You Are My Flashlight Quotes

We've searched our database for all the quotes and captions related to You Are My Flashlight. Here they are! All 100 of them:

Where did that flashlight come from?" Chloe asked. "My purse." Chloe looked at Tara. "She carries a flashlight in her purse." "For emergencies," Maddie said, trying to see into the yard. "You have any chocolate?" Chloe asked hopefully. "For emergencies?" "Of course. Side Pocket, next to the fork.
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
See, there were these two guys in a lunatic asylum... and one night, one night they decide they don't like living in an asylum any more. They decide they're going to escape! So, like, they get up onto the roof, and there, just across this narrow gap, they see the rooftops of the town, stretching away in the moon light... stretching away to freedom. Now, the first guy, he jumps right across with no problem. But his friend, his friend didn't dare make the leap. Y'see... Y'see, he's afraid of falling. So then, the first guy has an idea... He says 'Hey! I have my flashlight with me! I'll shine it across the gap between the buildings. You can walk along the beam and join me!' B-but the second guy just shakes his head. He suh-says... He says 'Wh-what do you think I am? Crazy? You'd turn it off when I was half way across!
Alan Moore (Batman: The Killing Joke)
For a while I thought I was the dragon. I guess I can tell you that now. And, for a while, I thought I was the princess, cotton candy pink, sitting there in my room, in the tower of the castle, young and beautiful and in love and waiting for you with confidence but the princess looks into her mirror and only sees the princess, while I’m out here, slogging through the mud, breathing fire, and getting stabbed to death. Okay, so I’m the dragon. Big deal. You still get to be the hero. You get magic gloves! A fish that talks! You get eyes like flashlights!
Richard Siken (Crush)
If my life were a corny horror movie, and the heroine was lost and alone, trapped in an underwater cave, what would happen next? If you guessed, “She drops her flashlight, and it hits a rock and breaks, leaving her in utter darkness,” you would be right. But I bet you didn’t guess the part about an attack by a giant octopus.
James Patterson (Max (Maximum Ride, #5))
Cool.” I used my flashlight to draw a glowing smiley face on the wall. “How old are you?” Annabeth asked. “Eight just last week.
Rick Riordan (The Chalice of the Gods (Percy Jackson and the Olympians, #6))
Well finish your story anyway." Where was I?" The bubonic plague. The bulldozer was stalled by corpses." Oh, yes. Anyway, one sleepless night I stayed up with Father while he worked. It was all we could do to find a live patient to treat. In bed after bed after bed we found dead people. And Father started giggling," Castle continued. He couldn't stop. He walked out into the night with his flashlight. He was still giggling. He was making the flashlight beam dance over all the dead people stacked outside. He put his hand on my head and do you know what that marvelous man said to me?" asked Castle. Nope." 'Son,' my father said to me, 'someday this will all be yours.
Kurt Vonnegut Jr.
Back when I was five, I thought my mom was being mean to me, so I decided to run away. Carried my slingshot with me because I was a big strong man, you see. Could take care of myself. I believe I also took a flashlight and a package of Oreos." Despite my embarrassement, I couldn't help smiling. "I think you packed better than I did." I swaggered out of the house where we were staying and took myself all the way to...the far corner of the backyard. There I made my stand. Stayed out there all day, until it started to reain. I hadn't thought about taking an umbrella." The best laid plans." I sighed. I know. It's tragic. I came back in, all wet and my stomach aching from eating about twenty Oreo, and my mom--who is a smart lady even is she drives me nuts--well, she acted like nothing happened." Lucas shrugged.
Claudia Gray (Evernight (Evernight, #1))
That better not be what I think it is," Joe mumbled in the dark. It was. "It's not. Jeez, woman, someone's paranoid. It's my pocket light," he said, wincing. Ah, he was only human after all. It wasn't the first time she got him hard nor would it be the last time. The physical discomfort was a small price to pay to have her in his arms. "Well, then your flashlight is growing. Jeez, Eric, put a leash on that thing before it stabs me!" she teased. "But it likes you," he pouted. She giggled. "I seem to remember a certain tenth grade math class where it liked standing up in front of the entire class." He sucked in a breath. "Hey, that traumatized me!
R.L. Mathewson (Sudden Response (EMS, #1))
Clay said, "If they have flashlights like us, we can almost assume-" "We can't assume anything," [Alice] said restlessly, querulously. "My father says assume makes an ass out of you and me. Get it, u and-" "I get it," Clay said.
Stephen King (Cell)
Memory is imagined; it is not real. Don't be ashamed of its need to create; it is the loveliest part of your heart. Myth is the true history. Don't let them tell you that there are no monsters. Don't let them make you feel stupid, just because you are happy to play down in the dark with your flashlight. The mystical world depends on you and your tolerance for the absurd. Be strong, my darling ones, and believe!
Nick Cave (The Sick Bag Song)
I changed my mind. Maybe I do want a black hole for a vagina. How bad could it be? I wouldn't need to carry a purse anymore. I could just shove things up my twat. 'Oh, you need a pen? Hold on, let me check in my vagina. What's that you say? Do I have a flashlight? Let me stick my hand up my vag and find out.' Let's go home. We could do a home birth in the bathtub. It might be a tight squeeze but I bet we could both fit in there.
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
We've turned off all the lights in the living room to make hand shadows. We've got this big flashlight aimed at the wall. I make the silhouette of my hand into a duck. Robin makes his into a rabbit. Now my duck kisses his rabbit And-POOF!- it turns into a turkey. And for some reason this strikes us as hysterically funny. But you probably had to be there.
Sonya Sones (What My Mother Doesn't Know (What My Mother Doesn't Know #1))
Look,” he says, “whenever I’m here, it feels like the walls are closing in on me. I love my family, I do. But I’ve spent fifteen years coming home as rarely as possible because it’s fucking lonely to feel like you don’t fit somewhere. I never wanted to run this store. I never wanted this town. And whenever I’m here it’s all I think about. I get so fucking claustrophobic from it all. “Not from them. But from feeling like I don’t know how to be myself here. From—getting in my head about who I’m supposed to be, or all the ways I haven’t turned out how they wanted me to. And then you showed up.” His eyes flare, flashlights racing over the dark, searching. “And I could finally breathe.
Emily Henry (Book Lovers)
What are you?” I opened my eyes gingerly. The flashlight that had blinded me was lying a few feet from my head now, which gave me just enough light to see what appeared to be a twelve-year-old girl sitting on my chest. I’d gotten my butt handed to me by a sixth grader? That was embarrassing.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I reached for the switch on my desk lamp and flashed HELLO. The lights switched off in Cassidy's bedroom, and her flashlight flicked on. SORRY. "She's sorry," I told Cooper, because he didn't understand Morse code. He lifted his head as if to say But you already knew that, old sport. Her flashlight flickered again. FORGIVE ME. This time, I didn't hesitate. ALWAYS, I replied.
Robyn Schneider (The Beginning of Everything)
You take your flashlight out on your walks, right?” Simon asked. “Depends on the moonlight.” “From now on, take it with you every night. When you’re out walking this way, you’ll pass the gazebo, where, chances are, I will be smoking.” “Then what?” “You can signal—say, three times if you want to take a walk with me. Twice if you want to walk alone. that way I’ll just let you walk on. It’ll be like a military code. No one gets hurt.” I laughed. “that’s silly and charming.” “I try. I can signal back with my cigarette lighter too,” Simon said, holding up the lighter and firing off three short bursts of flame. “So, like, if I see you first and I happen to not wish to talk to you, I can fire off two bursts and block you in your tracks.
Amanda Howells (The Summer of Skinny Dipping (Summer, #1))
Okay. Take a peek, but I swear if you try anything funny, I’ll beat your head in with my flashlight.
Shannon K. Butcher
The doctors keep coming around and pulling up my eyelids and waving around a flashlight. They are rough and hurried, like they don’t consider eyelids worthy of gentleness. It makes you realize how little in life we touch one another’s eyes. Maybe your parents will hold an eyelid up to get out a piece of dirt, or maybe your boyfriend will kiss your eyelids, light as a butterfly, just before you drift off to sleep. But eyelids are not like elbows or knees or shoulders, parts of the body accustomed to being jostled.
Gayle Forman (If I Stay (If I Stay, #1))
What've you got to barter?" I pulled off my father's bag and peered inside. "A flashlight, matches-" "How about a sleeping bag?" he interrupted. I slumped. Of course something like a sleeping bag would be valuable in his world. "No". "Perfect. Share mine tonight and I'll take you to Moline in the morning. Deal?
Kat Falls (Inhuman (Fetch, #1))
How about you get on my back? So in a way you’re not being carried – you’re riding me.” I paused and then winked. Kat stared. “What?” I laughed, and her eyes immediately narrowed. “You should see yourself right now. Like a kitten – that’s what I keep telling you. Your hackles are raised.” Her eyes rolled as she shuffled behind me. “You should conserve your energy and stop talking.” “Ouch.” “You’ll get over it.” She placed her hands on my shoulders. “Besides, you could be knocked down a peg or two.” ... “Baby, I’m so far up the ladder there aren’t any pegs under me to be knocked down.” “Wow”, she said. “That’s a new one.” “You loved it.” .. “Hold on, Kitten. I’m going to start to glow just a little, and we’re going to go fast.” “I like when you glow. It’s like having my own personal flashlight.” I grinned. “Glad I can be of assistance.” She patted my chest. “Giddy up.
Jennifer L. Armentrout (Origin (Lux, #4))
The first I knew about it was when a workman arrived at my home yesterday. I asked him if he'd come to clean the windows and he said no, he'd come to demolish the house. He didn't tell me straight away of course. Oh no. First he wiped a couple of windows and charged me a fiver. Then he told me." "But Mr. Dent, the plans have been available in the local planning office for the last nine months." "Oh yes, well, as soon as I heard I went straight round to see them, yesterday afternoon. You hadn't exactly gone out of your way to call attention to them, had you? I mean, like actually telling anybody or anything." "But the plans were on display..." "On display? I eventually had to go down to the cellar to find them." "That's the display department." "With a flashlight." "Ah, well, the lights had probably gone." "So had the stairs." "But look, you found the notice didn't you?" "Yes," said Arthur, "yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying 'Beware of the Leopard.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
The other night I took her on-out of pity-and what do you think the crazy bitch had done to herself? She had shaved it clean ... not a speck of hair on it. Did you ever have a woman who shaved her twat? It's repulsive, ain't it? And it's funny, too. Sort of mad like. It doesn't look like a twat any more: it's like a dead clam or something." He describes to me how, his curiosity aroused, he got out of bed and searched for his flashlight. "I made her hold it open and I trained the flashlight on it. You should have seen me ... it was comical. I got so worked up about it that I forgot all about her. I never in my life looked at a cunt so seriously.
