Ya Boy Quotes

We've searched our database for all the quotes and captions related to Ya Boy. Here they are! All 200 of them:

Oscar looked up from his plate, and if a cat could laugh, he would have. ‘Boy, that’s ugly, even for a jinn. Looks like a cross between a rat, a frog and a bottlebrush.
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
If you two yentas are finished discussing Claire’s rabid who-ha, me and the boys would like to eat sometime this century." "You and 'the boys?' You just met them today. Does the Ya Ya Brotherhood already have a secret handshake and a password?" Liz joked.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
Queer folks are like wolves," Julian told him. "We travel in packs." (p. 125)
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
Have you kissed many boys before?" he asked quietly. His question brought my mind back into focus. I raised an eyebrow. "Boys? That's an assumption." Noah laughed, the sound low and husky. "Girls, then?" "No." "Not many girls? Or not many boys?" "Neither," I said. Let him make of that what he would. "How many?" "Why—" "I am taking away that word. You are no longer allowed to use it. How many?" My cheeks flushed, but my voice was steady as I answered. "One." At this, Noah leaned in impossibly closer, the slender muscles in his forearm flexing as he bent his elbow to bring himself nearer to me, almost touching. I was heady with the proximity of him and grew legitimately concerned that my heart might explode. Maybe Noah wasn't asking. Maybe I didn't mind. I closed my eyes and felt Noah's five o' clock graze my jaw, and the faintest whisper of his lips at my ear. "He was doing it wrong.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Sunny, a silver boy of nine, daydreams of rescuing two princesses: “The princesses’ savior was a gallant knight. No! A prince! The valiant prince was surprisingly young. And silvered.
Andri E. Elia (Borealis: A Worldmaker of Yand Novel)
No, it wasn't the end. It was a better beginning.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
You ready?" Julian asked, a curious look on his devastatingly handsome face. "No," Yadriel confessed, his voice tight. Julian grinned. "Do it anyways.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
My whole heart's inside of ya.
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
Why was it that boys said girls were so hard to understand when she hadn't known a single guy who hadn't confused her to the point of screaming?
C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
She’s never liked us much, not since she complained that there were no boys on the island, and Reese gave her the blankest look I’ve ever seen and said, “Plenty of girls, though.
Rory Power (Wilder Girls)
Boy, you better check that tone. (Wulf) Yeah, yeah, ya scare me. I’m even wetting my pants while in your terrifying, gut-wrenching presence. See me shiver and quiver? Ooo, ahhh, ooo. (Chris)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
If you ever scare me like that again," he said breathlessly, "I'll kill you myself, Julian Diaz.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
We talked it over and came to a compromise," Maritza said. "She threatened to put a curse on me," Julian supplied.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
You’re the best friend I’ve ever had, and I love the fucking bones of you, ya mad eejit.” He choked out a pained laugh. “And if you think this is going to chase me off then you’ve another thing coming, fucker, because I’m never leaving you. Do ya hear me? Because you’re my Gibs.
Chloe Walsh (Taming 7 (Boys of Tommen, #5))
My singing voice is too sexy," Julian said with a solemn shake of his head. "You'd fall in love with me, like, immediately.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
Her hands crept around his neck, tangling in his hair to keep him closer, even though she knew that beautiful boys with expiration dates couldn't be held, only borrowed for a time.
Martina Boone
But belonging meant denying who he was. Living as something he wasn't had nearly torn him part from the inside out. But he also loved his family, and his community. It was bad enough being an outsider; what would happen if they just couldn't--or wouldn't--accept him for who he was?
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
FINALLY!" Julian burst out, annoyed but smiling as he leaped to his feet. "I've been--dude, stop screaming--I've been waiting for FOREVER!
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
Did Julian just have zero impulse control? It was almost endearing. But only almost.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
This was a bad idea. Too much, too close, but when Julian leaned forward Yadriel didn't want to pull away.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
I'll be around, princess. If you ever need me , just send a note. Or a gremlin. Or whatever." Stepping back, he raised a hand to Ash, who nodded solemnly."Catch ya later, ice-boy. Maybe next time I see you , you'll be changing diapers and reading beadtime stories."he snickered and shook his head. "Ah, who would've thought you'd be the one tied down with a family, prince ? How the mighty have fallen.
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
Because the truth is, it isn't worth loving something if you aren't going to love it all the way.
Goldy Moldavsky (Kill the Boy Band)
Julian was achingly beautiful, but in the way a thunderstorm was beautiful—wild, rough, electric. And bound to leave devastation in his wake.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
You're a freak. But I really can't accept these-' Were you raised in a barn? Don't be ruuuuuude, my boy. They're a gift.' Blay shook his head. 'Take them, John. You're just going to lose this argument, and it will save us from the theatrics.' Theatrics?' Qhuinn leaped up and assumed a Roman oratory pose. 'Whither thou knowest thy ass from thy elbow, young scribe?' Blay blushed. 'Come on-' Qhuinn threw himself at Blay, grasping onto the guy's shoulders and hanging his full weight off him. 'Hold me. Your insult has left me breathless. I'm agasp.' Blay grunted and scrambled to keep Qhuinn up off the floor. 'That's agape.' Agasp sounds better.' Blay was trying not to smile, trying not to be delighted, but his eyes were sparkling like sapphires and his cheeks were getting red. With a silent laugh, John sat on one of the locker room benches, shook out his pair of white socks, and pulled them on under his new old jeans. 'You sure, Qhuinn? 'Cause I have a feeling they're going to fit and you might change your mind. Qhuinn abruptly lifted himself off Blay and straightened his clothes with a sharp tug. 'And now you offend my honor.' Facing off at John, he flipped into a fencing stance. Touché.' Blay laughed. 'That's en garde, you damn fool.' Qhuinn shot a look over his shoulder. 'ça va, Brutus?' Et tu?' That would be tutu, I believe, and you can keep the cross-dressing to yourself, ya perv.' Qhuinn flashed a brilliant smile, all twelve kinds of proud for being such an ass. 'Now, put the fuckers on, John, and let's be done with this. Before we have to put Blay in an iron lung.' Try sanitarium.' No, thanks, I had a big lunch.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
Happiness isn't always easy," he'd said. "But it's a priority.
Goldy Moldavsky (Kill the Boy Band)
My son. A brujo. How long had he been waiting to hear those words? Having them said aloud, to a room full of brujx, made Yadriel's legs feel weak. It was like a dream, but so much better.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
Boy bands, fan fiction, soap operas, reality TV, most shows and movies with female main characters . . . We’re still so rarely front and center, even rarer when you consider race and sexuality, and then when we do get something that’s just for us, we’re made to feel bad for liking it. We can’t win.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Boys are gonna come, and boys are gonna go. Unfortunately, some friends may even do the same. But dessert, ya'll will never let you down.
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
The love that I wanted so desperately: this isn’t what I thought it would feel like. It’s made me dizzy and it’s grounded me. It’s made me laugh when nothing is funny. It shimmers and it sparks, but it can be comfortable, too, a sleepy smile and a soft touch and a quiet, steady breath. Of course this boy—my rival, my alarm clock, my unexpected ally—is at the center of it. And somehow, it’s even better than I imagined.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Yadriel's soul ached. He leaned closer, his hands reaching out, fingers wanting to knot into Julian's jacket and pull him closer. But they grasped at air. There was nothing to hold on to.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
Julian's chuckle was wet. "Valió ... la pena.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
I know! It means when two boys are really happy ‘cause they love each other.” She laughed. He wasn’t certain whether to laugh along with her—or cry.
Alex Sanchez (Rainbow Boys (Rainbow Trilogy, #1))
Julian's hand fell to his lap. He looked out over the water again. The wind tugged at his jacket. He closed his eyes and grinned. Below, the waves crashed. The moonlight painted him in shades of blue. His edges blurred like watercolors spilling outside of their lines.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
Yadriel snorted. "You're really taking this 'ghost' stuff literally." Julian tilted his chin and grinned in a way he could only describe as preening. "I'm very committed to my new lifestyle.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
Ya sabes, hay una delgada línea entre el amor y el odio. Tal vez me amabas y no te diste cuenta -sugirió, sonriendo. Sonreí porque eso era exactamente lo que estaba pensando antes.
Kirsty Moseley (The Boy Who Sneaks in My Bedroom Window (The Boy Who Sneaks in My Bedroom Window, #1))
These bad boys're what we call Runnie-undies. Keep you, um, nice and comfy." "Nice and comfy?" "Yeah, ya know. Your-" "Yeah, got it." Thomas took the underwear and other stuff.
James Dashner (The Maze Runner (The Maze Runner, #1))
Memories are beautiful things, Boy. When the person that ya loved is gone, when the happy time is over, then ya’ve still got yer memories. Thank God fer this special gift of His that lets ya sorta live yer experiences again and again. S’pose there ain’t no price one would settle on fer the worth of memories.
Janette Oke (Once Upon a Summer (Seasons of the Heart, #1))
If we get mugged or kidnapped, I'm gonna be pissed," Maritza told Yadriel.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
You're a very pretty girl...Did you know? Once upon a time, I had a pretty, pretty boy.' She reached forward and touched my cheek with one manicured hand.
Jennifer Lynn Barnes (Every Other Day)
I’ll be seeing ya, Molloy. xx
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
we all make vows, Jimmy. And there is something very beautiful and touching and noble about wanting good impulses to be permanent and true forever," she said. "Most of us stand up and vow to love, honor and cherish someone. And we truly mean it, at the time. But two or twelve or twenty years down the road, the lawyers are negotiating the property settlement." "You and George didn't go back on your promises." She laughed. "Lemme tell ya something, sweetface. I have been married at least four times, to four different men." She watched him chew that over for a moment before continuing, "They've all been named George Edwards but, believe me, the man who is waiting for me down the hall is a whole lot different animal from the boy I married, back before there was dirt. Oh, there are continuities. He has always been fun and he has never been able to budget his time properly and - well, the rest is none of your business." "But people change," he said quietly. "Precisely. People change. Cultures change. Empires rise and fall. Shit. Geology changes! Every ten years or so, George and I have faced the fact that we have changed and we've had to decide if it makes sense to create a new marriage between these two new people." She flopped back against her chair. "Which is why vows are such a tricky business. Because nothing stays the same forever. Okay. Okay! I'm figuring something out now." She sat up straight, eyes focused somewhere outside the room, and Jimmy realized that even Anne didn't have all the answers and that was either the most comforting thing he'd learned in a long time or the most discouraging. "Maybe because so few of us would be able to give up something so fundamental for something so abstract, we protect ourselves from the nobility of a priest's vows by jeering at him when he can't live up to them, always and forever." She shivered and slumped suddenly, "But, Jimmy! What unnatural words. Always and forever! Those aren't human words, Jim. Not even stones are always and forever.
Mary Doria Russell (The Sparrow (The Sparrow, #1))
People say absence makes the heart grow fonder, but I think they're wrong: Proximity makes the heart grow fonder.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
He let out a hiss of pain,then smiled that crooked, sheepish smile he always fell back on when he was caught doing something bad. "Sorry. I-I didn't mean to. I just- I've been lying here for hours, thinking about blood.
