Yarn Quotes

When it comes to life, we spin our own yarn, and where we end up is really, in fact, where we always intended to be.

A slow, wry smile teased Daemon’s lips. "Simmer down, Kitten, before I have to get you a ball of yarn to play with." Annoyance flared deep inside me. "Don’t start with me, jerk-face.

He leaned forward to inspect her closer. "Is that all hair?" ... Sudden, overwhelming panic clawed up Cress's throat. With a squeak, she ducked out of view of the camera and scrambled beneath the desk. Her back struck the wall with a thud that rattled her teeth. She crouched there, skin burning hot and pulse thundering as she took in the room before her— the room that he was now seeing too, with the rumpled bedcovers and the mustached man on all the screens telling her to grab her imaginary partner and swing them around. "Wha—where'd she go?" Thorne's voice came to her through the screen. "Honestly, Thorne." A girl. Linh Cinder? "Do you ever think before you speak?" "What? What did I say?" "'Is that all hair?'" "Did you see it? It was like a cross between a magpie nest and ball of yarn after it's been mauled by a cheetah." A beat. Then, "A cheetah?" "It was the first big cat that came to mind.

I'd always written how grief was hollow. How it was a vast cavern of nothing. But I was wrong. Grief was the exact opposite. It was full and heavy and drowning because it wasn't the absence of everything you lost - it was the combination of it all, your love, your happiness, your bittersweets, wound tight like a knotted ball of yarn. - Florence Day

-BDB on the board- Knitter's Anonimous May 8, 2006 Rhage (in his bedroom posting in V's room on the board) Hi, my name is V. ("Hi, V") I've been knitting for 125 years now. (*gasping noises*) It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks. (*sounds of sympathy*) I've come seeking a community of people who, like me, are trying not to knit. Can you help me? (*We're with you*) Thank you (*takes out hand-knitted hankie in pink*) (*sniffles*) ("We embrace you, V") Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother. Rhage: Four words? Okay...lemme see... Rhage, you're so sexy. hmmm.... Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me. Vishous: First one starts with a "P" Use your head for the other three. Bastard. Rhage: P? Hmm... Please pass the yarn Vishous: Payback is a bitch! Rhage: Ohhhhhhhhhhhh I'm so scuuuuuurred. Can you whip me up a blanket to hide under?

Sea-fever I must down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by, And the wheel's kick and the wind's song and the white sail's shaking, And a grey mist on the sea's face, and a grey dawn breaking. I must down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying. I must down to the seas again, to the vagrant gypsy life, To the gull's way and the whale's way where the wind's like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover And quiet sleep and a sweet dream when the long trick's over.

The web of our life is of a mingled yarn, good and ill together: our virtues would be proud,if our faults whipped them not; and our crimes would despair, if they were not cherished by our virtues.

And telling a story, I suppose, is like winding a skein of spun yarn- you sometimes lose track of the beginning.

I will always buy extra yarn. I will not try to tempt fate.

100 years ago, buying something you could make was considered wasteful; now making something you could buy is considered wasteful. I am not convinced this is a step in the right direction.

It is a peculiarity of knitters that they chronically underestimate the amount of time it takes to knit something. Birthday on Saturday? No problem. Socks are small. Never mind that the average sock knit out of sock-weight yarn contains about 17,000 stitches. Never mind that you need two of them. (That's 34,000 stitches, for anybody keeping track.) Socks are only physically small. By stitch count, they are immense.

SABLE- A common knitting acronym that stands for Stash Acquisition Beyond Life Expectancy.

I don't just use yarn from a store. I buy old sweaters from consignment shops. The older the better, and unravel them. There are countries of women in this scarf/shawl/blanket. Soon it will be big enough to keep me warm.

