“
She seems so cool, so focused, so quiet, yet her eyes remain fixed upon the horizon. You think you know all there is to know about her immediately upon meeting her, but everything you think you know is wrong. Passion flows through her like a river of blood.
She only looked away for a moment, and the mask slipped, and you fell. All your tomorrows start here.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
Sometimes, if you stand on the bottom rail of a bridge and lean over to watch the river slipping slowly away beneath you, you will suddenly know everything there is to be known.
”
”
A.A. Milne
“
It's amazing how the things you remember forever are the things you'd rather forget and the things you desperately want to grasp onto seem to slip away like sand in the wind.
”
”
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
“
Someday no one will remember that she ever existed, I wrote in my notebook, and then, or that I did. Because memories fall apart, too. And then you're left with nothing, left not even with a ghost but with its shadow. In the beginning, she had haunted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying again.
”
”
John Green (Looking for Alaska)
“
What are you doing?”
“What?”
Emrys didn’t raise his voice as he said, “To that girl. What are you doing that makes her come in here with such emptiness in her eyes?”
“That’s none of your concern.”
Emrys pressed his lips into a tight line. “What do you see when you look at her, Prince?”
He didn’t know. These days, he didn’t know a damn thing. “That’s none of your concern, either.”
Emrys ran a hand over his weathered face. “I see her slipping away, bit by bit, because you shove her down when she so desperately needs someone to help her back up.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
You know, the condom is the glass slipper of our generation. You slip it on when you meet a stranger. You dance all night, then you throw it away.
”
”
Chuck Palahniuk (Fight Club)
“
Nothing lasts," she says, and there's a little crack in her voice. "You think it's going to. You think, 'Here's something I can hold on to,' but it always slips away.
”
”
Tim Tharp (The Spectacular Now)
“
I feel sorry for beautiful people. Beauty, from the moment you possess it, is already slipping away, ephemeral. That must be difficult.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
Be always drunken.
Nothing else matters:
that is the only question.
If you would not feel
the horrible burden of Time
weighing on your shoulders
and crushing you to the earth,
be drunken continually.
Drunken with what?
With wine, with poetry, or with virtue, as you will.
But be drunken.
And if sometimes,
on the stairs of a palace,
or on the green side of a ditch,
or in the dreary solitude of your own room,
you should awaken
and the drunkenness be half or wholly slipped away from you,
ask of the wind,
or of the wave,
or of the star,
or of the bird,
or of the clock,
of whatever flies,
or sighs,
or rocks,
or sings,
or speaks,
ask what hour it is;
and the wind,
wave,
star,
bird,
clock will answer you:
"It is the hour to be drunken!
”
”
Charles Baudelaire (Paris Spleen)
“
Deep in my heart I'm concealing things that I'm longing to say. Scared to confess what I'm feeling - frightened you'll slip away.
”
”
Madonna
“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
Do you wrestle with dreams?
Do you contend with shadows?
Do you move in a kind of sleep?
Time has slipped away.
Your life is stolen.
You tarried with trifles,
Victim of your folly.
”
”
Frank Herbert (Dune (Dune #1))
“
It's kind of like when you look at yourself in the mirror and you say your name. And it gets to a point where none of it seems real. Well, sometimes I can do that, but I don't need an hour in front of a mirror. It just happens very fast, and things start to slip away. And I just open my eyes, and I see nothing. And then I start to breathe really hard trying to see something, but I can't. It doesn't happen all the time, but when it does, it scares me.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Anaïs, I don't know how to tell you what I feel. I live in perpetual expectancy. You come and the time slips away in a dream. It is only when you go that I realize completely your presence. And then it is too late. You numb me. [...] This is a little drunken, Anaïs. I am saying to myself "here is the first woman with whom I can be absolutely sincere." I remember your saying - "you could fool me, I wouldn't know it." When I walk along the boulevards and think of that. I can't fool you - and yet I would like to. I mean that I can never be absolutely loyal - it's not in me. I love women, or life, too much - which it is, I don't know. But laugh, Anaïs, I love to hear you laugh. You are the only woman who has a sense of gaiety, a wise tolerance - no more, you seem to urge me to betray you. I love you for that. [...]
I don't know what to expect of you, but it is something in the way of a miracle. I am going to demand everything of you - even the impossible, because you encourage it. You are really strong. I even like your deceit, your treachery. It seems aristocratic to me.
”
”
Henry Miller (A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953)
“
You must enjoy the time and make the most of the experience because time slips away and before you realize it your youth has passed, and you are old.
”
”
Amanda Adams (The Voyeur's Yacht)
“
And enough for me that when my hand touched your shoulder, you leaned on me; and when you felt me slip away, you called my name.
”
”
Orson Scott Card (Children of the Mind (Ender's Saga, #4))
“
Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household word that it always was. Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant. It is the same as it ever was. There is absolute and unbroken continuity. What is this death but a negligible accident? Why should I be out of mind because I am out of sight? I am but waiting for you, for an interval, somewhere very near, just round the corner. All is well. Nothing is hurt; nothing is lost. One brief moment and all will be as it was before. How we shall laugh at the trouble of parting when we meet again!
”
”
Henry Scott Holland (Death is Nothing at All)
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Freedom is dangerous but it's precious, too. You can't just throw it away or let it slip away. You can't sell it for bread and pottage.
”
”
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
“
Zach walked away, but I stood there for a long time, wondering if I should go to my mother; if I should go to my friends; but instead I slipped into the corridors I hadn't used in months, pushed my way through cobwebs and darkness, trying to walk away from the tears that burned hot down my cheeks, because maybe I didn't want to admit weakness; maybe I wanted to wallow in my solitude and grief.
Or maybe crying is like everything else we do—it's best if you don't get caught.
”
”
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
“
And, just as it only takes a moment to die, it only takes a moment to live. You just close your eyes and let every futile fear slip away. And then, in this new state, free from fear, you ask yourself: who am I? If I could live without doubt what would I do? If I could be kind without the fear of being fucked over? If I could love without fear of being hurt? If I could taste the sweetness of today without thinking of how I will miss that taste tomorrow? If I could not fear the passing of time and the people it will steal? Yes. What would I do? Who would I care for? What battle would I fight? Which paths would I step down? What joys would I allow myself? What internal mysteries would I solve? How, in short, would I live?
”
”
Matt Haig (How to Stop Time)
“
Using the chair is not a punishment. It is not a prison,' he said softly. 'It never was. And I am as much of a man in that chair, or with that cane, as I am standing on my feet.' He brushed away the tear that slipped down her cheek.
'I wanted to heal you,' she breathed.
'You did,' he said, smiling. 'Yrene, in every way that truly matters . . . You did.'
Chaol wiped away the other tears that fell, brushing a kiss to her hot cheek.
”
”
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
“
You think, 'Here's something I can hold on to,' but it always slips away.
”
”
Tim Tharp (The Spectacular Now)
“
Understand I will quietly slip away from the noisy crowd when I see the pale stars rising, blooming over the oaks.
I'll pursue the solitary pathways of the twilight meadows with only this one dream. You come too.
”
”
Rainer Maria Rilke
“
And if you didn't want him to take me away from you, maybe you should've talked to me when I needed you so badly on Friday." Tears slip down my cheeks. "Maybe you should've taken me when you had the chance.
”
”
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
“
Maybe you once were excited about that person God supernaturally brought into your life as a marriage partner, but now all the excitement has worn off. Don’t’ allow that sense of a miracle to slip away. Don’t get so familiar with each other that you take one another for granted.
”
”
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
“
Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a come losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful – as painful as actually being cut with a knife.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
Spending time with you showed me what I’ve been missing in my life. The more time we spent together, the more I could imagine it lasting in the future. That’s never happened to me before, and I’m not sure it’ll ever happen again. I’ve never been in love with anyone before you came along — not real love anyway…not like this. And I’d be a fool if I let you slip away without a fight
”
”
Nicholas Sparks (The Choice)
“
I see her slipping away, bit by bit, because you shove her down when she so desperately needs someone to help her back up.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
...take it from someone who’s had it before…you don’t want to let it slip away. Fight for her.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
You are the one who wanted a happy ending, my dear. So you tell me, how does the story end?"
Tears slipped from my face, and he wiped them away with his thumbs.
"The foolish young man lets the beautiful maiden go."
"Yes." His voice was clotted thick with unshed emotion. "He lets her go.
”
”
S. Jae-Jones (Wintersong (Wintersong, #1))
“
Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm.
“Sorry, clumsy,” she says.
“You always were, Sadie. One of your more endearing traits.”
Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man …
She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?”
“Someone you knew in another life, honey.
”
”
Stephen King (11/22/63)
“
In that moment, he looked like mischief and midnight,
like a temptation that always slipped away too fast and left you at once relieved and disappointed.
”
”
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
“
Do you not know that there comes a midnight hour when every one has to throw off his mask? Do you believe that life will always let itself be mocked? Do you think you can slip away a little before midnight to avoid this?
”
”
Søren Kierkegaard (Either/Or, Part I)
“
Do you not know that there comes a midnight hour when every one has to throw off his mask? Do you believe that life will always let itself be mocked? Do you think you can slip away a little before midnight in order to avoid this? Or are you not terrified by it? I have seen men in real life who so long deceived others that at last their true nature could not reveal itself;... In every man there is something which to a certain degree prevents him from becoming perfectly transparent to himself; and this may be the case in so high a degree, he may be so inexplicably woven into relationships of life which extend far beyond himself that he almost cannot reveal himself. But he who cannot reveal himself cannot love, and he who cannot love is the most unhappy man of all.
”
”
Søren Kierkegaard
“
If You Should Go
Love, leave me like the light,
The gently passing day;
We would not know, but for the night,
When it has slipped away.
Go quietly; a dream,
When done, should leave no trace
That it has lived, except a gleam
Across the dreamer's face.
”
”
Countee Cullen
“
The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself - that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once, with a bang. And maybe, Richie thought, that's the scary part. How you didn't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons. The kid in you just leaked out, like the air of a tire.
”
”
Stephen King (It)
“
She did not seem to want to speak, or perhaps she was not able to, but she mad timid motions toward Neville, holding something in her outstretched hand.
"Again?" said Mrs. Longbottom, sounding slightly weary. "Very well, Alice dear, very well- Neville, take it, whatever it is..."
But Neville had already stretched out his hand, into which his mother dropped an empty Droobles Blowing Gum wrapper.
"Very nice, dear," said Neville's grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, "Thanks Mum."
His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he'd ever found anything less funny in his life.
"Well, we'd better get back," sighed Mrs. Longbottom, drawing on her long green gloves. "Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now..."
But as they left, Harry was sure he saw Neville slip the wrapper into his pocket.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
He didn't know how precious a normal life could be, how easy it was to drift away from average. You started sleeping until noon, skipped one class, one day of school, lost one job, then another, forgot the way that normal people did things. You lost the language of ordinary life. And then, without meaning to, you crossed into a country from which you couldn't return. You lived in a state where the ground always seemed to be slipping from beneath your feet, with no way back to someplace solid.
”
”
Leigh Bardugo (Ninth House (Alex Stern, #1))
“
I did not know then that this is what life is - just when you master the geometry of one world, it slips away, and suddenly again, you're swarmed by strange shapes and impossible angles.
”
”
Ta-Nehisi Coates (The Beautiful Struggle: A Father, Two Sons and an Unlikely Road to Manhood)
“
I slipped the book into my pocket. I assure you to leave off reading was like tearing myself away from the shelter of an old and solid friendship.
”
”
Joseph Conrad (Heart of Darkness and The Secret Sharer)
“
Logan,” one of them drawled. “Your technique’s slipping if you need dogs to keep them from running away.”
-----------
“Why are you on the floor?”
“Hypnos,” I said.
Quinn snorted. “Dude, Hypnos and dogs? I thought you were the one who was supposed to be good with the girls, Darcy?
”
”
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
“
I grasped her chin and angled her face toward mine. “Tell me who or what I need to kill,” I growled. “What happened at your father’s house?” “I told you, nothing. It was just the lake.” Ava eked out a wobbly smile. “You can’t kill a lake.” “I’ll drain every fucking lake and ocean in the world if I have to.” A tiny crystal tear slipped from her eye. “Alex…” “I mean it.” I rubbed the tear away with my thumb. My heart raged in my chest, a snarling beast furious at the sight of her distress and the thought there was something in the world that would dare hurt her.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.”
At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes.
“The key word here is roots,” Maestra had countered. “The roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.”
“Yeah but Maestra—”
“Don't interrupt. Now, unless someone stronger and wiser—a friend, a parent, a novelist, filmmaker, teacher, or musician—can josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the ol’ doomsday daiquiri, and before we know it, we’re soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horse’s Mouth. And that’s why when you’ve exhibited the slightest tendency toward self-importance, I’ve reminded you that you and me— you and I: excuse me—may be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so let’s not get carried away with ourselves. Preventive medicine, boy. It’s preventive medicine.”
“But what about self-esteem?”
“Heh! Self-esteem is for sissies. Accept that you’re a pimple and try to keep a lively sense of humor about it. That way lies grace—and maybe even glory.
”
”
Tom Robbins (Fierce Invalids Home from Hot Climates)
“
Only two years dead, and it was getting harder for me to feel…anything. I was starting to slip into the darkness. The numbness. And the worst part is that it wasn’t even scary. I was losing myself, and I didn’t even care. Then I met you, and at first I didn’t understand what had happened. What had changed. All I knew was that I wanted to be near you. Then you helped me with Addison, even though it nearly got you killed—I nearly got you killed—and I started to understand how special you are. But by then, you were getting serious with Nash. With my brother—one of few people in the whole world I still gave a damn about. So I tried to stay away. I tried so hard.” His voice cracked on the last word, and my heart cracked with it. Tears stood in my eyes, but I was afraid to let them fall. I was afraid to even breathe for fear of missing a single word. "But you kept pulling me back. You’re the brightest thing I’ve ever seen, Kaylee. You’re this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out—if I tried to touch you—I’d get burned. Because you’re not mine. I’m not supposed to feel the fire. I’m not supposed to want it. But I do. I want you, Kaylee, like I’ve never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
”
”
Rachel Vincent (If I Die (Soul Screamers, #5))
“
Days like these go on for years. It's the ones you want to last that slip away - one, two, three - in seconds.
”
”
Gayle Forman (Just One Year (Just One Day, #2))
“
Whatever is sought for can be caught, you know, whatever is neglected slips away.
”
”
Sophocles (Oedipus Rex (The Theban Plays, #1))
“
So drive away quick, drive away while the last of the light slips away, drive away from Derry, from memory...but not from desire. That stays, the bright cameo of all we were and all we believed as children, all that shone in our eyes even when we were lost and the wind blew in the night.
Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can and all the belief you can muster. Be true, be brave, stand.
All the rest is darkness.
”
”
Stephen King (It)
“
Living is really weird. You never get used to it. But it happens anyway. And sometimes you find things that make it a little more comfortable, and you try to hold on to those things, and the tighter you hold, the faster they slip away.
”
”
Sara Wolf (Brutal Precious (Lovely Vicious, #3))
“
The Notebook? You own The Notebook?"
Cam stared at me blankly. "What's wrong with that?"
"Oh, nothing is wrong with that. It's just such a...uh, chick flick."
"I'm confident enough in my masculinity and sexuality that I can say that Ryan Gosling is just dreamy in this movie."
My jaw hit the floor.
The blank expression slipped away and he started laughing. "I'm joking. I don't own The Notebook. Never watched it. Didn't bring any romance movies.
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
That was the thing about love. It didn’t leave because you told it to go. It simply stayed quiet, bleeding out from the pain, still praying you wouldn’t let it slip away.
