Y Birthday Quotes

We've searched our database for all the quotes and captions related to Y Birthday. Here they are! All 29 of them:

PS, I want a stripper for my birthday,” GQ announces. “Just decided now. Get on it.” “I’ll make a couple calls,” Garrett promises, but the second his friend wanders off, he confides, “He’s not getting a stripper. We all chipped in to get him a new iPod. He dropped his in the koi pond behind Hartford House.” When I snicker, Garrett pounces like a mountain lion. “Holy shit. Was that a laugh? I didn’t think you were capable of showing amusement. Can you do it again and let me film it?” “I laugh all the time.” I pause. “Mostly at you, though.” He grabs his chest in mock pain as if I’ve shot him. “You’re terrible for a guy’s ego, y’know that?
Elle Kennedy (The Deal (Off-Campus, #1))
[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
Después de celebrar tantos cumpleaños, después de ser testigo de tantos grandes acontecimientos, por más tiempo que haya transcurrido, yo sigo siendo yo, y de hecho, tengo la sensación de que no podía haberme convertido en algo distinto de lo que ahora soy”.
Haruki Murakami (Birthday Stories: Selected and Introduced by Haruki Murakami)
El miedo te da las excusas que buscas para no hacer aquello que sabes que deberías hacer. No dudes de ti misma, no te cuestiones tanto las cosas, no dejes que el miedo se apodere de ti, olvídate de la pereza y no antepongas la felicidad de los demás a la tuya. Hazlo y punto.
Penelope Douglas (Birthday Girl)
Le temps file comme une flèche, dit-il, et la peur te donne des excuses pour ne pas faire les choses que tu sais que tu devrais faire. Ne doute pas de toi-même, ne tergiverse pas, ne laisse pas la peur te retenir, ne sois pas paresseuse et ne base pas tes décisions sur le plaisir qu’elles feront aux autres. Vas-y, ok ?
Penelope Douglas (Birthday Girl)
Ahora, sin embargo —continúa—, ya no culpabilizamos a las mujeres por el comportamiento de los hombres. —Tiene una mirada penetrante y levanta el labio superior como si fuera a gruñir—. Si quiere mirar, yo no se lo puedo impedir. Si quiere irse a algún lugar privado y darse un poco de amor a sí mismo, eh, yo no me voy ni a enterar. ¡No es asunto mío!
Penelope Douglas (Birthday Girl (Ficción) (Spanish Edition))
Megan Meade’s Guide to the McGowan Boys Entry One Observation #1: When they’re beautiful, they know they’re beautiful. Like the second-to-oldest one, Evan. He’s a senior. He is perfection personified. And he knows it. You can tell because he just sort of smiles knowingly when you gape at him. Not that I’ve been gaping at him. Not at all. Anyway, too soon yet to tell if it negatively affects his behavior. (Like Mike Blukowsi and his Astrodome-sized ego problem.) Observation #2: They like skin. Especially skin they think they’re not necessarily supposed to be seeing. Like the space between your belly tee and your waistband. Observation #3: They have no problem bringing up events that would mortify me into shamed silence if the roles were reversed. Like Evan totally brought up the wiffleball bat incident, when if that had happened to me, I’d be wishing on every one of my birthday cakes for everyone to forget it. Observation #4: They gossip. Can you believe it? I overheard Finn and Doug in the backyard talking about some girl named Dawn who blew off some guy named Simon for some other guy named Rick for like TWENTY MINUTES! They sounded like those old mole-hair ladies at Sal’s Milkshakes. ‘Member the ones who lectured us for a whole hour that day about how young women shouldn’t wear shorts? Wait, okay, I got sidetracked. Observation #5: The older ones are so cute with the younger ones. They were playing ultimate Frisbee when I first got here and Evan totally let Caleb and Ian tackle him. It was soooooo cute. **sigh.** Observation #6: They’re cliquey. I mean, eye-rolling, secret-handshake, don’t-talk-to-us-unless-you’ve-got-an-X-and-a-Y cliquey. Very schooled in the art of the freeze-out. Observation #7: They have no sense of personal space. I need a lock on my door. STAT. Observation #8: Boys are icky. Do not even get me started on the state of the bathroom. I’m thinking of calling in a haz-mat team. Seriously. Observation #9: They have really freaky things going on down there. Yeah, I don’t think I’m ready to elaborate on that one yet. Observation #10: They know how to make enemies. Big time.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
