X Marks The Spot Quotes

Despite marking the spot, Generation X has no treasure. How could they, when I dug it up first?

No one longs for what he or she already has, and yet the accumulated insight of those wise about the spiritual life suggests that the reason so many of us cannot see the red X that marks the spot is because we are standing on it. The treasure we seek requires no lengthy expedition, no expensive equipment, no superior aptitude or special company. All we lack is the willingness to imagine that we already have everything we need. The only thing missing is our consent to be where we are.

Mulder gave a crooked smile of welcome. 'Sorry,' he said, 'Nobody down here but the F.B.I.'s most unwanted.

Hey, y'know what money can buy? A solid gold gun. That shoots diamond bullets. I call it "The Compensator". Whatta ya think?

Scully could see that Mulder might be a nice guy. Well-meaning. Talented. With his heart in the right place. But his head was definitely screwed on wrong.

But it happens, doesn't it? Death. Either suddenly or steadily. But you never put it in your calendar, X marks the spot – let's get the headstone in a Black Friday sale and have the name chiselled into it. You can never usually plan on death like that.

He saw a tattoo on her throat and he read it with some amusement. Foxhole prayers in a stylized cursive. Strange girl. The 'X' crossed the artery pulsing under her velvet skin. Skin he knew would be warm butter beneath his fangs. X marks the spot, my dear.

Mulder, I want you to meet your new assistant. Special Agent Dana Scully, Fox Mulder.' 'An assistant? Nice to know I'm suddenly so highly regarded.' Mulder turned to Scully. 'Who did you tick off to get stuck with this detail, Scully?

To pragmatists, the letter Z is nothing more than a phonetically symbolic glyph, a minor sign easily learned, readily assimilated, and occasionally deployed in the course of a literate life. To cynics, Z is just an S with a stick up its butt. Well, true enough, any word worth repeating is greater than the sum of its parts; and the particular word-part Z can, from a certain perspective, appear anally wired. On those of us neither prosaic nor jaded, however, those whom the Fates have chosen to monitor such things, Z has had an impact above and beyond its signifying function. A presence in its own right, it’s the most distant and elusive of our twenty-six linguistic atoms; a mysterious, dark figure in an otherwise fairly innocuous lineup, and the sleekest little swimmer ever to take laps in a bowl of alphabet soup. Scarcely a day of my life has gone by when I’ve not stirred the alphabetical ant nest, yet every time I type or pen the letter Z, I still feel a secret tingle, a tiny thrill… Z is a whip crack of a letter, a striking viper of a letter, an open jackknife ever ready to cut the cords of convention or peel the peach of lust. A Z is slick, quick, arcane, eccentric, and always faintly sinister - although its very elegance separates it from the brutish X, that character traditionally associated with all forms of extinction. If X wields a tire iron, Z packs a laser gun. Zap! If X is Mike Hammer, Z is James Bond. If X marks the spot, Z avoids the spot, being too fluid, too cosmopolitan, to remain in one place. In contrast to that prim, trim, self-absorbed supermodel, I, or to O, the voluptuous, orgasmic, bighearted slut, were Z a woman, she would be a femme fatale, the consonant we love to fear and fear to love.

Once on yellow sheet of paper with green lines, he wrote a poem and he called it “Spot” because that was the name of his dog and that’s what it was all about and his teacher gave him an “A” and a big gold star and his mother hung it on the kitchen cupboard and showed it to his aunt and that was the year his sister was born-and his parents kissed all the time and the little girl around the corner sent him a postcard with a row of X’s on it and his father tucked him into bed at night and was always there. Then on a white sheet of paper with blue lines, he wrote another poem and he called it “Autumn” because that was the time of year and that’s what it was all about and his teacher gave him an “A” and told him to write more clearly and his mother told him not to hang it on the kitchen cupboard because it left marks and that was the year his sister got glasses and his parents never kissed anymore and the little girl around the corner laughed when he fell down with his bike and his father didn’t tuck him in at night. So, on another piece of paper torn from a notebook he wrote another poem and he called it “Absolutely Nothing” Because that’s what it was all about and his teach gave him an “A” and a hard searching look and he didn’t show it to his mother and that was the year he caught his sister necking on the back porch and the little girl around the corner wore too much make-up so that he laughed when he kissed her but he kissed her anyway and he tucked himself in bed at three AM with his father snoring loudly in the next room Finally, on the inside of a matchbook he wrote another poem and he called it “?” because that’s what it was all about And he gave himself an “A” and a slash on each wrist and hung it on the bathroom mirror Because he couldn’t make it to the kitchen.

