Yeti Sayings Quotes

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Listen to me. Love is a Yeti. It is bigger than you and frightening and terrible. It makes loud and vicious noises. It is hungry all the time. It has horns and teeth and the force of its fists is more than anyone can bear. It speeds up time and slows it down. And it has its own aims and missions that those who are lucky enough to see it cannot begin to guess. You might see a Yeti once in your life or never. You might live in a village of them. But in the end, not matter how fast you think you can go, the Yeti is always faster than you, and you can only choose how you say hello to it, and whether you shake its hand.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
And on the subject of naming animals, can I just say how happy I was to discover that the word yeti, literally translated, apparently means "that thing over there." ("Quick, brave Himalayan Guide - what's that thing over there?" "Yeti." "I see.")
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
I listen to silence. And you have a lot to say. Although I haven't quite figured out what it is yet....I promise not to delve into what makes your silence so loud, if you promise not to walk out on me.
Rebecca Donovan (Out of Breath (Breathing, #3))
You know that Yeti-beard doesn’t make you look more manly, right?” Dean says cheerfully as we walk out the door. Tuck shrugs. “I was going for rugged, actually.” I snicker. “Well, it’s not that, either, Babyface. You look like a mad scientist.
Elle Kennedy (The Mistake (Off-Campus, #2))
Snarling an oath from an Icelandic saga, I reclaimed my place at the head of the queue. "Oy!" yelled a punk rocker, with studs in his cranium. "There's a fackin' queue!" Never apologize, advises Lloyd George. Say it again, only this time, ruder. "I know there's a 'fackin' queue'! I already queued in it once and I am not going to queue in it again just because Nina Simone over there won't sell me a ruddy ticket!" A colored yeti in a clip-on uniform swooped. "Wassa bovver?" "This old man here reckons his colostomy bag entitles him to jump the queue," said the skinhead, "and make racist slurs about the lady of Afro-Caribbean extraction in the advance-travel window." I couldn't believe I was hearing this.
David Mitchell (Cloud Atlas)
Brain: Let's say you could get into the mind of ANY ONE person and know everything they know. Who would you choose? Heart: That squirrel. Brain: You could choose da Vinci, Einstein, Shakespeare... but instead you choose a squirrel. Heart: Yep! That one. He seems really happy.
Nick Seluk (Heart and Brain: An Awkward Yeti Collection, Vol. 1)
He shrugs. “I spent my whole life trying to stand out from the crowd. I swear to God, I could announce I wanted to live my life as a transsexual vampire yeti, and they’d still say ‘Oh, Jamie. You’re so cute.
Sarina Bowen (Him (Him, #1))
I think Miller is better looking than that guy,” Sunny says. “Yeah, but you have an unusual affinity for yetis, so that’s not really a surprise.
Helena Hunting (Get Inked (Pucked, #5.5; Clipped Wings, #3.5))
People are saying she might go to a Division I school on a basketball scholarship. Isn’t that wonderful for her?” Then Dorothy added, “Of course, I suppose you don’t want to get too excited yet—I know she’s only a sophomore. But very few girls make headlines at fifteen.” It was on the tip of Lila’s tongue to say that Dotty had made a mistake: Clint didn’t have a brother and Lila didn’t have a niece. But Dorothy Harper was at the age where names often got mixed up. She wished the old lady a nice day and drove home.
Stephen King (Sleeping Beauties)
I will mourn for you, Verlaine,” he began, placing a hand on the journal as if in prayer. “I won’t mourn your death, but your birth. I doubt anyone else will, after all. The only one who’s pained by your birth is you. That’s why you fight. And yet…I think you’re amazing. You resented having been born, you resented the power that you possessed, and you resented the world. And because of that, you tried to accept this meaningless life. That’s something truly incredible. I don’t have that kind of courage. I wish we could have talked more… But it’s already time to say good-bye.
Kafka Asagiri (文豪ストレイドッグス STORM BRINGER)
I can feel the essence of Will, the space inside myself I created fourteen years ago, a habitat deep in my core where he lives. Sounds creepy, right? Like I’m lowering a bucket full of lotion to him. But hey, it’s my imagination. My brain. My heart. And having grown-up Will make grown-up Mallory a job offer is the closest thing to teen Mallory being asked to the prom by teen Will. It will have to do. Yet–I know I can’t say yes. My career isn’t the issue. Even my bank account, as starved and frail as it is, isn’t the issue. The issue is remarkably simple: I can’t take my personality and turn it back ten to fourteen years. Working for Will Lotham would do that to me.