Henry Miller (Tropic of Cancer (Tropic, #1))
The year was 1987, but it might as well have been the Summer of Love: I was twenty, had hair down to my shoulders, and was dressed like an Indian rickshaw driver. For those charged with enforcing our nation’s drug laws, it would have been only prudent to subject my luggage to special scrutiny. Happily, I had nothing to hide. “Where are you coming from?” the officer asked, glancing skeptically at my backpack. “India, Nepal, Thailand…” I said. “Did you take any drugs while you were over there?” As it happens, I had. The temptation to lie was obvious—why speak to a customs officer about my recent drug use? But there was no real reason not to tell the truth, apart from the risk that it would lead to an even more thorough search of my luggage (and perhaps of my person) than had already commenced. “Yes,” I said. The officer stopped searching my bag and looked up. “Which drugs did you take? “I smoked pot a few times… And I tried opium in India.” “Opium?” “Yes.” “Opium or heroin? “It was opium.” “You don’t hear much about opium these days.” “I know. It was the first time I’d ever tried it.” “Are you carrying any drugs with you now?” “No.” The officer eyed me warily for a moment and then returned to searching my bag. Given the nature of our conversation, I reconciled myself to being there for a very long time. I was, therefore, as patient as a tree. Which was a good thing, because the officer was now examining my belongings as though any one item—a toothbrush, a book, a flashlight, a bit of nylon cord—might reveal the deepest secrets of the universe. “What is opium like?” he asked after a time. And I told him. In fact, over the next ten minutes, I told this lawman almost everything I knew about the use of mind-altering substances. Eventually he completed his search and closed my luggage. One thing was perfectly obvious at the end of our encounter: We both felt very good about it.
Sam Harris (Lying)
I’d come across a strap-on penis. It seemed pretty old and was Band-Aid colored, about three inches long and not much bigger around than a Vienna sausage, which was interesting to me. You’d think that if someone wanted a sex toy she’d go for the gold, sizewise. But this was just the bare minimum, like getting AAA breast implants. Who had this person been hoping to satisfy, her Cabbage Patch doll? I thought about taking the penis home and mailing it to one of my sisters for Christmas but knew that the moment I put it in my knapsack, I’d get hit by a car and killed. That’s just my luck. Medics would come and scrape me off the pavement, then, later, at the hospital, they’d rifle through my pack and record its contents: four garbage bags, some wet wipes, two flashlights, and a strap-on penis.
David Sedaris (Calypso)
The ground crew scrambled into action as Festus the bronze dragon came in for a landing, Leo Valdez riding on his back. The crew waved their orange flashlight cones, guiding Festus to a spot next to the Cessna. None of the mortals seemed to find this at all unusual. One of the crew shouted up at Leo, asking if he needed any fuel. Leo grinned. “Nah. But if you could give my boy a wash and wax, and maybe find him some Tabasco sauce, that would be great.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
I found my flashlight where I'd dropped it on the bricks, but the bulb had broken. Lockwood's was gone, and George's seemed dimmer than before. 'Save it,' Lockwood said. He brought out candles and distributed them between us; when lit, their flames were mustard-yellow, tall, and strong. 'They'll be a good indicator of psychic build-up, too,' he said. 'Keep your eye on them.' 'Shame we can't use caged cats, like Tom Rotwell did,' George remarked. 'They're the most sensitive indicator of all, apparently - *if* you can stand the yowling.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
You are the king of all the fears that ruled my life, a man of ferocity and passion and balls to the wall determination and endless, boyish enthusiasm. You crack the soul of life open in your palms and drink your fill. A man like that needs a queen by his side,” I murmured, repeating my excuse for our breakup back to him in a way that had his eyes clicking to life like flashlights. “And I’m that queen. I will match your ferocity. I will exceed your passion and challenge your balls to the wall determination. I will see your boyish enthusiasm and raise you my newborn love for life. I will stand beside my biker King and be his rough-and-tumble Queen, even if it takes me the next ten years to convince you to take me back.
Giana Darling (Lessons in Corruption (The Fallen Men, #1))
Sometimes I hate this language with its false words like sunset. The sun does not set. It doesn't rise either. It just stays there in one place, yet we get all romantic, huddling on beaches to watch its so-called departure, when it is we who turn away from it, which is a good thing-if the sun could turn, it would never come back, it'd just keep going, look for some better planet to nourish. Moonlight is another lie. It's a luminescent echo. The moon is a politician whose speeches are written by the sun. I long for a world where witnesses in court must place their hands on a dictionary when they swear. A world where an archer must ask an arrow's permission before loading it into a crossbow. A world with inverted flashlights that shoot out beams of darkness, so you can go to the beach and sabotage sunbathers, rob them of their shine. A world where people eat animals they wish to emulate. But who the hell am I? I'm just the spark from two people who rubbed their genitals together like sticks in a forest one October night because they were cold. I'm just burning the firecracker at both ends. Every morning I get up and swallow my weirdness pills. I know the glass is half full, but it's a shot glass, and there are four of us, and we're all very thirsty. I know it's easy not to cry over spilled milk when you've got another carton in the fridge.
Jeffrey McDaniel (The Endarkenment)
I have five flashlights and each performs its own trick. I have a raincoat with zippers and net material so I never get too hot in a downpour. I have a shelf crammed with books and a shortwave that speaks Arabic, Japanese, Dutch and Russian. They have mud huts with maybe a few chairs and faded pages of old magazines fastened to the wall. I ride my twenty-one speed Peace Corps-issue bike to Ferke not to save a dollar on transport but for the luxury of exercise. They ride in from their settlements on cranky old mopeds or bikes with a single cog because it's the only option. And they give me charity. I just stare at it - near tears. To refuse their offer would be pure insult. So I do the rounds again shaking hands with all the men in boubous saying over and over "An y che " Thank you.
Sarah Erdman (Nine Hills to Nambonkaha: Two Years in the Heart of an African Village)
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
Zits,” I said. “Z-I-T-S. Actually, I don’t think you even need electric bolts. You could just breathe on us.” I looked him in the eyes and smiled. “Seriously, dude, when was the last time you brushed your teeth?” “Shut up!” “No, really. Did you eat a diaper?” “Shut up!” he shouted. He squinted. “Do you know how much I enjoyed guarding your mother? I shocked her at least a dozen times just to watch her squeal.” “Yeah, well you could have just sat next to her and let her smell you. That would have been much worse. I’ve had hamsters with better hygiene.” “Enough! Don’t think I won’t electrocute you, Vey!” Taylor looked at me as if I’d lost my mind. “It’s his Tourette’s, he can’t help it.” “I’m scared, Zits,” I said. “You know Hatch would have your head if you did. But here’s my promise: after I’m in charge, my first command is to make you my shoeshine boy. You’ll be following me around with a towel.” “You’ll never be in charge.” “No, that’s what Hatch said. You heard him. He wants my power. I’m not kidding, Zits. When Hatch was trying to get me to join you guys, he promised me that you would be my servant.” Zeus looked at me with a worried expression. After a moment he shouted, “Shut up! And stop calling me Zits!” “I don’t think I will. In fact, it’s going to be the first rule I make. I’m going to have everyone else call you that.” “I don’t care what Hatch says. I’m gonna fry you, Vey.” “Oooh, now I’m really shaking. You don’t have enough juice in you to light a flashlight.” “Michael!” Taylor shouted. “Stop it. He’s got a temper. I’ve seen it.” “You should listen to the cheerleader, Vey.” He stepped toward me. “You think you’re so cool. But you can’t shoot electricity like me, can you? You’re just a flesh-covered battery.” “And you’re a flesh-covered outhouse. You should tie a couple hundred of those car air fresheners around your neck.” “Last warning!” Zeus shouted. “I’m not kidding, Zits. There are porta-potties with better aromas. Would a little deodorant kill you? What was the last year you took a bath?
Richard Paul Evans (The Prisoner of Cell 25 (Michael Vey, #1))
Imagine you're trying to find someone, or even you're trying to find yourself, but you have no senses, now way to know where the walls are, which way is forward or backward, what is water and what is air. You're senseless and shapeless--you feel like you can only describe what you are by identifying what you're not, and you're floating around in a body with no control. You don't get to decide who you like or where you live or when you eat or what you fear. You're just stuck in there, totally alone in this darkness. That's scary. This,' I said, and turned on the flashlight, 'This is control. This is power. There may be rats and spiders and whatever the hell. But we shine the light on them, not the other way around. We know where the walls are, which way is in and which way is out. This,' I said, turning off my light again, 'is what I feel like when I'm scared" (263).
John Green (Turtles All the Way Down)
But that's just it. I ... I don't want to go. I don't want to see that..." She glanced aside at Mouse and shuddered. "Blood, like that. I don't remember what happened when you and Mother saved me from Arctis Tor. But I don't want to see more of that. I don't want it to happen to me. I don't want to hurt anyone." I let out a low, non-committal sound. "Then why are you here?" "B-because," she said, searching for words. "Because I need to do it. I know that what you're doing is necessary. And it's right. And I know that you're doing it because you're the only one who can. And I want to help." "You think you're strong enough to help?" I asked her. She bit her lip again and met my eyes for just a second. "I think ... I think it doesn't matter how strong my magic is. I know I don't ... I don't know how to do these things like you do. The guns and the battles and ..." She lifted her chin and seemed to gather herself a little. "But I know more than most." "You know some," I admitted. "But you got to understand, kid. That won't mean much once things get nasty. There's no time for thinking or second chances." She nodded. "All I can promise you is that I won't leave you when you need me. I'll do whatever you think I can. I'll stay here and man the phone. I'll drive the car. I'll walk at the back and hold the flashlight. Whatever you want." She met my eyes and her own hardened. "But I can't sit at home being safe. I need to be a part of this. I need to help.
Jim Butcher (White Night (The Dresden Files, #9))
In that moment, I let myself entertain the idea of just putting the sword down and lying on the ground. It would feel good, and really, if I’d lost everything, who cared what this tiny homicidal person did to me? But just as quickly, I shut that thought right the heck down. No way had I survived demon attacks, and ghoul duels, and demonglass explosions to end up murdered by Raggedy Ann. Whether Mom was here or not, I was going to survive this. My fingers tightened on the sword’s hilt until I felt the metal cut into my skin. It hurt, but that was good. That might actually keep me from passing out, which in turn would keep Izzy from dissecting me, or whatever it was Brannicks did to demons. Former demons. Whatever. “So you guys have a compound,” I said, trying to will my brain into working. “That’s…cool. I bet it has bunkers and barbed wire.” Izzy rolled her eyes. “Duh.” “Right, so this compound. Where exactly…” My words trailed off as the ground started swaying. Or was it me weaving from side to side? And was everything getting dimmer because the flashlight was dying, or was it my eyes that had stopped working? “No. No, I am not going to faint.” “Um…okay?” I shook my head. “Did I say that out loud?” Izzy rose to her feet slowly. “You don’t look so good.” I would have glared at her if my eyes hadn’t been involved in more important things like not falling out of my skull. A loud clattering noise filled my head, and I realized it was my teeth. Great. I was going into shock. That was just…so inconvenient.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
 It’s weird being alone in the museum. It’s dark and eerily quiet: Only the after-hours lights are on—just enough to illuminate the hallways and stop you from tripping over your own feet—and the background music that normally plays all the time is shut off. I quickly organize the flashlights and check their batteries, and when I don’t hear Porter walking around, I stare at the phone sitting at the information desk. How many chances come along like this? I pick up the receiver, press the little red button next to the word ALL, and speak into the phone in a low voice. “Paging Porter Roth to the information desk,” I say formally, my voice crackling through the entire lobby and echoing down the corridors. Then I press the button again and add, “While you’re at it, check your shoes to make sure they’re a match, you bastard. By the way, I still haven’t quite forgiven you for humiliating me. It’s going to take a lot more than a kiss and a cookie to make me forget both that and the time you provoked me in the Hotbox.” I’m only teasing, which I hope he knows. I feel a little drunk on all my megaphone power, so I page one more thing: “PS—You look totally hot in those tight-fitting security guard pants tonight, and I plan to get very handsy with you at the movies, so we better sit in the back row.” I hang up the phone and cover my mouth, silently laughing at myself. Two seconds later, Porter’s footfalls pound down Jay’s corridor—Boom! Boom! Boom! Boom! He sounds like a T. rex running from Godzilla. He races into the lobby and slides in front of the information desk, grabbing onto the edge to stop himself, wild curls flying everywhere. His grin is enormous. “Whadidya say ’bout where you want to be puttin’ your hands on me?” he asks breathlessly. “I think you have me confused with someone else,” I tease. His head sags against the desk. I push his hair away from one of his eyes. He looks up at me and asks, “You really still haven’t forgiven me?” “Maybe if you put your hands onme, I might.” “Don’t go getting my hopes up like that.” “Oh, your hopes should be up. Way up.” “Dear God, woman,” he murmurs. “And here I was, thinking you were a classy dame.” “Pfft. You don’t know me at all.” “I aim to find out. What are we still doing here? Let’s blow this place and get to the theater, fast.