Holly Black (The Coldest Girl in Coldtown)
Something that’s bothered me for a while now is the current profligacy in YA culture of Team Boy 1 vs Team Boy 2 fangirling. [...] Despite the fact that I have no objection to shipping, this particular species of team-choosing troubled me, though I had difficulty understanding why. Then I saw it applied to Suzanne Collins’s The Hunger Games trilogy – Team Peeta vs Team Gale – and all of a sudden it hit me that anyone who thought romance and love-triangles were the main event in that series had utterly missed the point. Sure, those elements are present in the story, but they aren’t anywhere near being the bones of it, because The Hunger Games, more than anything else, is about war, survival, politics, propaganda and power. Seeing such a strong, raw narrative reduced to a single vapid argument – which boy is cuter? – made me physically angry. So, look. People read different books for different reasons. The thing I love about a story are not necessarily the things you love, and vice versa. But riddle me this: are the readers of these series really so excited, so thrilled by the prospect of choosing! between! two! different! boys! that they have to boil entire narratives down to a binary equation based on male physical perfection and, if we’re very lucky, chivalrous behaviour? While feminism most certainly champions the right of women to chose their own partners, it also supports them to choose things besides men, or to postpone the question of partnership in favour of other pursuits – knowledge, for instance. Adventure. Careers. Wild dancing. Fun. Friendship. Travel. Glorious mayhem. And while, as a woman now happily entering her fourth year of marriage, I’d be the last person on Earth to suggest that male companionship is inimical to any of those things, what’s starting to bother me is the comparative dearth of YA stories which aren’t, in some way, shape or form, focussed on Girls Getting Boyfriends, and particularly Hot Immortal Or Magical Boyfriends Whom They Will Love For All Eternity. Blog post: Love Team Freezer
Foz Meadows
That night we played truth or dare. You said that after a while you stopped trying to earn your mother's affection." I pause. "Why didn't you give up with me, too?" "You know why," he says quietly. I close my eyes. I do know, but I'm not sure if I'm ready to hear it. But some part of me must be, because I wouldn't have asked the question otherwise, not of Bishop, the boy who never chooses to say something easy just because the truth is hard. Maybe I want to hear it so that i will know, once and for all, that there is no going back. "Because I'm in love with you, Ivy," he whispers. "Giving up on you isn't an option." He lifts my hair away from the back of my neck and kisses the delicate skin there. My breath shudders out of me. The silence spirals into the dark room, and maybe it was foolish to ask the question, but I'm not sorry. I uncurl his hand and kiss his palm, his skin cool and dry. I place his hand over my heart, cover it with my own. We fall asleep that way. His lips on my neck. My heart in his hand.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
Nice to meet ya, shank," the boy said. "Welcome to the Glade.
James Dashner
Then he picks up the first book and holds it so Peter can read the title.    I Hadn’t Meant to Tell You This Peter quiets. Watches as Neil holds up the books one by one. Just Listen Stay You’re the One That I Want So Much Closer Where I Want to Be The Difference Between You and Me Positively Matched Perfect Wonder You Are Here Where I Belong I’ll Be There Along for the Ride The Future of Us Real Live Boyfriends Keep Holding On When Neil is through, Peter smiles and holds up his hand, gesturing Neil to wait there, to not say a word. He picks out two books from the YA section, then runs to the fiction section for a third. He is still smiling when he returns to Neil and shows his selections one by one. Take a Bow A Blind Man Can See How Much I Love You Keep Holding On
David Levithan (Two Boys Kissing)
Who do you want to turn into?" I mean the question to be mocking, but that's not how it comes out. I sound interested. I reach down and scratch my leg, trying to hid my embarrassment. Bishop looks at me. "Someone honest. Someone who tries to do the right thing. Someone who follows his own heart, even if it disappoints people." He pauses. "Someone brave enough to be all those things." A boy who doesn't want to lie, married to a girl who can't tell the truth. If there is a God, he has a sick sense of humor.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
I went to bed without reading, instead staring out my window with the curtains drawn, wondering about boys. Why did they behave so oddly? One minute their teasing was relentless, and then bam!― they’d stun you with a thoughtful gesture. Either way, their actions made you want to cry. Maybe that was the intent.
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
She’d once asked Father if he was disappointed his only child was a daughter, and he had looked her in the eye and said. Never. “Without girls, there would be no more boys.
Erin Beaty (The Traitor's Kiss (The Traitor's Circle, #1))
Don't fucking swear." -Ronan Lynch
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
I wonder where love really is. Good feelings. Happiness. They're someplace, I know. I feel that. But without Father and Mother, how do I get there?
Susan Shaw (The Boy from the Basement)
I could kiss that girl. And ya know what? I will kiss that girl. As soon as I get back to school, I'm gonna grab her, and I'm gonna kiss her.
Flynn Meaney (The Boy Recession)
La gente entra y sale de tu vida. Por un tiempo son tu mundo; lo son todo. Y un día ya no lo son.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
When exactly did I become the heroine in some YA romance? The new girl swooning over the hottest, most unattainable boy in school? Gross. And so not happening.
Tracy Wolff (Crave (Crave, #1))
You’re the best friend I’ve ever had, and I love the fucking bones of you, ya mad eejit.
Chloe Walsh (Taming 7 (Boys of Tommen, #5))
Hey, Sexy Legs, I slapped the shit out of your brother just now,” Alec declared, sinking down on the table in front of us. “Hope ya don’t mind.” My eyes widened. “You did?” “Of course.” He winked. “Lynchy’s on his last warning, so he couldn’t do it. And I couldn’t have Brains doing my favorite girl dirty like that.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
Maritza smiled. "Let's do this, brujo.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
But there's something fundamentally wrong in a system where a girl like Meredith would even consider staying with a boy like Dylan if she has the chance to be free of him.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
What do you want?" Peter chuckled, "Right now, to eat my lunch, just like you. Am I missing something here?" "I don't understand American boys, sometimes. I've learned English, but you people can use subtle meanings that elude me in what you say and do." "We're just sharing a table, eating lunch. There's nothing subtle about that." 
Dennis K. Hausker (Anya)
You are nothing without me, bitch. The only way you’re leaving me is in a box. I’ll kill ya before I let you leave me. Do ya hear me? I’ll burn this fucking house to the ground with you and your cunts in it before I let ya go!
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
I've never had any summer lovin'. And I've never had any school year lovin', either. I've never had a boyfriend. I've never hooked up with a guy. And this morning, on my Internet browser, an article popped up about women marrying themselves. Even my wireless connection knows I'm alone.
Flynn Meaney (The Boy Recession)
Since Sienna was in an unusually cooperative mood, the session went well. He was returning from it midmorning - after a short detour - when a small naked body barreled into him in one of the main corridors. Steadying the boy with Tk, he looked down. The child lifted a finger to his lips. "Shh. I'm hiding." With that, he went behind Judd and scrambled into a small alcove. "Quickly! Not sure why he obeyed the order, Judd backed up to stand in front of the alcove, arms crossed. A flustered Lara came running around the corner a few seconds later. "Have you seen Ben? Four-year-old. Naked as a jaybird?" "How tall is he?" Judd asked in his most overbearing Psy manner. Lara stared. "He's four. How tall do you think he is? Have you seen him or not?" "Let me think...did you say he was naked?" "He was about to be bathed. Slippery little monkey." A giggle from behind Judd. Lara's eyes widened and then her lips twitched. "So you haven't seen him?" "Without a proper description, I can't be sure." The healer was obviously trying not to laugh. "You shouldn't encourage him - he's incorrigible as it is." Judd felt childish hands on his left calf and then Ben poked his head out. "I'm incorwigeable, did ya hear?" Judd nodded. "I do believe you've been found. Why don't you go have your bath?" "Come on, munchkin." Lara held out a hand. Surprisingly strong baby arms and legs wrapped around Judd's leg. "No. I wanna stay with Uncle Judd." Lara anticipated his question. "Ben spends a lot of time with Marlee." "I spend a lot of time with Marlee," a small voice piped up.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
He looks like the kind of boy who would jump trains, strum guitars, and pass a joint.
Heather Demetrios (Something Real (Something Real, #1))
They didn't get the friendships that formed, the community of people who shared in your same joy.
Goldy Moldavsky (Kill the Boy Band)
Ya no puedo mirarme al espejo, ni a ningún reflejo mío en el cristal. Y no sé por qué.
Abigail Tarttelin (Golden Boy)
Time is like a river,” Coydog had told the boy. “It come up behind ya hard and just keep right on goin’. You couldn’t stop it no more than you could fly away.
Walter Mosley (The Last Days of Ptolemy Grey)
In the whole history of my letters, of my liking boys, not once has a boy liked me back at the same time as I liked him. It was always me alone, longing after a boy, and that was fine, that was safe
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
There is the scent too. Wonder follows it; wonder about how a boy can smell like that when he probably has no idea. He smells like the woods in the winter or the rain when it first falls, or maybe it’s just the way he always smells and there is no way to define it.
Christy A. Campbell (A Halo Sun (The Sharing Moon #2))
The distance between us feels too close, too far, too close.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
You can't screw up your own suicide and then expect the universe to give you presents wrapped in the skin of a wonderful boy. That's just not the way it works.
Heather Demetrios (Something Real (Something Real, #1))
They say 'Chaos is the ally of the desperate man,' and I reckon it applies to dwarves and snot-nosed boys too. Let's test is at the front gate, shall we?
Gillian Bronte Adams (Songkeeper (The Songkeeper Chronicles, #2))
Hey," Victor said. "Tell me a story." Thomas closed his eyes and told this story: "There were these two Indian boys who wanted to be warriors. But it was too late to be warriors in the old way. All the horses were gone. So the two Indian boys stole a car and drove to the city. They parked the stolen car in front of the police station and then hitchhiked back home to the reservation. When they got back, all their friends cheered and their parents' eyes shone with pride. You were very brave, everybody said to the two Indian boys. Very brave." "Ya-hey," Victor said. "That's a good one. I wish I could be a warrior.
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
After hearing the boy scream, the cats formed their pyramid in front of the glass door. Belle turned the handle while Harry and the others pushed the door open. They scrambled in and searched the room and small bathroom and shower. Bombarded with the boy’s scent, the cats continued to search. He had to be somewhere. A knock on the door startled the animals. Belle ran to the door and sniffed. “Food,” she whispered. “Must be for the boy.” “We must find that boy,” Harry said. “If the human enters, they will find us. Quickly, everyone, show time!” One-by-one, the cats crawled under the bed sheet and maneuvered between the opened books. “Just as in The Catman’s act,” Curry said, trying not to snicker. “Hush!” Belle scolded. Two moved upward, two downward, two to the right, and three to the left. Belle and Harry crouched in the middle. Allie crawled to the pillow and poked out her back and head. With her ears lowered, only her straggling black hair could be seen.
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
He nudged Thomas, who looked up. Minho was holding out a couple of pairs of tightly cut underwear, made from a shiny white material. “These bad boys’re what we call Runnie-undies. Keeps you, um, nice and comfy.” “Nice and comfy?” “Yeah, ya know. Your—” “Yeah, got it.” Thomas took the underwear and other stuff.
James Dashner (The Maze Runner (Maze Runner, #1))
You’re not pregnant, are ya?” I joked, wrapping her up in my arms. “Could you imagine?” she joked back, still crying. “Fuck no.” I chuckled. “I think I’d rather open the door and lie down in the traffic.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
He moves me to madness. He's an indescribable poetic impression. He's Persian blood re-defined by Parisian culture, softened in the right places, yet, fierce where it counts. Dreamy. The kind of boy you can't get too close to, because you might get lost in his brown eyes and melancholy.
Michael Ben Zehabe (Persianality)
I’m not your boyfriend, Molloy,” he was quick to deny. “I’m just your—” “Yes, you are, ya big eejit,” I snapped, irritated now. “It’s been seven months. You’re my boyfriend, I’m your girlfriend, and we love each other a lot.” “We absolutely do not!