(...) I don’t remember the way every song goes. I can’t recall ever y person I’ve met. I get names mixed up all the time. I’m terrible with birthdays. But I remember all the ways people have affected me. How our stories became memories. And if you were enough then you’re in there somewhere. Maybe it was a truth or dare kiss, Or a simple act of kindness, one that reminded me to remember this moment and mark it as a memory , so we could both have it to look back on. From this life, I’ve drawn conclusions so big, They can’t fit into the tiny comic book boxes, Because I don’t wanna risk losing the detail, Just so I can make the story fit. It’s not a trick. I remember how things felt. Which in turn makes me remember how things happened. (...) I’m pretty fantastic. It’s not magic. I remember because I make comparisons. Not in terms of better or worse, just different. And not all of these memories are great, but they’re mine. Which lends way to believe, That none of our lives are put together on an assembly line. We’re not pre-packaged with memories or programmed with stories. We have to make our own. (...)
Shane L. Koyczan (Remembrance Year)
The Y Not had a waitress named Shirley who was the most disagreeable person I have ever met. Whatever you ordered, she would look at you as if you had asked to borrow her car to take her daughter to Tijuana for a filthy weekend. ‘You want what?’ she would say. ‘A pork tenderloin and onion rings,’ you would repeat apologetically. ‘Please, Shirley. If it’s not too much trouble. When you get a minute.’ Shirley would stare at you for up to five minutes, as if memorizing your features for the police report, then scrawl your order on a pad and shout out to the cook in that curious dopey lingo they always used in diners, ‘Two loose stools and a dead dog’s schlong,’ or whatever. In a Hollywood movie Shirley would have been played by Marjorie Main. She would have been gruff and bossy, but you would have seen in an instant that inside her ample bosom there beat a heart of pure gold. If you unexpectedly gave her a birthday present she would blush and say, ‘Aw, ya shouldana oughtana done it, ya big palooka.’ If you gave Shirley a birthday present she would just say, ‘What the fuck's this?' Shirley, alas, didn’t have a heart of gold.
Bill Bryson (Neither Here nor There: Travels in Europe)
I Won’t Write Your Obituary You asked if you could call to say goodbye if you were ever really gonna kill yourself. Sure, but I won’t write your obituary. I’ll commission it from some dead-end journalist who will say things like: “At peace… Better place… Fought the good fight…” Maybe reference the loving embrace of Capital-G-God at least 4 times. Maybe quote Charles fucking Bukowski. And I won’t stop them because I won’t write your obituary. But if you call me, I will write you a new sky, one you can taste. I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them. I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs. I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer. I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink. I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together. And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you. I won’t say “goodbye” or “I love you” one last time. You won’t leave on good terms with me, Because I will not forgive you. I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead. I will not hold your hand steady around a gun. And after, I won’t come by to pick up the package of body parts you will have left specifically for me. I’ll get a call like “Ma’am, what would you have us do with them?” And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.” I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one. I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore. I don’t want a jar of your teeth as a memento. I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here. You won’t be there. There’s no blood there, there’s no life there, there’s no you there. I want you. And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here. So the answer to your question is “yes”. If you’re ever really gonna kill yourself, yes, please, call me.
