You Are Formally Invited Quotes

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Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live. In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake. That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead. And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
Elizabeth Wurtzel (Prozac Nation)
You told me this wasn't a formal date when you invited me to come. Why should I care if you have a girlfriend?" "Absolutely," he said, giving me a fake-serious look. "Yeah, you and I are just friends . . . out for a friendly walk. Nothing more, nothing less." "Exactly!" I agreed, my heart giving a painful twist. He broke into a large grin and, leaning over, kissed me on the cheek. "Kate," he whispered, "you are way too gullible.
Amy Plum (Die for Me (Revenants, #1))
I am very, very sorry to leave you hanging like that, but as I was writing the tale of the Baudelaire orphans, I happened to look at the clock and realized I was running late for a formal dinner party given by a friend of mine, Madame diLustro. Madame diLustro is a good friend, an excellent detective, and a fine cook, but she flies into a rage if you arrive even five minutes later than her invitation states, so you understand that I had to dash off. You must have thought, at the end of the previous chapter, that Sunny was dead and that this was the terrible thing that happened to the Baudelaires at Uncle Monty's house, but I promise you Sunny survives this particular episode. It is Uncle Monty, unfortunately, who will be dead, but not yet.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
It’s so tedious,” Montgomery sighed, “to have to wait for invitations and, I find, they often don’t come when you most want them to. Much easier to simply disregard formal invitations altogether.
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
Charles had climbed on a bench and was calling out that he had something to say, creating a racket that quickly got the attention of the room. Everyone looked immensely surprised, including Tessa and Will. Sona frowned, clearly thinking Charles was very rude. She didn’t know the half of it, Cordelia thought darkly. “Let me be the first to raise a glass to the happy couple!” said Charles, doing just that. “To James Herondale and Cordelia Carstairs. I wish to add personally that James, my brother’s parabatai, has always been like a younger brother to me.” “A younger brother he accused of vandalizing greenhouses across our fair nation,” muttered Will. “As for Cordelia Carstairs—how to describe her?” Charles went on. “Especially when one has not bothered to get to know her at all,” murmured James. “She is both beautiful and fair,” said Charles, leaving Cordelia to wonder what the difference was, “as well as being brave. I am sure she will make James as happy as my lovely Grace makes me.” He smiled at Grace, who stood quietly near him, her face a mask. “That’s right. I am formally announcing my intention to wed Grace Blackthorn. You will all be invited, of course.” Cordelia glanced over at Alastair; he was expressionless, but his hands, jammed into his pockets, were fists. James had narrowed his eyes. Charles went on merrily. “And lastly, my thanks go out to the folk of the Enclave, who supported my actions as acting Consul through our recent troubles. I am young to have borne so much responsibility, but what could I say when duty called? Only this. I am honored by the trust of my mother, the love of my bride-to-be, and the belief of my people—” “Thank you, Charles!” James had appeared at Charles’s side and done something rather ingenious with his feet that caused the bench Charles had been standing on to tip over. He caught Charles around the shoulder as he slid to the floor, clapping him on the back. Cordelia doubted most people in the room had noticed anything amiss. “What an excellent speech!” Magnus Bane, looking fiendishly amused, snapped his fingers. The loops of golden ribbons dangling from the chandeliers formed the shapes of soaring herons while “For He’s a Jolly Good Fellow” began to play in ghostly fashion on the unmanned piano. James hustled Charles away from the bench he had clambered onto and into a crowd of well-wishers. The room, as a whole, seemed relieved. “We have raised a fine son, my darling,” Will said, kissing Tessa on the cheek.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Then we offer our guest “pot luck,” which means that the mistress of the house will take bread out of her children’s mouths to give to the visitor, who is obliged to accept it. If you receive a formal invitation, you can expect a gargantuan feast: the goal is to leave the guests moaning with indigestion for several days. Of course, women always do the hard work.
