β
If there's a book that you want to read, but it hasn't been written yet, then you must write it.
β
β
Toni Morrison
β
You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.
β
β
Madeleine L'Engle
β
but for my own part, if a book is well written, I always find it too short.
β
β
Jane Austen
β
Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Most books on witchcraft will tell you that witches work naked. This is because most books on witchcraft were written by men.
β
β
Neil Gaiman
β
The helpful thought for which you look
Is written somewhere in a book.
β
β
Edward Gorey
β
Tears are words that need to be written.
β
β
Paulo Coelho
β
For those who believe in God, most of the big questions are answered. But for those of us who can't readily accept the God formula, the big answers don't remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command nor faith a dictum. I am my own god. We are here to unlearn the teachings of the church, state, and our educational system. We are here to drink beer. We are here to kill war. We are here to laugh at the odds and live our lives so well that Death will tremble to take us.
β
β
Charles Bukowski
β
You do have a story inside you; it lies articulate and waiting to be written β behind your silence and your suffering.
β
β
Anne Rice
β
Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.
β
β
Rainer Maria Rilke
β
No matter how plain a woman may be, if truth and honesty are written across her face, she will be beautiful.
β
β
Eleanor Roosevelt
β
Remember this: Nothing is written in the stars. Not these stars, nor any others. No one controls your destiny.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years #1))
β
A serious and good philosophical work could be written consisting entirely of jokes.
β
β
Ludwig Wittgenstein
β
It was written I should be loyal to the nightmare of my choice.
β
β
Joseph Conrad (Heart of Darkness)
β
You don't find love, it finds you. It's got a little bit to do with destiny, fate, and what's written in the stars.
β
β
AnaΓ―s Nin
β
I hate writing, I love having written.
β
β
Dorothy Parker
β
Poetry is eternal graffiti written in the heart of everyone.
β
β
Lawrence Ferlinghetti (Americus, Book I)
β
There is no such thing as a moral or an immoral book.
Books are well written, or badly written. That is all.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
There is something in me maybe someday
to be written; now it is folded, and folded,
and folded, like a note in school.
β
β
Sharon Olds
β
And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Who says life is fair, where is that written?
β
β
William Goldman (The Princess Bride)
β
Let others pride themselves about how many pages they have written; I'd rather boast about the ones I've read.
β
β
Jorge Luis Borges
β
If I win, I'm a prodigy. If I lose, then I'm crazy. That's the way history is written.
β
β
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
β
Fools have a habit of believing that everything written by a famous author is admirable. For my part I read only to please myself and like only what suits my taste.
β
β
Voltaire (Candide)
β
Miracles are a retelling in small letters of the very same story which is written across the whole world in letters too large for some of us to see.
β
β
C.S. Lewis
β
The damage was permanent; there would always be scars. But even the angriest scars faded over time until it was difficult to see them written on the skin at all, and the only thing that remained was the memory of how painful it had been.
β
β
Jodi Picoult
β
We can destroy what we have written, but we cannot unwrite it.
β
β
Anthony Burgess (A Clockwork Orange)
β
This book was written using 100% recycled words.
β
β
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
β
History is always written by the winners. When two cultures clash, the loser is obliterated, and the winner writes the history books-books which glorify their own cause and disparage the conquered foe. As Napoleon once said, 'What is history, but a fable agreed upon?
β
β
Dan Brown (The da Vinci Code (Robert Langdon, #2))
β
I would have written you, myself, if I could put down in words everything I want to say to you. A sea of ink would not be enough.' 'But you built me dreams instead.
β
β
Erin Morgenstern (The Night Circus)
β
Writers fish for the right words like fishermen fish for, um, whatever those aquatic creatures with fins and gills are called. β¨
β
β
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
β
My task, which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel--it is, before all, to make you see.
β
β
Joseph Conrad (Lord Jim)
β
Poetry, she thought, wasn't written to be analyzed; it was meant to inspire without reason, to touch without understanding.
