You're A Dime Quotes

What you don't necessarily realize when you start selling your time by the hour is that what you're really selling is your life.

In 2002, having spent more than three years in one residence for the first time in my life, I got called for jury duty. I show up on time, ready to serve. When we get to the voir dire, the lawyer says to me, “I see you’re an astrophysicist. What’s that?” I answer, “Astrophysics is the laws of physics, applied to the universe—the Big Bang, black holes, that sort of thing.” Then he asks, “What do you teach at Princeton?” and I say, “I teach a class on the evaluation of evidence and the relative unreliability of eyewitness testimony.” Five minutes later, I’m on the street. A few years later, jury duty again. The judge states that the defendant is charged with possession of 1,700 milligrams of cocaine. It was found on his body, he was arrested, and he is now on trial. This time, after the Q&A is over, the judge asks us whether there are any questions we’d like to ask the court, and I say, “Yes, Your Honor. Why did you say he was in possession of 1,700 milligrams of cocaine? That equals 1.7 grams. The ‘thousand’ cancels with the ‘milli-’ and you get 1.7 grams, which is less than the weight of a dime.” Again I’m out on the street.

Look, you're small-town. I've had over 50 jobs, maybe a hundred. I've never stayed anywhere long. What I am trying to say is, there is a certain game played in offices all over America. The people are bored, they don't know what to do, so they play the office-romance game. Most of the time it means nothing but the passing of time. Sometimes they do manage to work off a screw or two on the side. But even then, it is just an offhand pasttime, like bowling or t.v. or a New Year's Eve party. You've got to understand that it doesn't mean anything and then you won't get hurt. Do you understand what I mean?" I think that Mr. Partisan is sincere." You're going to get stuck with that pin, babe, don't forget what I told you. Watch those slicks. They are as phony as a lead dime.

Thank you. You're a kind person. It doesn't cost anything to be kind. People forget. Kindness doesn't cost a dime.

To draw for a moment from an entirely different corner of my life, that part of me still attached to the biological sciences, there is ample evidence that animals — rats and monkeys, for example — that are forced into a subordinate status within their social systems adapt their brain chemistry accordingly, becoming 'depressed' in humanlike ways. Their behavior is anxious and withdrawn; the level of serotonin (the neurotransmitter boosted by some antidepressants) declines in their brains. And — what is especially relevant here — they avoid fighting even in self-defense ... My guess is that the indignities imposed on so many low-wage workers — the drug tests, the constant surveillance, being 'reamed out' by managers — are part of what keeps wages low. If you're made to feel unworthy enough, you may come to think that what you're paid is what you are actually worth.

that little bitch hadn’t run, I would have put a bullet in her myself. You think I want a dime of your blood money, girl? You think you’re family? You hang up that phone. You forget my name. And if you’re lucky, I’ll make sure this family—this whole town—forgets yours.

No! I don't want to speak of that! But I'm going to. I want you to hear. I want you to know what's in store for you. There will be days when you'll look at your hands and you'll want to take something and smash every bone in them, because they'll be taunting you with what they could do, if you found a chance for them to do it, and you can't find that chance, and you can't bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he'll be only asking for a dime, but that won't be what you hear; you'll hear that you're nothing, that he's laughing at you, that it's written on your forehead, that thing they hate you for. There will be days when you'll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about the work you love, and the things he'll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you'll hear people applauding him, and you'll want to scream, because you won't know whether they're real or you are, whether you're in a room full of gored skulls, or whether someone has just emptied your own head, and you'll say nothing, because the sounds you could make - they're not a language in that room any longer; but you'd want to speak, you won't anyway, because you'll be brushed aside, you who have nothing to tell them about buildings! Is that what you want?

Phillip look into Ray's eyes. He saw compassion and hope. And he saw himself mirrored back, bleeding in a dirty gutter on a street where life was worth less than a dime bag. Sick, tired, petrified, Phillip dropped his head into his hands. "What's the point?" "You're the point, son." Ray ran his hand over Phillip's hair. "You're the point.

Here’s what I’ve got, the reasons why our marriage might work: Because you wear pink but write poems about bullets and gravestones. Because you yell at your keys when you lose them, and laugh, loudly, at your own jokes. Because you can hold a pistol, gut a pig. Because you memorize songs, even commercials from thirty years back and sing them when vacuuming. You have soft hands. Because when we moved, the contents of what you packed were written inside the boxes. Because you think swans are overrated. Because you drove me to the train station. You drove me to Minneapolis. You drove me to Providence. Because you underline everything you read, and circle the things you think are important, and put stars next to the things you think I should think are important, and write notes in the margins about all the people you’re mad at and my name almost never appears there. Because you make that pork recipe you found in the Frida Khalo Cookbook. Because when you read that essay about Rilke, you underlined the whole thing except the part where Rilke says love means to deny the self and to be consumed in flames. Because when the lights are off, the curtains drawn, and an additional sheet is nailed over the windows, you still believe someone outside can see you. And one day five summers ago, when you couldn’t put gas in your car, when your fridge was so empty—not even leftovers or condiments— there was a single twenty-ounce bottle of Mountain Dew, which you paid for with your last damn dime because you once overheard me say that I liked it.