Laila watches Mariam glue strands of yarn onto her doll's head. In a few years, this little girl will be a woman who will make small demands on life, who will never burden others, who will never let on that she too had sorrows, disappointments, dreams that have been ridiculed. A woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but shaped by the turbulence that washes over her. Already Laila sees something behind this young girl's eyes, something deep in her core, that neither Rasheed nor the Taliban will be able to break. something as hard and unyielding as a block of limestone. Something that, in the end, will be her undoing and Laila's salvation. The little girl looks up. Puts the doll down. Smiles.

The needle rocked awkwardly and at the end of her beginning rows, Isabel held up her work to show Esperanza. "Mine is all crooked!" Esperanza smiled and reached over and gently pulled the yarn, unraveling the uneven stitches. Then she looked into Isabel's trusting eyes and said, "Do not ever be afraid to start over.

it is pure potential. Every ball or skein of yarn holds something inside it, and the great mystery of what that might be can be almost spiritual

If she could rewind the timeline, untwist it and roll it back the other way like a ball of wool, she’d see the knots in the yarn, the warning signs. Looking at it backward it was obvious all along.

There are stories in everything. I've got some of my best yarns from park benches, lampposts, and newspaper stands.

on the phone Bookseller: Hello Ripping Yarns. Customer: Do you have any mohair wool? Bookseller: Sorry, we're not a yarns shop, we're a bookshop. Customer: You're called Ripping Yarns. Bookseller: Yes, that's 'yarns' as in stories. Customer: Well it's a stupid name. Bookseller: It's a Monty Python reference. Customer: So you don't sell wool? Bookseller: No. Customer: Hmf. Ridiculous. Bookseller: ...but we do sell dead parrots. Customer: What? Bookseller: Parrots. Dead. Extinct. Expired. Would you like one? Customer: Erm, no. Bookseller: Ok, well if you change your mind, do call back.

Because I’m a cat. A big one, the Panther of Rough Storms, in fact. But still a cat. If there’s a saucer of milk to spill, I’d rather spill it than let it lie. If my mistress grows absent-minded and leaves a ball of yarn about, I’ll bat it between my paws, and unravel it. Because it’s fun. Because it’s what cats do best.

Why do we tell stories? They are a universal human experience. Every culture I’ve ever visited, every people I’ve met, every human on every planet in every situation I’ve seen…they all tell stories. Men trapped alone for years tell them to themselves. Ancients leave them painted on the walls. Women whisper them to their babies. Stories explain us. You want to define what makes a human different from an animal? I can do it in one word or a hundred thousand. Sad stories. Exultant stories. Didactic morality tales. Frivolous yarns that, paradoxically, carry too much meaning. We need stories.

You mostly.” Her hands went still again as her eyes stared off into the past with a look so wistful it made me ache for her. “The boys tended to take care of each other but you were too much for anyone else to handle.” I poked at the ball of yarn avoiding her eyes. “I wasn’t that bad.” She smiled. “You broke Ethan’s arm.” “It was self-defense. He wouldn’t let go of my foot.” “He was helping you tie your shoe.

Besides, if you ever did eat some bad food, I could still find a use for you. I've always wanted a cat-drawn carriage." Cheshire opened one eye, his pupil slitted and unamused. "I would dangle balls of yarn and fish bones out in front to keep you moving." He stopped purring long enough to say, "You are not as cute as you think you are, Lady Pinkerton.

... everyone has to knit when they're here. ... But not every person has to use yarn.

She was a girl held together by knitted yarn and magic.

Achieving the state of SABLE is not, as many people who live with these knitters believe, a reason to stop buying yarn, but for the knitter it is an indication to write a will, bequeathing the stash to an appropriate heir.

Given good yarn, good workmanship, and good care, a knitted shawl and outlive its knitter, providing warmth and pleasure to several generations of family and friends.

Besides holding our hearts together through long periods of separation, it had the effect of making us tolerant of each other's yarns--and even convictions.

A half finished shawl left on the coffee table isn't a mess; it's an object of art.

Fate is fickle, and the company of unwilling friends short lived.

But one must go where one's road leads, even when it's a distressing road.

