“
I'd been painting rats for three years before someone said, 'That's clever. It's an anagram of art,' and I had to pretend I'd known that all along.
”
”
Banksy (Wall and Piece)
“
My biggest fault is that the faults I was born with grow bigger each year.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
In that same year, NYU conducted its own study. With rats. They implanted electrodes in the brains of male rats and put two buttons in their cages. When the lucky little bastards pushed the blue button, the electrodes triggered an orgasm. When they pushed a red button, they were given food.
Care to guess what happened to all the rats?
They died.
They fucking starved to death.
They never pushed the red button.
Need I say more?
”
”
Emma Chase (Tangled (Tangled, #1))
“
I must admit, Peter, I have difficulty in understanding why an innocent man would want to spend twelve years as a rat.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
Here's the news: I am going to sue the Brown & Williamson Tobacco Company, manufacturers of Pall Mall cigarettes, for a billion bucks! Starting when I was only twelve years old, I have never chain-smoked anything but unfiltered Pall Malls. And for many years now, right on the package, Brown & Williamson have promised to kill me.
But I am eighty-two. Thanks a lot, you dirty rats. The last thing I ever wanted was to be alive when the three most powerful people on the whole planet would be named Bush, Dick and Colon.
”
”
Kurt Vonnegut Jr. (A Man Without a Country)
“
The scarcity of years does not necessitate lack of wisdom.
”
”
James Clavell
“
Do you know the hallmark of a second rater? It's resentment of another man's achievement. Those touchy mediocrities who sit trembling lest someone's work prove greater than their own - they have no inkling of the loneliness that comes when you reach the top. The loneliness for an equal - for a mind to respect and an achievement to admire. They bare their teeth at you from out of their rat holes,thinking that you take pleasure in letting your brilliance dim them - while you'd give a year of my life to see a flicker of talent anywhere among them. They envy achievement, and their dream of greatness is a world where all men have become their acknowledged inferiors. They don't know that that dream is the infallible proof of mediocrity, because that sort of world is what the man of achievement would not be able to bear. They have no way of knowing what he feels when surrounded by inferiors - hatred? no, not hatred, but boredom - the terrible, hopeless, draining, paralyzing boredom. Of what account are praise and adulation from men whom you don't respect? Have you ever felt the longing for someone you could admire? For something, not to look down at, but up to?"
"I've felt it all my life," she said.
”
”
Ayn Rand (Atlas Shrugged)
“
Don't ever forget the words on a postcard that my father sent me last year: "If you win the rat race, you're still a rat.
”
”
Anna Quindlen (A Short Guide to a Happy Life)
“
Me, I've seen 45 years, and I've only figured out one thing. That's this: if a person would just make the effort, there's something to be learned from everything. From even the most ordinary, commonplace things, there's always something you can learn. I read somewhere that they said there's even different philosophies in razors. Fact is, if it weren't for that, nobody'd survive.
”
”
Haruki Murakami (Pinball, 1973 (The Rat, #2))
“
Depends on the dog. Big country dogs like these? Yeah. It's the fancy city ones that give me trouble. Overbred, Dad says. Makes them skittish and screws up their wiring. I had a Chihuahua attack me last year." He showed me a faint scar on his hand. "Took a good chunk out."
I sputtered a laugh. "A Chihuahua?"
"Hey, that thing was more vicious than a pit bull. I was at a park with Simon, kicking around a ball. All of a sudden, this little rat dog comes tearing out of nowhere, jumps up, and clamps down on my hand. Wouldn't let go. I'm shaking it, and the owner's yelling at me not to hurt little Tito. I finally get the dog off. I'm bleeding all over that place and the guy never even apologizes.
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
I shall destroy capitalism! Do you hear! I shall destroy every single capitalist! And I shall start with you, you dog, if you don't help us with the bomb!'
Allan noted that the had managed to be both a rat and a dog in the course of a minute or so. And that Stalin was being rather inconsistent, because now he wanted to use Allan's services after all.
But Allan wasn't going to sit there and listen to this abuse any longer. He had come to Moscow to help them out, not to be shouted at. Stalin would have to manage on his own.
'I've been thinking,' said Allan.
'What,' said Stalin angrily.
'Why don't you shave off that moustache?'
With that the dinner was over, because the interpreter fainted.
”
”
Jonas Jonasson (The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared (The Hundred-Year-Old Man, #1))
“
I decided that deep down we're all who we were when we were kids. I think being a teenager is about hiding all your quirks and contorting yourself to fit in and impress people, and being an adult is about re-finding who you were when you were eight years old.
”
”
Emily Austin (We Could Be Rats: A Novel)
“
I tell lies sometimes. The last time I lied was a year ago. I absolutely detest lying. You could say that lying and silence are the two greatest sins of present day society. Actually, I lie a lot, and I'm always clamming up.
”
”
Haruki Murakami (Hear the Wind Sing (The Rat, #1))
“
in the last thousand years:
empires have risen and fallen
and I have loved you,
plagues have leaped from rat to daughter
and I have loved you
humanity has conquered sea and sky
and I have loved you
kings have been slain and forests razed and witches
burned and and gold struck and maps redrawn and
fortunes traded and volcanoes erupted and moons
landed and cathedrals sculpted and rivers dirtied
and masterpieces painted and battlefields bloodied
and I love you,
and I have loved you,
and I will love you.
”
”
Laura Steven (Our Infinite Fates)
“
You concentrate on waiting for someone and after a certain time it hardly matters what happens anymore. It could be five years or ten years or one month. It's all the same.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
The immortal demigod took a throaty slurp of her beer, then slammed the mug down onto the table, grinning like a four-year-old who had been paid in cookies to rat out her sister.
”
”
Brandon Sanderson (Shadows of Self (Mistborn, #5))
“
Daily meditation has been shown to cure insomnia in rats.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
As my late mother famously observed, the one thing to be said for growing old is that every year there are a few more things I don’t have to give a rat’s ass about.
”
”
Lawrence Block
“
My biggest fault is that the faults I was born with grow bigger each year. It's like I was raising chickens inside me. The chickens lay eggs and the eggs hatch into other chickens, which then lay eggs. Is this any way to live a life? What with all these faults I've got going, I have to wonder. Sure, I get by. But in the end, that's not the question, is it?
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
Each of us, in our own personal Factory, may believe we have stumbled down one corridor, and that our fate is sealed and certain (dream or nightmare, humdrum or bizarre, good or bad), but a word, a glance, a slip - anything can change that, alter it entirely, and our marble hall becomes a gutter, or our rat-maze a golden path. Our
destination is the same in the end, but our journey - part chosen, part determined- is
different for us all, and changes even as we live and grow. I thought one door had snicked shut behind me years ago; in fact I was still crawling about the face. Now the door closes, and my journey begins.
”
”
Iain Banks (The Wasp Factory)
“
We never stand alone—for we are all woven into one—land, sky, rock, sand, animals—man is only a part of the whole.
”
”
Andre Norton (Mark of the Cat and Year of the Rat)
“
You count the days and watch the years go by. You tell yourself, and you believe it, that you'd rather just die. You'd rather stare death boldly in the face and say you're ready because whatever is waiting on the other side has to be better than growing old in a six-by-ten cage with no one to talk to. You consider yourself half-dead at best. Please take the other half.
You've watched dozens leave and not return, and you accept the fact that one day they'll come for you. You're nothing but a rat in their lab, a disposable body to be used as proof that their experiment is working. An eye for an eye, each killing must be avenged. You kill enough and you're convinced that killing is good.
You count the days, and then there are none left. You ask yourself on your last morning if you are really ready. You search for courage, but the bravery is fading. When it's over, no one really wants to die.
”
”
John Grisham (The Confession)
“
I could go on like this forever, but would I ever find a place that was meant for me? Like, for example, where? After lengthy considerations, the only place I could think of was the cockpit of a two-seater Kamikaze torpedo-plane. Of all the dumb ideas. In the first place, all the torpedo-planes were scrapped thirty years ago
”
”
Haruki Murakami (Pinball, 1973 (The Rat, #2))
“
It is difficult for the ordinary voter to come to grips with the notion that a truly evil man, a truthless monster with the brains of a king rat and the soul of a cockroach, is about to be sworn in as the president of the United States for the next four years. . . . And he will bring his gang in with him, a mean network of lawyers and salesmen and pimps who will loot the national treasury, warp the laws, mock the rules and stay awake 22 hours a day looking for at least one reason to declare war, officially, on some hapless tribe in the Sahara or heathen fanatic like the Ayatollah Khomeini.
”
”
Hunter S. Thompson
Jan Karon (These High, Green Hills (Mitford Years, #3))
“
Everybody's gotta die sometime. But until then we've still got fifty-some odd years to go, and a lot to think about while we're living those fifty years, and I'll just come right out and say it: that's even more tiring than living five thousand years thinking about nothing. Don't you think?
”
”
Haruki Murakami (Hear the Wind Sing (The Rat, #1))
“
Let’s be honest: in ten years, the man-bun of the 2010s will be equivalent to the rat-tail of the 1980s.
”
”
Julie Johnson (Cross the Line (Boston Love, #2))
“
The scent of the sea and the burning asphalt being carried on the southerly wind made me think of summers past. The warmth of a girl's skin, old rock n' roll, button-down shirts right out of the wash, the smell of cigarettes smoked in the pool locker room, faint premonitions, everyone's sweet, limitless summer dreams. And then one year(when was it?), those dreams didn't come back.
”
”
Haruki Murakami (Hear the Wind Sing (The Rat, #1))
“
I have lived in this tree, in this same hollow," the owl said, "for more years than anyone can remember. But now, when the wind blows hard in winter and rocks the forest, I sit here in the dark, and from deep down in the bole, near the roots, I hear a new sound. It is the sound of strands of wood creaking in the cold and snapping one by one. The limbs are falling; the tree is old, and it is dying. Yet I cannot bring myself, after so many years, to leave, to find a new home and move into it, perhaps to fight for it. I, too, have grown old. One of these days, one of these years, the tree will fall, and when it does, if I am still alive, I will fall with it.
”
”
Robert C. O'Brien (Mrs. Frisby and the Rats of NIMH (Rats of NIMH, #1))
“
Trouble is we end up being worse at saying things well. It's got to be an inborn fault. Naturally, everyone's got faults. My biggest fault is that the faults i was born with grow bigger each year.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
For now the world keeps turning and I keep breathing, in and out, in and out. I breathe in the life that is all around me, in this garden, in this city, in the fields beyond it, in the seas beyond them and the shores on the other side; life that reaches out towards the unreachable, unknowable space that is beyond all of us and the stars that burn there.
”
”
Clare Furniss (The Year of the Rat)
“
He loved Thelma, Jonathan said, he had never loved anyone but Thelma, he had loved Thelma for nineteen years and would always love her even though Thelma didn't give a rat's ass about him and never had.
”
”
Nora Ephron (Heartburn)
“
The important things in life always happened by accident. At fifteen she didn’t know much, in fact, with each passing year she was a lot less clear about most things. But this much she did know. You could worry yourself sick trying to be a better person, spend a thousand sleepless nights figuring out how to live clean and decent and honest, you could make a plan and bolt it in place, kneel by your bed every night and swear to God you’d stick to it, hell, you could go to church and promise properly. You could cross your heart seven times with your eyes tight shut, cut your thumb and squeeze it and pen solemn vows on a rock with your own blood then throw it in the river at the stroke of midnight. And then, out of the black beyond, like a hawk on a rat, some nameless catastrophe would swoop into your life and turn everything upside down and inside out forever.
”
”
Nicholas Evans (The Smoke Jumper)
“
Hating people is like burning down your own house to get rid of a rat.
”
”
Will Bowen (Happy This Year!: The Secret to Getting Happy Once and for All)
“
Telling lies is a really terrible thing. These days, lies and silence are the two greatest sins in human society you might say. In reality, we tell lots of lies, and we often break into silence. However, if we were constant;y talking year-round, and telling only the truth truth would probably lose some of its value.
”
”
Haruki Murakami (Hear the Wind Sing (The Rat, #1))
“
It’s really difficult to talk about dead people, but it’s even harder to talk about dead young women. It’s because from the time they die, they’ll be young forever. On the other hand, for us, the survivors, every year, every month, every day, we get older.
Sometimes, I feel like I can feel myself aging from one hour to the next. It’s a terrible thing, but that’s reality.
”
”
Haruki Murakami (Hear the Wind Sing (The Rat, #1))
“
Forty feet long sixty feet high hotel
Covered with old gray for buzzing flies
Eye like mango flowing orange pus
Ears Durga people vomiting in their sleep
Got huge legs a dozen buses move inside Calcutta
Swallowing mouthfuls of dead rats
Mangy dogs bark out of a thousand breasts
Garbage pouring from its ass behind alleys
Always pissing yellow Hooghly water
Bellybutton melted Chinatown brown puddles
Coughing lungs Sound going down the sewer
Nose smell a big gray Bidi
Heart bumping and crashing over tramcar tracks
Covered with a hat of cloudy iron
Suffering water buffalo head lowered
To pull the huge cart of year uphill
”
”
Allen Ginsberg
“
I don’t know how to put it, but I just can’t get it through my head that here and now is really here and now. Or that I am really me. It doesn’t quite hit home. It’s always this way. Only much later on does it ever come together. For the last ten years, it’s been like this.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
The ancient priest who had taken Father Angel’s place and whose name no one had bothered to find out awaited God’s mercy stretched out casually in a hammock, tortured by arthritis and the insomnia of doubt while the lizards and rats fought over the inheritance of the nearby church.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
For eight years I was an inmate in a state asylum for the insane. During those years I passed through such unbearable terror that I deteriorated into a wild, frightened creature intent only on survival. And I survived. I was raped by orderlies, gnawed on by rats and poisoned by tainted food. I was chained in padded cells, strapped into strait-jackets and half-drowned in ice baths. And I survived. The asylum itself was a steel trap, and I was not released from its jaws alive and victorious. I crawled out mutilated, whimpering and terribly alone. But I did survive.
”
”
Frances Farmer (Will There Really Be a Morning?)
“
There are just some things that are outside of comprehension, even if we can quantify them. At some point, science becomes magic.
”
”
Jay Hosking (Three Years with the Rat)
“
Mr. Cat and Mr. Dog were neighbors who fought like, well, cats and dogs. That is until Mr. Rat moved in. It's fascinating how easily two enemies ally at the introduction of a third.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
“
The number seven is magical, they say. Seven years ’til our cells completely regenerate. Seven years ’til Jacob possesses Rachel, no, Leah, and seven more for Rachel. Seven days in a week. Post traumatic stress often resolves itself in toto only after seven full years have passed. Such is the case for some brain trauma patients too. Seven. It’s a number worth remembering.
”
”
Chila Woychik (On Being a Rat and Other Observations)
“
If you feel like a nearly-drowned rat that’s been dragged through the mud, all twisted up inside your mother’s borrowed, prized quilt, having been tossed about by gale force winds that managed to entangle you in barbed wire one-thousand miles from your goal in the middle of a hot, barren nowhere void of any basic necessities―then congratulations! You’re no observer but an actual participant in the game of life! Stand up and keep living.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
“
He knew what those jubilant crowds did not know but could have learned from books: that the plague bacillus never dies or disappears for good; that it can lie dormant for years and years in furniture and linen chests; that it bides its time in bedrooms, cellars, trunks, and bookshelves; and that perhaps the day would come when, for the bane and the enlightening of men, it would rouse up its rats again and send them forth to die in a happy city.
”
”
Albert Camus (The Plague)
“
So it was that my most impressionable years of boyhood were spent gazing at not a whale, but a whale's penis. Whenever I tired of strolling through the chill aisles of the aquarium, I'd steal off to my place on the bench of the high-ceilinged stillness of the exhibition room and spend hours on end there contemplating this whale's penis.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
As miserable as Gregor felt about being dumped with a rat, his heart ached for Vikus. He wanted to scream at Luxa, "Say something! Don't let your granpa fly off like this! Four of us aren't coming back!" But the words caught in his throat. Part of him wasn't ready to forgive Vikus for abandoning them, either.
"Fly you high, Gregor the Overlander," said Vikus.