Ridin'" [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention Pick me up after school, you can be my baby Maybe we could go somewhere, get a little crazy He’s rich and I’m wishin’, um, he could be my Mister Yum Delicious to the maximum, chew him up like bubble gum Mama’s pretty party favor, he says I’m his favorite flavor [Hook] Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [Lana Del Rey] You say that I am flawless, true perfection So give me all your drugs, props, money, and connections Pick me up after school, actin’ kinda shady You’re the coolest kid in town, I’m your little lady Your sick and I’m kissin’ him, magical musician, how I’m Drivin’ at the cinema, lovin’ him and lickin’ him He’s my love, the life saver Don’t step on my bad behavior Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [A$AP Rocky] Swervin’, swervin’, gettin’ all them dimes Tell her I be doin’, I be swaggin’ to my prime This ain’t all the time, it happens all the time That’s a big contradiction, get your money on your mind What, what, tell her I be on a chase Chasin’ for that paper and you see me on that race What, what, tell her I be goin’ first I be gon’ first and they put me in a herse, oh One big room, full of bad bitches, no One big room and it’s full of mad bitches Lana, Lana, tell them what it is Tell ‘em that you doin’ it, you mean to do it big I said, one big room, full of bad bitches, no it’s One big room and it’s full of mad bitches, I said Lana, Lana, tell them what it is Tell ‘em when you do it that you only do it big Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh

Come back anytime, son. I’m thinking about lowering the price on the large.” “To a dime?” He grinned. Like his son’s, it was easy and open. “Now you’re cooking with gas.

We can talk to one another on telephones in banks, in cars, in line. No more sitting on the floor attached to a cord while everybody listens. No more standing outside the booth in the cold, fingering an adulterous dime. We send each other mail without stamps. Watch television without antennas. Wear seatbelts, smoke less, and never on a bus, never in the lobby while we’re waiting for the lawyer to call on us. Nowhere now, a typewriter ribbon. Quaintly the record album’s scratch and spin. Our groceries, scanned. Pump our own gas. Take off our shoes before boarding our plane. Those towers: Gone. And Pluto’s no longer a planet: Forget it. I could go on and on, but you’re still dead and nothing’s any different.

What I have to face is that 'Barb,' the name on my ID tag, is not exactly the same person as Barbara. 'Barb' is what I was called as a child, and still am by my siblings, and I sense that at some level I'm regressing. Take away the career and the higher education, and maybe what you're left with is this original Barb, the one who might have ended up working at Wal-Mart for real if her father hadn't managed to climb out of the mines. So it's interesting, and more than a little disturbing, to see how Barb turned out — that she's meaner and slyer than I am, more cherishing of grudges, and not quite as smart as I'd hoped.

Frickin’ cell phones are the scourge of our existence.  Here you go, you’re gonna pay a shit load of money each month, to carry around this over-sized hunk of crap in your pocket, and then anybody in the world will be able to call you anytime they damn well please, and interrupt whatever you’re doing, wherever you’re at, anytime day or night.  And you signed up for that shit?  Come on . . . They need to bring back pay phones.  You want to talk about nostalgia, think about standing there, jukebox blaring, finger stuck in one ear, trying like hell to hear what the person on the other end was saying.  And then you get that notification; the countdown, that if you don’t immediately put more money in that damn thing, they’re gonna cut you off.  Digging in your pockets for a dime or a nickel, but you never found it in time, did you?  Remember that shit?  Those were the good old days.

My guess is that the indignities imposed on so many low-wage workers—the drug tests, the constant surveillance, being “reamed out” by managers—are part of what keeps wages low. If you’re made to feel unworthy enough, you may come to think that what you’re paid is what you are actually worth. It is hard to imagine any other function for workplace authoritarianism. Managers may truly believe that, without their unremitting efforts, all work would quickly grind to a halt. That is not my impression. While I encountered some cynics and plenty of people who had learned to budget their energy, I never met an actual slacker or, for that matter, a drug addict or thief. On the contrary, I was amazed and sometimes saddened by the pride people took in jobs that rewarded them so meagerly, either in wages or in recognition. Often, in fact, these people experienced management as an obstacle to getting the job done as it should be done.

In the Sixties, the hippies used to say, "Never trust anyone over 30." Now all the Sixties hippies are in their sixties, and they've gone quiet about that, but it's good advice for you: never trust anyone over 30 with the societal checkbook. You thought you were the idealistic youth of the Obama era, but in fact you're the designated fall-guys. You weren't voting for "the future," but to deny yourself the very possibility of one--like turkeys volunteering to waddle around with an "Audacity of Thanksgiving" bumper sticker on your tush. Instead of swaying glassy-eyed behind President Obama at his campaign rallies singing "We are the hopeychange," you should have been demanding that the government spend less money on small agencies with fewer employees on smaller salaries. Because if you don't, there won't be a future. "You can be anything you want to be"--but only if you first tell today's big spenders that, whatever they want to be, they should try doing it on their own dime.

You’re back and forth with me, with your actions, with your emotions. You act like you don’t remember me, then spring on me that you do. You flirt with me and then you stop on a dime. You kiss me and then you pull away as soon as I touch you. You’re mad then you’re not.” I don’t stop to take a breath or let him speak before finally raising the hand he’s holding and letting it go. “You’re holding my hand, then . . .” I trail off, not sure of how to finish that thought. Tearing my gaze from his, I try to rein in my emotions, to wipe the flustered girl up off the floor.

Go to Zillicks down the block. It has three booths at the back. Go in the middle one and wait. When you lamp me turning the pages of the directory outside, shove your money in the return-coin slot and walk out. Take it easy. Don't let the druggist see you. Your stuff'll be there when you go back for it. If you're even a dime short don't show up, it won't do ya no good. Twelve o'clock tonight.' 'Twelve o'clock;' Fisher agreed. They separated. How many a seemingly casual street-corner conversation like that on the city's streets has just such an unguessed, sinister topic. Murder, theft, revenge, narcotics. While the crowd goes by around it unaware. ("I'm Dangerous Tonight")

She brought the tea into the living room on a lacquered tray. The pot and cups were Japanese with unglazed rims. She poured. "Thanks," I said. "Well?" "Huh?" "Your family," she reminded. I sipped the tea. "This is really good. Really delicious." She raised her eyebrows. "That's what I thought. You're a good listener, Davy, and you can change the subject on a dime. You've hardly talked about yourself at all." "I talk... too much." "You talk about books, you talk about plays, you talk about movies, you talk about places, you talk about food, you talk about current events. You don't talk about yourself." I opened my mouth, then shut it again. I hadn't really thought about it. Sure, I didn't talk  about the jumping, but the rest? "Well, there's not much to say. Not like those stories of growing up with four brothers." She smiled. "It's not going to work. If you don't want to talk about it, that's fine. But I'm not going to be distracted again, nor fooled into talking about those idiots again." She poured more tea into my cup. I frowned. "Do I really do that?" "What? Not talk about yourself? Yes." "No, try and distract you." She stared at me. "You are fucking amazing. I've never seen someone so good at changing the subject." "I don't do it on purpose." She laughed. 