β
β
Nicholas Sparks (The Notebook (The Notebook, #1))
β
I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
The pages are still blank, but there is a miraculous feeling of the words being there, written in invisible ink and clamoring to become visible
β
β
Vladimir Nabokov
β
Maktub" (It is written.)
β
β
Paulo Coelho (The Alchemist)
β
I am on the highest branch.
We are written in paint.
I believe in signs.
The glow of Ultraviolet.
A lake. A prayer. It's so lovely to be lovely in Private.
β
β
Jennifer Niven (All the Bright Places)
β
But a lot of times, people die how they live. And so last words tell me a lot about who people were, and why they became the sort of people biographies get written about.
β
β
John Green (Looking for Alaska)
β
Someday I must read this scholar Everyone. He seems to have written so much--all of it wrong.
β
β
Tamora Pierce (Emperor Mage (Immortals, #3))
β
Lies written in ink cannot disguise facts written in blood.
β
β
Lu Xun
β
Human minds are more full of mysteries than any written book and more changeable than the cloud shapes in the air.
β
β
Louisa May Alcott (The Abbot's Ghost: A Christmas Story)
β
We are not written for one instrument alone; I am not, neither are you.
β
β
AndrΓ© Aciman (Call Me by Your Name)
β
Most books on witchcraft will tell you that witches work naked. This is because most books on witchcraft are written by men.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
With my last breath, Iβll exhale my love for you. I hope itβs a cold day, so you can see what you meant to me.β¨
β
β
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
β
The phrase 'see attached bibliography' is the single sexiest thing you have ever written to me.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
If a book is well written, I always find it too short.
β
β
Jane Austen (Sense and Sensibility)
β
Ideas aren't magical; the only tricky part is holding on to one long enough to get it written down.
β
β
Lynn Abbey
β
Let us never underestimate the power of a well-written letter.
β
β
Jane Austen (Persuasion)
β
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
Youβll get over itβ¦β Itβs the clichΓ©s that cause the trouble. To lose someone you love is to alter your life for ever. You donβt get over it because βitβ is the person you loved. The pain stops, there are new people, but the gap never closes. How could it? The particularness of someone who mattered enough to grieve over is not made anodyne by death. This hole in my heart is in the shape of you and no-one else can fit it. Why would I want them to?
β
β
Jeanette Winterson (Written on the Body)
β
Do you really believe ... that everything historians tell us about men β or about women β is actually true? You ought to consider the fact that these histories have been written by men, who never tell the truth except by accident.
β
β
Moderata Fonte (The Worth of Women: Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men (The Other Voice in Early Modern Europe))
β
History is written by the victors.
β
β
Walter Benjamin
β
You're alive, Bod. That means you have infinite potential. You can do anything, make anything, dream anything. If you can change the world, the world will change. Potential. Once you're dead, it's gone. Over. You've made what you've made, dreamed your dream, written your name. You may be buried here, you may even walk. But that potential is finished.
β
β
Neil Gaiman (The Graveyard Book)
β
I Wanna Hold Your Hand.β First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. Thatβs what everyone wants. Not 24-7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche or a blow job or a million-dollar crib. No. They wanna hold your hand. They have a feeling that they canβt hide.
β
β
Rachel Cohn (Nick & Norah's Infinite Playlist)
β
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake.
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?
We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.
They can keep their heaven. When I die, I'd sooner go to middle Earth.
β
β
George R.R. Martin
β
Tess, Tess, Tessa.
Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isnβt it β a heart ringing β but when you touch me that is what it is like: as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy.
Why have I written these words in this book? Because of you. You taught me to love this book where I had scorned it. When I read it for the second time, with an open mind and heart, I felt the most complete despair and envy of Sydney Carton. Yes, Sydney, for even if he had no hope that the woman he loved would love him, at least he could tell her of his love. At least he could do something to prove his passion, even if that thing was to die.
