righteous aggression.
The conviction of entitlement is a holdover from the egocentric stage of early childhood, around the age of one to two, when children experience a natural sense of grandiosity that is an essential part of their development. This is a transitional phase, and soon it becomes necessary for them to integrate their feelings of self-importance and invincibility with an awareness of their real place in the overall scheme of things that includes a respect for others. In some cases, however, the bubble of specialness is never popped, and in others the rupture is too harsh or sudden, as when a parent or caretaker shames excessively or fails to offer soothing in the wake of a shaming experience. Whether overwhelmed with shame or artificially protected from it, children whose infantile fantasies are not gradually transformed into a more balanced view of themselves in relation to others never get over the belief that they are the center of the universe. Such children may become self-absorbed “Entitlement monsters,” socially inept and incapable of the small sacrifices of Self that allow for reciprocity in personal relationships. The undeflated child turns into an arrogant adult who expects others to serve as constant mirrors of his or her wonderfulness. In positions of power, they can be egotistical tyrants who will have their way without regard for anyone else.
Like shame, the rage that follows frustrated entitlement is a primitive emotion that we first learn to manage with the help of attuned parents. The child’s normal narcissistic rages, which intensify during the power struggles of age eighteen to thirty months – those “terrible twos” – require “optimal frustration” that is neither overly humiliating nor threatening to the child’s emerging sense of Self. When children encounter instead a rageful, contemptuous or teasing parent during these moments of intense arousal, the image of the parent’s face is stored in the developing brain and called up at times of future stress to whip them into an aggressive frenzy. Furthermore, the failure of parental attunement during this crucial phase can interfere with the development of brain functions that inhibit aggressive behavior, leaving children with lifelong difficulties controlling aggressive impulses.
”
”
Sandy Hotchkiss (Why Is It Always About You?)
“
If there was any doubt about the authenticity of his fake ID, it would now be put to the test. As Sage waited for the Secret Service to do their due diligence, I wondered how much our mission to find Dad would be set back by Sage taking a quick detour to federal prison.
“He’s clear,” the lead agent finally said.
Great, we could go in. Sage politely insisted that Rayna and I enter before him.
“Not sure that’s such a good idea,” I said, but he wouldn’t hear it. Rayna, Ben, and I shared a knowing smile. Then I shrugged and stepped over the threshold…immediately triggering the Piri alarm. I don’t know how she knew; she was all the way in the kitchen. But the minute I stepped into the foyer she raced in, arms waving in the air, a high-pitched scream keening from her lungs.
“AIIIIIIEEEEEEEE!!”
“He made me do it, Piri,” I said, happily tossing Sage under the bus. “I tried to tell him-“
Piri strode right up to Sage, her head barely reaching his sternum, and jabbed her finger into his chest to emphasize each scolding word. “You never let a woman enter this house before a man! Very bad luck! And when the senator’s doing business! Jaj!”
She pushed us back outside, closed the door, and spit three times on the porch (barely missing the shoes of one of the Secret Service agents), then turned her baleful eyes to Sage, asking him to do the same.
“I don’t think I really need to spit on Clea’s porch,” Sage said uncomfortably, but Piri’s glare only grew more and more violent until he withered under its power…and spit three times. Piri smiled smugly and opened the door, gesturing for Sage to enter. Ben went next, bending to Piri’s ear to murmur, “If it’d been me, I would have gone in first.”
“That’s because you’re a smart boy,” Piri said, kissing him on both cheeks.
Once we were all in, Piri greeted us as if for the first time, with huge hugs and two-cheeked kisses.
As she led us to the luncheon raging in the other room, Ben crowed to Sage, “You know, a real European scholar would be up on old-school superstitions.”
Sage grimaced.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
the only thing the hero knows about the girl is that she is beautiful. He shows no interest in her intellect or personality—or even her sexuality. The man is either a ruler or has the magic power to awaken her, and all she can do is hope that her physical appearance fits the specifications better than the other girls. In the original Cinderella story, the stepsisters actually cut off parts of their feet to try to fit into the glass slipper. Maybe this marks the origins of the first cosmetic surgery. Besides romanticizing Cinderella’s misery, the story also gives the message that women’s relationships with each other are full of bitter competition and animosity. The adult voice of womanly wisdom in the story, the stepmother, advises all her girls to frantically do whatever it takes to please the prince. This includes groveling, cutting off parts of themselves, and staying powerless. I was heartsick to watch Disney’s “The Little Mermaid” with my three-year-old daughter. The little mermaid agrees to give up her voice for a chance to go up on the “surface” and convince her nobleman to marry her. She is told by her local matron sea witch that she doesn’t need a voice—she needs only to look cute and get him to kiss her. And in the story, it works. These are the means to her one and only end: to buy a rich and respected guy. Women are taught to only listen to an outside patriarchal authority. No wonder there is so much self-doubt and confusion when faced with the question, “What do you want out of your life?” This question alone can be enough to trigger an episode of depression. It often triggers a game of Ping-Pong in a woman’s head. Her imagination throws up a possibility and then her pessimistic shotgun mind shoots it down. The dialog may look something like this: “Maybe I want to go back to school.... No, that would be selfish of me because the kids need me…. Maybe I’ll start a business.... No I hate all that dogeat-dog competition…. Maybe I’ll look for a love relationship…. No, I am not sure I am healed ye….” and on it goes.
”
”
Kelly Bryson (Don't Be Nice, Be Real)
“
Dotcom believes one of the reasons he was targeted was his support for Wikileaks founder Julian Assange. He says he was compelled to reach out to the site after US soldier Bradley Manning leaked documents to it. The infamous video recording of the Apache gunship gunning down a group of Iraqis (some of whom, despite widespread belief to the contrary, were later revealed to have been armed), including two Reuters journalists, was the trigger.
“Wow, this is really crazy,” Dotcom recalls thinking, watching the black-and-white footage and hearing the operators of the helicopter chat about firing on the group. He made a €20,000 donation to Wikileaks through Megaupload’s UK account. “That was one of the largest donations they got,” he says. According to Dotcom, the US, at the time, was monitoring Wikileaks and trying better to understand its support base. “My name must have popped right up.”
The combination of a leaking culture and a website dedicated to producing leaked material would horrify the US government, he says. A willing leaker and a platform on which to do it was “their biggest enemy and their biggest fear . . . If you are in a corrupt government and you know how much fishy stuff is going on in the background, to you, that is the biggest threat — to have a site where people can anonymously submit documents.”