Julia Kent (Fluffy (Do-Over, #1))
Vi! There you are.” Buck worms his way into the group, inadvertently saving us from further interrogation. Well, worm probably isn’t the right word. He’s too large to be able to worm into anything, so he barrels his yeti ass into the group and says hello to Alex’s parents. He even calls them Mr. and Mrs. Waters. Daisy giggles and tells him to call her by her first name. It’s reminiscent of my mom. Then Buck introduces himself to Alex’s little sister. I have yet to be formally introduced to her; the focus having been on Alex sticking his tongue down my throat in widely-publicized pictures. Her name is Sunshine. She goes by Sunny. Sunshine and Daisy. Violet and Skye. I see a theme here. Alex is lucky his name wasn’t Woody, or Bark.
Helena Hunting (Pucked (Pucked, #1))
Yeah, Gaspar’ll never get that one either. That’s why they killed the yeti, you know that, don’t you?” “Who?” “The mountain people. They killed the yeti because they couldn’t understand a creature who wasn’t as evil as they were.” “The mountain people were evil?” “All men are evil, that’s what I was talking to my father about.” “What did he say?” “Fuck ’em.” “Really?” “Yeah.” “At least he answered you.” “I got the feeling that he thinks it’s my problem now.” “Makes you wonder why he didn’t burn that on one of the tablets. ‘HERE, MOSES, HERE’S THE TEN COMMANDMENTS, AND HERE’S AN EXTRA ONE THAT SAYS FUCK ’EM.’” “He doesn’t sound like that.
Christopher Moore (Lamb: The Gospel According to Biff, Christ's Childhood Pal)
Above all, I hope I have dispelled the bleak and imbecilic idea that the aim of writing is to express yourself clearly in plain, simple English using as few words as possible. This is a fiction, a fib, a fallacy, a fantasy and a falsehood. To write for mere utility is as foolish as to dress for mere utility. Mountaineers do it, and climb Everest in clothes that would have you laughed out of the gutter. I suspect they also communicate quickly and efficiently, poor things. But for the rest of us, not threatened by death and yetis, clothes and language can be things of beauty. I would no more write without art because 1 didn't need to, than I would wander outdoors naked just because it was warm enough. Again. These figures grow like wildflowers, but they can be cultivated too. I do not believe that The Beatles had any idea what anadiplosis was, any more than I believe that the Rolling Stones knew about syllepsis. They knew what worked, and it did. The figures of rhetoric are the beauties of all the poems we have ever read. Without them we would merely be us: eating, sleeping, manufacturing and dying. With them everything can be glorious. For though we have nothing to say, we can at least say it well.
Mark Forsyth (The Elements of Eloquence: How to Turn the Perfect English Phrase)
Above all, I hope I have dispelled the bleak and imbecilic idea that the aim of writing is to express yourself clearly in plain, simple English using as few words as possible. This is a fiction, a fib, a fallacy, a fantasy and a falsehood. To write for mere utility is as foolish as to dress for mere utility. Mountaineers do it, and climb Everest in clothes that would have you laughed out of the gutter. I suspect they also communicate quickly and efficiently, poor things. But for the rest of us, not threatened by death and yetis, clothes and language can be things of beauty. I would no more write without art because I didn't need to, than I would wander outdoors naked just because it was warm enough. Again. These figures grow like wildflowers, but they can be cultivated too. I do not believe that The Beatles had any idea what anadiplosis was, any more than I believe that the Rolling Stones knew about syllepsis. They knew what worked, and it did. The figures of rhetoric are the beauties of all the poems we have ever read. Without them we would merely be us: eating, sleeping, manufacturing and dying. With them everything can be glorious. For though we have nothing to say, we can at least say it well.
