Yard Inspirational Quotes

Some want to live within the sound Of church or chapel bell; I want to run a rescue shop, Within a yard of hell.

She liked being reminded of butterflies. She remembered being six or seven and crying over the fates of the butterflies in her yard after learning that they lived for only a few days. Her mother had comforted her and told her not to be sad for the butterflies, that just because their lives were short didn't mean they were tragic. Watching them flying in the warm sun among the daisies in their garden, her mother had said to her, see, they have a beautiful life. Alice liked remembering that.

Should I ever marry, Watson, I should hope to inspire my wife with some feeling which would prevent her from being walked off by a housekeeper when my corpse was lying within a few yards of her.

Closing the gate on her oldest fears as she had closed the gate of her own fenced yard, she discovered the wings she'd always wished she had.

I am so afraid of people's words.They describe so distinctly everything: And this they call dog and that they call house, here the start and there the end. I worry about their mockery with words, they know everything, what will be, what was; no mountain is still miraculous; and their house and yard lead right up to God. I want to warn and object: Let the things be! I enjoy listening to the sound they are making. But you always touch: and they hush and stand still. That's how you kill.

We do it because we care. We care that Vincent Van Gogh mutilated his ear. We care that behind a pile of manure in the yard he destroyed his life. We care that Scott Joplin's music lives! We care because we know this: the life we save is our own.

Mile by mile, it's a trial; yard by yard, it's hard; but inch by inch, it's a cinch.

They hate you because you act like you're better than they are...." "[they are] Four that you humiliated in the yard. Four who are probably afraid of you. I’ve watched you fight. It’s not training with you. Put a good edge on your sword, and they’d be dead meat; you know it, I know it, they know it. You leave them nothing. You shame them. Does that make you proud?

Each dog barks in its own yard.

Some woman, no doubt. Most of them are." He favored Jon with a rueful grin. "Remember this, boy. All dwarfs are bastards, yet not all bastards need be dwarfs." And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.

We may not know what lies ahead of us in the future years, nor even in the days or hours immediately beyond. But for a few yards, or possibly only a few feet, the track is clear, our duty is plain, our course is illumined. For that short distance, for the next step, lighted by the inspiration of God, go on! ("Three Parables—The Unwise Bee, the Owl Express, and Two Lamps", Ensign, Feb. 2003, 8 - https://new.lds.org/ensign/2003/02/th...)

If you surrender your self-worth to someone who doesn’t see your true value, what happens when someone comes along who wants to give you what you’re worth instead of what you’ll settle for? The bottom line is this: You’ve got to know your worth, at yard sales and in life, because a lot of people who are going to try to talk you out of it. If they can’t see your value, let ‘em keep on movin’! Someone out there is looking for exactly what you’ve got and will never try and undercut your value or question your worth. Some things in life just can’t be bartered over or placed on the sale rack, and your self-worth is at the top of the list.

Playing along in the yard, The blue sky sparkles against the earthly green, Creating such harmony! A pond, nearby. Untroubled waters mirrors the ether's dreams. A grand echo of my Divine Heart! I am One

I have embraced the positive resolution certainly not to entertain any discouragement; anguish and antagonism as I am aware now that I am suppose to use them as a yard tick to measure my accomplishments and victories

Within sixty-minute limits or one-hundred-yard limits or the limits of a game board, we can look for perfect moments or perfect structures. In my fiction I think this search sometimes turns out to be a cruel delusion. No optimism, no pessimism. No homesickness for lost values or for the way fiction used to be written. Everybody seems to know everything. Subjects surface and are totally exhausted in a matter of days or weeks, totally played out by the publishing industry and the broadcast industry. Nothing is too arcane to escape the treatment, the process. Making things difficult for the reader is less an attack on the reader than it is on the age and its facile knowledge-market. The writer is the person who stands outside society, independent of affiliation and independent of influence. The writer is the man or woman who automatically takes a stance against his or her government. There are so many temptations for American writers to become part of the system and part of the structure that now, more than ever, we have to resist. American writers ought to stand and live in the margins, and be more dangerous. Writers in repressive societies are considered dangerous. That’s why so many of them are in jail. Some people prefer to believe in conspiracy because they are made anxious by random acts. Believing in conspiracy is almost comforting because, in a sense, a conspiracy is a story we tell each other to ward off the dread of chaotic and random acts. Conspiracy offers coherence. I see contemporary violence as a kind of sardonic response to the promise of consumer fulfillment in America... I see this desperation against the backdrop of brightly colored packages and products and consumer happiness and every promise that American life makes day by day and minute by minute everywhere we go. Discarded pages mark the physical dimensions of a writer’s labor. Film allows us to examine ourselves in ways earlier societies could not—examine ourselves, imitate ourselves, extend ourselves, reshape our reality. It permeates our lives, this double vision, and also detaches us, turns some of us into actors doing walk-throughs. Every new novel stretches the term of the contract—let me live long enough to do one more book. You become a serious novelist by living long enough.