For our stories are not yet finished, and perhaps will never be.

As usual, the sock yarns have no idea what is going on.

Why not add another yarn? That’s all we are in the end, any of us, a couple of dozen unreliable stories.

Chyerti—that’s us, demons and devils, small and big—are compulsive. We obsess. It’s our nature. We turn on a track, around and around; we march in step; we act out the same tales, over and over, the same sets of motions, while time piles up like yarn under a wheel. We like patterns. They’re comforting. Sometimes little things change—a car instead of a house, a girl not named Yelena. But it’s no different, not really. Not ever.

As long as there has been knitting there have been battles about it. There are self-declared "yarn snobs," who frown on using anything but natural fibers; "gauge snobs", who wouldn't be caught dead with chunky yarn; and "experience snobs", who claim you can't declare yourself a real knitter until you abandon novelty yarns. The truth is that the knitting world is a tiny metaphor for the real world. It takes all kinds. I will not allow myself to feel bad if someone disapproves of my knitting. I will also resist the urge to stuff his mailbox full of chunky acrylic fun fur at 3:00 am.

Contentment has learned how to find out what she needs to know. Last year she went on a major housecleaning spree. First she stood on her head until all the extra facts fell out. Then she discarded about half her house. Now she knows where every thing comes from—who dyed the yarn dark green and who wove the rug and who built the loom, who made the willow chair, who planted the apricot trees. She made the turquoise mugs herself with clay she found in the hills beyond her house. When Contentment is sad, she takes a mud bath or goes to the mountains until her lungs are clear. When she walks through an unfamiliar neighborhood, she always makes friends with the local cats.

It's only knitting and it's one of the few times in your life when there are no bad consequences to a mistake.

yarn, n. Maybe language is kind, giving us these double meanings. Maybe it's trying to teach us a lesson, that we can always be two things at once. Knit me a sweater out of your best stories. Not the day's petty injustices. Not the glimmer of a seven-eights-forgotten moment from your past. Not something that somebody said to somebody, who then told it to you. No, I want a yarn. It doesn't have to be true.

If I express an interest in Giotto and yarn bombing, Bach and Lady Gaga, I am well-rounded. But if I read Thomas Mann and Harlequin…I must be slipping.

The politics of wizardry were either very simple, and resolved by someone ceasing to breathe, or as complex as one ball of yarn in a room with three bright-eyed little kittens.

That version, as with so many of the stories we tell about our history, erased a woman- a plain, bad heroine- in favor of a less messy and more palatable yarn about two feuding brothers from New England.

Oh, I know what to do when I see victuals coming toward me in little old Bagdad-on-the-Subway. I strike the asphalt three times with my forehead and get ready to spiel yarns for my supper.

I found myself taking more risks, because failure had a second life — it could spin a yarn. There was an agency in the retelling, in the self-deprecation and of course self-mythologizing. Memoir is how you groom yourself. Memoir is drag.

How fabulous down was for those first minutes! Down, down, down I'd go until down too became impossible and punishing and so relentless that I'd pray for the trail to go back up. Going down, I realized was like taking hold of the loose strand of yarn on a sweater you'd just spent hours knitting and pulling it until the entire sweater unraveled into a pile of string. Hiking the PCT was the maddening effort of knitting that sweater and unraveling it over and over again. As if everything gained was inevitably lost.

Some knitters say that they buy yarn with no project in mind and wait patiently for the yarn to "speak" to them. This reminds me of Michelangelo, who believed that every block of stone he carved had the statue waiting inside and that all he did was reveal it. I think I've had yarn speak to me during the knitting process, and I've definitely spoken to it. Perhaps I'm doing it wrong, or maybe my yarn and I aren't on such good terms, but it really seems to me that all I say is "please" and all it ever says is "no".

It's much easier than I thought it would be." Most things in knitting are, really.

All knitterly creation stems from one simple element: yarn. It is the baker’s flour, the jeweler’s gold, the gardener’s soil. Yarn is creation, consolation, and chaos all spun together into one perfect ball.