Chloe Walsh (Saving 6 (Boys of Tommen, #3))
Wicked eyes are not a good prospect for seminary boys. They want a gentle, soft sort of wife, not a wife who looks as though she may sprout wings and carry off the young children of the village. ~Maria "Smythe
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
You boys may be gentlemen," Dusty said. "But I'm about to shoot like a lady. You ready, baby?
Stephanie Kate Strohm (Prince in Disguise)
We are in a boy recession," Eugene repeats. "There's been a sudden, drastic decrease in the male population at this school. And I'm gonna take advantage of it.
Flynn Meaney (The Boy Recession)
It’s how we keep our heads above water in a world that’s so incredibly dangerous for us. We notice everything, take stock of possible threats, and lock it all in our memory.
Nick Brooks (Promise Boys: the trailblazing YA mystery thriller)
YA is about angst. Will I get that boy to like me? Will I lose the weight? Will I turn into a vampire if he just gives me a hickey? I’m an orphan! I’m a mind reader! I’m biracial! I’m gay! When I get out of high school, I’ll move to New York City, where I’ll find others like me, and then I’ll be happy and I will have it all: a career, a family, good teeth, and takeout Chinese.
Helen Ellis (American Housewife)
If she could explore and heal his injuries with her fingers, it would be another type of magic, her skin making contact with his. Putting her mind to it, Love would become familiar with his body. She would know him from top to bottom, from beginning to end. Touching this boy would be the death, and life, of her.
Natalia Jaster (Touch)
Sooo, I'm tired of people thinking I'm a freak. I know you can't relate to that but -" "Get over it already, will ya?" Candace stood. "You're not Smellody anymore. You're pretty. You can get hot guys now. Tanned ones with good vision. Not geeky hose jousters." She shut the window. "Don't you ever want to use your lips as something other than veneer protectors?" Melody felt a familiar pinch behind her eyes. Her throat dried. Her eyes burned. And then they came. Like salty little paratroopers, tears descended en masse. She hated Candace thought she had never made out with a boy. But how could she convince a seventeen-year-old with more dates than a fruitcake that Randy the Starbucks cashier (aka Scarbucks, because of his acne scars) was a great kisser? She couldn't.
Lisi Harrison (Monster High (Monster High, #1))
What are you going to do, stab me?” Julian’s laugh was sharp as he tapped a finger to his temple.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
So I guess I'm thankful that there'll always be jerky boys to remind us that we're worth more.
Elizabeth Eulberg (From Me to You (The Lonely Hearts Club, #1.3))
My mom told me once that Wyatt loved her the way a boy will love his mother, but I loved her the way an artist loves another. Jo taught me what that meant.
Laura Anderson Kurk (Perfect Glass)
She gazed down at the sleeping boy at her feet. Alex had died for his prince. If necessary, she would do no less.
Erin Beaty (The Traitor's Ruin (The Traitor's Circle, #2))
But I think we both knew, even then, that what we had was something even more rare, and even more meaningful. I was going to be his friend and was going to show him possibilities.
David Levithan (Boy Meets Boy: A YA story of friendship and love)
I’m not asking you to fuck your mother.” Grinning, he added, “I’ll save you the trouble and do it for ya.
Chloe Walsh (Releasing 10 (Boys of Tommen, #6))
The general’s daughter swept into the room like an angelic visitation. Never seen such a vision of the feminine in my life. It hit me between the eyes like someone pressed a live telegraph wire to the back of my head. She came amongst us boys so coquettish and alight with laughter that we all took on dumbfounded stupidity, not quite knowing what to say or how to act.
Phil Truman (Dire Wolf of the Quapaw: a Jubal Smoak Mystery (Jubal Smoak Mysteries Book 1))
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
The echo of two boys playing in a pool testing each other to see who could hold their breath the longest. … Whadda ya wanna do now?— I know, we could wrestle like the Roman gladiators— Okay— What do we fight for?— Loser has to do the victor’s homework for a week— Nah, raise the stakes. Loser has to suck the victor’s johnny— Trenton recalled the long ago memory of two boys wrestling, butt naked in the back yard and the battle went on forever locked in each other’s grip. A stalemate tangle in each other’s arm. And they kissed finding each other’s tongue. The taste of it so good and frightening at the same time and they pulled apart fearfully— Deez— Yeah Trent— I don’t think we should tell anyone about this, okay? — Yeah okay—
Talon P.S. (Becoming His Slave (Dominion of Brothers, #1))
He wishes he could remember everything. Anything. He doesn’t sense a bone in his body that can feel compassion or worthiness. Self-pity hides away as well, the lowest form of emotion not even capable of resting in his wrecked mind.
Christy A. Campbell (A Halo Sun (The Sharing Moon #2))
Why’re you like that?” the boy persisted. “Like what?” Paragon finally asked in annoyance. “Ya’know. Allus mad. Or crazy fightin’ Say’n stuff ta be mean.” “How else do you expect me to be?” Paragon retorted. “Joyous that they’ve dragged me out here? All excited to go off on a hare-brained rescue mission with them?” He felt the boy’s shrug. “Ya could be.” “I could be?” Paragon snorted. “I’d like to know how.” “S’easy. Ya decide t’be.” “You decide to be happy? I should just forget everything that has been done to me, and be happy? Tra-la-la-la? Like that.” “Ya could.” He heard the boy’s nails against his scalp. “Lookit me. I coulda hated everyone o’ ‘em. I decided t’be happy. Decided ta take what I could get. Make a life outer it.” A pause. “S’not like I’m gonna get another life. Gotta make this’n work.” “It’s not that simple,” Paragon snapped. “Could be,” Cliff insisted. “In’t no harder than decidin’t’be mad allus.” The boy sauntered away slowly. His bare feet scuffed lightly on the deck. “But it’s a lot funner,” he called back over his shoulder. p. 406: Clef to Paragon
Robin Hobb (The Mad Ship (Liveship Traders, #2))
Memo to the Male Species: Girls like men who know what they want and go after it, not boys who twiddle their thumbs and make it a puzzle we girls have to solve. Because guys, we aren't going to solve that riddle. Hate to break it to ya!
Emily McKee (A Beautiful Idea (Beautiful, #1))
I just want to matter,' he said unsmiling. It was like pulling a curtain back, peering behind a mask made of smiles and quips. This was the real James, this young, bright, desperate thing. There was a burning intensity to his eyes, and she saw for the first time a boy who would sell his heart--not for some hobby, but because he thought it was the only way to life the life he wanted. They had that in common.
Emily Lloyd-Jones (The Hearts We Sold)
Life doesn't change when you meet a guy and life doesn't fall apart when you break up with one. We are teaching young female readers the wrong things through books not only expressing this point, but also using these two concepts as turning plot points of novels.
Meghan Blistinsky
A lot of people who use they/them pronouns don’t feel like they’re a boy or a girl, which is something that could maybe, possibly, describe that niggling feeling—that being seen as a girl definitely isn’t right, but being seen as a guy isn’t totally right, either.
Kacen Callender (Felix Ever After)
Por desgracia, él no se conformaba con besarme, siempre quería meterme la mano por debajo del jersey. Yo no se lo permitía porque pensaba que ya había tiempo para eso. Una opinión que él no compartía. Por eso, en una fiesta de confirmandos, metió la mano debajo del jersey de otra, justo delante de mis ojos. Y el mundo que yo conocía acabó en aquel momento.
David Safier (Jesus liebt mich)
If I can face a street full of rabid zombies, I can tell a boy I like him. Right?
Alison Kemper (Donna of the Dead)
And I want to press my palm against his chest to feel it beat, to prove he’s really there. But we cannot touch.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
My love life couldn't be more nonexistent if Julius was all all-girls' boarding school with a moat full of alligators around it.
Flynn Meaney (The Boy Recession)
She said "sweet boy" again, as if making a diagnosis like tooth decay or flat feet. I was embarrassed. I didn't know if I was being insulted or complimented.
Shawn Stewart Ruff (Finlater)
Nice to meet ya, shank,” the boy said. “Welcome to the Glade.
James Dashner (The Maze Runner (Maze Runner, #1))
Wherever these boys are finding their denim, I want a lifetime membership to their mailing catalog.
Erin Hahn (You'd Be Mine)
It’s always the quiet ones.” The whole damn school was quiet. Moore made us that way. Any of us could be the killer when you put it that way.
Nick Brooks (Promise Boys: the trailblazing YA mystery thriller)
Tell them I was sorry. Tell them I loved them. Tell my son that I loved him. Tell yourself that I loved you most. I’ll be seeing ya, Molloy. xx
Chloe Walsh (Redeeming 6 (Boys of Tommen #4))
I’m here, Tony.” “What were ya doing in John Kavanagh’s old doll’s pride and joy, boyo?
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
La gente entra y sale de tu vida. Por un tiempo son tu mundo; lo son todo. Y un día ya no lo son. No hay manera de decir cuánto tiempo los tendrás cerca.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Siente lo que ya sabemos: lo sobrenatural es natural y lo maravilloso puede provenir del movimiento más mundano, como de un latido o una mirada.
David Levithan (Two Boys Kissing)
Quiero estar cerca de él y no por una vaga noción de lo que sería estar a su lado, sino porque ya lo he estado y no quiero que termine.
David Levithan (Boy Meets Boy)
Eugene's got a fake ID, and he actually gets away with using it because he looks like he's thirty-six, thanks to his devotion to tasseled shoes and his ridiculous carpet of chest hair.
Flynn Meaney (The Boy Recession)
Boy everyone in this country is running around yammering about their fucking rights. "I have a right, you have no right, we have a right." Folks I hate to spoil your fun, but... there's no such thing as rights. They're imaginary. We made 'em up. Like the boogie man. Like Three Little Pigs, Pinocio, Mother Goose, shit like that. Rights are an idea. They're just imaginary. They're a cute idea. Cute. But that's all. Cute...and fictional. But if you think you do have rights, let me ask you this, "where do they come from?" People say, "They come from God. They're God given rights." Awww fuck, here we go again...here we go again. The God excuse, the last refuge of a man with no answers and no argument, "It came from God." Anything we can't describe must have come from God. Personally folks, I believe that if your rights came from God, he would've given you the right for some food every day, and he would've given you the right to a roof over your head. GOD would've been looking out for ya. You know that. He wouldn't have been worried making sure you have a gun so you can get drunk on Sunday night and kill your girlfriend's parents. But let's say it's true. Let's say that God gave us these rights. Why would he give us a certain number of rights? The Bill of Rights of this country has 10 stipulations. OK...10 rights. And apparently God was doing sloppy work that week, because we've had to ammend the bill of rights an additional 17 times. So God forgot a couple of things, like...SLAVERY. Just fuckin' slipped his mind. But let's say...let's say God gave us the original 10. He gave the british 13. The british Bill of Rights has 13 stipulations. The Germans have 29, the Belgians have 25, the Sweedish have only 6, and some people in the world have no rights at all. What kind of a fuckin' god damn god given deal is that!?...NO RIGHTS AT ALL!? Why would God give different people in different countries a different numbers of different rights? Boredom? Amusement? Bad arithmetic? Do we find out at long last after all this time that God is weak in math skills? Doesn't sound like divine planning to me. Sounds more like human planning . Sounds more like one group trying to control another group. In other words...business as usual in America. Now, if you think you do have rights, I have one last assignment for ya. Next time you're at the computer get on the Internet, go to Wikipedia. When you get to Wikipedia, in the search field for Wikipedia, i want to type in, "Japanese-Americans 1942" and you'll find out all about your precious fucking rights. Alright. You know about it. In 1942 there were 110,000 Japanese-American citizens, in good standing, law abiding people, who were thrown into internment camps simply because their parents were born in the wrong country. That's all they did wrong. They had no right to a lawyer, no right to a fair trial, no right to a jury of their peers, no right to due process of any kind. The only right they had was...right this way! Into the internment camps. Just when these American citizens needed their rights the most...their government took them away. and rights aren't rights if someone can take em away. They're priveledges. That's all we've ever had in this country is a bill of TEMPORARY priviledges; and if you read the news, even badly, you know the list get's shorter, and shorter, and shorter. Yeup, sooner or later the people in this country are going to realize the government doesn't give a fuck about them. the government doesn't care about you, or your children, or your rights, or your welfare or your safety. it simply doesn't give a fuck about you. It's interested in it's own power. That's the only thing...keeping it, and expanding wherever possible. Personally when it comes to rights, I think one of two things is true: either we have unlimited rights, or we have no rights at all.