”
”
Brittainy C. Cherry (The Silent Waters (Elements, #3))
“
I don't want to die”
“I'll do my best to make other arrangements for you.”
She closed her eyes.
“Keep talking, Wraith. Don't slip away from me.”
“But it's what I do best.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I am tied down with single words. But you wander off; you slip away; you rise up higher, with words and words in phrases.
”
”
Virginia Woolf (The Waves)
“
If I was feeling depressed or frustrated about my lot in life, all I had to do was tap the Player One button, and my worries would instantly slip away as my mind focused itself on the relentless pixelated onslaught on the screen in front of me. There, inside the game's two-dimensional universe, life was simple: It's just you against the machine. Move with your left hand, shoot with your right, and try to stay alive as long as possible.
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
Relationships - of all kinds - are like sand held in your hand. Held loosely, with an open hand, the sand remains where it is.The minute you close your hand and squeeze tightly to hold on, the sand trickles through your fingers. You may hold onto it, but most will be spilled. A relationship is like that. Held loosely, with respect and freedom for the other person, it is likely to remain intact. But hold too tightly, too possessively, and the relationship slips away and is lost.
”
”
Kaleel Jamison (The Nibble Theory and the Kernel of Power: A Book about Leadership, Self-Empowerment, and Personal Growth)
“
Have this faith that someone is there to take away your weaknesses. Ok, you slipped once, twice, thrice. It does not matter. Keep moving ahead. People take vows never to commit mistakes again. Breaking the vows makes it worse. Surrendering is better
”
”
Ravi Shankar
“
Would you like to have dinner with me?”
“You mean go on a date?” I focused on stirring instead of my suddenly racing heart. “When?”
“Before the union. Have dinner with me and I’ll take you to Blood Moon for a couple of hours until it’s time for the ceremony.” His fingers moved from the pleats to the hem of my sweater, his hand slipping under the pale blue cashmere to stroke the skin of my lower back.
I gasped, caught his wrist in my fingers, and pulled his hand away from its provocative exploration.
“We are in class,” I hissed at him through clenched teeth.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
Above all, be at ease, be as natural and spacious as possible. Slip quietly out of the noose of your habitual anxious self, release all grasping, and relax into your true nature. Think of your ordinary emotional, thought-ridden self as a block of ice or a slab of butter left out in the sun. If you are feeling hard and cold, let this aggression melt away in the sunlight of your meditation. Let peace work on you and enable you to gather your scattered mind into the mindfulness of Calm Abiding, and awaken in you the awareness and insight of Clear Seeing. And you will find all your negativity disarmed, your aggression dissolved, and your confusion evaporating slowly like mist into the vast and stainless sky of your absolute nature.
”
”
Sogyal Rinpoche (The Tibetan Book of Living and Dying)
“
I love that moment, when you stop struggling to stay awake and your eyelids shut sink down and you slip effortlessly into another realm that’s beckoning to you.
”
”
Rachel Klein (The Moth Diaries)
“
When on the very edge of death, matters such as fortune and legacy are meaningless in the face of knowing that someone who cares for you will hold your hand as you slip away.
”
”
Morgan Rhodes (Crystal Storm (Falling Kingdoms, #5))
“
But what of you?” Gabriel said, and they
were very close now, almost touching. “It is
your choice to make now, to stay or return.”
“I will stay,” Cecily said. “I choose the
war.”
Gabriel let out the breath he hadn’t realized
he was holding. “You will give up your
home?”
“A drafty old house in Yorkshire?” Cecily
said. “This is London.”
“And give up what is familiar?”
“Familiar is dull.”
“And give up seeing your parents? It is
against the Law …”
She smiled, the glimmer of a smile.
“Everyone breaks the Law.”
“Cecy,” he said, and closed the distance
between them, though it was not much, and
then he was kissing her—his hands awkward
around her shoulders at first, slipping on the
stiff taffeta of her gown before his fingers
slid behind her head, tangling in her soft,
warm hair. She stiffened in surprise before
softening against him, the seam of her lips
parting as he tasted the sweetness of her
mouth. When she drew away at last, he felt
light-headed. “Cecy?” he said again, his
voice hoarse.
“Five,” she said. Her lips and cheeks were
flushed, but her gaze was steady.
“Five?” he echoed blankly.
907/1090
“My rating,” she said, and smiled at him.
“Your skill and technique may, perhaps, require
work, but the native talent is certainly
there. What you require is practice.”
“And you are willing to be my tutor?”
“I should be very insulted if you chose another,”
she said, and leaned up to kiss him
again.
”
”
Cassandra Clare
“
Then what is good? The obsessive interest in human affairs, plus a certain amount of compassion and moral conviction, that first made the experience of living something that must be translated into pigment or music or bodily movement or poetry or prose or anything that's dynamic and expressivee--that's what's good for you if you're at all serious in your aims. William Saroyan wrote a great play on this theme, that purity of heart is the one success worth having. "In the time of your life--live!" That time is short and it doesn't return again. It is slipping away while I write this and while you read it, the monosyllable of the clock is Loss, loss, loss, unless you devote your heart to its opposition.
”
”
Tennessee Williams
“
What are you doing?” I tried to pull away, but his hand slipped from my hair to cup the nape of my neck.
When he whispered, his warm breath brushed over my lips. “Just let me kiss you, Calla. You don’t know how long I’ve wanted to. No one has to know.”
My lips parted as I drew a sudden, startled breath and in that instant his mouth was on mine, soft as velvet. I closed my eyes against the rush of a hundred wings that suddenly beat in my chest and soared through my body.
His scent was all around me. Leather, sandalwood, bonfires in autumn. He pulled back, but only for the sake of moving his lips to trail over my neck.
My blood was on fire and I was shaking. Is this really happening?
I couldn’t stop thinking about Shay in the clearing. About asking him to kiss me. The electric touch of his lips on mine.
But this is where I belong. I tried to push the memories back.
Ren stroked my knee, his fingers wandering up my thigh, sliding beneath the hem of my dress.
I grabbed his wrist. “Wait.”
He didn’t free his arm from my grasp but continued kissing my collar bone.
“Let’s skip the waiting part,” he murmured into my skin.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
You can't go home again. Your childhood is lost. The friends of your youth are gone. Your present is slipping away from you. Nothing is ever the same.
”
”
Heraclitus (The fragments of the work of Heraclitus of Ephesus on nature; translated from the Greek text of Bywater, with an introd. historical and critical)
“
What’s three?” I asked, hoping to move away from this uncomfortable topic.
The smile pulled at his lips again.
“Three.” One of his hands cupped my face and the other slid around my back. He pulled my body against his and my heart began to pound. I took advantage of my free hand and pushed at his chest.
“I don’t think so, Lily,” he said. “If you want to get rid of me, you’ll need to do better than that.”
I drew a sharp breath and tried to wiggle away, but he held me firmly in place, watching me struggle. He grinned as he lifted me up onto the sink.
“What are you doing?” I started to panic. “Someone could come in!”
“If they see us, they’ll just turn around and get out of here,” he murmured, lips touching my ear. “No one crosses me.”
His hips pressed against my knees, opening them, pushing my skirt up my legs. I gripped his shirt, clinging to him so I wouldn’t fall into the sink. His hand pushed into my lower back. I gasped as his body fitted against mine.
Heat flooded my chest, my pelvis. I thought I would drown in it.
“We can’t—” His lips stopped my words. The kiss just made me dizzier. I dug my fingers into his shoulders.
“You said you didn’t want to be left alone.” His tongue flicked over my cheekbone. “This is me pestering you.”
“Aren’t you breaking the rules?” I could barely get the words out. “What about the union?”
“I’d rather have you on my own terms.” His hand slipped between my thighs.
All strength fled my limbs. “I can’t breathe.”
“That means you like it.” He kissed me again.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
Sometimes while you wait for what you think is better," Philomene said, "what is good enough slips away.
”
”
Lalita Tademy (Cane River)
“
I'm trying not to think about it too much because that makes it worse. It's kind of like when you look at yourself in the mirror and you say your name. And it gets to a point where none of it seems real. I can do that, but I don't need an hour in front of a mirror. It happens very fast, and things start to slip away.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Cinder took Kai's hand and squeezed it. "There's something I want to show you. Do you think anyone would notice if we slipped away for a bit?"
He raised an eyebrow at her. "Given that we make up a full quarter of the guest list, I would be a little insulted if they didn't notice."
"It was a rhetorical question."
"Then by all means, lead the way.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
I was born with the Sight, Ink," she said, voice trembling. "So tell me, why were you the first person I'd ever seen from the Twixt?"
They stared at each other. His answer slipped through his lips.
"Because I saw you," he confessed. "And I couldn't look away.
”
”
Dawn Metcalf (Indelible (The Twixt, #1))
“
He was only twenty-five.He was young enough to miss his youth just as it was slipping away. The worst kind of loss-the one that is happening as you feel it.
”
”
Emma Forrest
“
Now that I've lost you it kills me to say
I tried to hold on as you slowly slipped away
I'm losing the fight
I've treated you so wrong
Now let me make it right
”
”
Avenged Sevenfold (Avenged Sevenfold Electric Guitar Songbook | Authentic TAB and Standard Notation | Guitar Recorded Versions Series | Intermediate to Advanced Rock and ... Guitarists (Recorded Versions Guitar))
“
You've been really hard on my clothes lately", I said. I pushed him away just enough to slip out of my T-shirt and drop it on the floor before he turned it into a stretched-out rag.
"I've been really hard...and your clothes are in my way.
”
”
Jordan Castillo Price
“
He hadn’t stopped wanting love. He had simply, somehow, stopped looking.
He wondered if you could be exhausted without knowing it, if hope could be lost not all at once but could slip away gradually, day by day, and vanish before you ever realized.
”
”
Cassandra Clare (What to Buy the Shadowhunter Who Has Everything (The Bane Chronicles, #8))
“
Everything can change in a heartbeat; it can slip away in an instant. Everything you trust, and treasure, whatever brings you comfort, comes at a terrible cost. Health is temporary; money disappears. Safety is nothing big an illusion.
So when the moment comes, and everything you depend upon changes, or perhaps someone you love disappears, or no longer loves you, must disaster follow? Or will you-somehow-adapt?
”
”
Margaret Overton
“
What you lack in any investigation is time. With every passing hour, evidence slips away. Crime scenes are compromised by people and the elements. Things are moved, altered, smeared, shifted. Organisms rot. Wind blows dust and contaminants. Memories change and fade. As you move away from the event, you move away from the solution.
”
”
Maureen Johnson (Truly, Devious (Truly Devious, #1))
“
I feel you slipping away from me, and I don't know how to stop it.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
The one thing I’d learned was that having someone with you all the time did not take away the loneliness. You could be surrounded by people and be lonely. Something was missing. I could almost pinpoint it, but right when it was within my grasp I forgot; it just slipped away.
”
”
Abbi Glines (Ceaseless (Existence, #3))
“
For some time now the impression has been growing upon me that everyone is dead.
It happens when I speak to people. In the middle of a sentence it will come over me: yes, beyond a doubt this is death. There is little to do but groan and make an excuse and slip away as quickly as one can. At such times it seems that the conversation is spoken by automatons who have no choice in what they say. I hear myself or someone else saying things like: "In my opinion the Russian people are a great people, but--" or "Yes, what you say about the hypocrisy of the North is unquestionably true. However--" and I think to myself: this is death. Lately it is all I can do to carry on such everyday conversations, because my cheek has developed a tendency to twitch of its own accord.
”
”
Walker Percy (The Moviegoer)
“
I want this,” he said softly, leaning over and kissing me between the shoulder blades. “I need to own you. All of you. Make you scream and realize that you belong to me and I belong to you and nothing else matters. I can’t let you slip away from me, babe.
”
”
Joanna Wylde (Reaper's Property (Reapers MC, #1))
“
It was a funny thing, forgiveness. You could spend years being angry with someone and then realize you no longer felt the same, that your usual mode of thinking had slipped away when you weren't noticing.
”
”
Lisa Ko (The Leavers)
“
Anyone who has ridden the subway twice a day to earn their bread knows how it goes: When you board, you exhibit the same persona you use with your colleagues and acquaintances. You've carried it through the turnstile and past the sliding doors, so that your fellow passengers can tell who you are - cocky or cautious, amorous or indifferent, loaded or on the dole. But you find yourself a seat and the train gets under way; it comes to one station and then another; people get off and others get on. And under the influence of the cradlelike rocking of the train, your carefully crafted persona begins to slip away. The super-ego dissolves as your mind begins to wander aimlessly over your cares and your dreams; or better yet, it drifts into ambient hypnosis, where even cares and dreams recede and the peaceful silence of the cosmos pervades.
”
”
Amor Towles (Rules of Civility)
“
Another day spent slipping away from you.
”
”
Michael Faudet (Dirty Pretty Things)
“
William Saroyan wrote a great play on this theme, that purity of heart is the one success worth having. "In the time of your life--live!" That time is short and it doesn't return again. It is slipping away while I write this and while you read it, and the monosyllable of the clock is Loss, loss, loss, unless you devote your heart to its opposition.
”
”
Tennessee Williams
“
For you she learned to wear a short black slip
and red lipstick,
how to order a glass of red wine
and finish it. She learned to reach out
as if to touch your arm and then not
touch it, changing the subject.
Didn't you think, she'd begin, or
Weren't you sorry. . . .
To call your best friends
by their schoolboy names
and give them kisses good-bye,
to look away when they say
Your wife! So your confidence grows.
She doesn't ask what you want
because she knows.
Isn't that what you think?
When actually she was only waiting
to be told Take off your dress---
to be stunned, and then do this,
never rehearsed, but perfectly obvious:
in one motion up, over, and gone,
the X of her arms crossing and uncrossing,
her face flashing away from you in the fabric
so that you couldn't say if she was
appearing or disappearing.
”
”
Deborah Garrison (A Working Girl Can't Win)
“
Everything was heightened the way it always is when summer is slipping away to fall, and you're younger than eighteen, and all you can do is suck your cherry Icee and let the chlorine sting your nose, all the way up into the pockets behind your eyes, and snap your towel at the pretty girl with the sunburn, and hope to do it all again come June.
”
”
Emily M. Danforth (The Miseducation of Cameron Post)
“
Afterwards, go to a pub for lunch. I've got $260 in my savings account and I really want you to use it for that. Really, I mean it--lunch is on me. Make sure you have pudding--sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money.
And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream.
Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
”
”
Jenny Downham (Before I Die)
“
While you are living, part of you has slipped away to the cemetery.
”
”
Elizabeth Hardwick (Sleepless Nights)
“
How do you mourn someone you already let slip away? Are you even allowed to?
”
”
Randy Ribay (Patron Saints of Nothing)
“
Andrius turned. His eyes found mine. "I'll see you," he said.
My face didn't wrinkle. I didn't utter a sound. But for the first time in months, I cried. Tears popped from their dry sockets and sailed down my cheeks in one quick stream. I looked away.
The NKVD called the bald man's name.
"Look at me," whispered Andrius, moving close. "I'll see you," he said. "Just think about that. Just think about me bringing you your drawings. Picture it, because I'll be there."
I nodded.
"Vilkas," the NKVD called.
We walked toward the truck and climbed inside. I looked down at Andrius. He raked through his hair with his fingers. The engine turned and roared. I raised my hand in a wave good-bye.
His lips formed the words "I'll see you." He nodded in confirmation.
I nodded back. The back gate slammed and I sat down. The truck lurched forward. Wind began to blow against my face. I pulled my coat closed and put my hands in my pockets. That's when I felt it. The stone. Andrius had slipped it into my pocket. I stood up to let him know I had found it. He was gone.
