Yesterday's Sunset Quotes

Lost, yesterday, somewhere between sunrise and sunset, two golden hours, each set with sixty diamond minutes. No reward is offered for they are gone forever.

You existence reminded me of sunsets and ocean waves yet you still wonder what it took for me to fall for someone like you

Sooner or later, however, we must realise there is no station in this life, no one earthly place to arrive once and for all. The journey is the joy. The station is an illusion - it constantly outdistances us. Yesterday belongs to a history, tomorrow belongs to God. Yesterday's a fading sunset, tomorrow's a faint sunrise. Only today is there light enough to love and live.

At the moment that everything goes dark, the sunset in front of us becomes the whole story. But if we find courage enough to wait until tomorrow morning, we will suddenly come to understand that in reality yesterday’s sunset was only half of the story.

The orange sun is rolling across the sky like a severed head, gentle light glimmers in the ravines among the clouds, the banners of the sunset are fluttering above our heads. The stench of yesterday’s blood and slaughtered horses drips into the evening chill.

Yesterday’s poets are today’s detectives. They spend a life sniffing out the hundredth line, wrapping up a case, and limping exhausted into the sunset.

the sunset looked way too pigmented—as if the color palette of sorrow had been thrown on it. yes, if sorrow had colors, they would be lilac mixed with pinks and some sneaky whites like the clouds at twilight. i thought it was a masterpiece; a way for nature to share that at the end of the day, each sobbed whisper goes directly to the skies. but before that, it leaves its color on the canvas of earth one last time.

You must not be angry with me for having been so sad yesterday; I was very happy, very content, but in my very best moments I am always for some reason sad. As for my crying, that means nothing. I don’t know myself why I am always crying. I feel ill and irritable; my sensations are due to illness. The pale cloudless sky, the sunset, the evening stillness – all that – I don’t know – but I was somehow in the mood yesterday to take a dreary and miserable view of everything, so that my heart was to fall any did the relief of tears. But why am I writing all this to you? It is hard to make all that clear to one’s own heart and still harder to convey it to another. But you, perhaps, will understand me. Sadness and laughter both at once! How kind you are really. You looked into my eyes yesterday as though to read in them what I was feeling and were delighted with my rapture.

GENEVA, July 5 Avenol, Secretary-General of the League, apparently thinks he’ll have a job in Hitler’s United States of Europe. Yesterday he fired all the British secretaries and packed them off on a bus to France, where they’ll probably be arrested by the Germans or the French. Tonight in the sunset the great white marble of the League building showed through the trees. It had a noble look, and the League has stood in the minds of many as a noble hope. But it has not tried to fulfil it. Tonight it was a shell, the building, the institution, the hope—dead.

You might not think to wear pink socks with gold stretch pants, and then add a gold turtleneck under a pink sweater. But that’s what I did yesterday, and then I added blue jewelry. It was great! I looked like a human sunset. The outfit made me very happy.)

The breath of song in your remembering eyes cascades fragile reflections of time-steeped sunsets tinting delicate snowflakes with the solitude of a sleeping forest where ancient secrets lie waiting, undisturbed by knowing, tranquil in the forgetfulness of yesterday's silvery silence  

I haven’t been here long, but, nevertheless, all the same, what I’ve managed to observe and verify here arouses the indignation of my Tartar blood. By God, I don’t want such virtues! I managed to make a seven-mile tour here yesterday. Well, it’s exactly the same as in those moralizing little German picture books: everywhere here each house has its Vater, terribly virtuous and extraordinarily honest. So honest it’s even frightening to go near him. I can’t stand honest people whom it’s frightening to go near. Each such Vater has a family, and in the evening they all read edifying books aloud. Over their little house, elms and chestnuts rustle. A sunset, a stork on the roof, and all of it extraordinarily poetic and touching…

Of all the streets that blur in to the sunset, There must be one (which, I am not sure) That I by now have walked for the last time Without guessing it, the pawn of that Someone Who fixes in advance omnipotent laws, Sets up a secret and unwavering scale for all the shadows, dreams, and forms Woven into the texture of this life. If there is a limit to all things and a measure And a last time and nothing more and forgetfulness, Who will tell us to whom in this house We without knowing it have said farewell? Through the dawning window night withdraws And among the stacked books which throw Irregular shadows on the dim table, There must be one which I will never read. There is in the South more than one worn gate, With its cement urns and planted cactus, Which is already forbidden to my entry, Inaccessible, as in a lithograph. There is a door you have closed forever And some mirror is expecting you in vain; To you the crossroads seem wide open, Yet watching you, four-faced, is a Janus. There is among all your memories one Which has now been lost beyond recall. You will not be seen going down to that fountain Neither by white sun nor by yellow moon. You will never recapture what the Persian Said in his language woven with birds and roses, When, in the sunset, before the light disperses, You wish to give words to unforgettable things. And the steadily flowing Rhone and the lake, All that vast yesterday over which today I bend? They will be as lost as Carthage, Scourged by the Romans with fire and salt. At dawn I seem to hear the turbulent Murmur of crowds milling and fading away; They are all I have been loved by, forgotten by; Space, time, and Borges now are leaving me.