I want you to hear. I want you to know what’s in store for you. There will be days when you’ll look at your hands and you’ll want to take something and smash every bone in them, because they’ll be taunting you with what they could do, if you found a chance for them to do it, and you can’t find that chance, and you can’t bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he’ll be only asking for a dime, but that won’t be what you’ll hear; you’ll hear that you’re nothing, that he’s laughing at you, that it’s written on your forehead, that thing they hate you for. There will be days when you’ll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about that work which you love, and the things he’ll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you’ll hear the people applauding him, and you’ll want to scream, because you won’t know whether they’re real or you are, whether you’re in a room full of gored skulls, or whether someone has just emptied your own head, and you’ll say nothing, because the sounds you could make—they’re not a language in that room any longer; but if you’d want to speak, you won’t anyway, because you’ll be brushed aside,

Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.

No! I don’t want to speak of that! But I’m going to. I want you to hear. I want you to know what’s in store for you. There will be days when you’ll look at your hands and you’ll want to take something and smash every bone in them, because they’ll be taunting you with what they could do, if you found a chance for them to do it, and you can’t find that chance, and you can’t bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he’ll be only asking for a dime, but that won’t be what you’ll hear; you’ll hear that you’re nothing, that he’s laughing at you, that it’s written on your forehead, that thing they hate you for.

Jackie, can you tell me if someone’s dead or not?’ “Who it be? Maybe I heard something.” “Miranda Lopez.” I pulled out the charm and balanced it on my fingertips, and then I realized the photo was probably a better likeness. I pocketed the milagro ad held up the Polaroid. “I find out for you if you get me a dime.” I sighed and put the photo away. “You can’t smoke crack. You’re dead. And even if you weren’t, I’m not gonna score for you. I’m a cop. “ “You so full of shit. You ain’t no cop neither.” “Would I be wearing this fucking suit if I wasn’t a cop?” “I don’t know. I always thought you sold cars or something.” I tucked my chin toward my chest and stomped toward my gate. Jackie couldn’t help me. And how dare she call me a used car salesman? I wasn’t always a dork in a blazer. Once upon a time I was actually cool. Until the Cook County Mental Health Centre, anyway. After that, I guess I kinda stopped caring.

Many potential readers will skip the shopping cart or cash-out clerk because they have seen so many disasters reported in the news that they’ve acquired a panic mentality when they think of them. “Disasters scare me to death!” they cry. “I don’t want to read about them!” But really, how can a picture hurt you? Better that each serve as a Hallmark card that greets your fitful fevers with reason and uncurtains your valor. Then, so gospeled, you may see that defeating a disaster is as innocently easy as deciding to go out to dinner. Remove the dread that bars your doors of perception, and you will enjoy a banquet of treats that will make the difference between suffering and safety. You will enter a brave new world that will erase your panic, and release you from the grip of terror, and relieve you of the deadening effects of indifference —and you will find that switch of initiative that will energize your intelligence, empower your imagination, and rouse your sense of vigilance in ways that will tilt the odds of danger from being forever against you to being always in your favor. Indeed, just thinking about a disaster is one of the best things you can do —because it allows you to imagine how you would respond in a way that is free of pain and destruction. Another reason why disasters seem so scary is that many victims tend to see them as a whole rather than divide them into much smaller and more manageable problems. A disaster can seem overwhelming when confronted with everything at once —but if you dice it into its tiny parts and knock them off one at a time, the whole thing can seem as easy as eating a lavish dinner one bite at a time. In a disaster you must also plan for disruption as well as destruction. Death and damage may make the news, but in almost every disaster far more lives are disrupted than destroyed. Wit­ness the tornado that struck Joplin, Missouri, in May 2011 and killed 158 people. The path of death and destruction was less than a mile wide and only 22 miles long —but within thirty miles 160,000 citizens whose property didn’t suffer a dime of damage were profoundly disrupted by the carnage, loss of power and water, suspension of civic services, and inability to buy food, gas, and other necessities. You may rightfully believe your chances of dying in a disaster in your lifetime may be nearly nil, but the chances of your life being disrupted by a disaster in the next decade is nearly a sure thing. Not only should you prepare for disasters, you should learn to premeditate them. Prepare concerns the body; premeditate concerns the mind. Everywhere you go, think what could happen and how you might/could/would/should respond. Use your imagination. Fill your brain with these visualizations —run mind-movies in your head —develop a repertoire —until when you walk into a building/room/situation you’ll automatically know what to do. If a disaster does ambush you —sure you’re apt to panic, but in seconds your memory will load the proper video into your mobile disk drive and you’ll feel like you’re watching a scary movie for the second time and you’ll know what to expect and how to react. That’s why this book is important: its manner of vivifying disasters kickstarts and streamlines your acquiring these premeditations, which lays the foundation for satisfying your needs when a disaster catches you by surprise.