Gregor struggled with how to respond. Should he ignore Vikus? Let him know that none of them, not even an Overlander, could forgive him? Just as he had steeled himself against replying, Gregor thought of the last two years, seven months, and was it fifteen days now? There were so many things he wished he'd said to his dad when he'd had the chance. Things like how special it was when they went on the roof at night and tried to find the stars. Or how much he loved it when they took the subway out to the stadium to watch a baseball game. Or just that he felt lucky that out of all the people in the world, his dad was his dad.
He didn't have room inside him for any more unspoken words. The bats were rising into the air. He only had a second. "Fly you high, Vikus!" he yelled. "Fly you high!"
Vikus turned back, and Gregor could see tears shining on his cheeks. He lifted up a hand to Gregor in thanks.
And then they were gone.
”
”
Suzanne Collins (Gregor the Overlander (Underland Chronicles, #1))
“
Hardly had the light been extinguished, when a peculiar trembling began
to affect the netting under which the three children lay.
It consisted of a multitude of dull scratches which produced a metallic
sound, as if claws and teeth were gnawing at the copper wire. This was
accompanied by all sorts of little piercing cries.
The little five-year-old boy, on hearing this hubbub overhead, and
chilled with terror, jogged his brother's elbow; but the elder brother
had already shut his peepers, as Gavroche had ordered. Then the little
one, who could no longer control his terror, questioned Gavroche, but in
a very low tone, and with bated breath:--
"Sir?"
"Hey?" said Gavroche, who had just closed his eyes.
"What is that?"
"It's the rats," replied Gavroche.
And he laid his head down on the mat again.
The rats, in fact, who swarmed by thousands in the carcass of the
elephant, and who were the living black spots which we have already
mentioned, had been held in awe by the flame of the candle, so long as
it had been lighted; but as soon as the cavern, which was the same
as their city, had returned to darkness, scenting what the good
story-teller Perrault calls "fresh meat," they had hurled themselves in
throngs on Gavroche's tent, had climbed to the top of it, and had begun
to bite the meshes as though seeking to pierce this new-fangled trap.
Still the little one could not sleep.
"Sir?" he began again.
"Hey?" said Gavroche.
"What are rats?"
"They are mice."
This explanation reassured the child a little. He had seen white mice in
the course of his life, and he was not afraid of them. Nevertheless, he
lifted up his voice once more.
"Sir?"
"Hey?" said Gavroche again.
"Why don't you have a cat?"
"I did have one," replied Gavroche, "I brought one here, but they ate
her."
This second explanation undid the work of the first, and the little
fellow began to tremble again.
The dialogue between him and Gavroche began again for the fourth time:--
"Monsieur?"
"Hey?"
"Who was it that was eaten?"
"The cat."
"And who ate the cat?"
"The rats."
"The mice?"
"Yes, the rats."
The child, in consternation, dismayed at the thought of mice which ate
cats, pursued:--
"Sir, would those mice eat us?"
"Wouldn't they just!" ejaculated Gavroche.
The child's terror had reached its climax. But Gavroche added:--
"Don't be afraid. They can't get in. And besides, I'm here! Here, catch
hold of my hand. Hold your tongue and shut your peepers!
”
”
Victor Hugo (Les Misérables)
“
Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound.
Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all.
Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least.
First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it.
"Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death.
In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star.
Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.
”
”
Frederick Buechner (Godric)
“
Your kidding" i said. "we've escaped from top- security prisons, lived on our own for years, made tons of smarty-pants grown-ups look like fools without even trying,eaten desert rats with no A1 steak sauce, and your telling me we're minors and have to have guardians?" I shook my head, staring at him. "Listen pal, i grew up in a freaking dog crate. I've seen horrible, part-human mutations die gut-wrenching deaths. I've had people, mutants, and robots trying to kill me twenty-four/seven for as long as i can remember, and you think i'm gonna cave to state law? are you bonkers?
”
”
James Patterson (The Final Warning (Maximum Ride, #4))
“
Dad used to say lots of funny things - like he was speaking his own language sometimes. Twenty-three skidoo, salad days, nosey parker, bandbox fresh, the catbird seat, chocolate teapot, and something about Grandma sucking eggs. One of his favourites was 'safe as houses'. Teaching me to ride a bike, my mother worrying in the doorway: "Calm down, Linda, this street is as safe as houses." Convincing Jamie to sleep without his nightlight: "It's as safe as houses in here, son, not a monster for miles."
Then overnight the world turned into a hideous nightmare, and the phrase became a black joke to Jamie and me. Houses were the most dangerous places we knew.
Hiding in a patch of scrubby pines, watching a car pull out from the garage of a secluded home, deciding whether to make a food run, whether it was too dicey. "Do you think the parasites'll be long gone?" "No way - that place is as safe as houses. Let's get out of here."
And now I can sit here and watch TV like it is five years ago and Mom and Dad are in the other room and i've never spent a night hiding in a drainpipe with Jamie and a bunch of rats while bodysnatchers with spotlights search for the thieves who made off with a bag of dried beans and a bowl of cold spaghetti.
I know that if Jamie and I survived alone for twenty years we would never find this feeling on our own. The feeling of safety. More than safety, even - happiness. Safe and happy, two things I thought i'd never feel again. Jared made us feel that way without trying, just be being Jared.
I breathe in the scent of his skin and feel the warmth of his body under mine.
Jared makes everything safe, everything happy. Even houses.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
The point is, it didn’t even look like my face. It was the face of any twenty-four-year-old guy who might have been sitting across the way on the commuter train.
My face, my self, what would they mean to anybody? Just another stiff. So this self of mine passes some other’s self on the street – what do weh ave to say to each other? Hey there! Hi ya!That’s about it. Nobody raises a hand. No one turns around to take another look.
”
”
Haruki Murakami (Pinball, 1973 (The Rat, #2))
“
Probably we’d have been better off born in nineteenth-century Russia. I’d have been Prince So-and-so and you Count Such-and-such. We’d go hunting together, fight, be rivals in love, have our metaphysical complaints, drink beer watching the sunset from the shores of the Black Sea. In our later years, the two of us would be implicated in the Something-or-other Rebellion and exiled to Siberia, where we’d die. Brilliant, don’t you think? Me, if I’d been born in the nineteenth century, I’m sure I could have written better novels. Maybe not your Dostoyevsky, but a known second-rate novelist. And what would you have been doing? Maybe you’d only have been Count Such-and-such straight through. That wouldn’t be so bad, just being Count Such-and-such. That’d be nice and nineteenth century.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
He ended the world because it was not to his liking and here I am challenging the same monster for a fifteen-year-old rat from the slums
”
”
Quil Carter (Breaking Jade (A Companion Book to The Fallocaust Series, #1))
“
Perhaps 65 million years from now, intelligent rats will look back gratefully on the decimation wrought by humankind, just as we today can thank that dinosaur-busting asteroid.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
You'll always find what you bring with you.
”
”
Jay Hosking (Three Years with the Rat)
“
Leaving the rat race is easy. All you have to do is quit your job, sell your house, and go and live in a tent in the middle of nowhere. It’s staying out of the rat race that’s tricky.
”
”
Fennel Hudson (A Waterside Year: Fennel's Journal No. 2)
“
Rats!” Papou howled at us in English, maybe looking for sympathy. ‘I can’t have rats in my bakery!”
He had a point. The undead come and go, but the New York City Department of Health is forever.
”
”
Rick Riordan (Wrath of the Triple Goddess (Percy Jackson and the Olympians: The Senior Year Adventures, #2))
“
As far as Robert was concerned, the Book of Life was closed on him a year ago, on Yom Kippur. The next day he dropped out of the race – the political race, the rat race, and in many ways the human race.
”
”
Jennifer Valoppi (Certain Cure: Where Science Meets Religion)
“
Humans have always exalted dreams. Pindar of Thebes, the Greek lyric poet, suggested that the soul is more active while dreaming than while awake. He believed that during a dream, the awakened soul may see the future, “an award of joy or sorrow drawing near.” So it’s no wonder that humans were quick to reserve dreams for people alone; researchers for many years claimed dreams were a property of “higher” minds. But any pet owner who has heard her dog woof or seen his cat twitch during sleep knows that is not true. MIT researchers now know not only that rats dream, but what they dream about. Neurons in the brain fire in distinctive patterns while a rat in a maze performs particular tasks. The researchers repeatedly saw the exact same patterns reproduced while the rats slept—so clearly that they could tell what point in the maze the rat was dreaming about, and whether the animal was running or walking in the dream. The rats’ dreams took place in an area of the brain known to be involved with memory, further supporting a notion that one function of dreams is to help an animal remember what it has learned.
”
”
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
“
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast.
"The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways.
"Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller.
"I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state.
"You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
”
”
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
“
She didn’t have it in her to keep tabs on everyone else’s emotions and then to fit her own emotions in without stomping on people. It was all she could do to keep on top of herself. As a result, she hurt others, which only hurt herself. A hard life. A little too hard for a thirteen-year-old. Hard even for an adult. I
”
”
Haruki Murakami (Dance Dance Dance (The Rat, #4))
“
Made me grow up real fast.” “Everybody has to grow up.” “You’re right there. I used to think the years would go by in order, that you get older one year at a time,” said Gotanda, peering into my face. “But it’s not like that. It happens overnight.
”
”
Haruki Murakami (Dance Dance Dance (The Rat, #4))
“
To the narcissistic sociopath, a sexual experience is not about sex; it's about having complete control over his victims. They satisfy their sick compulsions by preying on vulnerable victims who they feel can most easily be manipulated and are least likely to expose their crimes. Warren needed the FLDS even more than the rebel religion needed a leader. His specialized psychosis was dependent on a unique religious hook that just would not work in the general population. In the outside world, he would never have been able to convince anyone to take him seriously. But with the FLDS predilection for blind religious obedience and submission to authority, he had the willing, captive audience that he needed, like a scientist needs labs rats.
”
”
Sam Brower (Prophet's Prey: My Seven-Year Investigation into Warren Jeffs and the Fundamentalist Church of Latter-Day Saints)
“
Let’s face it: suffering discredits goodness. I’m agnostic in practice though faith-based in theory. I used to pray but now know he’ll do what he darn well pleases when he darn well pleases. Will he listen? Maybe. We have a book that says so, but how much happens beyond that book, I can’t say. That’s agnosticism in its bleakest and most honest form. Don’t judge me, yet believe me when I tell you that years of abuse tend to wring out every ounce of one’s ability to understand and adhere to faith in standard form.
”
”
Chila Woychik (On Being a Rat and Other Observations)
“
I decided that deep down we’re all who we were when we were kids. I think being a teenager is about hiding all your quirks and contorting yourself to fit in and impress people, and being an adult is about re-finding who you were when you were eight years old.
”
”
Emily R. Austin (We Could Be Rats)
“
They are approaching now a lengthy brick improvisation, a Victorian paraphrase of what once, long ago, resulted in Gothic cathedrals—but which, in its own time, arose not from any need to climb through the fashioning of suitable confusions toward any apical God, but more in a derangement of aim, a doubt as to the God’s actual locus (or, in some, as to its very existence), out of a cruel network of sensuous moments that could not be transcended and so bent the intentions of the builders not on any zenith, but back to fright, to simple escape, in whatever direction, from what the industrial smoke, street excrement, windowless warrens, shrugging leather forests of drive belts, flowing and patient shadow states of the rats and flies, were saying about the chances for mercy that year.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
other organisms are doing quite well. Rats and cockroaches, for example, are in their heyday. These tenacious creatures would probably creep out from beneath the smoking rubble of a nuclear Armageddon, ready and able to spread their DNA. Perhaps 65 million years from now, intelligent rats will look back gratefully on the decimation wrought by humankind, just as we today can thank that dinosaur-busting asteroid.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
After setting up the solar panels today, I went for a little walk. I never left sight of the rover; the last thing I want to do is get lost on foot. But I couldn’t stomach crawling back into that cramped, smelly rat’s nest. Not right away. It’s a strange feeling. Everywhere I go, I’m the first. Step outside the rover? First guy ever to be there! Climb a hill? First guy to climb that hill! Kick a rock? That rock hadn’t moved in a million years!
”
”
Andy Weir (The Martian)
“
Young people," McDonald said contemptuously. "You always think there's something to find out."
"Yes, sir," Andrews said.
"Well, there's nothing," McDonald said. "You get born, and you nurse on lies, and you get weaned on lies, and you learn fancier lies in school. You live all your life on lies, and then maybe when you're ready to die, it comes to you--that there's nothing, nothing but yourself and what you could have done. Only you ain't done it, because the lies told you there was something else. Then you know you could of had the world, because you're the only one that knows the secret; only then it's too late. You're too old."
"No," Andrews said. A vague terror crept from the darkness that surrounded them, and tightened his voice. "That's not the way it is."
"You ain't learned, then," McDonald said. "You ain't learned yet....look. You spend nearly a year of your life and sweat, because you have faith in the dream of a fool. And what have you got? Nothing. You kill three, four thousand buffalo, and stack their skins neat; and the buffalo will rot wherever you left them, and the rats will nest in the skins. What have you got to show? A year gone out of your life, a busted wagon that a beaver might use to make a dam with, some calluses on your hands, and the memory of a dead man."
"No," Andrew said. "That's not all. That's not all I have."
"Then what? What have you got?"
Andrews was silent.
"You can't answer. Look at Miller. Knows the country he was in as well as any man alive, and had faith in what he believed was true. What good did it do him? And Charley Hoge with his Bible and his whisky. Did that make your winter any easier, or save your hides? And Schneider. What about Schneider? Was that his name?
"That was his name," Andrews said.
"And that's all that's left of him," McDonald said. "His name. And he didn't even come out of it with that for himself." McDonald nodded, not looking at Andrews. "Sure, I know. I came out of it with nothing, too. Because I forgot what I learned a long time ago. I let the lies come back. I had a dream, too, and because it was different from yours and Miller's, I let myself think it wasn't a dream. But now I know, boy. And you don't. And that makes all the difference.
”
”
John Williams (Butcher's Crossing)
“
Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet
Like thickened wine: summer's blood was in it
Leaving stains upon the tongue and lust for
Picking. Then red ones inked up and that hunger
Sent us out with milk cans, pea tins, jam-pots
Where briars scratched and wet grass bleached our boots.
Round hayfields, cornfields and potato-drills
We trekked and picked until the cans were full,
Until the tinkling bottom had been covered
With green ones, and on top big dark blobs burned
Like a plate of eyes. Our hands were peppered
With thorn pricks, our palms sticky as Bluebeard's.
We hoarded the fresh berries in the byre.
But when the bath was filled we found a fur,
A rat-grey fungus, glutting on our cache.
The juice was stinking too. Once off the bush
The fruit fermented, the sweet flesh would turn sour.
I always felt like crying. It wasn't fair
That all the lovely canfuls smelt of rot.
Each year I hoped they'd keep, knew they would not.
”
”
Seamus Heaney (Opened Ground)
“
Telling lies is a really terrible thing. These days, lies and silence are the two greatest sins in human society, you might say. In reality, we tell lots of lies, and we often break into silence.
However, if we were constantly talking year-round, and telling only the truth, truth would probably lose some of its value.
”
”
Haruki Murakami (Hear the Wind Sing (The Rat, #1))
“
Everyone said New York City was for creatives, for artists, but that was a washed-up remnant of the past. New York wasn’t for artists anymore. It was for steel and glass and suits. It was for fifteen-million-dollar Central Park apartments that remained empty all year round, ghost homes, tax shelter homes. Artists were as common as subway rats, except subway rats had free food options. New York gutted artists, used them as food, sucking out their marrow to make the glamour stronger.
”
”
Zoraida Córdova (The Inheritance of Orquídea Divina)
“
I wouldn’t say that. Shad’s a good man. Better than most of us, maybe. But he’s …” I shut my eyes, looked for adjectives, and could come up only with “not reliable,” a choice I instantly regretted. Shad had plowed snow twenty years, in dangerous weather, for embarrassing pay. Reliable is exactly what he was. Yet it was also true he had a headful of spiders which woke now and then and altered his personal scenery. Somehow I’d managed to disappoint one friend and rat on another at once. “Don’t
”
”
Leif Enger (Virgil Wander)
“
Miss Taggart, do you know the hallmark of the second-rater? It's resentment of another man's achievement. Those touchy mediocrities who sit trembling lest someone's work prove greater than their own-they have no inkling of the loneliness that comes when you reach the top. The loneliness for an equal-for a mind to respect and achievement to admire. They bare their teeth at you from out of their rat holes, thinking that you take pleasure in letting your brilliance dim them-while you'd give a year of your life to see a flicker of talent anywhere among them. They envy achievement, and their dream of greatness is a world where all men have become their acknowledged inferiors. They don't know that that dream is the infallible proof of mediocrity, because that sort of world is what the man of achievement would not be able to bear. They have no way of knowing what he feels when surrounded by inferiors-hatred? no, not hatred, but boredom-there terrible hopeless, draining, parlaying boredom. Of what account are praise and adulation from men whom you don't respect? Have you ever felt the longing for someone you could admire? For something, not to look down at, but up to?
