Xi I M My A Quotes

I was born into privilege,” I told Ping Xi. “I am not going to squander that. I’m not a moron.

Paths of the mirror" I And above all else, to look with innocence. As if nothing was happening, which is true. II But you, I want to look at you until your face escapes from my fear like a bird from the sharp edge of the night. III Like a girl made of pink chalk on a very old wall that is suddenly washed away by the rain. IV Like when a flower blooms and reveals the heart that isn’t there. V Every gesture of my body and my voice to make myself into the offering, the bouquet that is abandoned by the wind on the porch. VI Cover the memory of your face with the mask of who you will be and scare the girl you once were. VII The night of us both scattered with the fog. It’s the season of cold foods. VIII And the thirst, my memory is of the thirst, me underneath, at the bottom, in the hole, I drank, I remember. IX To fall like a wounded animal in a place that was meant to be for revelations. X As if it meant nothing. No thing. Mouth zipped. Eyelids sewn. I forgot. Inside, the wind. Everything closed and the wind inside. XI Under the black sun of the silence the words burned slowly. XII But the silence is true. That’s why I write. I’m alone and I write. No, I’m not alone. There’s somebody here shivering. XIII Even if I say sun and moon and star I’m talking about things that happen to me. And what did I wish for? I wished for a perfect silence. That’s why I speak. XIV The night is shaped like a wolf’s scream. XV Delight of losing one-self in the presaged image. I rose from my corpse, I went looking for who I am. Migrant of myself, I’ve gone towards the one who sleeps in a country of wind. XVI My endless falling into my endless falling where nobody waited for me –because when I saw who was waiting for me I saw no one but myself. XVII Something was falling in the silence. My last word was “I” but I was talking about the luminiscent dawn. XVIII Yellow flowers constellate a circle of blue earth. The water trembles full of wind. XIX The blinding of day, yellow birds in the morning. A hand untangles the darkness, a hand drags the hair of a drowned woman that never stops going through the mirror. To return to the memory of the body, I have to return to my mourning bones, I have to understand what my voice is saying.

finalement, éperdu d'amour et au comble de la frénésie érotique, je m'assis dans l'herbe et j'enlevai un de mes souliers en caoutchouc. — Je vais le manger pour toi, si tu veux. Si elle le voulait I Ha! Mais bien sûr qu'elle le voulait, voyons! C'était une vraie petite femme. --- Elle posa son cerceau par terre et s'assit sur ses ta-lons. Je crus voir dans ses yeux une lueur d'estime. Je n'en demandais pas plus. Je pris mon canif et enta-mai le caoutchouc. Elle me regardait faire. — Tu vas le manger cru ? — Oui. J'avalai un morceau, puis un autre. Sous son regard enfin admiratif, je me sentais devenir vraiment un homme. Et j'avais raison. Je venais de faire mon apprentissage. J'entamai le caoutchouc encore plus profondément, soufflant un peu, entre les bouchées, et je continuai ainsi un bon moment, jusqu'à ce qu'une sueur froide me montât au front. Je continuai même un peu au-delà, serrant les dents, luttant contre la nausée, ramassant toutes mes forces pour demeurer sur le terrain, comme il me fallut le faire tant de fois, depuis, dans mon métier d'homme. Je fus très malade, on me transporta à l'hôpital, ma mère sanglotait, Aniela hurlait, les filles de l'atelier geignaient, pendant qu'on me mettait sur un brancard dans l'ambulance. J'étais très fier de moi. Mon amour d'enfant m'inspira vingt ans plus tard mon premier roman Éducation européenne, et aussi certains passages du Grand Vestiaire. Pendant longtemps, à travers mes pérégrinations, j'ai transporté avec moi un soulier d'enfant en caoutchouc, entamé au couteau. J'avais vingt-cinq ans, puis trente, puis quarante, mais le soulier était toujours là, à portée de la main. J'étais toujours prêt à m'y attabler, à donner, une fois de plus, le meilleur de moi-même. Ça ne s'est pas trouvé. Finalement, j'ai abandonné le soulier quelque part derrière moi. On ne vit pas deux fois. (La promesse de l'aube, ch. XI)

TIMOTHY 4  hI charge you in the presence of God and of Christ Jesus,  iwho is to judge the living and the dead, and by  jhis appearing and his kingdom: 2preach the word; be ready in season and out of season;  kreprove, rebuke, and  lexhort, with complete patience and teaching. 3 mFor the time is coming when people will not endure  nsound [1] teaching, but having itching ears they will accumulate for themselves teachers to suit their own passions, 4and  owill turn away from listening to the truth and  pwander off into myths. 5As for you,  qalways be sober-minded,  rendure suffering, do the work of  san evangelist,  tfulfill your ministry. 6For  uI am already being poured out as a drink offering, and the time of my  vdeparture has come. 7 wI have fought the good fight,  xI have finished the race, I have kept the faith. 8Henceforth there is  ylaid up for me  zthe crown of righteousness, which the Lord,  athe righteous judge, will award to me on  bthat day, and not only to me but also to all  cwho have loved his appearing.

On the day I started my self-examination I asked myself these questions: ‘Am I interested in people? Do ideas excite me? Am I knowledgeable enough about novels to write one?’ I’m sure there were other questions, but I forget them now. My earliest memories involve being one among many other children, so I did not grow up with a self-centered view of myself, and because of my early jobs I knew a great deal about life. I had knocked about America as a lad, seen Europe in my college years and had been in the Pacific as an adult. But most important, I had always loved people, their histories, the prestigious things they did and said, and I especially relished their stories about themselves. I was so eager to collect information about everyone I met that I was practically a voyeur, and always it was their accounts that mattered, not mine, for I was a listener, not a talker. If the writing of fiction was the reporting of how human beings behaved, I was surely eligible, for I liked not only their stories, I liked them. As for ideas on which to base my writing, I was interested in everything—I was a kind of intellectual vacuum cleaner that picked up not only the oddest collection of facts imaginable but also solid material on the basic concerns of life.” —Chapter XI, “Intellectual Equipment”, page 297