Never wait until the end of your life to realize you have not live to fully love.

We don't plant trees like we used to. A yard without trees is a yard without a future. It might as well be a cemetery.

The Prologue to TERRITORY LOST "Of cats' first disobedience, and the height Of that forbidden tree whose doom'd ascent Brought man into the world to help us down And made us subject to his moods and whims, For though we may have knock'd an apple loose As we were carried safely to the ground, We never said to eat th'accursed thing, But yet with him were exiled from our place With loss of hosts of sweet celestial mice And toothsome baby birds of paradise, And so were sent to stray across the earth And suffer dogs, until some greater Cat Restore us, and regain the blissful yard, Sing, heavenly Mews, that on the ancient banks Of Egypt's sacred river didst inspire That pharaoh who first taught the sons of men To worship members of our feline breed: Instruct me in th'unfolding of my tale; Make fast my grasp upon my theme's dark threads That undistracted save by naps and snacks I may o'ercome our native reticence And justify the ways of cats to men.

You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Like an inspired and prolific poet, who never refuses to spread beauty to the humblest places, which until now did not seem to share the domain of art, the sun still warmed the bountiful energy of the dung heap, of the unevenly paved yard, and of the pear tree worn down like an old serving maid.

three kinds of people in the world. First there are “well-poisoners,” who discourage you and stomp on your creativity and tell you what you can’t do. Then there are “lawn-mowers,” people who are well intentioned but self-absorbed. They tend to their own needs, mow their own lawns, and never leave their yards to help another person. Finally there are “life-enhancers,” people who reach out to enrich the lives of others, to lift them up and inspire them. We need to be life-enhancers, and we need to

Peter Pan has to be the book of my childhood. Come to think of it, it's the book of my adulthood too. It's a book which, in the reading of it, takes me back to editions that I've had and lost, with various illustrators' work in them. It brings back moments sitting reading it with my mother. It brings back my first contact with the Disney cartoon. It brings back standing in the play-yard when I was a kid, when the wind was really blowing, and closing my eyes, spreading my arms and pretending I could fly. It brings back childhood dreams of flying. It brings back the first encounter I ever had with an invented world... Never Never Land was really the first journey I took to an invented world which I believed in wholly and completely. I remember the immense solidarity that I felt with the Lost Boys, with Peter, with the Indians - how much I wanted to be a Red Indian - how much the saving of Tiger Lily meant to me as a kid, how much I wanted to one day wake up and save an Indian squaw from drowning.

The things that people were the most grateful for were the ordinary things in life. The sound of your spouse’s laugh, the smell of morning coffee, the echo of children playing in the yard. The little things. In waiting for the big moments—the vacations, the retirements, the birthdays—we risk missing the experiences of life most worthy of celebrating.

What's important to recognize is that in the U.S. today, tens of millions of kids start life on a uneven playing field. Imagine having to try to run a race if you started ten yards behind everyone else, hadn't eaten breakfast that morning, or maybe even dinner the night before, had slept in your third homeless shelter that month and didn't have shoes that fit right. Catching up would be really, really hard. With almost 32 million American kids living in low-income families, that means four out of ten runners are starting far back.

Life is a long travel. The end of the journey is often unpredictable.

Nothing focuses a writer on writing quite like knowing the yard needs mowing.

Writing is a lonely life; if you’re not lonesome you’re not writing. Sometimes I have to go out to my yard and pound out a verb or twist out a character that is building in my mind.

He felt again the presence of invisible cities, here in the moist soil of his back yard, providing shelter for his fears, his memories, and every mythic animal that had ever visited him whether on earth plane or dreamscape.

I may not be able to play a harp again, or sing for the clan,” he said. “But I have found that this is my song. This is my music.” And he framed her face in his hands. “Months ago, I told you that I was a verse inspired by your chorus. I thought I knew what those words meant then, but now I fully understand the depth and the breadth of them. I want to write a ballad with you, not in notes but in our choices, in the simplicity and the routine of our life together. In waking up at your side every sunrise and falling asleep entwined with you every sunset. In kneeling beside you in the kail yard and leading a clan and overseeing trade and eating at our parents’ tables. In making mistakes, because I know that I’ll make them, and then restitution, because I’m better than I once ever hoped to be when I’m with you.” Adaira turned her face to kiss his palm, where his scar from their blood vow still shone. When she looked at him again, there were tears in her eyes. “What do you think, Heiress?” Jack whispered, because he was suddenly desperate to know her thoughts. To know what she was feeling. Adaira leaned forward, brushing his lips with hers. “I think that I want to make such music with you until my last day when the isle takes my bones. I think you are the song I was longing for, waiting for. And I will always be thankful that you returned to me.

(I know, it's a poem but oh well). Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sun-down--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best-- mechanics, boatmen, farmers, Or among the savans--or to the soiree--or to the opera, Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct, and in its place. To me, every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

I remember standing in my front yard and staring up at the moon for the longest time, thinking, Wow, there are people up there, walking around. To a six-year-old kid in the suburbs on Long Island, it was the most awe-inspiring thing in the world. Something about it grabbed me down deep in my soul.