I would have chosen death for a chance to tell you the truth, Tessa, if I could have been assured that death would be my own. And that is why I envied Sydney, for he was free.
And now at last I am free, and I can finally tell you, without fear of danger to you, all that I feel in my heart.
You are not the last dream of my soul.
You are the first dream, the only dream I ever was unable to stop myself from dreaming. You are the first dream of my soul, and from that dream I hope will come all other dreams, a lifetimeβs worth.
With hope at least,
Will Herondale
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in the ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.
β
β
Diane Setterfield (The Thirteenth Tale)
β
Great books write themselves, only bad books have to be written.
β
β
F. Scott Fitzgerald
β
Written kisses don't reach their destination, rather they are drunk on the way by the ghosts.
β
β
Franz Kafka (Letters to Milena)
β
Men always say that as the defining compliment, donβt they? Sheβs a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like sheβs hosting the worldβs biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I donβt mind, Iβm the Cool Girl.
Men actually think this girl exists. Maybe theyβre fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men β friends, coworkers, strangers β giddy over these awful pretender women, and Iβd want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men whoβd like to believe that this kind of woman exists and might kiss them. Iβd want to grab the poor guy by his lapels or messenger bag and say: The bitch doesnβt really love chili dogs that much β no one loves chili dogs that much! And the Cool Girls are even more pathetic: Theyβre not even pretending to be the woman they want to be, theyβre pretending to be the woman a man wants them to be. Oh, and if youβre not a Cool Girl, I beg you not to believe that your man doesnβt want the Cool Girl. It may be a slightly different version β maybe heβs a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe heβs a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesnβt ever complain. (How do you know youβre not Cool Girl? Because he says things like: βI like strong women.β If he says that to you, he will at some point fuck someone else. Because βI like strong womenβ is code for βI hate strong women.β)
β
β
Gillian Flynn (Gone Girl)
β
History is written by the winners.
β
β
NapolΓ©on Bonaparte
β
Rhys lifted his head. "This is a bad idea."
Cassian winked. "That should be written on the Night Court crest.
β
β
Sarah J. Maas (A βCourt of Silver Flames (A Court of Thorns and Roses, #4))
β
A good book isn't written, it's rewritten.
β
β
Phyllis A. Whitney (Guide to Fiction Writing)
β
Do not believe in anything simply because you have heard it. Do not believe in anything simply because it is spoken and rumored by many. Do not believe in anything simply because it is found written in your religious books. Do not believe in anything merely on the authority of your teachers and elders. Do not believe in traditions because they have been handed down for many generations. But after observation and analysis, when you find that anything agrees with reason and is conducive to the good and benefit of one and all, then accept it and live up to it.
β
β
Gautama Buddha
β
In old days books were written by men of letters and read by the public. Nowadays books are written by the public and read by nobody.
β
β
Oscar Wilde
β
I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men."
"Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything.
β
β
Jane Austen (Persuasion)
β
Have patience with everything that remains unsolved in your heart. Try to love the questions themselves, like locked rooms and like books written in a foreign language. Do not now look for the answers. They cannot now be given to you because you could not live them. It is a question of experiencing everything. At present you need to live the question. Perhaps you will gradually, without even noticing it, find yourself experiencing the answer, some distant day.
β
β
Rainer Maria Rilke (Letters to a Young Poet)
β
The Doctor: Oh, now what's this, then? I love this. A big, flashy-lighty thing. That's what brought me here. Big, flashy-lighty things have got me written all over them. Not actually, but give me time... and a crayon.
β
β
Steven Moffat
β
Trout, incidentally, had written a book about a money tree. It had twenty-dollar bills for leaves. Its flowers were government bonds. Its fruit was diamonds. It attracted human beings who killed each other around the roots and made very good fertilizer.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
We are afraid of losing what we have, whether it's our life or our possessions and property. But this fear evaporates when we understand that our life stories and the history of the world were written by the same hand.