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
His gray eyes turned flinty. “I do not recognize your right to rule; I do not recognize you as the rightful Queen of Terrasen. Neither do the Lords Sloane, Ironwood, and Gunnar, who make up the remaining surviving majority of what was once your uncle’s court. Even if the Allsbrook family sides with you, that is still one vote against four. General Ashryver has no lands or title here—and no say as a result. As for Lady Lysandra, Caraverre is not a recognized territory, nor do we recognize her lineage or your purchase of those lands.” Formal words, for a formal declaration. “Should you return to Orynth and seize your throne without our invitation, it will be considered an act of war and treason.” Darrow pulled a piece of paper from his jacket—lots of fancy writing and four different signatures on the bottom. “As of this moment, until it is otherwise decided, you shall remain a princess by blood—but not queen.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Three reasons, my dear sister. One, I know nothing about lady's evening wear. Two, you read the invitation yourself. It specifically said this was to be a casual get together.’ Her brother tried valiantly to suppress a smirk. ‘If you do not know the difference between a formal ball and a casual evening with friends, our father obviously wasted his money on that expensive finishing school, to which he sent you. And three, you would not have listened to me anyway, because you never do. So, there would have been no point in saying anything.
Sydney Salier (You asked for it...: A Pride & Prejudice Variation with a Twist)
Do you have a piece of paper I could write on?” I jump up too fast. “Sure. Just one? Do you—of course you need something to write with. Sorry. Here.” I grab him a paper from my deskdrawer and one of my myriad pencils, and he uses the first Children of Hypnos book as a flat surface to write on. When I’m sure he’s writing something for me to read right now, I say, “I thought you only needed to do that when other people were around?” He etches one careful line after the next. He frowns, shakes his head. “Sometimes it’s . . . tough to say things. Certain things.” His voice is hardly a whisper. I sit down beside him again, but his big hand blocks my view of the words. He stops writing, leaves the paper there, and stares. Then he hands it to me and looks the other direction. Can I kiss you? “Um,” is a delightfully complex word. “Um” means “I want to say something but don’t know what it is,” and also “You have caught me off guard,” and also “Am I dreaming right now? Someone please slap me.” I say “um,” then. Wallace’s entire head-neck region is already flushed with color, but the “um” darkens it a few shades, and goddammit, he was nervous about asking me and I made it worse. What good is “um” when I should say “YES PLEASE NOW”? Except there’s no way I’m going to say “YES PLEASE NOW” because I feel like my body is one big wired time bomb of organs and if Wallace so much as brushes my hand, I’m going to jump out of my own skin and run screaming from the house. I’ll like it too much. Out of control. No good. I say, “Can I borrow that pencil?” He hands me the pencil, again without looking. Yes, but not right now. I know it sounds weird. Sorry. I don’t think it’ll go well if I know it’s coming. I will definitely freak out and punch you in the face or scream bloody murder or something like that. Surprising me with it would probably work better. I am giving you permission to surprise me with a kiss. This is a formal invitation for surprise kisses. I don’t like writing the word “kiss.” It makes my skin crawl. Sorry. It’s weird. I’m weird. Sorry. I hope that doesn’t make you regret asking. I hand the paper and pencil back. He reads it over, then writes: No regret. I can do surprises. That’s it. That’s it? Shit. Now he’s going to try to surprise me with a kiss. At some point. Later today? Tomorrow? A week from now? What if he never does it and I spend the rest of the time we hang out wondering if he will? What have I done? This was a terrible idea. I’m going to vomit. “Be right back,” I say, and run to the bathroom to curl up on the floor. Just for like five minutes. Then I go back to my room and sit down beside Wallace. As I’m moving myself into position, his hand falls over mine, and I don’t actually jump out of my skin. My control shakes for a moment, but I turn in to it, and everything smooths out. I flip my hand over. He flexes his fingers so I can fit mine in the spaces between. And we sit there, shoulder to shoulder, with our hands resting on the bed between us. It’s not so bad