I turned to go home. Street lights winked down the street all the way to town. I had never seen our neighborhood from this angle. There were Miss Maudie’s, Miss Stephanie’s—there was our house, I could see the porch swing—Miss Rachel’s house was beyond us, plainly visible. I could even see Mrs. Dubose’s. I looked behind me. To the left of the brown door was a long shuttered window. I walked to it, stood in front of it, and turned around. In daylight, I thought, you could see to the postoffice corner. Daylight… in my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephanie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over her azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yard with their friend, enacting a strange little drama of their own invention. It was fall, and his children fought on the sidewalk in front of Mrs. Dubose’s. The boy helped his sister to her feet, and they made their way home. Fall, and his children trotted to and fro around the corner, the day’s woes and triumphs on their faces. They stopped at an oak tree, delighted, puzzled, apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter, and a man walked into the street, dropped his glasses, and shot a dog. Summer, and he watched his children’s heart break. Autumn again, and Boo’s children needed him. Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.

Elnora lifted the violin and began to play. She wore a school dress of green gingham, with the sleeves rolled to the elbows. She seemed a part of the setting all around her. Her head shone like a small dark sun, her face never had seemed so rose-flushed and fair. From the instant she drew the bow, her lips parted and her eyes fastened on something far away in the swamp, and never did she give more of that immpression of feeling for her notes and repeating something audible only to her. Ammon was to near to get the best effect. he arose and stepped back several yards, leaning against a large tree, looking and listening with all his soul. As he changed position he saw that Mrs. Comstock had followed them, and was standing on the trail, where she could not have helped hearing everything Elnora had said. So to Ammon before her and the mother watching on the trail, Elnora played the Song of the Limberlost. It seemed as if the swamp hushed all its other voices and spoke only through her dancing bow. The mother out on the trail had heard it all once before from the girl, many times from her father. To the man it was a revelation. He stood so stunned he forgot Mrs. Comstock. He tried to realize what a great city audience would say to that music, from such a player, with a like background, he could not imagine.

The most terrifying part of battle was the exit from a trench—standing up and climbing out, knowing that the opposing force would at that moment unleash a fusillade that would continue until the offensive concluded, either with victory, meaning a few yards gained, or defeat, a few yards lost, but invariably with half one’s battalion dead, wounded, or missing. “I shall never forget the moment when we had to leave the shelter of the trenches,” wrote British private Ridley Sheldon, of combat at Helles, at the southwest tip of the Gallipoli Peninsula. “It is indeed terrible, the first step you take—right into the face of the most deadly fire, and to realize that any moment you may be shot down; but if you are not hit, then you seem to gather courage. And when you see on either side of you men like yourself, it inspires you with a determination to press forward. Away we went over the parapet with fixed bayonets—one line of us like the wind. But it was absolute murder, for men fell like corn before the sickle.

There have been times during my life when I have wish to be a boy again, not to have the energy and perfect health of youth, but know once more the innocence and the delight in even the smallest of things that we often fail to feel full strength as the years drift by. What is easy to forget, however, until you apply yourself to the task of memory, is that childhood is a time of fear, as well; some of those fears are reasonable, others irrational and inspired by a sense of powerlessness in a world where often power over others seems to be what drives so many of our fellow human beings. In the swoon of childhood, the possibility of werewolves is as real as the school yard shooter, the idea of vampires as credible as the idea of a terrorist attack, the neighbor possessing paranormal talents as believable as a psychopath.

Once upon a time there was a little boy and a little girl who lived in the woods with their mother. One day the little boy said, “Mother, I want an apple.” The mother said, “Okay.” The boy reached into the box and the mother closed the lid on him and cut off his head and set him out in the yard and tied a rag around his neck to keep his head on. The little girl came home. She cried a lot. She sneaked out and pasted his head back on with magic paste. Then she put her brother in her boyfriend’s house. She grew up and married her boyfriend. The mother died. The end.

Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.

She was more, too. She was the books she read in the library. She was the flower in the brown bowl. Part of her life was made from the tree growing rankly in the yard. She was the bitter quarrels she had with her brother whom she loved dearly. She was Katie's secret, despairing weeping. She was the shame of her father staggering home drunk. She was all of these things and if something more that did not come from the Rommleys nor the Nolans, the reading, the observing, the living from day to day. It was something that had been born into her and her only-the something different from anyone else in the two families. It was what God or whatever is His equivalent puts into each soul that is given life-the one different thing such as that which makes no two fingerprints on the face of the earth alike.

