Yankee Baseball Player Quotes

Losing is a learning experience. It teaches you humility. It teaches you to work harder. It’s also a powerful motivator.

Yogi Berra, the fabled Yankee baseball player and manager, was said to have pointed out, “If you don’t know where you are going, you’ll end up somewhere else.” That is so true about brands; you need to know where they are to end up.

Baseball is known for superstitious players and cursed teams—and at the root of every curse there’s a story. Boston’s curse was to trade Babe Ruth to the Yankees. Cubs fans claim a billy goat is responsible for their futility. And Cleveland’s curse? The club struggled after its Pennant-winning 1954 season, but it was rich with optimism just two years later as an onslaught of new talent promised to lift the club once more to the ranks of baseball’s elite—and by 1959 the club was contending for the Pennant again. And then GM Frank Lane traded Rocky Colavito to the Detroit Tigers and cursed everything.

Baseball was rooted not just in the past but in the culture of the country; it was celebrated in the nation’s literature and songs. When a poor American boy dreamed of escaping his grim life, his fantasy probably involved becoming a professional baseball player. It was not so much the national sport as the binding national myth.

Why would anyone want to fight Henry?" Loondorf looked hurt. "Because he's a ballplayer." "So?" "So he's a baller. He's got cash, chains, crisp clothes. He's got a hat that says Yankees and it's the real deal, yo. He didn't buy it at no yard sale. He walks into a bar and girls are like damn. Dudes get jealous. They want to get in his face, prove they're somebody." "They want to take down the man," Steve said helpfully.

In 1971, the Yankees hired Bill White, making him baseball’s first black broadcaster. Everyone was so proud of him. Over the years we had seen Bill quite a bit starting from the days when he played with the Cardinals, then in spring training at St. Petersburg, and later whenever we went home to St. Louis. When Bill came to the Yankees, he knew little about the American League players. So Elston naturally was the first person he went to that spring training.

Rewriting the baseball record book must be very fulfilling. Or maybe not. Yankees outfielder Roger Maris knew firsthand the fickle nature of success. After an MVP season in 1960—when he hit 39 homers and drove in a league-high 112 runs—Maris began a historic assault on one of baseball’s most imposing records: Babe Ruth’s single-season home run mark of 60. In the thirty-three seasons since the Bambino had set the standard, only a handful of players had come close when Jimmie Foxx in 1932 and Hank Greenberg in 1938 each hit 58. Hack Wilson, in 1930, slammed 56. But in 1961, Maris—playing in “The House That Ruth Built”—launched 61 home runs to surpass baseball’s most legendary slugger. Surprisingly, the achievement angered fans who seemed to feel Maris lacked the appropriate credentials to unseat Ruth. Some record books reminded readers that the native Minnesotan had accomplished his feat in a season eight games longer than Ruth’s. Major League Baseball, due to expansion, changed the traditional 154-game season to 162 games with the 1961 season. Of the new home run record, Maris said, “All it ever brought me was trouble.” Human achievements can be that way. Apart from God, the things we most desire can become empty and unfulfilling—even frustrating—as the writer of Ecclesiastes noted. “Whoever loves money never has enough; whoever loves wealth is never satisfied with their income,” he wrote (5:10). “Everyone’s toil is for their mouth,” he added, “yet their appetite is never satisfied” (6:7). But the Bible also shows where real satisfaction is found, in what Ecclesiastes calls “the conclusion of the matter.” Fulfillment comes to those who “fear God and keep his commandments” (12:13).