Francesca Zappia (Eliza and Her Monsters)
I pulled at the knot again and heard threads begin to pop. “Allow me, Miss Jones,” said Armand, right at my back. There was no gracious way to refuse him. Not with Mrs. Westcliffe there, too. I exhaled and dropped my arms. I stared at the lotus petals in my painting as the new small twists and tugs of Armand’s hands rocked me back and forth. Jesse’s music began to reverberate somewhat more sharply than before. “There,” Armand said, soft near my ear. “Nearly got it.” “Most kind of you, my lord.” Mrs. Westcliffe’s voice was far more carrying. “Do you not agree, Miss Jones?” Her tone said I’d better. “Most kind,” I repeated. For some reason I felt him as a solid warmth behind me, behind all of me, even though only his knuckles made a gentle bumping against my spine. How blasted long could it take to unravel a knot? “Yes,” said Chloe unexpectedly. “Lord Armand is always a perfect gentleman, no matter who or what demands his attention.” “There,” the gentleman said, and at last his hands fell away. The front of the smock sagged loose. I shrugged out of it as fast as I could, wadding it up into a ball. “Excuse me.” I ducked a curtsy and began my escape to the hamper, but Mrs. Westcliffe cut me short. “A moment, Miss Jones. We require your presence.” I turned to face them. Armand was smiling his faint, cool smile. Mrs. Westcliffe looked as if she wished to fix me in some way. I raised a hand instinctively to my hair, trying to press it properly into place. “You have the honor of being invited to tea at the manor house,” the headmistress said. “To formally meet His Grace.” “Oh,” I said. “How marvelous.” I’d rather have a tooth pulled out. “Indeed. Lord Armand came himself to deliver the invitation.” “Least I could do,” said Armand. “It wasn’t far. This Saturday, if that’s all right.” “Um…” “I am certain Miss Jones will be pleased to cancel any other plans,” said Mrs. Westcliffe. “This Saturday?” Unlike me, Chloe had not concealed an inch of ground. “Why, Mandy! That’s the day you promised we’d play lawn tennis.” He cocked a brow at her, and I knew right then that she was lying and that she knew that he knew. She sent him a melting smile. “Isn’t it, my lord?” “I must have forgotten,” he said. “Well, but we cannot disappoint the duke, can we?” “No, indeed,” interjected Mrs. Westcliffe. “So I suppose you’ll have to come along to the tea instead, Chloe.” “Very well. If you insist.” He didn’t insist. He did, however, sweep her a very deep bow and then another to the headmistress. “And you, too, Mrs. Westcliffe. Naturally. The duke always remarks upon your excellent company.” “Most kind,” she said again, and actually blushed. Armand looked dead at me. There was that challenge behind his gaze, that one I’d first glimpsed at the train station. “We find ourselves in harmony, then. I shall see you in a few days, Miss Jones.” I tightened my fingers into the wad of the smock and forced my lips into an upward curve. He smiled back at me, that cold smile that said plainly he wasn’t duped for a moment. I did not get a bow. Jesse was at the hamper when I went to toss in the smock. Before I could, he took it from me, eyes cast downward, no words. Our fingers brushed beneath the cloth. That fleeting glide of his skin against mine. The sensation of hardened calluses stroking me, tender and rough at once. The sweet, strong pleasure that spiked through me, brief as it was. That had been on purpose. I was sure of it.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
he was no mountaineer when he decided to climb the Hindu Kush. A few days scrambling on the rocks in Wales, enchantingly chronicled here, were his sole preparation. It was not mountaineering that attracted him; the Alps abound in opportunities for every exertion of that kind. It was the longing, romantic, reasonless, which lies deep in the hearts of most Englishmen, to shun the celebrated spectacles of the tourist and without any concern with science or politics or commerce, simply to set their feet where few civilized feet have trod. An American critic who read the manuscript of this book condemned it as ‘too English’. It is intensely English, despite the fact that most of its action takes place in wildly foreign places and that it is written in an idiomatic, uncalculated manner the very antithesis of ‘Mandarin’ stylishness. It rejoices the heart of fellow Englishmen, and should at least illuminate those who have