β
β
Paulo Coelho
β
What you risk reveals what you value.
β
β
Jeanette Winterson (Written on the Body)
β
For there is but one essential justice which cements society, and one law which establishes this justice. This law is right reason, which is the true rule of all commandments and prohibitions. Whoever neglects this law, whether written or unwritten, is necessarily unjust and wicked.
β
β
Marcus Tullius Cicero (Yasalar Γzerine)
β
You know the reason The Beatles made it so big?...'I Wanna Hold Your Hand.' First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. That's what everyone wants. Not 24/7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche...or a million-dollar crib. No. They wanna hold your hand. They have such a feeling that they can't hide. Every single successful song of the past fifty years can be traced back to 'I Wanna Hold Your Hand.' And every single successful love story has those unbearable and unbearably exciting moments of hand-holding.
β
β
David Levithan (Nick & Norah's Infinite Playlist)
β
I thought of all the others who had tried to tie her to the ground and failed. So I resisted showing her the songs and poems I had written, knowing that too much truth can ruin a thing. And if that meant she wasn't entirely mine, what of it? I would be the one she could always return to without fear of recrimination or question. So I did not try to win her and contented myself with playing a beautiful game. But there was always a part of me that hoped for more, and so there was a part of me that was always a fool.
β
β
Patrick Rothfuss (The Wise Manβs Fear (The Kingkiller Chronicle, #2))
β
She had written something that felt like I could have written it, except I knew I couldn't have. I wouldn't have come up with something like that. Which is what we all want from art, isnβt it? When someone pins down something that feels like it lives inside us? Takes a piece of your heart out and shows it to you? Itβs like they are introducing you to a part of yourself.
β
β
Taylor Jenkins Reid (Daisy Jones & The Six)
β
Sections in the bookstore
- Books You Haven't Read
- Books You Needn't Read
- Books Made for Purposes Other Than Reading
- Books Read Even Before You Open Them Since They Belong to the Category of Books Read Before Being Written
- Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered
- Books You Mean to Read But There Are Others You Must Read First
- Books Too Expensive Now and You'll Wait 'Til They're Remaindered
- Books ditto When They Come Out in Paperback
- Books You Can Borrow from Somebody
- Books That Everybody's Read So It's As If You Had Read Them, Too
- Books You've Been Planning to Read for Ages
- Books You've Been Hunting for Years Without Success
- Books Dealing with Something You're Working on at the Moment
- Books You Want to Own So They'll Be Handy Just in Case
- Books You Could Put Aside Maybe to Read This Summer
- Books You Need to Go with Other Books on Your Shelves
- Books That Fill You with Sudden, Inexplicable Curiosity, Not Easily Justified
- Books Read Long Ago Which It's Now Time to Re-read
- Books You've Always Pretended to Have Read and Now It's Time to Sit Down and Really Read Them
β
β
Italo Calvino (If on a Winterβs Night a Traveler)
β
Every day we slaughter our finest impulses. That is why we get a heartache when we read those lines written by the hand of a master and recognize them as our own, as the tender shoots which we stifled because we lacked the faith to believe in our own powers, our own criterion of truth and beauty. Every man, when he gets quiet, when he becomes desperately honest with himself, is capable of uttering profound truths. We all derive from the same source. there is no mystery about the origin of things. We are all part of creation, all kings, all poets, all musicians; we have only to open up, only to discover what is already there.
β
β
Henry Miller
β
He'd written me up a proposal of why dating him was a sound decision. It had included things like "I'll give up cigarettes unless I really, really need one" and "I'll unleash romantic surprises every week, such as: an impromptu picnic, roses, or a trip to Parisβbut not actually any of those things because now they're not surprises.
β
β
Richelle Mead (Spirit Bound (Vampire Academy, #5))
β
I beg you, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Donβt search for the answers, which could not be given to you now, because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.