Sunset at Seminyak Barefoot, the well heeled expats drift from the beach into mauve chaise lounges wearing trendy Thai fisherman pants and billowing knock-off Armani linens. They dis the local touts, piss and moan about the tawdry and 'so yesterday'. Devout Splenglerians, they spout the rise and fall of fashion every fucking fifteen minutes. Exhaling the outlaw plumes of Hoyo de Monterrey Churchills, they drown in their Courvoisier and Hennessey Privilege as the unfashionable sun plunges divinely into the Bali Strait unnoticed.

Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.

Frida Kahlo, San Miguel, Ash Wednesday You faded so long ago but here in the souvenir arcade you’re everywhere: the printed cotton bags, the pierced tin boxes, the scarlet T-shirts, the beaded crosses; your coiled braids, your level stare, your body of a deer or martyr. It’s a meme you can turn into if your ending’s strange enough and ardent, and involves much pain. The rope of a hanged man brings good luck; saints dangle upside down or offer their breasts on a plate and we wear them, we invoke them, insert them between our flesh and danger. Fireworks, two streets over. Something’s burning somewhere, or did burn, once. A torn silk veil, a yellowing letter: I’m dying here. Love on a skewer, a heart in flames. We breathe you in, thin smoke, grief in the form of ashes. Yesterday the children smashed their hollowed eggs on the heads of others, baptizing them with glitter. Shell fragments litter the park like the wings of crushed butterflies, like sand, like confetti: azure, sunset, blood, your colours.

Clasping Kuntis hands in her thin, old, ivory-hued fingers, Gandhari whispered, Calm down, calm down, O Mother of the Pandavas! Calm down. Time moves in cycles, circling like the wheels of the chariot. Our life cycle is shrinking. Soon it will be just a dot. And finally even that dot will merge into the void. Yes, O Elder One, Don't blame yourself too harshly. No matter how hard you try, you can never bring back the past, never turn yesterday into tomorrow. See, today's sunrise was real, so was the sunset. We will fall asleep but time will keep moving. And tomorrow, it will give us yet another sunrise.

There is not a moment where a sunset is not happening. Yet, despite the fact that there is a sunset occurring at every moment of every day, no two are ever alike. And I marvel at the limitless genius of the God who handed me the privilege of living this day in a manner entirely unique to every yesterday and all tomorrows.

Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008

She’d moved away, to cities out east, but now she was back, and she wondered how she could have possibly forgotten her love of the place. On her good days, the scent of desert flowers and creosote bush was all the therapy she needed. On her bad, it was still a steadfast reminder that the landscape had been a comfort yesterday and would be again tomorrow. Sometimes she couldn’t help but feel she’d been a terrible friend, abandoning a place that had meant so much to her at one time. And yet the desert didn’t seem to care about her thoughtlessness. It remained the same, continuing to turn sunrises orange and sunsets red. It continued to sit quietly under fast-moving clouds and thunderstorms while allowing the wind to carry its sand away, lifting the grains high, taking them far

Yesterday, she had pulled out of the freezer a few special juices from the Looms that she had frozen last fall and set them in the cooler to thaw. When she had pressed them last October, they hadn't produced as much juice as the apples from younger trees, but even the raw juices by themselves were interesting and complex, layers of apple and honey and something earthier. At the time, she'd decided to save them for inspiration to strike. As she had lain in bed, though, waiting for the first rays of light, a color blossomed. A rosy pink, with a hint of coral, bold and opaque. It didn't have any sharp edges. She knew instantly it required juice from one of the Looms. She measured and blended, noting each of the juices she used and in what combination. Two parts Rambo, one part Winesap, a half part Britegold. She sipped it, but the color was too red, almost searing. She needed something to mute it. She walked into the large freezer where she had stored some of the frozen juices and even a few bushels of frozen apples she was experimenting with. She ran her fingers over the giant apple ice cubes in flattened Ziploc bags, closing her eyes and letting the colors emerge- green, periwinkle, sunshine yellow, and a sunset orange.