Scully nodded. Of course. It made sense. Complete sense. No question about it. Mulder was perfectly sane in telling her all this. And she was perfectly sane in listening to it and nodding and urging him to tell her more. It was the rest of the world that was- She doubled over as a wave of laughter hit her. Mulder looked at her and started laughing too. They stood there in the cemetery in the darkness and the drizzle, laughing their heads off. 'You know we're crazy,' Scully finally said. 'Of course we are,' Mulder gasped out.

The Truth is Out there

Your name like two X’s like punched-in eyes, like a drunk cartoon passed out in the gutter, your name with two X’s to mark the spots, to hold the place, to keep the treasure from becoming ever lost.

He retrieves a fluffy white robe from the bathroom and drapes me in it. Then he sits next to me and opens the black folder. Inside, there’s a single sheet of paper, covered in words and symbols. There’s a rough square in the center of the page, surrounded by wavy lines. Is that supposed to be water? Inside the square, there are small symbols: cliffs, mountains, an oval lake. The symbols are labeled. The Pillowy Mountains. Shipwreck Cove. Bathtub Lake. Pirate’s Lookout. Rum-un Cliffs. There are three fancy Xs on the map, drawn with curlicues and shaded in. One in Rum-un Cliffs, one in the Pillowy Mountains, and one in Pirate’s Lookout. “Is this a treasure map?” I ask, tracing my fingers over it. “Did you draw this? It’s so cool.” He nods. “X marks the spot, see? You have an hour to find the three treasures and bring them back to me.” A treasure hunt? He’s made a treasure hunt for me? A n4ked treasure hunt? “Pirate treasure?” I ask, blinking up at him. “Uh-huh.” I can play pirates. I have the perfect thing.

Every morning the whole team watched as the resident listened to the heart and lungs of each of our patients. Usually he said nothing because there was nothing to say. One morning while examining Richard he stopped and had each of us listen to a spot he had located on the patient’s back. “Those are rales and rhonchi,” he stated flatly. “Richard is coming down with pneumonia.” He had one of us write orders for a chest X-ray and massive doses of IV ampicillin. Four hours later Richard was short of breath, running a 105-degree fever, sick as a dog. The chest X-ray hadn’t been done and the antibiotics hadn’t been given. The one time we had a physical finding that might have made a difference on the closest thing we had to a salvageable patient, the damn orders were written but never taken off. Our resident was closer to tears than mad. Richard did well. If he had been eighty-five, he probably would have died.

Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.

Navy Seals Stress Relief Tactics (As printed in O Online Magazine, Sept. 8, 2014) Prep for Battle: Instead of wasting energy by catastrophizing about stressful situations, SEALs spend hours in mental dress rehearsals before springing into action, says Lu Lastra, director of mentorship for Naval Special Warfare and a former SEAL command master chief.  He calls it mental loading and says you can practice it, too.  When your boss calls you into her office, take a few minutes first to run through a handful of likely scenarios and envision yourself navigating each one in the best possible way.  The extra prep can ease anxiety and give you the confidence to react calmly to whatever situation arises. Talk Yourself Up: Positive self-talk is quite possibly the most important skill these warriors learn during their 15-month training, says Lastra.  The most successful SEALs may not have the biggest biceps or the fastest mile, but they know how to turn their negative thoughts around.  Lastra recommends coming up with your own mantra to remind yourself that you’ve got the grit and talent to persevere during tough times. Embrace the Suck: “When the weather is foul and nothing is going right, that’s when I think, now we’re getting someplace!” says Lastra, who encourages recruits to power through the times when they’re freezing, exhausted or discouraged.  Why?  Lastra says, “The, suckiest moments are when most people give up; the resilient ones spot a golden opportunity to surpass their competitors.  It’s one thing to be an excellent athlete when the conditions are perfect,” he says.  “But when the circumstances aren’t so favorable, those who have stronger wills are more likely to rise to victory.” Take a Deep Breath: “Meditation and deep breathing help slow the cognitive process and open us up to our more intuitive thoughts,” says retired SEAL commander Mark Divine, who developed SEALFit, a demanding training program for civilians that incorporates yoga, mindfulness and breathing techniques.  He says some of his fellow SEALs became so tuned-in, they were able to sense the presence of nearby roadside bombs.  Who doesn’t want that kind of Jedi mind power?  A good place to start: Practice what the SEALs call 4 x 4 x 4 breathing.  Inhale deeply for four counts, then exhale for four counts and repeat the cycle for four minutes several times a day.  You’re guaranteed to feel calmer on any battleground. Learn to value yourself, which means to fight for your happiness. ---Ayn Rand