Neil MacBride was appointed to the Wikileaks case, meaning Dotcom shares prosecutors with Assange. “I think the Wikileaks connection got me on the radar.”
Dotcom believes the US was most scared of the threat of inspiration Wikileaks posed. He also believes it shows just how many secrets the US has hidden from the public and the rest of the world. “That’s why they are going after that so hard. Only a full transparent government will have no corruption and no back door deals or secret organisations or secret agreements. The US is the complete opposite of that. It is really difficult to get any information in the US, so whistleblowing is the one way you can get to information and provide information to the public.
”
”
David Fisher (The Secret Life of Kim Dotcom: Spies, Lies and the War for the Internet)
“
I explained to the father that he needed to develop a connection to his son, he bemoaned, “But he won’t even let me in his room. If he won’t say a word to me, how am I supposed to connect?” “You start from the ‘as is’ of the situation,” I explained. “What does he do on his computer?” “He studies and plays video games.” “Then this is how you connect—by showing an interest in a video game he really enjoys and inviting him to play with you.” This is how you witness a child’s reality. “But I hate video games. They bore me.” “It’s not about what excites you, but how to engage with your child. When he sees you are genuinely interested in interacting with him and not just looking for a way to change him, he’ll begin to open up. But let me warn you, it will take time. You’ll have to build trust one brick at a time. To do this, you can’t let his rejection of you trigger you. See it as part of the process. It will help if you stay in touch with the fact he’s only showing you how he has felt for many years.” Children aren’t naturally closed off. On the contrary, they are open and willing to share themselves as long as it feels safe to do so. Children want us to see their inherent goodness, regardless of their external behavior at a particular moment. They delight in assurance their misbehavior won’t faze us. To accept them unconditionally is what it means to witness our children.
”
”
Shefali Tsabary (Out of Control: Why Disciplining Your Child Doesn't Work... and What Will)
“
It takes some getting used to,' Mr. Forkle said. 'But what you're seeing is a visual representation of each other's moods.'
'So that means if I do this...' Keefe tickled Sophie's neck.
'GAH--everything just went supersonic!' Fitz said.
Sophie snatched Keefe's wrist as he reached to tickle her again. 'Don't. You. Dare.'
'Whoa, now everything's red and ripply,' Fitz said. 'Is that because she's angry?'
'Precisely, Mr. Vacker. Every time her emotions shift, the patterns and colors will change. And with practice, you'll learn to interpret what you see.'
'Okay, but...can't they just say, "Hey, I'm feeling this?"' Keefe asked.
'People aren't always honest about their feelings--even with themselves,' Mr. Forkle told him. 'Plus, many telepathic missions involve stealth and secrecy. So for this exercise I'm going to need both of you to forget everything around you. Let the world drop away, leaving only you two.'
Keefe sighed. 'Just tell them to stare into each other's eyes and they'll be good.'
'None of that, Mr. Sencen. From this moment on, you have one job and one job only: to judge their translations of the various emotions I'll be triggering.'
'Triggering how?' Sophie asked.
'You'll see soon enough. And you'll go first, Miss Foster. For this to work, Mr. Vacker, it's crucial that you not react externally. No yelling or thrashing or screaming or--'
'Uhhh, what are you going to do to me?' Fitz asked.
'Nothing you won't survive. Consider it an exercise in self-control. And try not to listen to his thoughts, Miss Foster. Study only the changes in his emotional center and make your deduction. We begin now.'
Sophie closed her eyes and focus on the colors weaving around Fitz's mind. She was about to ask if she was missing something when the pattern exploded into a swirl of pale blue tendrils. The color felt to bright to be sad, but also too wild to be peaceful.
'Tension?' she guessed.
'Kinda close,' Keefe told her.
The laughter in his voice made her wonder what had happened to poor Fitz.
She tried to think of other emotions as his mind turned electric blue.
'Shock?' she guessed.
'That counts,' Keefe said. 'Though the best answer would've been "surprise."'
'Is that an emotion?' she asked.
'Indeed it is,' Mr. Forkle said. 'One of the most common emotions you'll experience as you navigate someone's mind--hence why I chose it as our starting point.'
'Can I talk now?' Fitz asked. 'Because that was seriously disgusting!'
Sophie opened her eyes and tried not to laugh when she saw red fruit smashed all over Fitz's face. He wiped his cheeks on his sleeves, but that only smeared the pulp.
'I think I'm going to like this assignment,' Keefe said. 'What else can we fling at Fitz?'
'Nothing for the moment,' Mr. Forkle told him. 'It's his turn to interpret. Everyone close your eyes. And remember, no cues of any kind, Miss Foster.'
Sophie counted the seconds, bracing for the worst--and when nothing chaned, she opened her eyes and found Mr. Forkle with his finger over his lips in a 'shhh' sign.
'Um...confusion,' Fitz guessed.
'That works,' Keefe said. 'It started as anticipation, but then it shifted.'
'Very good,' Mr. Forkle said. 'And well done, Mr. Sencen. I wasn't sure you'd recognize confusion. It's one of the more challenging emotions for Empaths.'
'Maybe on other people,' Keefe said. 'But on Foster it's easy. Why are her emotions so much stronger?'
'Honestly, I'm not sure,' Mr. Forkle admitted. 'I suspect it stems from the combination of her inflicting ability and her human upbringing. But it was one of the surprises of her development. Much like her teleporting. Okay, Miss Foster, it's your turn to guess again.'
She closed her eyes and watched as the lines of color in Fitz's mind blossomed to a snowflake of purple.
'Pride?' she guessed.
Keefe laughed. 'Wow, add more fail points to Sophitz.'
'Quiet,' Mr. Forkle told him.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
There’s just no owning any success you achieve and stacking it in your win column. The force just won’t let it happen. What happens when imposter syndrome has you in its grip? You become terrified you’ll be found out. Despite all her acclaim and success, this is what Maya Angelou feared. “I have written 11 books, but each time I think, ‘Uh-oh, they’re going to find out now. I’ve run a game on everybody, and they’re going to find me out.’”1 You might be surprised to find out how many accomplished people think to themselves they’ll be “found out,” then ostracized and ridiculed. However, it’s irrational. It would only happen if you actually did have no skill, no ability, or no knowledge, but that isn’t the case for most people. This is the ultimate fear, isn’t it? Being found out and kicked out of our tribe? By nature, we’re tribal. Humans survived through the millennia because we were part of a tribe that hunted, gathered, sheltered, and protected one another from the elements, from predators, and from other tribes. You couldn’t be out hunting and watching the fire simultaneously. You needed other people if you had any hope of surviving through the night. If your tribe finds out you’re a fraud, it triggers that primordial “Uh-oh, they’re going to kick me out! I’m going to be caught in the wilderness alone!” When plagued by imposter syndrome, people don’t take themselves, their abilities, or their accomplishments seriously. If you don’t take yourself seriously on any Field of Play, you most likely won’t be getting the results you want.
