Yankee Player Quotes

Losing is a learning experience. It teaches you humility. It teaches you to work harder. It’s also a powerful motivator.

From The Red Sox Reader: "The Yankees may have always had the better players, but the Red Sox always had the better writers.

The umpire ruled that the catcher didn’t touch Cobb. He also ruled that Cobb hadn’t touched the plate. While the Yankee players were protesting, Cobb sneaked around the bunch and touched the plate.

Yogi Berra, the fabled Yankee baseball player and manager, was said to have pointed out, “If you don’t know where you are going, you’ll end up somewhere else.” That is so true about brands; you need to know where they are to end up.

Big Papi placed among the top five in Most Valuable Player balloting during his first five seasons with the Red Sox. His best finish in that span was second place in 2005, just losing out to Alex Rodriguez of the New York Yankees. It was A-Rod, however, who suggested he’d gladly trade his hardware for the ring Ortiz won in 2004. A-Rod got the hardware for MVP again in 2007, but it was Ortiz who got another ring.

Baseball is known for superstitious players and cursed teams—and at the root of every curse there’s a story. Boston’s curse was to trade Babe Ruth to the Yankees. Cubs fans claim a billy goat is responsible for their futility. And Cleveland’s curse? The club struggled after its Pennant-winning 1954 season, but it was rich with optimism just two years later as an onslaught of new talent promised to lift the club once more to the ranks of baseball’s elite—and by 1959 the club was contending for the Pennant again. And then GM Frank Lane traded Rocky Colavito to the Detroit Tigers and cursed everything.

Baseball was rooted not just in the past but in the culture of the country; it was celebrated in the nation’s literature and songs. When a poor American boy dreamed of escaping his grim life, his fantasy probably involved becoming a professional baseball player. It was not so much the national sport as the binding national myth.

It wasn’t until 1959 that the Red Sox finally joined the rest of the major leagues and brought up a black player from the minors to play in Boston. This tardiness on race and its lingering effects put the team at a competitive disadvantage for years and was far more responsible for the extended World Series drought in Boston than the 1919 sale of Babe Ruth to the Yankees—the so-called Curse of the Bambino. As

Why would anyone want to fight Henry?" Loondorf looked hurt. "Because he's a ballplayer." "So?" "So he's a baller. He's got cash, chains, crisp clothes. He's got a hat that says Yankees and it's the real deal, yo. He didn't buy it at no yard sale. He walks into a bar and girls are like damn. Dudes get jealous. They want to get in his face, prove they're somebody." "They want to take down the man," Steve said helpfully.

In 1971, the Yankees hired Bill White, making him baseball’s first black broadcaster. Everyone was so proud of him. Over the years we had seen Bill quite a bit starting from the days when he played with the Cardinals, then in spring training at St. Petersburg, and later whenever we went home to St. Louis. When Bill came to the Yankees, he knew little about the American League players. So Elston naturally was the first person he went to that spring training.

One had to be more discerning in recognizing other Yankees players. And a program would have been of little help. In 1923, the Yankee uniforms were blank on the back. The team did not introduce uniform numbers until 1929; Ruth was given No. 3 because he batted third in the lineup and Gehrig was given No. 4 because he batted fourth. In 1923, the Yankees did not even have their famous interlocking N and Y on the left breast of their uniforms. The only similarity of those Yankees home uniforms with those of later years were the pinstripes.

On April 14 in Boston, Elston’s name went down in Yankee history. He got into his first game when Irv Noren was ejected over a call at home plate. According to the Black Associated Press, Elston made his Yankee debut at 4:32 p.m. “Howard’s appearance at-bat signaled the fall of a dynasty that had been assailed on all sides as being anti-Negro. The fans gave Howard a well-deserved round of applause, making his debut on the heretofore lily-white Bronx Bombers.” Elston played three innings that day. He singled and drove in a run in an 8–4 loss to the Red Sox. Finally, the Yankees had become the thirteenth club in the major leagues to field a black player. The only holdouts were the Philadelphia Phillies, Detroit Tigers, and Boston Red Sox.