Many writing texts caution against asking friends to read your stuff, suggesting you're not apt to get a very unbiased opinion[.] ... It's unfair, according to this view, to put a pal in such a position. What happens if he/she feels he/she has to say, "I'm sorry, good buddy, you've written some great yarns in the past but this one sucks like a vacuum cleaner"? The idea has some validity, but I don't think an unbiased opinion is exactly what I'm looking for. And I believe that most people smart enough to read a novel are also tactful enough to find a gentler mode of expression than "This sucks." (Although most of us know that "I think this has a few problems" actually means "This sucks," don't we?)

I myself found a fascinating example of this in Nietzsche’s book Thus Spake Zarathustra, where the author reproduces almost word for word an incident reported in a ship’s log for the year 1686. By sheer chance I had read this seaman’s yarn in a book published about 1835 (half a century before Nietzsche wrote); and when I found the similar passage in Thus Spake Zarathustra, I was struck by its peculiar style, which was different from Nietzsche’s usual language. I was convinced that Nietzsche must also have seen the old book, though he made no reference to it. I wrote to his sister, who was still alive, and she confirmed that she and her brother had in fact read the book together when he was 11 years old. I think, from the context, it is inconceivable that Nietzsche had any idea that he was plagiarizing this story. I believe that fifty years later it has unexpectedly slipped into focus in his conscious mind.

Once upon a time...There’s a reason all fairy tales begin like this. But the ‘and they lived happily ever after’ at the end? That has to be earned.

Maybe there’s a heaven, like they say, a place where everything we’ve ever done is noted and recorded, weighed on big karma scales. Maybe not. Maybe this whole thing is just a giant experiment run by aliens who find out human hijinks amusing. Or maybe we’re an abandoned project started by a deity who checked out a long time ago, but we’re still hard-wired to believe, to try to make meaning out of the seemingly random. Maybe we’re all part of the same unconscious stew, dreaming the same dreams, hoping the same hopes, needing the same connection, trying to find it, missing, trying again—each of us playing our parts in the other’s plotlines, just one big ball of human yarn tangled up together. Maybe this is it.

Stories come in all different kinds." Hester scooted closer, clearly enjoying the subject at hand. "There's tales, which are light and fluffy. Good for a smile on a sad day. Then you got yarns, which are showy-yarns reveal more about the teller than the story. After that there's myths, which are stories made up by whole groups of people. And last of all, there's legends." She raised a mysterious eyebrow. "Legends are different from the rest on account no one knows where they start. Folks don't tell legends; they repeat them. Over and over again through history.

I am a baby, I am a child, I am the innocent wonder in my eyes I am a glimpse, I am a sign, of someone I can be, someone I might I am not one, I am not two, but I am a million things entwined I am a piece, I am a slice, strung together by the yarns of time.

as jolaha ka maram na jana, jinh jag ani pasarinhh tana; dharti akas dou gad khandaya, chand surya dou nari banaya; sahastra tar le purani puri, ajahu bine kathin hai duri; kahai kabir karm se jori, sut kusut bine bhal kori; No one could understand the secret of this weaver who, coming into existence, spread the warp as the world; He fixed the earth and the sky as the pillars, and he used the sun and the moon as two shuttles; He took thousands of stars and perfected the cloth; but even today he weaves, and the end is difficult to fathom. Kabir says that the weaver, getting good or bad yarn and connecting karmas with it, weaves beautifully.

In life, as in knitting, don't leave loose ends. Take the time to thank the people who matter in your life.

Love makes cowards of us all.

You've heard about the knitter's handshake? Two hands go in for the grab-and-shake, but at the last minute, they veer to the closest sleeve or band and grab it instead while we ask, "Did you knit this?

I'd found love -- only to discover how fleeting it can be.

You humans love mirrors. You have to constantly make sure you still have the same face. Nothing scares you more than if someone changes it.