Not long after he moved, the mail carrier got embroiled in a battle with the Middletown government over the flock of chickens that he kept in his yard. He treated them just as Mamaw had treated her chickens back in the holler: Every morning he collected all the eggs, and when his chicken population grew too large, he’d take a few of the old ones, wring their necks, and carve them up for meat right in his backyard. You can just imagine a well-bred housewife watching out the window in horror as her Kentucky-born neighbor slaughtered squawking chickens just a few feet away. My sister and I still call the old mail carrier “the chicken man,” and years later even a mention of how the city government ganged up on the chicken man could inspire Mamaw’s trademark vitriol: “Fucking zoning laws. They can kiss my ruby-red asshole.” The

A postscript on Ryan: Ryan did recover, but he was left permanently blind. His girlfriend Kelly stayed by his side through his recovery, and they soon married. I’m happy to say that we all became good friends. Ryan had an indomitable spirit that infected everyone he met. He used to say that he suspected God had chosen him to be wounded, rather than someone else, because He knew he could bear it. If so, it was an excellent choice, for Ryan inspired many others to deal with their own handicaps as he dealt with his. He went hunting with the help of friends and special devices. His wound inspired the logo Chris would later use for his company; it was a way for Chris to continue honoring him. Ryan and his wife were expecting their first child in 2009 when Ryan went into the hospital for what seemed like a routine operation, part of follow-up treatment for his wounds. Tragically, he ended up dying. I remember looking at his wife at the funeral, so brave yet so devastated, and wondering to myself how we could live in such a cruel world. My enduring vision of Ryan is outside one of the hospitals where he was recovering from an operation. He was in his wheelchair with some of the Team guys. Head bandaged and clearly in pain, he asked to be pointed toward the American flag that flew in the hospital yard; once there, he held his hand up in a long and poignant salute, still a patriot.

A reply dated 13 May finally arrived from the town clerk. Mr Mottershead could open the zoo subject to: 1) the type of animals being limited to those already described in previous correspondence; 2) the estate should not be used as an amusement park, racing track or public dance hall; and 3) no animals were to be kept within a distance of a hundred feet from the existing road. This necessitated the purchase of an additional strip of land between the road and the estate, which would have to be securely enclosed, but which couldn't be used for animals. (First it was used as a children's playground and later became a self-service cafe.) Somehow my dad managed to get a further mortgage of £350 to pay for the land and fencing. Of all the conditions, the most damaging in the long term was the last: the zoo was allowed 'no advertisement, sign or noticeboard which can be seen from the road above-mentioned'. Only a small sign at the entrance to the estate would be permitted, which meant the lodge, which was a good twenty-five yards from the road was completely invisible to any passing car. This would remain a problem for a very long time. For many years, the night before bank holidays, Dad and his friends would have to go out and hang temporary posters under the official road signs on the Chester bypass. The police turned a blind eye as long as they were taken down shortly afterwards.

Delbert was the only Bumpus kid in my grade, but they infested Warren G. Harding like termites in an outhouse. There was Ima Jean, short and muscular, who was in the sixth grade, when she showed up, but spent most of her time hanging around the poolroom. There was a lanky, blue-jowled customer they called Jamie, who ran the still and was the only one who ever wore shoes. He and his brother Ace, who wore a brown fedora and blue work shirts, sat on the front steps at home on the Fourth of July, sucking at a jug and pretending to light sticks of dynamite with their cigars when little old ladies walked by. There were also several red-faced girls who spent most of their time dumping dishwater out of windows. Babies of various sizes and sexes crawled about the back yard, fraternizing indiscriminately with the livestock. They all wore limp, battleship-gray T-shirts and nothing else. They cried day and night. We thought that was all of them—until one day a truck stopped in front of the house and out stepped a girl who made Daisy Mae look like Little Orphan Annie. My father was sprinkling the lawn at the time; he wound up watering the windows. Ace and Emil came running out onto the porch, whooping and hollering. The girl carried a cardboard suitcase—in which she must have kept all her underwear, if she owned any—and wore her blonde hair piled high on her head; it gleamed in the midday sun. Her short muslin dress strained and bulged. The truck roared off. Ace rushed out to greet her, bellowing over his shoulder as he ran: “MAH GAWD! HEY, MAW, IT’S CASSIE! SHE’S HOME FROM THE REFORMATORY!” Emil

To succeed, this movement will have to change our ideals in fundamental ways. It will have to kill off the traditional American dream, the idea of constant striving for a better future, symbolized by the middle-class goal of a rising income and the purchase of a little house with a yard - not to mention the freedom to move where you please, run your life, and govern your town with your neighbors when you get there. Greg Galluzzo, Obama's mentor and the man who created the grassroots crusade that inspired Building One America, dismisses the American dream as a sham. What really makes Americans move to the suburbs, says Galluzzo, is 'racism and greed.

That's not in my yard.

Sometimes we fail to understand that those who don't protest are usually in the dark. For example, people who have issues with animal brutality are misjudged by those who don't. Those who protest against pollution are ridiculled by the manufacturing business. Those who lack parking spaces are ignored by those who live in big yards. Same thing with racism. Those who do not understand the outcry against it have never experienced its cruelty. So, the lesson here is that we need to educate those who oppose our cries. Maybe, they are clueless about the depth of our frustrations.