”
”
Ayn Rand (Atlas Shrugged)
“
One of these days, one of these years, the tree will fall, and when it does, if I am still alive, I will fall with it.
”
”
Robert C. O'Brien (Mrs. Frisby and the Rats of Nimh)
“
Apart from donkeys, mules and horses, which we continue to eat as before, we have now also eaten most of the dogs and cats as well as a good number of large rats
”
”
Bosredon Ransijat
“
Boss gave it to me a few years ago," said the chauffeur out of nowhere.
"Gave you what?"
"God's telephone number.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
Grace Lin (The Year of the Rat (A Pacy Lin Novel Book 2))
“
Oh Pearl," she says, "You're allowed to be happy. It's OK.
”
”
Clare Furniss (The Year of the Rat)
“
He wore spiked knuckledusters that got you an extra year of gaol time right off, and looked purely murderous.
”
”
K.J. Charles (The Rat-Catcher's Daughter (Lilywhite Boys, #0.5))
“
The unrelenting grip of Soldier’s Syndrome slips finger by slow finger. The marrow’s been affected—emotional leukemia at the deepest level. Transplants of love and friendship aid healing, yet time is still key, and the clock never ticks fast enough. Eternity gains perspective when seconds feel like years. How long have I been gone? Six eternities and counting.
”
”
Chila Woychik (On Being a Rat and Other Observations)
“
She felt a little clandestine, as if she were ten years old again, sneaking a dead rat past her mother so she could articulate a Rattus norvegicus domestica for her bedroom display.
”
”
Geraldine Brooks (Horse)
“
Perhaps 65 million years from now, intelligent rats will look back gratefully on the decimation wrought by humankind, just as we today can thank that dinosaur-busting asteroid. Still,
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Believing in my great hurt, my literal cutting off from society's mainland, it seems to me that I took life in a sense too seriously, and the lives of others, for the same reason, too lightly. The murders were my own conception; my sex. The Factory was my attempt to construct life, to replace the involvement which otherwise I did not want.
Well, it is always easier to succeed at death.
Inside this greater machine, things are not quite so cut and dried (or cut and pickled) as they have appeared in my experience. Each of us, in our own personal Factory, may believe we have stumbled down one corridor, and that our fate is sealed and certain (dream or nightmare, humdrum or bizarre, good or bad), but a word, a glance, a slip - anything can change that, alter it entirely, and our marble hall becomes a gutter, or our rat-maze a golden path. Our destination is the same in the end, but our journey - part chosen, part determined- is different for us all, and changes even as we live and grow. I thought one door had snicked shut behind me years ago; in fact I was still crawling about the face. Now the door closes, and my journey begins.
”
”
Iain Banks
“
Starting when I was only twelve years old, I have never chain-smoked anything but unfiltered Pall Malls. And for many years now, right on the package, Brown and Williamson have promised to kill me. But I am now eighty-two. Thanks a lot, you dirty rats. The last thing I ever wanted was to be alive when the three most powerful people on the whole planet would be named Bush, Dick and Colon.
”
”
Kurt Vonnegut Jr. (A Man Without a Country)
“
During dry spells, the whole river used to dry up into sandy bed, leaving only a faintly damp white trail. Years ago, on my walks I’d trace that trail upstream, searching for where the river had gone
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
Nothing endures for so long as fear. Everywhere in nature one sees evidence of innate releasing mechanisms literally millions of years old, which have lain dormant through thousands of generations but retained their power undiminished. The field-rat’s inherited image of the hawk’s silhouette is the classic example—even a paper silhouette drawn across a cage sends it rushing frantically for cover. And how else can you explain the universal but completely groundless loathing of the spider, only one species of which has ever been known to sting? Or the equally surprising—in view of their comparative rarity—hatred of snakes and reptiles? Simply because we all carry within us a submerged memory of the time when the giant spiders were lethal, and when the reptiles were the planet’s dominant life form.
”
”
J.G. Ballard (The Drowned World)
“
Books turn out to be pretty durable if they're kept away from damp and rats. They can last hundreds of years, easy. Reading is another way we survive. It helps to know where we came from, how we got here. And most of all, for me, even thought these low and empty islands are all I have ever known, when I open the front cover of a new book, it's like a door, and I can travel far away in place and time.
”
”
C.A. Fletcher
“
Ingesting poison, fighting for food, being attacked by a larger rat or beaten with a toilet plunger: these are everyday rat dangers that make the life expectancy of the rat in the city approximately one year.
”
”
Robert Sullivan (Rats: Observations on the History and Habits of the City's Most Unwanted Inhabitants)
“
You shouldn't be wasting your time worrying about what's going to happen after you die. It's pointless. Think about what's happening now. In your life. That's what's important. So change the subject, will you?
”
”
Clare Furniss (The Year of the Rat)
“
She laughed, but this time it sounded hoarse. "It's alright," she said, leaning in again. "It's not the first time I've fucked to get a part."
Mark took a step back, putting his hand forward to distance her. The way she said fucked sounded exactly like the way she said rat, and he felt certain that this was all wrong.
"How could you say that?"
"Say what? You can't be new to this."
"That's not an excuse," he said, taking another step back. "Why do you do this? How can you do this?"
She stopped her approach. Her eyes turned to the abandoned plate of steak on the coffee table. Mark, unable to imagine what she was feeling, picked up her sweater from the floor and handed it to her. She took it without looking at him, then sat on the couch. She began to cry.
"I'm sorry," he said. "But there's no reason for you to do any of this."
She put her sweater on, straightened her skirt, then turned to face him. "I do this," she said, gesturing gat the couch, "because the moment I spend being someone else on screen is better than the twenty-eight years I've spent being myself.
”
”
Tablo (Pieces of You)
“
These were children, after all, who were taught to revere Pavlik Morozov, the twelve-year-old Young Pioneer who was made a national hero and icon for all Soviet children when he served his collective by ratting on his own father for trying to hide grain from the police. These were children raised in schools designed according to the “socialist family” theories of Anton Makarenko, an ideology officer of the KGB. Makarenko insisted that children learn the supremacy of the collective over the individual, the political unit over the family. The schools, he said, must employ an iron discipline modeled on that of the Red Army and Siberian labor camps.
”
”
David Remnick (Lenin's Tomb: The Last Days of the Soviet Empire)
“
Everybody has to grow up.” “You’re right there. I used to think the years would go by in order, that you get older one year at a time,” said Gotanda, peering into my face. “But it’s not like that. It happens overnight.
”
”
Haruki Murakami (Dance Dance Dance (The Rat, #4))
“
Probably we’d have been better off born in nineteenth-century Russia. I’d have been Prince So-and-so and you Count Such-and-such. We’d go hunting together, fight, be rivals in love, have our metaphysical complaints, drink beer watching the sunset from the shores of the Black Sea. In our later years, the two of us would be implicated in the Something-or-other Rebellion and exiled to Siberia, where we’d die. Brilliant, don’t you think?
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
many people22 considered that a good fire every hundred years or so was essential to the health of the city since it helped to keep down the rats, roaches, fleas and, of course, people not rich enough to live in stone houses.
”
”
Terry Pratchett (Moving Pictures (Discworld, #10))
“
The Plain Sense of Things"
After the leaves have fallen, we return
To a plain sense of things. It is as if
We had come to an end of the imagination,
Inanimate in an inert savoir.
It is difficult even to choose the adjective
For this blank cold, this sadness without cause.
The great structure has become a minor house.
No turban walks across the lessened floors.
The greenhouse never so badly needed paint.
The chimney is fifty years old and slants to one side.
A fantastic effort has failed, a repetition
In a repetitiousness of men and flies.
Yet the absence of the imagination had
Itself to be imagined. The great pond,
The plain sense of it, without reflections, leaves,
Mud, water like dirty glass, expressing silence
Of a sort, silence of a rat come out to see,
The great pond and its waste of the lilies, all this
Had to be imagined as an inevitable knowledge,
Required, as a necessity requires.
”
”
Wallace Stevens
“
...All without any more sound than flipping over a playing card. And sitting in this limo, compared to my fifteen-year-old Volkswagen Beetle I'd bought off a friend, was as quiet as sitting at the bottom of a lake wearing earplugs.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning in the Burned House: Poems)
“
Rat bites are almost certainly underreported because only the most serious cases attract attention, but even using the most conservative figures, at least fourteen thousand people in the United States are attacked by rats each year.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
Rat bites are almost certainly under reported because only the most serious cases attract attention, but even using the most conservative figures, at least fourteen thousand people in the United States are attacked by rats each year.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
”
”
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))
“
It's a fucking Fiero, dude. It's twenty years old. It has 150,000 miles on it, which is practically what it takes to get to the moon. I'm going to bet if I open this thing up, it's going to smell like stale Drakkar Noir and chemical pine scent. There is probably a dead rat in the trunk. Maybe a whole nest of dead rats and rat babies." She finishes her drawing. (Spoiler alert: it's a penis.) "You should really be paying me to take this burden of Detroit steel off your hands.
”
”
Chuck Wendig (The Cormorant (Miriam Black, #3))
“
(University of Alabama snake digestion expert Stephen Secor did this some years back to reenact a scene for National Geographic television. “Worked like a charm,” he told me. “I can get a python to eat a beer bottle if I put a rat head on it.”)
”
”
Mary Roach (Gulp: Adventures on the Alimentary Canal)
“
For instance, the scientific article may say, 'The radioactive phosphorus content of the cerebrum of the rat decreases to one- half in a period of two weeks.' Now what does that mean?
It means that phosphorus that is in the brain of a rat—and also in mine, and yours—is not the same phosphorus as it was two weeks ago. It means the atoms that are in the brain are being replaced: the ones that were there before have gone away.
So what is this mind of ours: what are these atoms with consciousness? Last week's potatoes! They now can remember what was going on in my mind a year ago—a mind which has long ago been replaced. To note that the thing I call my individuality is only a pattern or dance, that is what it means when one discovers how long it takes for the atoms of the brain to be replaced by other atoms. The atoms come into my brain, dance a dance, and then go out—there are always new atoms, but always doing the same dance, remembering what the dance was yesterday.
”
”
Richard P. Feynman (What Do You Care What Other People Think? Further Adventures of a Curious Character)
“
I was a late bloomer. I was still naïve about what 16 year olds today have known for years. I remember sitting up and taking notice—of the world, my body, others—in a way never before experienced. I noticed boys, or rather they noticed me, at 16.
”
”
Chila Woychik (On Being a Rat and Other Observations)
“
Phrases offered to the grief-stricken, such as “time heals all wounds” and “the day will come when you reach closure” irritated him, and there were times when he sat silent, seeming half-buried in some sediment of sorrow.
“Closure? When someone beloved dies there is no ‘closure.’”
He disliked television programs featuring tornado chasers squealing “Big one! Big one!” and despised the rat-infested warrens of the Internet, riddled with misinformation and chicanery. He did not like old foreign movies where, when people parted, one stood in the middle of the road and waved. He thought people with cell phones should be immolated along with those who overcooked pasta. Calendars, especially the scenic types with their glowing views of a world without telephone lines, rusting cars or burger stands, enraged him, but he despised the kittens, motorcycles, famous women and jazz musicians of the special-interest calendars as well.
“Why not photographs of feral cats? Why not diseases?” he said furiously. Wal-Mart trucks on the highway received his curses and perfumed women in elevators invited his acid comment that they smelled of animal musk glands. For years he had been writing an essay entitled “This Land Is NOT Your Land.
”
”
Annie Proulx (That Old Ace in the Hole)
“
Word gets around." "You mean they communicate?" A third voice. "You bet they communicate. And the next time they do come, you can be sure they'll case the place carefully. We were lucky. These rats hadn't been bothered in years. They'd grown careless.
”
”
Robert C. O'Brien (Mrs. Frisby and the Rats of NIMH (Rats of NIMH, #1))
“
But then she thought about the falcon, how it was made to do what it did and had no choice in the matter. It was eat pigeon (or sparrow or rat or raccoon) or die, and Kid supposed that the beauty of the falcon was directly related to its ability to kill, a completely different kind of beauty than the beauty of the pigeon, and that humans' ability to recognize the two beauties and not to call one beautiful and the other ugly said a lot about humans in ways you could probably spend years contemplating.
”
”
Anne Fleming (The Goat)
“
Even after all these years, the thought of Isagol the Terrible stirred such a storm in him- of rancor and longing, desire and disgust, violence and even affection- all of it seething and bleeding and writhing, like a pit of rats eating one another alive.
”
”
Laini Taylor
“
So much money spent so that between 1969 and 1972 a dozen white men could take the express train to a lifeless world? Why, Negro women and men could barely go to the next state without worrying about predatory police, restaurants that refused to serve them, and service stations that wouldn’t let them buy gas or use the bathroom. Now they wanted to talk about a white man on the Moon? “A rat done bit my sister Nell, with Whitey on the Moon,” rapped performer Gil Scott-Heron in a song that stormed the airwaves that year.
”
”
Margot Lee Shetterly (Hidden Figures: Young Readers' Edition of Hidden Figures—Celebrating African American Women Pioneers at NASA)
“
When someone you love first dies, they're all you can see, aren't they? All you can hear?
Blotting everything else out.
That changes. They get quieter over the years. They still whisper to you sometimes, but the world get louder. You can see it and hear it again. There's a gap in it, where they used to be. But you get used to the gap; so used to it that you hardly see it.
And then some days, out of nowhere, you're making the tea or hanging out the washing or sitting on the bus and it's there again; that aching, empty space that will never be filled.
”
”
Clare Furniss (The Year of the Rat)
“
I don't know how to put it, but I just can't get it through my head that here and now is really here and now. Or that I am really me. It doesn't quite hit home. It's always been this way. Only much later on does it ever come together. For the last ten years, it's been like this.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
Three blind hummingbirds hang in the air like jewels of iridescent scarlet and cobalt; then, one by one, they fade, all color leeched from them, and fall lifeless into the mists, to be eaten by rats.
Despair feels uncomfortable.
In her world there are so many windows. Each opening shows her an existence that's fallen to her - some only for moments, others for lifetimes. Able at this moment neither to savor them, nor to understand her own disquiet, she stares away from all the windows as she walks. Silent rats run unmindfully over her feet, invisible in the mist.
She misses him.
It is over three hundred years since last she and her brother were alone together. Like a flood, the memories come, and she is drowning in them. Against her will her chest heaves, and she begins to weep: deep, helpless, racking sobs...
No.
Despair places the cold metal barb of her hook onto the surface of her eye. And then she pushes, piercing cornea and lens, and ripping free the aqueous humor and vitreous humor to run like tears down her cheek, into her hand...
The pain distracts her, a little. But still, she remembers...
”
”
Neil Gaiman (The Sandman, Vol. 7: Brief Lives)
“
Sunday Justice, the courthouse cat- his back black, his face white with a black mask around green eyes- stretched out in a puddle of sunlight in one of the deep windowsills. A courthouse fixture for years, he cleared the basement of rats and the courtroom of mice, earning his place.
”
”
Delia Owens (Where the Crawdads Sing)
“
One day a Japanese guard came into the 20-year-old Moitessier’s cell intending to kill him. He raised his pistol, but they locked eyes until, inexplicably, the guard lowered the pistol and walked away. Now, years later, tenderized by solitude, Moitessier wished he had spared the rat.
”
”
Peter Nichols (A Voyage for Madmen)
“
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family.
After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping."
"I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder."
Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?"
"It would be more accurate to say I'm thrashing like a drowning rat."
"Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness.
While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy.
Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
There are various reasons why an individual might habitually consume large quantities of alcohol, but they all effectively boil down to the same thing. Five years ago, my business partner was a happy drunk. Three years later, he had become a moody drunk. And by the last summer, he was fumbling at the knob of the door to alcoholism. As with most habitual drinkers, he was nice-enough, regular-if-not-exactly-sharp kind of guy. He thought so too. That's why he drank. Because it seemed that with alcohol in his syste, he could more fully embody this idea of being that kind of guy.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
Initiation asks the son to move his love energy away from the attractive mother to the relatively unattractive serpent father. All that is ashes work. When a man enters this stage he regards Descent as a holy thing, he increases his tolerance for ashes, eats dust as snake do, increases his stomach for terrifying insights, deepens his ability to digest the evil facts of history, accepts the job of working seven years under the ground, leaves the granary at will through the rat’s hole, bites on cinders, learns to shudder, and follows the voice of the old mole below the ground.
”
”
Robert Bly (Iron John: A Book About Men)
“
It had been four years. Four years ago, the return home had been to take care of paperwork related to the family registry when I got married. When I thought back on it, what a pointless trip! I thought it was all paperwork. The problem was that nobody else thought it. It comes down to the different ways in which minds work. What's over for one person isn't over for another. But the path splits in two different directions, and so you end up apart.
From that point on there was no hometown for me. Nowhere to return to. What a relief! No one to want me, no one to want anything from me.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
Most people don't see what's going on around them. That's my principal message to writers: for God's sake, keep your eyes open. Notice what's going on around you. I mean, I walk down the street with friends. I ask, “Did you see him, that person who just walked by?” No, they didn't notice him. I had a very pleasant time on the train coming out here. I haven't traveled on trains in years. I found there were no drawing rooms. I got a bedroom so I could set up my typewriter and look out the window. I was taking photos, too. I also noticed all the signs and what I was thinking at the time, you see. And I got some extraordinary juxtapositions. For example, a friend of mine has a loft apartment in New York. He said, “Every time we go out of the house and come back, if we leave the bathroom door open, there's a rat in the house.” I look out the window, there's Able Pest Control.
”
”
William S. Burroughs
“
You will never get a satisfactory answer, no matter how much effort or reason you expend, to these types of questions. You probably can't even hope to acquire even mildly strong evidence either way. You will never know, beyond doubt, in advance, what is going to happen to you when you die. Never! And really why should you care? Why do you give a rat's ass? You're five years old. Don't worry about what happens when you die, worry about what happens when you live for crying out loud! Christ, if I was your age, I'd be out living it up, hitting on chicks, getting drunk, c'mon. You with me kid?
”
”
Sergio de la Pava (A Naked Singularity)
“
was for fifteen-million-dollar Central Park apartments that remained empty all year round, ghost homes, tax shelter homes. Artists were as common as subway rats, except subway rats had free food options. New York gutted artists, used them as food, sucking out their marrow to make the glamour stronger.
”
”
Zoraida Córdova (The Inheritance of Orquídea Divina)
“
In case you’re squeamish and consider rats inedible, I still recall, from my years of living in England in the late 1950s, recipes for creamed laboratory rat that my British biologist friends who kept them for experiments also used to supplement their diet during their years of wartime food rationing.
”
”
Jared Diamond (Collapse: How Societies Choose to Fail or Succeed)
“
Avallac’h said nothing for a moment. ‘Share?’ he finally drawled. ‘With you? Knowledge, my dear, is a privilege, and privileges are only shared with one’s equals. And why would I, an elf, a Sage, a member of the elite, share anything with a descendant of a creature that appeared in the universe barely five million years ago, having evolved from an ape, a rat, a jackal or some other such mammal? A creature that took around a million years to discover that one can execute some sort of operation with a gnawed bone using its two hairy hands? After which it shoved the bone up its rectum and shrieked for joy?
”
”
Andrzej Sapkowski (The Tower of Swallows (The Witcher, #4))
“
We spent afternoons kicking around in the sand, picking through the seaweed for shells, making headdresses of washed-up fishing ropes and hats from Styrofoam cups. Beach rats, we were called.
We stopped brushing our hair, and it hung in tangles spun by the salt air. We sprayed Sun-In across our heads and let it turn our hair orange in patches. Our skin peeled, and we didn't much care.
We woke up to the feel of sand in our sheets. We covered ourselves in baby oil and iodine and let the sun bake our skin. We smelled like Love's Baby Soft perfume, like summer all year long. We were tanned, with freckles across our noses.
”
”
Ilie Ruby (The Salt God's Daughter)
“
final day of the original experiment. When the scientists examined the rats’ brains, they saw cocaine-induced changes in the rats’ reward pathways consistent with persistent cocaine sensitization. These findings show that a drug like cocaine can alter the brain forever. Similar findings have been shown with other addictive substances, from alcohol to opioids to cannabis. In my clinical work I see people who struggle with severe addiction slipping right back into compulsive use with a single exposure, even after years of abstinence. This may occur because of persistent sensitization to the drug of choice, the distant echoes of earlier drug use.
”
”
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
“
It's hard enough to talk about someone who's dead; harder still to talk about someone who died young. That's because having died, she's forever young.
Whereas we who survive grow older year by year, month by month, day by day. Sometimes I swear I can even feel myself aging by the hour. And the frightening thing is it's true.
”
”
Haruki Murakami (Hear the Wind Sing (The Rat, #1))
“
Everywere life is resurgent, but I've been colonized by death, I've seen too many dying people to be able to enjoy this summer as everything starts over again, human death has occupied my thoughts like a gnawing rat, and nothing can help them if they don't want to remember the war, the last years of my service in the Wermacht, or anything at all.
”
”
Drago Jančar (To noč sem jo videl)
“
Come on, man, I told myself, you can’t stare at this damn wall forever. But that didn’t help, either. It was what the professor who oversaw my graduation thesis told me. Good style, clear argument, but you’re not saying anything. That was my problem. Now I had a rare moment alone, and I still couldn’t get a handle on how to deal with myself. It was weird. I had been on my own for years and had assumed I was getting by pretty well. Yet now I couldn’t remember any of it. Twenty-four years couldn’t disappear in a flash. I felt like someone who realizes in the midst of looking for something that they have forgotten what it was. What was the object of my search? A bottle opener? An old letter? A receipt? An earpick?
”
”
Haruki Murakami (Pinball, 1973 (The Rat, #2))
“
XII.
If there pushed any ragged thistle-stalk
Above its mates, the head was chopped, the bents
Were jealous else. What made those holes and rents
In the dock's harsh swarth leaves, bruised as to baulk
All hope of greenness? Tis a brute must walk
Pashing their life out, with a brute's intents.
XIII.
As for the grass, it grew as scant as hair
In leprosy; thin dry blades pricked the mud
Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare,
Stood stupified, however he came there:
Thrust out past service from the devil's stud!
XIV.
Alive? he might be dead for aught I knew,
With that red gaunt and colloped neck a-strain.
And shut eyes underneath the rusty mane;
Seldom went such grotesqueness with such woe;
I never saw a brute I hated so;
He must be wicked to deserve such pain.
XV.
I shut my eyes and turned them on my heart,
As a man calls for wine before he fights,
I asked one draught of earlier, happier sights,
Ere fitly I could hope to play my part.
Think first, fight afterwards, the soldier's art:
One taste of the old time sets all to rights.
XVI.
Not it! I fancied Cuthbert's reddening face
Beneath its garniture of curly gold,
Dear fellow, till I almost felt him fold
An arm to mine to fix me to the place,
The way he used. Alas, one night's disgrace!
Out went my heart's new fire and left it cold.
XVII.
Giles then, the soul of honour - there he stands
Frank as ten years ago when knighted first,
What honest man should dare (he said) he durst.
Good - but the scene shifts - faugh! what hangman hands
Pin to his breast a parchment? His own bands
Read it. Poor traitor, spit upon and curst!
XVIII.
Better this present than a past like that:
Back therefore to my darkening path again!
No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat?
I asked: when something on the dismal flat
Came to arrest my thoughts and change their train.
XIX.
A sudden little river crossed my path
As unexpected as a serpent comes.
No sluggish tide congenial to the glooms;
This, as it frothed by, might have been a bath
For the fiend's glowing hoof - to see the wrath
Of its black eddy bespate with flakes and spumes.
XX.
So petty yet so spiteful! All along,
Low scrubby alders kneeled down over it;
Drenched willows flung them headlong in a fit
Of mute despair, a suicidal throng:
The river which had done them all the wrong,
Whate'er that was, rolled by, deterred no whit.
XXI.
Which, while I forded - good saints, how I feared
To set my foot upon a dead man's cheek,
Each step, of feel the spear I thrust to seek
For hollows, tangled in his hair or beard!
- It may have been a water-rat I speared,
But, ugh! it sounded like a baby's shriek.
XXII.
Glad was I when I reached the other bank.
Now for a better country. Vain presage!
Who were the strugglers, what war did they wage,
Whose savage trample thus could pad the dank
soil to a plash? Toads in a poisoned tank
Or wild cats in a red-hot iron cage -
XXIII.
The fight must so have seemed in that fell cirque,
What penned them there, with all the plain to choose?
No footprint leading to that horrid mews,
None out of it. Mad brewage set to work
Their brains, no doubt, like galley-slaves the Turk
Pits for his pastime, Christians against Jews.
”
”
Robert Browning
“
Rats are highly intelligent creatures. If we find out anything new about the human body we experiment on rats. Rats indeed are ahead of us indisputably in one respect - they live underground. We only began to live underground during the last war. Rats have understood the danger of surface life for thousands of years. When the atom bomb falls the rat will survive.
”
”
Graham Greene (Travels with My Aunt)
“
It's just rumors and guesses. Who knows what really happens behind closed doors? No single factor means anything. Everything has to be contextualized. There are too many hidden relationships, too many disguised opportunities for profit, too many competing concerns. This is the most complicated chess game in the world, the Great Game. But all I can see is my broken heart.
”
”
Chen Qiufan, The Year Of The Rat
“
Terror was always just behind her shoulder: she was wasted by the effort of not turning round. She dressed up her fear, so that she could look at it—in the form of fever, rats, unemployment. The real thing was taboo—death coming nearer every year in the strange place: everybody packing up and leaving, while she stayed in a cemetery no one visited, in a big aboveground tomb.
”
”
Graham Greene (The Power and the Glory)
“
if you slip a rat’s face and hide, Hannibal Lecter–style, over the snout of a non-favored prey item, a python will try to swallow it. (University of Alabama snake digestion expert Stephen Secor did this some years back to reenact a scene for National Geographic television. “Worked like a charm,” he told me. “I can get a python to eat a beer bottle if I put a rat head on it.”) For
”
”
Mary Roach (Gulp: Adventures on the Alimentary Canal)
“
My archive project is a multiedged sword. It is something I love doing, but it raises some questions about my motives in doing it. A writer accused me of building my archives just to further my own legend, whatever that is. I hope you don't believe that. What a shallow existence that would be! I remember reading that article saying that about me. It pissed me off. It's my life, and I am a collector. I collect everything: cars, trains, manuscripts, photographs, tape recordings, records, memories and clothes, to name a few. The fact that I want to create a chronological history of my recordings and supporting work is proof positive that I am an incurable collector, confronted with an amazingly detailed array of creations that I have painstakingly rat-holed over the years.
”
”
Neil Young (Waging Heavy Peace: A Hippie Dream)
“
The streets were covered in a thin layer of slush, and people trained their eyes carefully at their feet. The air was exhilarating. High school girls came bustling along, their rosy red cheeks puffing white breaths you could have written cartoon captions in. I continued my amble, taking in the sights of the town. It had been four and a half years since I was in Sapporo. It seemed like much longer.
”
”
Haruki Murakami (Dance Dance Dance (The Rat, #4))
“
What nobody anticipated fully was that both politics and religion would adopt the characteristics of the modern marketplace, that this would bring them into contact with each other, to the detriment of both, and that they would meet inevitably in the heart of Idiot America. Today, with the rise of the megachurch faithful and the interminable meddling in secular politics by various mall rat Ezekiels whose theological credibility is calculated by the number of vacant parking spaces they have on a Sunday, we have a market-deformed politics influenced by a market-diluted religion. Niches are created and products tailored to fill the niches. While modern evangelical Christianity has undeniable historical roots, its explosion over the past thirty years is a triumph of the Gospel According to Wal-Mart.
”
”
Charles P. Pierce (Idiot America: How Stupidity Became a Virtue in the Land of the Free)
“
The Parable of the Cow”: Two cows were discussing the latest nutritional research, which had been done on lions. One cow says to the other, “Did you hear that we’ve been wrong these last 200 years? The latest research shows that eating grass is bad for you and eating meat is good.” So the two cows began eating meat. Shortly afterward, they got sick and they died. One year later, two lions were discussing the latest nutritional research, which was done on cows. One lion said to the other that the latest research showed that eating meat kills you and eating grass is good. So, the two lions started eating grass, and they died. What’s the moral of the story? We are not mice. We are not rats. We are not chimpanzees or spider monkeys. We are human beings, and therefore we should consider only human studies.
”
”
Jason Fung (The Obesity Code: Unlocking the Secrets of Weight Loss)
“
People with dark souls have nothing but dark dreams. People with really dark souls do nothing but dream,” went a favorite saying of my late grandmother.
The night she died, the very first thing I did was to reach my arms out and softly close her eyes. As I did this, the dream she’d held for seventy-nine years ended the way a summer shower stops falling on pavement, and after that there was nothing left.
”
”
Haruki Murakami (Hear the Wind Sing (The Rat, #1))
“
In the early nineteenth century, a young man in London aspired to be a writer. But everything seemed to be against him. He had never been able to attend school more than four years. His father had been flung in jail because he couldn’t pay his debts, and this young man often knew the pangs of hunger. Finally, he got a job pasting labels on bottles of blacking in a rat-infested warehouse, and he slept at night in a dismal attic room with two other boys—guttersnipes from the slums of London. He had so little confidence in his ability to write that he sneaked out and mailed his first manuscript in the dead of night so nobody would laugh at him. Story after story was refused. Finally the great day came when one was accepted. True, he wasn’t paid a shilling for it, but one editor had praised him. One editor had given him recognition. He was so thrilled that he wandered aimlessly around the streets with tears rolling down his cheeks. The praise, the recognition that he received through getting one story in print, changed his whole life, for if it hadn’t been for that encouragement, he might have spent his entire life working in rat-infested factories. You may have heard of that boy. His name was Charles Dickens.
”
”
Dale Carnegie (How to Win Friends and Influence People)
“
Scarcely a year after Hitler had been handed power, something of what he had always claimed about the Jews had actually come to pass. He said they were different. And they had become different. He had accused them of being furtive and sneaky. And they had become furtive and sneaky. Covering up. Lying low. Watching the door. Hiding away. Survival rats. Constantly nervous, trying to blend in, avoiding people’s
”
”
Ben Elton (Two Brothers)
“
As for how much aerobic exercise you need to stay sharp, one small but scientifically sound study from Japan found that jogging thirty minutes just two or three times a week for twelve weeks improved executive function. But it’s important to mix in some form of activity that demands coordination beyond putting one foot in front of the other. Greenough worked on an experiment several years ago in which running rats were compared to others that were taught complex motor skills, such as walking across balance beams, unstable objects, and elastic rope ladders. After two weeks of training, the acrobatic rats had a 35 percent increase of BDNF in the cerebellum, whereas the running rats had none in that area. This extends what we know from the neurogenesis research: that aerobic exercise and complex activity have different beneficial effects on the brain.
”
”
John J. Ratey (Spark: The Revolutionary New Science of Exercise and the Brain)
“
I have always had a great need for solitude. I require huge swathes of loneliness and when I do not have it, which has been the case for the last five years, my frustration can sometimes become almost panicked, or aggressive. And when what has kept me going for the whole of my adult life, the ambition to write something exceptional one day, is threatened in this way my one thought, which gnaws at me like a rat, is that I have to escape.