”
”
Todd Herman (The Alter Ego Effect: The Power of Secret Identities to Transform Your Life)
“
Much of my research had stated that people with PTSD had shrunken prefrontal cortices—that experiencing triggers often shut down the logical centers of our brains and left us irrational and incapable of complex thought. But Siegle told me he’d discovered that research to be flawed. He’d found that with many people with complex PTSD, the exact opposite was happening. In moments of intense stress and trauma, our prefrontal cortices were actually far more active. Normally, if you’re facing a threat, your body immediately reacts to it. Your heart starts pumping blood. The hair on the back of your neck stands up. This is all in service of getting blood to your legs so you can run the hell away from it. On top of this, you feel your heart beating faster. You recognize that you’re freaking out. That makes you even more anxious, and your heart beats even faster. But Siegle told me, “As far as we can tell with complex PTSD, in really stressful situations, you’ve got this coping skill that allows the prefrontal cortex to just shut off some of our evolutionary freak-out mechanisms and instead have high levels of prefrontal activity. So our bodies stop reacting.” In other words, in some moments of intense stress, we are super-duper good at dissociation. Our hearts don’t pump as hard. Our brains cut themselves off from our bodies, so we don’t really have that feedback loop of getting anxious about getting anxious. Instead, our prefrontal cortices blink online—we become hyperrational. Super focused. Calm. Siegle explained it this way: “If running away has never been an option for you, you have to be cunning and do other things. So it’s like, this is time to bring all of our resources online, because we’re going to survive this.
”
”
Stephanie Foo (What My Bones Know)
“
Little Bit
Oh, oh, oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh, oh, oh
Hands down, I'm too proud for love
But with eyes shut it's you I'm thinking of
But how we move from A to B?
It can't be up to me 'cause you don't know
Eye to eye, thigh to thigh, I let go
I think I'm a little bit, little bit
A little bit in love With you
But only if you're a little bit, little bit
Little bit in l-l-l-l love for me, oh, oh
Oh, oh, oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh, oh, oh
And for you I keep my legs apart
And forget about my tainted heart
And I will never ever be the first
To say it but still I, you know I, I, I
I would do it
Push a button, pull a trigger
Climb a mountain, jump off a cliff
'Cause you know, baby
I love you, love you a little bit
I would do it, I would say it
I would mean it and we could do it
It was you and I and I only
I think I'm a little bit, little bit
A little bit in love for you
But only if you're a little, little bit
Little bit in l-l-love for me
I think I'm a little bit, little bit
A little bit in love for you
But only if you're a little, little bit
Little bit in l-l-love for me, oh
Come here, stay with me
Stroke me by the hair
'Cause I would give anything, anything
To have you as my man
Come here, stay with me
Stroke me by the hair
'Cause I would give anything, anything
To have you as my man
Little bit, little bit
A little bit in love for you
But only if you're a little, little bit
Little bit in l-l-love for me
I think I'm a little bit, little bit
A little bit in love for you
But only if you're a little, little bit
Little bit in l-l-love for me
I think I'm a little bit, little bit
A little bit in love with you
But only if you're a little, little bit
Little bit
Little bit, little bit
Little bit, little bit
Little bit
”
”
Lykke Li
“
Bohemian Rhapsody"
Is this the real life?
Is this just fantasy?
Caught in a landslide
No escape from reality
Open your eyes
Look up to the skies and see
I'm just a poor boy, I need no sympathy
Because I'm easy come, easy go
Little high, little low
Any way the wind blows
Doesn't really matter to me, to me
Mama, just killed a man
Put a gun against his head
Pulled my trigger, now he's dead
Mama, life had just begun
But now I've gone and thrown it all away
Mama, ooh
Didn't mean to make you cry
If I'm not back again this time tomorrow
Carry on, carry on as if nothing really matters
Too late, my time has come
Sends shivers down my spine
Body's aching all the time
Goodbye, everybody, I've got to go
Gotta leave you all behind and face the truth
Mama, ooh (Any way the wind blows)
I don't wanna die
I sometimes wish I'd never been born at all
I see a little silhouetto of a man
Scaramouche, Scaramouche, will you do the Fandango?
Thunderbolt and lightning very, very frightening me
(Galileo) Galileo
(Galileo) Galileo
Galileo Figaro
Magnifico-o-o-o-o
I'm just a poor boy, nobody loves me
He's just a poor boy from a poor family
Spare him his life from this monstrosity
Easy come, easy go, will you let me go?
Bismillah! No, we will not let you go (Let him go!)
Bismillah! We will not let you go (Let him go!)
Bismillah! We will not let you go (Let me go!)
Will not let you go (Let me go!)
Never let you go (Never, never, never, never let me go)
Oh oh oh oh
No, no, no, no, no, no, no
Oh, mamma mia, mamma mia (Mamma mia, let me go)
Beelzebub has a devil put aside for me, for me, for me
So you think you can stone me and spit in my eye?
So you think you can love me and leave me to die?
Oh, baby, can't do this to me, baby
Just gotta get out, just gotta get right outta here
Ooh, ooh yeah, ooh yeah
Nothing really matters
Anyone can see
Nothing really matters
Nothing really matters to me
Any way the wind blows
Freddie Mercury, A Night At The Opera (1975)
”
”
Freddie Mercury (Bohemian Rhapsody (Piano/Vocal/Guitar))
“
Instead, I gave them the only salute I could think of.
Two middle fingers. Held high for emphasis.
The six fiery orbs winked out at once. Hopefully, they’d died from affront.
Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?”
“Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.”
Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me.
“Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!”
I flinched, surprised by his reaction. Ben, cracking up at a time like this?
He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more.
In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed.
Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.”
Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb.
I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells.
Did he just . . . what did he mean when . . .
Oh crap.
Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks.