George Carlin (It's Bad for Ya)
Your boyfriend smells bad, says Sarah as she sniffs the armpit of the giant sweatshirt. All boys smell bad I say and she nods her head like we have just figured out something very important.
Amy Reed (Beautiful)
This isn’t a book that I could have written ten years ago. And as much as I’d love to credit that to my growth as a writer, I know it’s not really that. Instead it’s because of all the people I’ve met and talked to as an author. And, just as important, it’s about all of the things I’ve been exposed to as a reader, particularly of YA fiction. I am so lucky to be a part of a community of writers that constantly inspires me to write whatever I want to write, no matter how hard it seems. My peers are my role models, and my role models are my peers. Which is extraordinary. Thanks
David Levithan (Two Boys Kissing)
En una primera cita buena, todo es primavera. Y cuando una de esas citas se convierte en una relación, la primavera continúa. Incluso cuando todo ya se ha acabado, puede seguir siendo primavera.
David Levithan (Two Boys Kissing)
Ya saw the Maw, boy. A hopeless place that holds the darkest spirits. But now it be consumin’ every soul, no matta their deeds in life. Good or evil, thief or prince, they all go to the Maw. Nothin’ is as it should be.
Madeleine Roux (Shadows Rising (World of Warcraft, #17))
I pretended to be a Cheyenne guide. I pretended to be a prairie woman. I pretended Henry was my old-timey husband taking me to our new homestead. I leaned down and patted Trouble’s neck. “Good boy,” I said. “Trusty steed.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
The demon is crouched in the corner, between the Cheetos and the onion dip. It’s a small one, only about four feet tall: a low-level creeper. I flick my gaze over the spot like I don’t see it and open the cooler door to get a Coke.
Rachel A. Marks (Darkness Brutal (The Dark Cycle #1))
Uh…I’ve seen you around here a couple of times,” he said again, staring at the book I held. “‘I had come face to face with some one whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself.’” I stared. “What?” His lopsided grin spread into a full one, and it felt like someone had socked me in the chest. “It’s a quote from Oscar Wilde’s Dorian Gray. It’s one of my favorite books.” Hot and smart. And apparently he was a real-life boy.
Jennifer L. Armentrout
I don't like writing romance in my books because that's the turning point of 90% of YA sci-fi/fantasy books and, quite frankly, it gets annoying after a while. The protagonist has more important things to worry about than boys and whether or not they like her.
Meghan Blistinsky
The voices got louder. “Here we come, Marsh Girl!” “Hey—ya in thar? Miss Missin’ Link!” “Show us yo’ teeth! Show us yo’ swamp grass!” Peals of laughter. She ducked lower behind the half wall of the porch as the footsteps moved closer. The flames flickered madly, then went out altogether as five boys, maybe thirteen or fourteen years old, ran across the yard. All talking stopped as they galloped full speed to the porch and tagged the door with their palms, making slapping sounds. Every smack a stab in the turkey hen’s heart.
Delia Owens (Where the Crawdads Sing)
Cuando alguien se ha ido durante mucho tiempo, primero guardas todas las cosas que quieres decirles. Intentas mantener un seguimiento de todo en tu cabeza. Pero es como si trataras de aferrarte a un puñado de arena, todos los pequeños trozos se deslizan de tus manos y entonces sólo estás reteniendo polvo y aire. Es por eso que no puedes guardarlo todo así. Porque para cuando se vean el uno al otro, sólo mantendrás las cosas grandes, ya que es demasiado molesto contar las pequeñas cosas. Pero esas pequeñas cosas son las que hacen la vida.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Cass snorted with laughter. “She’s a real beast with a bellyful of bedsprings. Wouldn’t wanna be the one to break her in,” he said in his thick Irish brogue. “Reminds me of that hot-blooded redhead in Omaha.” He nudged Sully with a salacious wink. “What was her name again?” Sully chuckled. “Molly.” “Oh yeah, Molly.” A broad grin of reminiscence showed on Cass’s face. “Was a real beauty, that one, wasn’t she? We should name this filly after her.” “We should,” Sully agreed, scratching the adolescent red fuzz on his chin. “Was she your horse, Cass?” Willie asked, giving the young Irishman a curious stare. “Hmm?” Not paying the boy much attention, Cass took a long drag on his cigarette. His slanted green eyes followed the mare’s nervous movements attentively. “Well, Molly?” Willie blinked with impatience. “Was she?” Cass gave him a baffled look, as if he didn’t understand the question. Then, a wide grin blazed across his angular face while smoke came drifting out of his mouth. “Yeah, she was,” he nodded, smirking, and exchanged a brief, meaningful look with Sully. “Had fire and was classy, too, like this one.” Sully hooted with laughter, and Cass joined in. “What happened to her?” Something was funny, but Willie didn’t grasp what it was. Cass took another puff, then smirked again. “Well, I kinda had to get rid of her, kid. A filly like that can take ya to an early grave, y’know. She wears ya out so utterly you’re barely able to walk afterwards.
Melanie Nova (The Avant-gardiste: Into the West)
I work my way through the rest of my dates, but I'm only there in body. The boys usually give up after the first hour; it's difficult to have a conversation all by yourself. My ratings plummet, but at least my air-time is minimal now, I'm not offering much in the way of entertainment these days.
Siobhan Davis (True Calling (True Calling, #1))
I couldn’t compete with Honesty, With her dark blonde hair streaked with auburn, With her captivating blue eyes, With her legs that stretched into forever. She had the brains, The body, The perfect resume for girlfriend. And me? I had the perfect resume for Best friend. All the boys said so.
Elana Johnson (Elevated)
Johnny, I know, but I have to go,” I whispered, flustered. “It’s family only.” “She’s my wife,” he announced then, blowing my mind clean open. “Jonathan Kavanagh,” his mother snapped. “Stop this right now! You’ll scare the girl.” “What are ya talking about?” Johnny slurred. “I’m not scaring her. I love her.
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
The French poet Mallarmé claimed that “everything in the world exists to end up in a book.” So if every boy is a book, Federico, well-mannered and melancholy, was some kind of modern Edward Scissorhands created by a graphic novelist; while Matteo was pure passion like Romeo: intense, idealistic and imperfectly real.
Mirella Muffarotto (Soccer Sweetheart: Don't kiss Juliet goodbye)
Before I could flinch, he planted his warm lips against mine, wrapping his arms around my waist. I didn't know what to do with my hands. I thought about putting them in his hair, stopping inches away from his head. I thought about putting them around his neck, but I stopped myself midflight. So there I was, being kissed by a boy I was falling hopelessly in love with and making a complete fool of myself, because I looked like I was flagging someone down with my hands." Concealed
Sang Kromah (Concealed (Concealed, #1))
Estaba harto de hacer preguntas sobre cómo había acabado en aquella situación, de buscar otras respuestas, otras realidades, otras familias o cuerpos en los que podría haber nacido. Cada vez que me daba cuenta de que no había otras alternativas, me sentía peor por haber preguntado. Ahora ya estaba listo para aceptar las cosas tal y como eran.
Garrard Conley (Boy Erased: A Memoir of Identity, Faith, and Family)
Rape culture is the culture of silence. It’s the culture of girls thinking a boy’s desires trumps their own. It’s the culture of girls thinking they’re choiceless, of girls thinking their bodies are the most valuable parts of themselves and their worth is determined by how much they are wanted. It’s slut shaming and victim blaming. It’s parents not talking openly with their children about consent. It’s parents not talking to girls about their entitlement to pleasure. It’s parents not talking to their children about sex at all.
Amy Reed (Our Stories, Our Voices: 21 YA Authors Get Real About Injustice, Empowerment, and Growing Up Female in America)
Everyone says boys will be boys, but girls? Girls will be monsters.
Laurie Elizabeth Flynn (All Eyes on Her)
The corners of my mouth twitched. Wait. Did this boy just make me smile in the middle of the apocalypse?
Candice Jarrett (Mortal Tether)
I fucking dare ya,” I snarled, as I continued to smack the shit out of his buddy.
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
You know he’s a disaster, don’t ya?” Teddy slurred, nursing the glass I set down in front of him. “Can’t help himself. It’s in his blood.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
Your best kicks ass and takes names,” Jack says, and he punches my shoulder again.
Allen Zadoff (Boy Nobody (The Unknown Assassin, #1))
You want to come back to the bank vault?” Jack says. The bank vault. That’s what Jack calls his house.
Allen Zadoff (Boy Nobody (The Unknown Assassin, #1))
They should install elevators in this place. What if they turned a handicapped person into a vampire? Talk about your discrimination lawsuit waiting to happen.
Mari Mancusi (Boys That Bite (Blood Coven Vampire, #1))
I think it's time you got a summer love of your own until lover boy sees he need to ditch Gina.
Dana Burkey (Just Pretending (Hearts to Follow #1))
Whatever hypnotizing charms I may have over boys, did not in fact work on three hundred pound girl elves. Not that I would ever try it again.
Cyndi Goodgame (Daughter of Anat (Marked Like Me, #4))
Great. Darcy is the ruler of our school. Prety soon, Julius is going to be like Singapore - you'll get a $500 fine for chewing gum or making out in the hallways.
Flynn Meaney (The Boy Recession)
We were the new people here. We weren’t part of their group. We had to prove ourselves.
Heather Brewer (The Cemetery Boys)
Are you going to senior prom with Jax?" she asks. Ajax chokes on his chicken. I thump him on the back as he goes beet red.
Josephine Angelini (Scions (Starcrossed, #4))
sometimes you just have to dance like a madman in the Self-Help section of your local bookstore
David Levithan (Boy Meets Boy: A YA story of friendship and love)
Migraines Are Only in Your Mind.
David Levithan (Boy Meets Boy: A YA story of friendship and love)
I chose to stay awake, this time lulled by the sounds of a very special mixtape made for me by a very special boy who just might have my heart.
E.S. Rosalynn (MIXTAPE: Volume One (MIXTAPE, #1))
Sharing your dreams with folks from the hood was always risky because most people don’t believe in the same possibilities I do.
Nick Brooks (Promise Boys: the trailblazing YA mystery thriller)
Lying on my bed, my brain cyclones with thoughts of men and boys and boys and men. All making the wrong choices.
S.M. Parker (The Girl Who Fell)
But what she feels is sometimes hard to express...Much of what is best in her is warped on the voyage from within to without.
Sonya Hartnett (Of a Boy)
I retreat to my room and lock the door. Lying on my bed, my brain cyclones with thoughts of men and boys and boys and men. All making the wrong choices.