March 12 Dear Stargirl, Hey, you're a big girl now. Stop being such a baby. You think you're the only one who's ever lost a boyfriend? Boyfriends are a dime a dozen. You want to talk loss, look at all the loss around you. How about the man in the red and yellow plaid scarf? He lost Grace. BELOVED WIFE. I'll bet they were married over 50 years. You barely had 50 days with Leo. And you have the gall to be sad in the same world as that man. Betty Lou. She's lost the confidence to leave her house. Look at you. Have you ever stopped to appreciate the simple ability to open your front door and step outside? And Alvina the floor sweeper-she hates herself, and it seems she's got plenty of company. All she's losing is her childhood, her future, a worldful of people who will never be her friends. How would you like to trade places with her? Oh yes, lets not forget the footshuffling guy at the stone piles. Moss-green pom-pom. What did he say to you? "Are you looking for me?" It seems like he hasn't lost much, has he? Only...HIMSELF! Now look at you, sniveling like a baby over some immature kid in Arizona who didn't know what a prize he had, who tried to remake you into somebody else, who turned his back to you and left you to the wolves, who hijacked your heart and didn't even ask you to the Ocotillo Ball. What don't you understand about the message? Hel-loooo? Anybody home in there? You have your whole life ahead of you, and all your doing is looking back. Grow up, girl. There are some things they don't teach you in homeschool. Your Birth Certificate Self, Susan Caraway

It was when they determined that I had been born dead That my life became easier to understand. For a long time, I wondered why rooms felt colder when I entered them, Why nothing I said seemed to stick in anyone’s ear, Frankly, why I never had any money. I wondered Why the cities I walked through drifted into cloud Even as I admired their architecture, as I pointed out The cornerstones marked “1820,” “1950.” The only songs I ever loved were filled with scratch, dispatches from A time when dead ones like me were a dime a dozen. I spent my life in hotels: some looked like mansions, Some more like trailer parks, or pathways toward A future I tried to point to, but how could I point, With nothing but a hand no hand ever matched, With fingers that melted into words that no one read. I rehearsed names that others taught me: Caravaggio, Robert Brandom, Judith, Amber, Emmanuelle Cat. I got hungry the way only the dead get hungry, The hunger that launches a thousand dirty wars, But I never took part in the wars, because no one lets A dead man into their covert discussions. So I drifted from loft to cellar, ageless like a ghost, And America became my compass, and Europe became The way that dead folks talk, in short, who cares, There’s nothing to say because nobody listens, There’s no radio for the dead and the pillows seem Like sand. Let me explain: when you’re alive, As I understand it, pillows cushion the head, the way A lover might soothe the heart. The way it works for me, In contrast, is everything is sand. Beds are sand, The women I profess to love are sand, the sound of music In the darkest night is sand, and whatever I have to say Is sand. This is not, for example, a political poem, Because the dead have no politics. They might have A hunger, but nothing you’ve ever known Could begin to assuage it.

Like A Rolling Stone" Once upon a time you dressed so fine You threw the bums a dime in your prime, didn't you? People'd call, say, "Beware doll, you're bound to fall" You thought they were all kiddin' you You used to laugh about Everybody that was hangin' out Now you don't talk so loud Now you don't seem so proud About having to be scrounging for your next meal How does it feel? How does it feel To be without a home Like a complete unknown Like a rolling stone? You've gone to the finest school all right, Miss Lonely But you know you only used to get juiced in it And nobody's ever taught you how to live out on the street And now you're gonna have to get used to it You said you'd never compromise With the mystery tramp, but now you realize He's not selling any alibis As you stare into the vacuum of his eyes And say do you want to make a deal? How does it feel? How does it feel To be on your own With no direction home A complete unknown Like a rolling stone? You never turned around to see the frowns on the jugglers and the clowns When they all did tricks for you You never understood that it ain't no good You shouldn't let other people get your kicks for you You used to ride on the chrome horse with your diplomat Who carried on his shoulder a Siamese cat Ain't it hard when you discover that He really wasn't where it's at After he took from you everything he could steal How does it feel? How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? Princess on the steeple and all the pretty people They're all drinkin', thinkin' that they got it made Exchanging all precious gifts But you'd better take your diamond ring, you'd better pawn it babe You used to be so amused At Napoleon in rags and the language that he used Go to him now, he calls you, you can't refuse When you ain't got nothing, you got nothing to lose You're invisible now, you got no secrets to conceal How does it feel How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? Bob Dylan, Highway 61 Revisited (1965)

I made a long speech in bad French in which I admitted that I was no critic, that I was always passionate and prejudiced, that I had no reverence for anything except what I liked. I told them that I was an ignoramus, which they tried to deny vigorously. I saidl would rather tell them stories. I began—about a bum who had tried to hit me up for a dime one evening as I was walking towards the Brooklyn Bridge. I explained how I had said No to the man automatically and then, after I had walked a few yards it suddenly came to me that a man had asked me for something and I ran back and spoke to him. But instead of giving him a dime or a quarter, which I could easily have done, I told him that I was broke, that I had wanted to let him know that, that was all. And the man had said to me—"do you mean that, buddy? Why, if that's the way it is, I'll be glad to give you a dime myself." And I let him give it to me, and I thanked him warmly, and walked off. They thought it a very interesting story. So that's how it was in America? Strange country ... anything could happen there. "Yes," I said, "a very strange country," and I thought to myself that it was wonderful not to be there any more and God willing I'd never return to it. "And what is it about Greece that makes you like it so much?" asked someone. I smiled. "The light and the poverty," I said. "You're a romantic," said the man. "Yes," I said, "I'm crazy enough to believe that the happiest man on earth is the man with the fewest needs. And I also believe that if you have light, such as you have here, all ugliness is obliterated. Since I've come to your country I know that light is holy: Greece is a holy land to me." "But have you seen how poor the people are, how wretchedly they live?" "I've seen worse wretchedness in America," I said. "Poverty alone doesn't make people wretched." "You can say that because you have sufficient …." "I can say it because I've been poor all my life," I retorted. "I'm poor now," I added. "I have just'enough to get back to Athens. When I get to Athens I'll have to think how to get more. It isn't money that sustains me—it's the faith I have in myself, in my own powers. In spirit I am a millionaire—maybe that's the best thing about America, that you believe you'll rise again." "Yes, yes," said Tsoutsou, clapping his hands, "that's the wonderful thing about America: you don't know what defeat is." He filled the glasses again and rose to make a toast "To America!" he said, "long may it live!" "To Henry Miller!" said another, "because he believes in himself.