Jenn Bennett (Alex, Approximately)
Now, the last one was that the demon king can’t stand either in heaven or on the earth. Urga set the demon on his lap, which means I guess I’ll have to…sit on your back.” Awkward. Even though Ren was a big tiger and it would be like riding a small pony, I was still conscious that he was a man, and I didn’t feel right about turning him into a pack animal. I took off my backpack and set it down wondering what I could do to make this a bit less embarrassing. Mustering the courage to sit on his back, I’d just decided that it wouldn’t be too bad if I sat sidesaddle, when my feet flew out from under me. Ren had changed into a man and swept me up into his arms. I wiggled for a minute, protesting, but he just gave me a look-the don’t-even-bother-coming-up-with-an-argument look. I shut my mouth. He leaned over to pick up the backpack, let it dangle from his fingers, and then said, “What’s next?” “I don’t know. That’s all that Mr. Kadam told me.” He shifted me in his arms, walked over to stand in the doorway again, then peered up at the statue. He murmured, “I don’t see any changes.” He held me securely while looking at the statue and, I have to admit, I totally stopped caring about what we were doing. The scratches on my arm that had been throbbing a moment ago didn’t bother me at all. I let myself enjoy the feeling of being cuddled up close to his muscular chest. What girl didn’t want to be swept up in the arms of a drop-dead gorgeous man? I allowed my gaze to drift up to his beautiful face. The thought occurred to me that if I were to carve a stone god, I’d pick Ren as my subject. This Urga half-lion and half-man guy had nothing on Ren. Eventually, he realized I was watching him, and said, “Hello? Kells? Breaking a curse here, remember?” I just smiled back stupidly. He quirked an eyebrow at me. “What were you thinking about just now?” “Nothing important.” He grinned. “May I remind you that you are in prime tickling position, and there’s no escape. Tell me.” Gads. His smile was brilliant, even in the fog. I laughed nervously. “If you tickle me, I’ll protest and struggle violently, which will cause you to drop me and ruin everything that we are trying to accomplish.” He grunted, leaned close to my ear, and then whispered, “That sounds like an interesting challenge, rajkumari. Perhaps we shall experiment with it later. And just for the record, Kelsey, I wouldn’t drop you.” The way he said my name made goose bumps rise all over my arms. When I looked down to quickly rub them, I noticed the flashlight had been turned off. I switched it on, but the statue remained the same. Giving up, I suggested, “Nothing’s happening. Maybe we need to wait till dawn.” He laughed throatily while nuzzling my ear and declared softly, “I’d say that something is happening, but not the something that will open the doorway.” He trailed soft, slow kisses from my ear down my neck. I sighed faintly and arched my neck to give him better access. With a last kiss, he groaned and reluctantly raised his head. Disappointed that he’d stopped, I asked, “What does rajkumari mean?” He laughed quietly, carefully set me down, and said, “It means princess.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Clowns.” Clowns? “Really?” I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn’t. The big guy was still facing me. His expression clear and even, as he dipped his chin. “Eh.” God help me, he’d gone Canadian on me. I had to will my face not to react at the fact he’d gone with the one word he usually used only when he was super relaxed around other people. “I thought they were going to eat me.” Now imagining that had me cracking a little smile. I slid my palm under my cheek. “How old were you? Nineteen?” Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. “Are you making fun of me?” he drawled. “Yes.” The fractures of my grin cracked into bigger pieces. “Because I was scared of clowns?” It was like he couldn’t understand why that was amusing. But it was. “I just can’t imagine you scared of anything, much less clowns. Come on. Even I’ve never been scared of clowns.” “I was four.” I couldn’t help but snicker. “Four… fourteen, same difference.” Based on the mule-ish expression on his face, he wasn’t amused. “This is the last time that I come over to save you from the boogeyman.” Shocked out of my mind for a split second, I tried to pretend like I wasn’t, but… I was. He was joking with me. Aiden was in bed joking around. With me. “I’m sorry. I’m sorry, I was just messing with you.” I scooted one more millimeter closer to him, drawing my knees up so that they hit his thighs. “Please don’t leave yet.” “I won’t,” he said, settling on his pillow with his hands under his cheek, his eyes already drifting to a close. I didn’t need to ask him to promise not to leave me; I knew he wouldn’t if he said so. That was just the kind of man he was. “Aiden?” I whispered. “Hmm?” he murmured. “Thank you for coming in here with me.” “Uh-huh.” That big body adjusted itself just slightly before he let out a long, deep exhale. Without turning around, I laid the flashlight down behind me and aimed the beam toward the wall. He didn’t ask if I was really going to leave the flashlight on all night—or at least however long the battery lasted—instead, I just smiled at him as I took my glasses off and set them on the unused nightstand behind me. Then I tucked my hands under my cheek and watched him. “Good night. Thank you again for staying with me.” Peeking one eye open, just a narrow slit, he hummed. “Shh.” That ‘shh’ was about as close to a ‘you’re welcome’ as I was going to get. I closed my eyes with a little grin on my face. Maybe five seconds later, Aiden’s spoke up. “Vanessa?” “Hmm?” “Why was I saved on your work phone as Miranda P.?” That had my eyes snapping open. I hadn’t deleted that entry off the contacts when I quit, had I? “It’s a long, boring story, and you should go to sleep. Okay?” The “uh-huh” out of him sounded as disbelieving as it should have. He knew I was full of shit, but somehow, knowing he knew, wasn’t enough to keep me from falling asleep soon after
Mariana Zapata (The Wall of Winnipeg and Me)
That done, a second list began to sketch itself from memory. Food, water, containers, blankets... I set three piles aside, starting with the blankets, then took what pillowcases I could find. They always made useful bags for carrying things when backpacks weren't available. One small pot for boiling, one small pan for cooking or additional self-defense. Knives, always good. One fork and a spoon for each of us. More than that, and they'd clatter inside our bags, keeping us from moving silently. No batteries. One flashlight that seemed to be working for now, even if the beam wasn't strong. The real coup would have been canned food or toilet paper, but those were truly one-in-a-million finds. "Did you forget to tell us that you're taking us camping?" I'm all four roughing it as long as that entails air-conditioning and a nice view." ... "Sorry," I muttered, forcing myself onto my feet. "Old habits.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
Four billion people on this earth, but my imagination is the way it's always been: bad with large numbers. It is still moved by particularity. It flits about the darkness like a flashlight beam, disclosing only random faces, while the rest go blindly by, unthought of, unpitied. Not even a Dante could have stopped that. So what do you do when you're not, even with all the muses on your side? Non omnis moriar—a premature worry. Yet am I fully alive, and is that enough? It never has been, and even less so now. I select by rejecting, for there's no other way, but what I reject, is more numerous, more dense, more intrusive than ever. At the cost of untold losses—a poem, a sigh. I reply with a whisper to a thunderous calling. How much I am silent about I can't say. A mouse at the foot of mother mountain. Life lasts as long as a few lines of claws in the sand. My dreams—even they are not as populous as they should be. There is more solitude in them than crowds or clamor. Sometimes someone long dead will drop by for a bit. A single hand turns a knob. Annexes of echo overgrow the empty house. I run from the threshold down into the quiet valley seemingly no one's—an anachronism by now. Where does all this space still in me come from— that I don't know.
Wisława Szymborska (View with a Grain of Sand: Selected Poems)
I would pick him over anyone. He gave me everything you never could and never will because you are a pathetic excuse for a man. He gave me understanding and he gave me confidence and you know what else he gave me? ORGASMS!” I shout. “Oh, Jesus,” Ariel mutters from next to me. “You couldn’t find my clit with a flashlight and Google Maps!
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
Lily?” She couldn’t see his face, but she knew his eyes were on her. She could feel them. A beat passed. Then another. He flicked the flashlight on, his eyes zooming in on her mouth. “Don’t suppose you’re scared enough of the dark to leave.” She shook her head. “I don’t suppose you’re planning on leaving me on my own.” A smile, then, “You might cheat.” He tugged their linked hands and leaned the slightest bit closer. “True,” she breathed, mirroring his movement. “I wouldn’t trust you if our roles were reversed.” Inches from his face, she admired the curve of his top lip. “What are you doing, Black?” “I think,” he whispered back, his warm breath fanning over her lips, “I’m going to have to kiss you, McIntire.
Jessica Lemmon (If You Dare)
I believe that President Reagan can say these things only because he knows that the American people will never hold him accountable for what he says; it is history that holds you accountable, and I've already expressed my opinion that Americans are not big on history. How many of them even remember their own, recent history? Was twenty year ago so long ago for Americans? Do they remember October 21, 1967? Fifty thousand antiwar demonstrators were in Washington; I was there; that was the "March on the Pentagon" -remember? And two years later--in October of '69--there were fifty thousand people in Washington again; they were carrying flashlights, they were asking for peace. There were a hundred thousand asking for peace in Boston Common; there were two hundred fifty thousand in New York. Ronald Reagan had not yet numbed the United States, but he had succeeded in putting California to sleep; he described the Vietnam protests as "giving aid and comfort to the enemy." As president, he still didn't know who the enemy was.
John Irving (A Prayer for Owen Meany)
She doesn't respect me. She doesn't even love me, for God's sake. Basically--in the last analysis--I don't love her any more, either. I don't know. I do and I don't. It varies. It fluctuates. Christ! Every time I get all set to put my foot down, we have dinner out, for some reason, and I meet her somewhere and she comes in with these goddam white gloves on or something. I don't know. Or I start thinking about the first time we drove up to New Haven for the Princeton game. We had a flat right after we got off the Parkway, and it was cold as hell, and she held the flashlight while I fixed the goddam thing--You know what I mean. I don't know. Or I start thinking about--Christ, it's embarrassing--I start thinking about this goddam poem I sent her when we first started goin' around together. 'Rose my color is. and white, Pretty mouth and green my eyes.' Christ, it's embarrassing--it used to remind me of her. She doesn't have green eyes--she has eyes like goddam sea shells, for Chrissake--but it reminded me anyway ... I don't know.
J.D. Salinger (Pretty Mouth and Green My Eyes)
With the flashlight to illuminate my way, I climbed the steep walls of the south canyon, got up on the highway streaming with cars Frisco-bound in the night, scrambled down the other side, almost falling, and came to the bottom of a ravine where a little farmhouse stood near a creek and where every blessed night the same dog barked at me. Then it was a fast walk along a silvery, dusty road beneath inky trees of California—a road like in The Mark of Zorro and a road like all the roads you see in Western B movies. I used to take out my gun and play cowboys in the dark.
