Written In Her Name Book Quotes

Tess, Tess, Tessa. Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isn’t it – a heart ringing – but when you touch me that is what it is like: as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy. Why have I written these words in this book? Because of you. You taught me to love this book where I had scorned it. When I read it for the second time, with an open mind and heart, I felt the most complete despair and envy of Sydney Carton. Yes, Sydney, for even if he had no hope that the woman he loved would love him, at least he could tell her of his love. At least he could do something to prove his passion, even if that thing was to die. I would have chosen death for a chance to tell you the truth, Tessa, if I could have been assured that death would be my own. And that is why I envied Sydney, for he was free. And now at last I am free, and I can finally tell you, without fear of danger to you, all that I feel in my heart. You are not the last dream of my soul. You are the first dream, the only dream I ever was unable to stop myself from dreaming. You are the first dream of my soul, and from that dream I hope will come all other dreams, a lifetime’s worth. With hope at least, Will Herondale

he met with the Devill, and cheated him of his Booke, wherein were written all the Witches names in England, and if he looks on any Witch, he can tell by her countenance what she is.

On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.

Don't be afraid to make corrections! Whether the voice came from her memory or was a last whisper from the blinding new star far above, Nita never knew. But she knew what to do. While Kit was still on the first part of the name she pulled out her pen, her best pen that Fred had saved and changed. She clicked it open. The metal still tingled against her skin, the ink at the point still glittered oddly- the same glitter as the ink with which the bright Book was written. Nita bent quickly over the Book and with the pen, in lines of light, drew from the final circle an arrow pointing up-ward, the way out, the symbol that said change could happen- if, only if-

This century will be called Darwin's century. He was one of the greatest men who ever touched this globe. He has explained more of the phenomena of life than all of the religious teachers. Write the name of Charles Darwin on the one hand and the name of every theologian who ever lived on the other, and from that name has come more light to the world than from all of those. His doctrine of evolution, his doctrine of the survival of the fittest, his doctrine of the origin of species, has removed in every thinking mind the last vestige of orthodox Christianity. He has not only stated, but he has demonstrated, that the inspired writer knew nothing of this world, nothing of the origin of man, nothing of geology, nothing of astronomy, nothing of nature; that the Bible is a book written by ignorance--at the instigation of fear. Think of the men who replied to him. Only a few years ago there was no person too ignorant to successfully answer Charles Darwin, and the more ignorant he was the more cheerfully he undertook the task. He was held up to the ridicule, the scorn and contempt of the Christian world, and yet when he died, England was proud to put his dust with that of her noblest and her grandest. Charles Darwin conquered the intellectual world, and his doctrines are now accepted facts. His light has broken in on some of the clergy, and the greatest man who to-day occupies the pulpit of one of the orthodox churches, Henry Ward Beecher, is a believer in the theories of Charles Darwin--a man of more genius than all the clergy of that entire church put together. ...The church teaches that man was created perfect, and that for six thousand years he has degenerated. Darwin demonstrated the falsity of this dogma. He shows that man has for thousands of ages steadily advanced; that the Garden of Eden is an ignorant myth; that the doctrine of original sin has no foundation in fact; that the atonement is an absurdity; that the serpent did not tempt, and that man did not 'fall.' Charles Darwin destroyed the foundation of orthodox Christianity. There is nothing left but faith in what we know could not and did not happen. Religion and science are enemies. One is a superstition; the other is a fact. One rests upon the false, the other upon the true. One is the result of fear and faith, the other of investigation and reason.

The world has held great Heroes, As history-books have showed; But never a name to go down to fame Compared with that of Toad! The clever men at Oxford Know all that there is to be knowed. But they none of them know one half as much As intelligent Mr. Toad! The animals sat in the Ark and cried, Their tears in torrents flowed. Who was it said, 'There's land ahead?' Encouraging Mr. Toad! The army all saluted As they marched along the road. Was it the King? Or Kitchener? No. It was Mr. Toad. The Queen and her Ladies-in-waiting Sat at the window and sewed. She cried, 'Look! who's that handsome man?' They answered, 'Mr. Toad.' There was a great deal more of the same sort, but too dreadfully conceited to be written down. These are some of the milder verses.

God exacted interest like a loanshark, you paid and kept paying and still He broke all yr bones, one Yom Kippur, at the beginning of her 30th year, God had written her name once again in the book of loss, Bertha Schneider, let her lose everything, God had written in that pedestrian prose of His. rub it in, pile it on, and let her eat cake, the kind wrapped in plastic, God had scratched in the margin.

Anna held up a small black-bound memorandum book. Cordelia hadn’t even seen her retrieve it. They strode out of the bedroom, Anna waving the book over her head in triumph. “This,” she announced, “will hold the answers to all our questions.” Matthew looked up, his eyes fever-bright. “Is this your list of conquests?” “Of course not,” Anna declared. “It’s a memorandum book… about my conquests. That is an important but meaningful distinction.” Anna flipped through the book. There were many pages, and many names written in a bold, sprawling hand. “Hmm, let me see. Katherine, Alicia, Virginia—a very promising writer, you should look out for her work, James—Mariane, Virna, Eugenia—” “Not my sister Eugenia?” Thomas nearly upended his cake. “Oh, probably not,” Anna said. “Laura, Lily… ah, Hypatia. Well, it was a brief encounter, and I suppose you might say she seduced me.…” “Well, that hardly seems fair,” said James. “Like someone solving a case before Sherlock Holmes. If I were you I would feel challenged, as if to a duel.” Matthew chuckled. Anna gave James a dark look. “I know what you’re trying to do,” she said. “Is it working?” said James. “Possibly,” said Anna, regarding the book. Cordelia couldn’t help but wonder: Was Ariadne’s name in there? Was she considered a conquest now, or something—someone—else?

Yes. I'm not unhappy about becoming old. I'm not unhappy about what must be. It makes me cry only when I see my friends go before me and life is emptied. I don't believe in an afterlife, but I still fully expect to see my brother again. And it's like a dream life. I am reading a biography of Samuel Palmer, which is written by a woman in England. I can't remember her name. And it's sort of how I feel now, when he was just beginning to gain his strength as a creative man and beginning to see nature. But he believed in God, you see, and in heaven, and he believed in hell. Goodness gracious, that must have made life much easier. It's harder for us nonbelievers. But, you know, there's something I'm finding out as I'm aging that I am in love with the world. And I look right now, as we speak together, out my window in my studio and I see my trees and my beautiful, beautiful maples that are hundreds of years old, they're beautiful. And you see I can see how beautiful they are. I can take time to see how beautiful they are. It is a blessing to get old. It is a blessing to find the time to do the things, to read the books, to listen to the music. You know, I don't think I'm rationalizing anything. I really don't. This is all inevitable and I have no control over it.

Dear Jim." The writing grew suddenly blurred and misty. And she had lost him again--had lost him again! At the sight of the familiar childish nickname all the hopelessness of her bereavement came over her afresh, and she put out her hands in blind desperation, as though the weight of the earth-clods that lay above him were pressing on her heart. Presently she took up the paper again and went on reading: "I am to be shot at sunrise to-morrow. So if I am to keep at all my promise to tell you everything, I must keep it now. But, after all, there is not much need of explanations between you and me. We always understood each other without many words, even when we were little things. "And so, you see, my dear, you had no need to break your heart over that old story of the blow. It was a hard hit, of course; but I have had plenty of others as hard, and yet I have managed to get over them,--even to pay back a few of them,--and here I am still, like the mackerel in our nursery-book (I forget its name), 'Alive and kicking, oh!' This is my last kick, though; and then, tomorrow morning, and--'Finita la Commedia!' You and I will translate that: 'The variety show is over'; and will give thanks to the gods that they have had, at least, so much mercy on us. It is not much, but it is something; and for this and all other blessings may we be truly thankful! "About that same tomorrow morning, I want both you and Martini to understand clearly that I am quite happy and satisfied, and could ask no better thing of Fate. Tell that to Martini as a message from me; he is a good fellow and a good comrade, and he will understand. You see, dear, I know that the stick-in-the-mud people are doing us a good turn and themselves a bad one by going back to secret trials and executions so soon, and I know that if you who are left stand together steadily and hit hard, you will see great things. As for me, I shall go out into the courtyard with as light a heart as any child starting home for the holidays. I have done my share of the work, and this death-sentence is the proof that I have done it thoroughly. They kill me because they are afraid of me; and what more can any man's heart desire? "It desires just one thing more, though. A man who is going to die has a right to a personal fancy, and mine is that you should see why I have always been such a sulky brute to you, and so slow to forget old scores. Of course, though, you understand why, and I tell you only for the pleasure of writing the words. I loved you, Gemma, when you were an ugly little girl in a gingham frock, with a scratchy tucker and your hair in a pig-tail down your back; and I love you still. Do you remember that day when I kissed your hand, and when you so piteously begged me 'never to do that again'? It was a scoundrelly trick to play, I know; but you must forgive that; and now I kiss the paper where I have written your name. So I have kissed you twice, and both times without your consent. "That is all. Good-bye, my dear" Then am I A happy fly, If I live Or if I die

Her sister Lea had an ancient book of myths and legends, and there was all kinds of info in there - of course Lea had written that book herself, so how much could it be counted on for accuracy? For instance, under the heading of "Gods and Demigods,” you could find entries for The Beatles, Pink Floyd, and Led Zeppelin. She'd also added a new "tribe" consisting of her favorite cartoon characters, naming them The Animatus.

Their daughter was born just before sunrise. She had skin the color of cedarwood and eyes like wheat. They named her for an old, half-forgotten god from Ade's own world, whom Yule had studied once in an ancient text preserved in Nin's archives. He was a strange god, depicted in the faded manuscript with two faces staring both backward and forward. He presided not over once particular domain but over the places between- past and present, here and there, endings and beginnings- over doorways, in short. But Ade thought Janus sounded too much like Jane, and she'd be damned if any daughter of hers would be named Jane. They named her after the god's own month instead: January. Oh, my sweet daughter, my perfect January, I would beg for your forgiveness, but I lack the courage. All I can ask for is your belief. Believe in doors and worlds and the Written. Believe most of all in our love for you- even if the only evidence we've left you is contained in the book you now hold.

The Virgin Mary is called the [Greek words] (the "book of the Word of life") by the Greek Church. The book of the Gospel, the book of Christ's origins and life, can be written and proclaimed because God has first written his living Word in the living book of the Virgin's being, which she has offered to her Lord in all its purity and humility—the whiteness of a chaste, empty page. If the name of Mary does not often appear in the pages of the Gospel as evident participant in the action, it is because she is the human ground of humility and obedience upon which every letter of Christ's life is written. She is the Theotokos, too, in the sense that she is the book that bears, and is inscribed with, the Word of God. She keeps her silence that he might resonate the more plainly within her.

a quotation that had been her favorite, written by the poet she most admired. Unable are the Loved to die For Love is Immortality. Unbeknownst to Jet, Franny had added another line beneath her sister’s name. Beloved by all.