Pieces of life are like a jigsaw puzzle. The job you got laid off from—that piece didn’t fit. When you move from your home you thought was a forever home—that piece didn’t fit. The time I bought a fern for the second time and it still died in a new place in my yard—that piece didn’t fit. From big pieces to little pieces, what doesn’t fit God’s plan won’t fit your plans.

Das übernatürliche Lachen der Kreatur donnerte über die Wiese. Weitere Feuerbälle schlugen in den Boden ein und beschrieben jetzt einen fast perfekten Kreis. Der Flammenring loderte hell auf und veränderte sich von leuchtendem Rot-Orange in eiskaltes Blau. In diesem Moment schossen die Flammen mehrere Yards in die Höhe und erzeugten einen Sog, der sie von den Füßen riss. Dies war ein Höllenkreis, ein Portal zu einem der unwirtlichsten und schrecklichsten Orte, die ihnen bekannt waren: der Planet Hölle.

fixer-upper of her own. She used to think she’d wait until she met Mr. Right, and they’d choose a house together, but she’d turned twenty-seven at the end of March and no Till Death Do Us Part was in sight, so she might as well skip that step and move on. She’d considered Cal’s house, but it came with too much property. A huge yard meant lots of work. Just fixing the poor house would be work enough. Ansel would be part of the crew soon, and then the remodeling would go faster. Jazzi smiled. She was always more inspired when their hottie contractor was on the job. Eye candy was nothing to sneeze at. But for now, she pushed all thoughts of remodeling and trunks out of her mind and went to stretch on

The boy comes home stomping and tells his father: - I'm really mad at Lucas, Dad! He embarrassed me at school and now I wish him all the worst! The father then takes him to the yard with a bag of coal and says: - Son, I want you to throw the pieces of coal on that sheet that is hanging on the clothesline, as if he were Lucas. The son, not understanding, but excited about the game, does what the father asked. In the end, the boy says he is happy to have soiled a part of the sheet, as if he were the classmate. The father then takes him in front of the mirror and to the boy's surprise, his appearance was so black, he could barely see his own eyes. The father then concluded: - See my son, the evil that we wish to others is like that coal. He could even get some of the sheet dirty, but in fact the biggest loser was the one who threw it.

The ceremony of Mexican baptism, which was beheld with astonishment by the Spanish Roman Catholic missionaries, is thus strikingly described in Prescott's Conquest of Mexico:--"When everything necessary for the baptism had been made ready, all the relations of the child were assembled, and the midwife, who was the person that performed the rite of baptism, was summoned. At early dawn, they met together in the court-yard of the house. When the sun had risen, the midwife, taking the child in her arms, called for a little earthen vessel of water, while those about her placed the ornaments, which had been prepared for baptism, in the midst of the court. To perform the rite of baptism, she placed herself with her face toward the west, and immediately began to go through certain ceremonies....After this she sprinkled water on the head of the infant, saying, "O my child, take and receive the water of the Lord of the world, which is our life, which is given for the increasing and renewing of our body. It is to wash and to purify. I pray that these heavenly drops may enter into your body, and dwell there; that they may destroy and remove from you all the evil and sin which was given you before the beginning of the world, since all of us are under its power.'.... She then washed the body of the child with water, and spoke in this manner: "Whencesoever thou comest, thou that art hurtful to this child, leave him and depart from him, for he now liveth anew, and is BORN ANEW; now he is purified and cleansed afresh, and our mother Chalchivitlycue [the goddess of water] bringeth him into the world.' Having thus prayed, the midwife took the child in both hands, and, lifting him towards heaven, said, "O Lord, thou seest here thy creature, whom thou hast sent into the world, thus place of sorrow, suffering, and penitence. Grant him, O Lord, thy gifts and inspiration, for thou art the Great God, and with thee is the great goddess.'" Here is the opus operatum without mistake. Here is baptismal regeneration and exorcism too, as thorough and complete as any Romish priest or lover of Tractarianism could desire.

My Keeper's house. Right there. Brown shingles, dark red shutters, yellow-and-black police tape wrapped around the massive tree trunks. The attic window looks out over the yard and the world narrows until that attic window is the only thing I can see.

Make the most of your yard of space and your inch of time.