β
β
Rainer Maria Rilke (Letters to a Young Poet)
β
Even now, all possible feelings do not yet exist, there are still those that lie beyond our capacity and our imagination. From time to time, when a piece of music no one has ever written or a painting no one has ever painted, or something else impossible to predict, fathom or yet describe takes place, a new feeling enters the world. And then, for the millionth time in the history of feeling, the heart surges and absorbs the impact.
β
β
Nicole Krauss (The History of Love)
β
For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.
Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.
A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.
A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.
A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.
So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.
β
β
Hermann Hesse (BΓ€ume: Betrachtungen und Gedichte)
β
The Buddhists say there are 149 ways to God. I'm not looking for God, only for myself, and that is far more complicated. God has had a great deal written about Him; nothing has been written about me. God is bigger, like my mother, easier to find, even in the dark. I could be anywhere, and since I can't describe myself I can't ask for help.
β
β
Jeanette Winterson (Sexing the Cherry)
β
And most of all, books. They were, in and of themselves, reasons to stay alive. Every book written is the product of a human mind in a particular state. Add all the books together and you get the end sum of humanity. Every time I read a great book I felt I was reading a kind of map, a treasure map, and the treasure I was being directed to was in actual fact myself.
β
β
Matt Haig (Reasons to Stay Alive)
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I am but paper. Brittle and thin. I am held up to the sun, and it shines right through me. I get written on, and I can never be used again. These scratches are a history. Theyβre a story. They tell things for others to read, but they only see the words, and not what the words are written upon. I am but paper, and though there are many like me, none are exactly the same. I am parched parchment. I have lines. I have holes. Get me wet, and I melt. Light me on fire, and I burn. Take me in hardened hands, and I crumple. I tear. I am but paper. Brittle and thin.
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T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
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Imagine the people who believe such things and who are not ashamed to ignore, totally, all the patient findings of thinking minds through all the centuries since the Bible was written. And it is these ignorant people, the most uneducated, the most unimaginative, the most unthinking among us, who would make themselves the guides and leaders of us all; who would force their feeble and childish beliefs on us; who would invade our schools and libraries and homes. I personally resent it bitterly.
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Isaac Asimov (The Roving Mind)
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Time that withers you will wither me. We will fall like ripe fruit and roll down the grass together. Dear friend, let me lie beside you watching the clouds until the earth covers us and we are gone.
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Jeanette Winterson (Written on the Body)
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Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn't concentrate on the moon. He was too distracted by the stars. And it didn't matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated.
One day, the boy had to move away. He couldn't bring the girl with him, so he brought the stars. When he'd look out his window at night, he would start with one. One star. And the boy would make a wish on it, and the wish would be her name.
At the sound of her name, a second star would appear. And then he'd wish her name again, and the stars would double into four. And four became eight, and eight became sixteen, and so on, in the greatest mathematical equation the universe had ever seen. And by the time an hour had passed, the sky would be filled with so many stars that it would wake the neighbors. People wondered who'd turned on the floodlights.
The boy did. By thinking about the girl.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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It was the pure Language of the World. It required no explanation, just as the universe needs none as it travels through endless time. What the boy felt at that moment was that he was in the presence of the only woman in his life, and that, with no need for words, she recognized the same thing. He was more certain of it than of anything in the world. He had been told by his parents and grandparents that he must fall in love and really know a person before becoming committed. But maybe people who felt that way had never learned the universal language. Because, when you know that language, it's easy to understand that someone in the world awaits you, whether it's in the middle of the desert or in some great city. And when two such people encounter each other, and their eyes meet, the past and the future become unimportant. There is only that moment, and the incredible certainty that everything under the sun has been written by one hand only. It is the hand that evokes love, and creates a twin soul for every person in the world. Without such love, one's dreams would have no meaning.
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Paulo Coelho (The Alchemist)
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Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly -- that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to oneself. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion -- these are the two things that govern us.