”
”
Karl Ove Knausgård (My Struggle: Book 1)
“
The road by the river had been one of my favorites. I could walk at the same speed as the river. I could feel it breathing. It was alive. More than anything, it was the river we had thank for creating the town. For grinding down from the hills over how many hundreds of thousands of years, for hauling the dirt, filling the sea, and making the tree grow. The town belonged to the river from the very beginning, and it would always be the way
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
He was worried about his country. Something was rotting from the inside—a slow decay of what was right and wrong. It was as if hundreds of cynical little rats were chewing at its very fiber, gnawing away year by year, until it was collapsing into a vat of gray slime and self-loathing. It had oozed under the doors of the classrooms, the newscasts, and in the movies and television shows and had slowly changed the national dialogue until it was now a travesty to be proud of your country, foolish to be patriotic, and insensitive to even suggest that people take care of themselves. History was being rewritten by the hour, heroes pulled down to please the political correctors. We were living in a country where there was freedom of speech for some, but not all. What was it going to take to get America back on track? Would everything they had fought for be forgotten? He was so glad he and Norma had grown up when they had. They had come of age in such an innocent time, when people wanted to work and better themselves. Now the land of the free meant an entirely different thing. Each generation had become a weaker version of the last, until we were fast becoming a nation of whiners and people looking for a free ride—even expecting it. Hell, kids wouldn’t even leave home anymore. He felt like everything was going downhill.
”
”
Fannie Flagg (The Whole Town's Talking)
“
I skipped the thirty-one years between 1938 and 1965 and jumped to the section entitled “Junitaki Today.” Of course, the book’s “today” being 1970, it was hardly today’s “today.” Still, writing the history of one town obviously imposed the necessity of bringing it up to a “today.” And even if such a today soon ceases to be today, no one can deny that it is in fact a today. For if a today ceased to be today, history could not exist as history.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
A few magical practitioners claimed that they first met their familiars in fairyland, or at the sabbath; however, a greater number claimed that their journey to these places had been initiated by the familiar’s invitation. Nairnshire witch Isobel Gowdie ( 1662 ) , for example, first met the Devil as she was ‘goeing betwix the townes of Drumdewin and the Headis’ where she ‘promeisit to me it him, in the night time, in the Kirk of Aulderne; quhilk I did’. Bessie Dunlop claimed that on one occasion Tom Reid 'tuke hir be the aproun, and wald haif had hir gangand [go} with him to Elfame’, and that on another, she met a group of 'gude wychtis that wynnit in the Court of Elfame; quha come thair to desyre hir to go with thame’. Scattered throughout encounter-narratives from Southern England, where descriptions of sabbath and fairyland experiences are seldom found, we still find references to familiars attempting to lure magical practitioners to 'go with them’, although the destination- is not specified. Huntingdonshire witch Ellen Shepheard ( 1646), for example, claimed that 'a Spirit, somewhat like a Rat, but not fully so big, of an iron-grey colour … said you must goe with me’ , whilst nearly seventy years earlier Essex witch Elizabeth Bennett maintained that a familiar spirit in the form of a black dog asked her to 'go with it
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Emma Wilby (Cunning-Folk and Familiar Spirits: Shamanistic Visionary Traditions in Early Modern British Witchcraft and Magic)
“
Squatters. The dispossessed. The water rats. Denizens of the deep, citizens of the shallows. And a lot of them were interested in trying something different, including which authorities they gave their consent to be governed by. Hegemony had drowned, so in the years after the flooding there was a proliferation of cooperatives, neighborhood associations, communes, squats, barter, alternative currencies, gift economies, solar usufruct, fishing village cultures, mondragons, unions, Davy’s locker freemasonries, anarchist blather, and submarine technoculture, including aeration and aquafarming. Also sky living in skyvillages that used the drowned cities as mooring towers and festival exchange points; containerclippers and townships as floating islands; art-not-work, the city regarded as a giant collaborative artwork; blue greens, amphibiguity, heterogeneticity, horizontalization, deoligarchification; also free open universities, free trade schools, and free art schools.
”
”
Kim Stanley Robinson (New York 2140)
“
Abdul’s deepest affection was for his two-year-old brother, Lallu, a fact that had begun
to concern him. Listening to Bollywood love songs, he could only conclude that his own
heart had been made too small. He’d never longed with extravagance for a girl, and
while he felt certain he loved his mother, the feeling didn’t come in any big gush. But he
could get tearful just looking at Lallu, who was as fearless as Abdul was flinchy. All
those swollen rat bites on his cheeks, on the back of his head.
”
”
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
“
Today, humankind is driving many species into extinction and might even annihilate itself. But other organisms are doing quite well. Rats and cockroaches, for example, are in their heyday. These tenacious creatures would probably creep out from beneath the smoking rubble of a nuclear Armageddon, ready and able to spread their DNA. Perhaps 65 million years from now, intelligent rats will look back gratefully on the decimation wrought by humankind, just as we today can thank that dinosaur-busting asteroid.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Before you were born, the year ninety-two,
lost what was precious, and that what was new.
The blink of an eye, the beat of a heart,
Out went the candle, and guilt was my part.
A king and his knight went hunting a boar,
A rat and his friends were hunting for love.
Together they fought, till one was alive.
The knight sadly wept, no king had survived.
The answers to riddles, to secrets and more,
Are found in the middle of legends and love.
Seek out the answer, and learn if you can
The face of regret, the life of a man.
”
”
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
“
This is what working in what amounts to a rat’s nest for the past decade has done to us, I think, looking at our reflections in the mirror. Ten years in a piece-of-crap studio in the armpit of Bushwick with full view-and-sound of the JMZ train, giving ourselves humpbacks craning over our drafting tables, Camels drooping from our mouths, passing expired packages of Peeps back and forth in the dark. The work has made me forget how to act like a person. We’re not fit to go out and socialize with the fancy people, all Cheetos-stained hands and dilated pupils.
”
”
Kayla Rae Whitaker (The Animators)
“
I think I would make a very good astronaut.
To be a good astronaut you have to be intelligent and I’m intelligent. You also have to understand how machines work and I’m good at understanding how machines work. You also have to be someone who would like being on their own in a tiny spacecraft thousands and thousands of miles away from the surface of the earth and not panic or get claustrophobia or homesick or insane. And I really like little spaces, so long as there is no one else in them with me. Sometimes when I want to be on my own I get into the airing cupboard outside the bathroom and slide in beside the boiler and pull the door closed behind me and sit there and think for hours and it makes me feel very calm.
So I would have to be an astronaut on my own, or have my own part of the space craft which no one else could come into.
And also there are no yellow things or brown things in a space craft, so that would be okay too.
And I would have to talk to other people from Mission Control, but we would do that through a radio linkup and a TV monitor, so they wouldn’t be like real people who are strangers, but it would be like playing a computer game.
Also I wouldn’t be homesick at all because I’d be surrounded by things I like, which are machines and computers and outer space. And I would be able to look out of a little window in the spacecraft and know that there was no one near me for thousands and thousands of miles, which is what I sometimes pretend at night in the summer when I go and lie on the lawn and look up at the sky and I put my hands round the sides of my face so that I can’t see the fence and the chimney and the washing line and I can pretend I’m in space.
And all I could see would be stars. And stars are the places where molecules that life is made of were constructed billions of years ago. For example, all the iron in your blood which keeps you from being anemic was made in a star.
And I would like it if I could take Toby with me into space, and that might be allowed because they sometimes do take animals into space for experiments, so if I could think of a good experiment you could do with a rat that didn’t hurt the rat, I could make them let me take Toby.
But if they didn’t let me I would still go because it would be a Dream Come True.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
Few chemicals confer maleness, but many take it away. Which, if any, are responsible for our own troubles is hard to say.
The Pill changed men's lives in more ways than one. It caused reproductive hormones to leak into tap water and has been blamed both for the sex changes in freshwater fish and for the drop in our own sperm count. The jury is still out on the issue, but other hormones have had a disastrous effect. A drug called diethylstilbestrol was once thought - in error - to prevent miscarriage. Five million mothers took it and for a time it was even used as a chicken food supplement. A third of the boys exposed to the drug in the womb suffer from small testes or a reduced penis. In rats, the chemical causes prostate and testicular cancer (although there is as yet no sign of those problems in ourselves).
To give a powerful steroid to pregnant women was at best unwise, but the effects of other chemicals were harder to foresee. The 1950s saw a wonderful new chemical treatment for banana pests. Soon the substance was much used. Twenty years later the workers noticed something odd: they had almost no children. Their sperm count had dropped by five hundred times.
”
”
Steve Jones (Y: The Descent of Men)
“
The waiting room, like most waiting rooms, was deserted and unremarkable. The benches were miserably uncomfortable, the ashtrays swollen with waterlogged cigarette butts, the air stale. On the walls were travel posters and most-wanted lists. The only other people there were an old man wearing a camel-color sweater and a mother with her four-year-old son. The old man sat glued in position, poring through a literary magazine. He turned the pages as slowly as if he were peeling away adhesive tape. Fifteen minutes from one page to the next. The mother and child looked like a couple whose marriage was on the rocks.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
Sixty-five million years ago, an asteroid wiped out the dinosaurs, but in so doing opened the way forward for mammals. Today, humankind is driving many species into extinction and might even annihilate itself. But other organisms are doing quite well. Rats and cockroaches, for example, are in their heyday. These tenacious creatures would probably creep out from beneath the smoking rubble of a nuclear Armageddon, ready and able to spread their DNA. Perhaps 65 million years from now, intelligent rats will look back gratefully on the decimation wrought by humankind, just as we today can thank that dinosaur-busting asteroid.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Nature's Grand Hotel has its Season, like the others. As the guests one by one pack, pay, and depart, and the seats at the table-d'hôte shrink pitifully at each succeeding meal; as suites of rooms are closed, carpets taken up, and waiters sent away; those boarders who are staying on, en pension, until the next year's full reopening, cannot help being somewhat affected by all these flittings and farewells, this eager discussion of plans, routes, and fresh quarters, this daily shrinkage in the stream of comradeship. One gets unsettled, depressed, and inclined to be querulous. Why this craving for change? Why not stay on quietly here, like us, and be jolly? You don't know this hotel out of the season, and what fun we have among ourselves, we fellows who remain and see the whole interesting year out. All very true, no doubt, the others always reply; we quite envy you—and some other years perhaps—but just now we have engagements—and there’s the bus as the door—our time is up! So they depart, with a smile and a nod, and we miss them, and feel resentful. The Rat was a self-sufficing sort of animal, rooted to the land, and whoever went, he stayed; still, he could not help noticing what was in the air, and feeling some of its influence in his bones.
”
”
Kenneth Grahame (The Wind in the Willows)
“
I feign knowledge of writing: that I know something about it, that I should have learned something after all these years, that I might know something tomorrow.
I read too much and write too little, or write too much and live too little. I have no classical education, no literary degree. I’m not specialized, Hugoed or geniusized; should I be writing at all?
In this whole vast world, I’m a female peon sitting here at night wondering what it is I want to say. I aim for fluidity. But no, nix that line, that thought, this life. That’s the crux of it, isn’t it? This life: it’s out of reach. I’m not sure what I’m saying anymore.
”
”
Chila Woychik (On Being a Rat and Other Observations)
“
He asked you not to like me,
So why did you, Neera?
Even now, I perform breaststrokes in caterpillar-stuffed north eastern clouds
He didn’t ask me for any poems for 50 years,
So why are you asking now, Neera?
Even now, standing in 10-foot-deep water, I wield icy rods
He wrote an editorial on my sub-judice case,
Turning an editor, why are you asking for my writing, Neera?
Even now, I love flatbreads stuffed with smoked penguin fat
He did not confess to being my anthology’s publisher
Why did you confess, Neera?
Even now, I have family-pack yawns in the face of families,
He didn’t like pronouncing my name
So why are you telling it to youths, Neera?
Even now, in bloody waters, I join the Bollywood chorus of tiger sharks
He had said I have nothing of a true writer
So why do you think I do, Neera?
At Imlitala, I knew rat roasts don’t taste too good without charcoal smoke
He said I have nothing creative in me
So why do you think I do, Neera?
Having burnt bank notes worth Rs 5,000 crore, I smelt death
He said I’ll never write poetry
So why do you think I have, Neera?
On the banks of Amsterdam’s canals I have heard doddering old men sing limericks
He transcended from sorrow to anger and anger to hate
Why are you so generous Neera?
Please don’t tell my grandmother.
”
”
Malay Roy Choudhury (ছোটোলোকের কবিতা)
“
I was twenty-nine years old. In six months my twenties would be over. A whole decade since living here. One big blank. Not one thing of value had I gotten out of it, not one meaningful thing had I done. Boredom was all there was.
How were things before? Surely there had to have been something positive. Had there been anything that really moved me, anything that really moved anyone? Maybe, but still it was all gone now. Lost, perhaps meant to be lost. Nothing I can do about it, got to let it go.
At least I was still around. If the only good Indian is a dead Indian, it was my fate to go on living.
What for?
To tell tales to a stone wall?
Really, now.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
My friend David Kritchevsky, who was probably the leading researcher in this area until his death, found40 that “protein of animal origin is more cholesterolemic [leading to higher cholesterol in the bloodstream] and atherogenic [contributing to heart disease] than protein of plant origin for rabbits,” citing several studies41—a distinction between types of protein that was first noted in regard to atherosclerosis more than sixty years ago.42 He found the same to be true for humans, as well.43 We observed a similar distinction between soy and casein protein (the principle protein in milk) in my lab when they were compared in our studies on experimental cancer with rats.
”
”
T. Colin Campbell (The Low-Carb Fraud)
“
Your hair is a rat’s nest,” I put in helpfully. Summer, who appears at our side, rolls her eyes and shoots me a hostile glare. “You’re not supposed to tell girls they look like rats.” “First of all, I said her hair is a rat’s nest. I didn’t say she looked like one—there’s a big difference. Secondly, since when do five-year-old kids roll their eyes at grownups?” “I’m seven.” “Whatever kid. If you keep doing that, your eyeballs are going to get lodged inside your skull—permanently.” Summer gasps. “No they won’t!” “Try it and find out,” I intone cryptically. The kid gives me another scowl so deep I have mad respect for her. “Nuh uh.” “Yuh huh.” I raise my black brows. “It’s true.
”
”
Sara Ney (The Failing Hours (How to Date a Douchebag, #2))
“
Perhaps Bufalino’s closest friend was Philadelphia crime boss Angelo Bruno. Law enforcement referred to Bufalino as “the quiet Don Rosario”; Bruno was known as the “Docile Don” for his similar low-key approach to heading a major crime family. Like Bufalino’s family, the Bruno crime family was not permitted to deal in drugs. Because of his perceived old-fashioned ways Bruno was killed by greedy underlings in 1980. Bruno’s demise would lead to everlasting anarchy in his family. His successor, Philip “Chicken Man” Testa, was literally blown up a year after taking over. Testa’s successor, Nicodemus “Little Nicky” Scarfo, is now serving multiple life sentences for murder, having been betrayed by his own underboss and nephew. Little Nicky’s successor, John Stanfa, is serving five consecutive life sentences for murder. Frank Sheeran got a Christmas card every year from John Stanfa in his Leavenworth cell. John Stanfa’s successor, Ralph Natale, is the first boss to turn government informant and testify against his own men. Frank Sheeran calls Philadelphia “the city of rats.” On the other hand, Russell Bufalino lived a long life. He died of old age in a nursing home in 1994 at the age of ninety. He controlled his “family” until the day he died, and unlike Angelo Bruno’s Philadelphia family, not a sign of discord has been reported in the Bufalino family since his death. Frank
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
She felt that she was trembling. She studied Clerfayt. He asked no questions. I don’t have to explain anything to him, she thought. He takes me at my word. What to me is the decision of my life is to him only the kind of ordinary decision people make every day. Perhaps he doesn’t even think me particularly sick; I suppose it takes an auto smashup to convince him that someone is really incapacitated. She felt to her surprise as if a burden she had borne for years were sliding from her shoulders. Here was the first person in years who was not concerned about her illness. It made her happy in a strange way. It was as if she had crossed a frontier hitherto impassable to her. Her sickness, which had always been like an opaque window between herself and the world, no longer existed, at least for the moment. Instead, life lay outspread before her, breathtakingly clear and wide, flooded with moonlight; life with clouds and valleys and happenings. And she belonged to it, she was no longer excluded from it; she stood like all the others, the healthy people, at the starting point, a burning, crackling torch in her hand, ready for the steep drop, the rush down and into life. What had Clerfayt said once? That the most desirable thing in life was to be able to choose your own death, because then death could not kill you like a rat or extinguish you, suffocate you, when you were not ready. She was ready. She trembled, but she was ready.