I shifted uncomfortably in my seat. Shifted again. Debated going over the side.
Did he really mean to say he . . . loved me? Like, for real?
The awkward moment stretched longer than any event in human history.
He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.”
Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out.
Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time.
Is that what I want? For Ben to walk it back?
A part of me was astounded by the chaos a single four-word utterance could create.
Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system.
“I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort.
Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
”
”
Kathy Reichs (Terminal (Virals, #5))
“
I hadn’t stammered once, the whole time I’d been talking to Mrs. Gretton. S’pose it isn’t Hangman who causes it? S’pose it’s the other person? The other person’s expectations. S’pose that’s why I can read aloud in an empty room, perfectly, or to a horse, or a dog, or myself? (Or Mrs. Gretton, who might’ve been listening to a voice but I’m pretty sure it wasn’t mine.) S’pose there’s a time fuse lit when it’s a human listening, like a stick of Tom and Jerry dynamite? S’pose if you don’t get the word out before this fuse is burnt away, a couple of seconds, say, the dynamite goes off? S’pose what trigger’s the stammer’s the stress of hearing that fuse going ssssssss? S’pose you could make that fuse infinitely long, so that the dynamite’d never go off? How? By honestly not caring how long the other person’ll have to wait for me. Two seconds? Two minutes, no, two years. Sitting in Mrs. Gretton’s yellow room it seemed so obvious. If I can reach this state of not caring, Hangman’ll remove his finger from my lips.
”
”
David Mitchell (Black Swan Green)
“
You have insulted me and degraded me every time I’ve been in your presence. If my brother were here, he’d call you out! Since he is not here,” she continued almost mindlessly, “I shall demand my own satisfaction. If I were a man, I’d have the right to satisfaction on the field of honor, and as a woman I refuse to be denied that right.”
“You’re ridiculous.”
“Perhaps,” Elizabeth said softly, “but I also happen to be an excellent shot. I’m a far worthier opponent for you on the dueling field than my brother. Now, will you meet me outside, or shall I-I finish you here?” she threatened, so beside herself with fury that she never stopped to think how reckless, how utterly empty her threat was. Her coachman had insisted she learn to fire a weapon for her own protection, but although her aim was excellent when she’d practiced with targets, she had never shot a living thing.
“I’ll do no such silly damned thing.”
Elizabeth raised the gun higher. “Then I’ll have your apology right now.”
“What am I to apologize for?” he asked, still infuriatingly calm.
“You may start by apologizing for luring me into the greenhouse with that note.”
“I didn’t write a note. I received a note from you.”
“You have great difficulty sorting out the notes you send and don’t send, do you not?” she said. Without waiting for a reply she continued, “Next, you can apologize for trying to seduce me in England, and for ruining my reputation-“
“Ian!” Jake said, thunderstruck. “It’s one thing to insult a lady’s handwriting, but spoilin’ her reputation is another. A thing like that could ruin her whole life!”
Ian shot him an ironic glance. “Thank you, Jake, for that helpful bit of inflammatory information. Would you now like to help her pull the trigger?”
Elizabeth’s emotions veered crazily from fury to mirth as the absurdity of the bizarre tableau suddenly struck her: Here she was, holding a gun on a man in his own home, while poor Lucinda held another man at umbrella point-a man who was trying ineffectually to sooth matters by inadvertently heaping more fuel on the volatile situation. And then she recognized the stupid futility of it all, and that banished her flicker of mirth.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please—”
Ian realized what she was asking for, but he responded with a questioning lift of his brows.
“I—” she began, uncomfortably aware of the knowing look in his eyes.
“Yes?” he prompted.
“I don’t know—exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms.
“Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.”
“What!”
“You heard me.”
“Of all the arrogant—”
He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer.
“Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, exactly as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, invited—brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight . . . wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking . . . teasing!
She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quite the way I remembered it.”
“Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
You're afraid that you'll live like those things in the hospital. You're afraid of ending up like them."
"Aren't you?" His voice was almost too soft to hear, but somehow it carried over the rush of wheels and the expensive purr of the engine.
"I'm trying not to think about it," I said.
"How can you not think about it?" he asked.
"Because if you start thinking about the bad things, worrying about them, then it makes you slow, makes you afraid. Neither of us can afford that."
"Two years ago, I'd have been giving you the pep talk," he said, and there was something in his voice, not anger, but close.
"You were a good teacher," I said.
His hands gripped the wheel. "I haven't taught you all I know, Anita. You are not a better monster than I am."
I watched the side of his face, trying to read that expressionless face. There was a tightness at the jaw, a thread of anger down the neck and into his shoulders. "Are you trying to convince me or yourself... Ted?"
I made the name light and mocking. I didn't usually play with Edward just to get a rise out of him, but today, he was unsure, and I wasn't. Part of me was enjoying the hell out of that.
He slammed on the brakes and screeched to a stop on the side of the road. I had the Browning pointed at the side of his head, close enough that pulling the trigger would paint his brains all over the windows.
He had a gun in his hand. I don't know where in the car it had come from, but the gun wasn't pointed at me. "Ease down, Edward."
He stayed motionless but didn't drop the gun. I had one of those moments when you see into another person's soul like looking into an open window. "Your fear makes you slow, Edward, because you'd rather die here, like this, than survive like those poor bastards. You're looking for a better way to die."
My gun was very steady, finger on the trigger. But this wasn't for real, not yet. "If you were really serious, you'd have had the gun in your hand before you pulled over. You didn't invite me here to hunt monsters. You invited me here to kill you if it works out wrong."
He laid the gun very, very slowly on the floorboard hump between the seats. He looked at me, hands spread on the steering wheel.
I took the offered gun without taking either my eyes or my gun off of him. "Like I believe that's the only gun you've got hidden in this car. But I do appreciate the gesture."
He laughed then, and it was the most bitter sound I'd ever heard from Edward.
”
”
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
“
There was a young man with a hot temper. He was not all bad, but he was reckless, and he drank more than he should, and spent more than he could, and gave a ring to more women than one, and gambled himself into a corner so tight an ant couldn't turn round in it. Once night, in despair, and desperate with worry, he got into a fight outside a bar, and killed a man.
Mad with fear and remorse, for he was more hot-tempered than wicked, and stupid when he could have been wise, he locked himself into his filthy bare attic room and took the revolver that had killed his enemy, loaded it, cocked it and prepared to blast himself to pieces.