ever. Amen. Thank God for self-help books. No wonder the business is booming. It reminds me of junior high school, where everybody was afraid of the really cool kids because they knew the latest, most potent putdowns, and were not afraid to use them. Dah! But there must be another reason that one of the best-selling books in the history of the world is Men Are From Mars, Women Are From Venus by John Gray. Could it be that our culture is oh so eager for a quick fix? What a relief it must be for some people to think “Oh, that’s why we fight like cats and dogs, it is because he’s from Mars and I am from Venus. I thought it was just because we’re messed up in the head.” Can you imagine Calvin Consumer’s excitement and relief to get the video on “The Secret to her Sexual Satisfaction” with Dr. GraySpot, a picture chart, a big pointer, and an X marking the spot. Could that “G” be for “giggle” rather than Dr. “Graffenberg?” Perhaps we are always looking for the secret, the gold mine, the G-spot because we are afraid of the real G-word: Growth—and the energy it requires of us. I am worried that just becoming more educated or well-read is chopping at the leaves of ignorance but is not cutting at the roots. Take my own example: I used to be a lowly busboy at 12 East Restaurant in Florida. One Christmas Eve the manager fired me for eating on the job. As I slunk away I muttered under my breath, “Scrooge!” Years later, after obtaining a Masters Degree in Psychology and getting a California license to practice psychotherapy, I was fired by the clinical director of a psychiatric institute for being unorthodox. This time I knew just what to say. This time I was much more assertive and articulate. As I left I told the director “You obviously have a narcissistic pseudo-neurotic paranoia of anything that does not fit your myopic Procrustean paradigm.” Thank God for higher education. No wonder colleges are packed. What if there was a language designed not to put down or control each other, but nurture and release each other to grow? What if you could develop a consciousness of expressing your feelings and needs fully and completely without having any intention of blaming, attacking, intimidating, begging, punishing, coercing or disrespecting the other person? What if there was a language that kept us focused in the present, and prevented us from speaking like moralistic mini-gods? There is: The name of one such language is Nonviolent Communication. Marshall Rosenberg’s Nonviolent Communication provides a wealth of simple principles and effective techniques to maintain a laser focus on the human heart and innocent child within the other person, even when they have lost contact with that part of themselves. You know how it is when you are hurt or scared: suddenly you become cold and critical, or aloof and analytical. Would it not be wonderful if someone could see through the mask, and warmly meet your need for understanding or reassurance? What I am presenting are some tools for staying locked onto the other person’s humanness, even when they have become an alien monster. Remember that episode of Star Trek where Captain Kirk was turned into a Klingon, and Bones was freaking out? (I felt sorry for Bones because I’ve had friends turn into Cling-ons too.) But then Spock, in his cool, Vulcan way, performed a mind meld to determine that James T. Kirk was trapped inside the alien form. And finally Scotty was able to put some dilithium crystals into his phaser and destroy the alien cloaking device, freeing the captain from his Klingon form. Oh, how I wish that, in my youth or childhood,

Your name like two X's, like punched in eyes, like a drunk cartoon passed out in the gutter, your name with two X's to mark the spots, to hold the place, to keep the treasure becoming ever lost.

Together they would create a most unusual family, but one raised with love, caring, and mutual respect.