any curiosity about the odd character of our Kingdom. It exemplifies the essential traditional (some, not I, will say deplorable) amateurism of the English. For more than two hundred years now Englishmen have been wandering about the world for their amusement, suspect everywhere as government agents, to the great embarrassment of our officials. The Scotch endured great hardships in the cause of commerce; the French in the cause of either power or evangelism. The English only have half (and wholly) killed themselves in order to get away from England. Mr Newby is the latest, but, I pray, not the last, of a whimsical tradition. And in his writing he has all the marks of his not entirely absurd antecedents. The understatement, the self-ridicule, the delight in the foreignness of foreigners, the complete denial of any attempt to enlist the sympathies of his readers in the hardships he has capriciously invited; finally in his formal self-effacement in the presence of the specialist (with the essential reserve of unexpressed self-respect) which concludes, almost too abruptly, this beguiling narrative – in all these qualities Mr Newby has delighted the heart of a man whose travelling days are done and who sees, all too often, his countrymen represented abroad by other, new and (dammit) lower types. Dear reader, if you have any softness left for the idiosyncrasies of our rough island race, fall to and enjoy this characteristic artifact. EVELYN
Eric Newby (A Short Walk in the Hindu Kush: An unforgettable travel adventure across Afghanistan's landscapes)
Never, actually.” Max paused with one pant leg on. “Never? You mean sex? Never? Like ever?” I shook my head. “What the fuck are you waiting for? A formal invitation to get cock up your ass?” “Classy.” I slowly sat up on my own. “I’ve been busy.” “Too busy to fuck.” “Yes, actually.
James Cox (All That Shatters (Sons of Outlaws, #5))
Miss Marks.” She turned to the familiar masculine voice. Leo was there, breathtaking in the formal evening scheme of black and white, his blue eyes sparkling wickedly. “Would you do me the honor?” he asked, gesturing to the whirl of waltzing couples. He was asking her to dance. As he had once promised. Catherine blanched as she became aware of the multitude of gazes on them. It was one thing for the host of the evening to confer briefly with his sister’s companion. It was something else entirely for him to dance with her. He knew it, and he didn’t give a damn. “Go away,” she said in a sharp whisper, her heart beating wildly. A faint smile touched his lips. “I can’t. Everyone’s watching. Are you going to give me a public setdown?” She could not embarrass him that way. It was a violation of etiquette to refuse a man’s invitation to dance if it could have been construed that she didn’t wish to dance with him personally. And yet to be the focus of attention … to set tongues wagging … it was contrary to every instinct for self-preservation. “Oh, why are you doing this?” she whispered again, desperate and furious … and yet somewhere in the midst of her inner tumult, there was a tingle of delight. “Because I want to,” he said, his smile widening. “And so do you.” He was unforgivably arrogant. He also happened to be right.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
I’ve never seen any place so inviting.” “You can’t find anything like this in Boston.” An airy laugh huffed from her lips. “Nay, you cannot.” She moved forward then jerked to a stop. “But is it at all proper for us to be here without a chaperone?” Nathaniel kept the smile away from his expression, though it ached for exposure. She couldn’t be more charming. “Chaperone? I believe such a formality would only be necessary if we were courting.” He leaned forward, finally allowing that grin to expand on his lips. “Are we?” Her cheeks flashed red and she looked away.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