”
”
Ruta Sepetys (Between Shades of Gray)
“
Wordlessly, she slipped off her shoes. Gently, she placed a palm on the floor, shifted to stand, but that was when Macey felt another hand pressing down on hers.Hard. Too Hard.
"Just what do you think you're doing ?" Hale hissed in her ear. His fingers burned into her skin. And Macey knew if she was going to take out the gunman, she was first going to have to neutralize the boy beside her.
"Why don't you let me go and I'll show you," she said with only a modicum of flirt in her voice.
"Why don't you put your fancy shoes back on and sit there like a good little girl?"
"First of all, I'm good at a lot of things. Taking orders from bored billionaires isn't one of them. Second of all, he's alone, and I can take him," Macey said.
"No!" Hale said. "You don't know anything about this guy."
"I know he's left handed and has an old injury to his right knee---probably a torn ACL at some point but the details don't matter. And the way he keeps his finger purposefully away from the safety of that gun means he's never fired it. And he doesn't want to."
"You're kinda scary.
”
”
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
“
His jaw tensed as the Corporalnik finished her work. When the skin had knitted together, the Darkling dismissed her with a wave. She hovered briefly, then slipped away, fading into nothing.
“There’s something I’ve been wondering,” he said. No greeting, no preamble.
I waited.
“The night that Baghra told you what I intended, the night you fled the Little Palace, did you hesitate?”
“Yes.”
“In the days after you left, did you ever think of coming back?”
“I did,” I admitted.
“But you chose not to.”
I knew I should go. I should at least have stayed silent, but I was so weary, and it felt so easy to be here with him. “It wasn’t just what Baghra said that night. You lied to me. You deceived me. You … drew me in.” Seduced me, made me want you, made me question my own heart.
“I needed your loyalty, Alina. I needed you bound to me by more than duty or fear.” His fingers tested the flesh where his wound had been
”
”
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
“
My feet are always cold. I'm a vampire," he said in a teasing voice, almost as if he was trying to chase away Holiday's somberness. "And if I remember correctly, you complained about that last night." He slowed down and slipped his arm around Holiday. "Marrying you doesn't scare me a bit. It's the best thing that could ever happen to me. I'd never run out on you. I'll be the first one to the church.
”
”
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
“
His shadow slipped over hers again, and she could almost feel his eyes studying her. "You're different," his voice whispered. "I can't decide if that's a good thing."
'It is', she transmitted, surprised at how much she wanted him to believe her.
He walked away without another word.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
Who sleeps in my bed at night?”
I buried my nose in his neck and mumbled, “I do.”
“You do,” he confirmed. “And who makes me smile?”
“I smiled against the stubble on his throat. “Me.”
“Exactly.” He turned to kiss my cheek. “No one else. It’s you. It’s always been you.” He spoke softly, “I just needed to find you. Now that I have you, I won’t be letting you go. Okay?”
“Okay,” I whispered, feeling my jealousy slip away.
”
”
Belle Aurora (Lev (Shot Callers, #1))
“
There’s a special peace in sleeping next to someone you love. When you slip into the dark holding them and wake up and they’re still there and you know that everything that matters is just opening your eyes away.
”
”
Abby Jimenez (Yours Truly (Part of Your World, #2))
“
I am in love with you. The thought is terrifying, probably not even true. A dangerous idea to entertain. I release my hold on it, watch it slip away. But there are points in the center of my palms that burn, scorched, proof I once held it there.
”
”
Emily Henry (People We Meet on Vacation)
“
Trouble. Sweetheart. Sang. Don't. Don't slip away." He sniffed.
I felt a droplet meeting my forehead.
Gabriel was crying.
"I need you," he whispered. "Comeback to me. I need you.
”
”
C.L.Stone
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
Because memories fall apart, too.
And then you're left with nothing, left not even with a ghost but with its shadow. In the beginning she haunted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying again.
”
”
John Green (Looking for Alaska)
“
I love you unconditionally,' his mom had said, once or twice, when he was younger. 'That's how parents love. I love you no matter what.' People said thing like that, without thinking of potential nightmare scenarios or horrific conditions, the whole changing and love slipping away. None of them ever dreamed love would be tested, and fail.
”
”
Cassandra Clare (Tales from the Shadowhunter Academy)
“
The dead think they can get away with anything because you'll feel sorry for them. If you play cards with the dead, make sure you deal and don't let them buy you drinks. They'll slip you a formaldehyde roofie and pry the gold fillings out of your teeth.
”
”
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
“
People talk about how fast life can go from good to bad. How on day you're happy, everything is going fine, and then something happens. Someone dies or someone leaves. There's an illness or an accident. Life as you know it slips away. But it can got the other way too. You can go from god-awful to pretty OK in a single day. That's what happened to us, and it was just as jarring.
”
”
Laura M. Flynn (Swallow the Ocean: A Memoir)
“
Whoever is planted in the Tao
will not be rooted up.
Whoever embraces the Tao
will not slip away.
Her name will be held in honor
from generation to generation.
Let the Tao be present in your life
and you will become genuine.
Let it be Present in your family
and your family will flourish.
Let it be present in your country
and your country will be an example
to all countries in the world.
Let it be present in the universe
and the universe will sing.
How do I know this is true?
by looking inside myself.
”
”
Lao Tzu (Tao Te Ching)
“
I feel sorry for beautiful people. Beauty, from the moment you possess it, is already slipping away, ephemeral. That must be difficult. Always having to prove that there’s more to you, wanting people to see beneath the surface, to be loved for yourself, and not your stunning body, sparkling eyes or thick, lustrous hair.
In most professions, getting older means getting better at your job, earning respect because of your seniority and experience. If your job depends on your looks, the opposite is true—how depressing. Suffering other people’s unkindness must be difficult too; all those bitter, less attractive people, jealous and resentful of your beauty. That’s incredibly unfair of them. After all, beautiful people didn’t ask to be born that way. It’s as unfair to dislike someone because they’re attractive as it is to dislike someone because of a deformity.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
None of us are meant to be or do anything," he said. "We decide what we're going to be. You told me once that there are no victims here, that we all have the power to choose what we want."
"Don't try to use my own words against me," I warned.
"Why?" he asked, a slight smile on his lips. "They were damned good ones. You're not a victim. You're not a captive to that lily. You can be what you want. You can choose what you want."
"You're right." I slipped away, finding no resistance from him at all. "And I don't choose you. That's what you're missing in all of this"
- Sydney & Adrian, The Golden Lily
”
”
Richelle Mead
“
I'm done waiting. Done doing things the easy way and letting things happen as they will."
Her heart caught. "What does that mean?"
"It means this is too important to let slip away again. You're too important." He leaned back against the truck with a low grunt of effort, eyes dark, jaw clenched. "I love you too, Tara.
”
”
Jill Shalvis (The Sweetest Thing (Lucky Harbor, #2))
“
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.'
Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile.
'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.'
He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.'
Kel nodded.
'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble.
'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
”
”
Tamora Pierce (Squire (Protector of the Small, #3))
“
Andrew lowered his head so his mouth was close to Thomas's ear. 'Wake up. I need you to tell me if we're real.'
Thomas didn't open his eyes, but his face had gone soft; all that fierce anger and lonesome fear slipped away.
'Kiss me,' he said, low and sleepy. 'Then you'll find out.
”
”
C.G. Drews (Don't Let the Forest In (Don't Let The Forest In, #1))
“
Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used.
”
”
Rosamunde Pilcher (September)
“
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him.
'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.'
Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her.
'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.'
She heard Arin shift, felt him look at her.
'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.'
There was a silence as long as a smile.
'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.'
Kestrel could no longer deny sleep. It pulled her under.
'And I would never have met you.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kiss me!” I pleaded. “Please, Pigeon! I told him no!”
Abby shoved me away. “Leave me alone, Travis!”
She shouldered passed me, but I grabbed her wrist. She kept her arm straight, outstretched behind her, but she didn’t turn around.
“I am begging you.” I fell to my knees, her hand still in mine. My breath puffed out in white steam as I spoke, reminding me of the cold. “I’m begging you, Abby. Don’t do this.”
Abby glanced back, and then her eyes drifted down her arm to mine, seeing the tattoo on my wrist. The tattoo that bared her name.
She looked away, toward the cafeteria. “Let me go, Travis.”
The air knocked out of me, and with all hope obliterated, I relaxed my hand, and let her slip out of my fingers.
Abby didn’t look back as she walked away from me, and my palms fell flat on the sidewalk. She wasn’t coming back. She didn’t want me anymore, and there was nothing I could do or say to change it.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
I love this woman. The day she set my house on fire was the luckiest day of my life. It truly is the luck of the Irish: perverse. Inexplicable. And utterly fantastic. “Do you forgive me for losing it in the first place?” she asks me, slipping her slim little hand into mine. “I shouldn’t tell you how much you could get away with, Aida,” I say, shaking my head. “But you already know that I’d forgive anything you do.
”
”
Sophie Lark (Brutal Prince (Brutal Birthright, #1))
“
Whatever can be threatened, whatever can be shaken, whatever you fear cannot stand, is destined to crash. Do not go down with the ship. Let that which is destined to become the past slip away. Believe that the real you is that which beckons from the future. If it is a sadder you, it will be a wiser one. And dawn will follow the darkness sooner or later. Rebirth can never come without death.
”
”
Robert M. Price
“
I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?"
Forget it!" Sam said. "Do you you like this place or not?"
I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?"
His thick black eyebrows went up even farther.
Did you evan intend to look for him at all?"
He held his hands up as if a surrender. "What do you want me to say?"
You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?"
I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.
So you brought me here to see this." I stepped forward again, and he stepped back.
Do you like it?"
Under false pretence." Anouther step forward; anouther back. The grine widened
So do you like it?"
When you knew we wouldn't come across anybody else."
His teeth flashed in his grin. "Do you like it?"
I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away.
Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly.
My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me."
I thought about it."
I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?"
He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
No. Christ. Now give me that dragon dick, Blackbird.” “No way.” I manage to slip out of my chair with the e-reader before he can grab me, waving it toward him in a taunt as I back away toward our rooms. “Goodnight, weirdo. I’m going to bed. Early bird gets the worm, you know. Might plan myself a solo hiking trip to Davis Creek. No boys allowed unless they have scales and a breeding kink.” “Of all the times to forget my dinosaur onesie at home.” Rowan sighs,
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
I love you unconditionally, his mom had said, once or twice, when he was younger. That’s how parents love. I love you no matter what. People said things like that, without thinking of potential nightmare scenarios or horrific conditions, the whole world changing and love slipping away. None of them ever dreamed love would be tested, and fail.
”
”
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
“
Even as I hold you
I think of you as someone gone
far, far away. Your eyes the color
of pennies in a bowl of dark honey
bringing sweet light to someone else
your black hair slipping through my fingers
is the flash of your head going
around a corner
your smile, breaking before me,
the flippant last turn
of a revolving door,
emptying you out, changed,
away from me.
Even as I hold you
I am letting go.
”
”
Alice Walker
“
Do you experience that? Ask yourself, "Have I ever experienced the wonders of life?" Meditate about it. Meditation helps your spirit bloom like a beautiful flower. The experience can be beautiful and great. Poetry is the language of the soul. So listen. "Life is like a dewdrop on a grass leaf. When is slips away, it's gone forever.
”
”
Wim Hof (Becoming the Iceman: Pushing Past Perceived Limits)
“
Ah, Belikov," said Abe, shaking Dimitri's hand. "I'd been hoping we'd run into each other. I'd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. That's what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. I've certainly got a lot of question to ask you. A lot of things I'd like to tell you."
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
"Actually," said my mum casually."I'd like to come along. I also have a number of questions-especially about when you two were back at St. Vladimir's."
"Don't you guys have somewhere to be?" I asked hastily. "We're about to start."
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. "of course," said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. "I'm glad you're back." Then, with a wink, he said to Dimitri:"Looking forward to our chat."
"Run," I said when they were gone. "If you slip out now, maybe they won't notice. Go back to Siberia.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
And then, just at that moment, when I'm no longer sure if I'm dreaming or awake or walking some valley in between where everything you wish for comes true, I feel the flutter of his lips on mine, but it's too late, I'm slipping, I'm gone, he's gone, and the moment curls away and back on itself like a flower folding up for the night.
”
”
Lauren Oliver (Before I Fall)
“
Amazing Peace: A Christmas Poem
Thunder rumbles in the mountain passes
And lightning rattles the eaves of our houses.
Flood waters await us in our avenues.
Snow falls upon snow, falls upon snow to avalanche
Over unprotected villages.
The sky slips low and grey and threatening.
We question ourselves.
What have we done to so affront nature?
We worry God.
Are you there? Are you there really?
Does the covenant you made with us still hold?
Into this climate of fear and apprehension, Christmas enters,
Streaming lights of joy, ringing bells of hope
And singing carols of forgiveness high up in the bright air.
The world is encouraged to come away from rancor,
Come the way of friendship.
It is the Glad Season.
Thunder ebbs to silence and lightning sleeps quietly in the corner.
Flood waters recede into memory.
Snow becomes a yielding cushion to aid us
As we make our way to higher ground.
Hope is born again in the faces of children
It rides on the shoulders of our aged as they walk into their sunsets.
Hope spreads around the earth. Brightening all things,
Even hate which crouches breeding in dark corridors.
In our joy, we think we hear a whisper.
At first it is too soft. Then only half heard.
We listen carefully as it gathers strength.
We hear a sweetness.
The word is Peace.
It is loud now. It is louder.
Louder than the explosion of bombs.
We tremble at the sound. We are thrilled by its presence.
It is what we have hungered for.
Not just the absence of war. But, true Peace.
A harmony of spirit, a comfort of courtesies.
Security for our beloveds and their beloveds.
We clap hands and welcome the Peace of Christmas.
We beckon this good season to wait a while with us.
We, Baptist and Buddhist, Methodist and Muslim, say come.
Peace.
Come and fill us and our world with your majesty.
We, the Jew and the Jainist, the Catholic and the Confucian,
Implore you, to stay a while with us.
So we may learn by your shimmering light
How to look beyond complexion and see community.
It is Christmas time, a halting of hate time.
On this platform of peace, we can create a language
To translate ourselves to ourselves and to each other.
At this Holy Instant, we celebrate the Birth of Jesus Christ
Into the great religions of the world.
We jubilate the precious advent of trust.
We shout with glorious tongues at the coming of hope.
All the earth's tribes loosen their voices
To celebrate the promise of Peace.
We, Angels and Mortal's, Believers and Non-Believers,
Look heavenward and speak the word aloud.
Peace. We look at our world and speak the word aloud.
Peace. We look at each other, then into ourselves
And we say without shyness or apology or hesitation.
Peace, My Brother.
Peace, My Sister.
Peace, My Soul.
”
”
Maya Angelou (Amazing Peace: A Christmas Poem)
“
...You can have this whole entire life, with all your opinions, your loves, your fears. Eventually those parts of you disappear. And then the people who could remember those parts of you disappear, and before long, all that's left is your name in some ledger. This...person -- she had a favorite food. She had friends and people she disliked. We don't even know how she died...I guess that's why I like preservation better than history. In preservation I feel like I can keep some of it from slipping away.
”
”
Katherine Howe (The Physick Book of Deliverance Dane (The Physick Book, #1))
“
My eyelids are heavy as stone. But when I sleep, I'll have that dream again. I haven't wanted to tell you about it, until now.
I'll be in the Separates, and I'll be digging with my bare hands. When I've made a hole deep enough to plant a tree, I'll place my fingers inside. I'll slip off the ring you gave me. It will catch the light and glint a rainbow of colors over my skin, but I will take my hands away, leaving it there. I'll sprinkle the earth back over it, and I will bury it. Back where it belongs.