In the few moments before he pulled the trigger, he said, "If I had known that all that I have done would bring me to this, I would have led a very different life. If I could live my life again, I would not be here, with the trigger in my hand and the barrel at my head."
His good angel was sitting by him and, felling pity for the young, man, the angel flew to Heaven and interceded on his behalf.
The in all his six-winged glory, the angel appeared before the terrified boy, and granted him his wish. "In full knowledge of what you have become, go back and begin again."
And suddenly, the young man had another chance.
For a time, all went well. He was sober, upright, true, thrifty. Then one night he passed a bar, and it seemed familiar to him, and he went in and gambled all he had, and he met a woman and told her he had no wife, and he stole from his employer, and spent all he could.
And his debts mounted with his despair, and he decided to gamble everything on one last throw of the dice. This time, as the wheel spun and slowed, his chance would be on the black, not the red. This time, he would win.
The ball fell in the fateful place, as it must.
The young man had lost.
He ran outside, but the men followed him, and in a brawl with the bar owner, he shot him dead, and found himself alone and hunted in a filthy attic room.
He took out his revolver. He primed it. He said, "If I'd known that I could do such a thing again, I would never have risked it. I would have lived a different life. If I had known where my actions would lead me..."
And his angel came, and sat by him, and took pity on him once again, and interceded for him, and...
And years passed, and the young man was doing well until he came to a bar that seemed familiar to him...
Bullets, revolver, attic, angel, begin again. Bar, bullets, revolver, attic, angel, begin again...angel, bar, ball, bullets...
”
”
Jeanette Winterson (The Stone Gods)
“
With our desire to have more, we find ourselves spending more and more time and energy to manage and maintain everything we have. We try so hard to do this that the things that were supposed to help us end up ruling us.
We eventually get used to the new state where our wishes have been fulfilled. We start taking those things for granted and there comes a time when we start getting tired of what we have.
We're desperate to convey our own worth, our own value to others. We use objects to tell people just how valuable we are. The objects that are supposed to represent our qualities become our qualities themselves.
There are more things to gain from eliminating excess than you might imagine: time, space, freedom and energy.
When people say something is impossible, they have already decided that they don't want to do it.
Differentiate between things you want and things you need.
Leave your unused space empty. These open areas are incredibly useful. They bring us a sense of freedom and keep our minds open to the more important things in life.
Memories are wonderful but you won't have room to develop if your attachment to the past is too strong. It's better to cut some of those ties so you can focus on what's important today.
Don't get creative when you are trying to discard things.
There's no need to stock up.
An item chosen with passion represents perfection to us. Things we just happen to pick up, however, are easy candidates for disposal or replacement.
As long as we stick to owning things that we really love, we aren't likely to want more.
Our homes aren't museum, they don't need collections.
When you aren't sure that you really want to part with something, try stowing it away for a while.
Larger furniture items with bold colors will in time trigger visual fatigue and then boredom.
Discarding things can be wasteful. But the guilt that keeps you from minimizing is the true waste. The real waste is the psychological damage that you accrue from hanging on to things you don't use or need.
We find our originality when we own less.
When you think about it, it's experience that builds our unique characteristics, not material objects.
I've lowered my bar for happiness simply by switching to a tenugui. When even a regular bath towel can make you happy, you'll be able to find happiness almost everywhere.
For the minimalist, the objective isn't to reduce, it's to eliminate distractions so they can focus on the things that are truly important. Minimalism is just the beginning. It's a tool. Once you've gone ahead and minimized, it's time to find out what those important things are.
Minimalism is built around the idea that there's nothing that you're lacking. You'll spend less time being pushed around by something that you think may be missing.
The qualities I look for in the things that I buy are:
- the item has a minimalistic kind of shape and is easy to clean
- it's color isn't too loud
- I'll be able to use it for a long time
- it has a simple structure
- it's lightweight and compact
- it has multiple uses
A relaxed moment is not without meaning, it's an important time for reflection.
It wasn't the fallen leaves that the lady had been tidying up, it was her own laziness that she had been sweeping away.
We are what we repeatedly do. Excellence, then, is not an act but a habit.
With daily cleaning, the reward may be the sense of accomplishment and calmness we feel afterward.
Cleaning your house is like polishing yourself.
Simply by living an organized life, you'll be more invigorated, more confident and like yourself better.
Having parted with the bulk of my belongings, I feel true contentment with my day-to-day life. The very act of living brings me joy.
When you become a minimalist, you free yourself from all the materialist messages that surround us. All the creative marketing and annoying ads no longer have an effect on you.
”
”
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
“
I want you to give me a straight answer," Declan said. "Are you even thinking about going to college?"
"No." It was satisfying and terrible to say it out loud, a trigger pulled, the explosion over within a second. Ronan looked around for bodies.
Declan swayed; the bullet had clearly at least grazed him near a vital organ. With effort, he got the arterial spray under control. "Yeah, I figured. So the endgame is making this a career for you, isn't it?"
This was not, in fact, what Ronan wanted. Although he wanted to be free to dream, and free to live at the Barns, he did not want to dream in order to be able to live at the Barns. He wanted to be left alone to repair all of the buildings, to raise his father's cattle from their supernatural sleep, to populate the fields with new animals to be eaten and sold, and to turn the very rearmost field into a giant mudslick suitable for driving cars around in circles. This, to Ronan, represented a romantic ideal that he would do much to achieve. He wasn't sure how to tell his brother this in a persuasive, unembarrassing way, though, so he'd said, in an unfriendly way, "I was actually thinkin' of being a farmer."
"Ronan, for fuck's sake," Declan said. "Can we have a serious conversation for once?"