Any dictatorship takes a psychological toll on its subjects. If you are treated as an untrustworthy person-a potential slacker, drug addict, or thief-you may begin to feel less trust worthy yourself. If you are constantly reminded of your lowly position in the social hierarchy, whether by individual managers or by a plethora of impersonal rules, you begin to accept that unfortunate status. To draw for a moment from an entirely different corner of my life, that part of me still attached to the biological sciences, there is ample evidence that animals-rats and monkeys, for example-that are forced into a subordinate status within their social systems adapt their brain chemistry accordingly, becoming "depressed" in humanlike ways. Their behavior is anxious and withdrawn; the level of serotonin (the neurotransmitter boosted by some antidepressants) declines in their brains. And-what is especially relevant here-they avoid fighting even in self-defense. Humans are, of course, vastly more complicated; even in situations of extreme subordination, we can pump up our self-esteem with thoughts of our families, our religion, our hopes for the future. But as much as any other social animal, and more so than many, we depend for our self-image on the humans immediately around us-to the point of altering our perceptions of the world so as to fit in with theirs. My guess is that the indignities imposed on so many low-wage workers - the drug tests, the constant surveillance, being "reamed out" by managers - are part of what keeps wages low. If you're made to feel unworthy enough, you may come to think that what you're paid is what you are actually worth. It is hard to imagine any other function for workplace authoritarianism. Managers may truly believe that, without their unremitting efforts, all work would quickly grind to a halt. That is not my impression. While I encountered some cynics and plenty of people who had learned to budget their energy, I never met an actual slacker or, for that matter, a drug addict or thief. On the contrary, I was amazed and sometimes saddened by the pride people took in jobs that rewarded them so meagerly, either in wages or in recognition. Often, in fact, these people experienced management as an obstacle to getting the job done as it should be done.

Jersey chasers are a dime a dozen, always willing to take a ride on the football side, but you’ve got to be careful with the overly eager ones, the ones who aren’t just trying to make a trophy outta you, but a fuckin’ Lifetime Achievement award. As in, poking holes in condoms and look at that, you’re a baby daddy. I don’t know if Josie falls into that latter category, but she’s a little too eager for my taste.

I’ll tell you one story. I had an idea for a fund in 2008 when oil was crashing at the end of the year. Stocks / funds that invested in municipal bonds in Texas were getting destroyed. Somehow, because oil was going down, everyone naturally assumed that Texas was going to simply disappear. I researched every municipal bond out there and found a good set of Texan cities that were being sold off with everyone else even though they had nothing to do with oil. I pitched it to a huge investor who had told me he wanted to back me on any idea I could come up with. He loved the idea. He loved it so much he told me, “You’re too late. We already have about $500 million in this strategy and we bought the very stocks you are recommending.” They went up over 100% in the next six months while the world was still in financial collapse. So he made a lot of money. As for me, I didn’t put a dime into my own strategy and made nothing.

The thing is, there’s generally no consequence for bad police behavior, even repeated or serially bad behavior. Even if individual officers are successfully sued, the only thing that happens is that the city’s corporation counsel pays out some cash, and life just goes on as before. An officer’s record of complaints or settlements isn’t listed publicly. A defense lawyer who wants to find out if the officer who arrested his client has ever, say, bounced an old lady’s head off a sidewalk or lied to a judge about witnessing a drug sale has to meet an extraordinary legal standard to get access to that info. In order to look at an officer’s record, you have to file what’s called a “Gissendanner motion,” the term referring to a 1979 case, People v. Gissendanner. In that case, a woman in the Rochester suburb of Irondequoit was busted in a sting cocaine sale by a pair of undercover police. The court in that case held that the defendant isn’t entitled to subpoena the records of arresting officers willy-nilly, but that you needed a “factual predicate” to look for records of, say, excessive force or entrapment. In other words, you already need to know what you’re looking for before you find it. What this all boils down to is, if you really feel like it, you can definitely sue the New York City Police Department. Since so much of what they do happens on the street, in front of witnesses, you might very well even win. But even if you win, there’s not necessarily any consequence. The corporation counsel’s office doesn’t call up senior police officials after lawsuits and say, “Hey, you’ve got to get rid of these three meatheads in the Seventy-Eighth Precinct we keep paying out settlements for.” In fact, when there are successful lawsuits, individual officers typically aren’t even informed of it. What makes this so luridly fascinating is that this system is the exact inverse of the no-jail, all-settlement system of justice that governs too-big-to-fail companies like HSBC. Big banks get caught committing crimes, at worst they pay a big fine. Instead of going to jail, a check gets written, and it comes out of the pockets of shareholders, not the individuals responsible. Here it’s the same thing. Police make bad arrests, a settlement comes out of the taxpayer’s pocket, but the officer himself never even hears about it. He doesn’t have to pay a dime. And life goes on as before.

Don't say that. You're not going to die." "I hope not. But I wouldn't bet my last dime against it. And if I do, I want to go out knowing I actually lived first.