My father was a man of iron will. He had a red beard and eyes like caves. He married my mother sensibly for the triple joy of her widowhood, the three estates, but he was concerned - as an English country gentleman and an epitome of the chivalric virtues - with the making of a son. Having heard well of the giant's child-inspiring powers, my father takes my mother by the hand and leads her up to him the night before their wedding. It had been a hot day, the hottest day that any man could remember, the skylarks swooning in the sticky air, milk turning sour in the cows' udders. At the end of that hottest day now it is suddenly Midsummer Eve and the giant stands out bold and wonderful and monstrous on his long green Dorset hill, the moon at the full above his knobbled club. My father lays my mother down on the giant's thistle, in the modest shade of Mr Wiclif's burgeoning fig tree. 'Dear hart,' he says, taking off his spurs and his liripipe hat, 'I shall require an heir.' If ever widow woman blushed then my mother blushed hot when she saw my father unbuttoned above her in the moonlight. 'My womb,' she says, 'is empty.' My father engages the key in the lock. It is well-oiled. He turns and enters and makes himself at home. 'I have been told,' he says, 'that any true woman,' he says, 'childless,' he adds, 'who lies,' he says, 'on the Cerne giant, - my father takes a shuddering juddering breath - 'conceives without fail,' he explains. My father goes on, without need of saying. It is sixty yards if it is an inch from the top to the toe of the giant of Cerne Abbas. The creature's club alone must be every bit of forty yards. 'O Gog,' says my mother eventually. 'O Gog, O Gog, O Gog.' 'I do believe,' says my father, 'Magog.' Now, in the moment of my conception, as a star falls into my mother's left eye, as the wind catches its breath, as the little hills skip for joy, and the moon hides her face behind a cloud - a bit of local history. When St Augustine came calling in those parts the people of Cerne tied a tail to his coat and whipped him out of their valley. The saint was furious. He got down on his knees and prayed to God to give tails to all the children that were born in Dorset. 'Right,' said the Omnipotence. This went on, tails, tails, tails, tails, until the folk regretted their pagan manners. When they expressed their regret, St Austin came back and founded the abbey, calling it Cernal because he was soon seeing his visions there - from the Latin, 'cerno', I see, and the Hebrew, 'El, God. That's enough history. I prefer mystery.

It was a glorious experience to travel by rail for the children and the panoramic views of Africa through the big glass window in the back of the last car were beyond description. It was just as you would expect it to be as described in a vintage National Geographic magazine, with springbok and other wild animals abounding. The distance is approximately the same as from New York to Chicago and took an overnight. Adeline and Lucia talked late into the night as the children tried to hear what was being said. There was a lot of catching up to do, but it had been a long and exhausting day and the next thing they all knew, was that it was the following morning and the train was approaching Cape Town, affectionately known as the “Tavern of the Seas.” When the train finally came to a halt, after being switched from one track to another through the extensive rail yards, the realization sank in that this was their new life. Kaapstad, Cape Town in Afrikaans, would be their new home and German, the language they had spoken until now, was history. A new family came to meet them and helped carry their luggage to waiting cars. All of these strange people speaking strange languages were uncles, aunts and nephews. An attractive elderly woman who spoke a language very similar to German, but definitely not the same, was the children’s new Ouma. However, to avoid confusion she was to be addressed as Granny. She lived in a Dutch gabled house called “Kismet” located in a beautiful suburb known as “Rosebank.” This would be their home until Adeline could find a place where they could settle in and start their new life.

Here is why the wellbeing economy comes at the right time. At the international level there have been some openings, which can be exploited to turn the wellbeing economy into a political roadmap. The first was the ratification of the Sustainable Development Goals (SDGs) in 2015. The SDGs are a loose list of 17 goals, ranging from good health and personal wellbeing to sustainable cities and communities as well as responsible production and consumption. They are a bit scattered and inconsistent, like most outcomes of international negotiations, but they at least open up space for policy reforms. For the first time in more than a century, the international community has accepted that the simple pursuit of growth presents serious problems. Even when it comes at high speed, its quality is often debatable, producing social inequalities, lack of decent work, environmental destruction, climate change and conflict. Through the SDGs, the UN is calling for a different approach to progress and prosperity. This was made clear in a 2012 speech by Secretary General Ban Ki-moon, who explicitly connected the three pillars of sustainable development: ‘Social, economic and environmental wellbeing are indivisible.’82 Unlike in the previous century, we now have a host of instruments and indicators that can help politicians devise different policies and monitor results and impacts throughout society. Even in South Africa, a country still plagued by centuries of oppression, colonialism, extractive economic systems and rampant inequality, the debate is shifting. The country’s new National Development Plan has been widely criticised because of the neoliberal character of the main chapters on economic development. Like the SDGs, it was the outcome of negotiations and bargaining, which resulted in inconsistencies and vagueness. Yet, its opening ‘vision statement’ is inspired by a radical approach to transformation. What should South Africa look like in 2030? The language is uplifting: We feel loved, respected and cared for at home, in community and the public institutions we have created. We feel understood. We feel needed. We feel trustful … We learn together. We talk to each other. We share our work … I have a space that I can call my own. This space I share. This space I cherish with others. I maintain it with others. I am not self-sufficient alone. We are self-sufficient in community … We are studious. We are gardeners. We feel a call to serve. We make things. Out of our homes we create objects of value … We are connected by the sounds we hear, the sights we see, the scents we smell, the objects we touch, the food we eat, the liquids we drink, the thoughts we think, the emotions we feel, the dreams we imagine. We are a web of relationships, fashioned in a web of histories, the stories of our lives inescapably shaped by stories of others … The welfare of each of us is the welfare of all … Our land is our home. We sweep and keep clean our yard. We travel through it. We enjoy its varied climate, landscape, and vegetation … We live and work in it, on it with care, preserving it for future generations. We discover it all the time. As it gives life to us, we honour the life in it.83 I could have not found better words to describe the wellbeing economy: caring, sharing, compassion, love for place, human relationships and a profound appreciation of what nature does for us every day. This statement gives us an idea of sufficiency that is not about individualism, but integration; an approach to prosperity that is founded on collaboration rather than competition. Nowhere does the text mention growth. There’s no reference to scale; no pompous images of imposing infrastructure, bridges, stadiums, skyscrapers and multi-lane highways. We make the things we need. We, as people, become producers of our own destiny. The future is not about wealth accumulation, massive