Jack Kerouac (On the Road)
Holy mother of God, that feels good. “I’m not having sex with you,” I say primly and try to inch away from him. “I didn’t invite you to. Stop squirming.” He nuzzles my neck, making my eyes cross, and continues to play my stomach like a freaking guitar. Then he pushes more firmly against me, making me giggle. “Whatever it is that’s pressed to my ass disagrees with you.” “That’s nothing. Just a flashlight.” I burst out laughing. “Do you carry a flashlight in your pocket often?” “Mostly just in the morning,” he replies seriously and kisses my neck, right under my ear
Kristen Proby (Listen to Me (Fusion, #1))
Major Rawls never knew everything that Owen had known; the major knew only that Owen had been a hero—he didn’t know that Owen Meany had been a miracle, too. There’s a prayer I say most often for Owen. It’s one of the little prayers he said for my mother, the night Hester and I found him in the cemetery—where he’d brought the flashlight, because he knew how my mother had hated the darkness. “‘INTO PARADISE MAY THE ANGELS LEAD YOU,’” he’d said over my mother’s grave; and so I say that one for him—I know it was one of his favorites. I am always saying prayers for Owen Meany.
John Irving (A Prayer for Owen Meany)
No,” Noah protested, around Blue’s arm. “I’m serious. This place creeps me the hell out. Can we go?” Gansey’s face broke into a relieved, easy grin. “Yes, we can go home.” “I’m still not eating pizza,” Noah said, backing out of the church with Blue. Ronan, still in the ruins, looked over his shoulder at them. In the dim light of the flashlights, the tattooed hook that edged out above his collar looked like either a claw or a finger or part of a fleur-de-lis. It was nearly as sharp as his smile. “I guess now would be a good time to tell you,” he said. “I took Chainsaw out of my dreams.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
The souvenir hunters were prowling among them, carefully ripping insignia off tunics, slipping rings off fingers, or pistols off belts. There was Souvenirs himself, stepping gingerly from corpse to corpse, armed with his plyers and a dentist flashlight that he had had the forethought to purchase in Melbourne. I stood among the heaps of dead, they lay crumpled, useless, defunct. The vital force was fled. A bullet or a mortar fragment had torn a hole in these frail vessels, and the substance had leapt out. The mysteries of the universe had once inhabited these lulling lumps, had given each an identity, a way of walking, perhaps a special habit of address or a way with words or a knack of putting color on canvas. They had been so different then, now they were nothing, heaps of nothing. Can a bullet or a mortar fragment do this? Does this force, this mystery, I mean this soul, does this spill out on the ground along with the blood? No. It is somewhere, I know it. For this red and yellow lump I look down upon this instant was once a man. And the thing that energized him, the word that gave to airy nothing a local habitation and a name, the word from a higher word this cannot have been obliterated by a quarter inch of heated metal. The mystery of the universe has departed him and it is no good to say that the riddle is solved. The mystery is over because it has changed residences. The thing that shaped the flare of that nostril, that broadened that arm now bleeding, that wrought so fine that limply lying hand, that thing exists still and has still the power to flare that nostril, to bend that arm to clench that fist exactly as it did before. Because it is gone you cannot say it will not return; even though you may say it has never yet returned-you cannot say that it will not. It is blasphemy to say a bit of metal has destroyed life, just as it is presumptuous to say that because life has disappeared it has been destroyed. I stood among the heaps of the dead and I knew-no, I felt that death is only a sound we make to signify the Thing we do not know.
Robert Leckie (Helmet for My Pillow)
Lily?” She couldn’t see his face, but she knew his eyes were on her. She could feel them. A beat passed. Then another. He flicked the flashlight on, his eyes zooming in on her mouth. “Don’t suppose you’re scared enough of the dark to leave.” She shook her head. “I don’t suppose you’re planning on leaving me on my own.” A smile, then, “You might cheat.” He tugged their linked hands and leaned the slightest bit closer. “True,” she breathed, mirroring his movement. “I wouldn’t trust you if our roles were reversed.” Inches from his face, she admired the curve of his top lip. “What are you doing, Black?” “I think,” he whispered back, his warm breath fanning over her lips, “I’m going to have to kiss you, McIntire.
Jessica Lemmon (If You Dare)
Our voices sounded small in the noisy darkness. We called her name again and again. We waved our flashlights in hope that she’d see their bobbing light. We were hoarse from calling. And desperate when she didn’t answer. The faint trail gave out, and we began circling back to the house without realizing it until we saw the lights in the windows. “We need to call the police,” Dad said. “We don’t know the land the way they do. We’ll get lost ourselves if we keep going.” Wordlessly, we made our way home. Mom was on the front porch, shivering in her warmest down coat. “You didn’t find her?” “No.” Dad stopped to hug her. Mom clung to him. They stood there whispering to each other, as if they’d forgotten about me. I waited, shifting my weight from one frozen foot to the other, afraid Bloody Bones might be watching us from the trees. Not that I believed he actually existed, not in my world, the real world, the five-senses world. But with the wind blowing and the moon sailing in and out of clouds like a ghost racing across the sky, I could almost believe I’d crossed a border into another world, where anything could be true—even conjure women and spells and monsters. The police came sooner than we’d expected. We heard their sirens and saw their flashing lights before they’d even turned into the driveway. Four cars and an ambulance stopped at the side of the house. Doors opened, men got out. A couple of them had dogs, big German shepherds who
Mary Downing Hahn (Took: A Ghost Story)
Lily?” She couldn’t see his face, but she knew his eyes were on her. She could feel them. A beat passed. Then another. He flicked the flashlight on, his eyes zooming in on her mouth. “Don’t suppose you’re scared enough of the dark to leave.” She shook her head. “I don’t suppose you’re planning on leaving me on my own.” A smile, then, “You might cheat.” He tugged their linked hands and leaned the slightest bit closer. “True,” she breathed, mirroring his movement. “I wouldn’t trust you if our roles were reversed.” Inches from his face, she admired the curve of his top lip. “What are you doing, Black?” “I think,” he whispered back, his warm breath fanning over her lips, “I’m going to have to kiss you, McIntire.
Jessica Lemmon
The wolf looked back down at me, eyes flashing red. He pressed his nose against my forehead and huffed. "My," I choked out, "What big eyes __" He bumped his snout against my head and I took that for what it was. The wolf (Thomas Thomas Thomas) cocked his head at me. And I said, "So this is a thing." Gordo snorted behind me. "I don't think I'm dreaming," I said. "You're not," Gordo said. "Okay. You have shiny arms because you're a wizard." I didn't look away from the wolf, who huffed again, like I'd said something funny. "Witch," Gordo said. "And I don't have shiny arms." "Thanks a lie," I muttered. "You're your own flashlight," That's what you're focusing on? You find out the Bennetts are werewolves and you think about my shiny arms?
T.J. Klune (Wolfsong (Green Creek, #1))
During my time at Eton, I led regular nighttime adventures, and word spread. I even thought about charging to take people on trips. I remember one where we tried to cross the whole town of Eton in the old sewers. I had found an old grill under a bridge that led into these four-foot-high old brick pipes, running under the streets. It took a little nerve to probe into these in the pitch black with no idea where the hell they were leading you; and they stank. I took a pack of playing cards and a flashlight, and I would jam cards into the brickwork every ten paces to mark my way. Eventually I found a manhole cover that lifted up, and it brought us out in the little lane right outside the headmaster’s private house. I loved that. “All crap flows from here,” I remember us joking at that time.
Bear Grylls (Mud, Sweat and Tears)
I am not even safe in my pink bedroom anymore! Plus, I know that my teddy cannot help me out either, yet I hold on to it, for he knows all my secrets. I know she has put her dirty little long fingers in my mouth, and I have sucked on it not knowing what it was, and she has gotten on top of me too…! I just know it. Yet, I always feel so drowsy, when I hear them calling for me, like- I have been drugged up… I wonder if I have been? Yet- how…? It is like she has stood over my bed, and said- ‘Boo!’ When I was asleep, she would flashlight like it was beaming in my eyes with a flashlight, and she said… ‘It’s me- my love! I am going to sleep with you tonight!’ What choice do I have? It is either do- it, or face their wrath at school, yet I was so looped… I did not know if I was dreaming or not.
Marcel Ray Duriez
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
It’s the first time a boy has been in my room, but Eliot probably doesn’t qualify as a boy in the boy sense. I shove aside dirty clothes on my bed to make space. I’ve taken care of enough injured teammates to know what to do. “How’s your head?” “More functional than most.” “Are you dizzy?” “What about you? Are you all right?” “Answer, don’t ask.” “Typical ISFJ, playing doctor.” “Oh, Jesus. Tell me what just happened. Do you remember?” “You were there.” “Eliot.” “I may not have thought it through. But that’s a rarity, I promise.” “That is so obviously a true thing you just said.” I shine my phone flashlight in Eliot’s face. He squints. Regular dilation. “I don’t think you have a concussion. Does anything feel broken?” “Just my dignity.” “It’ll recover.” I dip a clean sock in the glass of water on my bedside table and wipe blood off his jaw. “Thank you,” he says quietly.
Laura Tims (The Art of Feeling)
I think that we ought to be listening to our children a lot more often. Our children are living in the "here and now" and they know what to do about it. We can teach our children about where we have come from, but they can teach us about where we are all at, right now. Parents tend to come at their children with an arrogance merely due to the fact that they've been alive longer, but this is exactly where the disconnect takes place, this is exactly how you are going to not be able to connect with your children at the heart level. Being alive longer doesn't make you better at living. Read that again. I have many times turned to my son for guidance on LIVING in the here and now, and have become a vastly better person for it, as a result. We are not the only leaders here; we may be carrying a torch but our kids are carrying flashlights, and sometimes, flashlights are going to work so much better.
C. JoyBell C.
Which mirror now, Ms. Lane?” He glanced around the white room, scanning the ten mirrors. “Fourth from the left. Jericho.” I was sick of him calling me Ms. Lane. I picked myself up off the white floor. Once again the Silver had spit me out with entirely too much enthusiasm, and I didn’t even have the stones on me. I didn’t have anything but the spear in my holster, a protein bar, two flashlights, and a bottle of Unseelie in my pockets. “You don’t have the right to call me Jericho.” “Why? Because we haven’t been intimate enough? I’ve had sex with you in every possible position, killed you, fed you my blood in the hopes that it would bring you back to life, crammed Unseelie into your stomach, and tried to rearrange your guts. I’d say that’s pretty personal. How much more intimate do we have to get for you to feel comfortable with me calling you Jericho? Jericho.” I expected him to pounce on the sex-in-every-possible-position comment, but he only said. “You fed me your—” I pushed into the mirror, cutting him off. Like the first one, it resisted me, then grabbed me and squirted me out on the other side. His voice preceded his arrival. “You bloody fool, do you never stop to consider the consequences of your actions?” He barreled out of the mirror behind me. “Of course I do,” I said coolly. “There’s always plenty of time to consider the consequences. After I’ve screwed up.” “Funny girl, aren’t you, Ms. Lane?” “Sure am. Jericho. It’s Mac. I’m Mac. No more fake formality between us. Get with the program or get the hell out of here.” His dark eyes flared. “Big talk. Ms. Lane. Try to enforce it.” Challenge burned in his gaze. I sauntered toward him. He watched me coldly and I was reminded of the other night, when I’d pretended to be coming on to him, because I was angry. He thought I was doing it again. I wasn’t. Being in the White Mansion with him was doing something strange to me. Unraveling all my inhibitions, as if these walls had no tolerance for lies, or within them there was no need.