Sweat trickles slowly down my neck. It creeps between my shoulder blades and lays its sticky fingers on my spine. I’d give anything to wipe my face, but I can’t because that’s not what you do, even when you’re only practicing. You’re supposed to smile and pretend to be having a great time, never mind that your legs are now shattered and want to disown you. “Samantha,

Frontrunners are a dime a dozen. It’s easy to stay in the game when you’re winning. What sets the special fighters apart is the ability to battle beyond your greatest losses and adversities.” By

I understand. I’ll call my brother and he’ll come get me.” Gracie’s hand flew up and her eyes went wide. “Wait, what?” “I don’t want to hurt anyone.” After thirteen years, she was used to giving up her desires to do the right thing; she only wished it wasn’t so hard. “You’re right, it’s best if I go home.” “No!” Gracie shouted. She straightened and stepped closer to Maddie. “No! That’s not what I meant. I was only trying to say, ‘be careful.’” The men chose that moment to burst in the door like a bunch of rambunctious puppies, filling the room with chaos and testosterone. Gracie placed her hand over her forehead. “Oh, shit, he’s going to kill me.” Mitch stopped on a dime, his attention going first to Maddie and then to Gracie. A muscle in his jaw jumped. “What did you do?” All three men turned to Gracie. They advanced on her, gleaming with sweat. Alarm stirred. Maddie didn’t need to see their faces. The aggression was clear in their stance. The sheriff crossed his arms over his broad chest, and the muscles in his back rippled with the movement. Like Mitch, he also had a tribal-looking tattoo, although it was on his left shoulder instead of wrapping around his bicep. “You couldn’t keep your mouth shut, huh?” Gracie seemed to regain some of her composure, and her chin tilted. “I was only . . .” She cleared her throat. “Being friendly. And helpful.” Sam pinched the bridge of his nose with his thumb and forefinger. “Didn’t I tell you to leave it alone?” “Yes, but . . .” Gracie glanced at Maddie. “I was worried, and—” Mitch sliced a hand through the air. “What happened?” The men reminded Maddie so much of her brothers and their tactics lit her temper. “That’s enough!” They all swung around. The men’s eyes were sharp, hard with leftover adrenaline. It gave her a moment of pause, before she brushed their daunting presence aside and vaulted off her position by the sink. They tracked her as she stomped around them to stand in front of Gracie. “Stop intimidating her.” Charlie laughed, a wry, amused sound. “Honey, we couldn’t intimidate her if we tried.” His gaze slid over Gracie in a familiar, intimate way. “Although I do think she’s angling for a spanking.” “Ha! You wish.” Gracie placed a hand on Maddie’s shoulder. “Thanks for trying to rescue me. You’re a doll.” She sniffed. “It’s nice to have another female here. I never have anyone on my side.” Sam shook his head. “What did I tell you?” Maddie planted her hands on her hips. “She didn’t do anything, so stop it.” Mitch’s eyes narrowed. “What did she say, Maddie?” “I was just—” Gracie said. “Nothing.” Maddie cut her off as a sudden loyalty toward the woman behind her swelled in her chest. “It has nothing to do with any of you. Now back off.” Charlie’s lips curled into a smile. “Aren’t you a feisty little thing?” “I might be little,” Maddie said, in a righteous tone. “But I’m used to dealing with my brothers, who are all bigger and scarier than you.” Charlie laughed and elbowed Mitch in the ribs. “That sounds like a challenge.” Maddie risked a glance at Mitch to find his expression still hard, not amused at all. He crossed his arms. “I want to talk to Maddie. Alone.” Sam jutted his chin toward the door. “Let’s go.” Gracie squeezed Maddie’s shoulders. “Thanks for sticking up for me. And remember, I’m right next door if you need anything.” “She won’t,” Mitch said, his tone matching the dark expression he wore. Strangely,

If I had a dime for every time I said, “Why is this happening?” after a loved one got sick or passed away, Gram would never have to send me those silver coins again. I think that one of the hardest things to accept when you’re in any tough, life-changing situation, particularly related to mortality, is that there aren’t explanations to every question you have. I don’t even know all the answers, and I’ve got a direct line to Heaven!

Yeah, 'cause you're just another vehicle goin' by and by.

I suppose you’re wondering where I’ve been,” Caleb said, sounding damnably pleased with himself as he climbed down from the gelding’s back. “I wasn’t wondering any such thing.” Lily’s arms were folded, and her chin was thrust out. She couldn’t help noticing that Caleb wasn’t wearing his uniform—he had on dark trousers and a cotton shirt. On his head in place of the tasseled campaign hat was a slouchy leather one. Although he wasn’t wearing a holster and pistol, there was a rifle in the scabbard on his saddle. Caleb grinned as he reached up for his saddlebags. “That being the case, you probably wouldn’t be interested in the presents I brought you.” Lily took a reluctant step nearer. “Presents?” He slung the bulging saddlebags over one sturdy shoulder and gave a long-suffering sigh. “You won’t want to see them, of course.” Lily bit her lower lip. “That would depend,” she said. Caleb laughed. “On what?” There was no helping it; Lily had to smile. “On what they are, silly.” He tossed the saddlebags to Lily, and they nearly knocked her over. “Go ahead, sodbuster. Have a look.” Feeling self-conscious, Lily opened the flap of one saddlebag and peeked inside. It was bulging with fragrant, tangy oranges, and Lily’s mouth watered at the prospect of such a treat. In the other saddlebag she found two dime novels, Wilhelmina and the Wild Indians and Evelyn and the Mountain Man, along with a bar of chocolate and two pretty tortoiseshell combs for her hair. “I don’t know what to say,” Lily whispered. She’d never received so many wonderful presents at one time in her life. “Except for thank you, of course.” Caleb kissed her forehead. “Am I back in your good graces now?” Lily looked up at him, clutching the saddlebags to her chest. “That depends on whether or not you’ve decided to marry me.” His jawline tightened, and for one terrible moment Lily was afraid he meant to take back the oranges and the books and the chocolate and the combs. “I’ve decided,” he answered. His voice was so cold that Lily didn’t need to ask what that decision was. She flung the saddlebags with their cherished contents back into his arms, whirled on one heel, and strode back to the garden plot, where she began hoeing again with a vengeance.

