Yennefer Quotes

We've searched our database for all the quotes and captions related to Yennefer. Here they are! All 41 of them:

To me, Madam Yennefer, wisdom includes the ability to turn a deaf ear to foolish or insincere advice.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Hmm…’ Ciri bit her lower lip, then leaned over and put her eye closer to the hole. ‘Madam Yennefer is standing by a willow… She’s plucking leaves and playing with her star. She isn’t saying anything and isn’t even looking at Geralt… And Geralt’s standing beside her. He’s looking down and he’s saying something. No, he isn’t. Oh, he’s pulling a face… What a strange expression…’ ‘Childishly simple,’ said Dandelion, finding an apple in the grass, wiping it on his trousers and examining it critically. ‘He’s asking her to forgive him for his various foolish words and deeds. He’s apologising to her for his impatience, for his lack of faith and hope, for his obstinacy, doggedness. For his sulking and posing; which are unworthy of a man. He’s apologising to her for things he didn’t understand and for things he hadn’t wanted to understand—’ ‘That’s the falsest lie!’ said Ciri, straightening up and tossing the fringe away from her forehead with a sudden movement. ‘You’re making it all up!’ ‘He’s apologising for things he’s only now understood,’ said Dandelion, staring at the sky, and he began to speak with the rhythm of a balladeer. ‘For what he’d like to understand, but is afraid he won’t have time for… And for what he will never understand. He’s apologising and asking for forgiveness… Hmm, hmm… Meaning, conscience, destiny? Everything’s so bloody banal…’ ‘That’s not true!’ Ciri stamped. ‘Geralt isn’t saying anything like that! He’s not even speaking. I saw for myself. He’s standing with her and saying nothing…’ ‘That’s the role of poetry, Ciri. To say what others cannot utter.’ ‘It’s a stupid role. And you’re making everything up!’ ‘That is also the role of poetry. Hey, I hear some raised voices coming from the pond. Have a quick look, and see what’s happening there.’ ‘Geralt,’ said Ciri, putting her eye once more to the hole in the wall, ‘is standing with his head bowed. And Yennefer’s yelling at him. She’s screaming and waving her arms. Oh dear… What can it mean?’ ‘It’s childishly simple.’ Dandelion stared at the clouds scudding across the sky. ‘Now she’s saying sorry to him.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
Dear friend…' The Witcher swore quietly, looking at the sharp, angular, even runes drawn with energetic sweeps of the pen, faultlessly reflecting the author’s mood. He felt once again the desire to try to bite his own backside in fury. When he was writing to the sorceress a month ago he had spent two nights in a row contemplating how best to begin. Finally, he had decided on “Dear friend.” Now he had his just deserts. 'Dear friend, your unexpected letter – which I received not quite three years after we last saw each other – has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it. I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty – quite understandably – is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list? Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend. Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure. Your friend Yennefer' The letter smelled of lilac and gooseberries. Geralt cursed.
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
A heavy smell of sour wine, candles and overripe fruit hung in the air. And something else, that bought to mind a mixture of the scents of lilac and gooseberries.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
-Hej! - ryczał Yarpen Zigrin siedzący na koźle, wskazując na Yennefer. - Coś się tam czerni na szlaku! Ciekawe, co to? Wygląda jak kobyła! - Bez ochyby! - odwrzasnął Jaskier, odsuwając na tył głowy śliwkowy kapelusik. - To kobyła! Wierzchem na wałachu! Niebywałe!
Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedźminie, #0.7))
I'm not surprised at Yennefer,' he said as he walked. 'She is a woman and thus an evolutionary inferior creature, governed by hormonal chaos. But you, Geralt, are not only a man who is sensible by nature, but also a mutant, invulnerable to emotions.' He waved a hand. There was a boom and a flash. A lightning bolt bounced off the shield Yennefer had conjured up. 'In spite of your good sense—' Vilgefortz continued to talk, pouring fire from hand to hand '—in one matter you demonstrate astounding and foolish perseverance: you invariably desire to row upstream and piss into the wind. It had to end badly. Know that today, here, in Stygga Castle, you have pissed into a hurricane.
Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
Madam Yennefer, Forgive me. I'm riding to Hirundum because I want to see Geralt. I want to see him before I start school. Forgive my disobedience, but I must. I know you'll punish me, but I don't want to regret my indecision and hesitation. If I'm to have regrets, let them be for deeds and actions. I'm an enchantress. I seize life by the scruff of the neck. I'll return when I can. - Ciri
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
Yes, he answered in his thoughts, you’re not mistaken. There is only she, Yennefer, at my side, here and now, and only she matters. Here and now. And what she was long ago, where she was long ago and who she was with long ago doesn’t have any, doesn’t have the slightest, importance. Now she’s with me, here, among you all. With me, with no one else. That’s what I’m thinking right now, thinking only about her, thinking endlessly about her, smelling the scent of her perfume and the warmth of her body. And you can all choke on your envy.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
A little sacrifice, he thought, just a little sacrifice. For this will calm her, a hug, a kiss, calm caresses. She doesn’t want anything more. And even if she did, what of it? For a little sacrifice, a very little sacrifice, is beautiful and worth… Were she to want more… It would calm her. A quiet, calm, gentle act of love. And I… Why, it doesn’t matter, because Essi smells of verbena, not lilac and gooseberry, doesn’t have cool, electrifying skin. Essi’s hair is not a black tornado of gleaming curls, Essi’s eyes are gorgeous, soft, warm and cornflower blue; they don’t blaze with a cold, unemotional, deep violet. Essi will fall asleep afterwards, turn her head away, open her mouth slightly, Essi will not smile in triumph. For Essi… Essi is not Yennefer.
Andrzej Sapkowski (Sword of Destiny)
And I... Why, it doesn’t matter, because Essi smells of verbena, not lilac and gooseberry, doesn’t have cool, electrifying skin. Essi’s hair is not a black tornado of gleaming curls, Essi’s eyes are gorgeous, soft, warm and cornflower blue; they don’t blaze with a cold, unemotional, deep violet. Essi will fall asleep afterwards, turn her head away, open her mouth slightly, Essi will not smile in triumph. For Essi... Essi is not Yennefer.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Yennefer looked her in the eyes and Ciri shrivelled under the gaze. “The saying goes,” said the magician slowly, “that the night brings solutions. But in your case, Surprise, the only thing night can bring is yet another nightmare.
Andrzej Sapkowski (Blood of Elves (The Witcher #1))
She leant over him, touched him. He felt her hair, smelling of lilac and gooseberries, brush his face and he suddenly knew that he’d never forget that scent, that soft touch, knew that he’d never be able to compare it to any other scent or touch. Yennefer kissed him and he understood that he’d never desire any lips other than hers, so soft and moist, sweet with lipstick. He knew that, from that moment, only she would exist, her neck, shoulders and breasts freed from her black dress, her delicate, cool skin, which couldn’t be compared to any other he had ever touched. He gazed into her violet eyes, the most beautiful eyes in the world, eyes which he feared would become . . . Everything. He knew.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Bless you,’ said Yennefer, not at all bothered by Vilgefortz’s portentous words. ‘Where did you catch such an awful chill, good sir? Did you stand in a draught after bathing?
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
Ciri była już na schodach, gdy jeszcze raz usłyszała głos Yennefer. Czarodziejka stała przy kolumnie, opierając o nią czoło. - Kocham cię, córeczko - powiedziała niewyraźnie. - Biegnij.