X marks all spots. I see treasure everywhere.

carried the Makarov outside to watch the fireworks. Thirty yards beyond the spot where Brendan Magill lay dead was a rock wall running on a north-south axis. Gabriel took cover behind it after a 7.62x39mm round shredded the air a few inches from his right ear. Keller hit the ground next to him as rounds exploded against the stones of the wall, sending sparks and fragments flying. The source of the fire was silenced, so Gabriel had only a vague idea of the direction from which it was coming. He poked his head above the wall to search for a muzzle flash, but another burst of rounds drove him downward. Keller was now crawling northward along the base of the wall. Gabriel followed after him, but stopped when Keller suddenly opened up with the dead man’s AK-47. A distant scream indicated that Keller’s rounds had found their mark, but in an instant they were taking fire from several directions. Gabriel flattened himself on the ground at Keller’s side, the Glock in one hand, the dead man’s phone in the other. After a few seconds he realized it was pulsing with an incoming text. The text was apparently from Eamon Quinn. It read KILL THE GIRL . . . 79 CROSSMAGLEN, SOUTH ARMAGH A MID THE HEAP OF BROKEN and dismembered farm implements in Jimmy Fagan’s shed, Katerina had found a scythe, rusted and caked in mud, a museum piece, perhaps the last scythe in the whole of Ireland, north or south. She held it tightly in her hands and listened to the sound of men pounding up the track at a sprint. Two men, she thought, perhaps three. She positioned herself against the shed’s sliding door. Madeline was at the opposite end of the space, hooded, hands bound, her back to the bales of hay. She was the first and only thing the men would see upon entry. The latch gave way, the door slid open, a gun intruded. Katerina recognized its silhouette: an AK-47 with a suppressor attached to the barrel. She knew it well. It was the first weapon she had ever fired at the camp. The great AK-47! Liberator of the oppressed! The gun was pointed upward at a forty-five-degree angle. Katerina had no choice but to wait until the barrel sank toward Madeline. Then she raised the scythe and swung it with every ounce of strength she had left in her body. Two hundred yards away, crouched behind a stone wall at the western edge of Jimmy Fagan’s property, Gabriel showed the text message to Christopher Keller. Keller immediately poked his head above the wall and saw muzzle flashes in the doorway of the shed. Four flashes, four shots, more than enough to obliterate two lives. A burst of AK-47 fire drove him downward again. Eyes wild, he grabbed Gabriel savagely by the front of his coat and shouted, “Stay here!” Keller hauled himself over the wall and vanished from sight. Gabriel lay there for a few seconds as the rounds rained down on his position. Then suddenly he was on his feet and running across the darkened pasture. Running toward a car in a snowy square in Vienna. Running toward death. The blow that Katerina delivered to the neck of the man holding the AK-47 resulted in a partial decapitation. Even so, he had managed to squeeze off a shot before she wrenched the gun from his grasp—a shot that struck the hay bales a few inches from Madeline’s head. Katerina shoved the dying man aside and quickly fired two shots into the chest of the second man. The fourth shot she fired into the partially decapitated creature twitching at her feet. In the lexicon of the SVR, it was a control shot. It was also a shot of

So if I'm Gen Y and you're X, then together we are the chromosome code for male," he mused. "Yes, I am X marks the spot, and you are the dear God, why, why, why.

When we offer ourselves as instruments for God’s purpose, we create opportunities for others to experience God through us. We become living lightning rods of God’s activity. Our lives become the X that marks the spot. Our obedience creates a spiritual epicenter through which God shakes up the world around us and others come to know Him. HIS

Yes, a gay man calling a straight sex hotline is very eighth- grade funny, O’Halloran, but at least my sexual partners have never needed to draw me an anatomical map with an X marking the spot that, at best, you only found by accident while you were motorboating her—a tip you probably read about on a wildly hetero blog called something like Manliness 101, where that same expert also said, with absolute conviction, that the alphabet trick works.

I am nonbinary. I am a sex worker. I am Espi.