A ‘library’ turned out to be a room where books were read. The fact that people used to have so many books that they needed a whole separate room just to store them, much less a word for the room, said everything Lan guessed she needed to know about the way the world used to be. In Norwood, loose pictures and salvaged magazines were locked up like other valuables. The mayor had a few books, including the town ledger where Lan’s own name had been written on the day of her birth and presumably crossed out along with her mother’s the day she’d left, but all of them together could have fit on one shelf. Here was a room the size of the dining hall, two stories tall and lined in bookshelves, with ladders on runners along every wall so that no shelf was out of reach. These were books that could not be measured in hundreds or even thousands, but in some greater number that had no name. If only she knew how to read.

One afternoon in the fall of 2015, while I was writing this book, I was driving in my car and listening to SiriusXM Radio. On the folk music station the Coffee House, a song came on with a verse that directly spoke to me—so much so that I pulled off the road as soon as I could and wrote down the lyrics and the singer’s name. The song was called “The Eye,” and it’s written by the country-folk singer Brandi Carlile and her bandmate Tim Hanseroth and sung by Carlile. I wish it could play every time you open these pages, like a Hallmark birthday card, because it’s become the theme song of this book. The main refrain is: I wrapped your love around me like a chain But I never was afraid that it would die You can dance in a hurricane But only if you’re standing in the eye. I hope that it is clear by now that every day going forward we’re going to be asked to dance in a hurricane, set off by the accelerations in the Market, Mother Nature, and Moore’s law. Some politicians propose to build a wall against this hurricane. That is a fool’s errand. There is only one way to thrive now, and it’s by finding and creating your own eye. The eye of a hurricane moves, along with the storm. It draws energy from it, while creating a sanctuary of stability inside it. It is both dynamic and stable—and so must we be. We can’t escape these accelerations. We have to dive into them, take advantage of their energy and flows where possible, move with them, use them to learn faster, design smarter, and collaborate deeper—all so we can build our own eyes to anchor and propel ourselves and our families confidently forward.

When I was a child, I believed God would set everything right. When I found out about the Nakba, I was sure that one day my friend Ahmad's grandmother would be able to return to her house in Palestine. I waited for the day our teachers would explain the theft of the land we lived on, the way our textbooks spoke about Indigenous people like they no longer existed and all the books we read were written by dead white men. I was sure that the school bullies would be punished, that the police would stop pulling over my Black friends' parents late at night, and that my classmates with undocumented aunties or grandparents would one day be able to stop worrying they'd be taken away. Allah is the remover of obstacles. But after the fire, after your burial, after the police dismissed the threats you'd received—by then I'd understood for a long time who had built this system, and for whom, and I'd long since let go of my ideas of justice.

Anne Cromwell sits with him, as the rain falls, and writes her beginner's Latin in her copy book. By St John's Day she knows all common verbs. She is quicker than her brother and he tells her so. ‘Let me see,’ he says, holding out his hand for her book. He finds that she has written her name over and over, ‘Anne Cromwell, Anne Cromwell …

His fingers brush over the letters of his name, as hers must have a hundred times before, and then he bends his head and weeps for the childhood he lost, for the mother who never stopped loving him, who kept what she could of him no matter what. This is what she had to her name when she died: a tin cup, a kerchief, and her son’s name written in his book.

….unable to find a title for her last published novel, she wrote six lines which included her eventual title The Birds Fall Down. These lines were attributed to Conway Power (the name she generally appended to her poetry, even in her private notebooks), from a non-existent poem called ‘Guide to a Disturbed Planet.’ When the novel was published she had fun deflecting the enquiries of readers who wanted to know how to find the works of Conway Power. One was told a long story: Conway Power was a landowner in a remote area who had written thousands of poems and destroyed most of them. He had left some of them with her, given his property to a nephew, and gone abroad. ‘If I can trace the book (if there is a book) I’ll let you know.

What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?

Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth. Think of your mother, who had no father. And your grandmother, who was abandoned by her father. And your grandfather, who was left behind by his father. And think of how Prince's daughter was now drafted into those solemn ranks and deprived of her birthright — that vessel which was her father, which brimmed with twenty-five years of love and was the investment of her grandparents and was to be her legacy.

Do you know what kind of a world we live in? We live in a world where, if a man came up with a sure cure for cancer, and if that man were found to be married to his sister, his neighbors would righteously burn down his house and all his notes. If a man built the most beautiful tower in the country, and that man later begins to believe that Satan should be worshipped, they’ll blow up his tower. I know a great and moving book written by a woman who later went quite crazy and wrote crazy books, and nobody will read her great one any more. I can name three kinds of mental therapy that could have changed the face of the earth, and in each case the men who found it went on to insane Institutes and so-called religions and made fools of themselves—dangerous fools at that—and now no one will look at their really great early discoveries. Great politicians have been prevented from being great statesmen because they were divorced. And I wasn’t going to have the Mensch machine stolen or buried or laughed at and forgotten just because I had long hair and played the lute. You know, it’s easy to have long hair and play the lute and be kind to people when everyone else around you is doing it. It’s a much harder thing to be the one who does it first, because then you have to pay a price, you get jeered at and they throw stones and shut you out.

My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.) The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning... I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy. I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more. This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less. These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...

It's a new spellbook that's circulating, written for ordinary people. Supposed to have a lot to do with plants and gardens and such, and since, you know, the whole greenhouse thing... I thought it could be useful. Found it in an adorable jam shop, and I couldn't say no." "The laws have changed that much?" Terlu gawked at the book. It was titled simply Spells from Caltrey. She wasn't sure where Caltrey was--- it wasn't an island name that she recognized. "Yep," Marin said. This was proof, here in her hands. A spellbook for an ordinary person. "Brand-new world out there. A second chance for a whole lot of people, not just you.

This book is fiction and all the characters are my own, but it was inspired by the story of the Dozier School for Boys in Marianna, Florida. I first heard of the place in the summer of 2014 and discovered Ben Montgomery’s exhaustive reporting in the Tampa Bay Times. Check out the newspaper’s archive for a firsthand look. Mr. Montgomery’s articles led me to Dr. Erin Kimmerle and her archaeology students at the University of South Florida. Their forensic studies of the grave sites were invaluable and are collected in their Report on the Investigation into the Deaths and Burials at the Former Arthur G. Dozier School for Boys in Marianna, Florida. It is available at the university’s website. When Elwood reads the school pamphlet in the infirmary, I quote from their report on the school’s day-to-day functions. Officialwhitehouseboys.org is the website of Dozier survivors, and you can go there for the stories of former students in their own words. I quote White House Boy Jack Townsley in chapter four, when Spencer is describing his attitude toward discipline. Roger Dean Kiser’s memoir, The White House Boys: An American Tragedy, and Robin Gaby Fisher’s The Boys of the Dark: A Story of Betrayal and Redemption in the Deep South (written with Michael O’McCarthy and Robert W. Straley) are excellent accounts. Nathaniel Penn’s GQ article “Buried Alive: Stories From Inside Solitary Confinement” contains an interview with an inmate named Danny Johnson in which he says, “The worst thing that’s ever happened to me in solitary confinement happens to me every day. It’s when I wake up.” Mr. Johnson spent twenty-seven years in solitary confinement; I have recast that quote in chapter sixteen. Former prison warden Tom Murton wrote about the Arkansas prison system in his book with Joe Hyams called Accomplices to the Crime: The Arkansas Prison Scandal. It provides a ground’s-eye view of prison corruption and was the basis of the movie Brubaker, which you should see if you haven’t. Julianne Hare’s Historic Frenchtown: Heart and Heritage in Tallahassee is a wonderful history of that African-American community over the years. I quote the Reverend Martin Luther King Jr. a bunch; it was energizing to hear his voice in my head. Elwood cites his “Speech Before the Youth March for Integrated Schools” (1959); the 1962 LP Martin Luther King at Zion Hill, specifically the “Fun Town” section; his “Letter from Birmingham Jail”; and his 1962 speech at Cornell College. The “Negroes are Americans” James Baldwin quote is from “Many Thousands Gone” in Notes of a Native Son. I was trying to see what was on TV on July 3, 1975. The New York Times archive has the TV listings for that night, and I found a good nugget.

In 2003, while working on my third book of poetry, I read an essay on Wheatley written by Henry Louis Gates, Jr., in The New Yorker. It was an excerpt from his soon-to-be-published book, a treatment of Wheatley juxtaposed against the racism of Enlightenment scholars such as Immanuel Kant, and more specifically, Thomas Jefferson. As someone who explored American history in my poetry, I found Gates’s thesis fascinating: He believed Wheatley was important in dispelling derisive eighteenth-century notions about black humanity; her poetry had rebutted Kant’s ordering of the nations with Africans down at the very bottom. Because of Wheatley’s important symbolism for black humanity, Thomas Jefferson’s negative response to Wheatley’s poetry—“[t]he compositions published under her name are below the dignity of criticism”—was a symbol as well. It meant that the struggle for black equality on all fronts was not yet won.

What is a novel, anyway? Only a very foolish person would attempt to give a definitive answer to that, beyond stating the more or less obvious facts that it is a literary narrative of some length which purports, on the reverse of the title page, not to be true, but seeks nevertheless to convince its readers that it is. It's typical of the cynicism of our age that, if you write a novel, everyone assumes it's about real people, thinly disguised; but if you write an autobiography everyone assumes you're lying your head off. Part of this is right, because every artist is, among other things, a con-artist. We con-artists do tell the truth, in a way; but, as Emily Dickenson said, we tell it slant. By indirection we find direction out -- so here, for easy reference, is an elimination-dance list of what novels are not. -- Novels are not sociological textbooks, although they may contain social comment and criticism. -- Novels are not political tracts, although "politics" -- in the sense of human power structures -- is inevitably one of their subjects. But if the author's main design on us is to convert us to something -- - whether that something be Christianity, capitalism, a belief in marriage as the only answer to a maiden's prayer, or feminism, we are likely to sniff it out, and to rebel. As Andre Gide once remarked, "It is with noble sentiments that bad literature gets written." -- Novels are not how-to books; they will not show you how to conduct a successful life, although some of them may be read this way. Is Pride and Prejudice about how a sensible middle-class nineteenth-century woman can snare an appropriate man with a good income, which is the best she can hope for out of life, given the limitations of her situation? Partly. But not completely. -- Novels are not, primarily, moral tracts. Their characters are not all models of good behaviour -- or, if they are, we probably won't read them. But they are linked with notions of morality, because they are about human beings and human beings divide behaviour into good and bad. The characters judge each other, and the reader judges the characters. However, the success of a novel does not depend on a Not Guilty verdict from the reader. As Keats said, Shakespeare took as much delight in creating Iago -- that arch-villain -- as he did in creating the virtuous Imogen. I would say probably more, and the proof of it is that I'd bet you're more likely to know which play Iago is in. -- But although a novel is not a political tract, a how-to-book, a sociology textbook or a pattern of correct morality, it is also not merely a piece of Art for Art's Sake, divorced from real life. It cannot do without a conception of form and a structure, true, but its roots are in the mud; its flowers, if any, come out of the rawness of its raw materials. -- In short, novels are ambiguous and multi-faceted, not because they're perverse, but because they attempt to grapple with what was once referred to as the human condition, and they do so using a medium which is notoriously slippery -- namely, language itself.