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Oscar Wilde (The Picture of Dorian Gray and Other Stories)
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I stared at the nose I'd seen bleeding only hours before, the violet eyes that had been so filled with pain. "Why?" I asked.
He knew what I meant, and shrugged. "Because when the legends get written, I didn't want to be remembered for standing on the sidelines. I want my future offspring to know that I was there, and that I fought against her at the end, even if I couldn't do anything useful."
I blinked, this time not at the brightness of the sun.
"Because," he went on, his eyes locked with mine, "I didn't want you to fight alone. Or die alone."
And for a moment, I remembered that faerie who had died in our foyer, and how I'd told Tamlin the same thing. "Thank you," I said, my throat tight.
Rhys flashed a grin that didn't quite reach his eyes. " I doubt you'll be saying that when I take you to the Night Court.
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Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
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...when your child dies, you feel everything you'd expect to feel, feelings so well-documented by so many others that I won't even bother to list them here, except to say that everything that's written about mourning is all the same, and it's all the same for a reason - because there is no read deviation from the text. Sometimes you feel more of one thing and less of another, and sometimes you feel them out of order, and sometimes you feel them for a longer time or a shorter time. But the sensations are always the same.
But here's what no one says - when it's your child, a part of you, a very tiny but nonetheless unignorable part of you, also feels relief. Because finally, the moment you have been expecting, been dreading, been preparing yourself for since the day you became a parent, has come.
Ah, you tell yourself, it's arrived. Here it is.
And after that, you have nothing to fear again.
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Hanya Yanagihara (A Little Life)
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Still, I wonder if we shall ever be put into songs or tales. We're in one, of course, but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: "Let's hear about Frodo and the Ring!" And they will say: "Yes, that's one of my favourite stories. Frodo was very brave, wasn't he, dad?" "Yes, my boy, the famousest of the hobbits, and that's saying a lot."
'It's saying a lot too much,' said Frodo, and he laughed, a long clear laugh from his heart. Such a sound had not been heard in those places since Sauron came to Middle-earth. To Sam suddenly it seemed as if all the stones were listening and the tall rocks leaning over them. But Frodo did not heed them; he laughed again. 'Why, Sam,' he said, 'to hear you somehow makes me as merry as if the story was already written. But you've left out one of the chief characters: Samwise the stouthearted. "I want to hear more about Sam, dad. Why didn't they put in more of his talk, dad? That's what I like, it makes me laugh. And Frodo wouldn't have got far without Sam, would he, dad?"'
'Now, Mr. Frodo,' said Sam, 'you shouldn't make fun. I was serious.'
'So was I,' said Frodo, 'and so I am.
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J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
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Many waters cannot quench love, neither can floods drown it. What then kills love? Only this: Neglect. Not to see you when you stand before me. Not to think of you in the little things. Not to make the road wide for you, the table spread for you. To choose you out of habit not desire, to pass the flower seller without a thought. To leave the dishes unwashed, the bed unmade, to ignore you in the mornings, make use of you at night. To crave another while pecking your cheek. To say your name without hearing it, to assume it is mine to call.
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Jeanette Winterson (Written on the Body)
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Your question is the most difficult in the world. It is not a question I can answer simply with yes or no. I am not an Atheist. I do not know if I can define myself as a Pantheist. The problem involved is too vast for our limited minds. May I not reply with a parable? The human mind, no matter how highly trained, cannot grasp the universe. We are in the position of a little child, entering a huge library whose walls are covered to the ceiling with books in many different tongues. The child knows that someone must have written those books. It does not know who or how. It does not understand the languages in which they are written. The child notes a definite plan in the arrangement of the books, a mysterious order, which it does not comprehend, but only dimly suspects. That, it seems to me, is the attitude of the human mind, even the greatest and most cultured, toward God. We see a universe marvelously arranged, obeying certain laws, but we understand the laws only dimly. Our limited minds cannot grasp the mysterious force that sways the constellations. I am fascinated by Spinoza's Pantheism. I admire even more his contributions to modern thought. Spinoza is the greatest of modern philosophers, because he is the first philosopher who deals with the soul and the body as one, not as two separate things.
