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Kershaw had long ago realized, apparently, that dealing with Brits was tricky. You had to listen to what a Brit was saying - which was invariably that he thought XYZ was a terrific idea and he hoped it went very well for you - while at the same time paying heed to the greasy, nauseous suspicion you had that, although every word and phrase indicated approval, somehow the sum of the whole was that you'd have to be a mental pygmy to come up with this plan and a complete fucking idiot to pursue it. After six years working with the Brits in various theatres he'd come to the conclusion that they didn't do it on purpose. The thing was, Brits actually thought that subtext was plain text. To a Brit, the modern English language was vested with hundreds of years of unbroken history and cultural nuance, so that every single word had a host of implications depending on who said it to whom, when, and how. British soldiers, for example, gave entire reports to their commanders by the way they said 'good morning, sir' and then had to spend half an hour telling them the detail, which was why the Brits always looked bored in briefings. They could sense the trajectory of the conversation, knew the bad news was coming now and the good news now and that there was a question on the end which needed thinking about. With a bit of work they could deduce the question, too, but they always waited politely for it to be asked so that no one felt rushed.
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