Karen Marie Moning (Shadowfever (Fever, #5))
The Lawrence cottage's about three quarters of a mile up on the left. You can't miss the turnoff unless you're hiking through a storm in the middle of the night with only a flashlight." Gennie swallowed a chuckle. Don't let him have any redeeming qualities, she pleaded. Let me remember him as a rude, nasty man who just happens to be fatally sexy. "I'll keep that in mind." "And I wouldn't mention that you'd spent the night at Windy Point Station," he added easily as he slipped the toolbox back into place. "I have a reputation to protect." This time she bit her lip to hold back a smile. "Oh?" "Yeah." Grant turned back, leaning against the truck a moment as he looked at her again. "The villagers think I'm odd. I'd slip a couple notches if they found out I hadn't just shoved you back outside and locked the door." This time she did smile-but only a little. "You have my word,no one will hear from me what a Good Samaritan you are. If anyone should happen to ask, I'll tell them you're rude, disagreeable and generally nasty." "I'd appreciate it.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
he had seen his share of heroes, too. Major Rawls never knew everything that Owen had known; the major knew only that Owen had been a hero—he didn’t know that Owen Meany had been a miracle, too. There’s a prayer I say most often for Owen. It’s one of the little prayers he said for my mother, the night Hester and I found him in the cemetery—where he’d brought the flashlight, because he knew how my mother had hated the darkness. “‘INTO PARADISE MAY THE ANGELS LEAD YOU,’” he’d said over my mother’s grave; and so I say that one for him—I know it was one of his favorites. I am always saying prayers for Owen Meany. And I often try to imagine how I might have answered Mary Beth Baird, when she spoke to me—at Owen’s burial. If I could have spoken, if I hadn’t lost my voice—what would I have said to her, how could I have answered her? Poor Mary Beth Baird! I left her standing in the cemetery without an answer. “Do you remember how we used to lift him up?” she’d asked me. “He was so easy to lift up!” Mary Beth Baird had said to me. “He was so light—he weighed
John Irving (A Prayer for Owen Meany)
A heartbeat later, the flashlight clicked off. Phoebe blinked in the darkness. “Zane?” “We’re gonna have to do this by feel. Otherwise we’ll be putting on a show.” She thought about how flashlights in the tents created detailed shadows and blushed at the thought of entertaining the others. Before she could figure out some kind of response, she both felt and heard movement. Instinctively, she pulled the sleeping bag up over her chest. “What are you doing?” she asked. “Taking off my jacket. It’s soaked.” “Oh.” There was a bit more rustling, then a warm hand settled on her shoulder. “You okay with this?” he asked. “Yes,” she whispered, nearly meaning it. Sure, she wanted to be with him in the most intimate way possible, but wanting it and talking about it were two different things. He chuckled. “Second thoughts?” “Not exactly.” “Then what, exactly?” But she never got to say. Apparently he’d been moving closer as they spoke, and before she could form a word, his mouth settled on hers. The man had great aim, she thought as firm, tender lips claimed her own. Her body melted in anticipation, which made it difficult to stay upright. Rather than puddle into the sleeping bag, she simply leaned against him.
Susan Mallery (Kiss Me (Fool's Gold, #17))
The rustling noise was coming from the living room. The sound of drawers opening and closing. Hugging the wall, he inched steadily toward the sound of the intruder. He held his rifle in a firing position. Bolt back, safety off, ready to fire. A careful glance around the corner showed a shadowy figure dressed in black, holding a flashlight, snooping in drawers, violating his home. Quinton raised his rifle and carefully aimed. “What the hell are you doing in my house?” he demanded. He got off one shot as the invader ducked. Then, crawling, stumbling, and diving toward the open window the thief plunged outside head first, landing with a thud six feet down. Quinton was at the window now. A second shot winged the villain in the shoulder as he tried to rise. A third shot and he was down. Flat on his face, a bullet through his head. Dead. It is said those with the most money get the most justice. And that appeared to be true in Quinton’s case. It seems the fourteen-year-old intruder came from a family with some wealth, while Quinton did not. In fact, his lawyer wasn’t up to much and the end result was a hanging judge handed down a sentence of ten years. Tried and convicted of manslaughter. Sent to Kingston Penitentiary. Locked away.
Rayven T. Hill (Blood and Justice (Jake and Annie Lincoln, #1))
When I was a child, my father forbade me to read science fiction or fantasy. Trash of the highest order, he said. He didn't want me muddying up my young, impressionable mind with crap. If it wasn't worthy of being reviewed in the Times, it did not make it onto our bookshelves. So while my classmates gleefully dove into The Lion, the Witch and the Wardrobe, A Wrinkle in Time, and The Borrowers, I was stuck reading Old Yeller. My saving grace- I was the most popular girl in my class. That's not saying much; it was easy to be popular at that age. All you had to do was wear your hair in French braids, tell your friends your parents let you drink grape soda every night at dinner, and take any dare. I stood in a bucket of hot water for five minutes without having to pee. I ate four New York System wieners (with onions) in one sitting. I cut my own bangs and- bam!- I was queen of the class. As a result I was invited on sleepovers practically every weekend, and it was there that I cheated. I skipped the séances and the Ouija board. I crept into my sleeping bag with a flashlight, zipped it up tight, and pored through those contraband books. I fell into Narnia. I tessered with Meg and Charles Wallace; I lived under the floorboards with Arrietty and Pod. I think it was precisely because those books were forbidden that they lived on in me long past the time that they should have. For whatever reason, I didn't outgrow them. I was constantly on the lookout for the secret portal, the unmarked door that would lead me to another world. I never thought I would actually find it.
Melanie Gideon (Valley of the Moon)
She was well into her course of self-recrimination when he returned. The flap parted, and a very wet Zane crawled in beside her. “You okay?” he asked, as he set down the flashlight and touched her cheek. “Getting warm?” She nodded, then sniffed. “I’m sorry.” His dark eyes crinkled slightly as he smiled. “It was worth it.” “What?” “I get to say I told you so.” She sniffed again. “You’re not mad?” “Because I had to go out in the rain, in the middle of the night, pull up the stakes on your tent, resecure it somewhere else so it would dry out, then cart your saddlebags over to Cookie’s wagon, wake him up and then listen to him complain?” She winced. “Those would be the reasons.” “I’m not mad.” She couldn’t believe it. “But I was stupid.” “You’re a greenhorn. You didn’t know any better.” “You tried to tell me. I should have listened.” He smiled. “That’ll teach you. The man always knows best.” “That’s so not true.” “It is in this case. So are you naked?” The switch in topic caught her unaware. She shimmied a little deeper into the sleeping bag. “I, ah, left on my panties.” Zane swore softly. “I guess I deserved that for asking.” “Deserved what?” “You don’t want to know.” Suddenly she did. Very much. But she didn’t know how to ask. So she tried a different subject. “Are we going to share the sleeping bag?” “I thought I’d go stay with Cookie.” “Oh.” Disappointment flooded her way more than the river had. It was just as cold, but not as wet. “Phoebe, we talked about this,” he reminded her. “You deserve better than a quickie out in the open.” “We’re in a tent,” she said before she could stop herself. “And it doesn’t have to be quick.
Susan Mallery (Kiss Me (Fool's Gold, #17))
I run out onto the front porch, trying to slow my racing heart as I peer out into the night. The light gets closer and closer, causing hope to blossom in my chest. “Hey!” a familiar voice calls out, and I nearly weep with relief. He’s back. Thank God. But the relief is immediately replaced with anger. “Where the hell have you been?” I ask, my voice shaking. He clicks off the flashlight and makes his way up the porch steps. “Didn’t you see my note?” “Are you kidding me?” I sputter. “Do you have any idea how many hours you’ve been gone?” “Yeah, sorry about that. The house was fine, but the pool was a mess. A tree fell through the screen, and the roof was ripped off the pool house.” “You’re sorry? That’s all you have to say?” I take two steps toward him, fury thrumming through my veins. “Do you have any idea how worried I was? God, Ryder! I thought you were lying in a ditch somewhere. I thought you were hurt, or…or…” I trail off, shaking my head. “I was about to go looking for you, out in the pitch-dark!” He reaches for my hand, but I slap him away. “Don’t touch me! I swear, I can’t even look at you right now.” I turn and reach for the door. But before I can fling it open, Ryder pulls me toward him, his hands circling my wrists. “Look, I’m sorry, Jemma. It took me forever to get there, what with all the flooding and everything. And then I was trying to clean stuff up and…well, I guess the time just got away from me.” I try to pull away, but he tightens his grip. “I didn’t mean to scare you,” he says. “Well, you did scare me.” I manage to pull one hand loose, and I use it to whack him in the chest. “Idiot!” “I’m fine, okay? I’m here.” “I wish you weren’t!” I yell, fired up now. “I wish you were lying in a ditch somewhere!” I stumble backward, my heel catching on the porch’s floorboards. “You don’t mean that,” Ryder says, sounding hurt. He’s right; I don’t. But I don’t care if I hurt his feelings. I’m too angry to care. Angry and relieved and pissed off and…and, God, I’m so glad he’s okay. I thump his chest one more time in frustration, and then somehow my lips are on his--hungry and demanding and punishing all at once.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Ryder! What’s taking you so long?” “I’m on my way!” he yells back. It feels like forever before he pushes open the door and ducks inside. Then I see why it took him so long. He’s somehow got the three cats tucked under one arm and the cake plate clutched in the other hand. No spare for a flashlight or lantern--so he accomplished this all in the dark. “Here,” he says, handing off the cake to me before releasing Kirk, Spock, and Sulu into the crate and latching the door. “Seriously, Ryder? You brought the cake?” He shrugs. “I was hungry.” Hmm, I guess all that kissing worked up his appetite. For cake. I’m not sure if I should be offended or not. On the plus side, he doesn’t look like he’s about to puke. So we’re making progress as far as his fear of storms goes. I guess that’s something. “Did you happen to bring a fork?” I ask, setting the plate on the makeshift tabletop. He produces two from his pocket, holding them up triumphantly. So we eat cake while the sirens blare. Actually, it doesn’t sound that bad out there. Still, the fact that we’re so calm--that Ryder’s so calm--should tell you how routine this is getting. As long as we don’t hear that awful freight-train sound, we’re good. “What happened to the cake?” he asks between bites. “It looks like someone mutilated it while I was gone.” “Sorry,” I mutter. “Guess I did some stress bingeing. You realize you’re not wearing a shirt, right?” He glances down and shrugs, his cheeks flushing ever so slightly. “Sorry ’bout that.” It might seem silly that he’s apologizing, but at Magnolia Landing, you don’t come to the table unless you’re fully dressed. It’s one of Laura Grace’s most unbendable rules--you dress for meals, even breakfast. Not that this counts as a meal, and I’m not sure you could call this plywood-on-top-of-a-crate thing a “table.” But still… By the time the sirens shut off, we’ve completely cleaned the plate, even scraping off the hardened frosting with our fingers. “That was quick,” I say, setting aside the now-empty plate. Ryder nods. “I guess we should give it a minute or two. You know, make sure it’s not coming back on.” So we wait. Silently. Ryder can’t even meet my eyes, and all I want to do is stare at his lips. This is crazy. I mean, what do we do now--now that the sirens are off and the cake is gone? Apparently, the answer is pretend like nothing happened.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Chip and I were both exhausted when we finally pulled up in front of that house, but we were still riding the glow of our honeymoon, and I was so excited as he carried me over the threshold--until the smell nearly knocked us over. “Oh my word,” I said, pinching my nose and trying to hold my breath so I wouldn’t gag. “What is that?” Chip flicked the light switch, and the light didn’t come on. He flicked it up and down a few times, then felt his way forward in the darkness and tried another switch. “The electricity’s off,” he said. “The girls must’ve had it shut off when they moved out.” “Didn’t you transfer it back into your name?” I asked. “I guess not. I’m sorry, babe,” Chip said. “Chip, what is that smell?” It was the middle of June in Waco, Texas. The temperature had been up over a hundred degrees for days on end, and the humidity was stifling, amplifying whatever that rotten smell was coming from the kitchen. Chip always carries a knife and a flashlight, and it sure came in handy that night. Chip made his way back there and found that the fridge still had a bunch of food left in it, including a bunch of ground beef that had just sat there rotting since whenever the electricity went out. The food was literally just smoldering in this hundred-degree house. So we went from living in a swanky hotel room on Park Avenue in New York City to this disgusting, humid stink of a place that felt more like the site of a crime scene than a home at this point. Honestly, I hadn’t thought it through very well. But it was late, and we were tired, and I just focused on making the most of this awful situation. So we opened some windows and brought our bags in, and I told Jo we’d just tough it out and sleep on the floor and clean it all up in the morning. That’s when she started crying. I lay down on the floor thinking, Is his what my life is going to look like now that I married Chip? Is this my new normal? That’s when another smell hit me. It was in the carpet. “Chip, did those girls have a dog here?” I asked. “They had a couple of dogs,” he answered. “Why?” You could smell it. In the carpet. It was nasty. I was just lying there with my head next to some old dog urine stain that had been heated by the Texas summer heat. It was like microwaved dog pee. It was. It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.