You will tell me that there always exists a chasm between the world depicted in novels and films and the world that people actually live in. It is the chasm between the world mediated by art and the world unmediated by art, formless and drab. You are absolutely right. The gap that my mother felt was not necessarily any deeper than the gap felt by a European girl who loved books and films. Yet there is one critical difference. For in my mother's case, the chasm between the world of art and real life also symbolized something more: the asymmetrical relationship I mentioned earlier—the asymmetrical relationship between those who live only in a universal temporality and those who live in both a universal and a particular one. To make this discussion a little more concrete, let me introduce a character named Francoise. Francoise is a young Parisienne living before World War II. Like my mother, she loves reading books and watching films. Also like my mother, she lives in a small apartment with her mother, who is old, shabby looking, and illiterate. One day Francoise, full of artistic aspirations, writes an autobiographical novel. It is the tale of her life torn between the world of art and the world of reality. (Not an original tale, I must say.) The novel is well received in France. Several hundred Japanese living in Japan read this novel in French, and one of them decides to translate it into Japanese. My mother reads the novel. She identifies with the heroine and says to herself, "This girl is just like me!" Moved, my mother, also full of artistic aspirations, writes her own autobiography. That novel is well received in Japan but is not translated into French—or any other European language, for that matter. The number of Europeans who read Japanese is just too small. Therefore, only Japanese readers can share the plight of my mother's life. For other readers in the world, it's as if her novel never existed. It's as if she herself never existed. Even if my mother had written her novel first, Francoise would never have read it and been moved by it.

Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter? Thomas Schell: What would this place be if everyone had the same haircut? Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or... Thomas Schell: Let's go do something. Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright. Thomas Schell: Let's leave it there then. Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find... Thomas Schell: ...they wouldn't be worth finding. Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.

Benjamin Munro was his name. She mouthed the syllables silently, Benjamin James Munro, twenty-six years old, late of London. He had no dependents, was a hard worker, a man not given to baseless talk. He'd been born in Sussex and grown up in the Far East, the son of archaeologists. He liked green tea, the scent of jasmine, and hot days that built towards rain. He hadn't told her all of that. He wasn't one of those pompous men who bassooned on about himself and his achievements as if a girl were just a pretty-enough face between a pair of willing ears. Instead, she'd listened and observed and gleaned, and, when the opportunity presented, crept inside the storehouse to check the head gardener's employment book. Alice had always fancied herself a sleuth, and sure enough, pinned behind a page of Mr. Harris's careful planting notes, she'd found Benjamin Munro's application. The letter itself had been brief, written in a hand Mother would have deplored, and Alice had scanned the whole, memorizing the bits, thrilling at the way the words gave depth and color to the image she'd created and been keeping for herself, like a flower pressed between pages. Like the flower he'd given her just last month. "Look, Alice"- the stem had been green and fragile in his broad, strong hand- "the first gardenia of the season.

The Harlot Church, Mystery Babylon the Great and the Cup of Abominations in Revelation 17: The Bible says an apostate theocracy with a political, economic, military, and religious component will rise. John begins to describe the spiritual foundation of this global system in the Book of Revelation, stating: And there came one of the seven angels, which had the seven vials and talked with me, saying to me, ‘Come, I will show you the judgment of the great whore that sits on many waters: With whom the kings of the earth committed fornication, and the inhabitants of the earth have been made drunk with the wine of her fornication.’ So, he carried me away in the spirit into the wilderness: and I saw a woman sit on a scarlet-colored beast which was full of names of blasphemy, having seven heads and ten horns. The woman was arrayed in purple and scarlet color and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and the filthiness of her fornication: and on her forehead, was a name written, MYSTERY BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH. I saw the woman, drunken with the blood of the saints and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration. And the angel said to me, ‘Why did you marvel? I will tell you the mystery of the woman and the beast that carries her, which has the seven heads and the ten horns’ (17:1-7, AKJV).

When I was nineteen years old, I discovered a collection of books in the Harvard library written by Jacob Boehme. Do you know of him?" Naturally she knew of him. She had her own copies of these works in the White Acre library. She had read Boehme, though she never admired him. Jacob Boehme was a sixteenth-century cobbler from Germany who had mystical visions about plants. Many people considered him an early botanist. Alma's mother, on the other hand, had considered him a cesspool of residual medieval superstition. So there was considerable conflict of opinion surrounding Jacob Boehme. The old cobbler had believed in something he called "the signature of all things"- namely, that God had hidden clues for humanity's betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator's love. That is why so many medicinal plants resembled the diseases they were meant to cure, or the organs they were able to treat. Basil, with its liver-shaped leaves, is the obvious ministration for ailments of the liver. The celandine herb, which produces a yellow sap, can be used to treat the yellow discoloration brought on by jaundice. Walnuts, shaped like brains, are helpful for headaches. Coltsfoot, which grows near cold streams, can cure the coughs and chills brought on by immersion in ice water. 'Polygonum,' with its spattering of blood-red markings on the leaves, cures bleeding wounds of the flesh.

Eventually the girl-child will turn away from the Spirit-filled One. Her original spirituality will become confined within the acceptable lines of religion. She will be taught the right way to imagine and name god. “He” will be mediated to her through words, images, stories, and myths shaped, written, and spoken by men. She will adopt the god she is given. It is too dangerous to rebel. If she dares to venture out of the lines by communing with the spirit of a tree, the mysterious night sky, or her grandma, she will be labeled heretic, backslide, or witch. She is told: Prideful One, your grandma is not god; neither is your favorite star or rock. God has only one name and face. You shall have no gods before him. God is Father, Son, and Holy Ghost. He is found in the church, heavens, and holy book, not in you. God is the god of the fathers and sons; the daughters have no say in the matter. As it was in the beginning, it is now and ever shall be. The Spirit-Filled One falls asleep. Occasionally she awakens to remind the girl-child-turned-woman of what she once knew. These periodic reminders are painful. The woman fills her life with distractions so she will not hear the quiet inner voice, calling her to return home. Years later, new teachers enter the woman's life—a therapist, a self-help group, a support circle, a beloved friend, or perhaps this workbook. They remind her of what she once knew: Spirit-filled One, your grandma is god and so are your favorite star and rock. God has many names and many faces. God is Mother, Daughter, and Wise Old Crone. She is found in your mothers, in your daughters, and in you. She is Mother of all Living and blessed are her daughters. You are girl-woman made in her image. The spirit of the universe pulsates through you.

Her mother cleaved him, cracking open like a peach pit split the tender centre mewling, a monster turned a baby. They snatched up the infant, innocent, beastly, from Half World they fled, they fled to the Realm of Flesh. Gee could not stop the words in the terrible book from popping up in his mind. The images that formed filled him with fear and fascination. Confusion. A creeping sense of recognition. The déjà vu of dreams…. Half World. The words whispered, echoed inside him. Like something almost familiar. Something he’d forgotten— How could Popo do this to him? Gee pounded the heels of his fists on the thick table. He pounded and pounded until he could feel the physical pain. Maybe Popo had written this book herself…. Maybe it was an elaborate psychological experiment? Maybe she was a psychotic, abusive person. Those irregularities in his adoption…. There were no papers. He had no birth certificate. His grandmother had found someone to forge documents. It had cost a lot of money. Popo had kidnapped him from somewhere and his real parents were still looking for him, far far away. That made more sense than the gibberish book. He wasn’t a murderous monster from a different Realm! Ridiculous! Mad. Popo! he raged. You did this to me! It’s all your fault! That’s why he didn’t have a real name. Baby G. Like a foundling in a basket. Baby X. John Doe. Why hadn’t she given him a proper name? The school had written his name as “Gee” when they saw Ms. Wei, saw that his papers identified him only as “G.” They must have thought she was illiterate. Did the teachers think it would make him more Asian? Because it hadn’t! When he’d finally asked his popo about his real name, she had been silent for a long time. You must seek your own name, she finally said. When the time comes.

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.

Thou art my servant; I have chosen thee." Isaiah 41:9 If we have received the grace of God in our hearts, its practical effect has been to make us God's servants. We may be unfaithful servants, we certainly are unprofitable ones, but yet, blessed be his name, we are his servants, wearing his livery, feeding at his table, and obeying his commands. We were once the servants of sin, but he who made us free has now taken us into his family and taught us obedience to his will. We do not serve our Master perfectly, but we would if we could. As we hear God's voice saying unto us, "Thou art my servant," we can answer with David, "I am thy servant; thou hast loosed my bonds." But the Lord calls us not only his servants, but his chosen ones--"I have chosen thee." We have not chosen him first, but he hath chosen us. If we be God's servants, we were not always so; to sovereign grace the change must be ascribed. The eye of sovereignty singled us out, and the voice of unchanging grace declared, "I have loved thee with an everlasting love." Long ere time began or space was created God had written upon his heart the names of his elect people, had predestinated them to be conformed unto the image of his Son, and ordained them heirs of all the fulness of his love, his grace, and his glory. What comfort is here! Has the Lord loved us so long, and will he yet cast us away? He knew how stiffnecked we should be; he understood that our hearts were evil, and yet he made the choice. Ah! our Saviour is no fickle lover. He doth not feel enchanted for awhile with some gleams of beauty from his church's eye, and then afterwards cast her off because of her unfaithfulness. Nay, he married her in old eternity; and it is written of Jehovah, "He hateth putting away." The eternal choice is a bond upon our gratitude and upon his faithfulness which neither can disown.