In June 1981, a strike shuttered the major leagues for fifty days, the first time in baseball history that players walked out during the season. Determined to make his people earn their keep, George Steinbrenner ordered his major-league coaches into the minors to scout and help mentor the organization’s prospects. Berra drew Nashville, where Merrill was the manager. Merrill was a former minor-league catcher with a degree in physical education from the University of Maine. He began working for the Yankees in 1978 at West Haven, Connecticut, in the Eastern League and moved south when the Yankees took control of the Southern League’s Nashville team in 1980. Suddenly, in mid-1981, the former catcher who had never made it out of Double-A ball had the most famous and decorated Yankees backstop asking him, “What do you want me to do?” Wait a minute, Merrill thought. Yogi Berra is asking me to supervise him? “Do whatever you want,” Merrill said. “No,” Berra said. “Give me something specific.” And that was when Merrill began to understand the existential splendor of Yogi Berra, whom he would come to call Lawrence or Sir Lawrence in comic tribute to his utter lack of pretense and sense of importance. “He rode buses with us all night,” Merrill said. “You think he had to do that? He was incredible.” One day Merrill told him, “Why don’t you hit some rollers to that lefty kid over there at first base?” Berra did as he was told and later remarked to Merrill, “That kid looks pretty good with the glove.” Berra knew a prospect when he saw one. It was Don Mattingly, who at the time was considered expendable by a chronically shortsighted organization always on the prowl for immediate assistance at the major-league level.

The smile wasn’t there at the beginning. In a few of the early pictures, you can see a derisive smirk beginning to curl up on the right side of Jeter’s face, almost as though the young player had found a cocky persona and was trying it on for size. Still, he didn’t use the smirk for his first glossy publicity shots with the Yankees or the pictures on his rookie-year baseball cards. Not quite scowling—although his eyebrows angle down in a V that aims the viewer’s eye at the unsmiling center of his face—he looks … serious, I guess, in those early photographs. Unswerving. A young man with an almost childish openness about his furious drive and discipline. A young man who allowed the outward projection of his public ambitions to show on his face. By 1999,

But Biju went to Jackson Heights, and from a store like a hangar he bought: a TV and VCR, a camera, sunglasses, baseball caps that said "NYC" and "Yankees" and "I Like My Beer Cold and My Women Hot," a digital two-time clock and radio and cassette player, waterproof watches, calculators, an electric razor, a toaster oven, a winter coat, nylon sweaters, polyester-cotton-blend shirts, a polyurethane quilt, a rain jacket, a folding umbrella, suede shoes, a leather wallet, a Japanese-made heater, a set of sharp knives, a hot water bottle, Fixodent, saffron, cashews and raisins, aftershave, T-shirts with "I love NY" and "Born in the USA" picked out in shiny stones, whiskey, and, after a moment of hesitation, a bottle of perfume called Windsong . . . who was that for? He didn’t yet know her face.

Pride of the Yankees invented the visual grammar of the baseball film, discovering and employing editing techniques to turn a movie star with little baseball experience into a reasonable facsimile of one of the most talented players of all time. In later years, these techniques were used to make actors as disparate as John Cusack (Eight Men Out), Rosie O’Donnell (A League of Their Own), and Bernie Mac (Mr. 3000) look like they’re zinging line drives all over the field.

A total of 56 members of the National Baseball Hall of Fame have been associated with the New York Yankees at one time or another as a player, manager, or front office executive - the highest representation of any other team.

When baseball is bread and butter, you never question a man’s eccentricities as long as he continues to carry his weight and can hoist one into Railroad Street outside the park, when blue chips are down. I’m trying to give you a picture of those Yanks, and of Lou. And I am also trying to give you an unnamby-pamby picture of baseball as it is, or at least as it was in those days. It isn’t a game played for the sweet joy of sport by Sunday School book characters, but a rough, competitive game played as a profession and a business by a bunch of tough, hard bitted men who were and are just like any other groups of men. In a group of twenty or thirty players you find all kinds. That Lou Gehrig was an ascetic, practically, in his manner of living, was purely a matter of his own personal choice. No one actually demanded it of him.

Baseball is just a game. But like religion, it has rituals. I need rituals. I need traditions. I need something to believe in, whether I worship in a church or a stadium. I believe in the Yankees and then divorced them and came all the way back to believing in them again, and what I have learned, if anything, is this: My belief, my faith, transcends individual players and is deeper than the outcome of any game, any season. It is unshakable.