”
”
Erich Maria Remarque (Heaven Has No Favorites)
“
Guided by a compact mirror, she powdered, painted every vestige of twelve-year-old out of her face. She shaped her lips with one tube, colored her cheeks from another. She penciled the rims of her eyes, blued the lids, sprinkled her neck with 4711; attached pearls to her ears and donned her dark glasses; thus armored, and after a displeased appraisal of her manicure’s shabby condition, she ripped open the letter and let her eyes race through it while her stony small smile grew smaller and harder. Eventually she asked for a Picayune. Took a puff: ‘Tastes bum. But divine,’ she said and, tossing me the letter: ‘Maybe this will come in handy–if you ever write a rat-romance. Don’t be hoggy: read it aloud. I’d like to hear it myself.
”
”
Truman Capote (Breakfast at Tiffany’s and Three Stories)
“
Death, investigation, the insanity of a city that ran instead of walked, the smells of a cop shop, the rush and the burden of command. Some of that had become Roarke’s norm in the last couple years, she mused. He juggled that with his own world, which was buying, selling, owning, creating pretty much every freaking thing in the known universe. His beginnings had been as dark and ugly as hers. Dublin street rat, she thought, thief, conniver, survivor of a brutal, murderous father. The mother he’d never known hadn’t been so lucky. From that, he’d built an empire—not always on the sunny side of the law. And she, cop to the bone, had fallen for him despite the shadows— or maybe because of them. But there was more to him than either of them
”
”
J.D. Robb (Indulgence in Death (In Death, #31))
“
When I was a kid,'' she said. ``These sort of stories always start like this, don't they, `When I was a kid ...' Anyway. This is the bit where the girl suddenly says, `When I was a kid' and starts to unburden herself. We have got to that bit. When I was a kid I had this picture hanging over the foot of my bed ... What do you think of it so far?''
``I like it. I think it's moving well. You're getting the bedroom interest in nice and early. We could probably do with some development with the picture.''
``It was one of those pictures that children are supposed to like,'' she said, ``but don't. Full of endearing little animals doing endearing things, you know?''
``I know. I was plagued with them too. Rabbits in waistcoats.''
``Exactly. These rabbits were in fact on a raft, as were assorted rats and owls. There may even have been a reindeer.''
``On the raft.''
``On the raft. And a boy was sitting on the raft.''
``Among the rabbits in waistcoats and the owls and the reindeer.''
``Precisely there. A boy of the cheery gypsy ragamuffin variety.''
``Ugh.''
``The picture worried me, I must say. There was an otter swimming in front of the raft, and I used to lie awake at night worrying about this otter having to pull the raft, with all these wretched animals on it who shouldn't even be on a raft, and the otter had such a thin tail to pull it with I thought it must hurt pulling it all the time. Worried me. Not badly, but just vaguely, all the time.
``Then one day --- and remember I'd been looking at this picture every night for years --- I suddenly noticed that the raft had a sail. Never seen it before. The otter was fine, he was just swimming along.''
She shrugged.
``Good story?'' she said.
``Ends weakly,'' said Arthur, ``leaves the audience crying `Yes, but what of it?' Fine up till there, but needs a final sting before the credits.''
Fenchurch laughed and hugged her legs.
``It was just such a sudden revelation, years of almost unnoticed worry just dropping away, like taking off heavy weights, like black and white becoming colour, like a dry stick suddenly being watered. The sudden shift of perspective that says `Put away your worries, the world is a good and perfect place. It is in fact very easy.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
“
Well, it had been a good many years since I had thought myself very lovable, and I escaped to some degree this trap of shattered ego. I was lucky; I had found a village of people so poor and simple, so engaging, that I had been more interested in my feelings for them than in what they thought of me. And frankly, after eighteen years of farming in the Sacramento Valley, that terrible life-consuming rat race, I was desperate enough to accept almost any human relationship on almost any terms. Love is love, I decided. Just take it and don't analyze it away. "You're my friend; you're good; you give me pennies," some nameless kid from down the beach told me. My God, what is love in this whorehouse world of poverty? And was I shocked because I could buy love or because I could buy it with pennies?
”
”
Moritz Thomsen (Living Poor: A Peace Corps Chronicle)
“
No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles’s Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To
”
”
Charles Dickens (Hard Times)
“
I took a voyage once--it is many years ago, now--to Amsterdam, and the owner, not my good cousin here, but another, took a fancy to go with me; and his wife must needs accompany him, and verily, before that voyage was over, I wished I was dead. "I was no longer captain of the ship. My owner was my captain, and his wife was his. We were forever putting into port for fresh bread and meat, milk and eggs, for she could eat none other. If the wind got up but ever so little, we had to run into shelter and anchor until the sea was smooth. The manners of the sailors shocked her. She would scream at night when a rat ran across her, and would lose her appetite if a living creature, of which, as usual, the ship was full, fell from a beam onto her platter. I was tempted, more than once, to run the ship on to a rock and make an end of us all.
”
”
G.A. Henty (By Right of Conquest Or, With Cortez in Mexico)
“
For many years there have been rumours of mind control experiments. in the United States. In the early 1970s, the first of the declassified information was obtained by author John Marks for his pioneering work, The Search For the Manchurian Candidate. Over time retired or disillusioned CIA agents and contract employees have broken the oath of secrecy to reveal small portions of their clandestine work. In addition, some research work subcontracted to university researchers has been found to have been underwritten and directed by the CIA. There were 'terminal experiments' in Canada's McGill University and less dramatic but equally wayward programmes at the University of California at Los Angeles, the University of Rochester, the University of Michigan and numerous other institutions. Many times the money went through foundations that were fronts or the CIA. In most instances, only the lead researcher was aware who his or her real benefactor was, though the individual was not always told the ultimate use for the information being gleaned. In 1991, when the United States finally signed the 1964 Helsinki Accords that forbids such practices, any of the programmes overseen by the intelligence community involving children were to come to an end. However, a source recently conveyed to us that such programmes continue today under the auspices of the CIA's Office of Research and Development. The children in the original experiments are now adults. Some have been able to go to college or technical schools, get jobs. get married, start families and become part of mainstream America. Some have never healed. The original men and women who devised the early experimental programmes are, at this point, usually retired or deceased. The laboratory assistants, often graduate and postdoctoral students, have gone on to other programmes, other research. Undoubtedly many of them never knew the breadth of the work of which they had been part. They also probably did not know of the controlled violence utilised in some tests and preparations. Many of the 'handlers' assigned to reinforce the separation of ego states have gone into other pursuits. But some have remained or have keen replaced. Some of the 'lab rats' whom they kept in in a climate of readiness, responding to the psychological triggers that would assure their continued involvement in whatever project the leaders desired, no longer have this constant reinforcement. Some of the minds have gradually stopped suppression of their past experiences. So it is with Cheryl, and now her sister Lynn.
”
”
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
“
Little Sleep's-Head Sprouting Hair
in the Moonlight
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,
I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,
until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the culture of the plague,
and iron twists weapons toward truth north,
and grease refuse to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and the widow still whispers to the presence no longer beside her
in the dark.
And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.
3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.
Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old folk,
which once could call up the lost nouns.
4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,
and the stones saying
over their one word, ci-gît, ci-gît, ci-gît,
and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.
5
If one day it happens
you find yourself with someone you love
in a café at one end
of the Pont Mirabeau, at the zinc bar
where wine takes the shapes of upward opening glasses,
and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,
learn to reach deeper
into the sorrows
to come—to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones. Kiss
the mouth
that tells you, here,
here is the world. This mouth. This laughter. These temple bones.
The still undanced cadence of vanishing.
6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:
and the angel
of all mortal things lets go the string.
7
Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep. Already
in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched in time with such knowledge, the wages
of dying is love.
”
”
Galway Kinnell
“
Often, when I went out for breakfast on Sunday morning, at the Mediterranean place around the corner, I was seated by a dancer who’d been a year ahead of me at school and waited on by a painter who’d been two years ahead. At night, Don and I could meet Lauren for Thai food, or Leigh and Allison for gin and tonics at the Rat Pack–era bar on Bedford and watch an alternative circus, which involved one college friend of mine eating fire, another clowning in the style of Jacques Lecoq, another riding a unicycle and playing trombone. For me, this was heaven, heaven that could only be improved by Jenny moving in down the street. For Jenny, though, it turned out this was hell. She had cast off such childish things. Heaven was, she told me, eyes shining, driving to a large supermarket and unloading a week’s worth of groceries directly into her apartment from her designated parking spot.
”
”
Joanna Rakoff (My Salinger Year: A Memoir)
“
Drying herself with the hem of her shift, she notes that her two candles are dimming; one of them is already a guttering stub. Will she light new ones? Well, that depends on what time of night it is, and Caroline has no clock. Few people in Church Lane do. Few know what year it is, or even that eighteen and a half centuries are supposed to have passed since a Jewish troublemaker was hauled away to the gallows for disturbing the peace. This is a street where people go to sleep not at a specific hour but when the gin takes effect, or when exhaustion will permit no further violence. This is a street where people wake when the opium in their babies’ sugar-water ceases to keep the little wretches under. This is a street where the weaker souls crawl into bed as soon as the sun sets and lie awake listening to the rats. This is a street reached only faintly, too faintly, by the bells of church and the trumpets of state.
”
”
Michel Faber (The Crimson Petal and the White)
“
The central figure of Buddhism is not a god but a human being, Siddhartha Gautama. According to Buddhist tradition, Gautama was heir to a small Himalayan kingdom, sometime around 500 BC. The young prince was deeply affected by the suffering evident all around him. He saw that men and women, children and old people, all suffer not just from occasional calamities such as war and plague, but also from anxiety, frustration and discontent, all of which seem to be an inseparable part of the human condition. People pursue wealth and power, acquire knowledge and possessions, beget sons and daughters, and build houses and palaces. Yet no matter what they achieve, they are never content. Those who live in poverty dream of riches. Those who have a million want two million. Those who have two million want 10 million. Even the rich and famous are rarely satisfied. They too are haunted by ceaseless cares and worries, until sickness, old age and death put a bitter end to them. Everything that one has accumulated vanishes like smoke. Life is a pointless rat race. But how to escape it? At the age of twenty-nine Gautama slipped away from his palace in the middle of the night, leaving behind his family and possessions. He travelled as a homeless vagabond throughout northern India, searching for a way out of suffering. He visited ashrams and sat at the feet of gurus but nothing liberated him entirely – some dissatisfaction always remained. He did not despair. He resolved to investigate suffering on his own until he found a method for complete liberation. He spent six years meditating on the essence, causes and cures for human anguish. In the end he came to the realisation that suffering is not caused by ill fortune, by social injustice, or by divine whims. Rather, suffering is caused by the behaviour patterns of one’s own mind. Gautama’s insight was that no matter what the mind experiences, it usually reacts with craving, and craving always involves dissatisfaction. When the mind experiences something distasteful it craves to be rid of the irritation. When the mind experiences something pleasant, it craves that the pleasure will remain and will intensify. Therefore, the mind is always dissatisfied and restless. This is very clear when we experience unpleasant things, such as pain. As long as the pain continues, we are dissatisfied and do all we can to avoid it. Yet even when we experience pleasant things we are never content. We either fear that the pleasure might disappear, or we hope that it will intensify. People dream for years about finding love but are rarely satisfied when they find it. Some become anxious that their partner will leave; others feel that they have settled cheaply, and could have found someone better. And we all know people who manage to do both.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Suppose that Art is a real hothead. If Bud rats on him, Art will be so enraged that nothing will stop him from killing Bud, even if he has to wait ten years, and even if he has to chase Bud to the ends of the earth. If Bud knows of Art’s vengeful nature, then Bud has a strong incentive not to rat on him. Thus, by being vengeful, and being known for it, Art can be his own robotic hit man, incentivizing others to cooperate with him through his high-flying, credible threats. Of course, being vengeful can be very costly. Art could lose everything if he does, in fact, devote his life to exacting vengeance on Bud. Still, if all goes well, Art will never actually need to go after Bud, because people like Bud won’t dare cross him. Thus, the emotions that fuel vengeful behaviors are, or can be, a kind of rational irrationality. They serve our interests by publicly committing us to doing things that are not in our own interest. We
”
”
Joshua Greene (Moral Tribes: Emotion, Reason, and the Gap Between Us and Them)
“
Not to hurt feelings but that chapter you assigned? That was all “Columbus is great,” “The Indians sure loved Thanksgiving,” “Let’s brainwash everyone.” I found way better stuff at the library, for example did you know before leaving England to pick up the tobacco the slaves grew, the Englishers filled their empty ships with mud so they didn’t tip in storms? When they got to the New World (which was not new or called America, the America name came from a pickle seller guy who got famous because he lied about doing sex with natives) the Englishers dumped their mud on shore to make room for the tobacco. Guess what was in that mud? Earthworms. But earthworms had been extinct in America since the ice ages, like 10,000 years at least, so the English worms went EVERYwhere and changed the soils and the Englishers also brought other things this place had NEVER known such as: silkworms pigs dandelions grapevines goats rats measles
”
”
Anthony Doerr (Cloud Cuckoo Land)
“
The neighborhood’s only cheerful sound I usually sleep through: the morning coos of toddlers. A troop of them, round-faced and multilayered, walk to some daycare hidden even farther in the rat’s nest of streets behind me, each clutching a section of a long piece of rope trailed by a grown-up. They march, penguin-style, past my house every morning, but I have not once seen them return. For all I know, they troddle around the entire world and return in time to pass my window again in the morning. Whatever the story, I am attached to them. There are three girls and a boy, all with a fondness for bright red jackets—and when I don’t seen them, when I oversleep, I actually feel blue. Bluer. That’d be the word my mom would use, not something as dramatic as depressed. I’ve had the blues for twenty-four years.
I couldn't get up, even when I heard the kids make their sleepy duckwalk past my house. I pictured them in big rubber rainboots, clomping along, leaving rounded footprints in the March muck, and I still couldn't move.
”
”
Gillian Flynn (Dark Places)
“
The moment started moving, thick and painful, sweet like honey, and Casey closed the door to his car and walked around it, spotting Joe in the window. For a moment he waved and smiled, as natural as the two of them had been over the past six years, and then he stopped. He looked directly at Joe, his eyes narrowing as he tried to figure out what was different, what was wrong, and Joe was simply caught in the moment, a fly caught in honey, and Casey sighted him and looked him in the eyes… And knew him. Joe flushed, feeling young and vulnerable, and the smile that played at the corners of Casey’s mouth was… was not saintly in the least. His eyes were narrow, and one corner of his mouth was higher than the other; his easy slouch straightened up, and he moved sinuously, arrogantly, like one of the cats who knew that rat in the chicken feed was his for the taking. Joe just sat there, still caught, not sure what to do with this sight of Casey as adult, and beautiful, making his blood sing under his skin, making him shiver, making him ache, just by smiling in the sun.
”
”
Amy Lane (Sidecar)
“
I see an actress smoking a cigarette in an old Fred McMurray movie. She’s clever and beautiful and manipulative. I feel envy. I suddenly wish I smoked cigarettes and was as clever and beautiful and manipulative as she. I want to be that way at the restaurants I visit, as I’m walking to my car, with certain friends who might understand.
The actress has played her part well; she’s made me want to emulate her base desires if only for a while. Does that make me impressionable, a fool, or someone who will recognize the deepest secrets of her heart?
I fight hard to stay young—to keep the lines from further etching my face and hands and breasts, presumably to trick the world into believing I am young.
I’m an actress playing a part. I’m afraid to tell the truth. I fear losing those younger or becoming those older. In the presence of youth, a sort of unseen age-osmosis occurs within me. The years drop away and I don’t want to leave. It’s utterly selfish but I don’t care. After all, I’m no older than they—I’ve just been so longer. I was nineteen only yesterday and they don’t retire nineteen-year-old actresses.
”
”
Chila Woychik (On Being a Rat and Other Observations)
“
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession.
“We had a guest last night,” he told Elizabeth. “I slammed the door on him.”
“Who was it?”
“A Mr. Ian Thornton.”
Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!”
“Bentner,” Alex sputtered, “you are a treasure!”
“Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.”
“Yes, and he didn’t return for six months,” Bentner told Alex proudly.
“And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.”
“Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl.
“It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.”
Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.”
Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.”
Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.”
“And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.”
“There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“
“No,” Elizabeth said with finality.
“-lizards,” Bentner finished determinedly.
“Absolutely not,” his mistress returned.
“And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“
“Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.”
When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.”