The count, fearing to yield to the entreaties of her he had so ardently loved, called his sufferings to the assistance of his hatred. “Revenge yourself, then, Edmond,” cried the poor mother; “but let your vengeance fall on the culprits,—on him, on me, but not on my son!” “It is written in the good book,” said Monte Cristo, “that the sins of the fathers shall fall upon their children to the third and fourth generation. Since God himself dictated those words to his prophet, why should I seek to make myself better than God?” “Edmond,” continued Mercedes, with her arms extended towards the count, “since I first knew you, I have adored your name, have respected your memory. Edmond, my friend, do not compel me to tarnish that noble and pure image reflected incessantly on the mirror of my heart. Edmond, if you knew all the prayers I have addressed to God for you while I thought you were living and since I have thought you must be dead! Yes, dead, alas! I imagined your dead body buried at the foot of some gloomy tower, or cast to the bottom of a pit by hateful jailers, and I wept! What could I do for you, Edmond, besides pray and weep? Listen; for ten years I dreamed each night the same dream. I had been told that you had endeavored to escape; that you had taken the place of another prisoner; that you had slipped into the winding sheet of a dead body; that you had been thrown alive from the top of the Chateau d’If, and that the cry you uttered as you dashed upon the rocks first revealed to your jailers that they were your murderers. Well, Edmond, I swear to you, by the head of that son for whom I entreat your pity,—Edmond, for ten years I saw every night every detail of that frightful tragedy, and for ten years I heard every night the cry which awoke me, shuddering and cold. And I, too, Edmond—oh! believe me—guilty as I was—oh, yes, I, too, have suffered much!

CONFESSIONS OF A CLING-ON If a man is walking in a forest and makes a statement, but there is no woman around to hear it, is he still wrong? Or if a woman is walking in the forest and asks for something, and there is no man around to hear her, is she still needy? These Zen koans capture some of the frustrations people have with the opposite gender. And where is the dividing line between someone simply having a need, and someone being a needy person? Is it written in heaven somewhere what is too much need, too little need and just right amount of need for the “normal person?” Ask pop radio psychologists Dr. Laura, or Sally Jessie Rafael, or any number of experts who claim to know for sure, and you’ll get some very different answers. And isn’t it fun to see the new sophisticated ways our advanced culture is developing to make each other wrong? You better keep up with the latest technical terminology or you will be at the mercy of those who do. Whoever has read the latest most recent self-help book has the clear advantage. Example: Man: “Get real, would you! Your Venusian codependency has got you trapped in your learned helpless victim act, and indulging in your empowerment phobia again.” Woman: “When you call me codependent, I feel (notice the political correctness of the feeling word) that you are simply projecting your own disowned, unintegrated, emotionally unavailable Martian counterdependency to protect your inner ADD two year old from ever having to grow up. So there!” Speaking of diagnosis, remember the codependent. Worrying about codependency was like a virus that everyone had from about 1988 to 1994. Here’s a prayer to commemorate the codependent: The Codependent’s Prayer by Kelly Bryson Our Authority, which art in others, self-abandonment be thy name. Codependency comes when others’ will is done, At home, as it is in the workplace. give us this day our daily crumbs of love. And give us a sense of indebtedness, As we try to get others to feel indebted to us. And lead us not into freedom, but deliver us from awareness. For thine is the slavery and the weakness and the dependency, For ever and ever. Amen.

As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him such a fire as burns only once in a lifetime, without heat, flickering a red gold flame infinitely ethereal and insubstantial over Miss Pole; Antony and Cleopatra; and the Waterloo Road. He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink; he saw her, one summer evening, walking in a green dress in a square. “It has flowered,” the gardener might have said, had he opened the door; had he come in, that is to say, any night about this time, and found him writing; found him tearing up his writing; found him finishing a masterpiece at three o’clock in the morning and running out to pace the streets, and visiting churches, and fasting one day, drinking another, devouring Shakespeare, Darwin, The History of Civilisation, and Bernard Shaw.

In 1950, a thirty-year-old scientist named Rosalind Franklin arrived at King’s College London to study the shape of DNA. She and a graduate student named Raymond Gosling created crystals of DNA, which they bombarded with X-rays. The beams bounced off the crystals and struck photographic film, creating telltale lines, spots, and curves. Other scientists had tried to take pictures of DNA, but no one had created pictures as good as Franklin had. Looking at the pictures, she suspected that DNA was a spiral-shaped molecule—a helix. But Franklin was relentlessly methodical, refusing to indulge in flights of fancy before the hard work of collecting data was done. She kept taking pictures. Two other scientists, Francis Crick and James Watson, did not want to wait. Up in Cambridge, they were toying with metal rods and clamps, searching for plausible arrangements of DNA. Based on hasty notes Watson had written during a talk by Franklin, he and Crick put together a new model. Franklin and her colleagues from King’s paid a visit to Cambridge to inspect it, and she bluntly told Crick and Watson they had gotten the chemistry all wrong. Franklin went on working on her X-ray photographs and growing increasingly unhappy with King’s. The assistant lab chief, Maurice Wilkins, was under the impression that Franklin was hired to work directly for him. She would have none of it, bruising Wilkins’s ego and leaving him to grumble to Crick about “our dark lady.” Eventually a truce was struck, with Wilkins and Franklin working separately on DNA. But Wilkins was still Franklin’s boss, which meant that he got copies of her photographs. In January 1953, he showed one particularly telling image to Watson. Now Watson could immediately see in those images how DNA was shaped. He and Crick also got hold of a summary of Franklin’s unpublished research she wrote up for the Medical Research Council, which guided them further to their solution. Neither bothered to consult Franklin about using her hard-earned pictures. The Cambridge and King’s teams then negotiated a plan to publish a set of papers in Nature on April 25, 1953. Crick and Watson unveiled their model in a paper that grabbed most of the attention. Franklin and Gosling published their X-ray data in another paper, which seemed to readers to be a “me-too” effort. Franklin died of cancer five years later, while Crick, Watson, and Wilkins went on to share the Nobel prize in 1962. In his 1968 book, The Double Helix, Watson would cruelly caricature Franklin as a belligerent, badly dressed woman who couldn’t appreciate what was in her pictures. That bitter fallout is a shame, because these scientists had together discovered something of exceptional beauty. They had found a molecular structure that could make heredity possible.

A LITTLE BIT before Adeline made her unforgivable mistake, a billionaire named Sheryl Sandberg wrote a book called Lean In: Women, Work, and the Will to Lead. Sheryl Sandberg didn’t have much eumelanin in the basale stratum of her epidermis. In her book, Sheryl Sandberg proposed that women who weren’t billionaires could stop being treated like crap by men in the workplace if only they smiled more and worked harder and acted more like the men who treated them like crap. Billionaires were always giving advice to people who weren’t billionaires about how to become billionaires. It was almost always intolerable bullshit. SANDBERG BECAME A BILLIONAIRE by working for a company named Facebook. Facebook made its money through an Internet web and mobile platform which advertised cellphones, feminine hygiene products and breakfast cereals. This web and mobile platform was also a place where hundreds of millions of people offered up too much information about their personal lives. Facebook was invented by Mark Zuckerberg, who didn’t have much eumelanin in the basale stratum of his epidermis. What is your gender? asked Facebook. What is your relationship status? asked Facebook. What is your current city? asked Facebook. What is your name? asked Facebook. What are your favorite movies? asked Facebook. What is your favorite music? asked Facebook. What are your favorite books? asked Facebook. ADELINE’S FRIEND, the writer J. Karacehennem, whose last name was Turkish for Black Hell, had read an essay called “Generation Why?” by Zadie Smith, a British writer with a lot of eumelanin in the basale stratum of her epidermis. Zadie Smith’s essay pointed out that the questions Facebook asked of its users appeared to have been written by a 12-year-old. But these questions weren’t written by a 12-year-old. They were written by Mark Zuckerberg. Mark Zuckerberg was a billionaire. Mark Zuckerberg was such a billionaire that he was the boss of other billionaires. He was Sheryl Sandberg’s boss. J. Karacehennem thought that he knew something about Facebook that Zadie Smith, in her decency, hadn’t imagined. “The thing is,” said J. Karacehennem, whose last name was Turkish for Black Hell, “that we’ve spent like, what, two or three hundred years wrestling with existentialism, which really is just a way of asking, Why are we on this planet? Why are people here? Why do we lead our pointless lives? All the best philosophical and novelistic minds have tried to answer these questions and all the best philosophical and novelistic minds have failed to produce a working answer. Facebook is amazing because finally we understand why we have hometowns and why we get into relationships and why we eat our stupid dinners and why we have names and why we own idiotic cars and why we try to impress our friends. Why are we here, why do we do all of these things? At last we can offer a solution. We are on Earth to make Mark Zuckerberg and Sheryl Sandberg richer. There is an actual, measurable point to our striving. I guess what I’m saying, really, is that there’s always hope.

One can take the ape out of the jungle, but not the jungle out of the ape. This also applies to us, bipedal apes. Ever since our ancestors swung from tree to tree, life in small groups has been an obsession of ours. We can’t get enough of politicians thumping their chests on television, soap opera stars who swing from tryst to tryst, and reality shows about who’s in and who’s out. It would be easy to make fun of all this primate behavior if not for the fact that our fellow simians take the pursuit of power and sex just as seriously as we do. We share more with them than power and sex, though. Fellow-feeling and empathy are equally important, but they’re rarely mentioned as part of our biological heritage. We would much rather blame nature for what we don’t like in ourselves than credit it for what we do like. As Katharine Hepburn famously put it in The African Queen, ”Nature, Mr. Allnut, is what we are put in this world to rise above.” This opinion is still very much with us. Of the millions of pages written over the centuries about human nature, none are as bleak as those of the last three decades, and none as wrong. We hear that we have selfish genes, that human goodness is a sham, and that we act morally only to impress others. But if all that people care about is their own good, why does a day-old baby cry when it hears another baby cry? This is how empathy starts. Not very sophisticated perhaps, but we can be sure that a newborn doesn’t try to impress. We are born with impulses that draw us to others and that later in life make us care about them. The possibility that empathy is part of our primate heritage ought to make us happy, but we’re not in the habit of embracing our nature. When people commit genocide, we call them ”animals”. But when they give to the poor, we praise them for being ”humane”. We like to claim the latter behavior for ourselves. It wasn’t until an ape saved a member of our own species that there was a public awakening to the possibility of nonhuman humaneness. This happened on August 16, 1996, when an eight-year-old female gorilla named Binti Jua helped a three-year-old boy who had fallen eighteen feet into the primate exhibit at Chicago’s Brookfield Zoo. Reacting immediately, Binti scooped up the boy and carried him to safety. She sat down on a log in a stream, cradling the boy in her lap, giving him a few gentle back pats before taking him to the waiting zoo staff. This simple act of sympathy, captured on video and shown around the world, touched many hearts, and Binti was hailed as a heroine. It was the first time in U.S. history that an ape figured in the speeches of leading politicians, who held her up as a model of compassion. That Binti’s behavior caused such surprise among humans says a lot about the way animals are depicted in the media. She really did nothing unusual, or at least nothing an ape wouldn’t do for any juvenile of her own species. While recent nature documentaries focus on ferocious beasts (or the macho men who wrestle them to the ground), I think it’s vital to convey the true breadth and depth of our connection with nature. This book explores the fascinating and frightening parallels between primate behavior and our own, with equal regard for the good, the bad, and the ugly.