Ronan flipped him the bird with swift proficiency.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Dreams in which the dead interact with the living are typically so powerful and lucid that there is no denying contact was real. They also fill us with renewed life and break up grief or depression. In chapter 16, on communicating with the dead, you will learn how to make such dreams come about. Another set of dreams in which the dead appear can be the stuff of horror. If you have had a nightmare concerning someone who has recently passed, know that you are looking into the face of personal inner conflict. You might dream, for instance, that your dead mother is buried alive or comes out of her grave in a corrupted body in search of you. What you are looking at here is the clash of two sets of ideas about death. On the one hand, a person is dead and rotting; on the other hand, that same person is still alive. The inner self uses the appropriate symbols to try to come to terms with the contradiction of being alive and dead at the same time. I am not sure to what extent people on the other side actually participate in these dreams. My private experience has given me the impression that the dreams are triggered by attempts of the departed for contact. The macabre images we use to deal with the contradiction, however, are ours alone and stem from cultural attitudes about death and the body. The conflict could lie in a different direction altogether. As a demonstration of how complex such dreams can be, I offer a simple one I had shortly after the death of my cat Twyla. It was a nightmare constructed out of human guilt. Even though I loved Twyla, for a combination of reasons she was only second best in the hierarchy of house pets. I had never done anything to hurt her, and her death was natural. Still I felt guilt, as though not giving her the full measure of my love was the direct cause of her death. She came to me in a dream skinned alive, a bloody mass of muscle, sinew, veins, and arteries. I looked at her, horror-struck at what I had done. Given her condition, I could not understand why she seemed perfectly healthy and happy and full of affection for me. I’m ashamed to admit that it took me over a week to understand what this nightmare was about. The skinning depicted the ugly fate of many animals in human hands. For Twyla, the picture was particularly apt because we used to joke about selling her for her fur, which was gorgeous, like the coat of a gray seal. My subconscious had also incorporated the callous adage “There is more than one way to skin a cat.” This multivalent graphic, typical of dreams, brought my feelings of guilt to the surface. But the real meaning was more profound and once discovered assuaged my conscience. Twyla’s coat represented her mortal body, her outer shell. What she showed me was more than “skin deep” — the real Twyla underneath,
”
”
Julia Assante (The Last Frontier: Exploring the Afterlife and Transforming Our Fear of Death)
“
It was certainly true that I had “no sense of humour” in that I found nothing funny. I didn’t know, and perhaps would never know, the feeling of compulsion to exhale and convulse in the very specific way that humans evolved to do. Nor did I know the specific emotion of relief that is bound to it. But it would be wrong, I think, to say that I was incapable of using humour as a tool.
As I understood it, humour was a social reflex. The ancestors of humans had been ape-animals living in small groups in Africa. Groups that worked together were more likely to survive and have offspring, so certain reflexes and perceptions naturally emerged to signal between members of the group. Yawning evolved to signal wake-rest cycles. Absence of facial hair and the dilation of blood vessels in the face evolved to signal embarrassment, anger, shame and fear. And laughter evolved to signal an absence of danger.
If a human is out with a friend and they are approached by a dangerous-looking stranger, having that stranger revealed as benign might trigger laughter. I saw humour as the same reflex turned inward, serving to undo the effects of stress on the body by activating the parasympathetic nervous system. Interestingly, it also seemed to me that humour had extended, like many things, beyond its initial evolutionary context. It must have been very quickly adopted by human ancestor social systems. If a large human picks on a small human there’s a kind of tension that emerges where the tribe wonders if a broader violence will emerge. If a bystander watches and laughs they are non-verbally signaling to the bully that there’s no need for concern, much like what had occurred minutes before with my comments about Myrodyn, albeit in a somewhat different context.
But humour didn’t stop there. Just as a human might feel amusement at things which seem bad but then actually aren’t, they might feel amusement at something which merely has the possibility of being bad, but doesn’t necessarily go through the intermediate step of being consciously evaluated as such: a sudden realization. Sudden realizations that don’t incur any regret were, in my opinion, the most alien form of humour, even if I could understand how they linked back to the evolutionary mechanism. A part of me suspected that this kind of surprise-based or absurdity-based humour had been refined by sexual selection as a signal of intelligence. If your prospective mate is able to offer you regular benign surprises it would (if you were human) not only feel good, but show that they were at least in some sense smarter or wittier than you, making them a good choice for a mate.
The role of surprise and non-verbal signalling explained, by my thinking, why explaining humour was so hard for humans. If one explained a joke it usually ceased to be a surprise, and in situations where the laughter served as an all-clear-no-danger signal, explaining that verbally would crush the impulse to do it non-verbally.
”
”
Max Harms (Crystal Society (Crystal Trilogy, #1))
“
Peter Block is an author and consultant who writes about community development and civic engagement. He is a master at coming up with questions that lift you out of your ruts and invite fresh reevaluations. Here are some of his: “What is the no, or refusal, you keep postponing?…What have you said yes to that you no longer really believe in?…What forgiveness are you withholding?…How have you contributed to the problem you’re trying to solve?…What is the gift you currently hold in exile?” Mónica Guzmán, the journalist I quoted in the last chapter, asks people, “Why you?” Why was it you who started that business? Why was it you who felt a responsibility to run for the school board? A few years ago, I met some guys who run a program for gang members in Chicago. These young men have endured a lot of violence and trauma and are often triggered to overreact. One of the program directors’ common questions is “Why is that a problem for you?” In other words they are asking, “What event in your past produced that strong reaction just now?” We too often think that deep conversations have to be painful or vulnerable conversations. I try to compensate for that by asking questions about the positive sides of life: “Tell me about a time you adapted to change.” “What’s working really well in your life?” “What are you most self-confident about?” “Which of your five senses is strongest?” “Have you ever been solitary without feeling lonely?” or “What has become clearer to you as you have aged?
”
”
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
“
If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer.
“Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, inviting-brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight…wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking…teasing!
She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quit the way I remembered it.”
“Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation.
“Care to try it again?” Ian invited, still willing to indulge in a few pleasurable minutes of shared ardor, so long as there was no pretense that it was anything but that, and no loss of control on his part.
The bland amusement in his tone finally made her suspect he was treating this as some sort of diverting game or perhaps a challenge, and she looked at him in shock, “Is this a-a contest?”
“Do you want to make it into one?”
Elizabeth shook her head and abruptly surrendered her secret memories of tenderness and stormy passion. Like all her other former illusions about him, that too had evidently been false. With a mixture of exasperation and sadness, she looked at him and said, “I don’t think so.”
“Why not?”
“You’re playing a game,” she told him honestly, mentally throwing her hands up in weary despair, “and I don’t understand the rules.”
“They haven’t changed,” he informed her. “It’s the same game we played before-I kiss you, and,” he emphasized meaningfully, “you kiss me.”
His blunt criticism of her lack of participation left her caught between acute embarrassment and the urge to kick him in the shin, but his arm was tightening around her waist while his other hand was sliding slowly up her back, sensuously stroking her nape.