I hate Earl Grey with a passion. It's like drinking stale perfume...

She looked around. "Oh, I've just got to hug somebody! You!" And she hugged Puck, the little ghost horse. "And you." She hugged Pook, and Peek, and even the nose of the moat monster. "But not you," she decided, encountering the zombie.

Many years ago, when I used to smoke, my lighter was often easier to find than my scissors. If I couldn't find the scissors, or was feeling too lazy to get up, I used the lighter to burn the yarn in one place to break it. Other than the smell, this worked fairly well. Later, when I found my scissors, I would cut off the little charred bits. One day, I was knitting a cotton facecloth and needed to cut the end. I flicked my lighter, expecting to singe the one spot, thus breaking the yarn. I will remember that cotton is highly flammable, and that the knitting Fates punish laziness. I will also remember that a flaming facecloth can be extinguished with a cup of coffee...in a pinch.

imagine a scarf as an unlimited canvas

I love the way knitting brings people together.

You can’t expect the wolf to turn vegetarian because of one Pup.

Life is so simple when you’re young, though of course that’s not what it feels like to the young.

It was hard to let go of love. Once woven, its ribbon was hard to tear, and this one she’d woven quite firmly herself.

Humans have this remarkable ability to know and not to know at the same time. Or more correctly, they can know something when they really think about it, but most of the time they don’t think about it, so they don’t know it. If you really focus, you realise that money is fiction. But usually you don’t focus. If you are asked about it, you know that football is a human invention. But in the heat of the match, nobody asks you about it. If you devote the time and energy, you can discover that nations are elaborate yarns. But in the midst of a war you don’t have the time and energy. If you demand the ultimate truth, you realise that the story of Adam and Eve is a myth. But how often do you demand the ultimate truth?

I Need a Good Book I need a good story. I need a good book. The kind that explodes Off the shelf. I need some good writing, Alive and exciting, To contemplate all by myself. I need a good novel, I need a good read. I probably need Two or three. I need a good tale Of love and betrayal Or perhaps an adventure at sea. I need a good saga. I need a good yarn. A momentous and mightily Or slight one. But with thousands and thousands And thousands of books, I need someone to tell me The right one. -John Lithgow

It turns out that knitting isn't about the yarn or the softness or needing a hat (although we really can't argue with these secondary motivators). It's really about this: Knitting is a magic trick. In this day and age, in a world where science and technology take more and more wonder and work out of our lives , and our planet is quickly becoming a place running out of magic, a knitter takes silly, useless string, mundane sticks, waves her hands around (many, many times...nobody said this was fast magic), and turns one thing into another: string into a hat, string into a sweater, string into a blanket for a baby. It really is a very reliable magic.

Pass by the synthetic yarn department, then, with your nose in the air. Should a clerk come out with the remark that All Young Mothers In This Day and Age (why can't they save their breath and say "now"?) insist on a yarn which can be machine-washed and machine-dried, come back at her with the reply that one day, you suppose, they will develop a baby that can be machine-washed and -dried.

So. The Erlking brought a mortal to the castle and locked her up. A bunch of straw, a spinning wheel. Easy enough to guess what he wants.” “Indeed. He wants some straw baskets for storing all the yarn that’s going to be spun on this wheel. I think he means to take up knitting.” “He does need a hobby,” said the boy. “One can only go around kidnapping people and butchering magical creatures for so many centuries before it gets tiresome.

Her heart pounded as he kissed her. Or was it his heart? She hadn’t been able to tell the difference ever since he’d freed her from that trap.

Courage was not a given; it was acquired, earned.

Love didn’t deserve the nice reputation it had.

Love is always a prison.

She’d been so certain she knew every crevice of his heart, but Jacob was like a country she’d only traveled through halfway.

Love scared him. It was soft. And vulnerable.

Why did such truths only reveal themselves after they’d become lies?

It had always been a myth that it was those who loved you who could see through you. It was those you feared who could see through you most clearly.