Tharion finished Sofie’s inbox, checked the junk folder, and then finally the trash. It was mostly empty. He clicked open her sent folder, and groaned at the tally. But he began reading again. Click after click after click. His phone chimed with an alert: thirty minutes until he needed to get into the water. He could reach the air lock in five minutes, if he walked fast. He could get through another few emails before then. Click, click, click. Tharion’s phone chimed again. Ten minutes. But he’d halted on an email dated three years ago. It was so simple, so nonsensical that it stood out. Subject: Re: Dusk’s Truth The subject line was weird. But the body of her email was even weirder. Working on gaining access. Will take time. That was it. Tharion scanned downward, toward the original message that Sofie had replied to. It had been sent two weeks before her reply. From: BansheeFan56 Subject: Dusk’s Truth Have you gotten inside yet? I want to know the full story. Tharion scratched his head, opened another window, and searched for Dusk’s Truth. Nothing. No record of a movie or book or TV show. He did a search on the email system for the sender’s name: BansheeFan56. Another half-deleted chain. This one originating from BansheeFan56. Subject: Project Thurr Could be useful to you. Read it. Sofie had replied: Just did. I think it’s a long shot. And the Six will kill me for it. He had a good feeling he knew who “the Six” referred to: the Asteri. But when Tharion searched online for Project Thurr, he found nothing. Only news reports on archaeological digs or art gallery exhibits featuring the ancient demigod. Interesting. There was one other email—in the drafts folder. BansheeFan56 had written: When you find him, lie low in the place I told you about—where the weary souls find relief from their suffering in Lunathion. It’s secure. A rendezvous spot? Tharion scanned what Sofie had started to reply, but never sent. Thank you. I’ll try to pass along the info to my She’d never finished it. There were any number of ways that sentence could have ended. But Sofie must have needed a place where no one would think to look for her and her brother. If Sofie Renast had indeed survived the Hind, she might well have come here, to this very city, with the promise of a safe place to hide. But this stuff about Project Thurr and Dusk’s Truth … He tucked those tidbits away for later. Tharion opened a search field within Declan’s program and typed in the sender’s address. He started as the result came in. Danika Fendyr.

Tess, Tess, Tessa. Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isn’t it – a heart ringing – but when you touch me that is what it is like: as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy. Why have I written these words in this book? Because of you. You taught me to love this book where I had scorned it. When I read it for the second time, with an open mind and heart, I felt the most complete despair and envy of Sydney Carton. Yes, Sydney, for even if he had no hope that the woman he loved would love him, at least he could tell her of his love. At least he could do something to prove his passion, even if that thing was to die. I would have chosen death for a chance to tell you the truth, Tessa, if I could have been assured that death would be my own. And that is why I envied Sydney, for he was free. And now at last I am free, and I can finally tell you, without fear of danger to you, all that I feel in my heart. You are not the last dream of my soul. You are the first dream, the only dream I ever was unable to stop myself from dreaming. You are the first dream of my soul, and from that dream I hope will come all other dreams, a lifetime’s worth. With hope at least, Will Herondale

The sole book now in Dorothy’s possession is a copy of Hamilton’s Mythology. A book she has loved since childhood, when she spied the tattered paperback in a bin in her local library, passed over by all the other kids for its ruined state. It says on the back, published in the U.S.A. She has learned to read this foreign language from this book, this book of myths. She loves each of the little chapters, how they are short, and self-contained, but also all fit together in a larger universe of gods and goddesses, spirits, lower and higher, deities of all types and their seconds, their assistants, their rivalries and hierarchies, their relative powers and weaknesses. Their petty squabbles and sordid doings and secret crushes. Every time she opens the book, she hopes to turn to a new page, a new god, a little tiny thing. She likes the minor gods the best, because they are easier to master, to learn everything about. She can search out and soak up all of the other things that other people had written or said about this minor god, and in that way become an authority on such a god. And when she becomes an authority someday, an expert in her own right, she thinks that maybe she might be able to make her own entry in the book. To create a tiny god from scratch. She has not named it yet. Perhaps the god of bus rides. The god of sponge baths, or maps, or minimum wage. The god of immigrants.

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Every time she opens the book, she hopes to turn to a new page, a new god, a little tiny thing. She likes the minor gods the best, because they are easier to master, to learn everything about. She can search out and soak up all of the other things that other people had written or said about this minor god, and in that way become an authority on such a god. And when she becomes an authority someday, an expert in her own right, she thinks that maybe she might be able to make her own entry in the book. To create a tiny god from scratch. She has not named it yet. Perhaps the god of bus rides. The god of sponge baths, or maps, or minimum wage. The god of immigrants.

She’d written her full name—Alice Cecilia Edevane—slowly, under Mother’s watchful eye, on the pale sepia line in the frontispiece, and felt immediately that she was now a more real person than she had been before. Mother objected to Alice’s habit of caressing her pocketed book because it made her look “shifty, like you’re up to no good,” a description Alice had decided she didn’t mind one bit. Her mother’s disapproval was merely a bonus; Alice would have continued to reach for her book even if it didn’t make that faint frown appear on Eleanor Edevane’s lovely face; she did it because her notebook was a touchstone, a reminder of who she was.

Jespyr came up from behind. “The Old Book of Alders,” she murmured, watching the Nightmare run his fingers over the yew trunk, “is about the barters the Shepherd King made for Providence Cards. But he was born with magic.” Her stance was rigid. “What was it?” The Nightmare closed his eyes and tapped his sword on the yew tree three times. Click, click, click. From his mouth, Ravyn distinguished a single word. “Taxus.” The answer to Jespyr’s question came ripping through the earth. The whole wood shook—quaking from deep beneath its soil. The ground rolled, knocking Ravyn and Jespyr into each other. They fell in a heap next to Petyr and Wik and Gorse, who stared up from the ground, wide-eyed. The forest was moving, yew trees rearranging themselves. Roots wrenched from the earth, clouding the air with dirt. Branches snapped and leaves whirled all around them, caught in the windstorm of shifting trees. The Nightmare centered himself in the tumult, crouched on his haunches, untouched by root or branch. He tapped his sword once more—this time on the ground—the sound distinct in the ripping din. Click, click, click. The yew trees stopped moving. At the Nightmare’s feet, beneath the litter of upturned soil and leaves and broken branches, was a path through the wood. Cold sweat pooled in Ravyn’s palms. He’d read The Old Book of Alders his entire life. But this was his first true glimpse at the man who’d written it. The Nightmare stood to full height. He looked over his shoulder at the party where they lay in the dirt. “What,” Jespyr called, incredulous, “is a Taxus?” “An old name, for an old, twisted tree.” When he caught Ravyn’s gaze lingering at his sword, he traced a pale finger over the hilt. “Surely you didn’t think it was sheep I shepherded.

Helen, a junior high math teacher in Minnesota, spent most of the school week teaching a difficult “new math” lesson. She could tell her students were frustrated and restless by week’s end. They were becoming rowdy so she told them to put their books away. She then instructed the class to take out clean sheets of paper. She gave each of them this assignment: Write down every one of your classmates’ names on the left, and then, on the right, put down one thing you like about that student. The tense and rowdy mood subsided and the room quieted when the students went to work. Their moods lifted as they dug into the assignment. There was frequent laughter and giggling. They looked around the room, sharing quips about one another. Helen’s class was a much happier group when the bell signaled the end of the school day. She took their lists home over the weekend and spent both days off recording what was said about each student on separate sheets of paper so she could pass on all the nice things said about each person without giving away who said what. The next Monday she handed out the lists she’d made for each student. The room buzzed with excitement and laughter. “Wow. Thanks! This is the coolest!” “I didn’t think anyone even noticed me!” “Someone thinks I’m beautiful?” Helen had come up with the exercise just to settle down her class, but it ended up giving them a big boost. They grew closer as classmates and more confident as individuals. She could tell they all seemed more relaxed and joyful. About ten years later, Helen learned that one of her favorite students in that class, a charming boy named Mark, had been killed while serving in Vietnam. She received an invitation to the funeral from Mark’s parents, who included a note saying they wanted to be sure she came to their farmhouse after the services to speak with them. Helen arrived and the grieving parents took her aside. The father showed her Mark’s billfold and then from it he removed two worn pieces of lined paper that had been taped, folded, and refolded many times over the years. Helen recognized her handwriting on the paper and tears came to her eyes. Mark’s parents said he’d always carried the list of nice things written by his classmates. “Thank you so much for doing that,” his mother said. “He treasured it, as you can see.” Still teary-eyed, Helen walked into the kitchen where many of Mark’s former junior high classmates were assembled. They saw that Mark’s parents had his list from that class. One by one, they either produced their own copies from wallets and purses or they confessed to keeping theirs in an album, drawer, diary, or file at home.

Helen, a junior high math teacher in Minnesota, spent most of the school week teaching a difficult “new math” lesson. She could tell her students were frustrated and restless by week’s end. They were becoming rowdy so she told them to put their books away. She then instructed the class to take out clean sheets of paper. She gave each of them this assignment: Write down every one of your classmates’ names on the left, and then, on the right, put down one thing you like about that student. The tense and rowdy mood subsided and the room quieted when the students went to work. Their moods lifted as they dug into the assignment. There was frequent laughter and giggling. They looked around the room, sharing quips about one another. Helen’s class was a much happier group when the bell signaled the end of the school day. She took their lists home over the weekend and spent both days off recording what was said about each student on separate sheets of paper so she could pass on all the nice things said about each person without giving away who said what. The next Monday she handed out the lists she’d made for each student. The room buzzed with excitement and laughter. “Wow. Thanks! This is the coolest!” “I didn’t think anyone even noticed me!” “Someone thinks I’m beautiful?” Helen had come up with the exercise just to settle down her class, but it ended up giving them a big boost. They grew closer as classmates and more confident as individuals. She could tell they all seemed more relaxed and joyful. About ten years later, Helen learned that one of her favorite students in that class, a charming boy named Mark, had been killed while serving in Vietnam. She received an invitation to the funeral from Mark’s parents, who included a note saying they wanted to be sure she came to their farmhouse after the services to speak with them. Helen arrived and the grieving parents took her aside. The father showed her Mark’s billfold and then from it he removed two worn pieces of lined paper that had been taped, folded, and refolded many times over the years. Helen recognized her handwriting on the paper and tears came to her eyes. Mark’s parents said he’d always carried the list of nice things written by his classmates. “Thank you so much for doing that,” his mother said. “He treasured it, as you can see.” Still teary-eyed, Helen walked into the kitchen where many of Mark’s former junior high classmates were assembled. They saw that Mark’s parents had his list from that class. One by one, they either produced their own copies from wallets and purses or they confessed to keeping theirs in an album, drawer, diary, or file at home. Helen the teacher was a “people builder.” She instinctively found ways to build up her students. Being a people builder means you consistently find ways to invest in and bring out the best in others. You give without asking for anything in return. You offer advice, speak faith into them, build their confidence, and challenge them to go higher. I’ve found that all most people need is a boost. All they need is a little push, a little encouragement, to become what God has created them to be. The fact is, none of us will reach our highest potential by ourselves. We need one another. You can be the one to tip the scales for someone else. You can be the one to stir up their seeds of greatness.