You will then find yourself turning across time, incrementally and gracefully, to aim ever more accurately at that tiny pinpoint, the X that marks the spot, the bull’s-eye, and the center of the cross; to aim at the highest value of which you can conceive. You will pursue a target that is both moving and receding: moving, because you do not have the wisdom to aim in the proper direction when you first take aim; receding, because no matter how close you come to perfecting what you are currently practicing, new vistas of possible perfection will open up in front of you. Discipline and transformation will nonetheless lead you inexorably forward. With will and luck, you will find a story that is meaningful and productive, improves itself with time, and perhaps even provides you with more than a few moments of satisfaction and joy. With will and luck, you will be the hero of that story, the disciplined sojourner, the creative transformer, and the benefactor of your family and broader society.

1/11/2020 X Marks the Spot Sound Tangler Riddle-Puzzle The X: The idea of this puzzle is like trying to say something awkward 10 times, but here each X entry has its own subtle pronunciation, which would limber up any tongue in the X-ese language. Another approach is to write them out in whatever order you want pronunciation as you go. You will find both confusingly challenging. X (chi/ki, now YZ indeed? eks, plural exes): eks __ ks gz kzh k/sh h z gzh kh kh eks __ ks gz kzh k/sh h z gzh gzh kh eks __ ks gz kzh ks/h h z z gzh kh eks __ ks gz kzh k/sh h h z gzh kh eks __ ks gz kzh k/sh k/sh h z gzh kh eks __ ks gz kzh kzh k/sh h z gzh kh eks __ ks gz gz kzh k/sh h z gzh kh eks __ xxxxxxxx8 marks the spot Sound Key: -X (own name; X-ray) not listed -(k)/eks (excite, extra, intellectual) -__ (silent: Sioux Falls, faux) -ks (exit, ox, xion, ction) -gz (exert, exaltation, auxillary, exhaust) -kzh (luxury, Tupuxuara-flying dinosaur) -k/sh (complexion, obnoxious, textual) -h (Don Quixote, Xavier) -z (xylophone, Xerox, Xanadu) -gzh (luxurious, luxuriate) -kh (chi, ki) (Overlapping is subtle) *Zenzizenzizenic8 –“the eighth power of a number.” See the archaic word site The Phrontistery online, a great collection of rare, obsolete and extinct words of all sorts. exit.... dlaurent 2 of 2 end

- To jego syn, Billy Miles - oznajmił Mulder. Scully musiała przyznać, że jest miłym facetem. Pełnym dobrej woli. Utalentowanym. Mającym serce na właściwym miejscu. Ale w głowie miał zdecydowanie nie po kolei.

Wybuch śmiechu zgiął ją w pół. Mulder spojrzał na nią i także zaczął chichotać. Stali w ciemnościach na cmentarzu, deszcz siąpił, a oni rechotali jak wariaci. - Wiesz co, całkiem nam odbiło - wykrztusiła wreszcie Scully. - I to jak - wydyszał Mulder. Wreszcie udało mu się złapać oddech. - No to chodź - powiedział. - Zbierajmy się. - Dokąd idziemy? - spytała Scully, nadal osłabiona po ataku śmiechu. - Tam gdzie nasze miejsce. Do czubków.

Powoli, ostrożnie podniósł wieko trumny. Scully patrzyła mu przez ramię. - Yyyych... - Nie potrafiła zdławić dźwięku, który wyrwał jej się z gardła. Nie mogła nic poradzić na to, że jej skórę pokrył zimny pot. Zobaczyła minę Muldera i poczuła się jeszcze gorzej. Wyglądał, jakby miał się rozpłakać ze szczęścia. Jakby otworzyły się przed nim bramy raju.

Scully zerknęła kątem oka na Muldera. Kiedy spał, wyglądał niewinnie i bezbronnie jak dziecko. Geniusz w opałach czy kłopotliwy szaleniec? Pozostało jej tylko czekać i obserwować.

I wish that, the way secret manuscripts ought to, the thing arrived on our laps bound in Moroccan leather, dusty and smelling of Muscilin and old fly-tying capes. That it was penned in permanent ink, calligraphied almost, in a neat and precise hand, filled with hand-drawn maps dotted with X spots and question marks, and with watercolour sketches instead of snapshots. Alas, no, it came in a much more contemporary and prosaic fashion, by email and as a spreadsheet file. Nevertheless, it had Gazza and me drooling with anticipation, because what it contained was priceless, so never mind the banal form and packaging.