I'll rest against a tree's rough trunk. The sun will be setting, it's dazzling color threading through the sky, making my cheeks warm.
Then I will wake up.
Good-bye, Ty,
Gemma
”
”
Lucy Christopher (Stolen (Stolen, #1))
“
But sometimes, maybe most times, it isn't that clear. It is dark and you are near the edge of a cliff, but you're moving slowly, not sure which direction you're heading in. Your steps are tentative but they are still blind in the night. You don't realize how close you are to the edge, how the soft earth could give away, how you could just slip a bit and suddenly plunge into the dark.
”
”
Harlan Coben (Hold Tight)
“
Cecy," he said, and closed the distance between them, though it was not much, and then he was kissing her-his hands awkward around her shoulders at first, slipping on the stiff taffeta of her gown before his fingers slipped behind her head, tangling in her soft, warm hair. She stiffened in surprise before softening against him, the seam of her lips parting as he tasted the sweetness of her mouth. When she drew away at last, he felt light-headed. "Cecy?" He said again, his voice hoarse. "Five," she said. Her lips and cheeks were flushed, but her gaze was steady. "Five?" He echoed blankly. "My rating," she said, and smiled at him. "Your skill and technique may, perhaps, require work, but the native talent is certainly there. What you require is practise." "And you are willing to be my tutor?" "I should be very insulted if you chose another," she said, and leaned up to kiss him again.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Some people, from what I've seen, boo, when they lie, they become very still and centered and their gaze very concentrated and intense. They try to dominate the person they lie to. The person to whom they're lying. Another type becomes fluttery and insubstantial and punctuates his lie with little self-deprecating motions and sounds, as if credulity were the same as pity. Some bury the lie in so many digressions and asides that they like try to slip the lie in there through all the extraneous data like a tiny bug through a windowscreen ... Then there are what I might call your Kamikaze-style liars. These'll tell you a surreal and fundamentally incredible lie, and then pretend a crisis of conscience and retract the original lie, and then offer you the like they really want you to buy instead, so the real lie'll appear a some kind of concession, a settlement with through. That type's mercifully easy to see through ... Or then the type who sort of overelaborates on the lie, buttresses it with rococo formations of detail and amendment, and that's how you can always tell ... So Now I've established a subtype of the over-elaborator type. This is the liar who used to be an over-elaborator and but has somehow snapped to the fact that rococo elaborations give him away every time, so he changes and now lies tersely, sparely, seeming somehow bored, like what he's saying is too obviously true to waste time on.
”
”
David Foster Wallace
“
May the Saints receive me. She pressed the tip beneath her breast, between her ribs, an arrow to her heart. Then a hand gripped her wrist painfully, forcing her to drop the blade. “Not just yet, Inej.” The rasp of stone on stone. Her eyes flew open. Kaz. He bundled her into his arms and leapt down from the crates, landing roughly, his bad leg buckling. She moaned as they hit the ground. “Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He couldn’t carry her and use his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
In the midst of aches in the joints, anxiety over the payment of bills, concern for the safety of those you love, envy of the rich, fear of robbers, dog-weariness at the end of a long day, and the unacceptable slipping away of youth, there does occasionally appear, like a ray of light piercing the clouds, a moment of joy. Perhaps you have entered the house and sat down before removing your boots. A friend has pressed a drink into your hands, and is telling you the latest news. You see from his face that he's glad you've come in; and you are glad too. Glad to be sitting down, glad of the warming glow of the dirnk, glad of your friend's furrowed brow and eager speech. For this moment, nothing more is required. It is in its way unimprovable. This is what I mean by the Great Enough.
”
”
William Nicholson (The Society of Others)
“
I must say a word about fear. It is life's only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, shows no mercy. It goes for your weakest spot, which it finds with unerring ease. It begins in your mind, always. One moment you are feeling calm, self-possessed, happy. Then fear, disguised in the garb of mild-mannered doubt, slips into your mind like a spy. Doubt meets disbelief and disbelief tries to push it out. But disbelief is a poorly armed foot soldier. Doubt does away with it with little trouble. You become anxious. Reason comes to battle for you. You are reassured. Reason is fully equipped with the latest weapons technology. But, to your amazement, despite superior tactics and a number of undeniable victories, reason is laid low. You feel yourself weakening, wavering. Your anxiety becomes dread.
”
”
Yann Martel (Life of Pi)
“
But amid all these rejoicings Aslan himself quietly slipped away. And when the Kings and Queens noticed that he wasn’t there they said nothing about it. For Mr. Beaver had warned them, “He’ll be coming and going,” he had said. “One day you’ll see him and another you won’t. He doesn’t like being tied down—and of course he has other countries to attend to. It’s quite all right. He’ll often drop in. Only you mustn’t press him. He’s wild, you know. Not like a tame lion.
”
”
C.S. Lewis (The Chronicles of Narnia Complete 7-Book Collection: All 7 Books Plus Bonus Book: Boxen)
“
I never got over that," he murmured, breaking away just long enough for a breath.
I slid my hands up his chest. "What?"
"How well you kiss. Over the last seven years," he went on, resting his forehead against mine, "I went on so many dates, I kissed so many people, I tried to fall in love again and again, and all I could think about was you."
I wasn't sure what to say. "All seven years?"
"Two thousand five hundred and fifty-five days. Not that I was counting," he added, because clearly he had been, and that made the butterflies in my stomach awfully happy. Seven years—seven whole years.
”
”
Ashley Poston (The Seven Year Slip)
“
I slip her shirt over her head and she tries to cover herself, but I move her arms out of the way and kiss up her neck while I talk about all the things that are no longer just mine.
'Will, stop.' She laughs and attempts to pull my hands away from her bra. 'You can't take off my bra, we're in our driveway. What if they come outside?'
'It's dark,' I whisper. 'And it's not your bra. It's our bra and I want it off.' I slip it off her, pulling her against me as I rub my hands down the length of her back, then around to the button on the front of her jeans. 'And I want to take off our pants.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood.
Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now.
She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered.
His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her.
When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face.
“I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“
Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Once I thought I saw you
in a crowded hazy bar,
Dancing on the light
from star to star.
Far across the moonbeam
I know that's who you are,
I saw your brown eyes
turning once to fire.
You are like a hurricane
There's calm in your eye.
And I'm gettin' blown away
To somewhere safer
where the feeling stays.
I want to love you but
I'm getting blown away.
I am just a dreamer,
but you are just a dream,
You could have been
anyone to me.
Before that moment
you touched my lips
That perfect feeling
when time just slips
Away between us
on our foggy trip.
You are like a hurricane
There's calm in your eye.
And I'm gettin' blown away
To somewhere safer
where the feeling stays.
I want to love you but
I'm getting blown away.
You are just a dreamer,
and I am just a dream.
You could have been
anyone to me.
Before that moment
you touched my lips
That perfect feeling
when time just slips
Away between us
on our foggy trip.
You are like a hurricane
There's calm in your eye.
And I'm gettin' blown away
To somewhere safer
where the feeling stays.
I want to love you but
I'm getting blown away.
The song was written in July 1975 after Young had just undergone an operation on his vocal chords after a cocaine-fueled night with friend. "We were all really high, fucked up. Been out partying. Wrote it sitting up at Vista Point on Skyline. Supposed to be the highest point in San Mateo County, which was appropriate. I wrote it when I couldn't sing. I was on voice rest. It was nuts - I was whistling it.
I wrote a lot of songs when I couldn't talk.
”
”
Neil Young
“
I’d rather spend the rest of my life without ever seeing you again,” he says, “than watch them destroy you because of me.” His hand slips to the back of my neck, skimming over my Mark, and stops in my hair. He leans down and kisses my forehead. I long to reach up, close my fingers over his arm, keep him here. He pulls away but not by much. His mouth lingers on my forehead and then, as if with an effort, he straightens.
“Want him,” he says, his face hidden in shadow, “not me. He’d love you more than I could.”
Then he leaves me alone.
”
”
Sangu Mandanna (The Lost Girl)
“
That hand slipped under my dress, running along the side of my leg and up to my hip. I burned where he touched me, and everything within me became focused on that hand. It was moving far too slowly, and I grabbed it, ready to urge it on. Adrian chuckled and caught hold of my wrist, pulling my hand away and pinning it down against the covers. “Never thought I’d be the one slowing you down.” I opened my eyes and met his. “I’m a quick study.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Two hundred miles from the surface of the earth there is no gravity. The laws of motion are suspended. You could turn somersaults slowly slowly, weight into weightlessness, nowhere to fall. As you lay on your back paddling in space you might notice your feet had fled your head. You are stretching slowly slowly, getting longer, your joints are slipping away from their usual places. There is no connection between your shoulder and your arm. You will break up bone by bone, fractured from who you are, drifting away now, the centre cannot hold.
”
”
Jeanette Winterson (Written on the Body)
“
You must not think of time as a quantity, a period, a measure. Look at the sky," Gwynneth said. "The moon has now slipped away to another night, into another world. It was not the time it was here that you remember, Faolan, but rather the luminescence of the air, the blue shadows cast by the trees in its light. It was not the length of the time but the quality of the moon's light that you felt and remember." Gwynneth paused. "It is the value, the quality that lives on.
”
”
Kathryn Lasky (Lone Wolf (Wolves of the Beyond, #1))
“
Arthur, you mustn’t feel that I am rude when I say this. You must remember that I have been away in strange and desert places, sometimes quite alone, sometimes in a boat with nobody but God and the whistling sea. Do you know, since I have been back with people, I have felt I was going mad? Not from the sea, but from the people. All my gains are slipping away, with the people round me. A lot of the things which you and Jenny say, even, seem to me to be needless: strange noises: empty. You know what I mean, ‘How are you?’ — ‘Do sit down.’— ‘What nice weather we are having!’ What does it matter? People talk far too much. Where I have been, and where Galahad is, it is a waste of time to have ‘manners.’ Manners are only needed between people, to keep their empty affairs in working order. Manners makyth man, you know, not God. So you can understand how Galahad may have seemed inhuman, and mannerless, and so on, to the people who were buzzing and clacking about him. He was far away in his spirit, living on desert islands, in silence, with eternity.
”
”
T.H. White (The Once and Future King (The Once and Future King, #1-5))
“
The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,
as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.
Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,
something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.
Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue,
not even lurking in some obscure corner of your spleen.
It has floated away down a dark mythological river
whose name begins with an L as far as you can recall,
well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.
No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.
”
”
Billy Collins
“
With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt.
He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...]
He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences:
Kill me. If you’ve ever been my friend, kill me.
Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank.
And Thomas had failed him. [...]
“Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!”
Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.”
“Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.”
The words horrified Thomas. “Newt, maybe we can—”
“Shut up! Just shut up! I trusted you! Now do it!”
“I can’t.”
“Do it!”
“I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends?
“Kill me or I’ll kill you. Kill me! Do it!”
“Newt …”
“Do it before I become one of them!”
“I …”
“KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.”
With his heart falling into a black abyss, Thomas pulled the trigger.
”
”
James Dashner (The Death Cure (The Maze Runner, #3))
“
Van Eck folded his soiled handkerchief twice, tucked it away. He nodded to the boy and the girl. “Do whatever you have to. The auction starts in less than an hour, and I want answers before then.”
“Hold him up,” the stout boy said to the girl. She hauled Wylan to his feet, and the boy slipped a pair of brass knuckles from his pocket. “He’s not going to be so pretty after this.”
“Who is there to care?” Van Eck said with a shrug. “Just make sure you keep him conscious. I want information.”
The boy eyed Wylan skeptically. “You sure you want to do it this way, little merch?”
Wylan summoned every bit of bravado he’d learned from Nina, the will he’d learned from Matthias, the focus he’d studied in Kaz, the courage he’d learned from Inej, and the wild, reckless hope he’d learned from Jesper, the belief that no matter the odds, somehow they would win. “I won’t talk,” he said.
The first punch shattered two of his ribs. The second had him coughing blood.
“Maybe we should snap your fingers so you can’t play that infernal flute,” Van Eck suggested.
I’m here for her, Wylan reminded himself. I’m here for her.
In the end, he was not Nina or Matthias or Kaz or Inej or Jesper. He was just Wylan Van Eck. He told them everything.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
You’re thinking, maybe it would be easier to let it slip
let it go
say ”I give up” one last time and give him a sad smile.
You’re thinking
it shouldn’t be this hard,
shouldn’t be this dark,
thinking
love could flow easily with no holding back
and you’ve seen others find their match and build something great
together,
of each other,
like two halves fitting perfectly and now they achieve great things
one by one, always together, and it seems grand.
But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and
maybe this is your fairytale. Maybe this is your castle.
You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden
but that’s not yours. This is yours. The cracks and the faults,
the ugly words in the winter
walking home alone and angry
but falling asleep thinking you love him.
This is your fairy tale.
The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you
like you need me
and maybe it’s not a Jane Austen novel but this is your novel and
your castle
and you can run from it your whole life but this is here
in front of you.
Maybe nurture it?
Sweet girl, maybe close the world off and look at him for an hour
or two.
This is your fairy.
It ain’t perfect and it ain’t honey sweet with roses on the bed.
It’s real and raw and ugly at times. But this is your love.
Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go.
Be someone’s someone for someone.
Be that someone for him.
That’s your fairy tale. This is your castle.
Now move in. Build a home. Build a house. Build a safety around things you love.
It’s yours if you make it so.
Welcome home, sweet girl, it will be all be fine.
”
”
Charlotte Eriksson
“
I love you, too,” she said.
He took her face in his hands and kissed her, once,
deeply, on the mouth. “I mean,” he said, “I really love
you.”
She quirked a brow. “Is this a contest?”
“It is anything you want,” he promised.
She grinned, that enchanting, perfect smile that was so
quintessentially hers. “I feel I must warn you, then,” she
said, cocking her head to the side. “When it comes to
contests and games, I always win.”
“Always?”
Her eyes grew sly. “Whenever it matters.”
He felt himself smile, felt his soul lighten and his worries
slip away. “And what, precisely, does that mean?”
“It means,” she said, reaching up and undoing the buttons
of her coat, “that I really really love you.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
What's that you're doing, Sassenach?"
"Making out little Gizmo's birth certificate--so far as I can," I added.
"Gizmo?" he said doubtfully. "That will be a saint's name?"
"I shouldn't think so, though you never know, what with people named Pantaleon and Onuphrius. Or Ferreolus."
"Ferreolus? I dinna think I ken that one." He leaned back, hands linked over his knee.
"One of my favorites," I told him, carefully filling in the birthdate and time of birth--even that was an estimate, poor thing. There were precisely two bits of unequivocal information on this birth certificate--the date and the name of the doctor who's delivered him.
"Ferreolus," I went on with some new enjoyment, "is the patron saint of sick poultry. Christian martyr. He was a Roman tribune and a secret Christian. Having been found out, he was chained up in the prison cesspool to await trial--I suppose the cells must have been full. Sounds rather daredevil; he slipped his chains and escaped through the sewer. They caught up with him, though, dragged him back and beheaded him."
Jamie looked blank.
"What has that got to do wi' chickens?"
"I haven't the faintest idea. Take it up with the Vatican," I advised him.
"Mmphm. Aye, well, I've always been fond of Saint Guignole, myself." I could see the glint in his eye, but couldn't resist.
"And what's he the patron of?"
"He's involved against impotence." The glint got stronger. "I saw a statue of him in Brest once; they did say it had been there for a thousand years. 'Twas a miraculous statue--it had a cock like a gun muzzle, and--"
"A what?"