Rewriting the baseball record book must be very fulfilling. Or maybe not. Yankees outfielder Roger Maris knew firsthand the fickle nature of success. After an MVP season in 1960—when he hit 39 homers and drove in a league-high 112 runs—Maris began a historic assault on one of baseball’s most imposing records: Babe Ruth’s single-season home run mark of 60. In the thirty-three seasons since the Bambino had set the standard, only a handful of players had come close when Jimmie Foxx in 1932 and Hank Greenberg in 1938 each hit 58. Hack Wilson, in 1930, slammed 56. But in 1961, Maris—playing in “The House That Ruth Built”—launched 61 home runs to surpass baseball’s most legendary slugger. Surprisingly, the achievement angered fans who seemed to feel Maris lacked the appropriate credentials to unseat Ruth. Some record books reminded readers that the native Minnesotan had accomplished his feat in a season eight games longer than Ruth’s. Major League Baseball, due to expansion, changed the traditional 154-game season to 162 games with the 1961 season. Of the new home run record, Maris said, “All it ever brought me was trouble.” Human achievements can be that way. Apart from God, the things we most desire can become empty and unfulfilling—even frustrating—as the writer of Ecclesiastes noted. “Whoever loves money never has enough; whoever loves wealth is never satisfied with their income,” he wrote (5:10). “Everyone’s toil is for their mouth,” he added, “yet their appetite is never satisfied” (6:7). But the Bible also shows where real satisfaction is found, in what Ecclesiastes calls “the conclusion of the matter.” Fulfillment comes to those who “fear God and keep his commandments” (12:13).

In June 1981, a strike shuttered the major leagues for fifty days, the first time in baseball history that players walked out during the season. Determined to make his people earn their keep, George Steinbrenner ordered his major-league coaches into the minors to scout and help mentor the organization’s prospects. Berra drew Nashville, where Merrill was the manager. Merrill was a former minor-league catcher with a degree in physical education from the University of Maine. He began working for the Yankees in 1978 at West Haven, Connecticut, in the Eastern League and moved south when the Yankees took control of the Southern League’s Nashville team in 1980. Suddenly, in mid-1981, the former catcher who had never made it out of Double-A ball had the most famous and decorated Yankees backstop asking him, “What do you want me to do?” Wait a minute, Merrill thought. Yogi Berra is asking me to supervise him? “Do whatever you want,” Merrill said. “No,” Berra said. “Give me something specific.” And that was when Merrill began to understand the existential splendor of Yogi Berra, whom he would come to call Lawrence or Sir Lawrence in comic tribute to his utter lack of pretense and sense of importance. “He rode buses with us all night,” Merrill said. “You think he had to do that? He was incredible.” One day Merrill told him, “Why don’t you hit some rollers to that lefty kid over there at first base?” Berra did as he was told and later remarked to Merrill, “That kid looks pretty good with the glove.” Berra knew a prospect when he saw one. It was Don Mattingly, who at the time was considered expendable by a chronically shortsighted organization always on the prowl for immediate assistance at the major-league level.