“He must be afraid to close his eyes after reading such things,” Alex agreed.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Don’t just make statements. Just look. There are two million years of inheritance, thousands and thousands of experiences, impressions, conditions, knowledge. All that is my background, and I want to learn about it, open it all up and be free of it, because those things are controlling my present and shaping the future, and so I continue to live in a cage. So I say to myself: ‘This is terrible. I must get rid of it.’ I do not know what to do. I do not know. Then I ask myself: what is the state of my mind when I say I really do not know?
You and I are the result of two million years of conditioning. Right? In that two million years there is not only the animal inheritance but the human endeavour to grow, to become – hundreds of things. We are that. And all that is operating in the present and the future. This is the rat race I have lived in. So I look at this rat race, and I say: ‘I must get rid of it.’ I ask you about it, and you do not know: I ask the Pope, dozens of people, and they do not know. They know only according to their terminology; that is, if you believe in Jesus, if you believe in God, you think you know according to that. So I am now in a position to find out what is the state of my mind when I say: I really do not know.
”
”
J. Krishnamurti (Meeting Life: Writings and Talks on Finding Your Path Without Retreating from Society)
“
What is so rewarding about friendship?” my son asked, curling his upper lip into a sour expression. “Making friends takes too much time and effort, and for what?”
I sat on the edge of his bed, understanding how it might seem simpler to go at life solo.
“Friendship has unique rewards,” I told him. “They can be unpredictable. For instance....” I couldn’t help but pause to smile crookedly at an old memory that was dear to my heart. Then I shared with my son an unforgettable incident from my younger years.
“True story. When I was about your age, I decided to try out for a school play. Tryouts were to begin after the last class of the day, but first I had to run home to grab a couple props for the monologue I planned to perform during tryouts. Silly me, I had left them at the house that morning. Luckily, I only lived across a long expanse of grassy field that separated the school from the nearest neighborhood. Unluckily, it was raining and I didn’t have an umbrella.
“Determined to get what I needed, I raced home, grabbed my props, and tore back across the field while my friend waited under the dry protection of the school’s wooden eaves. She watched me run in the rain, gesturing for me to go faster while calling out to hurry up or we would be late.
“The rain was pouring by that time which was added reason for me to move fast. I didn’t want to look like a wet rat on stage in front of dozens of fellow students. Don’t ask me why I didn’t grab an umbrella from home—teenage pride or lack of focus, I’m not sure—but the increasing rain combined with the hollering from my friend as well as my anxious nerves about trying out for the play had me running far too fast in shoes that lacked any tread.
“About a yard from the sidewalk where the grass was worn from foot traffic and consequently muddied from the downpour of rain, I slipped and fell on my hind end. Me, my props, and my dignity slid through the mud and lay there, coated. My things were dripping with mud. I was covered in it. I felt my heart plunge, and I wanted to cry. I probably would have if it hadn’t been for the wonderful thing that happened right then. My crazy friend ran over and plopped herself down in the mud beside me. She wiggled in it, making herself as much a mess as I was. Then she took my slimy hand in hers and pulled us both to our feet. We tried out for the play looking like a couple of swine escaped from a pigsty, laughing the whole time. I never did cry, thanks to my friend.
“So yes, my dear son, friendship has its unique rewards—priceless ones.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
No one believed that the author was the Chinese who received the prize. At the end of the last century, fleeing the scourge of yellow fever that devastated Panama during the construction of the railroad between the two oceans, he had arrived with many others who stayed here until they died, living in Chinese, reproducing in Chinese, and looking so much alike that no one could tell one from the other. At first, there were no more than ten, some of them with their wives and children and edible dogs, but in a few years, four narrow streets in the slums along the port were overflowing with other unexpected Chinese, who came into the country without leaving a trace in the customs record....In the popular view, they were divided into two kinds: bad Chinese and good Chinese. The bad ones were the ones in the lugubrious restaurants along the water front where one was as likely to eat like a King as to die a sudden death at the table, sitting before a plate of rat meat with sunflowers, and which were thought to be nothing more than fronts for white slavery, and many other kinds of trafficking. The good ones were the Chinese in the laundries, heirs of a sacred knowledge, who returned one's shirts cleaner than new, with collars and cuffs like recently ironed communion wafers.
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
You could speak on my behalf. Try to persuade him.”
His black eyes glittered. “I’m afraid I’m only a messenger.”
“Please,” I said. “I do not want them here, truly. I am not being funny.”
“No,” he said, “you are not. You are being very dull. Use your imagination, they must be good for something. Take them to your bed.”
“That is absurd,” I said. “They would run screaming.”
“Nymphs always do,” he said. “But I’ll tell you a secret: they are terrible at getting away.”
At a feast on Olympus such a jest would have been followed by a roar of laughter. Hermes waited now, grinning like a goat. But all I felt was a white, cold rage.
“I am finished with you,” I said. “I have been finished a long time. Let me not see you again.”
If anything, his grin deepened. He vanished and did not return. It was no obedience. He was finished with me too, for I had committed the unpardonable sin of being dull. I could imagine the stories he was telling of me, humorless, prickly, and smelling of pigs. From time to time, I could sense him just out of sight, finding my nymphs in the hills, sending them back flushed and laughing, giddy from the great Olympian who had shown them favor. He seemed to think I would go mad with jealousy and loneliness, and turn them into rats indeed. A hundred years he had been coming to my island, and in all that time he had never cared for more than his own entertainment.
”
”
Madeline Miller (Circe)
“
The marsh was guarded by a torn shoreline, labeled by early explorers as the “Graveyard of the Atlantic” because riptides, furious winds, and shallow shoals wrecked ships like paper hats along what would become the North Carolina coast. One seaman’s journal read, “rang’d along the Shoar . . . but could discern no Entrance . . . A violent Storm overtook us . . . we were forced to get off to Sea, to secure Ourselves and Ship, and were driven by the Rapidity of a strong Current . . . “The Land . . . being marshy and Swamps, we return’d towards our Ship . . . Discouragement of all such as should hereafter come into those Parts to settle.” Those looking for serious land moved on, and this infamous marsh became a net, scooping up a mishmash of mutinous sailors, castaways, debtors, and fugitives dodging wars, taxes, or laws that they didn’t take to. The ones malaria didn’t kill or the swamp didn’t swallow bred into a woodsmen tribe of several races and multiple cultures, each of whom could fell a small forest with a hatchet and pack a buck for miles. Like river rats, each had his own territory, yet had to fit into the fringe or simply disappear some day in the swamp. Two hundred years later, they were joined by runaway slaves, who escaped into the marsh and were called maroons, and freed slaves, penniless and beleaguered, who dispersed into the water-land because of scant options.
”
”
Delia Owens (Where the Crawdads Sing)
“
We killed them all when we came here.
The people came and burned their land
The forests where they used to feed
We burned the trees that gave them shade
And burned to bush, to scrub, to heath
We made it easier to hunt.
We changed the land, and they were gone.
Today our beasts and dreams are small
As species fall to time and us
But back before the black folk came
Before the white folk’s fleet arrived
Before we built our cities here
Before the casual genocide,
This was the land where nightmares loped
And hopped and ran and crawled and slid.
And then we did the things we did,
And thus we died the things we died.
We have not seen Diprotodon
A wombat bigger than a room
Or run from Dromornithidae
Gigantic demon ducks of doom
All motor legs and ripping beaks
A flock of geese from hell’s dark maw
We’ve lost carnivorous kangaroo
A bouncy furrier T Rex
And Thylacoleo Carnifex
the rat-king-devil-lion-thing
the dropbear fantasy made flesh.
Quinkana, the land crocodile
Five metres long and fast as fright
Wonambi, the enormous snake
Who waited by the water-holes
and took the ones who came to drink
who were not watchful, clever, bright.
Our Thylacines were tiger-wolves
until we drove them off the map
Then Megalania: seven meters
of venomous enormous lizard...
and more, and more. The ones whose bones
we’ve never seen. The megafauna haunt
our dreams.
This was their land before mankind
Just fifty thousand years ago.
Time is a beast that eats and eats
gives nothing back but ash and bones
And one day someone else will come
to excavate a heap of stones
And wonder, What were people like?
Their teeth weren’t sharp. Their feet
were slow.
They walked Australia long ago
before Time took them into tales
We’re transients. The land remains.
Until its outlines wash away.
While night falls down like dropbears don’t
to swallow up Australia Day.
”
”
Neil Gaiman
“
Then it was time for dessert: another plate, full of big, white larvas from the palm nut tree. And I do mean big—each one was longer and thicker than my thumb, and had been lightly fried in its own fat. But I wondered, had they been too lightly fried? Because they seemed to be moving. The villagers were proud to offer us such a delicious treat.
Remember, I am a sword swallower. I should be able to push anything down my throat. And I am not usually a fussy eater: I had even once eaten porridge made from mosquitos. But no. This, I couldn’t do. The heads of the larvas looked like little brown nuts and their thick bodies like transparent wrinkled marshmallows, through which I could see their intestines. The villagers gestured that I should bite them in two and suck out the insides. If I tried I would puke the rat back up. I did not want to offend.
Suddenly, an idea. I smiled softly and said regretfully, “You know what, I am sorry, but I can’t eat larvas.”
Thorkild turned to me, surprised. He already had a couple of larvas hanging out of the corners of his mouth. He really loved those larvas. He had previously worked as a missionary in Congo, where they had been the highlight of every week for one whole year.
“You see, we don’t eat larvas,” I said, trying to look convincing. The villagers looked at Thorkild.
“But he eats them?” they asked. Thorkild stared at me.
“Ah,” I said. “You see, he comes from a different tribe. I come from Sweden, he comes from Denmark. In Denmark, they love eating larvas. But in Sweden it’s against our culture.” The village teacher went and got out the world map and I pointed out the water separating our two countries. “On this side of the water they eat larvas,” I said, “and on this side we don’t.” It’s actually one of the most blatant lies I have ever told, but it worked. The villagers were happy to share my dessert between them. Everyone, everywhere knows that people from different tribes have different customs.
”
”
Hans Rosling (Factfulness: Ten Reasons We're Wrong About the World – and Why Things Are Better Than You Think)
“
If a man jumped as high as a louse (lice), he would jump over a football field. In Ancient Egypt, the average life expectancy was 19 years, but for those who survived childhood, the average life expectancy was 30 years for women and 34 years for men. The volume of the moon is equivalent to the volume of the water in the Pacific Ocean. After the 9/11 incident, the Queen of England authorized the guards to break their vow and sing America’s national anthem for Americans living in London. In 1985, lifeguards of New Orleans threw a pool party to celebrate zero drownings, however, a man drowned in that party. Men and women have different dreams. 70 percent of characters in men’s dreams are other men, whereas in women its 50 percent men and 50 percent women. Men also act more aggressively in dreams than women. A polar bear has a black skin. 2.84 percent of deaths are caused by intentional injuries (suicides, violence, war) while 3.15 percent are caused by diarrhea. On average people are more afraid of spiders than they are afraid of death. A bumblebee has hairs on its eyes, helping it collect the pollen. Mickey Mouse’s creator, Walt Disney feared mice. Citarum river in Indonesia is the dirtiest and most polluted river in the world. When George R R Martin saw Breaking Bad’s episode called “Ozymandias”, he called Walter White and said that he’d write up a character more monstrous than him. Maria Sharapova’s grunt is the loudest in the Tennis game and is often criticized for being a distraction. In Mandarin Chinese, the word for “kangaroo” translates literally to “bag rat”. The first product to have a barcode was a chewing gum Wrigley. Chambarakat dam in Iraq is considered the most dangerous dam in the world as it is built upon uneven base of gypsum that can cause more than 500,000 casualties, if broken. Matt Urban was an American Lieutenant Colonel who was nicknamed “The Ghost” by Germans because he always used to come back from wounds that would kill normal people.
”
”
Nazar Shevchenko (Random Facts: 1869 Facts To Make You Want To Learn More)
“
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error.
But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks?
… Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame.
So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
”
”
Francis Spufford
“
If you know so much,then tell me of Lily or are you too swayed by her beauty?"
"Aye,she's beautiful, but also complicated and young.She is an....an opportunist,but not necessarily a selfish one."
"Ha.She can be. Lily's world revolves only around her."
Tyr chuckled and the sound sent ripples of awareness down her arms. "I'd rather talk about you, Lady Edythe."
"I'd rather not."
"Lady Edythe," Tyr repeated, drawing out her name. His forehead wrinkled. "No. Don't like it. A girl like you needs a nickname."
She hadn't been a "girl" for several years,and Edythe was irked that he saw her as such. "That's one thing I'll never want."
"That's a shame.Everyone should have a nickname."
"Really,then what's yours?"
Tyr licked his lips and in a low voice, lied, "Bachelor."
"Fitting," Edythe retorted. "I doubt with your type of self-serving charm, too many women vie to change that status."
Tyr clucked his tongue, completely unfazed by her ridiculous barb. "Ed,I think.Little and sweet...just like you."
"Thoin," Edythe hissed and moved to walk away,not dreaming for a second that he would know Gaelic and understand what she meant.
"Bauchle," Tyr chirped back in retaliation. Edythe spun around, her jaw open, but before she could retort, he added, this time with a Scottish brogue, "Ed,even if I didn't know my own language, certain words are known far and wide, and "ass" is certainly one of them."
Straightening, she puffed out her chest and poked him in the ribs. "I may be many things,but untidy, fat, and your wife isn't one of them."
Tyr gulped.It had been a long time since he'd spoken his native tongue to a woman who knew Gaelic and he plucked the wrong insult from memory.He had just remembered it being about a woman and knew it wasn't flattering. "You're right. My apologies.But you,my pretty lady, are in desperate need of a nickname. How about one that is more fitting?"
"I don't want a nickname," she gritted out. And certainly not one from you, she hissed to herself. Why did he have to call her pretty? And why did she care?
"Well,Ruadh,you got one."
"Red? Lord,you are the most unimaginative-"
"Hmm,when you put it that way...Red...Ed. Quite memorable and easy to say.I like it!"
"You would.That nickname-if you can call it that-wouldn't suit a kitchen rat."
Tyr shook his head. "I disagree,and just remember that it was you and not I who compared yourself to such a repulsive creature.I would have said...a finch.Yes...small,loud and with a sharp beak.
”
”
Michele Sinclair (The Christmas Knight)
“
A few hundred million years later, some of these eukaryotes developed a novel adaptation: they stayed together after cell division to form multicellular organisms in which every cell had exactly the same genes. These are the three-boat septuplets in my example. Once again, competition is suppressed (because each cell can only reproduce if the organism reproduces, via its sperm or egg cells). A group of cells becomes an individual, able to divide labor among the cells (which specialize into limbs and organs). A powerful new kind of vehicle appears, and in a short span of time the world is covered with plants, animals, and fungi.37 It’s another major transition. Major transitions are rare. The biologists John Maynard Smith and Eörs Szathmáry count just eight clear examples over the last 4 billion years (the last of which is human societies).38 But these transitions are among the most important events in biological history, and they are examples of multilevel selection at work. It’s the same story over and over again: Whenever a way is found to suppress free riding so that individual units can cooperate, work as a team, and divide labor, selection at the lower level becomes less important, selection at the higher level becomes more powerful, and that higher-level selection favors the most cohesive superorganisms.39 (A superorganism is an organism made out of smaller organisms.) As these superorganisms proliferate, they begin to compete with each other, and to evolve for greater success in that competition. This competition among superorganisms is one form of group selection.40 There is variation among the groups, and the fittest groups pass on their traits to future generations of groups. Major transitions may be rare, but when they happen, the Earth often changes.41 Just look at what happened more than 100 million years ago when some wasps developed the trick of dividing labor between a queen (who lays all the eggs) and several kinds of workers who maintain the nest and bring back food to share. This trick was discovered by the early hymenoptera (members of the order that includes wasps, which gave rise to bees and ants) and it was discovered independently several dozen other times (by the ancestors of termites, naked mole rats, and some species of shrimp, aphids, beetles, and spiders).42 In each case, the free rider problem was surmounted and selfish genes began to craft relatively selfless group members who together constituted a supremely selfish group.
”
”
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
“
Sebastian encountered Cam in the hallway outside the reading room. “Where is he?” he demanded without preamble.
Stopping before him with an expressionless face, Cam said shortly, “He’s gone.”
“Why didn’t you follow him?” White-hot fury blazed in Sebastian’s eyes. This news, added to the frustration of his vow of celibacy, was the last straw.