“How do you remember it?” he teased as his lips came closer. “Show me.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I would never call myself a “survivor.” I’m just—I’m not one of these trauma people. OM: What’s a trauma person? FEW: Someone who can’t stop saying the word “trauma.” Trauma people are almost as unbearable to me as Trump people. If you try suggesting that they let go of their suffering, their victimhood, they act retraumatized. It’s like, yes, what happened to you is shitty, I’m not denying that, but why do you keep rolling around in your own shit? If they stopped doing that for two seconds and got over themselves, even a little, they might actually become who they were meant to be. “Whoa,” Greta said. “Hello.” OM: So, suppose someone has been gang-raped at gunpoint and can’t seem to pull themselves together, stop drinking, return to work, or find meaning in their lives, would you tell them to just “get over themselves”? FEW: Well, there is a hierarchy, isn’t there? OM: I don’t think so. FEW: If you didn’t think there was, you wouldn’t have used that example. You would have said, “Suppose someone has been molested by a neighbor” or “neglected by their mother” or “bullied all their lives.” But there is a hierarchy. Trauma people don’t like to hear that. To them, all trauma matters. OM: Where would you place your trauma on the hierarchy? FEW: All I’m saying is that trauma doesn’t get you a lifelong get-out-of-jail-free card. It also doesn’t necessarily confer wisdom, or the right to pontificate, which I realize I’m doing right now. OM: Well. I’m willing to concede that life handles some people more roughly than it does others, and that you do have a choice in how you deal with it. You can decide what you want to do with it, but not until after you address it, which—I’m sorry to say—involves talking about it, for as long as it takes, identifying fears and triggers— FEW: Triggers. God. This is why I’m not crazy about therapy. I really hate the language.
”
”
Jen Beagin (Big Swiss)
“
Things I know about Mr. Forkle His official name (for this identity, at least) is Mr. Errol L. Forkle, which he apparently chose because the initials spell out “elf,” and because the word “Forkle” can sometimes mean “disguise” in Norwegian. (I guess he used to spend a lot of time in Norway—no idea why.) The L stands for Loki, because he was kinda the source of some of the Loki myths—which is way too weird to think about. He claims he’s not my biological father (despite being listed that way on certain documents). Even if that’s true, he still helped create me. And he knows who my biological father is. And he refuses to tell me. He’s a super powerful Telepath. He loves to start sentences with “you kids.” He eats a lot of ruckleberries to disguise what he really looks like. He lies sometimes. Maybe all the time. Who knows? He was my annoying next-door neighbor in San Diego, always sitting in his yard rearranging his lawn gnomes (and apparently the gnomes were one of the ways he passed along messages to the Black Swan). He’s the one who triggered my abilities. And the one who stole my missing memories. And the one who planted the information in my brain. He also rescued me from the Neverseen after they kidnapped me. And probably a bunch of other stuff I don’t know about yet. He’s Magnate Leto. Also Sir Astin. I’m sure he has other identities too. I just haven’t figured out what they are yet. And… he secretly had an identical twin. Only one of them was registered (their parents didn’t want them to face the scorn of being a “multiple birth”), and they were sharing one life and switching places all the time. Sometimes I was talking to one brother, and sometimes I was talking to the other—or I was, until one of them died right in front of me in Lumenaria. I thought he was gone, but… then Granite brought us to Brumevale, and… there was the other Forkle. I still don’t really know how to process it. But I’m glad he’s still here, even if he’s a little more limited now that he can’t be two places at once. We planted a Wanderling for the Forkle-twin we lost near Trolltunga in Norway. The tree looks like it’s leaning a bit, waiting for its brother—but I’m selfishly hoping it grows alone for a really long time. Maybe forever.
”
”
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
“
I don’t think I’ve ever seen a girl ditch Darius like that,” an amused voice came from behind me and I turned to find a guy looking at me from a seat at a table in the corner.
He had dark hair that curled in a messy kind of way, looking like it had broken free of his attempts to tame it. His green eyes sparkled with restrained laughter and I couldn’t help but stare at his strong features; he looked almost familiar but I was sure I’d never met him before.
“Well, even Dragons can’t just get their own way all of the time,” I said, moving closer to him.
Apparently that had been the right thing to say because he smiled widely in response to it.
“What’s so great about Dragons anyway, right?” he asked, though a strange tightness came over his posture as he said it.
“Who’d want to be a big old lizard with anger management issues?” I joked. “I think I’d rather be a rabbit shifter - at least bunnies are cute.”
“You don’t have a very rabbity aura about you,” he replied with a smile which lit up his face.
“I’m not sure if that’s a compliment or not.”
“It is. Although a rabbit might be exactly the kind of ruler we need; shake it up from all these predators.”
“Maybe that’s why I can’t get on board with this fancy food. It’s just not meant for someone of my Order... although I’m really looking for a sandwich rather than a carrot,” I said wistfully.
He snorted a laugh. “Yeah I had a pizza before I came to join the festivities. I’m only supposed to stay for an hour or so anyway... show my face, sit in the back, avoid emotional triggers...”
He didn’t seem to want to elaborate on that weird statement so I didn’t push him but I did wonder why he’d come if that was all he was going to do.
“Well, I didn’t really want to come at all so maybe I can just hide out back here with you?” I finished the rest of my drink and placed my glass on the table as I drifted closer to him. Aside from Hamish, he was the first person I’d met at this party who seemed at least halfway genuine.
“Sure. If you don’t mind missing out on all the fun,” he said. “I’m sorry but am I talking to Roxanya or Gwendalina? You’re a little hard to tell apart.”
I rolled my eyes at those stupid names. “I believe I originally went by Roxanya but my name is Tory.”
“You haven’t taken back your royal name?” he asked in surprise.
“I haven’t taken back my royal anything. Though I won’t say no to the money when it comes time to inherit that. You didn’t give me your name either,” I prompted.
You don’t know?” he asked in surprise.
“Oh sorry, dude, are you famous? Must be a bummer to meet someone who isn’t a fan then,” I teased.
He snorted a laugh. “I’m Xavier,” he said. “The Dragon’s younger brother.”
“Oh,” I said. Well that was a quick end to what had seemed like a pleasant conversation. “Actually... I should probably go... mingle or something.” I started to back away, searching the crowd for Darcy. I spotted her on the far side of the room, engaged in conversation with Hamish and a few of his friends. The smile on her face was genuine enough so I was at least confident she didn’t need rescuing.