This?” the duchess asked. “Yes. That.” “I will tell you exactly what this is.” She lifted her chin, then turned to Pauline. “It’s exceedingly poor handiwork. Very bad indeed, Miss Simms. I expected better of you.” She cast the entire mess of yarn into the coal grate. Pauline rolled her eyes at the Bible. “Hypocrite,” she pronounced softly, with perfect diction.

The next morning, when I went in to the bathroom to brush my teeth, I noticed the index card over the sink. RIGHT FAUCET DRIPS EASILY, it said. TIGHTEN WITH WRENCH AFTER USING. And then there was an arrow, pointing down to where a small wrench was tied with bright red yarn to one of the pipes. This is crazy, I thought. But that wasn't all. In the shower, HOT WATER IS VERY HOT! USE WITH CARE was posted over the soap dish. And on the toilet: HANDLE LOOSE. DON'T YANK. (As if I had some desire to do that.) The overhead fan was clearly BROKEN, the tiles by the door were LOOSE so I had to WALK CAREFULLY. And I was informed, cryptically, that the light over the medicine cabinet works, BUT ONLY SOMETIMES.

Hi there...Let me ask you a question...How would you find a needle in a haystack?" The first-grader pauses, pensive, tugging on the green yarn around her neck. She's really thinking this over. Tiny gears are turning; she's twisting her fingers together, pondering. It's cute. Finally she looks up and says gravely, "I would ask the hays to find it." ... Yes, of course. She's a genius! ... It's so simple. Of course, of course. The first-grader is right. It's easy to find a needle in a haystack! Ask the hays to find it!

If she’d known him better, she might’ve tried to explain to Will that life never lets you hide. Plant, animal, or human—life forced them all to grow and learn. The more you tried to run, the harder your path got, and you’d still have to travel it.

He wished that he could break out his knitting, but for some reason, people didn’t take you seriously as a warrior when you were knitting. He’d never figured out why. Making socks required four or five double-ended bone needles, and while they weren’t very large, you could probably jam one into someone’s eye if you really wanted to. Not that he would. He’d have to pull the needle out of the sock to do it, and then he’d be left with the grimly fiddly work of rethreading the stitches. Also, washing blood out of wool was possible, but a pain. Still, if he had to suddenly pull out his sword and fend off an attack, there was a chance he’d drop the yarn, and since he’d been feeling masochistic and was using two colors for this current set of socks, there was absolutely no chance the yarn wouldn’t get tangled and then he’d be trying to murder people while chasing the yarn around. And god forbid the tide rose and he went berserk. You never got the knitting untangled after that; you usually just had to throw it away completely.

It was the custom in those days for passengers leaving for America to bring balls of yarn on deck. Relatives on the pier held the loose ends. As the "Giulia" blew its horn and moved away from the dock, a few hundred strings of yarn stretched across the water. People shouted farewells, waved furiously, held up babies for last looks they wouldn't remember. Propellers churned; handkerchiefs fluttered, and, up on deck, the balls of yarn began to spin. Red, yellow, blue, green, they untangled toward the pier, slowly at first, one revolution every ten seconds, then faster and faster as the boat picked up speed. Passengers held the yarn as long as possible, maintaining the connection to faces disappearing onshore. But finally, one by one, the balls ran out. The strings of yarn flew free, rising on the breeze.

When I was old enough to take baths in the bathtub, and to know I had a penis and a scrotum and everything, I asked her not to sit in the room with me. "Why not?" "Privacy." "Privacy from what? From me?" I didn't want to hurt her feelings, because not hurting her feelings is another of my raisons d'etre. "Just privacy," I said...She agreed to wait outside, but only if I held a ball of yarn, which went under the bathroom door and was connected to the scarf she was knitting. Every few seconds she would give it a tug, and I had to tug back--undoing what she had just done--so that she could know I was OK.