S.M. Parker
I lost my temper," I finish. "I lost my temper. I'm sorry. I didn't mean to." "Well, no one means to lose their temper, my boy," the Captain smiles. "If they did, it wouldn't be lost.
Rebecca Harris (The Dead of Winter (The Guardian Chronicles #3))
Peppermint Whiskey? Hell, reindeer, keep up this niceness and I may have to take ya back home with us.” I lean close to him and whisper loudly, “You've already got a reindeer. You couldn't handle two of us.” He pours himself a shot before responding. “Ha! You obviously didn't know my rep in the North Pole before Randy or you'd never make such a ludicrous statement.
Candi Kay (Dylan the Bad Boy Reindeer & His Virtuous Mate (Willy the Kinky Elf & His Bad-Ass Reindeer, #5))
Dove Valley. That’s where Broncos headquarters are. Boy, Denver is Broncos crazy, I tell ya. I’m not a Broncos fan myself. No offense. Everyone takes football so seriously around here.
Nate Jackson (Slow Getting Up: A Story of NFL Survival from the Bottom of the Pile)
Putting her mind to it, Love would become familiar with his body. She would know him from top to bottom, from beginning to end. Touching this boy would be the death, and life, of her.
Natalia Jaster (Touch)
Go on from here, Ada, please. (She). Billions of boys. Take one fairly decent decade. A billion of Bills, good, gifted, tender and passionate, not only spiritually but physically well-meaning Billions, have bared the jillions of their no less tender and brilliant Jills during that decade, at stations and under conditions that have to be controlled and specified by the worker, lest the entire report be choked up by the weeds of statistics and waist-high generalizations. No point would there be, if we left out, for example, the little matter of prodigious individual awareness and young genius, which makes, in some cases, of this or that particular gasp an unprecedented and unrepeatable event in the continuum of life or at least a thematic anthemia of such events in a work of art, or a denouncer’s article. The details that shine through or shade through: the local leaf through the hyaline skin, the green sun in the brown humid eye, tout ceci, vsyo eto, in tit and toto, must be taken into account, now prepare to take over (no, Ada, go on, ya zaslushalsya: I’m all enchantment and ears), if we wish to convey the fact, the fact, the fact—that among those billions of brilliant couples in one cross section of what you will allow me to call spacetime (for the convenience of reasoning), one couple is a unique super-imperial couple, sverhimperator-skaya cheta, in consequence of which (to be inquired into, to be painted, to be denounced, to be put to music, or to the question and death, if the decade has a scorpion tail after all), the particularities of their love-making influence in a special unique way two long lives and a few readers, those pensive reeds, and their pens and mental paintbrushes. Natural history indeed! Unnatural history—because that precision of senses and sense must seem unpleasantly peculiar to peasants, and because the detail is all: The song of a Tuscan Firecrest or a Sitka Kinglet in a cemetery cypress; a minty whiff of Summer Savory or Yerba Buena on a coastal slope; the dancing flitter of a Holly Blue or an Echo Azure—combined with other birds, flowers and butterflies: that has to be heard, smelled and seen through the transparency of death and ardent beauty. And the most difficult: beauty itself as perceived through the there and then. The males of the firefly (now it’s really your turn, Van).
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle (Vintage International))
Life lesson 3, If someone of the same gender says something like, "Silly Willy", or "ohhohyou stop that big boy/little lady", all you need to do is BOOK IT MAN, RUN AS FAST AS YO FACE'LL TAKE YA!
John Hankins
No one survives beyond the fence. At least that's what my father always told me when I was a child. But I'm not a little girl anymore, and I no longer believe in the words of my father. He told me the Lattimers were cruel and deserved to die. He told me my only choice was to kill the boy I loved. He has been wrong about so many things. And I'm determined that he's going to be wrong about my survival as well.
Amy Engel (The Revolution of Ivy (The Book of Ivy, #2))
Puck laughed, shaking his head at the prince's expression. "Looks like you just got scolded by a gremlin, Your Magesty," he chuckled and crossed his arms. "Ah, can't say I'm not gonna miss you two. We had some fun times, right, princeling? Sadest past is, I won't ever hear ice-boy complain that I'm corrupting you again. But, I guess all good things mus come to an end." He sighe'd, gave Kierran a friendly arm punch and raised his hand. "See ya'round kid. Try not to let those Slim Shadys suck out all your fun. Ethan Chase?" Puck winked at me. "I'm sure I'll see you again, whether you like it or not." "Yeah," I deadpanned. "So looking forward to it." Puck laughed again. "Don't you forget it. Until the next adventure kiddos." Sticking his hands into his pockets, the Great Prankster sauntered off, whistling until he reached the edge of the trees and vanished into the shadows.
Julie Kagawa (The Iron Warrior (The Iron Fey: Call of the Forgotten, #3))
Çünkü vasat bir insanın talihinin ya da talihsizliğinin bir parçası da, kendi kendisiyle boy ölçüşme gibi bir zorunluluğu kendiliğinden hissetmemesi, kendini sorgulamaya merak duymamasıdır; bu soruyu ona soruncaya kadar: Böyle biri, elindeki olanakları kullanmadan uyumaya bırakır, aslında var olan yeteneklerini köreltir; sahip olduğu güçler, kullanılmayan kaslar gibi zayıflar; gerçek bir savunma zorunluluğu karşılığında gerilinceye kadar.
Stefan Zweig (Marie Antoinette: The Portrait of an Average Woman)
There was some violence a year ago. An important kid got shot during an attempted kidnapping while on spring break in Mexico. The Fortune 500 went security crazy. Now rich kids like Jack need a commando team to take a dump.
Allen Zadoff (Boy Nobody (The Unknown Assassin, #1))
George Bailey: Mary Hatch, why in the world did you ever marry a guy like me? Mary: To keep from being an old maid! George Bailey: You could have married Sam Wainright, or anybody else in town... Mary: I didn't want to marry anybody else in town. I want my baby to look like you. George Bailey: You didn't even have a honeymoon. I promised you... [stops] George Bailey: Your what? Mary: My baby! George Bailey: [stuttering] Your, your, your, ba- Mary, you on the nest? Mary: George Baily Lassos Stork! George Bailey: [still stuttering] Lassos a stork? [Mary nods] George Bailey: What're'ya... You mean you're... What is it, a boy or a girl? Mary: [nods enthusiastically] Mmmm-hmmm!
It's a Wonderful Life
O-kay. Kind of freaky. I’m now standing in an actual tomb, in pitch darkness, with only a vampire to keep me company. Last week if you’d sworn on a stack of Bibles that I’d be okay with all of this, I wouldn’t have believed you.
Mari Mancusi (Boys That Bite (Blood Coven Vampire, #1))
The mouse began to shift and Kammy marvelled at the sight. Soon a second boy stood before her. She hardly noticed Eric appear beside him. He was dressed much like Eric, though his shirt hung looser on his slimmer frame. His hair was a fluffy, chocolate mess. He was taller than Eric and he glared between them both before his eyes came to rest fully on Kammy. The first thing she noticed was the purple bruise on his cheek. The second was how bright his blue eyes were.
Natalie Crown (The Wolf's Cry (The Semei Trilogy, #1))
We kissed and pressed up against each other, and I said to her “Ya know, my first kiss I ever had with anyone, it was with a boy, in the back of a school bus at night.” Lotty stopped kissing me for a second. “That’s disgusting,” she said. “What? It’s not like we had much choice in where we did it. Kinda had to sneak around in those days. Get it in when and where we could.” “No, I mean the fact that your first kiss was with a boy.” “What’s wrong with that?” “Boys are gross.
Dave Matthes (The Sounds From the Hills Go Away When the Sun Goes Down)
When Dad was a kid, he wanted to be a lumberjack, but unfortunately he'd been cursed with the build of an accountant and the brain of an astrophysicist. These qualities had combined to make him the third-most-visited orthodontist in northern New Jersey.
Kieran Scott (Jingle Boy)
Hate to be the one to break this to you, nature boy, but hardly anything is real," I laugh. "Gender, the idea that there are two shores directly across from each other. The lake has a ton of hidden shores, but you don't know that if you're stuck standing on the land.
Ryan La Sala (The Honeys)
See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
What's yer name?" he demanded. The girl searched for a name. "Stella," she said at last, because she had the stars at her fingertips and she had been studying maps of the sky and she was someone else now, not the girl she had been in Ballarat where her grandfather had pointed out the planets and named them, and not the girl she had been in Melbourne, and she certainly didn't want to be the girl she was at her Brisbane school. She was reinventing herself. "No it's not," the boy said. "You're new. Where're ya from?" "I'm Stella," she said stubbornly. "I'm from the moon. You wanna look?
Janette Turner Hospital (North of Nowhere, South of Loss)
He looks intimidating to some people, so that means they automatically cast him as the villain in that bad movie I was talking about. And me? People see me—Black, pretty, smart—and they cast me as someone whose feelings don’t matter. Like I’m made of steel and they can do whatever they want to me.
Nick Brooks (Promise Boys: the trailblazing YA mystery thriller)
Well, there is one boy- a boy that I've thought about forever. The sad part about it is that he lives in a world that only exists when the sun has expired and the moon stands alone in the sky- my dreams. Very sad to say it, but he'd the only boy I've ever taken the chance to think about." Concealed
Sang Kromah (Concealed (Concealed, #1))
—Shmuel —dijo, corriendo hacia él y sentándose. Casi lloraba de alivio y de arrepentimiento.—Lo siento mucho,Shmuel. No sé porqué lo hice. Di que me perdonas. —No pasa nada.—dijo Shmuel, mirándolo. Tenía la cara cubierta de cardenales. Bruno se estremeció y por un momento olvidó sus disculpas. —¿Qué te ha pasado? —preguntó, pero no esperó a que Shmuel contestara.—¿Te has caído de la bicicleta? A mí me pasó una vez en Berlín, hace un par de años. Me caí porque iba demasiado rápido y estuve lleno de cardenales varias semanas. ¿Te duele? —Ya no lo noto —dijo Shmuel. —Debe de dolerte. —Ya no noto nada.
John Boyne (The Boy in the Striped Pajamas)
Las leyendas sobre Anansi han existido desde que las gentes empezaron a contarse cuentos unas a otras. En África, donde todo comenzó, mucho antes incluso de que los hombres pintaran leones y osos en las paredes de las cavernas, la gente ya contaba historias de monos y de leones y de búfalos: grandes historias soñadas. Siempre tuvieron esa inclinación. Era su manera de darle un sentido al mundo en el que vivían. Todo aquello que corría, volaba, reptaba, nadaba o se transformaba, desfilaba por aquellas historias, y las diversas tribus humanas veneraban a diferentes criaturas. Ya entonces, el León era el rey de los animales, y la Gacela el más veloz, y el Mono el más excéntrico, y el Tigre el más terrible, pero no era de ellos de los que la gente quería oír historias. Anansi puso su nombre en los cuentos. Todos los cuentos eran cuentos de Anansi. En cierta ocasión, antes de que Anansi fuera el dueño de todos los cuentos, éstos pertenecían al Tigre (que es como los habitantes de las islas llaman a todos los grandes felinos), y eran tenebrosos y malvados, llenos de dolor, y ninguno de ellos tenía un final feliz. Pero aquello fue hace mucho tiempo. En la actualidad, todos los cuentos son de Anansi.