Joanna Gaines (The Magnolia Story)
I’m still in the big Jacuzzi tub when the power flickers--once, twice--and then goes out, leaving me in total darkness, chin deep in lukewarm water. I don’t know why, but it all hits me then--Nan’s surgery tomorrow, shooting that moccasin, this stupid, never-ending storm. I start to cry, deep, gulping sobs. I know it seems childish, but I want my daddy. What if things get worse? What if the house starts to flood? Or the roof blows off? As much as I hate to admit it, I’m scared. Really scared. A knock on the bathroom door startles me. “Jemma? You okay in there?” “I’m fine,” I call out, my voice thick. My cheeks burn with shame at being caught crying in the dark like a two-year-old. “Do you want a candle or something? Maybe a hurricane lamp?” “No, I’m…” I start to say “fine” again, but a ragged sob tears from my throat instead. “It’s going to be okay, Jem. We’ll get through this.” I sink lower into the water, wanting to disappear completely. Why can’t he just go away and let me have my little meltdown in private? Why, after all these years of being a jerk, does he have to suddenly be so nice? “I got both dogs dried off,” he continues conversationally, as if I’m not in here crying my eyes out. “They’re in the kitchen eating their supper. I think Beau’s pretty worked up.” I continue to bawl like a baby. I know he can hear me, that he’s right outside the door, listening. Still, it takes me a good five minutes to get it all out of my system. Once the tears have slowed, I reach for my washcloth and lay it across my eyes, hoping it’ll reduce the puffiness. A minute or two later, I drag it away and wring it out before laying it over the edge of the tub. It’s still dark inside the bathroom, though I can see a flicker of light coming from beneath the door. Ryder must have a flashlight, or maybe one of the battery-operated lanterns I scattered around the house, just in case. I wonder how long he’s going to stand three, waiting for me. The lights flick off, and I think maybe he’s finally left me in peace. But then I hear a muffled thump, and I know he’s still out there, probably sitting with his back against the door. “Hey, Jem?” he says. “You saved my life, you know--out there by the barn. Most people couldn’t have made that shot.” I squeeze my eyes shut, but tears leak through anyway. I hadn’t wanted to kill that stupid snake, but if it had bitten Ryder and we hadn’t been able to make it to the hospital in time… I let the thought trail off, not wanting to examine it further. “Thank you,” he says softly. “I owe you one.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
could stand to be a little scared. “No, let’s spook them,” I whispered back. Lake grinned, Carla shook her head. “They’ll turn us in,” Carla said. “They’ll tell the others.” “They won’t,” I whispered and then motioned for them to get close. When they did, I let them in on the plan. “Let’s sneak around the back. Carla, do you have your flashlight.” With it being a clear night, and the moon glowing above, we hadn’t needed the flashlight. Carla had brought it, though.  She pulled it out of her pocket and held it up. “You stand back,” I told her, figuring she’d want this job. “Shine the light toward the back of the tent. Lake, you and I stand close to the tent wall. When Carla shines the light, you pretend to be a bear and roar. And we’ll make shadows.” “Sounds good to me,” Lake said. “Only we have to be quiet from here out,” I whispered. “North can hear everything.” I wasn’t so sure he couldn’t hear us out here now with his supersonic hearing. Maybe he was asleep... The girls followed me as I tiptoed my way around wide toward the back of the tent. Carla positioned herself near the trees, so her light would cast a good glow. Lake and I stood halfway between. Lake stood really close to me. “So we don’t look like two people,” she explained when I started to back away from her. I realized she was right. Standing together, we’d make one big shadow. We stood hip to hip and I counted down with hand signals to Carla. Three. Two. One. Go! Carla lit up the beam, creating a strong enough glow to spread across the back of the tent wall. She even angled from below so the beam went up, making our shadow taller. Lake raised a curled hand like a claw and growled, doing a great bear impression. I raised my own hand on the other side—another claw. The tent erupted with the sounds of grunts, curses, and a few squeals. “Kota!” Gabriel’s voice erupted over the mix of noises. “Bear!” “Bears don’t have flashlights,” Kota said. “Shit,” Gabriel said. “Fuck. Shit. Fuck.” “Enough,” North said. The three of us outside giggled and started making our way back around the tent, when I was tackled, and on the ground in a heap before I even realized what had happened. The smell of leather and cedar wafted over me. I’d recognize the big bulk of muscle anywhere. “It’s just us!” I cried out in an eruption of giggling, struggling for breath with him on top of me. “I knew it was you,” Nathan said, leaning back while still sitting on my hips. “No one else at this campground would dare.” The others had been tackled, too. Silas was on top of Lake. Luke was on top of Carla. “Get off,” Lake said but she was laughing, pushing on Silas, only Silas
C.L. Stone (First Kiss (The Ghost Bird, #10))
Those who seek the Truth are logically in the dark. Therefore, if I aspire to be anything in the world, it's to be a lighthouse. And you, my midget sidekick, you can be my flashlight.
Jarod Kintz (This Book is Not for Sale)
It didn't help that Oscar showed up in my dreams constantly...I kept telling him to get actual, that he'd died, and he'd say, No no, honey, you got it all wrong. Oh, man, look at my hand. And I'd look at his hand that he held out, and I'd grab it, reaching out in dreamtime, doubting him, and it was there all right, but the touch of it, the tight tough skin exactly like Oscar's, would startle me with terror and love, and I'd wake up by myself in my apartment in the dark like a flashlight you've just switched on, with the traffic moving on the street outside the window and the headlights lighting the ceiling, and this big broken hole in me that Oscar had left behind, by dying.
Charles Baxter
Do we have any more candles?” she asked him. “Not that I know about.” “How about flashlights?” “Yeah, I have a couple of those.” “Get the strongest one. If he starts to come before John gets here, I might be able to hold the light for you.” “For... Me?” “Jack, there are only two of us here. One of us is going to push him out, one of us is going to catch him. Which job do you want?” “Oh,” he said, going for the flashlight. He took it back to her and demonstrated its strength by shining it right in her eyes. She winced and he turned it off. She rubbed her eyes. “Oh, brother. Maybe you should push him out. I’m calmer. Yeah, I vote for you,” she said. He knelt with one knee on the floor beside her bed. “Melinda, how can you be sarcastic right now?” “You know, you own a bar and you don’t keep alcohol at home,” she said, breathless. “I could have had a shot—it sometimes slows labor.” “We’ll have some on hand for the next one.” “You keep talking like that’s gonna happen,” she said. “How ridiculous.” “I think my record speaks for itself. But, Mel, I just want to make them, not deliver them.” “I hear ya, buddy,” she said, and then was gripped by another contraction. She tried to pant through it, but they were getting tougher—longer and closer together.
Robyn Carr (Shelter Mountain (Virgin River, #2))
Jack,” she said breathlessly. “You’re going to have to take a look. Get the flashlight and shine it right on my pelvic floor. See if the birth canal is opening. Tell me if you see him coming.” “How will I know what to look for?” he asked. She narrowed her eyes at him. “It has hair,” she said in a very snotty tone. “Okay, don’t get pissy, I don’t do this for a living.” She lifted her knees and spread them while Jack held the flashlight on her. “Whoa,” he said. He looked over her knees at her face. He looked a little bit pale. “Show me how much, like this,” she said, showing him a circle with her thumb and forefinger. He responded by showing her a circle, larger than hers. “Ho, boy,” she said. He turned off the flashlight. “Melinda, I want you to wait for John....” “I am sick to death of being told to wait for John!” she said meanly. “Jack, listen to me. I’m having this baby. Period. And you’re going to pay attention and help. Got that?” “Aw, Melinda...” She grabbed his wrist and dug her nails into him. “Do you think this is my first choice?” He thought briefly about suggesting, again, that she try to hold off. But he knew he was not in the driver’s seat here, plus he was resisting the urge to look at his wrist to see if she’d drawn blood.
Robyn Carr (Shelter Mountain (Virgin River, #2))
When we reach the fence, we see the Dauntless standing in our headlight beams, blocking the gate. Their blue armbands stand out against the rest of their clothing. I try to keep my expression pleasant. I will not be able to fool them into thinking I’m Amity with a scowl on my face. A dark-skinned man with a gun in hand approaches Marcus’s window. He shines a flashlight at Marcus first, then Christina, then me. I squint into the beam, and force a smile at the man like I don’t mind bright lights in the eyes and guns pointed at my head in the slightest. The Amity must be deranged if this is how they really think. Or they’ve been eating too much of that bread. “So tell me,” the man says. “What’s an Abnegation member doing in a truck with two Amity?” “These two girls volunteered to bring provisions to the city,” Marcus says, “and I volunteered to escort them so that they would be safe.” “Also, we don’t know how to drive,” says Christina, grinning. “My dad tried to teach me years ago but I kept confusing the gas pedal for the brake pedal, and you can imagine what a disaster that was! Anyway, it was really nice of Joshua to volunteer to take us, because it would have taken us forever otherwise, and the boxes were so heavy--” The Dauntless man holds up his hand. “Okay, I get it.” “Oh, of course. Sorry.” Christina giggles. “I just thought I would explain, because you seemed so confused, and no wonder, because how many times do you encounter this--””Right,” the man says. “And do you intend to return to the city?” “Not anytime soon,” Marcus says. “All right. Go ahead, then.” He nodes to the other Dauntless by the gate. One of them types a series of numbers on the keypad, and the gate slides open to admit us. Marcus nods to the guard who let us through and drives over the worn path to Amity headquarters. The truck’s headlights catch tire tracks and prairie grass and insects weaving back and forth. In the darkness to my right I see fireflies lighting up to a rhythm that is like a heartbeat. After a few seconds, Marcus glances at Christina. “What on earth was that?” “There’s nothing the Dauntless hate more than cheerful Amity babble,” says Christina, lifting a shoulder. “I figured if he got annoyed it would distract him and he would let us through.” I smile with all my teeth. “You are a genius.” “I know.” She tosses her head like she’s throwing her hair over one shoulder, only she doesn’t have enough to throw. “Except,” says Marcus. “Joshua is not an Abnegation name.” “Whatever. As if anyone knows the difference.