The title on the front of the sketchbook was written in bold cursive: 'Libby's Book of Butterflies.' One of the edges was folded, and she smoothed it with her hand, reverently, to honor the sister she'd never known. Then she stepped back under the light and flipped through the first pages. There were beautiful paintings of butterflies, their wings bright from the watercolors. Did her sister create this book or did someone make it for her? Mum had loved her gardens, but Heather had never known her to do any kind of artwork. She'd always been busy planting her flowers and working as a hairdresser and caring well for their family. Intrigued, Heather slowly turned the pages. The butterflies were unique in their brilliance, each one with a magical name. Golden Shimmer. Moonlit Fairy. Lavender Lace. Under the butterflies were short descriptions. Like they all had different personalities. Her favorite was the Autumn Dancer, colored a vibrant orange and red with speckles of teal. It reminded her of a leaf, clinging to its branch before the autumn winds blew it away.

I’ve been working on something,” she said, as if she hadn’t heard him. “I wanted to surprise you.” Catherine turned and handed him the book. Atrus stared at her, then, when she said no more, took the book over to the desk, sat and opened it. For a while he was silent, the sound of a turning page the only noise in that great chamber. Then, with a little shake of his head, he looked up. “What is this?” She stepped up next to him, looking down at the open pages. “I’ve written us an Age. Somewhere we can go. I’ve named it Myst.

technically, her last disaster hadn’t been her fault she knew another accident would get her fired. Her brief was to be invisible, and she considered herself perfectly qualified for the job. In a world where extroverts were celebrated, she was an introvert. She’d spent most of her life blending into the background. First in the playground, where she’d hidden away in books written by other people, and then at college, when she’d hidden in the books she’d written herself. Lost in her own fictional world, she became each and every one of her heroines and endowed them with qualities she herself coveted, namely courage, communication skills and coordination. Her current creation was Lara Striker, small-town girl finally returning home and trying to live down her badgirl reputation. Matilda stared through the crowd, her mind

During the writing of this book, I found myself questioning why the sixteenth-century history of the Irish-English conflict—“the Mother of All the Irish Rebellions”—has been utterly ignored or forgotten. This episode was by far the largest of Elizabeth’s wars and the last significant effort of her reign. It was also the most costly in English lives lost, both common and noble. By some estimates, the rebellion resulted in half the population of Ireland dying through battle, famine, and disease, and the countryside—through the burning of forestland—was changed forever. Yet almost no one studies it, writes of it, or discusses it, even as the impact of that revolt continues to make headlines across the world more than four hundred years later. Likewise, few people outside Ireland have ever heard of Grace O’Malley, surely one of the most outrageous and extraordinary personalities of her century—at least as fascinating a character as her contemporary and sparring partner Elizabeth I. Of course history is written by the victors, and England was, by all accounts, the winner of the Irish Rebellion of the sixteenth century. But the mystery only deepens when we learn that the only contemporary knowledge we have of Grace’s exploits—other than through Irish tradition and legend—is recorded not in Ireland’s histories, but by numerous references and documentation in England’s Calendar of State Papers, as well as numerous official dispatches sent by English captains and governors such as Lords Sidney, Maltby, and Bingham. As hard as it is to believe, Grace O’Malley’s name never once appears in the most important Irish history of the day, The Annals of the Four Masters. Even in the two best modern books on the Irish Rebellion—Cyril Fall’s Elizabeth’s Irish Wars and Richard Berleth’s The Twilight Lords—there is virtually no mention made of her. Tibbot Burke receives only slightly better treatment. Why is this? Anne Chambers, author of my two “bibles” on the lives of Grace O’Malley (Granuaile: The Life and Times of Grace O’Malley) and Tibbot Burke (Chieftain to Knight)—the only existing biographies of mother and son—suggests that as for the early historians, they might have had so little regard for women in general that Grace’s exclusion would be expected. As for the modern historians, it is troubling that in their otherwise highly detailed books, the authors should ignore such a major player in the history of the period. It

already laid out to get responses from “warm” e-mails. • Live and die by your Subject line. If you don’t, your e-mail may never get read. Focus on your strongest hook, either the contact you have in common or the specific value you have to offer. Make them curious. • Game the timing. There’s a lot of debate about the best time to e-mail, but I personally like to fire away when I think the person is apt to be spending time on e-mailing. Their morning, lunchtime, and the last hours of the workday are typical. • Be brief. Once you’ve written a draft, the “best” version of it is usually 50 percent shorter. Yes, we’re half as interesting as we think! Your e-mail should fit into a single screen. If I have to scroll to get to the point, I’ve already lost interest. • Have a clear call to action. What do you want them to do? Make your first request clear and easy. Request fifteen minutes on the phone, not just a vague phone call. Offer suggested dates and times, not just “a meeting sometime.” Short-circuit the process as much as you can, and don’t make them guess what you’re looking for. • Read it out loud. I had an assistant who would do this with every e-mail she wrote, and it always made me laugh when I caught her in the act. But she was smart. Listening to herself, she ensured that the language was clear and conversational, and she timed it, too, with a forty-five-second limit. • Spell-check. There’s no excuse for poor spelling and grammar in an e-mail. I’ve written two books and have a URL with my name in it, and I still get people e-mailing “Keith Ferazzi” with one “r.” I know you’ll do better.

As I was doing this, I was also reading the book that Charlotte Clingstone had selected from Horace's library and left for me, Candide-- her cafe's namesake. It was, unexpectedly, a screwball action comedy. The hapless main character, whose name was Candide, travelled with a band of companions from Europe to the New World and back. Along the way, characters were flogged, ship-wrecked, enslaved and nearly executed several times. There were earthquakes and tsunamis and missing body parts. One of Candide's companions, Pangloss, whose name I recognized from the hundred-dollar adjective he inspired-- I'd never known the etymology-- insisted throughout that all their misfortunes were for the best, for they delivered the companions into situations that seemed, at first, pretty good. Until those situations, too, went to shit. The story concluded on a small farm outside Istanbul, where Candide plunked a hoe into the dirt and declared his intention to retreat from adventure (and suffering) and simply tend his garden. The way the author told it-- the book was written in 1959-- it was clear I was supposed to think Candide had finally discovered something important.

assortment of knives he’d lined up on the glossy Victorian dressing table, gone.  A folded piece of paper was placed in the middle of the dresser, leaning against a tarnished silver candle stick. Her name was written on it in untidy script, scratchy and blotchy from Lachlan not knowing how to deal with a ballpoint pen. With a catch in her throat, she picked up the paper but didn’t unfold it. She just couldn’t, not right now. She had to find him. This letter was not goodbye. Instead she folded it over again and put it into her front pocket, brushing the wrapped book stuffed into

What Is A Prayer Partner?     “And pray in the Spirit on all occasions with all kinds of prayers and requests. With this in mind, be alert and always keep on praying for all the saints” (Ephesians 6:18).     As a teenager, I read Dale Carnegie’s book, How To Win Friends and Influence People. His simple advice to win friends by becoming genuinely interested in them intrigued me. To show interest all you needed to do was to ask questions and listen to their responses.   But for me, even better than being listened to is being prayed for. I am delighted to have formal prayer partners and to be a member of prayer groups.   One such partner is JoAnn. We met briefly at a 3-day women’s conference. When we first arrived at this conference, the organizers took our photos. On the last day, we were given the picture of another woman – our prayer partner. I keep a picture of her beside my computer. She is posed in front of a stone fireplace with a shy smile. On the back of the photo, I have written her name and address with the names of her husband and two grown children. Although I have not talked to JoAnn in many years, I still pray for her and I am confident that she prays for me.   I am also a member of a Christian writers’ group, The Word Guild. I have joined a smaller team within this group, aptly called the Prayer Team. Members of the Guild submit their prayer requests via email, and we pray for these people. On top of that, the organizer picks four specific members to pray for each week. Many of these people I may never meet and may know nothing more than their names. But I pray for them regularly and I am confident that they pray for me.  

Prayer is conversation with God. ~ Shirley Tye         What Is A Prayer Partner?     “And pray in the Spirit on all occasions with all kinds of prayers and requests. With this in mind, be alert and always keep on praying for all the saints” (Ephesians 6:18).     As a teenager, I read Dale Carnegie’s book, How To Win Friends and Influence People. His simple advice to win friends by becoming genuinely interested in them intrigued me. To show interest all you needed to do was to ask questions and listen to their responses.   But for me, even better than being listened to is being prayed for. I am delighted to have formal prayer partners and to be a member of prayer groups.   One such partner is JoAnn. We met briefly at a 3-day women’s conference. When we first arrived at this conference, the organizers took our photos. On the last day, we were given the picture of another woman – our prayer partner. I keep a picture of her beside my computer. She is posed in front of a stone fireplace with a shy smile. On the back of the photo, I have written her name and address with the names of her husband and two grown children. Although I have not talked to JoAnn in many years, I still pray for her and I am confident that she prays for me.   I am also a member of a Christian writers’ group, The Word Guild. I have joined a smaller team within this group, aptly called the Prayer Team. Members of the Guild submit their prayer requests via email, and we pray for these people. On top of that, the organizer picks four specific members to pray for each week. Many of these people I may never meet and may know nothing more than their names. But I pray for them regularly and I am confident that they pray for me.   Lastly, at my church, a program called Secret Sisters has been introduced. I filled out an information form, including my favourite scripture verse, and submitted it to the organizer. In return, I received the name of a church “sister” to pray for over the next year. At the end of the year, we will reveal ourselves to our secret sisters. I pray for my sister regularly and am confident that she prays for me.   I hold these partners in high esteem and count them as some of my best friends. There is power in prayer. If you are not already praying for someone specific, I challenge you to seek out a partner.       Prayer is talking to Him and listening to Him, too. Sweet communion! ~ Pat Gerbrandt        

Prayers to deities preserved from the ancient Near East share many of the same themes as Biblical prayers. Individuals sensed guilt and divine abandonment (see notes on Ps 6:1, 3; 13:1; 32:4; 51:1, 5); they felt physical suffering (see notes on Ps 22:14, 17; 38:2–3), emotional pain and shame (see notes on Ps 6:6; 25:2) and loss of friendship (see note on Ps 31:11); and they faced death (see note on Ps 16:10). At times their afflictions involved legal entanglements accompanied by slander and curses (see notes on Ps 17:2; 41:5–6; 62:4). They responded with cries for a divine hearing (see note on Ps 55:17) and justice (see the article “Imprecations and Incantations”). In ancient Mesopotamia, letters written to gods and deposited in the temple also served to bring requests before the deity. The use of rather generic names in these letters, as well as their transmission through the curriculum of scribal schools, suggests that anyone could relate his or her experience with those recorded in these prayers. In later tradition, similar prayers were cited orally by a priest rather than deposited in the temple. Much of the language of these prayers and letters, including the Biblical psalms, was general and metaphoric, allowing these texts to serve as examples for others to use in their specific circumstances. While the details of hardship might have differed, the emotional experiences and theological thoughts could be shared by anyone. As in Biblical psalms, the Mesopotamian prayers include protests of innocence, praise to the deity and vows to offer thanks for deliverance. Often specific attributes of the deity are named that correspond to the affliction and desired deliverance of the worshiper. Such elements function within the lament as motivation for the deity to respond to the worshiper’s plight. ◆ Key Concepts • Many psalms are an expression of emotion, and God responds to us in our emotional highs and lows. • Psalms is a book with purpose. • Psalms 1–2 embody the message of the book.