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
It’s time you gave up your secrets, Geralt,’ Zoltan grimaced. ‘Dandelion hasn’t told us much we didn’t know. You can’t help it if you’re a walking legend. They re-enact stories of your adventures in puppet theatres. Like the story about you and an enchantress by the name of Guinevere.’ ‘Yennefer,’ Regis corrected in hushed tones. ‘I saw that one. It was the story of a hunt for a genie, if my memory serves me correctly.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #5))
He embraced her. And touched her. And found her. Yennefer, in some astonishing way hard and soft at the same time, sighed loudly. The words they had uttered broke off, perished among the sighs and quickened breaths, ceased to have any meaning and were dissipated. So they remained silent, and focused on the search for one another, on the search for the truth. They searched for a long time, lovingly and very thoroughly, fearful of needless haste, recklessness and nonchalance. They searched vigorously, intensively and passionately, fearful of needless self-doubt and indecision. They searched cautiously, fearful of needless tactlessness.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
Witcher,’ Three Jackdaws suddenly said, ‘I want to ask you a question.’ ‘Ask it.’ ‘Why don’t you turn back?’ The Witcher looked at him in silence for a moment. ‘Do you really want to know?’ ‘Yes, I do,’ Three Jackdaws said, turning his face towards Geralt. ‘I’m riding with them because I’m a servile golem. Because I’m a wisp of oakum blown by the wind along the highway. Tell me, where should I go? And for what? At least here some people have gathered with whom I have something to talk about. People who don’t break off their conversations when I approach. People who, though they may not like me, say it to my face, and don’t throw stones from behind a fence. I’m riding with them for the same reason I rode with you to the log drivers’ inn. Because it’s all the same to me. I don’t have a goal to head towards. I don’t have a destination at the end of the road.’ Three Jackdaws cleared his throat. ‘There’s a destination at the end of every road. Everybody has one. Even you, although you like to think you’re somehow different.’ ‘Now I’ll ask you a question.’ ‘Ask it.’ ‘Do you have a destination at the end of the road?’ ‘I do.’ ‘Lucky for you.’ ‘It is not a matter of luck, Geralt. It is a matter of what you believe in and what you serve. No one ought to know that better than… than a witcher.’ ‘I keep hearing about goals today,’ Geralt sighed. ‘Niedamir’s aim is to seize Malleore. Eyck of Denesle’s calling is to protect people from dragons. Dorregaray feels obligated to something quite the opposite. Yennefer, by virtue of certain changes which her body was subjected to, cannot fulfil her wishes and is terribly undecided. Dammit, only the Reavers and the dwarves don’t feel a calling, and simply want to line their pockets. Perhaps that’s why I’m so drawn to them?’ ‘You aren’t drawn to them, Geralt of Rivia. I’m neither blind nor deaf. It wasn’t at the sound of their name you pulled out that pouch. But I surmise…’ ‘There’s no need to surmise,’ the Witcher said, without anger. ‘I apologise.’ ‘There’s no need to apologise.
Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedźminie, #0.7))
Stories like that are made by poor simpletons, who can’t even dream of fulfilling their wishes and desires themselves. I’m pleased you’re not one of them, Geralt of Rivia. It makes you closer in spirit to me. If I want something, I don’t dream of it — I act. And I always get what I want. - Yennefer
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Spokojnie, spokojnie, malutka, tylko mi nie mdlej. Jestem przy tobie. Jestem przy tobie... córeczko. Trzymaj chustkę. Zaraz wyczaruję lód...
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
Shut up, Dandelion,' the Witcher said. 'I have no intention of so doing. In fact I plan to compose the Ballad of the Two Tits. Please don't interfere.' 'Dandelion,' Dorregaray sniffed through his bloody nose. 'Be serious.' 'I am being bloody serious.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
The wish, Geralt! Hurry up! What do you desire? Immortality? Riches? Fame? Power? Might? Privileges? Hurry, we haven’t any time!’ He was silent. ‘Humanity,’ she said suddenly, smiling nastily. ‘I’ve guessed, haven’t I? That’s what you want, that’s what you dream of! Of release, of the freedom to be who you want, not who you have to be. The djinn will fulfil that wish, Geralt. Just say it.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
He embraced her. And touched her. And found her. Yennefer, in some astonishing way hard and soft at the same time, sighed loudly. The words they had uttered broke off, perished among the sighs and quickened breaths, ceased to have any meaning and were dissipated. So they remained silent, and focused on the search for one another, on the search for the truth. They searched for a long time, lovingly and very thoroughly, fearful of needless haste, recklessness and nonchalance. They searched vigorously, intensively and passionately, fearful of needless self-doubt and indecision. They searched cautiously, fearful of needless tactlessness. They found one another, conquered their fear and, a moment later, found the truth, which exploded under their eyelids with a terrible, blinding clarity, tore apart the lips pursed in determination with a moan. Then time shuddered spasmodically and froze, everything vanished, and touch became the only functioning sense. An eternity passed, reality returned and time shuddered once more and set off again, slowly, ponderously, like a great, fully laden cart. Geralt looked through the window. The moon was still hanging in the sky, although what had just happened ought in principle to have struck it down from the sky. ‘Oh heavens, oh heavens,’ said Yennefer much later, slowly wiping a tear from her cheek. They lay still among the dishevelled sheets, among thrills, among steaming warmth and waning happiness and among silence, and all around whirled vague darkness, permeated by the scent of the night and the voices of cicadas. Geralt knew that, in moments like this, the enchantress’s telepathic abilities were sharpened and very powerful, so he thought about beautiful matters and beautiful things. About things which would give her joy. About the exploding brightness of the sunrise. About fog suspended over a mountain lake at dawn. About crystal waterfalls, with salmon leaping up them, gleaming as though made of solid silver. About warm drops of rain hitting burdock leaves, heavy with dew. He thought for her and Yennefer smiled, listening to his thoughts. The smile quivered on her cheek along with the crescent shadows of her eyelashes.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
-Co oni tam robią do cholery? - zaciekawił się Jaskier. - Powiedzcie, do cholery! Elf uśmiechnął się. Bardzo, bardzo smutno. - Nie lubię, wielkich słów - powiedział. - A nie używając wielkich słów, nie da się tego nazwać.