Neil Gaiman (Anansi Boys)
I was nineteen and arrogant... At nineteen, it seems to me, one has a right to be arrogant; time has usually not begun its stealthy and rotten subtractions... Nineteen is the age where you say "Look out, world, I'm smokin' TNT and I'm drinkin' dynamite, so if you know what's good for ya, get out of my way..." I had a typewriter that I carried from one shithole apartment to the next, always with a deck of smokes in my pocket and a smile on my face. The compromises of middle age were distant, the insults of old age over the horizon... Then, around the age of thirty-nine, my troubles set in: drink, drugs, a road accident that changed the way I walked (among other things)... The world eventually sends out a mean-ass Patrol Boy to slow your progress and show you who's boss. You reading this have undoubtedly met yours (or will); I met mine, and I'm sure he'll be back. He's got my address. He's a mean guy, a Bad Lieutenant, the sworn enemy of goofery, fuckery, pride, ambition, loud music, and all things nineteen.
Stephen King (The Gunslinger (The Dark Tower, #1))
It was the first time I discovered that some girls actually sneak out of the house during slumber parties and meet up with boys. I would’ve never known if I hadn’t gone to the bathroom at midnight and caught Macy and Adrienne climbing through the bathroom window. They had on eyeliner, perfume, and cut-off shorts. Their only goodbye a glare that promised retribution if I didn’t keep my mouth shut.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
Here was what I wanted to happen when I walked through the door after my first real date and my first ever kiss. I wanted my mom to say, “Dear God, Meg, you’re glowing. Sit and tell me about this boy. He let you borrow his jacket? That’s so adorable.” Instead, I came off the high of that day by writing a letter to my dead brother and doing yoga between my twin beds, trying to forget my absent mother.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
Between Thanksgiving and Christmas, I never leave the house without [my Santa hat]. In fact, I pretty much never leave my room without it. I honestly don't know how this habit started and believe me, I'd break myself of it if I could, but I'm a little bit OCD about the Santa hat. Whenever I try to put it away, I get this horrible, overwhelming feeling that somehow Christmas will be destroyed if I do.
Kieran Scott (Jingle Boy)
That’s when I realized it. I liked this girl. A lot. I liked her super-moist double chocolate chip cupcakes. I liked how kind and patient she was with the guests, the way her forehead crinkled when she was thinking about a problem. I liked her low, soft voice and that long ribbon of platinum-blond hair. I liked the way she looked at the world, as if it were an okay place, where good things were actually possible. 
Anne Pfeffer (Girls Love Travis Walker)
Church is important to most folks in the South. So the most important thing going is basically ruled by men as decreed by the Big Man himself. Not only that, but the church puts pressures on women that it does not put on men. Young women are expected to be chaste, moral, and pure, whereas young men are given way more leeway, ’cause, ya know, boys will be boys. Girls are expected to marry young and have kids, be a helpmate to their husbands (who are basically like having another child), and, of course, raise perfect little Christian babies to make this world a better place. So while it’s the preacher man who controls the church, it’s the women—those helpmates—who keep that shit going. They keep the pews tidy and wash the windows; type up the bulletins; volunteer for Sunday school, the nursery, youth group, and Vacation Bible School; fry the chicken for the postchurch dinners; organize the monthly potluck dinners, the spaghetti supper to raise money for a new roof, and the church fund drive; plant flowers in the front of the church, make food for sick parishioners, serve food after funerals, put together the Christmas pageant, get Easter lilies for Easter, wash the choir robes, organize the church trip, bake cookies for the bake sale to fund the church trip, pray unceasingly for their husband and their pastor and their kids and never complain, and then make sure their skirts are ironed for Sunday mornin’ service. All this while in most churches not being allowed to speak with any authority on the direction or doctrine of the church. No, no, ladies, the heavy lifting—thinkin’ up shit to say, standing up at the lectern telling people what to do, counting the money—that ain’t for yuns. So sorry.
Trae Crowder (The Liberal Redneck Manifesto: Draggin' Dixie Outta the Dark)
I’d never seen him bare-chested. For the first time, he seemed vulnerable to me. His smooth, tight skin wrapped around the long muscles he’d developed over a lifetime of hard work. He found a shallow spot and sat, settling me onto his lap, holding my back to his chest. I couldn’t stop shaking and it had nothing to do with the water or with being half dressed in a cave with a boy. “Nothing else matters,” Henry said in my ear. “I’m here. Start at the beginning.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
Together. The fact that one single word could send my heart aflutter was utterly ridiculous. I didn’t fall for boys I hardly knew. At least, I hadn’t until I met Glate. The night in the shack, things changed between us. The walls I’d built up once the Sectors were formed? Glate had torn them down, and I knew that Lex could see that by the daggers he kept shooting our way. Was I in love with Glate? No, though I was sure Lex thought otherwise. Glate was the stability I sought in a world of discord; being with him made things easier to handle. I wasn’t weak, but even I had my breaking point, and when I was ready to break, he was there to pick up all of the pieces. He was there, something I could never say for Lex. “Thank you,” I said after a few moments of silence. “For everything.” “Everyone needs a shoulder to lean on,” he said. “I’m more than willing to be that shoulder for you, Taylen. I’m willing to be whatever you need me to be. Just know that.
Nicole Sobon (Submerged (Outbreak, #1))
The trouble with you," Parvathi said with a wisdom beyond her years, "Is that you don't know who you want to be. Girl or boy. Chinese or Malay." "Ya-lah you!" Fatima said. "No wonder the kids in your school call you OCBC." There was a bank in Singapore called the Overseas Chinese Banking Corporation, or OCBC in short. So some cruel kid in school played on the initials of the bank to make fun of Peranakans. They jeered, "Orang Cina Bukan Cina." The words translated as Chinese person, not Chinese.
Josephine Chia (Kampong Spirit - Gotong Royong: Life in Potong Pasir, 1955 to 1965)
As a fantasist, I well understand the power of escapism, particularly as relates to romance. But when so many stories aimed at the same audience all trumpet the same message – And Lo! There shall be Two Hot Boys, one of them your Heart’s Intended, the other a vain Pretender who is also hot and with whom you shall have guilty makeouts before settling down with your One True Love – I am inclined to stop viewing the situation as benign and start wondering why, for instance, the heroines in these stories are only ever given a powerful, magical destiny of great importance to the entire world so long as fulfilling it requires male protection, guidance and companionship, and which comes to an end just as soon as they settle their inevitable differences with said swain and start kissing. I mean to invoke is something of the danger of mob rule, only applied to narrative and culture. Viz: that the comparative harmlessness of individuals does not prevent them from causing harm en masse. Take any one story with the structure mentioned above, and by itself, there’s no problem. But past a certain point, the numbers begin to tell – and that poses a tricky question. In the case of actual mobs, you’ll frequently find a ringleader, or at least a core set of agitators: belligerent louts who stir up feeling well beyond their ability to contain it. In the case of novels, however, things aren’t so clear cut. Authors tell the stories they want to tell, and even if a number of them choose to write a certain kind of narrative either in isolation or inspired by their fellows, holding any one of them accountable for the total outcome would be like trying to blame an avalanche on a single snowflake. Certainly, we may point at those with the greatest (arguable) influence or expostulate about creative domino effects, but as with the drop that breaks the levee, it is impossible to try and isolate the point at which a cluster of stories became a culture of stories – or, for that matter, to hold one particular narrative accountable for the whole.
Foz Meadows
In fourth grade, I had a talk with the school psychologist about all the things that actively terrified me . . . After our session, he handed my mom a list of all my fears . . . Highest (and most memorable) on the list was the specific fear that I'd accidentally churn myself into butter. This was inspired by a creepy antique children's book called Little Black Sambo, which is one of those stories from the simpler, more racist times of yore when people wrote frightening, insulting tales to help children fall asleep at night. It was highly popular back in the day and has since been rightly banned or taken out of circulation. But my mom had a copy lying around. It's about a boy who goes on an adventure and ends up getting chased by tigers, who circle and circle around a tree so fast that they churn themselves into a pool of butter, which the boy then takes home for his mother to use to make pancakes. Like ya do. Anyway, I was always riddled with fear that I'd somehow be transformed into melted butter, which now doesn't really sound like that much of a bummer. It sounds more like how I'd like to spend my last twenty-four hours on this earth.
Amy Schumer (The Girl with the Lower Back Tattoo)
Había una vez, una chica que hablaba con la luna. Y ella era misteriosa y perfecta, de la forma en que lo son las chicas que hablan con la luna. En la casa de al lado, vivía un chico. Y el chico observaba a la chica volverse más y más perfecta, y más y más hermosa con cada año que pasaba. Él la veía observar la luna. Y comenzó a preguntarse si la luna le ayudaría a desentrañar el misterio de la hermosa chica. Así que el chico miró hacia el cielo. Pero no podía concentrarse en la luna. Estaba demasiado distraído por las estrellas. Y no importaba cuántas canciones o poemas hubiera escrito ya sobre ellas, cada vez que él pensaba en la chica, las estrellas resplandecían más brillantes. Como si fuera ella quien las mantenía iluminadas. Un día, el chico tuvo que mudarse. No podía llevarse a la chica con él, así que se llevó las estrellas. Cada vez que miraba por la ventana en la noche, comenzaría con una. Una estrella. Y el chico le pediría un deseo, y el deseo sería su nombre. Ante el sonido de su nombre, una segunda estrella aparecería. Y entonces él desearía su nombre otra vez, y las estrellas se duplicarían en cuatro. Y cuatro se convertirían en ocho, y las ocho en dieciséis, y así sucesivamente, en la mayor ecuación matemática que el universo jamás había visto. Y para el momento en que una hora había transcurrido, el cielo estaría iluminado de tantas estrellas que despertaría a sus vecinos. La gente se preguntaba quién había encendido los focos. El chico lo hizo. Al pensar en la chica.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
Syn pulled his boxers on and quietly left the bedroom, walking angrily to the kitchen. He turned the corner and wanted to throw a shit-fit at the sight before him. Day was standing at his stove loading some type of egg dish onto a plate before turning and setting it in front of God. God folded down one side of his newspaper, peering at Syn from behind it. “Well good morning, sunshine,” Day said way too cheerily for five-fucking-a.m. “We brought breakfast.” Syn clenched his jaw, trying not to yell at his superior officers. “Have you two lost your fuckin’ minds? Come on. It’s, it’s ... early.” Syn turned his wrist, forgetting he didn’t have his watch on yet. “Damn, you guys are always at the office, or at a crime scene, or over fucking here at god-awful hours.” “Oh, it’s early?” Day said disbelievingly. God shrugged like he hadn’t realized either. “Seriously. When the fuck do you guys sleep?” “Never,” God said nonchalantly. “When do you fuck?” Syn snapped. “Always,” Day quipped. “Just did thirty minutes ago. Nice couch by the way, real comfy, sorry for the stain.” Syn tiredly flipped Day off. “Don’t be pissed,” Day sing-songed. “A dab of Shout will get that right out.” Syn rubbed angrily at his tired eyes, growling, “Day.” “He’s not in a joking mood, sweetheart,” God said from behind his paper. “You know we didn’t fuck on your couch so calm the hell down. Damn you’re moody in the morning. Unless ... We weren’t interrupting anything, were we? So, how’s porn boy?” God’s gruff voice filled the kitchen, making Syn cringe. “First of all. Don’t fucking call him that, ever, and damnit God. Lower your voice. Shit. He’s still asleep,” Syn berated his Lieutenant, who didn’t look the slightest bit fazed by Syn’s irritation. “You guys could let him sleep, he’s had a rough night, ya know.” Day leaned his chest against God’s large back, draping his arms over his shoulders. “Oh damn, what kind of friends are we? It was rough, huh?” Day looked apologetic. “Yes, it was, Day. He just–” “Try water-based lube next time,” Day interrupted, causing God to choke on his eggs. “Day, fuck.” Syn tried not to grin, but when he thought about it, it really was funny. “I knew I’d get you to smile. Have some breakfast Sarge, we gotta go question the crazy chicks. You know how much people feel like sharing when they’ve spent a night in jail.” “Damn. Alright, just let me–” “Wow. Something smells great.” Furi’s deep voice reached them from down the hall as he made his way to the kitchen. “You cook babe? Who knew? I’ll have the Gladiator portion.” Furi used his best Roman accent as he sauntered into the kitchen with his hands on hips and his head high. Syn turned just as Furi noticed God and Day. “Oh, fuck, shit, Jesus Christ!” Furi stumbled, his eyes darting wildly between all of them. “Damn, I’m so sorry.” Furi looked at Syn trying to gauge exactly how much he’d fucked up just now. Syn smiled at him and Furi immediately lost the horrified expression. Syn held his hand out and mouthed to him 'it's okay.