Humanity has been deprived of so many great dreams that continue to populate the grave yard and never see the day of life simply because of what I call the photocopy syndrome and lack of the ability to “copyRIGHT

Bandit’s Run From behind me came a rattle of brush and then, one of the boars was on me, aiming for my neck. I fell back, and dropped the gun. I brought my feet up to my chest and prepared to fight for my life. Then suddenly, there was another growl. But it was a much different sound this time. It was lower than the excited half-squeals of the wild boar and it froze us all. I saw my chance and got to my feet, spotting the gun a few feet away. As I went for it, I saw him. It was Bandit, my father’s old coonhound. He lurched through the forest, his teeth all fury, showing no fear. I picked up the gun and ran to him. Two boars leapt on the dog’s back, their golden eyes now green and focused. Bandit rolled, as he was taught to do. They fell from his back and the dog was on his feet again, positioned in front of me. I leveled the gun and aimed. I fired. The shot was deafening in the still of night and roared up the sides of the hills, echoing through the ravine. The whole herd took off running with Bandit in hot pursuit. I called after him as I ran blindly through the woods, following the loud bawl of the old hound. I was up and over a small hill, into the next ravine. Bandit was getting farther and farther away but I kept on running, trying to keep up. Before I knew it I was in the clearing where I had first started the day, only about 100 yards from the cabin. I could hear my mother’s voice calling for me and I ran to her. My father was at her side, already putting on his jacket to come and search for me. I hugged my mother and burst out crying, trying to explain what had happened. I could feel my father’s hand on my shoulder, he was telling me to calm down, everything was all right. I looked at him and said, “It was Bandit, Dad. He saved me. He came out of the woods, full speed, he…” “Bandit?” my father asked. The look on his face was one of confusion and wonder. “David, Bandit’s been dead for two years now, remember? We buried him up past those two hills, by that creek bed in the ravine. It must have been another dog, son.” I was going to tell him, tell them both, that I saw his face, I knew it was him, but something told me not to. As we all walked into the cabin together, I could hear a wail in the distance, coming from over the hills and down in a small ravine. Or it could have been the wind. -David Magill

If you had to pick a favorite place where you live, what would it be? It could be an inspiring place like a beautiful park or a lookout point. Or it could be a library, a café, or even your own front yard. Once you’ve settled on a special spot, bring sketching, writing, or painting supplies to this place. Make sure you have a comfortable spot to sit, then observe your surroundings. Notice the details, from the smells and sounds to the emotions you experience, as you sit. Now try to re-create this space in the creative medium of your choice — a story, poem, drawing, song, comic book, short movie — whatever you want. Express yourself via your chosen art medium. It doesn’t have to be perfect. When you’re done, challenge yourself to share your work with at least one person.

I have been writing for as long as I can remember. Fed by the books my parents read aloud to me, when I was little I would wander around my yard imagining I was a bird, or a runaway princess, or a fairy; and I would make up narratives about what I did. That pastime blossomed into dictating stories to my family and teachers until I learned to write well myself. I have always loved to draw. I have never been sure which hobby I am more passionate about. Now, as I write this, I realize that I would not love drawing if I didn’t make up stories in my mind about the things I draw. Both of these passions come from my need to capture what I see without destroying it, to clarify images and make them mine, and to express to the world the love I have for the things I perceive.

Should I ever marry, Watson, I should hope to inspire my wife with some feeling which would prevent her from being walked off by a housekeeper when my corpse was lying within a few yards of her. —The Valley of Fear

I may not be able to play a harp again, or sing for the clan,” he said. “But I have found that this is my song. This is my music.” And he framed her face in his hands. “Months ago, I told you that I was a verse inspired by your chorus. I thought I knew what those words meant then, but now I fully understand the depth and the breadth of them. I want to write a ballad with you, not in notes but in our choices, in the simplicity and the routine of our life together. In waking up at your side every sunrise and falling asleep entwined with you every sunset. In kneeling beside you in the kail yard and leading a clan and overseeing trade and eating at our parents’ tables. In making mistakes, because I know that I’ll make them, and then restitution, because I’m better than I once ever hoped to be when I’m with you.” Adaira turned her face to kiss his palm, where his scar from their blood vow still shone. When she looked at him again, there were tears in her eyes. “What do you think, Heiress?” Jack whispered, because he was suddenly desperate to know her thoughts. To know what she was feeling. Adaira leaned forward, brushing his lips with hers. “I think that I want to make such music with you until my last day when the isle takes my bones. I think you are the song I was longing for, waiting for. And I will always be thankful that you returned to me.