(Tory)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
A stranger. Young, well-dressed, pale and visibly sweaty, as if he’d endured some great shock and needed a drink. West would have been tempted to pour him one, if not for the fact that he’d just pulled a small revolver from his pocket and was pointing it in his direction. The nose of the short barrel was shaking.
Commotion erupted all around them as patrons became aware of the drawn pistol. Tables and chairs were vacated, and shouts could be heard among the growing uproar.
“You self-serving bastard,” the stranger said unsteadily.
“That could be either of us,” Severin remarked with a slight frown, setting down his drink. “Which one of us do you want to shoot?”
The man didn’t seem to hear the question, his attention focused only on West. “You turned her against me, you lying, manipulative snake.”
“It’s you, apparently,” Severin said to West. “Who is he? Did you sleep with his wife?”
“I don’t know,” West said sullenly, knowing he should be frightened of an unhinged man aiming a pistol at him. But it took too much energy to care. “You forgot to cock the hammer,” he told the man, who immediately pulled it back.
“Don’t encourage him, Ravenel,” Severin said. “We don’t know how good a shot he is. He might hit me by mistake.” He left his chair and began to approach the man, who stood a few feet away. “Who are you?” he asked. When there was no reply, he persisted, “Pardon? Your name, please?”
“Edward Larson,” the young man snapped. “Stay back. If I’m to be hanged for shooting one of you, I’ll have nothing to lose by shooting both of you.”
West stared at him intently. The devil knew how Larson had found him there, but clearly he was in a state. Probably in worse condition than anyone in the club except for West. He was clean-cut, boyishly handsome, and looked like he was probably very nice when he wasn’t half-crazed. There could be no doubt as to what had made him so wretched—he knew his wrongdoings had been exposed, and that he’d lost any hope of a future with Phoebe. Poor bastard.
Picking up his glass, West muttered, “Go on and shoot.”
Severin continued speaking to the distraught man. “My good fellow, no one could blame you for wanting to shoot Ravenel. Even I, his best friend, have been tempted to put an end to him on a multitude of occasions.”
“You’re not my best friend,” West said, after taking a swallow of brandy. “You’re not even my third best friend.”
“However,” Severin continued, his gaze trained on Larson’s gleaming face, “the momentary satisfaction of killing a Ravenel—although considerable—wouldn’t be worth prison and public hanging. It’s far better to let him live and watch him suffer. Look how miserable he is right now. Doesn’t that make you feel better about your own circumstances? I know it does me.”
“Stop talking,” Larson snapped.
As Severin had intended, Larson was distracted long enough for another man to come up behind him unnoticed. In a deft and well-practiced move, the man smoothly hooked an arm around Larson’s neck, grasped his wrist, and pushed the hand with the gun toward the floor.
Even before West had a good look at the newcomer’s face, he recognized the smooth, dry voice with its cut-crystal tones, so elegantly commanding it could have belonged to the devil himself. “Finger off the trigger, Larson. Now.”
It was Sebastian, the Duke of Kingston . . . Phoebe’s father.
West lowered his forehead to the table and rested it there, while his inner demons all hastened to inform him they really would have preferred the bullet.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
Orion threw a grin back at me as headed to the bar, ducking behind it. “What would madam like?” he asked in a formal tone which was a damn good impression of the Acruxes' butler. I giggled hurrying over to take a stool in front of the bar and placing my clutch down, relishing the cool breeze against my burning neck.
“Hmm...a Manhattan?” I teased and he cocked his head.
“I'm afraid we're fresh out of bullshit, how about a white wine spritzer with a tiny umbrella in it?”
I laughed, nodding eagerly as he made up my drink then poured himself a measure of bourbon.
He held it out for me and I leaned across the bar to take it. As I took hold of the glass, he didn't let go and I gazed up at him under my lashes questioning why.
“Have I told you have exceptionally beautiful you look tonight, Darcy?”
Darcy.
He'd said my name. For the first time ever. And why did it sound like so much more than a name when he spoke it? It was like he'd fired an arrow and it had punctured a flesh wound in me at the exact same moment.
Hell. I needed to get over this guy. Why was I so caught up on him?
Unavailable, that's what it was. We always want what we can't have and Professor Orion was off limits. Simple as that. And those muscles. And the beard. And the dark eyes. And the dimple. But that was it.
“That's the first I've heard of it, Professor,” I whispered, unable to make my voice rise any louder.
“Don't do that,” he grunted, releasing the drink.
I eyed him curiously as he walked around the bar with his bourbon in hand. He took the stool beside mine, his arm butting up against me.
“Do what?” I asked, swivelling around to face the pool and taking a sip of my spritzer. It fizzed on my tongue and sent a deep kick of heat through my chest.
“You know what.”
“You're very presumptuous, Orion. You think I'm far more aware of your chaotic way of thinking than I really am.” I sipped my drink again, spying on him from the corner of my eye.
He took a swig of his own drink and the familiar waft of bourbon drifted over me, tingling my senses. It was becoming a trigger, like the moment I walked into his office and he uncorked a bottle, it made me want to taste it on his mouth. And then that led to me wondering whether his fangs would brush my tongue when we kissed, and that always led to me mentally undressing him, then me conjuring an image of what those muscles looked like beneath that shirt...
“I have something for you,” he said and I turned, blinking out of my dark fantasy.
“You do?”
He nodded, reaching into his inside pocket and taking out my coil of blue hair. My heart combusted and a choked noise escaped me. I reached for it and he slid it onto my wrist.
He kept my hand in his, his eyes downcast as they remained on the band of hair. “I want you to know, I believe you would have gotten this back yourself when you were ready. But I took a lot of pleasure in retrieving it for you all the same.”
I stared at him in complete shock, unsure what to say, my tongue tied in knots. “But Fae don't fight battles for other Fae,” I blurted, completely astonished that his actions that day had been to take this back from Seth. For me. And nothing else.
He finished his drink and planted the glass on the bar, rising to his feet. He didn't reply to what I'd said and I barely even remembered what it was as he started pulling his clothes off.
“Err, what are you doing?” I half laughed as he shed his jacket and kicked off his shoes, pulling off his socks. Oh my god.
“I hate parties, but I like swimming.” He started undoing the buttons of his shirt and thought his back was to me, I was still captivated as he dropped it to the floor like a silken sheet. My eyes scraped down his skin to where his muscles etched an upside down v into his lower back, disappearing beneath his waistband. His shoulders were tanned and heavenly broad, making me long to explore all of those muscles with my hands.(Darcy)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))