A.E. Via
Yeah, Jules!" Chelsea said in a voice thick with envy. "Go away, you're making the rest of us look bad." She winked at Jule's date wickedly. "I bet you just want to eat her up, don't ya?" He stared at Chelsea with bewilderment and glanced back at Jules for help. "Just ignore her," Jules explained over the noise from the sound system. "She doesn't get out much." Chelsea tried to look hurt by Jule's words, but she couldn't quite pull it off. "I'm just sayin', Jules, he'd better watch his back tonight, or I might be trying to take you away from him." Chelsea loved to play the potentially bi-curious card, even though everyone knew she liked boys far too much to go to bat for the other team. "Gross!" cried Claire, who wasn't pretending at all. Claire hated it when the conversation deviated too far off her straight and narrow path. The operative word being straight. "Don't worry, Claire-bear," Chelsea soothed condescendingly. "I'm not going to hook up with Jules." She wrapped her arm around Claire's waist and then said suggestively in he ear, "I'm much more likely to make a move on you." "Eww!" Claire shrieked, shoving Chelsea away. "Get away from me!" "Leave her alone, Chels," Jules interrupted. "Or you're gonna make her start her 'It's Adam and Eve not Adam and Steve' speech. And sorry, Claire, but none of us really want to hear that." Jay pulled Violet close to him as they listened to the familiar, playful bantering. He slid his arm around her waist from behind, and let his lips gently tease her earlobe while no one was paying attention to the two of them. Violet wanted to turn around right there, in his arms, and forget this whole dance thing altogether. "Hey!" Chelsea's voice interrupted them, and Violet jumped a little, realizing that everyone was staring at them. "Did you hear me?" Violet leaned forward on her crutches and away from Jay, still feeling bemused by the close and intimate contact. "What?" she asked, trying to focus on what had been said. "I said, 'I gotta pee.' Let's go to the bathroom," Chelsea repeated as if Violet were some sort of imbecile, incapable of understanding normal human speech. "Keep it up, Chels, and none of us is gonna want to hook up with you tonight," Violet promised jokingly. Chelsea grinned at Violet. "I like the way you think, Violet Ambrose. Maybe you'll be the lucky girl I choose.' And then she turned to Jay. "Don't worry, I've got her from here," Chelsea announced. Jules and Claire followed. Violet laughed and glanced back at him. "I'll only be a few." Jay gave her a skeptical look that no one else would have even noticed, as he assessed the three girls who would be escorting Violet. And then he finally nodded. "Okay, I'm gonna show these guys my car." He was beaming again. "I'll be right outside, but I won't be long." Violet did her best to keep up with the trio ahead of her, but it was hard on one high heel and two crutches. Finally she yelled at them exasperatedly, "If you guys don't wait, I'm not going!" They all three stopped and turned around. Chelsea tapped her lovely silver shoe impatiently. "Hurry up, Violet, or I swear I'll take you off my list.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Belli ki birisi piramitleri akılda bulundurmamızı istemiş çünkü piramit sembolü düzenli olarak ellediğimiz ya da gözlemlediğimiz şeylerde dikkat çekici bir biçimde yer alıyor. Herhangi bir gün içinde piyasada iki milyardan fazla bir dolarlık banknot dolaşır. Yüzyılın büyük bir bölümünde Amerika Birleşik Devletleri'nde içilen sigaraların yarısı Camel idi, yani yılda aşağı yukarı otuz milyar. Piramitlerin modern çağın en popüler iki nesnesini süslemesinin rastlantısal bir seçim olma ihtimali zayıf. Birisi dolaların ve sigaraların geniş çapta dolaşımda olacağını biliyordu ve piramitlerin de onlarla birlikte gezmesini sağlamıştı. Orijinal yapılardan mesafe ve zaman nedeniyle ayrı düşen bir kültüre piramitlerin, eğer almasını öğrenirsen bize verecek değerli bir şeye sahip oldukları hatırlatılacaktı. .... Gerçek hükümetler gece geç saatlerde, İran halılarının en zengin örnekleriyle döşeli penceresiz odalarda yıllanmış konyaklar ve Havana puroları içerek toplantı yapıyorlardı. .... Yirminci yüzyılın son çeyreğinin anonim barbarları gibi- .... Hakikat tınısı seslerin en güzelidir; gerçi kimi kadınlar yatakta kesinlikle onunla boy ölçüşecek gürültüler çıkarır. .... Berberiler şuna inanırdı: Mezarda bellek bulunmadığına göre defin yığınından alınan toprak insanın üzüntülerini, bilhassa mutsuz aşkın yol açtığı kalp kırıklığını unutmasına yardımcı olabilirdi. .... Esasen kitle güdülerini düzenlemek, yönlendirmek ve tatmin etmek üzere tasarlanmış bu toplumda insanın birey olarak sahip olduğu sessiz bölgelere sunulacak ne var? Din? Sanat? Doğa? Hayır, kilise, dini standart bir halk gösterisine dönüştürmüştür, müze de aynısını sanat için yapmıştır. Grand Canyon ile Niagara Şelaleleri'ne o kadar çok bakılmıştır ki, bu yerler bitkin düşmüş çok fazla sayıda aptal göz tarafından emilerek içleri boşaltılmıştır. İnsanın birey olarak sahp olduğu sessiz bölgelere sunulacak ne var? Geceyarısı kağır tabaka soğuk tavuk kemiğine ne dersiniz, emriniz doğrultusunda uzayan ya da kısalan alev rengi ruja ne dersiniz, hiç tanımadığınız bir "kuş" tarafından terk edilmiş suni köpükten bir kuş yuvasına ne dersiniz, sağanak yağmurda arabayla evinize giderken birbirini boş yere izleyen bir çift sileceğe ne dersiniz, sinemada koltuğun altından ayakkabınıza değen bir şeye ne dersiniz, körelmiş kurşunkalemlere, şirin çatallara, tombul küçük radyolara, kutular dolusu kravata ve küvet başında duran banyo köpüklerine ne dersiniz? Evet otistik görüş ile deneysel dünya arasındaki bağı kuran, bu şeylerdir, bu uçurtma ipleridir, zeytinyağı şişeleridir ve meyveli şeker ezmeleriyle dolu Sevgililer Günü kalpleridir. Bu şeyleri hakiki gizemli ışıklarında göstermektir Ay'ın amacı. .... İnsan vücudundan büyük nesneler aleni olma niteliği taşır. Ay, bir şey ne kadar aleni olabilirse o kadar alenidir. Fakat Ay, mahremiyet duygusu uyandırmakta nadiren başarısızlığa uğrar. .... Aramak, akılsız, nevrotik, deliye dönmüş bir halde ya da korkakça yapıldığında bir saklanma biçimi olabilir. .... -Sen de benim düşündüğümü mü düşünüyorsun? -Sanmam. Domates kelimesinin kökenini düşünüyordum. .... Haliyle çok yağmur yağıyordu. Meşhur Seattle yağmuru. Aşk, kalıcı olacaksa ayaklarının ıslanmasına hazırlıklı olmalıydı. .... Mutlu bir çocukluğa sahip olmak için asla geç değil.
Tom Robbins (Still Life with Woodpecker)
There is always the risk: something is good and good and good and good, and then all at once it gets awkward. All at once, she sees you looking at her, and then she doesn't want to joke around with you anymore, because she doesn't want to seem flirty, because she doesn't want you to think she likes you. It's such a disaster, whenever, in the course of human relationships, someone begins to chisel away at the wall of separation between friendship and kissing. Breaking down that wall is the kind of story that might have a happy middle - oh, look, we broke down this wall, I'm going to look at you like a girl and you're going to look at me like a boy and we're going to play a fun game called Can I Put My Hand There What About There What About There. And sometimes that happy middle looks so great that you can convince yourself that it's not the middle but will last forever.
John Green (Let It Snow)
Puck laughed, shaking his head at the prince's expression. "Looks like you just got scolded by a gremlin, Your Magesty," he chuckled and crossed his arms. "Ah, can't say I'm not gonna miss you two. We had some fun times, right, princeling? Sadest past is, I won't ever hear ice-boy complain that I'm corrupting you again. But, I guess all good things must come to an end." He sighed, gave Kierran a friendly arm punch and raised his hand. "See ya'round kid. Try not to let those Slim Shadys suck out all your fun. Ethan Chase?" Puck winked at me. "I'm sure I'll see you again, whether you like it or not." "Yeah," I deadpanned. "So looking forward to it." Puck laughed again. "Don't you forget it. Until the next adventure, kiddos." Sticking his hands into his pockets, the Great Prankster sauntered off, whistling until he reached the edge of the trees and vanished into the shadows.
Julie Kagawa (The Iron Warrior (The Iron Fey: Call of the Forgotten, #3))
Puck laughed, shaking his head at the prince's expression. "Looks like you just got scolded by a gremlin, Your Magesty," he chuckled and crossed his arms. "Ah, can't say I'm not gonna miss you two. We had some fun times, right, princeling? Sadest part is, I won't ever hear ice-boy complain that I'm corrupting you again. But, I guess all good things must come to an end." He sighed, gave Kierran a friendly arm punch and raised his hand. "See ya'round kid. Try not to let those Slim Shadys suck out all your fun. Ethan Chase?" Puck winked at me. "I'm sure I'll see you again, whether you like it or not." "Yeah," I deadpanned. "So looking forward to it." Puck laughed again. "Don't you forget it. Until the next adventure, kiddos." Sticking his hands into his pockets, the Great Prankster sauntered off, whistling until he reached the edge of the trees and vanished into the shadows.