Are you private, or are you in fact working for Scotland Yard?” “Neither. I am a social investigator.” “I see,” I said, though to be frank, I didn’t. “I don’t suppose that pays very well.” “Nothing at all, actually, but it’s very important. That’s why I am working in the East End. I wish to know why the greatest empire in history cannot feed, clothe, or shelter many of its people. I wonder why the mistakes and attitudes of one generation are doomed to be repeated in the next and why the arrival of a people with a rich and ancient culture such as the Jews inspires fear and loathing among an otherwise sensible people.

You may not have the greenest yard, but you can take the shit you're given and fertilize your grass into something beautiful!

I want to remember...Smelling your newness upon this earth. The baby-Jesus smell as Grandma used to put it. Pure. Unsullied. Like the imagined smell in the twirling air of eiderdown feathers spin-floating around the yard on a new spring day.

Peacock said that we all have different-size territories and I would argue that one of the more important things that he and Abbey offer is that they make us uncomfortable with the size of the plots we have settled on. They push us, and inspire us to move beyond our comfortable cells. “It depends on how you are yarded,” wrote Thoreau. In an age of cell phones and computers and little contact with the elemental earth, most of us are yarded pretty tightly. It isn’t just pronghorns who live in a diminished territory. Most modern humans know exactly how those ungulates feel. With each generation we settle for less wildness, less freedom, less space. We begin to accept things we would have previously deemed unacceptable. That our e-mails will be read, that we will stare down at screens for hours, that it’s okay for drones to look down on us, that only crazy or dangerous individuals seek solace by going alone into the wilderness. We shrug, half-accepting our limited lives and damaged land. What can we do about it after all?

One top executive at Disney got my attention right away by telling me that he didn’t know why Disney had bought Pixar in the first place. Apparently a lover of sports analogies, he told me that Disney Animation was on the one-yard line, ready to score. He felt Disney was on the verge of fixing its own problems—and finally ending its sixteen-year fallow period without a single number one film. I liked this guy’s moxie and his willingness to push back, but I told him that if he were to continue at Disney, he needed to figure out why, in fact, Disney was not on the one-yard line, not about to score, and not about to fix its own problems. This executive was smart, but over time I realized that to ask him to help dismantle a culture he had built was too much, so I had to let him go. He was so fixated on existing processes and the notion of being “right” that he couldn’t see how flawed his thinking was.

If I die in the war, please never give my gun to my son. Instead, give him his mother's hoe. Let him feed the rest of the family. Never expose my son to a war in the North if he belongs to the South. After I die, whoever uses the gun powder next, wins the battle. The dead has no property, no honour, no peace and no more chances. If my son has a bloodline of the South, he will never come to my grave yard to cry. Instead, he understands that if the guns truely belong to mankind we will never die in the war. Weapon is made for weapon. It does not have respect for the buyer. The heart of a fighter is filled with pains and undeserved hatred. If the hatred is not default, then there is no need for war. No matter how justified we are and win, we have committed a crime. Hatred will bleed on. War cannot determine who is superior, only who is foolish. No desire is worth blood of a mankind. People commit war crimes. The real trouble with war is that people really don't understand what they get after the war is over. Majority don't kill the right people, they also descend to kill the PEACEMAKERS. None of my son will die in a war. If I die they will bury my gun. Their love for PEN and PAPER is a passionate metal. Never will I accept war if I am not involve with mankind. My dear sons, never you trust a politician. Everything a politician says are lies. He does everything for himself and has no regard for your life. Government may change but their lies will remain the same. If I were a president, I am sure I'm a fatherless son. Mankind are always malfunctioning and can never recover. Never you go into a war. The battle is not between mankind. It is of PRINCIPALITIES

Tomorrow", said Peter when they reached the gate. "Same time. We'll meet here. No need for the yard." "You'll... you'll take me?" exclaimed Ardwin. "You'll take me as you student? Why? I was terrible!" "Yes, you were. But you have perseverance, Prince Ardwin. You kept at it despite your lack of success. What's more, you made no complaint against the wind, and you damaged no arrows. When you failed, you made no moan. Bran broke a bow over his knee when he began, so frustrated did he become.

Lost within, uncertain paths unfold, Each day a weight, a tale of burdens told. Striving to find solace, a challenging quest, In the struggle, life's yard, an unyielding test. Yet amid the shadows, a glimmer of hope, Fatigue battles, but the heart learns to cope. An arduous journey, the destination unclear, Yet a promise embraced, soothing every fear. So, I endure, guided by patience's light, Through the darkest night, sharing my plight. In the struggle's grip, where challenges leer, I find resilience, and strength crystal clear.