Rural Free Delivery (RFD) Home, upon that word drops the sunshine of beauty and the shadow of tender sorrows, the reflection of ten thousand voices and fond memories. This is a mighty fine old world after all if you make yourself think so. Look happy even if things are going against you— that will make others happy. Pretty soon all will be smiling and then there is no telling what can’t be done. Coca-Cola Girl Mother baked a fortune cake pale yellow icing, lemon drops round rim, hidden within treasures, a ring—you’ll be married, a button—stay a bachelor, a thimble—always a spinster, and a penny—you’re rich. Gee, but I am hungry. Wait a second, dear, until I pull my belt up another notch. There that’s better. So, you see, Hon, I am straighter than a string around a bundle. You ought to see my eye, it’s a peach. I am proud of it, looks like I’ve been kicked by a mule. You know, dear, that they can kick hard enough to knock all the soda out of a biscuit without breaking the crust Hogging Catfish This gives you a fighting chance. Noodle your right hand into their gills, hold on tight while you grunt him out of the water. This can be a real dogfight. Old river cat wants to go down deep, make you bottom feed. Like I said, boys, when you tell a whopper, say it like you believe it. Saturday Ritual My Granddad was a cobbler. We each owned two pairs of shoes, Sunday shoes and everyday shoes. When our Sunday shoes got worn they became our everyday shoes. Main Street Saturday Night We each were given a dime on Saturday opening a universe of possibilities. All the stores stayed open and people flocked into town. Mr. and Mrs. Reynolds set up a popcorn stand on Reinheimer’s corner and soon after lighting a little stove, sounding like small firecrackers, popping began. Dad, laughing shooting the breeze with a group of farmers, drinking Coca Cola, finding out if any sheds needed to be built or barns repaired, discussing the price of next year’s seed, finding out who’s really working, who’s just looking busy. There is no object I wouldn’t give to relive my childhood growing up in Delavan— where everyone knew everyone— and joy came with but a dime. Market Day Jim Pittsford’s grocery smelled of bananas ripening and the coffee he ground by hand, wonderful smoked ham and bacon fresh sliced. He’d reward the child who came to pick up the purchase, with a large dill pickle Biking home, skillfully balancing Jim Pittsford’s bacon, J B’s tomatoes and peaches, while sniffing a tantalizing spice rising from fresh warm rolls, I nibbled my pickle reward.

In real life, every day you might come to some new conclusion about yourself and about the reasoning behind your behavior, and you can tell yourself that this knowledge will make all the difference. But in all likelihood, you’re going to keep on doing the same old things. You’ll still be the same person. You’ll still cling to your destructive, debilitating habits because your emotional tie to them is so strong—so much stronger than any dime-store insight you might come up with—that the stupid things you do are really the only things you’ve got that keep you centered and connected.

You’re a real person.” “Real people are a dime a dozen.” Jack thought for a second. “Okay. You know the dolls my mom rescues?” “Yeah?” “What I’m saying is, the women in your file—those women from my past—they’re the ‘before's.’ And you…” He looked right into my eyes. “You’re the ‘after.’” And just like that, I got it. I got what Jack Stapleton meant by “real.” More than that, I believed him.

She remembered her Gran. She remembered how Gran would tell her people like Lorene were a dime a dozen. They judged their own worth by how worthless they could make others feel. They were the small ones, the little bits of nothing making others as miserable as they felt. The strong, the shimmering stars of the world stood tall in the face of such attacks. Those who were strong enough not to retaliate were the real diamonds. You’re a diamond, Angela. Don’t stoop to dirt’s level.

It’s patience in the face of stupidity. It’s feeling that you want to knock somebody’s head off—and walking away instead. It’s when you’re down past your last dime, and you know you still have something that money can’t buy.

you’re not able to change the system until after you’ve made it. In the meantime, you’ll have to find some way to make it suit your purposes—even if those purposes are just extra time to develop properly, to learn from others on their dime, to build your base and establish yourself.

He got behind on his child support payments, so I loaned him some money to keep him from getting arrested. I’ve been giving the money you give me for bills and shopping to him and then using my credit card to pay everything else.” “Loaned?!” I closed my eyes, pinching the bridge of my nose as I tried to reign in my anger. The fight from earlier already had me on edge, but this shit was bound to push me over. “Birdie, how the fuck can you loan money to a nigga with no income? He ain’t got a job. His music is trash, so that ain’t making no money. Please tell me how the fuck he’s going to pay you - actually, me - back?” “He’s not a bum. I’m just trying to be a supportive girlfriend while he’s chasing his dream, Verse.” “On my dime!” I thundered before another thought crossed my mind. “That nigga living with you, Brianna?” At her silence, I exploded. “In the shit I’m paying for?! Not only are you paying this bum’s child support with my money, but you’re also funding his music endeavor and letting him layup with you rent free while I pay the bills. I already told you how I felt about that nigga when he came at me crazy last year and you go against my wishes anyway.

Then fall the fuck back and let me live my life.” “The life I’m sponsoring?” I shot back. “If you want me to fall back, I’ll fall back. And so will my money that’s afforded you the life you’re living. I ain’t never tried to be your daddy. I’m just looking out for you just like I look out for G, Krys, and everybody else. You’re the only ungrateful muthafucka in the bunch.” I was on a roll now. I’d probably regret half of what I was spewing later, but for now, she needed to hear it. “You can’t even pay your fuckin’ rent! Yet, you want me to fall back and allow another nigga to come up off my dime? A nigga who’s disrespected me hella times? Nah, fuck that. The little credit card you let that bum max out? I’m paying it off then closing it. The money I drop in your account every month for shopping sprees, vacations, and other frivolous spending? That shit is dead. It’ll be just enough in there every month to pay your rent and cover your bills. Anything extra is gonna be on your dime.” I wiped my mouth in anger before adding, “Better yet, ask your boyfriend to pick up my slack. Let’s see how long that

But Dad, I’m literally broke. What am I supposed to do? Max out all my credit cards like poor people?” “You know the deal.” He doesn’t slow down. “You’re not getting a dime until you’re clean. That’s not up for negotiation.