"Well, the size wasna the miraculous bit," he said, waving me to silence. "Or not quite. The townsfolk say that for a thousand years, folk have whittled away bits of it as holy relics, and yet the cock is still as big as ever." He grinned at me. "They do say that a man w' a bit of St. Guignole in his pocket can last a night and a day without tiring."
"Not with the same woman, I don't imagine," I said dryly. "It does rather make you wonder what he did to merit sainthood, though, doesn't it?"
He laughed.
"Any man who's had his prayer answered could tell yet that, Sassenach."
(PP. 841-842)
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
It is a rule . . . in all the world that interest is to be paid on borrowed money. May I say something about interest? Interest never sleeps nor sickens nor dies; it never goes to the hospital; it works on Sundays and holidays; it never takes a vacation; it never visits nor travels . . . it has no love, no sympathy; it is as hard and soulless as a granite cliff. Once in debt, interest is your companion every minute of the day and night; you cannot shun it or slip away from it; you cannot dismiss it; it yields neither to entreaties, demands nor orders; and whenever you get in its way or cross its course or fail to meet its demands, it crushes you.
”
”
J. Reuben Clark Jr.
“
I just run. I run in a void. Or maybe I should put it the other way: I run in order to acquire a void. But as you might expect, an occasional thought will slip into this void. People’s minds can’t be a complete blank. Human beings’ emotions are not strong or consistent enough to sustain a vacuum. What I mean is, the kinds of thoughts and ideas that invade my emotions as I run remain subordinate to that void. Lacking content, they are just random thoughts that gather around that central void. The thoughts that occur to me while I’m running are like clouds in the sky. Clouds of all different sizes. They come and they go, while the sky remains the same sky as always. The clouds are mere guests in the sky that pass away and vanish, leaving behind the sky.
”
”
Haruki Murakami (What I Talk About When I Talk About Running)
“
Faith is a strange creature,” Schuster said. “Like a falcon that nests year after year in the same place, but then flies away, sometimes for years, only to return again, stronger than ever.” “I don’t know if it will ever return for me.” “It will. In time. Why don’t you come with me now? We’ll get you fed, and I’ll find a place for you to spend the night.” Pino thought about that, and then shook his head, saying, “I’ll come off the roof with you, My Lord Cardinal, but I think I’ll slip out after dark, go home to my family.” Schuster paused, and then said, “As you wish, my son. Bless you, and go with God.
”
”
Mark T. Sullivan (Beneath a Scarlet Sky)
“
Give Your Heart A Break lyrics
The day I first met you
You told me you'd never fall in love
But now that I get you
I know fear is what it really was
Now here we are, so close
Yet so far, haven't I passed the test?
When will you realize
Baby, I'm not like the rest
Don't wanna break your heart
I wanna give your heart a break
I know you're scared it's wrong
Like you might make a mistake
There's just one life to live
And there's no time to waste, to waste
So let me give your heart a break
Give your heart a break
Let me give your heart a break
Your heart a break
Oh, yeah yeah
On Sunday, you went home alone
There were tears in your eyes
I called your cell phone, my love
But you did not reply
The world is ours, if you want it
We can take it, if you just take my hand
There's no turning back now
Baby, try to understand
Don't wanna break your heart
Wanna give your heart a break
I know you're scared it's wrong
Like you might make a mistake
There's just one life to live
And there's no time to waste, to waste
So let me give your heart a break
Give your heart a break
Let me give your heart a break
Your heart a break
There's just so much you can take
Give your heart a break
Let me give your heart a break
Your heart a break
Oh, yeah yeah
When your lips are on my lips
And our hearts beat as one
But you slip right out of my fingertips
Every time you run, whoa
Don't wanna break your heart
Wanna give your heart a break
I know you're scared it's wrong
Like you might make a mistake
There's just one life to live
And there's no time to waste, to waste
So let me give your heart a break
Cuz you've been hurt before
I can see it in your eyes
You try to smile it away
Some things, you can't disguise
Don't wanna break your heart
Baby, I can ease the ache, the ache
So, let me give your heart a break
Give your heart a break
Let me give your heart a break
Your heart a break
There's just so much you can take
Give your heart a break
Let me give your heart a break
Your heart a break
Oh yeah,yeah
The day I first met you
You told me you'd never fall in love
”
”
Demi Lovato
“
Is that … chocolate cake?”
“I thought you might need some.”
“Need, not want?”
A ghost of a smile was on her lips, and he almost sagged in relief as he said, “For you, I’d say that chocolate cake is most definitely a need.”
She crossed from the fireplace to where he stood, stopping a hand’s breadth away and staring up at him. Some of the color had returned to her face.
He should step back, put more distance between them. But instead, he found himself reaching for her, a hand slipping around her waist and the other twining itself through her hair as he held her tightly to him. His heart thundered through him so hard he knew she could feel it. After a second, her arms came up around him, her fingers digging into his back in a way that made him realize how close they stood.
He shoved that feeling down, even as the silken texture of her hair against his fingers made him want to bury his face in it, and the smell of her, laced with mist and night, had him grazing his nose against her neck. There were other kinds of comfort that he could give her than mere words, and if she needed that kind of distraction … He shoved down that thought, too, swallowing it until he nearly choked on it.
Her fingers were moving down his back, still digging into his muscles with a fierce kind of possession. If she kept touching him like that, his control was going to slip completely.
And then she pulled back, just far enough to look up at him again, still so close their breath mingled. He found himself gauging the distance between their lips, his eyes flicking between her mouth and her eyes, the hand he had entwined in her hair stilling.
Desire roared through him, burning down every defense he’d put up, erasing every line he’d convinced himself he had to maintain.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Here I love you.
In the dark pines the wind disentangles itself.
The moon glows like phosphorous on the vagrant waters.
Days, all one kind, go chasing each other.
The snow unfurls in dancing figures.
A silver gull slips down from the west.
Sometimes a sail. High, high stars.
Oh the black cross of a ship.
Alone.
Sometimes I get up early and even my soul is wet.
Far away the sea sounds and resounds.
This is a port.
Here I love you.
Here I love you and the horizon hides you in vain.
I love you still among these cold things.
Sometimes my kisses go on those heavy vessels
that cross the sea towards no arrival.
I see myself forgotten like those old anchors.
The piers sadden when the afternoon moors there.
My life grows tired, hungry to no purpose.
I love what I do not have. You are so far.
My loathing wrestles with the slow twilights.
But night comes and starts to sing to me.
The moon turns its clockwork dream.
The biggest stars look at me with your eyes.
And as I love you, the pines in the wind
want to sing your name with their leaves of wire.
Pablo Neruda
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest.
His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes.
"What? What's wrong?"
I shake my head.
"Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me."
I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me.
"Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is."
"What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris."
"I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..."
"What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to."
I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him.
"I'm going to leave now," I say quietly. And I turn toward the door.
"No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us.
"I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you."
"You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?"
"What?" He releases my wrists, and the hurt look is back. "You're afraid of me?"
"Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..."
"Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too."
"Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know."
"Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise."
I believe him.But this has nothing to do with his kindness.
He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Travis slammed into my back, wrapping his arms around my waist.
“You scared the shit outta me!” I complained.
He ran his hands over my skin. I noticed they felt different; slow and deliberate. I closed my eyes when he pulled me against him and buried his face in my hair, nuzzling my neck. Feeling his bare skin against mine, it took me a moment to protest.
“Travis…,”
He pulled my hair to one side and grazed his lips along my back from one shoulder to the other, unsnapping the clasp of my bra. He kissed the bare skin at the base of my neck and I closed my eyes, the warm softness of his mouth felt oo good to make him stop. A quiet moan escaped from his throat when he pressed his pelvis against mine, and I could feel how much he wanted me through his boxers. I held my breath, knowing the only thing keeping us from that big step I was so opposed to a few moments before was two thin pieces of fabric.
Travis turned me to face him, and then pressed against me, leaning my back against the wall. Our eyes met, and I could see the ache in his expression as he scanned the bare pieces of my skin. I had seen him peruse women before, but this was different. He didn’t want to conquer me; he wanted me to say yes.
He leaned in to kiss me, stopping just an inch away. I could feel the heat from his skin radiating against my lips, and I had to stop myself from drawing him in the rest of the way. His fingers were digging into my skin as he deliberated, and then his hands slid from my back to the hem of my panties. His index fingers slid down my hips, in between my skin and the lacey fabric, and in the same moment that he was about to slip the delicate threads down my legs, he hesitated. Just when I opened my mouth to say yes, he clenched his eyes shut.
“Not like this,” he whispered, brushing his lips across mine. “I want you, but not like this.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Ivy shook her head with a look of disgust. "So you got caught. Big freaking deal. They knew who Rachel was, and you don't see her whining over it."
Actually, I had thrown my tantrum on the way home, which might have accounted for the odd noise Francis's car was making when I left it in the mall parking lot in the shade of a tree.
Jenks darted to hover three inches before Ivy's nose. His wings were red in anger. "You have a gardener trap you in a glass ball and see if it doesn't give you a new outlook on life, Little Miss Merry Sunshine."
My bad mood slipped away as I watched a four-inch pixy confront a vamp.
”
”
Kim Harrison (Dead Witch Walking (The Hollows, #1))
“
I drove by all the places we used to hang out getting wasted
I thought about our last kiss, how it felt the way you tasted
And even though your friends tell me you're doing fine
Are you somewhere feeling lonely even though he's right beside you?
When he says those words that hurt you, do you read the ones I wrote you?
Sometimes I start to wonder, was it just a lie?
If what we had was real, how could you be fine?
'Cause I'm not fine at all
I remember the day you told me you were leaving
I remember the make-up running down your face
And the dreams you left behind you didn't need them
Like every single wish we ever made
I wish that I could wake up with amnesia
And forget about the stupid little things
Like the way it felt to fall asleep next to you
And the memories I never can escape
'Cause I'm not fine at all
The pictures that you sent me they're still living in my phone
I'll admit I like to see them, I'll admit I feel alone
And all my friends keep asking why I'm not around
It hurts to know you're happy, yeah, it hurts that you've moved on
It's hard to hear your name when I haven't seen you in so long
It's like we never happened, was it just a lie?
If what we had was real, how could you be fine?
'Cause I'm not fine at all
I remember the day you told me you were leaving
I remember the make-up running down your face
And the dreams you left behind you didn't need them
Like every single wish we ever made
I wish that I could wake up with amnesia
And forget about the stupid little things
Like the way it felt to fall asleep next to you
And the memories I never can escape
If today I woke up with you right beside me
Like all of this was just some twisted dream
I'd hold you closer than I ever did before
And you'd never slip away
And you'd never hear me say
I remember the day you told me you were leaving
I remember the make-up running down your face
And the dreams you left behind you didn't need them
Like every single wish we ever made
I wish that I could wake up with amnesia
And forget about the stupid little things
Like the way it felt to fall asleep next to you
And the memories I never can escape
'Cause I'm not fine at all
No, I'm really not fine at all
Tell me this is just a dream
'Cause I'm really not fine at all
”
”
5 Seconds of Summer
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
It's because people are so perishable. That's the thing. Because for everyone you meet there is a last moment, there will be a last moment when your hand slips from theirs, and everything ripples outwards from that, the last firmness of a hand in yours that every moment after becomes a little less firm until you look down at your own hand and try to imagine just what it felt like before their hand slipped away. And you cannot. You cannot feel them. And then you cannot quite see them, there's blurry bits, like you're looking through this watery haze, and you're fighting to see, you're fighting to hold on, but they are perishing right before your eyes, and right before your eyes they are becoming that bit more ghost.
”
”
Niall Williams (History of the Rain)
“
Two small figures were beating against the rock; the girl had fainted and lay on the the boy's arm. With a last effort Peter pulled her up the rock and then lay down beside her. Even as he also fainted he saw that the water was raising, He knew that they would soon be drowned, but he could do no more.
As they lay side by side a mermaid caught Wendy by the feet, and began pulling her softly into the water. Peter feeling her slip from him, woke with a start, and was just in time to draw her back. But he had to tell her the truth.
"We are on the rock, Wendy," he said, "but it is growing smaller. Soon the water will be over it."
She did not understand even now.
"We must go," she said, almost brightly.
"Yes," he answered faintly.
"Shall we swim or fly, Peter?"
He had to tell her.
"Do you think you could swim or fly as far as the island, Wendy, without my help?"
She had to admit she was too tired.
He moaned.
"What is it?" she asked, anxious about him at once.
"I can't help you, Wendy. Hook wounded me. I can neither fly nor swim."
"Do you mean we shall both be downed?"
"Look how the water is raising."
They put their hands over their eyes to shut out the sight. They thought they would soon be no more. As they sat thus something brushed against Peter as light as a kiss, and stayed there, as if to say timidly, "Can I be of any us?" It was the tail of a kite, which Michael had made some days before. It had torn itself out of his hand and floated away.
"Michael's kite," Peter said without interest, but the next moment he had seized the tail, and was pulling the kite towards him.
"It lifted Michael off the ground," he cried; "why should it not carry you?"
"Both of us!"
"It can't left two; Michael and Curly tried."
"Let us draw lots," Wendy said bravely.
"And you a lady; never." Already he had tied the tail round her. She clung to him; she refused to go without him; but with a "Good-bye, Wendy." he pushed her from the rock; and in a few minutes she was borne out of his sight. Peter was alone on the lagoon.
The rock was very small now; soon it would be submerged. Pale rays of light tiptoed across the waters; and by and by there was to be heard a sound at once the most musical and the most melancholy in the world: the mermaids calling to the moon.
”
”
J.M. Barrie (Peter Pan (Peter Pan, #2))
“
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze.
The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine.
And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too.
How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me.
But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it.
Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—”
Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me.
When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?”
“Nothing—”
“Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!”
His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.”
Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.”
“Lee—”
“I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.”
“We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away.
"I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving.
Once they stood on the deck of a ship and she'd waited just like this. He had no spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too.
Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
eveything that comes together, falls apart," the Old Man said. "Everything. the chair I'm sitting on. It was built, and so it will fall apart. I'm gonna fall apart, probably before this chair. And you're gonna fall apart. the cells and organs and systems that make you you - they came together, grew together and so must fall apart. the buddha knew one thing that science didn't prove for millenia after his dead: entropy increases. Things fall apart."
We are all going, I thought, and it applies to turtles and turtlenecks, Alaska the girl and Alaska the place, because nothing can last, not even the earth itself. The buddah said that suffering was caused by desire, we'd learned, and that the cessation of desire meant the cessation of suffering. when you stopped wishing things wouldn't fall apart, you'd stop suffering when they did. Some day no one will remember that she ever existed, i wrote in my notebook, and then, or that I did. Because memories fall apart too. And then you're left with nothing, left not even with a ghost, but with its shadow.
In the beginning, she had haunted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying away. (...) I'd tasted her boozy breath. and then something invisible snapped inside her and that which had come together commenced to fall apart. And maybe that was the only asnwer we'd ever have. She fell apart because that's what happens.
”
”
John Green (Looking for Alaska)
“
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me.
He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late.
"Your hands," I croak.
"My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering.
What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth.
"Tris," he says, speaking against my fingers. "I'm all right."
"Why were you there?" I ask, letting my hand drop.
"I was coming back from the control room. I heard a scream."
"What did you do to them?" I say.
"I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say."
"He's in bad shape?"
"He'll live," he replies. He adds bitterly, "In what condition, I can't say."
It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm.
"Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead.
Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful.
"I could report this," he says.
"No," I reply. "I don't want them to think I'm scared."
He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that."
"You think it would be a bad idea if I sat up?"
"I'll help you."
Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan.
He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
You’re afraid.”