Andrzej Sapkowski (Wiedźmin. Ostatnie życzenie (Wiedźmin #5))
They rode straight from Hirundum to Thanedd: Geralt, Yennefer, Ciri and Dandelion.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
She tilted her head. He touched her parted lips with his own. Tentatively. First the upper, then the lower. He entwined his fingers in her winding locks, touched her ear, her diamond earring, her neck. Yennefer, returning the kiss, clung to him, and her nimble fingers quickly and surely unfastened the buckles of his jacket
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Geralt knew that, in moments like this, the enchantress’s telepathic abilities were sharpened and very powerful, so he thought about beautiful matters and beautiful things. About things which would give her joy. About the exploding brightness of the sunrise. About fog suspended over a mountain lake at dawn. About crystal waterfalls, with salmon leaping up them, gleaming as though made of solid silver. About warm drops of rain hitting burdock leaves, heavy with dew. He thought for her and Yennefer smiled, listening to his thoughts. The smile quivered on her cheek along with the crescent shadows of her eyelashes.
Andrzej Sapkowski (Coś więcej (Saga o Wiedźminie #2 part 6 of 6))
What is there between you and Geralt, Lady Yennefer?” Ciri almost fainted, horrified at her own impertinence, chilled by the silence which followed the question. The enchantress slowly approached her, placed her hands on her shoulders, looked her in the eyes from up close—and deeply. “Longing,” she answered gravely. “Regret. Hope. And fear. Yes, I don’t think I have omitted anything.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
Geralt knew what to expect, so with stoical calm he endured the glances of the enchantresses, brimming with insalubrious curiosity, and the enigmatic smirks of the sorcerers. Although Yennefer assured him that propriety and tact forbade the use of magic at this kind of event, he didn’t believe the mages were capable of restraining themselves, particularly since Yennefer was provocatively thrusting him into the limelight. And he was right not to believe. He felt his medallion vibrating several times, and the pricking of magical impulses. Some sorcerers, or more precisely some enchantresses, brazenly tried to read his thoughts. He was prepared for that, knew what was happening, and knew how to respond. He looked at Yennefer walking alongside him, at white-and-black-and-diamond Yennefer, with her raven hair and violet eyes, and the sorcerers trying to sound him out became unsettled and disorientated; confronted with his blissful satisfaction, they were clearly losing their composure and poise. Yes, he answered in his thoughts, you’re not mistaken. There is only she, Yennefer, at my side, here and now, and only she matters. Here and now. And what she was long ago, where she was long ago and who she was with long ago doesn’t have any, doesn’t have the slightest, importance. Now she’s with me, here, among you all. With me, with no one else. That’s what I’m thinking right now, thinking only about her, thinking endlessly about her, smelling the scent of her perfume and the warmth of her body. And you can all choke on your envy. The enchantress squeezed his forearm firmly and moved closer to his side. “Thank you,” she murmured, guiding him towards the tables once again. “But without such excessive ostentation, if you don’t mind.” “Do you mages always take sincerity for ostentation? Is that why you don’t believe in sincerity, even when you read it in someone’s mind?” “Yes. That is why.” “But you still thank me?” “Because I believe you,” she said, squeezing his arm even tighter
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
A little sacrifice, he thought, just a little sacrifice. For this will calm her, a hug, a kiss, calm caresses. She doesn’t want anything more. And even if she did, what of it? For a little sacrifice, a very little sacrifice, is beautiful and worth… Were she to want more… It would calm her. A quiet, calm, gentle act of love. And I… Why, it doesn’t matter, because Essi smells of verbena, not lilac and gooseberry, doesn’t have cool, electrifying skin. Essi’s hair is not a black tornado of gleaming curls, Essi’s eyes are gorgeous, soft, warm and cornflower blue; they don’t blaze with a cold, unemotional, deep violet. Essi will fall asleep afterwards, turn her head away, open her mouth slightly, Essi will not smile in triumph. For Essi… Essi is not Yennefer. And that is why I cannot. I cannot find that little sacrifice inside myself.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