Veronica Roth (Insurgent (Divergent, #2))
Then he went for a flashlight from the kitchen and Brie shouted, “What’s that for?” “I have to see how close she is,” Jack responded, moving quickly. “Oh my God,” Brie said. “We need some professionals here!” “Try Doc Mullins’s pager. The number’s inside the cupboard door. And get out a bottle,” Jack said. “You’re going to have a drink?” she asked, appalled. Not a bad idea, he thought. “For Davie. Get him ready for bed and give him his bottle.” “Oh. Sure,” she said, rattled. Back
Robyn Carr (Second Chance Pass)
Moreno was the first to see me, and he let out a curse as loud as Nicole’s shriek. He pulled a gun from his hip. An automatic pistol. Antone knocked it from his hand and pointed his flashlight at my flank. “It’s Maya,” he said. He started toward me. I was inching back, the branch too thin for me to turn around. “It could be Annie,” Penny whispered, her gaze fixed on me. “Come looking for her brother.” Antone shook his head. “That’s Maya.” He met my gaze. “I know it is.” He kept walking until he was directly under my branch. “This is your first time, isn’t it?” he said, his voice soft. “You’re scared and you’re confused--” I let out a snarl that reverberated through the quiet forest. Antone chuckled. “Or maybe not. I should have guessed you’d hit the ground running.
Kelley Armstrong (The Calling (Darkness Rising, #2))
Need them? For what? And then I remember the Ominous Eight in their chambers. Siphon must have used Airess’ energy manipulation powers to turn the flashlight back on me! And before that he used Think Tank’s psychic powers to shut the door! And the atoms circling his fists must be from the Atomic Rage! “Hang on,” I say, “You said you’re name is Siphon. Like, you siphon the powers of others?” “That’s right,” he says. “And I can’t believe my luck that you wandered through that door.
R.L. Ullman (Epic Zero: Collection 1 (Epic Zero Books 1-3)
The zombie fell over the generator, too, and laid on the ground next to me—its eyes seemed to glow in the dark. I was so scared, I almost lost it. Shaking, I sprayed it in the face and rolled away. It started smoking the same way the other zombies had, but then did something unexpected—it caught fire. Instantly, the entire area went up in flames. I stepped back, and still standing, jumped up and down, kicking my gas-soaked pants and shoes off. The flames sprouted up as if they had a life of their own.  I shot them with the Super Soaker, but it didn't do any good. The flames spread up the side of a rack of cheesy Hawaiian shirts. I knew I had to put the fire out fast. I ran to the aisle with the fire extinguishers and stopped. I'd dropped my flashlight back by the generator. A couple aisles over, something moved in the shadows. I started to lift my Super Soaker when I got hit in the face. "Oww, it burns," I cried, "Darn it. It burns." My eyes started watering like a busted drinking fountain. "Nathan, is that you? Were you bit? Did I kill you?" "No, no. I'm fine, it's just the lemonade; that stuff burns." "What's going on? You're burning the place down." I could hear panic in her voice. "Grab a fire extinguisher and follow me." My eyes dribbled lemonade-flavored tears as I grabbed two of the largest fire extinguishers and ran back. It took four extinguishers, but we managed to put the fire out. "Wow, the generator's still running," I said. Charred clothes were everywhere. Smoke filled the place—it smelled like fresh-roasted zombie. And I'd thought my day couldn't get any worse. "What the heck happened?" Misty held her nose and looked around at the blackened remains. "Security zombie in the bathroom; it was a close call." "I'll say. We're lucky the fire sprinklers didn't come on." "If this is lucky, I'd hate to see cursed." "Umm, Nate?" "Yeah?" I exhaled in relief. It would have been embarrassing if I'd burnt the place down. "Where's your pants?
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
And I could not save you from the police, from their flashlights, their hands, their nightstick, their guns. Prince Jones, murdered by the men who should have been his security guards, is always with me, and I knew that soon he would be with you. In those days I would come out of the house, turn onto Flatbush Avenue, and my face would tighten like a Mexican wrestler's mask, my eyes would dart from corner to corner, my arms loose, limber, and ready. This need to be always on guard was an unmeasured expenditure of energy, the slow siphoning of the essence.
Ta-Nehisi Coates (Between the World and Me)
Remember that ladylike behaviour of yours?” I call out, letting her hear the smile in my voice. “This is the time for it. No pushing, shoving, screaming, or—“ I don’t get any further. She’s heard the shift in my voice and crossed the hallway in a heartbeat. She wastes only a moment in gaping, then shoves past me to dash across the pile of clothes, laughing. “Tarver, Tarver. There are—can you see them all?” She’s running the flashlight over the offerings, revealing swaths of fabric of every colour. I’ve got my mouth half open to reply when she starts unzipping the mechanic’s suit, and then my mouth falls the rest of the way open by itself. It’s dark inside the room, but I catch a quick glimpse of pale skin beneath the remnants of her dress before I remember myself, and decide to take a good, hard look at my boots. To judge by the sounds over on the other side of the room, she’s forgotten I exist. The mechanic’s suit must have been really uncomfortable, even wearing it over her dress, if she’s that eager to get it off while I’m standing here. “There’s dresses,” she whispers, and I catch a movement in my peripheral vision. Oh, God, come on. It’s the mechanic’s suit and the ruined green dress being kicked across the floor away from her. So what does that mean she’s wearing right now? She didn’t actually say I couldn’t look. “Don’t look,” she cautions me, as though she just read my mind. Dammit.
Amie Kaufman & Meagan Spooner
This woman does abnormal, not-right things to my brain. And my body. And my mouth. “Bend over, cabbage face,” I order. “Why? You couldn’t find my g-spot with a flashlight and a guide.
Pippa Grant (Mister McHottie (Girl Band #1))
continuing. “You’re not going to believe this, but it was me. I’m the officer that stopped him that night. I remember shining my flashlight on those garbage bags. I just can’t believe
Patrick Kennedy (Grilling Dahmer: The Interrogation Of "The Milwaukee Cannibal")
Valerie checked Brandon’s temperature. “You know, I told that girl myself she’s nuts. You know what she said to me?” I arched an eyebrow. “What?” “She said, ‘Just because a man gives you the best sex of your life doesn’t mean you need to date his ass.’ Lawd, I just about died,” she snickered. I snorted. Yup, that sounded like Kristen. Well, at least I’d done something right. Valerie chuckled to herself while she checked Brandon’s pulse. “He’s coming out tomorrow. I bet you’re all getting pretty excited.” I rubbed the back of my neck. “This has been a really tough few weeks.” “He’s gonna do great.” She changed out the bag on his IV drip. Then she pulled out a small light from her breast pocket, clicked it on, and opened his right eye. “You know, a lot of the nurses are gonna miss the steady stream of cute firemen coming through he—” She paused. She opened his other eye and shone the light into his pupil. She cleared her throat as she clicked the light off and slipped it back in her pocket. “We sure are going to miss you guys.” She picked up his chart. She didn’t look at me. Her tone changed. Her body changed. I’d done that change myself on the scene of a call. Something is wrong. “What is it?” She didn’t answer me. I pulled out my cell phone and turned on the flashlight. I leaned over Brandon and opened his eye while Valerie watched me wordlessly. My breath caught in my throat. “No. No!  ” I looked at the other eye, and my hands started to shake. I stumbled back from the bed and knocked into my chair, dropping my cell phone to the floor with a clatter. Valerie looked at me, and we exchanged a moment of understanding. His pupils were blown. They were large black marbles in his eyes.
Abby Jimenez
We soon arrive at the sandy trail that leads to the caretaker’s cabin, and the red wolf intern directs people to the parking area. People file out of their cars silently and gather around Kim. She waits till everyone is there and then explains that she is going to walk about a quarter of a mile down the trail to Sandy Ridge, where she’ll howl at the wolves inside. She tells us that sometimes it takes a few howls to get them interested, but we should hold tight and hope that they’ll howl back. Last week, she says, people heard one of the pups howl back. She sets off down the dark path with her flashlight aimed at the ground so as not to spook the wolves. We stand in a pool of weak, wobbly light cast from people’s flashlights and head lamps. The forest darkness encircles us. A few minutes later, we hear Kim’s call pierce the night air. The buzz and drone of insects create a background of uneven noise that I strain to filter out. I hear Kim howl again, and everyone around me seems to be holding their breath and trying not to move. We listen and wait for an answer. Nothing. Kim tries again. No response. I wonder what the people in the crowd are thinking. Is this all just a sham? Just another tourist attraction? Kim makes a fourth howl, and then it starts. A lone howl rises, forlorn and low. It meanders through a few octaves and claws higher and higher. It trails into a thin high-pitched note, and then a second and a third howl pick up at lower pitches. People in the crowd gasp, some lean forward straining to hear. Within thirty seconds, a parade of howls sings loudly from the dark woods. It is hard to believe the wolves are a few hundred yards away. They sound much closer, perhaps less than a hundred feet. Kim walks back to the crowd, flashlight downturned on the ground. Howls waft from somewhere behind her, persistent but not aggressive. The wolves sing. They sing to each other as much as they sing to us. One pitch stands out from the others, higher, thinner, and much lighter. It must be the pup. I imagine him standing next to his parents, watching them throw their heads back and open their jaws wide, letting loose with a call that says, “Here we are! Where are you? Here we are!” And the pup joins in, calling, “I’m here too! I’m here too!” I don’t know exactly what these wolves are saying, of course, but it is difficult to imagine the howling being anything other than a communication to locate other packs or individuals, a way to call out to the night and exclaim: I am here, and I know how to take care of myself so well that I’m going to let you know that I’m here! And my mate is here, and my kids are here. We are all here together in this place that is ours.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
So now what happens?" I asked, snuggling closer into Steele's warmth. Archer shrugged, leaning against the side of the car. "We wait until the pigs do their thing so we can see with our own eyes that it's all gone. Then we dispose of the plastic wrapping at a recycling facility a few miles from here and head home again." I couldn't fight my grin. "You guys recycle the plastic you use to transport bodies?" Archer gave me a serious look. "If we don't take active steps toward a greener planet, we'll fuck it right up." "Worse than it already is," Kody added, peering over the fence to check the pigs’ progress. "I think we're good to go." He pulled out his phone, using the flashlight app to check the pen more thoroughly. "Yep, all done." "That was fast," I murmured, following as they all piled back into the car. Archer shot me a smirk. "Hungry pigs today.
Tate James (Fake (Madison Kate, #3))
Love makes you an anthropologist of your own life. What are these ceremonies and why should we take part in them? What is this language we have got backed up into on long worst fire nights like a bad translation? It is important to keep recording the dialect forms, tracking the idioms. Yes there is a violence in it…. A dialect will sound like your own language to you, only despoiled somehow, hung up by the tail. Late at night I sit in the truck transcribing my notes by flashlight, tape quality is poor. There is a nucleus of terms I never get right. (Pleasure).
Anne Carson (Plainwater: Essays and Poetry)
Dear Mom and Dad, Camp is shitty and boring. Everything’s been going wrong. Such as: Jason borrowed my red short-sleeved shirt and lost it. My flashlight (still) isn’t working. I got a cut on my penis when I flunked my canoe test. I’m very homesick. I wish you could arrange so I can only stay 1 month instead of 2.