CIRCUIT BREAKER MEDITATION First, settle into your body and your breath, as described in the Basic Mindfulness Meditation in Chapter 3. Invite yourself to move slowly through the meditation exercise, taking your time with each step. Bring your awareness to your jaw and your mouth. Allow your tongue to relax inside your mouth and let your jaw open slightly. Feel your breath passing easily through your relaxed throat. When you feel ready, gently place your hand on your heart, in the center of your chest. Place your other hand on your lower belly, below your navel. Imagine your hands getting warmer, the tiny capillaries and arteries relaxing just a bit to allow warmth to flow into them. Breathe gently and deeply, imagining the breath going into your heart and your belly. With each breath, invite yourself to also breathe into your heart and your belly any sense of goodness, safety, trust, acceptance, or ease that you’re able to bring to mind. Once that’s steady, call to mind a moment of being with someone who loves you unconditionally, someone you feel completely safe with. This may not always be a partner or a parent or a child. Those relationships can be so complex and the feelings can be mixed. It may be, for example, a good friend or a trusted teacher. It may be your therapist, your grandmother, a third-grade teacher, or a beloved pet. Pets are great. As you remember feeling safe and loved with this person or pet, see if you can feel the feelings and sensations that come up with that memory in your body. Allow yourself to really savor these feelings of warmth, safety, trust, and love in your body. When that feeling is steady, gently release the image for now and simply bathe in the feeling for 30 seconds or so. As always, when you’re done with your formal practice, gently and gradually bring yourself back into the room and into the stream of
Marsha Lucas (Rewire Your Brain For Love: Creating Vibrant Relationships Using the Science of Mindfulness)
The New Yorker (The New Yorker) - Clip This Article on Location 1510 | Added on Wednesday, June 10, 2015 5:42:23 PM FICTION THE DUNIAZáT BY SALMAN RUSHDIE   In the year 1195, the great philosopher Ibn Rushd, once the qadi , or judge, of Seville and most recently the personal physician to the Caliph Abu Yusuf Yaqub in his home town of Córdoba, was formally discredited and disgraced on account of his liberal ideas, which were unacceptable to the increasingly powerful Berber fanatics who were spreading like a pestilence across Arab Spain, and was sent to live in internal exile in the small village of Lucena, a village full of Jews who could no longer say they were Jews because they had been forced to convert to Islam. Ibn Rushd, a philosopher who was no longer permitted to expound his philosophy, all of whose writing had been banned and burned, felt instantly at home among the Jews who could not say they were Jews. He had been a favorite of the Caliph of the present ruling dynasty, the Almohads, but favorites go out of fashion, and Abu Yusuf Yaqub had allowed the fanatics to push the great commentator on Aristotle out of town. The philosopher who could not speak his philosophy lived on a narrow unpaved street in a humble house with small windows and was terribly oppressed by the absence of light. He set up a medical practice in Lucena, and his status as the ex-physician of the Caliph himself brought him patients; in addition, he used what assets he had to enter modestly into the horse trade, and also financed the making of tinajas , the large earthenware vessels, in which the Jews who were no longer Jews stored and sold olive oil and wine. One day soon after the beginning of his exile, a girl of perhaps sixteen summers appeared outside his door, smiling gently, not knocking or intruding on his thoughts in any way, and simply stood there waiting patiently until he became aware of her presence and invited her in. She told him that she was newly orphaned, that she had no source of income, but preferred not to work in the whorehouse, and that her name was Dunia, which did not sound like a Jewish name because she was not allowed to speak her Jewish name, and, because she was illiterate, she could not write it down. She told him that a traveller had suggested the name and said it was Greek and meant “the world,” and she had liked that idea. Ibn Rushd, the translator of Aristotle, did not quibble with her, knowing that it meant “the world” in enough tongues to make pedantry unnecessary. “Why have you named yourself after the world?” he asked her, and she replied, looking him in the eye as she spoke, “Because a world will flow from me and those who flow from me will spread across the world.” Being a man of reason, Ibn Rushd did not guess that the girl was a supernatural creature, a jinnia, of the tribe of female jinn: a grand princess of that tribe, on an earthly adventure, pursuing her fascination with human men in general and brilliant ones in particular.
Anonymous
I suggest you leave.” Finn walked over to an easy chair and flopped into it. “You weren’t invited either, pal, so unless it’s a formal interview I’m staying. If it is formal then Thom isn’t saying another word until his lawyer arrives.