Nora Cooper
«La imagen de un hombre haciéndose pajas había sido una de sus principales maneras de excitarse. ¿Por qué? Si sus propias sensaciones podían servirle de guía, follar con otra persona nunca salía del todo bien, nunca exactamente como debía. Le había encantado la idea de que fuera así, un hombre ciego con su propio placer. »Y el autoerotismo era el sanctasanctórum, la auténtica definición de lo privado. Un número indeterminado de amantes de tiempos pasados se habían mostrado muy dispuestos a probar todas las variantes típicas y unas cuantas más, pero lo único que esos hombres nunca estaban dispuestos a hacer por voluntad propia —con una memorable excepción— era masturbarse delante de ella. Sin embargo, ése era el descubrimiento inicial del que manaba todo el sexo; era la fuente. »La mayoría de los chicos se habrían masturbado cientos de veces antes de conocer carnalmente a una chica, y es famoso el poder alucinógeno de las pajas de la adolescencia. La torpeza y los titubeos característicos de tantos episodios en que las mujeres pierden la flor deben de ser, en comparación, una decepción a escala mundial. »Incluso en la vida adulta, es casi seguro que muchos hombres siguen experimentando un éxtasis muy superior meneándosela encima del inodoro mientras piensan en una pareja imaginaria, que llevándose a la cama a mujeres de carne y hueso con celulitis y una irritante compulsión a decir “en realidad...” al comienzo de cada frase. Curioso, ¿no? Puesto que lo mismo podía decirse de las mujeres, lo verdaderamente curioso era por qué alguien se tomaba la molestia de follar».
Lionel Shriver (The Post-Birthday World)
AM: My father had arrived in New York all alone, from the middle of Poland, before his seventh birthday… He arrived in New York, his parents were too busy to pick him up at Castle Garden and sent his next eldest brother Abe, going on 10, to find him, get him through immigration and bring him home to Stanton Street and the tenement where in two rooms the eight of them lived and worked, sewing the great long, many-buttoned cloaks that were the fashion then. They sent him to school for about six months, figuring he had enough. He never learned how to spell, he never learned how to figure. Then he went right back into the shop. By the time he was 12 he was employing two other boys to sew sleeves on coats alongside him in some basement workshop. KM: He went on the road when he was about 16 I think… selling clothes at a wholesale level. AM: He ended up being the support of the entire family because he started the business in 1921 or something. The Miltex Coat Company, which turned out to be one of the largest manufacturers in this country. See we lived in Manhattan then, on 110th Street facing the Park. It was beautiful apartment up on the sixth floor. KM: We had a chauffeur driven car. The family was wealthy. AM: It was the twenties and I remember our mother and father going to a show every weekend. And coming back Sunday morning and she would be playing the sheet music of the musicals. JM: It was an arranged marriage. But a woman of her ability to be married off to a man who couldn’t read or write… I think Gussie taught him how to read and to sign his name. AM: She knew she was being wasted, I think. But she respected him a lot. And that made up for a little. Until he really crashed, economically. And then she got angry with him. First the chauffeur was let go, then the summer bungalow was discarded, the last of her jewellery had to be pawned or sold. And then another step down - the move to Brooklyn. Not just in the case of my father but every boy I knew. I used to pal around with half a dozen guys and all their fathers were simply blown out of the water. I could not avoid awareness of my mother’s anger at this waning of his powers. A certain sneering contempt for him that filtered through her voice. RM: So how did the way you saw your father change when he lost his money? AM: Terrible… pity for him. Because so much of his authority sprang from the fact that he was a very successful businessman. And he always knew what he as doing. And suddenly: nothin’. He didn’t know where he was. It was absolutely not his fault, it was the Great Crash of the ‘29, ‘30, ‘31 period. So from that I always, I think, contracted the idea that we’re very deeply immersed in political and economic life of the country, of the world. And that these forces end up in the bedroom and they end up in the father and son and father and daughter arrangements. In Death of a Salesman what I was interested in there was what his world and what his life had left him with. What that had done to him? Y’know a guy can’t make a living, he loses his dignity. He loses his male force. And so you tend to make up for it by telling him he's OK anyway. Or else you turn your back on him and leave. All of which helps create integrated plays, incidentally. Where you begin to look: well, its a personality here but what part is being played by impersonal forces?