David Nadelberg (Mortified)
My wishes were quite simple. I wanted nice warm clothes and fresh milk for my students, and I wanted the lights to come back on when it went dark, or at least enough flashlights and batteries for all of them. I wanted enough heat to ward off the cold, better food for these boys who were still growing. There were times when satisfying their basic needs—light, heat, nutritious food—seemed as important as giving them freedom.
Suki Kim (Without You, There Is No Us: My Time with the Sons of North Korea's Elite)
We moved across the grass. It was cold through my slippers, and the tall blades on the edge, where Julius’s sickle had missed, brushed against my bare ankles, sharply intense. At the hedge I pulled back a branch of white althea for Alice to pass. Released, it brushed, softly cool, against my shoulder. I started so that Alice stopped. “What is it, Grace?” she whispered. “Nothing, darling.” I pressed on my flashlight. A white moth dashed out of the dark, an enormous potato bug trundled across the dirt path. “I’ll just get my bag out of the car,” Alice said. “If you’ll lend me your light and give me a hand with the doors.
Zenith Brown (Ill Met by Moonlight)
You know, I’ve heard my parents, throughout most of time, begging and crying about freedom. It’s pathetic. Asking for freedom is admitting that you don’t have any. And if you complain about not having it, then you’re shouting, ‘I will never be free,’ to the world. Even if you’re tied up and thrown into a dark room, you’re still free.” He paused for a short while to consider what she had said, reclining somewhat and staring at her face, which looked as though it were lit by a flashlight below. “No, I don’t understand. What you’re saying doesn’t make sense, not about any freedom worth caring about. Freedom is more than a choice between drowning and immolation. More than some cogs turning behind my mind.” “That’s a very silly way to think about it,” Sielle said. Enveloped in shadows, she inspired a chill down his spine. As if she were, in that moment, the avatar of some cosmic Pythia. “Using words like ‘more free’ and ‘less free.’ The measurements of something are not that something. And you can’t even measure how free someone is because everyone is always equally free, at all times, in all situations. There will always be different and infinite and better or worse options to choose from. The choice between water or soda, between this memory to recall or that, between extinguishing a star or not. Each requires the same freedom, not more or less. And if I thought the way you did, I’d say all those choices make me unfree, since I am forced to choose.” “So I’m free just for existing?” he asked. “Yes, in a way. All castles are made out of the playground’s sand. The only real castles are the monarchs who built them. You are free for existing with me.” He stayed silent and stared again beyond her dimmed face, which was becoming slightly damp with sweat.
K.K. Edin (The Measurements of Decay)
She had it coming,” Scott mumbled, trying to finger-comb his hair into place. “She stole my flashlight. And she broke it.” “On what, her face?” Maria demanded, advancing on him. “Hey, you know what? She’s a bitch and it’s okay to hate her, but you are a lying, cowardly little coil of dogshit and you are not doing yourself any favors tonight.
R. Lee Smith (The Last Hour of Gann)
Hope rarely shouts and often whispers. It seldom barges in and frequently knocks softly. Like embers left untended, hope lies quietly, ready to be fanned into sparks that will ignite a roaring fire. Like a dim flashlight that keeps you moving forward as you stumble in the dark, hope can provide just enough light to show you where to place your next foot even when the future looks shadowy and unclear. Hope fervently promises that things will get better, that the journey will get easier, and that one day the pain will soften.
Suzy LaBonte (Zachary's Choice: Surviving My Child's Suicide)
Ruth felt beneath the seat for a flashlight. "What's this?" she asked, pulling out a paperback book in a Ziploc plastic bag. She held it up. "It's a dictionary, Helma. You carry a DICTIONARY in your car?" "It's my car dictionary," Helma told her.
Jo Dereske (Catalogue of Death (Miss Zukas, #10))
I just didn’t get it— even with the teacher holding an orange (the earth) in one hand and a lemon (the moon) in the other, her favorite student (the sun) standing behind her with a flashlight. I just couldn’t grasp it— this whole citrus universe, these bumpy planets revolving so slowly no one could even see themselves moving. I used to think if I could only concentrate hard enough I could be the one person to feel what no one else could, sense a small tug from the ground, a sky shift, the earth changing gears. Even though I was only one mini-speck on a speck, even though I was merely a pinprick in one goosebump on the orange, I was sure then I was the most specially perceptive, perceptively sensitive. I was sure then my mother was the only mother to snap, “The world doesn’t revolve around you!” The earth was fragile and mostly water, just the way the orange was mostly water if you peeled it, just the way I was mostly water if you peeled me. Looking back on that third grade science demonstration, I can understand why some people gave up on fame or religion or cures— especially people who have an understanding of the excruciating crawl of the world, who have a well-developed sense of spatial reasoning and the tininess that it is to be one of us. But not me—even now I wouldn’t mind being god, the force who spins the planets the way I spin a globe, a basketball, a yoyo. I wouldn’t mind being that teacher who chooses the fruit, or that favorite kid who gives the moon its glow.
Denise Duhamel
Something, which the police called a bomb, had exploded in his shed. Investigations were begun, and the efforts of the authorities were soon to be categorized by the appropriate officals as "feverish", for bombs began to go off all over the place. The police collected fragments of the exploded bombs, and the press, anxious to help the police in their work, published impressive pictures of the fragments as well as a drawing of a reconstructed bomb together with a very detailed description of how it had been made.The police had done a really first-rate job. Even my brother and myself, both of us extremely untalented men in technical matters, could easily grasp how the bomb makers had gone to work. A large quantity of ordinary black gunpowder, such as is the be found in the cartridges sold for shoutguns, was encased in plasticine; in it was embedded an explosive cap, of the type used in hand grenades during the war, at the end of a thin wire; the other end of the wire was joined to the battery of a pocket flashlight -- obtainable at any village store -- and thence to the alarm mechanism of an ordinary alarm clock. The whole contratation was packed into a soapbox. Of course my brother did his duty as a journalist.He published the police report, together with the illustrations, on page one. It was not my brother's doing that this issue of the paper had a most spectacular success and that for weeks men were still buying it; no. the credit for that must go to the police; they had done their bit to ensure that the peasantry of Schleswig-Holstein would have a healthy occupation during the long winter evenings. Instead of just sitting and indulging in stupid thoughts, or doing crossword puzzles, or assembling to hear inflamatory speeches, the peasantery was henceforth quetly and busily engaged in procuring soapboxes and alarm clock and flashlight batteries. And then the bombs really began to go of.... Nobody ever asked me what I was actually doing in Schleswig=Holstein, save perhaps Dr. Hirschfeldt, a high official in the Prussian Ministry of the Interior, who had recently taken to frequenting Salinger's salon. Occasionally, and casually, he would glance at ne with his green eyes an honour me with a question, such as: "And what are the peasants up to in the north?" To which I would usually only reply: "Thank you for your interest. According to the statistics, the standard of living is going up -- in particular, there has been in increased demand for alarm clocks.
Ernst von Salomon (Der Fragebogen (rororo Taschenbücher))
My memory is a scary place: you need a flashlight and a gun so as not to get mugged in there.
Joe Pantoliano (Asylum: A Memoir About Hollywood, Mental Illness, Recovery, and Being My Mother's Son)
The intruders spoke no words as they rushed in. Five boys carrying baseball bats and tire irons. They wore an assortment of Halloween masks and stocking masks. But Derek knew who they were. “No! No!” he cried. All five boys wore bulky shooter’s earmuffs. They couldn’t hear him. But more importantly, they couldn’t hear Jill. One of the boys stayed in the doorway. He was in charge. A runty kid named Hank. The stocking pulled down over his face smashed his features into Play-Doh, but it could only be Hank. One of the boys, fat but fast-moving and wearing an Easter Bunny mask, stepped to Derek and hit him in the stomach with his aluminum baseball bat. Derek dropped to his knees. Another boy grabbed Jill. He put his hand over her mouth. Someone produced a roll of duct tape. Jill screamed. Derek tried to stand, but the blow to his stomach had winded him. He tried to stand up, but the fat boy pushed him back down. “Don’t be stupid, Derek. We’re not after you.” The duct tape went around and around Jill’s mouth. They worked by flashlight. Derek could see Jill’s eyes, wild with terror. Pleading silently with her big brother to save her. When her mouth was sealed, the thugs pulled off their shooter’s earmuffs. Hank stepped forward. “Derek, Derek, Derek,” Hank said, shaking his head slowly, regretfully. “You know better than this.” “Leave her alone,” Derek managed to gasp, clutching his stomach, fighting the urge to vomit. “She’s a freak,” Hank said. “She’s my little sister. This is our home.” “She’s a freak,” Hank said. “And this house is east of First Avenue. This is a no-freak zone.” “Man, come on,” Derek pleaded. “She’s not hurting anyone.” “It’s not about that,” a boy named Turk said. He had a weak leg, a limp that made it impossible not to recognize him. “Freaks with freaks, normals with normals. That’s the way it has to be.” “All she does is—” Hank’s slap stung. “Shut up. Traitor. A normal who stands up for a freak gets treated like a freak. Is that what you want?” “Besides,” the fat boy said with a giggle, “we’re taking it easy on her. We were going to fix her so she could never sing again. Or talk. If you know what I mean.” He pulled a knife from a sheath in the small of his back. “Do you, Derek? Do you understand?” Derek’s resistance died. “The Leader showed mercy,” Turk said. “But the Leader isn’t weak. So this freak either goes west, over the border right now. Or…” He let the threat hang there. Jill’s tears flowed freely. She could barely breathe because her nose was running. Derek could see that by the way she sucked tape into her mouth, trying for air. She would suffocate if they didn’t let her go soon. “Let me at least get her doll.
Michael Grant (Lies (Gone, #3))
Understanding habits is the most important thing I’ve learned in the army,” the major told me. “It’s changed everything about how I see the world. You want to fall asleep fast and wake up feeling good? Pay attention to your nighttime patterns and what you automatically do when you get up. You want to make running easy? Create triggers to make it a routine. I drill my kids on this stuff. My wife and I write out habit plans for our marriage. This is all we talk about in command meetings. Not one person in Kufa would have told me that we could influence crowds by taking away the kebab stands, but once you see everything as a bunch of habits, it’s like someone gave you a flashlight and a crowbar and you can get to work.” The major was a small man from Georgia. He was perpetually spitting either sunflower seeds or chewing tobacco into a cup. He told me that prior to entering the military, his best career option had been repairing telephone lines, or, possibly, becoming a methamphetamine entrepreneur, a path some of his high school peers had chosen to less success. Now, he oversaw eight hundred troops in one of the most sophisticated fighting organizations on earth. “I’m telling you, if a hick like me can learn this stuff, anyone can. I tell my soldiers all the time, there’s nothing you can’t do if you get the habits right.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
Suddenly everything went dark. The house was almost solid black and so, so quiet. To my mortification, I released a tiny squeal like a terrified mouse. “Shh. It’s okay. Power just went out. Happens all the time when we get a storm like this. Where are the flashlights?” “I don’t know,” I whispered. “What do you mean you don’t know?” “I mean, I. Don’t. Know. We haven’t even unpacked everything yet.” “That’s the first thing I’d unpack.” Had to be a guy thing. “Yeah, well, sorry, but we didn’t.” “Candles?” “I have some in my room.” I heard him release a deep sigh. “Okay.” Suddenly the faintest hint of light spilled out, and I realized he’d opened his cell phone. “I’ll see if I can find those candles.” “I’ll go with you.” “Why are you whispering?” “You’re supposed to whisper when the lights go out.” “So the boogeyman doesn’t get you?” I shoved on his arm. “Let’s just go get the candles.
Rachel Hawthorne (Snowed In)