Toni Anderson (Dangerous Waters (Barkley Sound, #1))
ave you thought of your family photos as a collection? One of my tables held photos of many generations of women in our family. I displayed them in a variety of frames, and the mother-daughter-granddaughter theme pulled the collection together. No one could resist stopping and taking a peek. Group as black-and-white photos or formal or informal in groups. Another idea is to keep the same frames but change the photos for the seasons. If you have a ton of photos, rotate them so you can enjoy your entire collection. And for a designer touch, add a surprise to your grouping-something that doesn't "match," such as that silly picture of your Aunt Lily. The idea is to share yourself with others in a way that is interesting. ant to change your room? Put two lamps of different sizes on a side table with books, a small clock, a pot of flowers, or a ceramic creation. These change the look and provide better lighting. Your coffee table is an ideal spot for a plant or a terracotta pot with candles. For a softer look, add a throw rug made of mohair or wool-something warm and inviting. And I don't know about you, but I like bookshelves in the living room-complete with books, family pictures, and a mixture of the things I collect. I also love to frame favorite scriptures to welcome me as I go from room to room.
Emilie Barnes (365 Things Every Woman Should Know)
Finally, her brow quirks. “Do you need a formal invitation or something?
Elsie Silver (Wild Love (Rose Hill, #1))
Prayer is like jazz. Jazz music is improvisational. Jazz bands don’t stare at sheet music; they get lost in the music and let it carry them. A saxophonist in an orchestra sits with perfect posture in a refined, formal opera house. A saxophonist in a jazz trio plays with their back arched, their eyes closed, and an expression of deep satisfaction spread across their face inside a smoky, loud club. He is “feeling” the music, not reading it. The interesting thing about jazz, though, is that it requires a firm understanding of the instrument. A wealth of knowledge and hours of practice makes improvisation not only possible but enjoyable. In short, if you want to play jazz, you’ve got to learn the sheet music first. And if you want to pray with passion, spontaneity, and freedom, you’ve got to learn the sheet music.
Tyler Staton (Praying Like Monks, Living Like Fools: An Invitation to the Wonder and Mystery of Prayer)
Cesar’s Rules FOR MASTERING THE WALK Leave and enter your house in front of your dog. Position in the pack is important. Don’t let your dog leave the house in an overexcited condition—make sure she is calm-submissive and in waiting mode before you open the door. Make sure you are the one to invite her outside and to trigger the activity. Walk with your dog behind you or next to you, not in front of you (though there is a time and a place for that), and definitely not pulling you or creating any tension on the leash. Make your walk a minimum of thirty minutes for older, lower-energy, or smaller dogs and forty-five minutes for larger or higher-energy dogs. Walk like a pack leader—head up, shoulders back. Your posture is part of the body language that your dog reads when assessing your energy. Keep your arm relaxed and the leash loose, as if you were holding a briefcase or pocketbook. Alternate between the formal, structured walk and short breaks for your dog to pee, sniff, and explore, which may even include short bursts of walking ahead of you. The key is for you to be the one to start and stop the behavior.
Cesar Millan (Cesar's Rules: Your Way to Train a Well-Behaved Dog)
You might be tempted to conclude: “Well, how about we live together, instead of getting married? We will try each other out. It is the sensible thing to do.” But what exactly does it mean, when you invite someone to live with you, instead of committing yourself to each other? And let us be appropriately harsh and realistic about our appraisal, instead of pretending we are taking a used car for a test jaunt. Here is what it means: “You will do, for now, and I presume you feel the same way about me. Otherwise we would just get married. But in the name of a common sense that neither of us possesses, we are going to reserve the right to swap each other out for a better option at any point.” And if you do not think that is what living together means—as a fully articulated ethical statement—see if you can formulate something more plausible. You might think, “Look, Doc, that is pretty cynical.” So why not we consider the stats, instead of the opinion of arguably but not truly old-fashioned me? The breakup rate among people who are not married but are living together—so, married in everything but the formal sense—is substantially higher than the divorce rate among married couples. And even if you do get married and make an honest person, so to speak, of the individual with whom you cohabited, you are still much more rather than less likely to get divorced than you would be had you never lived together initially. So the idea of trying each other out? Sounds enticing, but does not work.