The dragonling, stumbling and dragging its bulging belly across the ground, scurried unsteadily over to the wagon, squealed, stood on its hind legs, stretched out its little wings, and then without a second’s thought clung to the sorceress’s side. Yennefer, with an extremely queer look on her face, sighed loudly. ‘It likes you,’ Geralt murmured. ‘He’s young, but he ain’t stupid,’ Dandelion twisting in his fetters, grinned. ‘Look where he’s stuck his snout. I’d like to be in his shoes, dammit. Hey, little one, run away! That’s Yennefer! Terror of dragons! And witchers. Well, at least one witcher—
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
I ask everybody here present for forgiveness. With the exception of the noble lady Yennefer, whom I thank, but ask for nothing. Farewell.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Nobody smart plays fair. Yennefer
Andrej Sapkowski, Witcher
Magic,” Yennefer continued after a while, “is, in some people’s opinion, art. Great, elitist art, capable of creating beautiful and extraordinary things. Magic is a talent granted to only a chosen few. Others, deprived of talent, can only look at the results of the artists’ works with admiration and envy, can admire the finished work while feeling that without these creations and without this talent the world would be a poorer place. The fact that, following the Conjunction of the Spheres, some chosen few discovered talent and magic within themselves, the fact that they found Art within themselves, is the blessing of beauty. And that’s how it is. Those who believe that magic is art are also right.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
Magic,” Yennefer continued after a while, “is, in some people’s opinion, art. Great, elitist art, capable of creating beautiful and extraordinary things. Magic is a talent granted to only a chosen few. Others, deprived of talent, can only look at the results of the artists’ works with admiration and envy, can admire the finished work while feeling that without these creations and without this talent the world would be a poorer place. The fact that, following the Conjunction of the Spheres, some chosen few discovered talent and magic within themselves, the fact that they found Art within themselves, is the blessing of beauty. And that’s how it is. Those who believe that magic is art are also right.” On the long bare hill which protruded from the heath like the back of some lurking predator lay an enormous boulder supported by a few smaller stones. The magician guided her horse in its direction without pausing her lecture. “There are also those according to whom magic is a science. In order to master it, talent and innate ability alone are not enough. Years of keen study and arduous work are essential; endurance and self-discipline are necessary. Magic acquired like this is knowledge, learning, the limits of which are constantly stretched by enlightened and vigorous minds, by experience, experiments and practice. Magic acquired in such a way is progress. It is the plough, the loom, the watermill, the smelting furnace, the winch and the pulley. It is progress, evolution, change. It is constant movement. Upwards. Towards improvement. Towards the stars. The fact that following the Conjunction of the Spheres we discovered magic will, one day, allow us to reach the stars. Dismount, Ciri.” Yennefer approached the monolith, placed her palm on the coarse surface of the stone and carefully brushed away the dust and dry leaves. “Those who consider magic to be a science,” she continued, “are also right. Remember that, Ciri. And now come here, to me.” The girl swallowed and came closer. The enchantress put her arm around her. “Remember,” she repeated, “magic is Chaos, Art and Science. It is a curse, a blessing and progress. It all depends on who uses magic, how they use it, and to what purpose. And magic is everywhere. All around us. Easily accessible. It is enough to stretch out one’s hand. See? I’m stretching out my hand.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