Julie Kagawa (The Iron Warrior (The Iron Fey: Call of the Forgotten, #3))
What the hell do you want, Bettinger?” I asked, already bored of him. “I wanted to let you know I haven’t forgotten about what you did.” “What I did?” I kept my voice even, almost conversational. I lifted my eyebrows. “And what was that?” He stepped closer, a snarl marring his pretty-boy features. “Payback’s a bitch,” he said low. “Is that a threat?” All the muscles in my body tightened. My eyes narrowed on his face. Braeden appeared beside me, planting his feet into the floor and mirroring my position. His arms folded across his chest as he glared at Zach. But he spoke to me. “What’s going on, Rome? Trouble in the neighborhood?” “Nothing I can’t handle.” I stared directly into Zach’s eyes when I replied. “I don’t make threats,” Zach replied, looking back at me. “I make promises.” I couldn’t help it. I grinned. “What the fuck is this?” I asked. “Some cheesy after school movie?” A couple snickers floated through the store around us, and Zach stiffened. “Get the hell out of here, man,” Braeden said. “Before you embarrass yourself more.” After another long, charged stare from Zach, he turned. “See ya later, Rimmel,” Zach called, making the muscles between my shoulder blades squeeze together. Braeden put a hand in the center of my chest like he knew I was seconds away from grabbing that bastard by the scruff of his neck and face-planting him into the closest hard surface. “Forget him,” Braeden said low. I grunted and turned back to Rimmel. She gave me and then Braeden a withering look. “What the hell was that all about?” Braeden whistled under his breath. “Tutor girl gets pissy.” Rimmel narrowed her eyes. Braeden spoke quickly. “Gotta jet. Hot girl is holding my place in line.” He slapped me on the shoulder and left. “Coward,” I muttered after him, and he laughed.
Cambria Hebert (#Hater (Hashtag, #2))
<> Más o menos. O sea, entiendo por qué Lois Lane se matriculó en la facultad de periodismo. Conozco a esa clase de chicas. Quieren cambiar las cosas, sacar conspiraciones a la luz. Es entrometida. Pero Clark Kent... ¿Por qué no elige ser Clark Kent, ese hombre del tiempo tan sexy? ¿O Clark Kent, alcalde de Cincinnati? <> ¿No te enteras o qué? Clark Kent no quiere ser famoso. No quiere que la gente se fije en él. Si lo miraran con atención, se darían cuenta de que es idéntico a Superman, pero con gafas. Además, tiene que estar en la redacción de un periódico o algo parecido para ser el primero en enterarse de las noticias. Imagínate que leyera «Joker ataca la Luna» en el diario del día siguiente. <> Tienes toda la razón. Sobre todo para ser alguien que no sabe que Superman nunca se ha enfrentado al Joker. <> Sobre todo para ser alguien que pasa mucho. Espero que te equivoques cuando dices que la vida es un asco solo por llevar gafas y no ser capaz de volar. Esa descripción se aplica a todos los que estamos en esta sala. ¿En qué estás trabajando? <> Todos llevamos gafas. Qué inquietante. En otro artículo del Indian Hills. Más que trabajar, estoy esperando a que suene el teléfono. Por lo que parece, el hospital contiguo al cine ya ha comprado el terreno. Hace meses. Lo van a convertir en un aparcamiento. Estoy esperando a que la portavoz del hospital me llame y me diga: «No hay comentarios». Entonces escribiré: «Los directivos del hospital declinan hacer comentarios en relación a la venta». Y me iré a casa. ¿Sabes lo aburrido que es esperar a que alguien te llame para, oficialmente, no decirte nada? No creo que Superman lo soportase. Estaría por ahí, buscando boy scouts perdidos y tapando volcanes con rocas gigantescas. <> Superman trabaja en un diario para ligarse a Lois Lane. <> Seguro que gana el doble que ella.
Rainbow Rowell (Attachments)
I was nineteen and arrogant... At nineteen, it seems to me, one has a right to be arrogant; time has usually not begun its stealthy and rotten subtractions... Nineteen is the age where you say "Look out, world, I'm smokin' TNT and I'm drinkin' dynamite, so if you know what's good for ya, get out of my way..." Nineteen's a selfish age and finds one's cares tightly circumscribed. I had a lot of reach, and I cared about that. I had a lot of ambition, and I cared about that. I had a typewriter that I carried from one shithole apartment to the next, always with a deck of smokes in my pocket and a smile on my face. The compromises of middle age were distant, the insults of old age over the horizon... Then, around the age of thirty-nine, my troubles set in: drink, drugs, a road accident that changed the way I walked (among other things). I've written about them at length and need not write about them here. Besides, it's the same for you, right? The world eventually sends out a mean-ass Patrol Boy to slow your progress and show you who's boss. You reading this have undoubtedly met yours (or will); I met mine, and I'm sure he'll be back. He's got my address. He's a mean guy, a Bad Lieutenant, the sworn enemy of goofery, fuckery, pride, ambition, loud music, and all things nineteen.
Stephen King (The Gunslinger (The Dark Tower, #1))
Real Quick" [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]
G-Unit
Damn It Feels Good To Be A Gangsta Verse 1 Damn it feels good to be a gangsta A real gangsta-ass nigga plays his cards right A real gangsta-ass nigga never runs his f**kin mouth Cuz real gangsta-ass niggas don't start fights And niggas always gotta high cap Showin' all his boys how he shot em But real gangsta-ass niggas don't flex nuts Cuz real gangsta-ass niggas know they got em And everythings cool in the mind of a gangsta Cuz gangsta-ass niggas think deep Up three-sixty-five a year 24/7 Cuz real gangsta ass niggas don't sleep And all I gotta say to you Wannabe, gonnabe, cocksuckin', pussy-eatin' prankstas 'Cause when the fire dies down what the f**k you gonna do Damn it feels good to be a gangsta Verse 2 Damn it feels good to be a gangsta Feedin' the poor and helpin out with their bills Although I was born in Jamaica Now I'm in the US makin' deals Damn it feels good to be a gangsta I mean one that you don't really know Ridin' around town in a drop-top Benz Hittin' switches in my black six-fo' Now gangsta-ass niggas come in all shapes and colors Some got killed in the past But this gangtsa here is a smart one Started living for the lord and I last Now all I gotta say to you Wannabe, gonnabe, pussy-eatin' cocksuckin' prankstas When the sh*t jumps off what the f**k you gonna do Damn it feels good to be a gangsta Verse 3 Damn it feels good to be a gangsta A real gangta-ass nigga knows the play Real gangsta-ass niggas get the flyest of the b**ches Ask that gangsta-ass nigga Little Jake Now b**ches look at gangsta-ass niggas like a stop sign And play the role of Little Miss Sweet But catch the b**ch all alone get the digit take her out and then dump-hittin' the ass with the meat Cuz gangsta-ass niggas be the gang playas And everythings quiet in the clique A gangsta-ass nigga pulls the trigger And his partners in the posse ain't tellin' off sh*t Real gangsta-ass niggas don't talk much All ya hear is the black from the gun blast And real gangsta-ass niggas don't run for sh*t Cuz real gangsta-ass niggas can't run fast Now when you in the free world talkin' sh*t do the sh*t Hit the pen and let the mothaf**kas shank ya But niggas like myself kick back and peep game Cuz damn it feels good to be a gangsta Verse 4 And now, a word from the President! Damn it feels good to be a gangsta Gettin voted into the White House Everything lookin good to the people of the world But the Mafia family is my boss So every now and then I owe a favor gettin' down like lettin' a big drug shipment through And send 'em to the poor community So we can bust you know who So voters of the world keep supportin' me And I promise to take you very far Other leaders better not upset me Or I'll send a million troops to die at war To all you Republicans, that helped me win I sincerely like to thank you Cuz now I got the world swingin' from my nuts And damn it feels good to be a gangsta
Geto Boys
I mean, I’m definitely flattered. That you would like me all this time--it’s flattering, you know?” That’s enough. That’s plenty enough. “I don’t like you,” I say, loudly. “So there’s no reason you should feel flattered.” Now it’s Peter’s turn to look taken aback. He quickly looks around to see if anyone heard. He leans forward and whispers, “Then why did you kiss me?” “I kissed you because I don’t like you,” I explain, like this should be obvious. “See, my letters got sent out by someone. Not me.” “Wait a minute. ‘Letters’? How many of us are there?” “Five. And the guy I do like got one too--” Peter frowns. “Who?” Why should I tell him anything? “That’s…personal.” “Hey, I think I have a right to know, since you pulled me into this little drama,” Peter says with a pointed look. I suck in my top lip and shake my head and he adds, “If there even really is a guy.” “There is so a guy! It’s Josh Sanderson.” “Doesn’t he go out with your sister?” I nod. I’m surprised he even knows this. I didn’t think Josh and Margot would be on his radar. “They’re broken up now. But I don’t want him to know I have feelings for him…for obvious reasons. So…I told him you were my boyfriend.” “So you used me to save face?” “I mean, basically.” Basically exactly. “You’re a funny girl.” First I’m cute in a quirky way; now I’m a funny girl. I know what that means. “Anyway, thanks for going along with it, Peter.” I flash him what I hope is a winning smile and turn on my heel to go. “See ya!” Peter reaches out and grabs me by the backpack. “Wait--so Sanderson thinks I’m your boyfriend now, right? So what are you going to tell him?” I try to shrug him loose, but he won’t let go. “I haven’t figured that part out yet. But I will.” I lift my chin. “I’m quirky like that.” Peter laughs out loud, his mouth open wide. “You really are funny, Lara Jean.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
NICK [smiles at MARTHA. Then, to GEORGE, indicating a side table near the hall]: May I leave my drink here? GEORGE [as NICK exits without waiting for a reply]: Yeah . . . sure . . . why not? We've got half-filled glasses everywhere in the house, wherever Martha forgets she's left them...in the linen closet, on the edge of the bathtub....I even found one in the freezer, once. MARTHA [Amused in spite of herself]: You did not! GEORGE: Yes I did. MARTHA [ibid.]: You did not! GEORGE [Giving HONEY her brandy]: Yes I did. [To HONEY] Brandy doesn't give you a hangover? HONEY: I never mix. And then, I don't drink very much, either. GEORGE [Grimaces behind her back]: Oh...that's good. Your...your husband was telling me about the ...chromosomes. MARTHA [Ugly]: The What? GEORGE: The chromosomes, Martha...the genes, or whatever they are. [To HONEY] You've got quite a ...terrifying husband. HONEY [As if she's being joshed]: Ohhhhhhhhh.... GEORGE: No, really. He's quite terrifying, with his chromosomes, and all. MARTHA: He's in the Math Department. GEORGE: No, Martha...he's a biologist. MARTHA [Her voice rising]: He's in the Math Department! HONEY [Timidly]: Uh...biology. MARTHA [Unconvinced]: Are you sure? HONEY [With a little giggle]: Well, I ought to. [Then as an afterthought] Be. MARTHA [Grumpy]: I suppose so. I don't know who said he was in the Math Department. GEORGE: You did, Martha. MARTHA [By way of irritable explanation]: Well, I can't be expected to remember everything. I meet fifteen new teachers and their goddamn wives...present company outlawed, of course...[HONEY nods, smiles sillily]...and I'm supposed to remember everything. [Pause] So? He's a biologist. Good for him. Biology's even better. It's less...abstruse. GEORGE: Abstract. MARTHA: ABSTRUSE! In the sense of recondite. [Sticks her tongue out at GEORGE] Don't you tell me words. Biology's even better. It's...right at the meat of things. [NICK re-enters] You're right at the meat of things, baby. NICK [Taking his drink from the side table]: Oh? HONEY [With that giggle]: They thought you were in the Math Department. NICK: Well, maybe I ought to be. MARTHA: You stay right where you are...you stay right at the...meat of things. GEORGE: You're obsessed with that phrase, Martha....It's ugly. MARTHA [Ignoring GEORGE...to NICK]: You stay right there. [Laughs] Hell, you can take over the History Department just as easy from there as anywhere else. God knows, somebody's going to take over the History Department, some day, and it ain't going to be Georgie-boy, there...that's for sure. Are ya, swampy...are ya, Hunh? GEORGE: In my mind, Martha, you are buried in cement, right up to your neck. [MARTHA giggles] No...right up to your nose...that's much quieter.
Edward Albee (Who's Afraid of Virginia Woolf?)