Cam, who had been exposed to years of Ivo Jenner’s volcanic temper, remained unruffled. “It was unnecessary in my judgment,” he said. “He won’t return.”
“I don’t pay you to act on your own damned judgment. I pay you to act on mine! You should have dragged him here by the throat and then let me decide what was to be done with the bastard.”
Cam remained silent, sliding a quick, subtle glance at Evie, who was inwardly relieved by the turn of events. They were both aware that had Cam brought Bullard back to the club, there was a distinct possibility that Sebastian might actually have killed him— and the last thing Evie wanted was a murder charge on her husband’s head.
“I want him found,” Sebastian said vehemently, pacing back and forth across the reading room. “I want at least two men hired to look for him day and night until he is brought to me. I swear he’ll serve as an example to anyone who even thinks of lifting a finger against my wife.” He raised his arm and pointed to the doorway. “Bring me a list of names within the hour. The best detectives available— private ones. I don’t want some idiot from the New Police, who’ll foul this up as they do everything else. Go.”
Though Cam undoubtedly had a few opinions to offer on the matter, he kept them to himself. “Yes, my lord.” He left the room at once, while Sebastian glared after him.
Seeking to calm his seething temper, Evie ventured, “There is no need to take your anger out on Cam. He—”
“Don’t even try to excuse him,” Sebastian said darkly. “You and I both know that he could have caught that damned gutter rat had he wanted to. And I’ll be damned if I’ll tolerate your calling him by his first name— he is not your brother, nor is he a friend. He’s an employee, and you’ll refer to him as ‘Mr. Rohan’ from now on.”
“He is my friend,” Evie replied in outrage. “He has been for years!”
“Married women don’t have friendships with young unmarried men.”
“Y-you dare to insult my honor with the implication that… that…” Evie could hardly speak for the multitude of protests that jammed inside her. “I’ve done nothing to merit such a lack of tr-tr-trust!”
“I trust you. It’s everyone else that I hold in suspicion.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
The rats that Marian Diamond studied had either an enriched or an impoverished environment. That changed their brain state. If you’re surrounded by a nurturing physical, emotional, mental, and spiritual environment, you’re in one brain state. If you’re surrounded by danger, uncertainty, and hostility, you’re in a quite different brain state. Brain states, along with mental, emotional, and spiritual states, run the gamut. When the brain’s Enlightenment Circuit is turned on, you’re in a happy and positive state. When the Default Mode Network (DMN) of Chapter 2 predominates, you’re in a negative and stressed state. State Progression Cognitive psychologist Michael Hall has been fascinated by human potential for over 40 years. He has studied the most advanced methods, authored more than 30 books on the topic, and mapped the stages by which people change. Unpleasant experiences are what usually motivate us to change. These involve mental, emotional, or spiritual states. Examples of such states are despair, stagnation, anger, or resentment. Hall calls these “unresourceful” states. We can cultivate resourceful states, such as joy, empowerment, mastery, and contentment. To describe the movement of a person from an unresourceful to a resourceful state, Hall uses the term “state progression.” Hall’s “state progression” model has several steps: Identify the unresourceful state. Identify the desired state. Countercondition dysfunctional behavioral patterns that maintain the unresourceful state. Activate change toward the desired state. Experience the target state. Repeat the experience of the desired state. Condition new behaviors that reinforce the desired state. That’s the promise of directing your attention consciously rather than defaulting to the brain’s negativity bias. Attention sustained over time produces state progression and triggers neural plasticity. If you focus on positive beliefs and thoughts repeatedly, bringing your mind and focus back to the good, you then use attention in the service of positive neural plasticity. When we have practiced sufficiently to be able to maintain this focus, we achieve a condition that Hall calls positive state stability. Our minds become stable in that new state. Their default setting is no longer to focus on the negative. The brain’s negativity bias is no longer hijacking our attention and directing it toward the negative things that are happening, either in our own lives or in the world. We have moved through the stages of state progression to positive state stability.
”
”
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
“
Skiddy Cottontail—that was his name—and he defended LGBT equality. He was a flamboyant, colorful striped rabbit, with a headdress of a rainbow crown on his forehead. The radiance of his energy was violet, scarlet, and turquoise; as it represented his love for everyone.
In the infancy years of his existence, he was abandoned—alone—unwanted—unloved; rejected by a world that disdains him. His father wished him deceased, his family exiled him from the warren, he was physically mistreated and preyed on by homophobic mobs in the surrounding community by Elephants—Hyenas—rats.
They splashed spit at his face, advising him that God condemns homosexuality—as Christ did not. They would slam him on the pavement with their Bibles, strike him in the stomach with their feet, throw boulders of stone at his body: imploring—abusing—condemning him to a tyrannical sentence.
Skiddy Cottontail thought that his existence would end with this case of cruelty—violence—assault that was perpetrated against him. He wanted to cease to exist— he wanted to commit the ultimate murder on himself—he no more desired to go on living— he realized hope is already deceased.
He yearned to have the courage to emerge, to discover his bravery that would sever this spiral of sensations of oppression. Being a victim made him a slave to his opponent—as his adversaries have full leverage against him. Life has become a thread of light, which he longed to be liberated from its shackles. His demon—a voice that keeps blaming him for his crimes in the back of his mind—a glass that continually cracks in his heart—will keep breaking him if he does not devise a way out of this crisis.
He was conscious by his innermost conviction that there was candlelight with a key that had the potential to illuminate a new chapter that will erase this trail of obscurity behind him. He sees a new horizon with greater comprehension, a journey that can give him the roses of affection than a handful of dead birds that his adversaries handed him along the way. The stunning blossoming trees did have a forest—beautiful greenery that was colorful like the rainbow in the Heavens. This home will embrace him with a warm embrace of open arms, where cruelty is forbidden; where adoration can forever abound.
Dawn will know him when he arrives. No more hurricanes or strife will be here—no crying of a sad humanity are here—only a gift of harmony and devotion, beyond all explanation, will abide in the heart of Skiddy Cottontail—when he finds his way out from this opponent world for a beautiful existence that is called liberation. Skiddy Cottontail has found a happiness that can only bring him contentment like nothing in this hurtful world can. Find your own sense of balance like him, Skiddy Cottontail, and you will experience serenity as much as him.
”
”
Be Daring like Skiddy Cottontail by D.L. Lewis
“
Several teams of German psychologists that have studied the RAT in recent years have come up with remarkable discoveries about cognitive ease. One of the teams raised two questions: Can people feel that a triad of words has a solution before they know what the solution is? How does mood influence performance in this task? To find out, they first made some of their subjects happy and others sad, by asking them to think for several minutes about happy or sad episodes in their lives. Then they presented these subjects with a series of triads, half of them linked (such as dive, light, rocket) and half unlinked (such as dream, ball, book), and instructed them to press one of two keys very quickly to indicate their guess about whether the triad was linked. The time allowed for this guess, 2 seconds, was much too short for the actual solution to come to anyone’s mind. The first surprise is that people’s guesses are much more accurate than they would be by chance. I find this astonishing. A sense of cognitive ease is apparently generated by a very faint signal from the associative machine, which “knows” that the three words are coherent (share an association) long before the association is retrieved. The role of cognitive ease in the judgment was confirmed experimentally by another German team: manipulations that increase cognitive ease (priming, a clear font, pre-exposing words) all increase the tendency to see the words as linked. Another remarkable discovery is the powerful effect of mood on this intuitive performance. The experimenters computed an “intuition index” to measure accuracy. They found that putting the participants in a good mood before the test by having them think happy thoughts more than doubled accuracy. An even more striking result is that unhappy subjects were completely incapable of performing the intuitive task accurately; their guesses were no better than random. Mood evidently affects the operation of System 1: when we are uncomfortable and unhappy, we lose touch with our intuition. These findings add to the growing evidence that good mood, intuition, creativity, gullibility, and increased reliance on System 1 form a cluster. At the other pole, sadness, vigilance, suspicion, an analytic approach, and increased effort also go together. A happy mood loosens the control of System 2 over performance: when in a good mood, people become more intuitive and more creative but also less vigilant and more prone to logical errors. Here again, as in the mere exposure effect, the connection makes biological sense. A good mood is a signal that things are generally going well, the environment is safe, and it is all right to let one’s guard down. A bad mood indicates that things are not going very well, there may be a threat, and vigilance is required. Cognitive ease is both a cause and a consequence of a pleasant feeling.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
It’s a perspective on story that may also shed light on why you and I and everyone else spend a couple of hours each day concocting tales that we rarely remember and more rarely share. By day I mean night, and the tales are those we produce during REM sleep. Well over a century since Freud’s The Interpretation of Dreams, there is still no consensus on why we dream. I read Freud’s book for a junior-year high school class called Hygiene (yes, that’s really what it was called), a somewhat bizarre requirement taught by the school’s gym teachers and sports coaches that focused on first aid and common standards of cleanliness. Lacking material to fill an entire semester, the class was padded by mandatory student presentations on topics deemed loosely relevant. I chose sleep and dreams and probably took it all too seriously, reading Freud and spending after-school hours combing through research literature. The wow moment for me, and for the class too, was the work of Michel Jouvet, who in the late 1950s explored the dream world of cats.32 By impairing part of the cat brain (the locus coeruleus, if you like that sort of thing), Jouvet removed a neural block that ordinarily prevents dream thoughts from stimulating bodily action, resulting in sleeping cats who crouched and arched and hissed and pawed, presumably reacting to imaginary predators and prey. If you didn’t know the animals were asleep, you might think they were practicing a feline kata. More recently, studies on rats using more refined neurological probes have shown that their brain patterns when dreaming so closely match those recorded when awake and learning a new maze that researchers can track the progress of the dreaming rat mind as it retraces its earlier steps.33 When cats and rats dream it surely seems they’re rehearsing behaviors relevant to survival.
Our common ancestor with cats and rodents lived some seventy or eighty million years ago, so extrapolating a speculative conclusion across species separated by tens of thousands of millennia comes with ample warning labels. But one can imagine that our language-infused minds may produce dreams for a similar purpose: to provide cognitive and emotional workouts that enhance knowledge and exercise intuition—nocturnal sessions on the flight simulator of story. Perhaps that is why in a typical life span we each spend a solid seven years with eyes closed, body mostly paralyzed, consuming our self-authored tales.34
Intrinsically, though, storytelling is not a solitary medium. Storytelling is our most powerful means for inhabiting other minds. And as a deeply social species, the ability to momentarily move into the mind of another may have been essential to our survival and our dominance. This offers a related design rationale for coding story into the human behavioral repertoire—for identifying, that is, the adaptive utility of our storytelling instinct.
”
”
Brian Greene (Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe)
“
Today, such studies are illegal. Medical scientists cannot offer inducements like pardons to persuade prisoners to take part in their studies. Although they can award small cash payments to research subjects, they are forbidden from giving anyone so much money or such tempting favors that their compensations might constitute what ethicists term an inappropriate inducement, an irresistible temptation to join the study.
Now, more than eighty years after the 1918 flu, people enter studies for several reasons—to get free medical care, to get an experimental drug that, they hope, might cure them of a disease like cancer or AIDS, or to help further scientific knowledge. In theory at least, study participants are supposed to be true volunteers, taking part in research of their own free will.
But in 1918, such ethical arguments were rarely considered. Instead, the justification for a risky study with human beings was that it was better to subject a few to a great danger in order to save the many. Prisoners were thought to be the ideal study subjects. They could offer up their bodies for science and, if they survived, their pardons could be justified because they gave something back to society.
The Navy inmates were perfect for another reason. Thirty-nine of them had never had influenza, as far as anyone knew. So they might be uniquely susceptible to the disease. If the doctors wanted to deliberately transmit the 1918 flu, what better subjects? Was influenza really so easily transmitted? the doctors asked. Why did some people get it and others not? Why did it kill the young and healthy? Could the wartime disruptions and movements of troops explain the spread of the flu? If it was as contagious as it seemed, how was it being spread? What kind of microorganism was causing the illness?
The normal way to try to answer such questions would be to study the spread of the disease in animals. Give the disease to a few cages of laboratory rats, or perhaps to some white rabbits. Isolate whatever was causing the illness. Show how it spread and test ways to protect animals—and people—against the disease.
But influenza, it seemed, was a uniquely human disease. No animal was known to be susceptible to it. Medical researchers felt they had no choice but to study influenza in people. Either the Navy doctors were uncommonly persuasive or the enticement of a pardon was overwhelmingly compelling. For whatever reason, the sixty-two men agreed to be subjects in the medical experiment.
And so the study began. First the sailors were transferred to a quarantine station on Gallops Island in Boston Harbor. Then the Navy doctors did their best to give the men the flu. Influenza is a respiratory disease—it is spread from person to person, presumably carried on droplets of mucus sprayed in the air when sick people cough or sneeze, or carried on their hands and spread when the sick touch the healthy. Whatever was causing the flu should be present in mucus taken from the ill.
The experiments, then, were straightforward. The Navy doctors collected mucus from men who were desperately ill with the flu, gathering thick viscous secretions from their noses and throats. They sprayed mucus from flu patients into the noses and throats of some men, and dropped it into other men’s eyes. In one attempt, they swabbed mucus from the back of the nose of a man with the flu and then directly swabbed that mucus into the back of a volunteer’s nose.
”
”
Gina Kolata (Flu: The Story Of the Great Influenza Pandemic of 1918 and the Search for the Virus That Caused It)
“
Permanent Revolution THE INDUSTRIAL REVOLUTION OPENED up new ways to convert energy and to produce goods, largely liberating humankind from its dependence on the surrounding ecosystem. Humans cut down forests, drained swamps, dammed rivers, flooded plains, laid down hundreds of thousands of miles of railroad tracks, and built skyscraping metropolises. As the world was moulded to fit the needs of Homo sapiens, habitats were destroyed and species went extinct. Our once green and blue planet is becoming a concrete and plastic shopping centre. Today, the earth’s continents are home to billions of Sapiens. If you took all these people and put them on a large set of scales, their combined mass would be about 300 million tons. If you then took all our domesticated farmyard animals – cows, pigs, sheep and chickens – and placed them on an even larger set of scales, their mass would amount to about 700 million tons. In contrast, the combined mass of all surviving large wild animals – from porcupines and penguins to elephants and whales – is less than 100 million tons. Our children’s books, our iconography and our TV screens are still full of giraffes, wolves and chimpanzees, but the real world has very few of them left. There are about 80,000 giraffes in the world, compared to 1.5 billion cattle; only 200,000 wolves, compared to 400 million domesticated dogs; only 250,000 chimpanzees – in contrast to billions of humans. Humankind really has taken over the world.1 Ecological degradation is not the same as resource scarcity. As we saw in the previous chapter, the resources available to humankind are constantly increasing, and are likely to continue to do so. That’s why doomsday prophesies of resource scarcity are probably misplaced. In contrast, the fear of ecological degradation is only too well founded. The future may see Sapiens gaining control of a cornucopia of new materials and energy sources, while simultaneously destroying what remains of the natural habitat and driving most other species to extinction. In fact, ecological turmoil might endanger the survival of Homo sapiens itself. Global warming, rising oceans and widespread pollution could make the earth less hospitable to our kind, and the future might consequently see a spiralling race between human power and human-induced natural disasters. As humans use their power to counter the forces of nature and subjugate the ecosystem to their needs and whims, they might cause more and more unanticipated and dangerous side effects. These are likely to be controllable only by even more drastic manipulations of the ecosystem, which would result in even worse chaos. Many call this process ‘the destruction of nature’. But it’s not really destruction, it’s change. Nature cannot be destroyed. Sixty-five million years ago, an asteroid wiped out the dinosaurs, but in so doing opened the way forward for mammals. Today, humankind is driving many species into extinction and might even annihilate itself. But other organisms are doing quite well. Rats and cockroaches, for example, are in their heyday. These tenacious creatures would probably creep out from beneath the smoking rubble of a nuclear Armageddon, ready and able to spread their DNA. Perhaps 65 million years from now, intelligent rats will look back gratefully on the decimation wrought by humankind, just as we today can thank that dinosaur-busting asteroid. Still, the rumours of our own extinction are premature. Since the Industrial Revolution, the world’s human population has burgeoned as never before. In 1700 the world was home to some 700 million humans. In 1800 there were 950 million of us. By 1900 we almost doubled our numbers to 1.6 billion. And by 2000 that quadrupled to 6 billion. Today there are just shy of 7 billion Sapiens.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)