Rebecca Miller
Have you organized my birthday party?” “You mean the surprise birthday party? The one you specifically said you didn’t want to know anything about? So it was, y’know, an actual surprise?” “If the surprise is you haven’t arranged anything, I don’t fucking want it.
Hannah Grace (Icebreaker (UCMH, #1))
It was the same mantra she had silently chanted before on other festive occasions. 'May you be happy'--her mother had wanted to be happy, hadn't she? Didn't everyone?" Things Unsaid, from Chapter, "Birthday Celebration
Diana Y. Paul (Things Unsaid)
On August 12, 1933, President Machado fled Cuba with ABC terrorists shooting at his laden airplane as it prepared to take off from the long hot runway. He left Cuba without any continuity of leadership and a smooth transfer of authority to the next administration became impossible in Havana. American envoy, Sumner Welles stepped into the vacuum and encouraged Carlos Manuel de Céspedes y Quesada to accept the office of Provisional President of Cuba. Céspedes was a Cuban writer and politician, born in New York City, son of Carlos Manual de Céspedes del Castillo who was a hero of the Cuban War of Independence. Wearing a spotlessly clean, crisp white suit, Céspedes was installed as the Provisional President of Cuba, on what was his 62nd birthday. This expedient political move failed to prevent the violence that broke out in the streets. Mobs looted and behaved with viciousness that lasted for six long hours and created a mayhem not witnessed since Cuba’s Independence from Spain. Students from the university ransacked the previously pro-Machado newspaper “Heraldo de Cuba.” The Presidential Palace was stormed and severely damaged, with the culprits leaving a “For Rent” sign hanging on the front gate. The temperament of the mob that rallied against the Machado supporters, including the hated Porristas who had been left behind, was ferocious. They wounded over 200 hapless souls and cost 21 people their lives. Five members of the Porristas as well as Colonel Antonio Jimenez, the head of Machado’s secret police, were summarily shot to death and trampled upon. The rioters then tied the mutilated body of Jimenez to the top of a car and paraded his bullet-riddled carcass through the streets of Havana, showing it off as a trophy. When the howling throng of incensed people finally dumped him in front of the hospital, it was determined that he had been shot 40 times. Students hammered away at an imposing bronze statue of Machado, until piece by piece it was totally destroyed. Shops owned by the dictator’s friends were looted and smashed, as were the homes of Cabinet members living in the affluent suburbs.
Hank Bracker
Home Authors Topics Quote Of The Day Pictures  search Sign Up Login Authors: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z | Follow Us: Women Quotes Any time women come together with a collective intention, it's a powerful thing. Whether it's sitting down making a quilt, in a kitchen preparing a meal, in a club reading the same book, or around the table playing cards, or planning a birthday party, when women come together with a collective intention, magic happens.
Phylicia Rashad
people of Wales gave Princess Elizabeth a child-sized, two-storey thatched cottage for her sixth birthday. Called ‘Y Bwthyn Bach’, this was no mere Wendy house, but a work of art as remarkable as Queen Mary’s Dolls’ House.IV With electricity and plumbing, it included a working wireless, the complete works of Beatrix Potter in miniature, an oil painting of the Duchess, personalized bed linen, a ship with Elizabeth’s crest on the vellum sail and a Lilliputian deed of gift from the Lord Mayor of Cardiff to ‘HRH Princess Elizabeth of York, hereinafter called the donee…’31
Robert Hardman (Queen of Our Times: The Life of Queen Elizabeth II)
The only thing more delicious than a carrot is a dandelion, but I like to save those for special occasions, like my birthday, my mom’s birthday, my dad’s birthday, and any day that ends with a ‘y’.