But am I suitable? Will I find sufficient strength of character to rid myself of my grudges against the people who took Ciri from me, cruelly beat a man who is dear to me, and packed—” “I am certain,” the she-elf interrupted, “that you will find sufficient strength of character, Yennefer. I
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
But am I suitable? Will I find sufficient strength of character to rid myself of my grudges against the people who took Ciri from me, cruelly beat a man who is dear to me, and packed—” “I am certain,” the she-elf interrupted, “that you will find sufficient strength of character, Yennefer.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Then why are your eyes full of fear, Geralt of Rivia? Your hands are trembling, you are pale. Why? Do you fear the last–fourteenth–name engraved on the obelisk so much? If you wish I shall speak that name.’ ‘You don’t have to. I know what it is. The circle is closing, the snake is sinking its teeth into its own tail. That is how it must be. You and that name. And the flowers. For her and for me. The fourteenth name engraved in the stone, a name that I have spoken in the middle of the night and in the sunlight, during frosts and heat waves and rain. No, I’m not afraid to speak it now.’ ‘Then speak it.’ ‘Yennefer… Yennefer of Vengerberg.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Dear friend, your unexpected letter—which I received not quite three years after we last saw each other—has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it. I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty—quite understandably—is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list? Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend. Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure. Your friend Yennefer
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
Well, I never,’ Yennefer said, looking at him, still pale. ‘You’re taking umbrage like a tart whose lack of chastity has been pointed out to her. You’re a witcher, you can’t change that. Your vocation…
Andrzej Sapkowski
Тогда скажи, о чем они разговаривают? Объясни, что все это значит! – Взгляни еще раз в пролом и посмотри, что они делают. – Хм-м-м… – Цири закусила верхнюю губу, потом наклонилась к отверстию. – Госпожа Йеннифэр стоит у вербы… Обрывает листики и даже не смотрит на Геральта… А Геральт, опустив голову, стоит рядом. И что-то говорит. Нет, молчит. Ой, ну и рожица у него… Ну и странная же… – Все по-детски просто. – Лютик отыскал в траве яблоко, вытер о брюки и критически осмотрел. – Сейчас он просит простить ему всякие глупые слова и поступки. Просит простить за нетерпение, за недостаток веры и надежды, за упрямство, за ожесточение. За капризы и позы, недостойные мужчины. Просит простить за то, что когда-то не понимал, за то, что не хотел понять… – Все это неправдивая неправда! – Цири выпрямилась и резким движением откинула челку со лба. – Все ты выдумал! – Просит простить за то, что понял лишь теперь, – продолжал Лютик, уставившись в небо, а в его голосе послышались ритмы, свойственные балладам. – Что хочет понять, но боится: а вдруг да не успеет… И может даже быть, что не поймет уже. Извиняется и просит прощения… Прощения… Хм… Значения… Сомнения… Предназначения. Все банально, холера… – Неправда! – топнула ногой Цири. – Геральт вовсе так не говорит. Он… он вообще молчит. Я же видела. Он стоит там с ней и молчит… – В том-то и состоит роль поэзии, Цири. Говорить о том, о чем другие молчат. – Дурацкая она, твоя роль. Все ты выдумываешь! – И в этом тоже состоит роль поэзии. Ой, я слышу у пруда возбужденные голоса. А ну выгляни быстренько, взгляни, что там деется. – Геральт, – Цири снова заглянула в щель, – стоит опустив голову. А Йеннифэр страшно кричит на него. Кричит и размахивает руками. Ой-ей… Что бы это значило? – Детский вопрос. – Лютик снова глянул на плывущие по небу облака. – Теперь она просит у него прощения.
Анджей Сапковский (Czas pogardy (Saga o Wiedźminie, #2))
...Jeśli zginie i zniknie pojęcie woli i poddania, rozkazu i posłuszeństwa, władcy i poddanki, wtedy osiąga się jedność. Wspólnotę, połączenie się w jedną całość. Wzajemne przeniknięcie. A gdy coś takiego nastąpi, śmierć przestaje się liczyć.
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))