Cooper nodded, then let his head tip back, gasping, when Oliver pulled him closer still and moved to nuzzle over the scars on his belly.
“Why?”
“Because you can hurt me.” It slipped out without Cooper thinking, and he almost kicked himself when Oliver pulled away to stare at him seriously.
“I would never.”
“Not like that. You could hurt me because I... I care.” The last words were nothing more than a mumbled exhale that your average person wouldn’t have heard.
Oliver heard.
He stood, their bodies pressed together, and he leaned in so his mouth was hovering over Cooper’s. “In that case, you scare me, too.”
Cooper’s heart pounded and he tingled all over. “Yeah?”
He felt Oliver’s smile on his lips. “Special Agent Dayton, I’m absolutely terrified, and I couldn’t be happier about it.
”
”
Charlie Adhara (The Wolf at the Door (Big Bad Wolf, #1))
“
She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all.
As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain.
He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home.
"I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close.
Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her.
"You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard.
A streak of violet lightning split the sky, striking close behind them.
The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open.
"But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate.
"You," he scarcely more than breathed, "are just like every. Body. Else."
He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff.
As he let her go.
The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him.
Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.
”
”
Kelly Creagh (Enshadowed (Nevermore, #2))
“
The Japanese have two words: "uchi" meaning inside and "soto" meaning outside. Uchi refers to their close friends, the people in their inner circle. Soto refers to anyone who is outside that circle. And how they relate and communicate to the two are drastically different. To the soto, they are still polite and they might be outgoing, on the surface, but they will keep them far away, until they are considered considerate and trustworthy enough to slip their way into the uchi category. Once you are uchi, the Japanese version of friendship is entire universes beyond the average American friendship! Uchi friends are for life. Uchi friends represent a sacred duty. A Japanese friend, who has become an uchi friend, is the one who will come to your aid, in your time of need, when all your western "friends" have turned their back and walked away.
”
”
Alexei Maxim Russell (The Japanophile's Handbook)
“
Chuckling, Jason picked up the bucket of explosives.
Rachel felt the moment slipping away. There was so much she wanted to say. What if something happened to him? What if she never told him how much she appreciated his coming back to Lyrian for her? How much she cared about him? There were too many feelings to translate into words. "See you later," she managed.
"Not if I see you first," Jason said, starting toward the main doors of the temple.
She watched him walking away. Were those the last words he would say to her? She stalked after him. "You can't leave with a joke."
He glanced back. "Why not?"
"What if I die?"
"Then at least I cheered you up before the end."
"That wasn't a cheerful joke. It was a teasing joke. And not even a very good one."
"Fine. Why did the baby cross the road?"
"No jokes," Rachel complained, striding alongside him.
"I guess it's more fitting that we should end with an argument."
"I just mean there are certain times when jokes aren't appropriate."
"Which makes them more needed and funny.
”
”
Brandon Mull (Chasing the Prophecy (Beyonders, #3))
“
The time you won your town the race
We chaired you through the market-place;
Man and boy stood cheering by,
And home we brought you shoulder-high.
Today, the road all runners come,
Shoulder-high we bring you home,
And set you at your threshold down,
Townsman of a stiller town.
Smart lad, to slip betimes away
From fields where glory does not stay,
And early though the laurel grows
It withers quicker than the rose.
Eyes the shady night has shut
Cannot see the record cut,
And silence sounds no worse than cheers
After earth has stopped the ears.
Now you will not swell the rout
Of lads that wore their honours out,
Runners whom renown outran
And the name died before the man.
So set, before its echoes fade,
The fleet foot on the sill of shade,
And hold to the low lintel up
The still-defended challenge-cup.
And round that early-laurelled head
Will flock to gaze the strengthless dead,
And find unwithered on its curls
The garland briefer than a girl’s.
”
”
A.E. Housman (A Shropshire Lad)
“
Are you all right?" A crease appears between his eyebrows, and he touches my cheek gently.I bat his hand away.
"Well," I say, "first I got reamed out in front of everyone,and then I had to chat with the woman who's trying to destroy my old faction,and then Eric almost tossed my friends out of Dauntless,so yeah,it's shaping up to be a pretty great day,Four."
He shakes his head and looks at the dilapidated building to his right, which is made of brick and barely resembles the sleek glass spire behind me. It must be ancient.No one builds with brick anymore.
"Why do you care,anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn't mean to use it so flippantly,but it's too late now. "You can't play both parts at the same time."
"I am not cruel." He scowls at me. "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call your ranking a result of my favoritism rather than your skill."
I open my mouth to object,but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands.
"You didn't have to insult me to prove something to them," I say finally.
"And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides-it worked,didn't it?"
"At my expense."
"I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you.That you are capable of being hurt."
I slide my hands into my pockets and rock back on my heels.A strange feeling goes through me-a sweet,aching weakness. He did what he did because he believed in my strength.
At home it was Caleb who was strong,because he could forget himself,because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength.
I stand on my tiptoes, lift my head, and kiss him.Only our lips touch.
"You're brilliant,you know that?" I shake my head. "You always know exactly what to do."
"Only because I've been thinking about this for a long time," he says, kissing my briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend,Tris?"
"Not exactly." I shrug. "Why? Do you want me to?"
He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous.
"Yes," he finally says. Then his smile fades. "You think we convinced him you're just a silly girl?"
"I hope so," I say.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
My only one!
In your last letter
"My head aches
my heart is stunned!"
you say.
"If they hang you,
if I lose you;"
you say;
"I can't live!"
You'll live my dearest wife,
like a black smoke in the wind my memory will vanish;
you'll live, the red-haired sister of my heart
at most one year it lasts
in the twentieth century
the grief of death..
Death
a dead body swinging on a rope.
My heart doesn't accept
such a death..
But
be sure that, my love,
if some pitiable gypsy's
hairy black spider like hand
slips the rope
around my neck,
to see the fear in my blue eyes
they'll look in vain
at Nâzım!
And I,
in the twilight of my last morning,
shall see my friends and you,
and carry only the grief
of an unfinished song
to the soil...
My wife!
Good hearted,
golden coloured,
with eyes sweeter than honey, my bee;
why did I write you
that they want to hang me,
the trial is in the first step
and they don't pluck like a turnip
the head of a man.
Come, forget them all.
These are so far away probabilities.
If you have some money
buy me a flannel underwear,
my sciatica is acting up.
And don't forget that always
there should be good thoughts in the mind
of a prisoner's wife.
”
”
Nâzım Hikmet
“
Wandering back into the bedroom, my gaze immediately strayed to the large bed along the wall and the lump beneath the covers. Pale light streamed through the half-open curtains, settling around the still-sleeping form of a Winter sidhe. Or a former Winter sidhe. Pausing in the doorframe, I took advantage of the serene moment just to watch him, a tiny flutter going through my stomach. Sometimes, it was still hard to believe that he was here, that this wasn’t a dream or a mirage or a figment of my imagination. That he was mine forever: my husband, my knight.
My faery with a soul.
He lay on his stomach, arms beneath the pillow, breathing peacefully, his dark hair falling over his eyes. The covers had slipped off his lean, muscular shoulders, and the early morning rays caressed his pale skin. Normally, I didn’t get to watch him sleep; he was usually up before me, in the courtyard sparring with Glitch or just prowling the halls of the castle. In the early days of our marriage, especially, I’d wake up in the middle of the night to find him gone, the hyper-awareness of his warrior days making it impossible for him to stay in one place, even to sleep. He’d grown up in the Unseelie Court, where you had to watch your back every second of every day, and centuries of fey survival could not be forgotten so easily. That paranoia would never really fade, but he was gradually starting to relax now, to the point where sometimes, though not often, I would wake with him still beside me, his arm curled around my waist.
And given how rare it was, to see him truly unguarded and at ease, I hated to disturb him. But I walked across the room to the side of the bed and gently touched his shoulder.
He was awake in an instant, silver eyes cracking open to meet mine, never failing to take my breath away. “Hey,” I greeted, smiling. “Sorry to wake you, but we have to be somewhere soon, remember?
”
”
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
William: What are you looking for in a woman?
Reyes: I’ve found my angel, Danika. She’s all I need.
William: Really? That’s, like, weird to me. Men should need many girls. No one girl should be so important.
Reyes: How sad for you.
William: I’m not sad. You’re sad!
Reyes: Why are you so defensive about this?
William: Let’s move on. Favorite outfit?
Reyes: First, you said girls rather than women. Why is that, I wonder? Because you care about one girl in particular? Anyway, clothes are clothes. I don’t have any favorites.
William: Go to hell. I care about no one and I’m proud to admit that! Favorite moment in the series so far?
Reyes: The first time Danika looked at me with trust and acceptance in her eyes. I’m still reeling.
William: And just so you know, girl was a slip of the tongue. Now. Least favorite moment in the series?
Reyes: Every time I had to kill Maddox.
William: Really? That would have been my favorite. Anyway, hobbies?
Reyes: Do you really have to ask? Yes? Fine. Cutting myself. I’ve started to draw shapes. Like hearts.
William: You actually admitted that aloud. [snicker]
[..]
Reyes: Happy for the first time in what seems an eternity.
William: Not that you deserve it. Really, I didn’t say girl for any particular reason. So what do you think of the fact that your home has been invaded by women?
Reyes: As long as I have Danika, I don’t care who lives with us.
William: Who do you think is the smartest Lord?
Reyes: Me. Look who I picked to spend eternity with.
William: I think you’re the dumbest! Seriously, girl was meant to encompass everyone old enough to be bedded by me. Now, if you knew you only had twenty-four hours before the Hunters found Pandora’s box and killed you, what would you do in the time you had left to live?
Reyes: Not even death can keep me away from my angel. I would find a way to change such a fate. Again.
William: What kind of underwear are you wearing?
Note from William: Bastard flipped me off and left.
Final thoughts from William: Reyes’s thoughts about me and my slip of the tongue were ridiculous and unfounded!
”
”
Gena Showalter (Into the Dark (Lords of the Underworld, #0.5,3.5; Atlantis #4.5))
“
Everything is about to go to hell very quickly, so I want one moment where we don't talk about that. We pretend it doesn't exist. I want one last quiet moment with you."
"No, Loki." I shook my head, but I didn't pull away. "I told you that one night wasn't enough."
Loki leaned down, kissing me deeply and pressing me to him. I didn't even attempt to resist. I wrapped my arms around his neck. It wasn't the way we had kissed before, not as hungry or fevered. This was something different, nicer.
We were holding on to each other, knowing this might be the last time we could. It felt sweet and hopeful and tragic all at once.
When he stopped kissing me he rested his forehead against mine. He breathed as if struggling to catch his breath. I reached up and touched his face, his skin smooth and cool beneath my hand.
Loki lifted his head so he could look me in the eyes, and I saw something in them, something I'd never seen before. Something pure and unadulterated, and my heart seemed to grow with the warmth of my love for him.
I don't know how it happened or when it had, but I knew it with complete certainty. I had fallen in love with Loki, more intensely than anything I had felt for anyone before.
"Wendy!" Finn shouted, pulling me from my moment with Loki. "What are you doing? You're married! And not to him!"
"Nothing slips by you, does it?" Loki asked.
"Finn," I said, and stepped away from Loki. "Calm down."
"No!" Finn yelled. "I will not calm down! What were you thinking? We're about to go to war, and you're cheating on your husband?"
"Everything's not exactly the way it seems," I said, but guilt and regret were gripping my stomach.
My marriage might be over, but I was still technically wed to another man. And I should be worrying about things more important than kissing Loki.
"It seemed like you had your tongue down his throat." Finn glared at us both.
"Well, then, everything is exactly as it seems," Loki said glibly.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Hey, sweetheart. All alone in this palace?"
She arched a brow when she felt the hand on her bottom and turned her head slowly to stare at McNab.
He went red, then white, then red again. "Christ! Lieutenant. Sir."
"Your hand's on my ass, McNab. I don't think you want it to be there."
He snatched it away as if scorched. "God. Man. Shit. Beg your pardon. I didn't recognize you. I mean..." He jammed the hand he sincerely hoped she'd allow him to keep in his pocket. "I didn't know it was you. I thought... You look..." Words failed him.
"I believe Detective McNab is trying to compliment you, Eve." Roarke slipped up beside them and, because it was too much to resist, stared hard into McNab's panicked eyes. "Weren't you, Ian?"
"Yeah. That is..."
"And if I believed he'd realized it was your ass he was fondling, I'd just have to kill him. Right here." Roarke reached out and flicked at the strings of McNab's snazzy red tie. "Right now."
"Oh, I'd have already taken care of that myself," Eve said dryly. "You look like you could use a drink,Detective."
"Yes, sir. I could."
"Roarke, why don't you take care of him? Mira just came in. I want to talk to her."
"Delighted." Roarke draped an arm around McNab's shoulder and squeezed just a little harder than comfort allowed.
”
”
J.D. Robb (Holiday in Death (In Death, #7))
“
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it.
Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me.
What was the next step? What should I do? What do I say? How do I share what I’m feeling?
I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!”
So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him.
He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart.
I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze.
“Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.”
My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb.
The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine.
He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms.
He sighed with pleasure, and deepened the kiss. I melted into him.
How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive.
I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest.
I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Boy everyone in this country is running around yammering about their fucking rights. "I have a right, you have no right, we have a right."
Folks I hate to spoil your fun, but... there's no such thing as rights. They're imaginary. We made 'em up. Like the boogie man. Like Three Little Pigs, Pinocio, Mother Goose, shit like that. Rights are an idea. They're just imaginary. They're a cute idea. Cute. But that's all. Cute...and fictional. But if you think you do have rights, let me ask you this, "where do they come from?" People say, "They come from God. They're God given rights." Awww fuck, here we go again...here we go again.
The God excuse, the last refuge of a man with no answers and no argument, "It came from God." Anything we can't describe must have come from God. Personally folks, I believe that if your rights came from God, he would've given you the right for some food every day, and he would've given you the right to a roof over your head. GOD would've been looking out for ya. You know that.
He wouldn't have been worried making sure you have a gun so you can get drunk on Sunday night and kill your girlfriend's parents.
But let's say it's true. Let's say that God gave us these rights. Why would he give us a certain number of rights?
The Bill of Rights of this country has 10 stipulations. OK...10 rights. And apparently God was doing sloppy work that week, because we've had to ammend the bill of rights an additional 17 times. So God forgot a couple of things, like...SLAVERY. Just fuckin' slipped his mind.
But let's say...let's say God gave us the original 10. He gave the british 13. The british Bill of Rights has 13 stipulations. The Germans have 29, the Belgians have 25, the Sweedish have only 6, and some people in the world have no rights at all. What kind of a fuckin' god damn god given deal is that!?...NO RIGHTS AT ALL!? Why would God give different people in different countries a different numbers of different rights? Boredom? Amusement? Bad arithmetic? Do we find out at long last after all this time that God is weak in math skills? Doesn't sound like divine planning to me. Sounds more like human planning . Sounds more like one group trying to control another group. In other words...business as usual in America.
Now, if you think you do have rights, I have one last assignment for ya. Next time you're at the computer get on the Internet, go to Wikipedia. When you get to Wikipedia, in the search field for Wikipedia, i want to type in, "Japanese-Americans 1942" and you'll find out all about your precious fucking rights. Alright. You know about it.
In 1942 there were 110,000 Japanese-American citizens, in good standing, law abiding people, who were thrown into internment camps simply because their parents were born in the wrong country. That's all they did wrong. They had no right to a lawyer, no right to a fair trial, no right to a jury of their peers, no right to due process of any kind. The only right they had was...right this way! Into the internment camps.