Books Kid (Diary of a Minecraft Rabbit (An Unofficial Minecraft Book) (Minecraft Diary Books and Wimpy Zombie Tales For Kids Book 30))
said. Karen inhaled deeply and blew until there was no more air in her lungs and smoke filled the room but there wasn’t a single candle still burning. “Never underestimate the power of a strong woman,” she said breathlessly. “Amen,” Hannah murmured. Kim motioned toward the bar. “Momma’s choice tonight. Mexican buffet, which comes before cake.” “Not for me. I’m having a slice of that cake right now. It’s my birthday and I want dessert first. Momma always let me do that on my birthday when I was a little girl,” Karen said. “Yes, I did, and if you want your cake first tonight, then have at it,” Hannah agreed. “Well, I’m getting into those tacos,” Edith said. “Y’all have to try my watermelon salsa. I hadn’t made it in years, but it turned out pretty good considering that the watermelon wasn’t as good as I like it to be.” “What’s in it?” Sue asked.
Carolyn Brown (Hidden Secrets)
De un ejército de cientos de sicarios con armas de todos los calibres adquiridas a cambio de cocaína por intermedio de las mafias rusa e italiana, había pasado a tener por emisaria a una anciana tan grávida de años y de bondad que no asustaría ni a un niño.
José Libardo Porras (Happy Birthday, Capo)
On August 12, 1933, Machado fled Cuba with ABC terrorists shooting at his airplane as it prepared to take off from the runway, leaving Cuba without any continuity of leadership. A smooth transfer of authority to the next administration became impossible in Havana. American envoy, Sumner Welles stepped into the vacuum and encouraged Carlos Manuel de Céspedes y Quesada to accept the office of Provisional President of Cuba. Céspedes was a Cuban writer and politician, born in New York City, son of Carlos Manual de Céspedes del Castillo who was a hero of the Cuban War of Independence. Wearing a spotlessly clean, crisp white suit, Céspedes was installed as the Provisional President of Cuba, on what was his 62nd birthday.
Hank Bracker
Irish Whiskey. Not Jameson. Not Teeling. Sexton. Strong and toasty, honeyed fruit stinging his nose. Sweet sponge cake. Soft, so soft, sopping with booze, oozing into his throat. Coconut Cruzan. Flavored Dominican rum, the scent of an island breeze. Beeswax, from a birthday candle, crackling between his teeth. He'd know that rum cake anywhere. Warm and heady, half-Irish, half-Dominican, with the promise of a good time. Just like the man himself. In all the time they'd lived together, Frankie had never had a sweet tooth--- preferred heat and spice, salt to sugar--- but whenever he went home to his mama's, he'd come back with a Tupperware of this. It was what she made every birthday, every holiday, every time her baby visited. It was the stuff of Frankie's childhood memories, the magic of his sweetest moments baked into a bundt and soused with sweet booze--- a shot of Cruzan for his 'lita, his mama's mama; a shot of Sexton for his grandmam--- and served to him in increasingly large slices as he aged up and learned to hold his liquor. Kostya could almost see him, coming through the door with the container swinging in a plastic bag, digging a spoon out of the drawer, leaning over the kitchen counter to shovel it into his mouth, no plate, no chair, just a look of ecstatic nostalgia on his face. Y'all can have the foie and lobster, he once said, scooping crumbs into his mouth. This is my death row wish. Want a bite?
Daria Lavelle (Aftertaste)
...y fue una llamada de alerta un día, cuando me di cuenta que había estado esperando que mi vida comenzara -mi vida real- solo para darme cuenta que ya había ocurrido cuando no estaba prestando atención.
Penelope Douglas (Birthday Girl)
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JJD Books (Bigfoot Word Search Book: Word Searches with Easy to Read Print about legends, stories, frights, and More | 6x9 inches, 110 pages | 50+ Puzzles ... Gift for Birthdays, Holidays and Free Time)
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