Yorker Ball Quotes

I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.

Whatever name you want to pin on Germany's trouble, it is contagious, it is human, and there is a lot of it around. Doctor Brickner has managed to give the impression that the problem of the peace is a problem of turning Germans into nice people. This is misleading and gives many persons the same sort of holier-than-thou feeling which Nazism celebrates. The question today is not whether German is incurably paranoid but whether her enemies are incurably nationalistic. The answer to this question is yet to be made and we advise our readers to keep their eye on the ball.

CONVENTIONAL SWING (BALL SWINGS IN THE DIRECTION THE SEAM IS POINTING) ‘The key to swinging the ball is to keep a light grip and secondly the flick of the wrist with the fingers going down the ball … not across it. This is the major point. The bowler has to keep the energy behind the ball by flicking their fingers to six o’clock on the dial, rather than to five o’clock or seven o’clock. ‘The grip is also important. The fingers can be together or apart, but I preferred them to be together. Others like the great Ray Lindwall, Australia’s fast bowler of years gone by, would have his fingers placed on both sides of the seam. It’s a personal preference only. ‘I always loved the saying: “If he misses, I will hit his stumps.” It is simple but it is accurate, and 52 per cent of my dismissals in Test and one-day cricket were bowled or LBW.’ THE YORKER: WASIM AKRAM

The tension between Patriot and Loyalist New Yorkers, the Tea Water Pump, the taking of lead from houses, the pulling down of King George’s statue, the chaos surrounding the British invasion of the city, the fire, prisoners of war, the Queen’s Birthday Ball: all of these are historical facts. I wove the fictional characters of Isabel and Curzon into the history to give readers a sense of what life might have been like in those days.