Just when these American citizens needed their rights the most...their government took them away. and rights aren't rights if someone can take em away. They're priveledges. That's all we've ever had in this country is a bill of TEMPORARY priviledges; and if you read the news, even badly, you know the list get's shorter, and shorter, and shorter.
Yeup, sooner or later the people in this country are going to realize the government doesn't give a fuck about them. the government doesn't care about you, or your children, or your rights, or your welfare or your safety. it simply doesn't give a fuck about you. It's interested in it's own power. That's the only thing...keeping it, and expanding wherever possible.
Personally when it comes to rights, I think one of two things is true: either we have unlimited rights, or we have no rights at all.
”
”
George Carlin (It's Bad for Ya)
“
Thanks for putting me in bed last night,” I said, watching the swift line of his throat as he yawned again.
He grumbled, “Uh–huh,” as he rolled his shoulders before slipping his arms beneath the covers again.
“And for giving me a massage.” I had already tried moving my legs, and sure they were sore, but I knew how much worse they could be. I’d done everything I was supposed to do to help prevent the stiffness, but there was only so much a body that wasn’t 100 percent to begin with could handle.
“There wasn’t much to massage.”
Uh. “What’s the supposed to mean?”
“I have more muscles in my glutes than you have in your thighs.”
Anyone who had seen Aiden’s ass would know that was a fact, so I wasn’t going to take it personally. Maybe because I was still so sleepy, I raised my eyebrows at him and said, “Have you seen your butt? That’s not an insult. It has more muscles in it than most people have all over their bodies.”
His own thick eyebrows rose about a millimeter, just slightly but enough for me to notice. “I didn’t know you paid that much attention to it.”
“Why do you think you have so many female fans?”
Aiden let out another low groan, but he didn’t tell me to stop.
“You could raise a small fortune if you ever auctioned off the chance for a person to take a—”
“Vanessa!” Mr. Proper reached over to throw a hand over my mouth, like he was shocked.
That big hand literally covered me from ear to ear, and I burst out laughing though it was muffled.
“You make me feel cheap,” he said as he slowly pulled his hand away, but the shine in his eyes said he didn’t really mind it that much.
I stretched my own limbs with a yawn. “I’m just telling you what anyone else would.”
“No, no one else would ever say that to me.”
So he had a point. “Well, I’ll tell you the truth then.”
He made this noise that had me rolling to face him again. “You always have
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
How do you know when the Sarows is coming?" hummed Lila as she made her way down the ship's narrow hall, fingertips skimming either wall for balance.
Right about the, Alucard's warning about Jasta was coming back in full force.
"Never challenge that one to a drinking contest. Or a sword fight. Or anything else you might lose. Because you will."
The boat rocked beneath her fee. Or maybe she was the one rocking. Hell. Lila was slight, but not short of practice, and even so, she'd never had so much trouble holding her liquor.
When she got to her room, she found Kell hunched over the Inheritor, examining the markings on its side.
"Hello, handsome," she said, bracing herself in the doorway.
Kell looked up, a smile halfway to his lips before it fell away. "You're drunk," he said, giver her a long, appraising look. "And you're not wearing any shoes."
"Your powers of observation are astonishing." Lila looked down at her bare feet. "I lost them."
"How do you lose shoes?"
Lila crinkled her brow. "I bet them. I lost."
Kell rose. "To who?"
A tiny hiccup. "Jasta."
Kell sighed. "Stay here." He slipped past her into the hall, a hand alighting on her waist and then, too soon, the touch was gone. Lila make her way to the bed and collapsed onto it, scooping up the discarded Inheritor and holding it up to the light. The spindle at the cylinder's base was sharp enough to cut, and she turned the device carefully between her fingers, squinting to make out the words wrapped around it.
Rosin, read one side.
Cason, read the other.
Lila frowned, mouthing the words as Kell reappeared in the doorway. "Give-- and Take," he translated, tossing her the boots.
She sat up too fast, winced. "How did you manage that?"
"I simply explained that she couldn't have them-- they wouldn't have fit-- and then I gave her mine."
Lila looked down at Kell's bare feet, and burst into laughter.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Wait,' Della said 'Let me see if I understand... you want me to tell her this?' Sarcasm spilled out with her words.
'Yeah,' he said as if he didn't understand her issue.
'Why don't you tell her?' Della slipped a hand on her hip.
He made a face. 'Shes's your ghost.'
'My ghost? Why the hell is she my ghost?'
'Because she's closer to you.'
'Says who?'
He opened his mouth and nothing came out right away. Then words spurted out of his lips. 'Because...Because...' His eyes widened as if he figured something out. 'Because she gave you the picture of Natasha. And Natasha has some connection to your family.'
His reasoning made sense, perfect sense, but Della didn't want to see it that way. Refused to see it that way. She didn't want to be alone with some dead person. Sharing it with him wasn't the ideal situation, but she hadn't come up with this plan.
'That doesn't make her mine,' Della insisted 'She talks to both of us. We've got joint custody here, buddy. You should have thought about this before you bonded with me And don't try to skip out of your responsibility.'
'It's a ghost,' he said 'Not a baby.
”
”
C.C. Hunter (Eternal (Shadow Falls: After Dark, #2))
“
Between the onion and the parsley, therefore, I shall give the summation of my case for paying attention. Man's real work is to look at the things of the world and to love them for what they are. That is, after all, what God does, and man was not made in God's image for nothing. The fruits of his attention can be seen in all the arts, crafts, and sciences. It can cost him time and effort, but it pays handsomely. If an hour can be spent on one onion, think how much regarding it took on the part of that old Russian who looked at onions and church spires long enough to come up with St. Basil's Cathedral. Or how much curious and loving attention was expended by the first man who looked hard enough at the inside of trees, the entrails of cats, the hind ends of horses and the juice of pine trees to realize he could turn them all into the first fiddle. No doubt his wife urged him to get up and do something useful. I am sure that he was a stalwart enough lover of things to pay no attention at all to her nagging; but how wonderful it would have been if he had known what we know now about his dawdling. He could have silenced her with the greatest riposte of all time: Don't bother me; I am creating the possibility of the Bach unaccompanied sonatas.
But if man's attention is repaid so handsomely, his inattention costs him dearly. Every time he diagrams something instead of looking at it, every time he regards not what a thing is but what it can be made to mean to him - every time he substitutes a conceit for a fact - he gets grease all over the kitchen of the world. Reality slips away from him; and he is left with nothing but the oldest monstrosity in the world: an idol. Things must be met for themselves. To take them only for their meaning is to convert them into gods - to make them too important, and therefore to make them unimportant altogether. Idolatry has two faults. It is not only a slur on the true God; it is also an insult to true things.
They made a calf in Horeb; thus they turned their Glory into the similitude of a calf that eateth hay. Bad enough, you say. Ah, but it was worse than that. Whatever good may have resided in the Golden Calf - whatever loveliness of gold or beauty of line - went begging the minute the Israelites got the idea that it was their savior out of the bondage of Egypt. In making the statue a matter of the greatest point, they missed the point of its matter altogether.
”
”
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
“
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time."
And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer.
Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. "
... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over.
There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
”
”
Herman Melville (Moby Dick)
“
How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands.
Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs.
Those who go there to be guards are conscripted via the military conscription centers.
And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest.
Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity?
The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest."
If you are arrested, can anything else remain unshattered by this cataclysm?
But the darkened mind is incapable of embracing these displacements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience,
can gasp out only: "Me? What for?"
And this is a question which, though repeated millions and
millions of times before, has yet to receive an answer.
Arrest is an instantaneous, shattering thrust, expulsion, somersault from one state into another.
We have been happily borne—or perhaps have unhappily
dragged our weary way—down the long and crooked streets of
our lives, past all kinds of walls and fences made of rotting wood,
rammed earth, brick, concrete, iron railings. We have never given
a thought to what lies behind them. We have never tried to penetrate them with our vision or our understanding. But there is
where the Gulag country begins, right next to us, two yards away
from us. In addition, we have failed to notice an enormous number of closely fitted, well-disguised doors and gates in these
fences. All those gates were prepared for us, every last one! And
all of a sudden the fateful gate swings quickly open, and four
white male hands, unaccustomed to physical labor but nonetheless strong and tenacious, grab us by the leg, arm, collar, cap,
ear, and drag us in like a sack, and the gate behind us, the gate to
our past life, is slammed shut once and for all.
That's all there is to it! You are arrested!
And you'll find nothing better to respond with than a lamblike
bleat: "Me? What for?"
That's what arrest is: it's a blinding flash and a blow which
shifts the present instantly into the past and the impossible into
omnipotent actuality.
That's all. And neither for the first hour nor for the first day
will you be able to grasp anything else.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation V-VII)
“
For a moment, I was perfectly relaxed, and I began enjoying the sight of this beautifully candlelit room full of well-dressed people. Then Mr. Merchant made a grab for my décolletage from behind, and I almost spilled the punch.
“One of those dear, pretty little roses slipped out of place,” he claimed, with an insinuating grin. I stared at him, baffled. Giordano hadn’t prepared me for a situation like this, so I didn’t know the proper etiquette for dealing with Rococo gropers. I looked at Gideon for help, but he was so deep in conversation with the young widow that he didn’t even notice. If we’d been in my own century, I’d have told Mr. Merchant to keep his dirty paws to himself or I’d hit back, whether or not any little roses had really slipped. But in the circumstances, I felt that his reaction was rather—discourteous. So I smiled at him and said, “Oh, thank you, how kind. I never noticed.”
Mr. Merchant bowed. “Always glad to be of service, ma’am.” The barefaced cheek of it! But in times when woman had no vote, I suppose it wasn’t surprising if they didn’t get any other kind of respect either.
The talking and laughter gradually died away as Miss Fairfax, a thin-nosed lady wearing a reed-green dress, went over to the pianoforte, arranged her skirts, and placed her hands on the keys. In fact, she didn’t play badly. It was her singing that was rather disturbing. It was incredibly . . . well, high-pitched. A tiny bit higher, and you’d have thought she was a dog whistle.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
Best not to look back. Best to believe there will be happily ever afters all the way around- and so there may be; who is to say there will to be such endings? Not all boats which sail away into darkness never find the sun again, or the hand of another child; if life teaches anything at all, it teaches that there are so many happy endings that the man who believes there is no God needs his rationality called into serious question… And if you spare a last though, maybe it’s ghosts you wonder about… the ghosts of children standing in the water at sunset, standing in a circle, standing with their hands joined together, their faces young, sure, but tough… tough enough, anyway, to give birth to the people they will become, tough enough understand, maybe, that the people they will become must necessarily birth the people they were before they can get on with trying to understand simple morality. The circle closes, the wheel rolls, and that’s all there is. You don’t have to look back to see those children; part of you mind wills them forever, live with them forever, love with them forever. They are not necessarily the best part of you, but were once the repository of all you could become. Children I love you. I love you so much. So drive away quick, drive away while the last of the light slips away,drive away from Derry, from memory… but not from desire. That stays, the bright cameo of all we were and all we believed as children, all that shone in our eyes even when we were lost and the wind blew in the night. Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can and all the belief you can muster. Be true, be brave, stand. All the rest is darkness.
”
”
Stephen King (It)
“
I must say a word about fear. It is life's only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, shows no mercy. It goes for your weakest spot, which it finds with unerring ease. It begins in your mind, always. One moment you are feeling calm, self-possessed, happy. Then fear, disguised in the garb of mild-mannered doubt, slips into your mind like a spy. Doubt meets disbelief and disbelief tries to push it out. But disbelief is a poorly armed foot soldier. Doubt does away with it with little trouble. You become anxious. Reason comes to do battle for you. You are reassured. Reason is fully equipped with the latest weapons technology. But, to your amazement, despite superior tactics and a number of undeniable victories, reason is laid low. You feel yourself weakening, wavering. Your anxiety becomes dread.
Fear next turns fully to your body, which is already aware that something terribly wrong is going on. Already your lungs have flown away like a bird and your guts have slithered away like a snake. Now your tongue drops dead like an opossum, while your jaw begins to gallop on the spot. Your ears go deaf. Your muscles begin to shiver as if they had malaria and your knees to shake as though they were dancing. Your heart strains too hard, while your sphincter relaxes too much. And so with the rest of your body. Every part of you, in the manner most suited to it, falls apart. Only your eyes work well. They always pay proper attention to fear.
Quickly you make rash decisions. You dismiss your last allies: hope and trust. There, you've defeated yourself. Fear, which is but an impression, has triumphed over you.
The matter is difficult to put into words. For fear, real fear, such as shakes you to your foundation, such as you feel when you are brought face to face with your mortal end, nestles in your memory like a gangrene: it seeks to rot everything, even the words with which to speak of it. So you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don't, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you.
”
”
Yann Martel (Life of Pi)
“
Instructions for Dad.
I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you.
I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me.
Don't put make-up on me. It looks stupid on dead people.
I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums.
I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements.
I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave.
I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy).
I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals.
Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare.
Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it).
Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money.
And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream.
Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
OK. That's it.
I love you.
Tessa xxx
”
”
Jenny Downham
“
Gate C22
At gate C22 in the Portland airport
a man in a broad-band leather hat kissed
a woman arriving from Orange County.
They kissed and kissed and kissed. Long after
the other passengers clicked the handles of their carry-ons
and wheeled briskly toward short-term parking,
the couple stood there, arms wrapped around each other
like he’d just staggered off the boat at Ellis Island,
like she’d been released at last from ICU, snapped
out of a coma, survived bone cancer, made it down
from Annapurna in only the clothes she was wearing.
Neither of them was young. His beard was gray.
She carried a few extra pounds you could imagine
her saying she had to lose. But they kissed lavish
kisses like the ocean in the early morning,
the way it gathers and swells, sucking
each rock under, swallowing it
again and again. We were all watching–
passengers waiting for the delayed flight
to San Jose, the stewardesses, the pilots,
the aproned woman icing Cinnabons, the man selling
sunglasses. We couldn’t look away. We could
taste the kisses crushed in our mouths.
But the best part was his face. When he drew back
and looked at her, his smile soft with wonder, almost
as though he were a mother still open from giving birth,
as your mother must have looked at you, no matter
what happened after–if she beat you or left you or
you’re lonely now–you once lay there, the vernix
not yet wiped off, and someone gazed at you
as if you were the first sunrise seen from the Earth.
The whole wing of the airport hushed,
all of us trying to slip into that woman’s middle-aged body,
her plaid Bermuda shorts, sleeveless blouse, glasses,
little gold hoop earrings, tilting our heads up.
”
”
Ellen Bass (The Human Line)
“
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known.
After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine.
I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that.
I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull.
“What are you doing?”
“Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me.
He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?”
“Is that what it is?” I feign innocence.
He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites.
It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him.
But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going.
I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies.
It’s easy to walk away from lies.
Power is another thing.
Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it.
He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?”
I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it.
I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
My Dearest,
I miss you, my darling, as I always do, but today is especially hard because the ocean has been singing to me, and the song is that of our life together. I can almost feel you beside me as I write this letter, and I can smell the scent of wildflowers that always reminds me of you. But at this moment, these things give me no pleasure. Your visits have been coming less often, and I feel sometimes as if the greatest part of who I am is slowly slipping away.
I am trying, though. At night when I am alone, I call for you, and whenever my ache seems to be the greatest, you still seem to find a way to return to me. Last night, in my dreams, I saw you on the pier near Wrightsville Beach. The wind was blowing through your hair, and your eyes held the fading sunlight. I am struck as I see you leaning against the rail. You are beautiful, I think as I see you, a vision that I can never find in anyone else. I slowly begin to walk toward you, and when you finally turn to me, I notice that others have been watching you as well. “Do you know her?” they ask me in jealous whispers, and as you smile at me, I simply answer with the truth. “Better than my own heart.”