Mark Forsyth (The Elements of Eloquence: How to Turn the Perfect English Phrase)
Valkyrie wheezed, and sat up. “It tried to eat my head.” “Yes, I saw that.” “It literally had my head in its mouth.” “What was that like?” “Smelly. Wet. Horrible. Exactly what you’d expect if a Yeti tried to eat your head. My freak mask saved me.” He helped her to her feet. “You handled yourself admirably.” “You think so?” “Your constant screaming definitely made it hesitate.” “Yeah, it’s a new tactic I’m trying out. Pants-wetting fear. Do you think its mate heard me?” “I wouldn’t say so. The wind carried your screaming in the opposite direction. But we should probably get moving before it comes back. I’d imagine it would be quite irate.” “If you threw me off a mountain, I’d be irate, too.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
I don't think much of you yet—I wish I could—though you do go talking and lecturing up and down the country to crowded audiences, and are busy with all sorts of philanthropic intellectualism, and circulating libraries and museums, and Heaven only knows what besides, and try to make us think, through newspaper reports, that you are, even as we, of the working classes. But bless your hearts, we “ain't so green,” though lots of us of all sorts toady you enough certainly, and try to make you think so. I'll tell you what to do now: instead of all this trumpeting and fuss, which is only the old parliamentary-majority dodge over again, just you go, each of you (you've plenty of time for it, if you'll only give up t'other line), and quietly make three or four friends—real friends—among us. You'll find a little trouble in getting at the right sort, because such birds don't come lightly to your lure; but found they may be. Take, say, two out of the professions, lawyer, parson, doctor—which you will; one out of trade; and three or four out of the working classes—tailors, engineers, carpenters, engravers. There's plenty of choice. Let them be men of your own ages, mind, and ask them to your homes; introduce them to your wives and sisters, and get introduced to theirs; give them good dinners, and talk to them about what is really at the bottom of your hearts; and box, and run, and row with them, when you have a chance. Do all this honestly as man to man, and by the time you come to ride old John, you'll be able to do something more than sit on his back, and may feel his mouth with some stronger bridle than a red-tape one. Ah, if you only would! But you have got too far out of the right rut, I fear. Too much over-civilization, and the deceitfulness of riches. It is easier for a camel to go through the eye of a needle. More's the pity. I never came across but two of you who could value a man wholly and solely for what was in him—who thought themselves verily and indeed of the same flesh and blood as John Jones the attorney's clerk, and Bill Smith the costermonger, and could act as if they thought so.
Thomas Hughes (Tom Brown's Schooldays (Tom Brown, #1))
Let us be clear about one thing.” He held her eyes with his. “You have aroused emotions in me—very strong emotions. But that is not a good thing.” Lauren stared at him uncertainly. “Do…do you mean that you hate me? Is that what you’re saying?” “Not hate, no.” He shook his head. “What I feel for you…let’s just say it will be better—far better—if those feelings are never explored or acted on.” “I don’t really understand what you’re trying to say,” Lauren said softly. “But I do want to thank you for promising to help me.” “There’s no point in expressing your gratitude yet—I haven’t even worked out a plan.” He sighed. “Until I do, I must pretend to comply with my father’s will. And you’re going to have to trust me. Can you do that?” Biting her lip, Lauren nodded hesitantly. “Yes, I trust you.” “Thank you.” He nodded gravely. “That means a great deal to me. And now I have to put you in one of these cells and secure the rest of the Complex before reporting back to my father.” “You’re leaving me alone? In here?” She couldn’t help glancing at the instruments of torture strewn around the surgery suite room again. “Nothing will harm you,” Xairn said, his rough voice almost soothing.
Evangeline Anderson (Sought (Brides of the Kindred, #3))
Nick does my back like he’s a yeti with a yeti’s massive cryptid paws, getting sunscreen in my hair and all over my new suit in the process. You half expect to hear him groaning behind me like Frankenstein. “You’re welcome,” he says when I complain.
Catherine Newman (Sandwich)
Elijah: I couldn't stop thinking about you all night.... Oh. My. God. He thought about me all night. Despite sitting at my desk in the office with my door closed, letting out a swoony sigh wouldn't be appropriate at my place of work. And yet...I couldn't hold it in. The breath most definitely releases from my mouth followed by a high-pitched squeal. I spin in a circle in my chair, tapping my feet as I go in a little dance. It's the only way to release me from the excitement I'm feeling. Elijah: I can still taste you on my lips Holy cow. Now what do I say to that?
Susan Lee
I have no idea what to say. Everything she described is so brutal, and yet…I understand. I know what it’s like to hate someone that much, to run away because you’re scared of what you might do if you see that person’s face. What you might be capable of. My voice is raspy as hell as I blurt out, “The first time my father hit me was on Halloween.” Hannah’s
Elle Kennedy (The Deal (Off-Campus, #1))
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