Jordan B. Peterson (Beyond Order: 12 More Rules For Life)
Ciao, papa,” she said in as deadpan a voice as she could manage. “You look very well this evening. Quite dashing.” He couldn’t help himself; he glanced down and preened for just a moment before he remembered that this was his daughter speaking. She hadn’t said anything that wasn’t sarcastic since she turned thirteen. He felt a touch of nostalgia for the twelve-year-old Silvia, who had prepared her bedroom walls with photos of clean-cut pop stars and cute puppies, who had begged to go to work with him just so they could be together, who had blushed if a neighbor chided her for being too loud . . . But that Silvia was gone. In her place was this, this alien who said everything with a sneer and eyed him disdainfully and made him feel like the oldest, most ridiculous man on earth. “More to the point, I am dressed appropriately,” he said. He realized that he was gritting his teeth. He remembered what his dentist had said about cracked molars, and made a conscious effort to relax his jaw. “You, on the other hand—” He glanced at the tattoo and closed his eyes in pain. “The invitation said formal,” she said, innocently. Her face darkened as she remembered that she had a grievance of her own. “I wanted to buy a new dress for this party, but you said it would cost too much! You said that the babies needed new high chairs! You said that our family now had different financial priorities! And this is the only formal dress I have, remember?” “Yes, and I also remember that there used to be a bit more of it!” her father hissed. Silvia glanced down complacently. “I know,” she said. “I altered it myself. It’s an original design.” “Original.” Her father glared at her. “You’ll be lucky not to be charged with indecent exposure. And if you are”—he gave her a warning look—“don’t expect any favors just because you’re the mayor’s daughter!” Silvia ignored this comment with the disdain it deserved. First, she never told anyone she was the mayor’s daughter. Second, her father was not, by any stretch of the imagination, an authority on fashion. She curled her lip at his tuxedo (which was vintage, but not in a good way), his high-heeled shoes (which kept making him lose his balance), and that scarlet sash (which made him look like an extra in a second-rate opera company). “Fine,” she said loftily. “If the police arrest me, I will plead guilty to having a unique and inventive fashion sense.” He remembered what his wife had said about keeping his temper and forced himself to smile.
Suzanne Harper (The Juliet Club)
The sooner the event is defused or debriefed, the faster the reactions will ease or disappear. Denial prolongs the pain and can keep the event freshly in mind far longer than necessary. Once a situation has been identified as a critical incident, there are several options for managing the group’s response. During a critical incident, watch for acute stress symptoms. Someone allowed to continue functioning when suffering acute stress can cause additional, if inadvertent, rescue burdens to arise. Soon after the event, within a few hours, a defusing is likely to help the group. Everyone is brought together and the event is discussed informally. This is not a critique of how the event was handled. A defusing is a time for examining how people are responding to the situation emotionally, physically, and cognitively. It is an acknowledgment that something unusual happened and that unusual responses may be occurring because of it. Defusing these intense reactions allows healing to begin. As a WFR, you may be called upon to manage a defusing. It is generally best to form the group into a circle with no one hanging back “in the shadows.” Establish guidelines for the defusing. Encourage everyone to speak, but do not allow anyone to cast blame or dwell on things he or she thinks were done wrong. Let no one interrupt while another is speaking. Ask each person to relate (1) his or her role during the incident, (2) how he or she felt and now feels, and (3) what he or she thought and now thinks. A formal critical-incident stress debriefing requires the assistance of a trained group. Many critical incident stress management (CISM) or critical incident stress debriefing (CISD) teams exist. You may wish to check for local availability even before leaving the trailhead. A formal debriefing is conducted by a group composed of both peer counselors (in this case, the ideal would be wilderness oriented peers) and mental health workers who have been specially trained in CISM. Only those who were involved are invited. The process usually takes 2 to 4 hours. The relief of a properly debriefed group is palpable. The ability for an untrained, or well intentioned but naïve, group to cause permanent damage to participants is also very real. Call in only an established, trained CISD group.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