What’s to accept? The fact that you’re having a thought you don’t like! You may or may not agree with the content of the thought. You may find it reasonable or you might find it repulsive. It doesn’t really matter! You don’t get to pick and choose which thoughts you’ll have and which thoughts you won’t have—nobody does! There’s no need to try to contradict the thought, to disprove it, to make it go away, or to reassure yourself. There probably won’t be any benefit if you do. No one expects you to control your thoughts. You’re accountable for your actions, and you’ll be judged by your actions. Not by thoughts! You can have a worrisome thought, same as you can have an angry thought, a jealous thought, a sexy thought, a wacky thought, a kind thought, an unkind thought, a shameful thought, a compassionate thought, a murderous thought, or whatever. To say that worries are a dime a dozen would be to greatly exaggerate their value.

What kept me running? That’s the question I keep returning to, the lock I keep fiddling with. I was highly invested in maintaining my reputation as a very capable person. I thought that how other people felt about me or thought about me could determine my happiness. When I see that on the page now, staring back at me in black and white, I see how deeply flawed this idea is, how silly even. But this is what I’ve learned the hard way: what people think about you means nothing in comparison to what you believe about yourself. Essentially, my identity then depended on outward approval, which changes on a dime. So you dance and you please and you placate and you prove. You become a three-ring circus and in each ring you’re an entirely different performing animal, anything anyone wants you to be. The crucial journey, then, for me, has been from dependence on external expectations, down into my own self, deeper still into God’s view of me,

And not much around in this society, with its nutty insistence on the nuclear family and faceless cities and no roots, to take up the slack. We should change the way we’ve organized society so that we make better use of the Next Third of our lives. We should foster commitments and communities that will last a lifetime, and I believe we will. Because it’s so obvious. But not in time for you. American society has been rushing down this weird, atomizing, isolating track for a hundred years now—making us into rounder, smoother pieces for the global economy we’re all so nuts about—and it’s not going to stop on a dime, even though it should.

I'm a romantic, Bernie. I hear voices crying in the night and I go to see what's the matter. You don't make a dime that way. You got sense, you shut your windows and turn up more sound on the TV set. Or you shove down on the gas and get far away from there. Stay out of other people's troubles. All it can get you is the smear. . . . You don't make a dime that way. You wouldn't do it. That's why you're a good cop and I'm a private eye.

Livin the Dream Rapsody 2020 Lyrics If you're gunna take the nickel Don't whine about the pickel. If you're gunna do the crime Don't cry about the dime. If you're gunna hang with rush Don't forget to bring a brush. If you're gunna rob em blind Life will give you kind for kind. The judge don't show no mercy Your mother hides her pursey. Friends all hang with buzz All for just because. Life ain't free and easy so take it as it comes. If you're livin on the sly That ain't no way to fly. If life is free and easy You'll end up feelin sleezy. If you don't get what you want It will always haunt and taunt. If you look for locks of hair What's under might not care. If you slide when you are young You never will become. Life ain't free and easy so take it as it comes.

6. No matter what, the chips stay on the table. Despite the “going all in” analogy, I don’t compare this life to gambling. In this game, the house doesn’t win because you stayed to play. Being an entrepreneur means thinking in years rather than months. The worst thing you could do in any cycle is trade a long-term risk for a short-term win. When it comes to building a seven-figure business, here’s the mindset you should take on: The longer you can keep your chips on the table, the bigger your end result is going to be. This means not taking an income from the business as soon as you’re profitable. It means keeping the profits in play for the business rather than for your own bank account. Put simply, it means reinvesting rather than recouping. The time frame I recommend for reinvesting profits is a year, at least. During that year, you’ll be working for very little payoff. You’ll be putting every dime you make back into the business. If you can stick it out, then you will increase your chances of success exponentially.

Another reason why disasters seem so scary is that many victims tend to see them as a whole rather than divide them into much smaller and more manageable problems. A disaster can seem overwhelming when confronted with everything at once —but if you dice it into its tiny parts and knock them off one at a time, the whole thing can seem as easy as eating a lavish dinner one bite at a time. In a disaster you must also plan for disruption as well as destruction. Death and damage may make the news, but in almost every disaster far more lives are disrupted than destroyed. Wit­ness the tornado that struck Joplin, Missouri, in May 2011 and killed 158 people. The path of death and destruction was less than a mile wide and only 22 miles long —but within thirty miles 160,000 citizens whose property didn’t suffer a dime of damage were profoundly disrupted by the carnage, loss of power and water, suspension of civic services, and inability to buy food, gas, and other necessities. You may rightfully believe your chances of dying in a disaster in your lifetime may be nearly nil, but the chances of your life being disrupted by a disaster in the next decade is nearly a sure thing. Not only should you prepare for disasters, you should learn to premeditate them. Prepare concerns the body; premeditate concerns the mind. Everywhere you go, think what could happen and how you might/could/would/should respond. Use your imagination. Fill your brain with these visualizations —run mind-movies in your head —develop a repertoire —until when you walk into a building/room/situation you’ll automatically know what to do. If a disaster does ambush you —sure you’re apt to panic, but in seconds your memory will load the proper video into your mobile disk drive and you’ll feel like you’re watching a scary movie for the second time and you’ll know what to expect and how to react. That’s why this book is important: its manner of vivifying disasters kickstarts and streamlines your acquiring these premeditations, which lays the foundation for satisfying your needs when a disaster catches you by surprise.