I stop when I reach you and take you in my arms. I long for this moment more than any other. It is what I live for, and when you return my embrace, I give myself over to this moment, at peace once again.
I raise my hand and gently touch your cheek and you tilt your head and close your eyes. My hands are hard and your skin is soft, and I wonder for a moment if you’ll pull back, but of course you don’t. You never have, and it is at times like this that I know what my purpose is in life.
I am here to love you, to hold you in my arms, to protect you. I am here to learn from you and to receive your love in return. I am here because there is no other place to be.
But then, as always, the mist starts to form as we stand close to one another. It is a distant fog that rises from the horizon, and I find that I grow fearful as it approaches. It slowly creeps in, enveloping the world around us, fencing us in as if to prevent escape. Like a rolling cloud, it blankets everything, closing, until there is nothing left but the two of us.
I feel my throat begin to close and my eyes well up with tears because I know it is time for you to go. The look you give me at that moment haunts me. I feel your sadness and my own loneliness, and the ache in my heart that had been silent for only a short time grows stronger as you release me. And then you spread your arms and step back into the fog because it is your place and not mine. I long to go with you, but your only response is to shake your head because we both know that is impossible.
And I watch with breaking heart as you slowly fade away. I find myself straining to remember everything about this moment, everything about you. But soon, always too soon, your image vanishes and the fog rolls back to its faraway place and I am alone on the pier and I do not care what others think as I bow my head and cry and cry and cry.
”
”
Nicholas Sparks (Message in a Bottle)
“
The berth belongs to you too. It will always be there when—if you want to come back.”
Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.”
His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.”
“I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words.
Kaz cast her a swift glance. “I thought you wanted to hunt slavers.”
“I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.”
“I’m a Barrel boss.”
“You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.”
“The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.”
“Why not?” Inej asked. “One the seas and in the city. One by one.”
“Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“
“This city doesn’t need a good man. It needs you.”
“Inej—“
“How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.”
He made a sound that might almost have been a laugh.
One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach.
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away.
“I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too.
Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
When we strike a balance between the challenge of an activity and our skill at performing it, when the rhythm of the work itself feels in sync with our pulse, when we know that what we're doing matters, we can get totally absorbed in our task. That is happiness.
The life coach Martha Beck asks new potential clients, "Is there anything you do regularly that makes you forget what time it is?"
That forgetting -- that pure absorption -- is what the psychologist Mihaly Csikzentmihalyi calls "flow" or optimal experience. In an interview with Wired magazine, he described flow as "being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement and thought follows inevitably from the previous one, like playing jazz. Your whole being is involved, and you're using your skills to the utmost."
In a typical day that teeters between anxiety and boredom, flow experiences are those flashes of intense living -- bright against the dull. These optimal experiences can happen when we're engaged in work paid and unpaid, in sports, in music, in art.
The researchers Maria Allison and Margaret Duncan have studied the role of flow in women's lives and looked at factors that contributed to what they call "antiflow." Antiflow was associated with repetitive household tasks, repetitive tasks at work, unchallenging tasks, and work we see as meaningless. But there's an element of chaos when it comes to flow. Even if we're doing meaningful and challenging work, that sense of total absoprtion can elude us. We might get completely and beautifully lost in something today, and, try as we might to re-create the same conditions tomorrow, our task might jsut feel like, well, work.
In A Life of One's Own, Marion Milner described her effort to re-create teh conditions of her own recorded moments of happiness, saying, "Often when I felt certain that I had discovered the little mental act which produced the change I walked on air, exulting that I had found the key to my garden of delight and could slip through the door whenever I wished. But most often when I came again the place seemed different, the door overgrown with thorns and my key stuck in the lock. It was as if the first time I had said 'abracadabra' the door had opened, but the next time I must use a different word. (123-124).
”
”
Ariel Gore (Bluebird: Women and the New Psychology of Happiness)
“
Going somewhere?” Tamlin asked. His voice was not entirely of this world.
I suppressed a shudder. “Midnight snack,” I said, and I was keenly aware of every movement, every breath I took as I neared him.
His bare chest was painted with whorls of dark blue woad, and from the smudges in the paint, I knew exactly where he’d been touched. I tried not to notice that they descended past his muscled midriff.
I was about to pass him when he grabbed me, so fast that I didn’t see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. “I smelled you,” he breathed, his painted chest rising and falling so close to mine. “I searched for you, and you weren’t there.”
He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humor and gentle reprimands. The Tamlin I knew was gone.
“Let go,” I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild.
“You drove me mad,” he growled, and the sound trembled down my neck, along my breasts until they ached. “I searched for you, and you weren’t there. When I didn’t find you,” he said, bringing his face closer to mine, until we shared breath, “it made me pick another.”
I couldn’t escape. I wasn’t entirely sure that I wanted to.
“She asked me not to be gentle with her, either,” he snarled, his teeth bright in the moonlight. He brought his lips to my ear. “I would have been gentle with you, though.” I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. “I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.” He said my name like a caress, and his hot breath tickled my ear. My back arched slightly.
He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him—to strike or caress, I didn’t know. I opened my eyes. He still smiled—smiled like an animal.
“Why should I want someone’s leftovers?” I said, making to push him away. He grabbed my hands again and bit my neck.
I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn’t move—couldn’t think, and my world narrowed to the feeling of his lips and teeth against my skin. He didn’t pierce my flesh, but rather bit to keep me pinned. The push of his body against mine, the hard and the soft, made me see red—see lightning, made me grind my hips against his. I should hate him—hate him for his stupid ritual, for the female he’d been with tonight …
His bite lightened, and his tongue caressed the places his teeth had been. He didn’t move—he just remained in that spot, kissing my neck. Intently, territorially, lazily. Heat pounded between my legs, and as he ground his body against me, against every aching spot, a moan slipped past my lips.
He jerked away. The air was bitingly cold against my freed skin, and I panted as he stared at me. “Don’t ever disobey me again,” he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Brutality is boring. Over and over, hell night after hell night, the same old dumb, tedious, bestial routine: making men crawl; making men groan, hanging men from the bars; shoving men; slapping men; freezing men in the showers; running men into walls; displaying shackled fathers to their sons and sons to their fathers. And if it turned out that you'd been given the wrong man, when you were done making his life unforgettably small and nasty, you allowed him to be your janitor and pick up the other prisoners' trash.
There was always another prisoner, and another. Faceless men under hoods: you stripped them of their clothes, you stripped them of their pride. There wasn't much more you could take away from them, but people are inventive: one night some soldiers took a razor to one of Saddam's former general in Tier 1A and shaved off his eyebrows. He was an old man. "He looked like a grandfather and seemed like a nice guy," Sabrina Harman said, and she had tried to console him, telling him he looked younger and slipping him a few cigarettes. Then she had to make him stand at attention facing a boom box blasting the rapper Eminem, singing about raping his mother, or committing arson, or sneering at suicides, something like that—these were some of the best-selling songs in American history.
"Eminem is pretty much torture all in himself, and if one person's getting tortured, everybody is, because that music's horrible," Harman said. The general maintained his bearing against the onslaught of noise. "He looked so sad," Harman said. "I felt so bad for the guy." In fact, she said, "Out of everything I saw, that's the worst." This seems implausible, or at least illogical, until you think about it. The MI block was a place where a dead guy was just a dead guy. And a guy hanging from a window frame or a guy forced to drag his nakedness over a wet concrete floor—well, how could you relate to that, except maybe to take a picture? But a man who kept his chin up while you blasted him with rape anthems, and old man shorn of his eyebrows whose very presence made you think of his grandkids--you could let that get to you, especially if you had to share in his punishment: "Slut, you think I won't choke no whore / til the vocal cords don't work in her throat no more!..." or whatever the song was.
”
”
Philip Gourevitch (Standard Operating Procedure)
“
Or should I have said that I wanted to die, not in the sense of wanting to throw myself off of that train bridge over there, but more like wanting to be asleep forever because there isn’t any making up for killing women or even watching women get killed, or for that matter killing men and shooting them in the back and shooting them more times than necessary to actually kill them and it was like just trying to kill everything you saw sometimes because it felt like there was acid seeping down into your soul and then your soul is gone and knowing from being taught your whole life that there is no making up for what you are doing, you’re taught that your whole life, but then even your mother is so happy and proud because you lined up your sign posts and made people crumple and they were not getting up ever and yeah they might have been trying to kill you too, so you say, What are you goona do?, but really it doesn’t matter because by the end you failed at the one good thing you could have done, and the one person you promised would live is dead, and you have seen all things die in more manners than you’d like to recall and for a while the whole thing fucking ravaged your spirit like some deep-down shit, man, that you didn’t even realize you had until only the animals made you sad, the husks of dogs filled with explosives and old arty shells and the fucking guts of everything stinking like metal and burning garbage and you walk around and the smell is deep down into you now and you say, How can metal be so on fire? and Where is all this fucking trash coming from? and even back home you’re getting whiffs of it and then that thing you started to notice slipping away is gone and now it’s becoming inverted, like you have bottomed out in your spirit but yet a deeper hole is being dug because everybody is so fucking happy to see you, the murderer, the fucking accomplice, that at-bare-minimum bearer of some fucking responsibility, and everyone wants to slap you on the back and you start to want to burn the whole goddamn country down, you want to burn every yellow ribbon in sight, and you can’t explain it but it’s just, like, Fuck you, but then you signed up to go so it’s your fault, really, because you went on purpose, so you are in the end doubly fucked, so why not just find a spot and curl up and die and let’s make it as painless as possible because you are a coward and, really, cowardice got you into this mess because you wanted to be a man and people made fun of you and pushed you around in the cafeteria and the hallways in high school because you liked to read books and poems sometimes and they’d call you a fag and really deep down you know you went because you wanted to be a man and that’s never gonna happen now and you’re too much of a coward to be a man and get it over with so why not find a clean, dry place and wait it out with it hurting as little as possible and just wait to go to sleep and not wake up and fuck ‘em all.
”
”
Kevin Powers (The Yellow Birds)
“
I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante.
Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back.
I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.”
“Am I hurting you?”
“No, but I’m not a puppet to be dragged around.”
He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.”
“Fine.”
He grinned. “Fine.”
I hissed back. “Fine!”
We walked to the elevator, and he pushed the button to my floor.
“My room is on the same floor,” Ren edxplained.
I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.”
Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.”
“I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?”
He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting.
I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me.
I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me.
So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away.
He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.”
I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more.
With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind.
But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again."
The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer.
This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building.
Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head.
It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped.
The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm.
A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape.
And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!"
But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!"
The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM.
She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!"
But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work.
Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life!
Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
“
The smile that curled his lips was as arrogant as it was beautiful.
“You need to accept the fact that you’re Orange and that you’re always going to be alone because of it.” A measure of calm had returned to Clancy’s voice. His nostrils flared when I tried to turn the door handle again. He slammed both hands against it to keep me from going anywhere, towering over me.
“I saw what you want,” Clancy said. “And it’s not your parents. It’s not even your friends. What you want is to be with him, like you were in the cabin yesterday, or in that car in the woods. I don’t want to lose you, you said. Is he really that important?”
Rage boiled up from my stomach, burning my throat. “How dare you? You said you wouldn’t—you said—”
He let out a bark of laughter. “God, you’re naive. I guess this explains how that League woman was able to trick you into thinking you were something less than a monster.”
“You said you would help me,” I whispered.
He rolled his eyes. “All right, are you ready for the last lesson? Ruby Elizabeth Daly, you are alone and you always will be. If you weren’t so stupid, you would have figured it out by now, but since it’s beyond you, let me spell it out: You will never be able to control your abilities. You will never be able to avoid being pulled into someone’s head, because there’s some part of you that doesn’t want to know how to control them. No, not when it would mean having to embrace them. You’re too immature and weak-hearted to use them the way they’re meant to be used. You’re scared of what that would make you.”
I looked away.
“Ruby, don’t you get it? You hate what you are, but you were given these abilities for a reason. We both were. It’s our right to use them—we have to use them to stay ahead, to keep the others in their place.”
His finger caught the stretched-out collar of my shirt and gave it a tug.
“Stop it.” I was proud of how steady my voice was.
As Clancy leaned in, he slipped a hazy image beneath my closed eyes—the two of us just before he walked into my memories. My stomach knotted as I watched my eyes open in terror, his lips pressed against mine.
“I’m so glad we found each other,” he said, voice oddly calm. “You can help me. I thought I knew everything, but you…”
My elbow flew up and clipped him under the chin. Clancy stumbled back with a howl of pain, pressing both hands to his face. I had half a second to get the hell out, and I took it, twisting the handle of the door so hard that the lock popped itself out.
“Ruby! Wait, I didn’t mean—!”
A face appeared at the bottom of the stairs. Lizzie. I saw her lips part in surprise, her many earrings jangling as I shoved past her.
“Just an argument,” I heard Clancy say, weakly. “It’s fine, just let her go.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
When he wrote back, he pretended to be his old self, he lied his way into sanity. For fear of his psychiatrist who was also their censor, they could never be sensual, or even emotional. His was considered a modern, enlightened prison, despite its Victorian chill. He had been diagnosed, with clinical precision, as morbidly oversexed, and in need of help as well as correction. He was not to be stimulated. Some letters—both his and hers—were confiscated for some timid expression of affection. So they wrote about literature, and used characters as codes. All those books, those happy or tragic couples they had never met to discuss! Tristan and Isolde the Duke Orsino and Olivia (and Malvolio too), Troilus and Criseyde, Once, in despair, he referred to Prometheus, chained to a rock, his liver devoured daily by a vulture. Sometimes she was patient Griselde. Mention of “a quiet corner in a library” was a code for sexual ecstasy. They charted the daily round too, in boring, loving detail. He described the prison routine in every aspect, but he never told her of its stupidity. That was plain enough. He never told her that he feared he might go under. That too was clear. She never wrote that she loved him, though she would have if she thought it would get through. But he knew it. She told him she had cut herself off from her family. She would never speak to her parents, brother or sister again. He followed closely all her steps along the way toward her nurse’s qualification. When she wrote, “I went to the library today to get the anatomy book I told you about. I found a quiet corner and pretended to read,” he knew she was feeding on the same memories that consumed him “They sat down, looked at each other, smiled and looked away. Robbie and Cecilia had been making love for years—by post. In their coded exchanges they had drawn close, but how artificial that closeness seemed now as they embarked on their small talk, their helpless catechism of polite query and response. As the distance opened up between them, they understood how far they had run ahead of themselves in their letters. This moment had been imagined and desired for too long, and could not measure up. He had been out of the world, and lacked the confidence to step back and reach for the larger thought. I love you, and you saved my life. He asked about her lodgings. She told him.
“And do you get along all right with your landlady?”
He could think of nothing better, and feared the silence that might come down, and the awkwardness that would be a prelude to her telling him that it had been nice to meet up again. Now she must be getting back to work. Everything they had, rested on a few minutes in a library years ago. Was it too frail? She could easily slip back into being a kind of sister. Was she disappointed? He had lost weight. He had shrunk in every sense. Prison made him despise himself, while she looked as adorable as he remembered her, especially in a nurse’s uniform. But she was miserably nervous too, incapable of stepping around the inanities. Instead, she was trying to be lighthearted about her landlady’s temper. After a few more such exchanges, she really was looking at the little watch that hung above her left breast, and telling him that her lunch break would soon be over.
”
”
Ian McEwan (Atonement)
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
“Doesn’t make it right.”
“Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
”
”
Katie Klein (Cross My Heart (Cross My Heart, #1))