General Kelly, the homeland security secretary and retired four-star Marine general, was furious when he learned that the White House was working on a compromise on immigration for “Dreamers”—a central issue in the immigration debate. Dreamers are immigrant children brought to the United States by their parents who as adults had entered illegally. Under the 2012 legislation called DACA—Deferred Action for Childhood Arrivals—President Obama had given 800,000 Dreamers protection from deportation and made work permits available to them, hoping to bring them out of the shadow economy and give them an American identity. Kelly, a hard-liner on immigration, was supposed to be in charge of these matters now. But Jared Kushner had been working a backchannel compromise. He had been inviting Senator Dick Durbin, the Illinois Democrat who was number two in his party’s leadership, and Lindsey Graham to his office to discuss a compromise. Graham later asked Kelly, “Didn’t Jared tell you we’ve been working on this for months? We’ve got a fix.” Kelly called Bannon. “If the son-in-law is going to run it, then have the son-in-law run it. I don’t need to run it. I need to come see the president. I’m not doing this anymore. I’m not going to be up there and be blindsided and humiliated on something that I’ve got to be in the loop on.” Bannon believed the administration owned the hard-line immigration posture—except for Trump himself. “He’s always been soft on DACA. He believes the left-wing thing. They’re all valedictorians. They’re all Rhodes Scholars. Because Ivanka over the years has told him that.” Kelly voiced his distress to Priebus, who along with Bannon feared Kelly might quit. “Get Kelly some time on the calendar,” Bannon proposed. “Let him come see the boss and light Jared up. Because this is Jared’s shit, doing stuff behind people’s back.” Priebus didn’t do it. “Get it on the fucking calendar,” Bannon insisted. Priebus continued to stall. It would expose disorganization in the White House. “What are you talking about?” Bannon asked. This was laughable! Of course Priebus didn’t have control of Jared. And people were always going behind someone’s back. So Bannon and Priebus both told Kelly, We’ll take care of it. To go to the president would cause unnecessary consternation. We’ll make sure it won’t happen again and you’re going to be in the loop. Kelly, team player for the moment, didn’t push it further. When he later mentioned it obliquely in the president’s presence, Trump didn’t respond. Lindsey Graham wandered into Bannon’s West Wing office. “Hey, here’s the deal. You want your wall?” Trump would get wall funding in exchange for the Dreamers. “Stop,” Bannon said. A deal on the Dreamers was amnesty. “We will never give amnesty for one person. I don’t care if you build 10 fucking walls. The wall ain’t good enough. It’s got to be chain migration.” Chain migration, formally called the family reunification policy, allowed a single legal immigrant to bring close family members into the United States—parents, children, a spouse and, in some cases, siblings. These family members would have a path to legal permanent residency or citizenship. They might be followed by a “chain” of their own spouses, children, parents or siblings. Two thirds (68 percent) of legal permanent residents entered under family reunification or chain migration in 2016. This was at the heart of Trump’s and Bannon’s anti-immigration stance: They wanted to stop illegal immigration and limit legal immigration. Bannon wanted a new, stricter policy. Graham and he were not able to come close to agreement.
Bob Woodward (Fear: Trump in the White House)
Ghalib had arrived at Delhi College in his palanquin having being invited to apply for the new post. But after reaching the college gate, he refused to enter until Mr Thomason, the secretary, came and welcomed him, as he insisted his aristocratic status dictated. After a long stand-off, Mr Thomason came out personally and explained that a formal welcome was appropriate when he attended the Governor’s durbar, but not in the present case, when he came as a candidate for employment. Ghalib replied, ‘I contemplated taking a government appointment in the expectation that this would bring me greater honour than I now receive, not a reduction in those already accorded to me.’ The secretary replied, ‘I am bound by regulations.’ ‘Then I hope you will excuse me,’ Ghalib said, and came away.
William Dalrymple (The Last Mughal: The Fall of Delhi, 1857)