it died away, Stu said: “This wasn’t on the agenda, but I wonder if we could start by singing the National Anthem. I guess you folks remember the words and the tune.” There was that ruffling, shuffling sound of people getting to their feet. Another pause as everyone waited for someone else to start. Then a girl’s sweet voice rose in the air, solo for only the first three syllables: “Oh, say can—” It was Frannie’s voice, but for a moment it seemed to Larry to be underlaid by another voice, his own, and the place was not Boulder but upstate Vermont and the day was July 4, the Republic was two hundred and fourteen years old, and Rita lay dead in the tent behind him, her mouth filled with green puke and a bottle of pills in her stiffening hand. A chill of gooseflesh passed over him and suddenly he felt that they were being watched, watched by something that could, in the words of that old song by The Who, see for miles and miles and miles. Something awful and dark and alien. For just a moment he felt an urge to run from this place, just run and never stop. This was no game they were playing here. This was serious business; killing business. Maybe worse. Then other voices joined in. “—can you see, by the dawn’s early light,” and Lucy was singing, holding his hand, crying again, and others were crying, most of them were crying, crying for what was lost and bitter, the runaway American dream, chrome-wheeled, fuel-injected, and stepping out over the line, and suddenly his memory was not of Rita, dead in the tent, but of he and his mother at Yankee Stadium—it was September 29, the Yankees were only a game and a half behind the Red Sox, and all things were still possible. There were fifty-five thousand people in the Stadium, all standing, the players in the field with their caps over their hearts, Guidry on the mound, Rickey Henderson was standing in deep left field (“—by the twilight’s last gleaming—”), and the light-standards were on in the purple gloaming, moths and night-fliers banging softly against them, and New York was around them, teeming, city of night and light. Larry joined the singing too, and when it was done and the applause rolled out once more, he was crying a bit himself. Rita was gone. Alice Underwood was gone. New York was gone. America was gone. Even if they could defeat Randall Flagg, whatever they might make would never be the same as that world of dark streets and bright dreams.

The smile wasn’t there at the beginning. In a few of the early pictures, you can see a derisive smirk beginning to curl up on the right side of Jeter’s face, almost as though the young player had found a cocky persona and was trying it on for size. Still, he didn’t use the smirk for his first glossy publicity shots with the Yankees or the pictures on his rookie-year baseball cards. Not quite scowling—although his eyebrows angle down in a V that aims the viewer’s eye at the unsmiling center of his face—he looks … serious, I guess, in those early photographs. Unswerving. A young man with an almost childish openness about his furious drive and discipline. A young man who allowed the outward projection of his public ambitions to show on his face. By 1999,

The Yankees handed out numbers based upon a player’s spot in the batting order, which is how Babe Ruth acquired the number 3. His teammate, Lou Gehrig, hit cleanup, and his number, 4, became the first ever retired by any team on July 4, 1939, the day he called himself “the luckiest man on the face of the earth.

But Biju went to Jackson Heights, and from a store like a hangar he bought: a TV and VCR, a camera, sunglasses, baseball caps that said "NYC" and "Yankees" and "I Like My Beer Cold and My Women Hot," a digital two-time clock and radio and cassette player, waterproof watches, calculators, an electric razor, a toaster oven, a winter coat, nylon sweaters, polyester-cotton-blend shirts, a polyurethane quilt, a rain jacket, a folding umbrella, suede shoes, a leather wallet, a Japanese-made heater, a set of sharp knives, a hot water bottle, Fixodent, saffron, cashews and raisins, aftershave, T-shirts with "I love NY" and "Born in the USA" picked out in shiny stones, whiskey, and, after a moment of hesitation, a bottle of perfume called Windsong . . . who was that for? He didn’t yet know her face.

Pride of the Yankees invented the visual grammar of the baseball film, discovering and employing editing techniques to turn a movie star with little baseball experience into a reasonable facsimile of one of the most talented players of all time. In later years, these techniques were used to make actors as disparate as John Cusack (Eight Men Out), Rosie O’Donnell (A League of Their Own), and Bernie Mac (Mr. 3000) look like they’re zinging line drives all over the field.