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Albert Einstein
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I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and ats the horseradish loves the miyagi, and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged document, and the tears of sadness love the squinting eye as it misreads what is written.
I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp... I will love you until all such compartments are discovered and opened, and all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and rebuilt from the handsomest and most susceptible of woods. I will love you until the bird hates a nest and the worm hates an apple. I will love you as we find ourselves farther and farther from one another, where once we were so close... I will love you until your face is fogged by distant memory. I will love you no matter where you go and who you see, I will love you if you don't marry me. I will love you if you marry someone else--and i will love you if you never marry at all, and spend your years wishing you had married me after all. That is how I will love you even as the world goes on its wicked way.
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Lemony Snicket (The Beatrice Letters)
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I went to a tattoo parlor and had YES written onto the palm of my left hand, and NO onto my right palm, what can I say, it hasn't made my life wonderful, its made life possible, when I rub my hands against each other in the middle of winter I am warming myself with the friction of YES and NO, when I clap my hands I am showing my appreciation through the uniting and parting of YES and NO, I signify "book" by peeling open my hands, every book, for me, is the balance of YES and NO, even this one, my last one, especially this one. Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.
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Jonathan Safran Foer
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I'm sorry, but I don't want to be an emperor. That's not my business. I don't want to rule or conquer anyone. I should like to help everyone if possible; Jew, Gentile, black man, white. We all want to help one another. Human beings are like that. We want to live by each other's happiness, not by each other's misery. We don't want to hate and despise one another. In this world there is room for everyone, and the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men's souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The airplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men; cries out for universal brotherhood; for the unity of us all. Even now my voice is reaching millions throughout the world, millions of despairing men, women, and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say, do not despair. The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish. Soldiers! Don't give yourselves to brutes, men who despise you, enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder. Don't give yourselves to these unnatural men - machine men with machine minds and machine hearts! You are not machines, you are not cattle, you are men! You have the love of humanity in your hearts! You don't hate! Only the unloved hate; the unloved and the unnatural. Soldiers! Don't fight for slavery! Fight for liberty! In the seventeenth chapter of St. Luke, it is written that the kingdom of God is within man, not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy, let us use that power. Let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill that promise. They never will! Dictators free themselves but they enslave the people. Now let us fight to fulfill that promise. Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all men's happiness. Soldiers, in the name of democracy, let us all unite!
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Charlie Chaplin
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I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the worldβs cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table.
I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza.
I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey.
I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
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Lemony Snicket
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There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind.
If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged."
"I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks.
There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other.
But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world?
The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.
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Clarissa Pinkola EstΓ©s (Women Who Run With the Wolves)
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Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.Β
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the parkβs wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read βKinship of the Serpentβ. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?Β Worse, would they expect me to redon the life Iβve shed? Staring at that sign, I pissed in the street like the Mearan savage Iβve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsaβs lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.Β The woman wasnβt a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.Β
She refused, βI take naught for naught,β and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. βWhat do you desire, O Noble Born?β
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
Β βNay, Noble One. You must choose.β She lifted a strand of red beads. βThese to adorn your ladyβs bosom?β
Β Β Β Β Β Β Β Β Β Β Β I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldnβt ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. βBe this worthy of desire, Noble Born?β
Β I stood stunned a moment, then touched the crescent stamped into the leather and asked if sheβd stolen the book. She denied it. Iβve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
βTake it,β she urged. βRecord your deeds for study. Lo, the steps of your life mark the journey of your soul.β
Β I told her I couldnβt afford the book, but she smiled as if poverty were a blessing and said, βThe price be one copper. Tis a wee price for salvation, Noble One.β
Β So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didnβt. I promised to record my deeds. But I canβt. The price is too high.
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K. Ritz (Sheever's Journal, Diary of a Poison Master)