Sir Montague Fowler (1858-1933) fourth (and last) Baronet of Braemore, was the third son of Sir John Fowler. Coming from the family of a very wealthy and eminent engineer, he might have been expected to pursue some career along the same lines, or go into politics, or even - as his younger brother Evelyn seems to have done - become expert at doing nothing. Instead, he entered the church. He attracted public approbation for several charitable acts before the war and was rector at various churches in London; but the high point of his ecclesiastical career was his appointment as chaplain and purse-bearer to the Archbishop of Canterbury. And he wrote books: Some Notable Archbishops of Canterbury (1895), Church History in Victoria's Reign (1896), Christian Egypt (1901), The Morality of Social Pleasures (1910) and others. In 1913, he founded the Church Imperial Club in London, which had 'an imposing list of divines and Church dignitaries as patrons'. In 1889, he married his first wife, Ada Dayrell Thomson, a niece of the Archbishop of York. She too was an author, a bit like the Countess of Cromartie, but more racy: her several works written under the pseudonym 'Dayrell Trelawney' included The Revolt of Daphne, The Robbery of the Pink Diamond and The Secret of the Haunted Road. She also wrote several plays under the nom de plume 'Gaston Grevex', and a marvellously patriotic poem, Femina Imperialis 1900 ('Awake! Imperial daughter of a race/That rules the sea...') appeared under her own name in the Revelstoke Herald of British Columbia in 1900. Ada died in 1911. In 1914, Montague married his second wife, Denise Chailliey, a Frenchwoman thirty-four years his junior; she wrote neither novels nor church histories, but produced two daughters, bred toy spaniels and outlived her husband by sixty years.

And if he, good Christian, scion of a striving class, patron saint of the twice as good, could be forever bound, who then could not? And the plunder was not just of Prince alone. Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth. Think of your mother, who had no father. And your grandmother, who was abandoned by her father. And your grandfather, who was left behind by his father. And think of how Prince’s daughter was now drafted into those solemn ranks and deprived of her birthright—that vessel which was her father, which brimmed with twenty-five years of love and was the investment of her grandparents and was to be her legacy.

Every human ever born on this planet has his or her name written in the Book of Life.

It was three weeks later that the letter from Rose’s publisher arrived. He had written to say that he loved the idea of a book about herbal remedies for humans. The letter contained an advance that would tide her over until well after the baby was due. “We’re going to be all right, aren’t we?” She passed the check to Lola, who passed it on to Nieve. They beamed at each other as the child read the amount out loud. “What’s that funny squiggle in front of the number?” She thrust the check up to Rose’s face. “It’s a pound sign—in England we have pounds instead of pesetas.” “How much is it—in pesetas?” When Rose told her, Nieve gasped. “Just for writing a book?” “It’s going to take me quite a long time.” Rose smiled. “And when she’s finished it, she’s going to need a rest.” Lola scooped Nieve up and sat her on her lap. “Why?” “Because next year—in the spring—Auntie Rose is going to have a baby.” Nieve turned to Rose, her mouth open. “Will it be a girl or a boy?” Rose laughed. “I don’t know! We’ll have to wait and see.” “Can I choose its name?” “Well, if it’s a girl, yes, you can—but if it’s a boy . . .” Rose glanced at Lola. “I already have a boy’s name.” “I think I can guess,” Lola said. “Nathan.

She’d been trying to put distance between them, afraid that the strange attraction she felt for him would somehow be noticed and he’d think her incapable of doing her job. And all this time, he was in love with her! This would never do. Polly took a deep breath as she entered the kitchen. What if Mitch was there? What was she supposed to say? Mitch, I got your note, and, against my better judgment, I am finding myself very attracted to you, but I cannot imagine how a romance between us would work? Preposterous. That’s what it was. How could she even consider falling in love with a man who would keep her tied down to a family that… “Good morning, Polly!” Five cheerful voices greeted her as she entered the kitchen. They were all seated at the kitchen table, working on their…lessons? Isabella held up a slate. “I wite name!” Someone had clearly written Isabella on her slate, and underneath, Isabella had scribbled. “I’ve already done my spelling,” Louisa said. “And the other children are still working on theirs, but we should be ready for the rest of our lessons soon.” Then she held up a book. “Pastor, er, Uncle Frank said it was all right to borrow something from his study. I thought this looked interesting.” Robinson Crusoe. Not something Polly would have picked for the girl, but if she wanted to read it… “That sounds just fine.” Polly looked around the spotless kitchen. “Where’s Maddie?” Maddie came in the back door, drying her hands on her apron. “Just out finishing up a few things. I don’t know what you did to these children, but they’ve been well behaved all morning. Said they wanted you to get your rest and helped me with the washing up, then got right to their lessons.” Polly stared at them. “Really?” “Oh, yes,” Clara said, her smile filling her face. “We like you best of all of our nannies, and since the other ones left

Whatever our souls are made of, his and mine are the same.” He looks into her eyes, then says softly, “Bronte’s a favorite of mine too. Not that anyone could love a monster like Heathcliff in real life, but what’s a good book if not an escape from that very thing?” Taylor’s tattoo doesn’t include the name of the author who wrote that quote. Which means that Callum not only knows one of the greatest works of classical literature—a novel written by a feminist before there was such a thing and considered by many to be the greatest love story of all time—he knows it by heart.

I thought about a game we loved to play called The Heavenly City. All the kids would design our mansions in Heaven, the ultimate reward we were told we'd be granted in exchange for all the deprivations and pain during our lives on Earth. Different kids had different dreams: Many wanted a house all to themselves, all the food they could imagine. And typical kid desires too: pets, toys, candy. All the things we never had. But not me. I didn't care about streets of gold or all the clothes in the world, or the real jewelry that Dorothea and the other girls fancied. I wanted books. I had a secret dream that my mansion in Heaven would be a giant library, beautiful, with tall shelves in every room, filled with every book that had ever been written. I pictured myself like the cartoon Belle, a sparkling girl with a worldly name that didn't come from anywhere in the Bible and meant beautiful, who'd been gifted the most precious thing I could imagine- the freedom to read, the ability to teach herself anything she wanted. Even though she was a prisoner in the Beast's castle, Belle had the freedom of her own mind.

Her name is Coy. She’s shy, and I found her in my pond.

ALL RIGHTS RESERVED. No part of this book may be used or reproduced in any matter whatsoever without the written and signed permission of the author. All trademarked names are the property of their owner and are acknowledged by the proper use of capitalization throughout. OTHER ‘Game on Boys’ BOOKS Available on Amazon as eBooks or print books Game on Boys 4 can be read separately or part of a series FREE ebook Game on Boys 1:The PlayStation Playoffs(8-12) Game on Boys 2 : Minecraft Madness (8-12) Game on Boys 3 : NO Girls Allowed Game on Boys 5 : House of Horrors Game on Boys 6 : Galactic Zombie Other books by Kate Cullen FREE Diary Of a Wickedly Cool Witch : Bullies and Baddies(8-13) Boyfriend Stealer : Diary of a Wickedly Cool Witch 2 (8-13) Diary of a Wickedly Cool Witch 3 : Perfect Ten (8-13) Diary of a Wickedly Cool Witch 4 : Witch School for Misfits Lucy goes to the Halloween Party (Early readers) Lucy the Easter Dog (Early readers) Lucy's Merry Christmas Sammy McGann and the Secret Soup People (5-10) Follow KATE on TWITTER at Kate Cullen @ katekate5555 Or email gameonboysseries@gmail.com to receive email updates. (Copy and paste) Or visit her website for new books and giveaways Kate Cullen author website Contents 1. Wow 2. BYODD 3. Secrets 4. News 5. Brats 6. Santa 7. Wishing 8. Blocky 9. Monsters 10. Wolverine 11. Creepy. 12. Arachnophobia 13. Fartblaster 14. Superhero 15. Enderman 16. Teleporting 17. Lost 18. Potions 19. Scared 20. Spells 21. Fireworks 22. Homecoming 1. WOW You know how awesome Christmas is, and birthdays are sick as, Easter is just a big fat chocolate splurge, and even Thanksgiving is like pig-out insanity. Weekends are kinda cool too, but holidays are totally far out man. And when a new PS game comes out and they have a midnight release extravaganza at the game store, it’s like crazy time, coolness overload. All these things are the main reason I exist on this earth. Without all this stuff, life would just SUCK big time. But nothing, I repeat NOTHING comes close to the Christmas I just had. WOW! I repeat WOW! Where do I even start? This Christmas was a like a dream come true. Actually it was sort of like a nightmare too, if that makes any sense. A dream and a nightmare mixed up into one. Totally far out man. Totally gobsmacking, totally awesome, but totally freaking scary. So you’re probably thinking like I won a million bucks or something and then got mugged, or the owner of Sony PlayStation company sent me 1000 free PS games, and then the house got robbed at gunpoint. Or even better, the owner made me the new boss of the Sony PlayStation company. Yeah right! Like that will ever happen! In my dreams!! Although, after what happened, I’m thinking that absolutely anything is possible. 2. BYODD The last day at school before Christmas break was awesome. We had a BYOD day in the afternoon. The first part of the day we had to do all the boring Christmassy stuff like making soppy cards for our families, coloring pictures of Santa and doing boring word searches looking for words like (DER) ‘Santa, Christmas, present, jingle, stocking’. Like BORING. Capital ‘B’ Boring. Why can’t Christmas word finds have proper Christmas words like, console, iPhone 6, PlayStation games, Star wars, BMX, Nerf Modulous Blaster, Thunderblast, Star Wars darth vader vehicle, lego Star Wars Death star?