The alternative, should you, or any writer of English, choose to employ it (and who is to stop you?) is, by use of subordinate clause upon subordinate clause, which itself may be subordinated to those clauses that have gone before or after, to construct a sentence of such labyrinthine grammatical complexity that, like Theseus before you when he searched the dark Minoan mazes for that monstrous monster, half bull and half man, or rather half woman for it had been conceived from, or in, Pasiphae, herself within a Daedalian contraption of perverted invention, you must unravel a ball of grammatical yarn lest you wander for ever, amazed in the maze, searching through dark eternity for a full stop.

(about sailors) Their minds are of the stay-at-home order, and their home is always with them - the ship; and so is their country - the sea. One ship is very much like another, and the sea is always the same. In the immutability of their surroundings the foreign shores, the foreign faces, the changing immensity of life, glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence and as inscrutable as Destiny. For the rest, after his hours of work, a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing. The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut.

Let the light of late afternoon shine through chinks in the barn, moving up the bales as the sun moves down. Let the cricket take up chafing as a woman takes up her needles and her yarn. Let evening come. Let dew collect on the hoe abandoned in long grass. Let the stars appear and the moon disclose her silver horn. Let the fox go back to its sandy den. Let the wind die down. Let the shed go black inside. Let evening come. To the bottle in the ditch, to the scoop in the oats, to air in the lung let evening come. Let it come, as it will, and don't be afraid. God does not leave us comfortless, so let evening come.

If you were ever dumped after knitting a guy a sweater, consider the possibility that the problem was with the sweater, not you. The recipient probably took one look at the thing, imagined a lifetime of having to pretend to like (and wear) this sweater and others of its like, and saw no choice but to flee into the night

I'm staying right here," grumbled the rat. "I haven't the slightest interest in fairs." "That's because you've never been to one," remarked the old sheep . "A fair is a rat's paradise. Everybody spills food at a fair. A rat can creep out late at night and have a feast. In the horse barn you will find oats that the trotters and pacers have spilled. In the trampled grass of the infield you will find old discarded lunch boxes containing the foul remains of peanut butter sandwiches, hard-boiled eggs, cracker crumbs, bits of doughnuts, and particles of cheese. In the hard-packed dirt of the midway, after the glaring lights are out and the people have gone home to bed, you will find a veritable treasure of popcorn fragments, frozen custard dribblings, candied apples abandoned by tired children, sugar fluff crystals, salted almonds, popsicles,partially gnawed ice cream cones,and the wooden sticks of lollypops. Everywhere is loot for a rat--in tents, in booths, in hay lofts--why, a fair has enough disgusting leftover food to satisfy a whole army of rats." Templeton's eyes were blazing. " Is this true?" he asked. "Is this appetizing yarn of yours true? I like high living, and what you say tempts me." "It is true," said the old sheep. "Go to the Fair Templeton. You will find that the conditions at a fair will surpass your wildest dreams. Buckets with sour mash sticking to them, tin cans containing particles of tuna fish, greasy bags stuffed with rotten..." "That's enough!" cried Templeton. "Don't tell me anymore I'm going!

Time, in our experience, is linear, but in truth time is also looped. It is like a piece of yarn, in which each section of the strand twists and winds around every other - a complicated and complex knot, in which one part cannot be viewed out of context from the others. Everything touches everything else. Everything affects everything else. Each loop, each bend, each twist interact with each other. It is all connected, and it is all one. But every once in a while, there are experiences that slice all the other moments apart - stark, singular things that mark the difference between Before and After. These moments are singular, separate from the knot. Separate even from the thread. They can't be tugged at or loosened. They cannot be wound into something lovely or intricate or delicate. They do not interact seamlessly with the fabric of a life. .They are of another substance entirely. Unstuck in time, and out of sync with a life's patterns and processes.