SEPTEMBER 11 Fueling Relief When we finally got the clearance to drive through the checkpoints, two weeks after the World Trade Center attacks, the street was lined with New Yorkers—New Yorkers!—waving banners with simple messages. “We love you. You’re our heroes. God bless you. Thank you.” The workers were running on that support as their vehicles ran on fuel. They had so little good news in a day. They faced a mountainously depressing task of removing tons and tons of twisted steel, compacted dirt, smashed equipment, broken glass. But every time they drove past the barricades, they faced a line of fans cheering them on, like the tunnel of cheerleaders that football players run through, reminding them that an entire nation appreciated their service. In a Salvation Army van with lights flashing, we attracted some of the loudest cheers of all. Moises Serrano, the Salvation Army officer leading us, was Incident Director for the city. He had been on the job barely a month when the planes hit. He worked thirty-six straight hours and slept four, forty hours and slept six, forty more hours and slept six. Then he took a day off. His assistant had an emotional breakdown early on, in the same van I was riding in, and may never recover. Many of the Salvationists I met hailed from Florida, the hurricane crews who keep fully stocked canteens and trucks full of basic supplies. When the Manhattan buildings fell, they mobilized all those trucks and drove them to New York. The crew director told me, “To tell you the truth, I came up here expecting to deal with Yankees, if you know what I mean. Instead, it’s all smiles and thank yous.” I came to appreciate the cheerful toughness of the Salvation Army. These soldiers worked in the morgue and served on the front lines. Over the years, though, they had developed an inner strength based on discipline, on community, and above all on a clear vision of whom they were serving. The Salvation Army may have a hierarchy of command, but every soldier knows he or she is performing for an audience of One. As one told me, Salvationists serve in order to earn the ultimate accolade from God himself: “Well done, thy good and faithful servant.” Finding God in Unexpected Places

Between 1999 and 2002, the Yankees paid over three times what the A’s paid for the average player on their roster. The Yankee payroll was $130 million in 2002; that of the A’s, just $40 million. Yet the difference in performance between the two teams was surprisingly small considering the vast difference in salaries. The Yankees made the championship playoffs in 2000, 2001, and 2002, but so did the A’s. The Yankees did go all the way to the World Series in 2000 and 2001, and won it in 2000. But during the 2002 regular season, the A’s and the Yankees each won 103 games. Just think what the A’s might have accomplished with the combination of evidence and unlimited budget.

I want you to know a few things,” George said. “First of all, I didn’t think that interview was that bad. Second, what happened tonight at the stadium doesn’t represent the way the New York Yankees organization feels about you. It doesn’t represent my feelings. You are always welcome at Yankee Stadium. And don’t worry about that player and what he said tonight. He won’t be around here much longer.” He continued. “If we are fortunate enough to win this series—and I’m very cautious about counting on anything before it happens—there will not be a single Yankee who will act inappropriately during the trophy presentation. Every New York Yankee from Joe Torre on down will treat you with respect and courtesy. You have my word. You’ve done a great job for a long time. I will stand beside you for the entire ceremony.

The boys who write the sports stories knew what was going on and who was doing what. On October 12, 1927, they voted Lou Gehrig the most valuable player in the American League. You see, it was Lou Gehrig who forced the pitchers to pitch to Babe Ruth.

In 1929, the defending world champion New York Yankees and Cleveland Indians became the first team to wear permanent numbers sewn into the backs of their uniforms. Starting players were given numbers that matched their usual place in the batting order.

A total of 56 members of the National Baseball Hall of Fame have been associated with the New York Yankees at one time or another as a player, manager, or front office executive - the highest representation of any other team.

When baseball is bread and butter, you never question a man’s eccentricities as long as he continues to carry his weight and can hoist one into Railroad Street outside the park, when blue chips are down. I’m trying to give you a picture of those Yanks, and of Lou. And I am also trying to give you an unnamby-pamby picture of baseball as it is, or at least as it was in those days. It isn’t a game played for the sweet joy of sport by Sunday School book characters, but a rough, competitive game played as a profession and a business by a bunch of tough, hard bitted men who were and are just like any other groups of men. In a group of twenty or thirty players you find all kinds. That Lou Gehrig was an ascetic, practically, in his manner of living, was purely a matter of his own personal choice. No one actually demanded it of him.

Baseball is just a game. But like religion, it has rituals. I need rituals. I need traditions. I need something to believe in, whether I worship in a church or a stadium. I believe in the Yankees and then divorced them and came all the way back to believing in them again, and what I have learned, if anything, is this: My belief, my faith, transcends individual players and is deeper than the outcome of any game, any season. It is unshakable.