People open shops in order to sell things, they hope to become busy so that they will have to enlarge the shop, then to sell more things, and grow rich, and eventually not have to come into the shop at all. Isn't that true? But are there other people who open a shop with the hope of being sheltered there, among such things as they most value - the yarn or the teacups or the books - and with the idea only of making a comfortable assertion? They will become a part of the block, a part of the street, part of everybody's map of the town, and eventually of everybody's memories. They will sit and drink coffee in the middle of the morning, they will get out the familiar bits of tinsel at Christmas, they will wash the windows in spring before spreading out the new stock. Shops, to these people, are what a cabin in the woods might be to somebody else - a refuge and a justification.

I once met a traveler who told me he would live to see the end of time. He laid out all his vitamins before me and told me he slept seven hours every night, no more or less. All the life you want, he said. It's all within the palm of your hand now. He said he would outlast all the wars and all the diseases, long enough to remember everything, and long enough to forget everything. He'd be the last man still standing when the sun decides to collapse upon itself and history ends. He said he had found the safest place on earth, where he could stay until the gateway to the beyond opened before him. A thousand generations from today. I pictured him there, atop a remote and snowy mountain. The heavens opening and God congratulating him for his perseverance. Asking him to join Him and watch as the sun burns down to a dull orange cinder and everything around it breaks is orbit and goes tumbling tumbling away, everything that once seemed permanent pulled apart so effortlessly, like a ball of yarn. A life into divinity. But I knew it was a lie. I've always known it was a lie. You can not hide from the world. It will find you. It always does. And now it has found me. My split second of immortality is over. All that's left now is the end, which is all any of us ever has.

One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.

Even when it isn't going well, knitting can be deeply spiritual. Knitting sets goals that you can meet. Sometimes when I work on something complicated or difficult - ripping out my work and starting over, porong over tomes of knitting expertise, screeching "I don't get it!" white practically weeping with frusteation - my husband looks at me and says, "I don't know why you think you like knitting." I just stare at him. I don't like knitting. I LOVE knitting. I don't know what could have possible led him to think that I'm not enjoying myself. The cursing? The crying? The forteen sheets of shredded graph paper? Knittong is like a marriage (I tell him) and you don't just trash the whole thing because there are bad moments.

I think my personal minimum score for anything I'm thinking about doing--knitting or not--is about a seven on the interest scale. If something's scoring a five, like a movie, then I need to add at least two points of knitting to do it for me to be able to hang in. If it's something gripping, like a conversation with a charming and entertaining friend, I may not need to add much knitting at all. If my friend scores a nine, I might only toss in a plain sock, with no patterning or anything, just round and round on autopilot while we visit. (I can only think of one thing I do with another person that really has no room to add any sort of knitting to, but let's not discuss it here.)

Take the example of our spinner. We have seen that, to daily reproduce his labouring power, he must daily reproduce a value of three shillings, which he will do by working six hours daily. But this does not disable him from working ten or twelve or more hours a day. But by paying the daily or weekly value of the spinner's labouring power the capitalist has acquired the right of using that labouring power during the whole day or week. He will, therefore, make him work say, daily, twelve hours. Over and above the six hours required to replace his wages, or the value of his labouring power, he will, therefore, have to work six other hours, which I shall call hours of surplus labour, which surplus labour will realize itself in a surplus value and a surplus produce. If our spinner, for example, by his daily labour of six hours, added three shillings' value to the cotton, a value forming an exact equivalent to his wages, he will, in twelce hours, add six shillings' worth to the cotton, and produce a proportional surplus of yarn. As he has sold his labouring power to the capitalist, the whole value of produce created by him belongs to the capitalist, the owner pro tem. of his labouring power. By advancing three shillings, the capitalist will, therefore, realize a value of six shillings, because, advancing a value in which six hours of labour are crystallized. By repeating this same process daily, the capitalist will daily advance three shillings and daily pocket six shillings, one half of which will go to pay wages anew, and the other half of which will form surplus value, for which the capitalist pays no equivalent. It is this sort of exchange between capital and labour upon which capitalistic production, or the wages system, is founded, and which must constantly result in reproducing the working man as a working man, and the capitalist as a capitalist.