The second he met Aja he’d made an effort to remember her name. He’d repeated it in his head six different times. He would have written it down, but he had no idea how she spelled it. So he turned it into a little tune instead. Aja. Aja. Aja Ow-ens. Aja. Aja. Aja Ow-ens.

And it occurred to me then that you would not escape, that there were awful men who’d laid plans for you, and I could not stop them. Prince Jones was the superlative of all my fears. And if he, good Christian, scion of a striving class, patron saint of the twice as good, could be forever bound, who then could not? And the plunder was not just of Prince alone. Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth. Think of your mother, who had no father. And your grandmother, who was abandoned by her father. And your grandfather, who was left behind by his father. And think of how Prince’s daughter was now drafted into those solemn ranks and deprived of her birthright—that vessel which was her father, which brimmed with twenty-five years of love and was the investment of her grandparents and was to be her legacy.

In the whole history of theological exegesis and interpretation I know of nothing so utterly faulty, illogical and wholly unscriptural as that exegesis which teaches the angel song at Bethlehem to be the announcement of the birth of our Lord Jesus Christ as the Prince of Peace and that as such He should establish it among the nations after His ascension to heaven and during His absence from the world. The angels sang glory to God in the highest and on earth, peace to “men of good will.” The angel who spoke to the shepherds keeping the temple sheep for the morning and the evening sacrifice was testifying to them that there was no longer need to keep the sheep for such a purpose. The day of animal sacrifices had passed, the living God had provided the true sacrifice, He who was born beneath the chaplet of heaven’s music, the Lamb of God ordained before the foundation of the world. He had been born into the world that He might make peace by the blood of His cross, not between man and man, not between nation and nation, but between man and God. He had been born to die and by His death reconcile a rebel world to God; on the basis of this sacrifice yet to be and when He should have risen from the dead as witness of the efficacy of His death He would bring peace to every soul that should be of good will—every soul that should surrender to the will of God by believing on Him, offering Him by faith as a sacrifice and claiming Him as a substitute. Every such soul should be at peace with, and have the peace of, God. This was the meaning of that natal hour at Bethlehem. The angels were not singing over Him as the Prince of Peace who had come to abolish war among the nations, but as the ordained sacrifice who should bring peace between the individual man and his God. And yet—He is to be the Prince of Peace and reign and rule as such over the earth, putting an end to war and establishing perfect peace among the nations. The promise of His reign and rule as the Prince of Peace is clearly set forth in Scripture; as it is written in the book of the prophet Isaiah: “Unto us a child is born, unto us a son is given. His name shall be called Wonderful, Counsellor, The mighty God, The everlasting Father, The Prince of Peace. Of the increase of his peace and government there shall be no end.” But when? Where? Listen: “Upon the throne of David, and upon his kingdom to order it.” And hear what Gabriel says to Mary when he comes to announce to her that she has been chosen of Almighty God to give birth to the Messiah of Israel. The angel says: “Thou shalt call his name Jesus . . . He shall be great, and shall be called the Son of the Highest: and the Lord God shall give unto him the throne of his father David: And he shall reign over the house of Jacob forever; and of his kingdom there shall be no end.” He is to be the Prince of Peace when He sits upon the throne of united Israel in their own land and not before.

cott Hicks chose to leave Claire out of Shine altogether. One reason for this may be that including her would have altered the impression that Gillian was David’s savior, and that David probably remained a virgin into middle age. In the film Gillian injects love, music, and light into what is depicted as David’s otherwise gray and miserable world; then toward the end of the story, they are shown having sex. But perhaps the real reason for leaving Claire out was that even Hicks could not quite stomach the things that Gillian had to say about her. Of the many cruel, spiteful things included by Gillian in her book, perhaps the most unpardonable is what is written about Claire. Referring to her by her Hungarian name, Clara, Claire is described as “the world’s greatest bitch.” Gillian quotes David as saying that marrying Claire was “the greatest mistake of his life” and that their marriage was “made in hell and consecrated by and presided over by the Devil.” She writes that Claire “would publicly ridicule and bully” David and that “David shivered at the memory” of Claire.

Gram placed the box on the table in front of Carly. On top of the box there was an envelope addressed to her, and she could tell it was Grampa's handwriting. The box looked to be about 12" x 12", and maybe 8" high, and was made out of a dark brown piece of wood. On the envelope beneath her name was written, 'Only to be opened if something happens to me.

Anne Fausto-Sterling, a Brown University anthropologist—who had written about gender and prompted Bo Laurent to start the Intersex Society—rekindled the testosterone conversation in her 2000 book Sexing the Body. She suggested that the term “sex hormones” be changed to “growth hormones,” because that’s what they do. Testosterone and estrogen affect the development not only of the ovaries, testicles, vagina, and penis, but also of the liver, muscles, and bones. Indeed, they influence nearly every cell in the body. “So to think of them as growth hormones,” Fausto-Sterling once told the New York Times, “which they are, is to stop worrying that men have a lot of testosterone and women, estrogen.” Back in 1935, the same year testosterone was named, two scientists working independently figured out how to make the hormone from scratch—the key to mass production. Butenandt, the testosterone-from-pee researcher, was funded by the German company Schering. His competitor Leopold Ruzicka was sponsored by Swiss company Ciba. They both accomplished in the laboratory what the body does on its own: they tweaked a few molecules of cholesterol and turned it into testosterone. Cholesterol (in addition to its notorious reputation as an artery-clogger) also serves as the raw material from which the body makes a variety of hormones. The

Saint Peter could get rid of his little black book with the names of the worthy written in it. Aunt Gert would arrive with a new and updated version tucked under her arm.

glory, at the Science Museum of London. Charles Babbage was a well-known scientist and inventor of the time. He had spent years working on his Difference Engine, a revolutionary mechanical calculator. Babbage was also known for his extravagant parties, which he called “gatherings of the mind” and hosted for the upper class, the well-known, and the very intelligent.4 Many of the most famous people from Victorian England would be there—from Charles Darwin to Florence Nightingale to Charles Dickens. It was at one of these parties in 1833 that Ada glimpsed Babbage’s half-built Difference Engine. The teenager’s mathematical mind buzzed with possibilities, and Babbage recognized her genius immediately. They became fast friends. The US Department of Defense uses a computer language named Ada in her honor. Babbage sent Ada home with thirty of his lab books filled with notes on his next invention: the Analytic Engine. It would be much faster and more accurate than the Difference Engine, and Ada was thrilled to learn of this more advanced calculating machine. She understood that it could solve even harder, more complex problems and could even make decisions by itself. It was a true “thinking machine.”5 It had memory, a processor, and hardware and software just like computers today—but it was made from cogs and levers, and powered by steam. For months, Ada worked furiously creating algorithms (math instructions) for Babbage’s not-yet-built machine. She wrote countless lines of computations that would instruct the machine in how to solve complex math problems. These algorithms were the world’s first computer program. In 1840, Babbage gave a lecture in Italy about the Analytic Engine, which was written up in French. Ada translated the lecture, adding a set of her own notes to explain how the machine worked and including her own computations for it. These notes took Ada nine months to write and were three times longer than the article itself! Ada had some awesome nicknames. She called herself “the Bride of Science” because of her desire to devote her life to science; Babbage called her “the Enchantress of Numbers” because of her seemingly magical math

just finishing with her customers and coming back towards the big mahogany desk. ‘All done?’ she said briskly, holding out her hand for the form. ‘I’ll just check your answers and then you’d best run home and get your mother – I mean your aunt – to sign at the bottom here.’ Hetty sighed. ‘My aunt isn’t too flush right now,’ she said apologetically. ‘I don’t know that she’ll sign. My grandpa would, but he won’t be in Liverpool for another two weeks and I need the books to get my holiday task written so’s I can help out when I go aboard the Water Sprite. That’s the name of Grandpa’s canal

Technically, Sheena predates even Superman, having first appeared in the primordial dawn of comic books in 1937. But her true origins are older than that. Sheena is often described as the female version of Edgar Rice Burroughs’ 1912 creation, Tarzan. The majority of Burroughs’ popular works revolves around a tension between the savage and the civilized, also seen in Sheena’s adventures. Burroughs’ work, like that of fellow adventure writer H. Rider Haggard, came out of the colonial era, and was written for men and boys who yearned for an escape from stifling modern life, through tales of dangerous worlds and exotic women. The common theme of these stories is that a man from the civilized world finds his way to a fantastic, often barbaric, world of adventure, where he falls in love with an intoxicating savage princess. While most of Burroughs’ heroines, like Dejah Thoris or Dian the Beautiful, were in need of rescuing, Haggard’s 1886 novel She introduced a stronger heroine. The novel’s English protagonist encounters the beautiful queen Ayesha, the ruler of a lost city in Africa. Ayesha is referred to as “she who must be obeyed,” and is a creature that provokes both fear and lust. Ayesha was the ultimate fantasy of civilized man: the beautiful, savage white queen, ruling a kingdom unhindered by the laws of modern morality. This brand of men’s fiction produced the swirling foam of exotic and erotic fantasy from which rose the jungle Venus known as Sheena. (...) Now that we have some historical context on these female monarchs, let’s talk about their specific origins. In the 1930s, there were several studios that produced art and stories for the various publishers who were getting into the new field of comic books. One of the most successful and prolific was the Universal Phoenix Studio, operated by two young artists named Will Eisner and Jerry Iger. In 1937, they created a female Tarzan-type character named Sheena for the British tabloid Wags. The strip was credited to the pseudonym W. Morgan Thomas, and the heroine’s name was meant to remind readers of H. Rider Haggard’s She. Demand for new comic book material was growing in the United States, and American pulp magazine publisher Fiction House was looking for material for a new comic book. Sheena made her American debut in 1938’s Jumbo Comics #1, just three months after Superman’s now legendary first appearance. She was the first female adventure character in comic books. This would be just one of her claims to fame.

And then there was her guilty pleasure, the fiction section. She stocked every spy thriller ever written by an ex-official, ex-general, ex-president, or ex-spook. The usual suspects were all there—Le Carré, Maugham, Greene—plus the Beltway names who couldn’t resist cashing

Nancy’s brilliance as a novelist is arguably the primary reason why the Mitford family is still remembered, and is constantly being rediscovered by new readers. But the Mitford girls were first noticed publicly before Nancy’s most famous books were written, when three of them, Diana, Unity and Decca, independently made newspaper headlines. In itself this was shaming for David and Sydney, who believed that the name of a decent woman should appear in the newspapers only twice: first on her marriage, and second in her obituary.

But it was still a long time before he was finally able to break the dried scum of saliva that had glued his lips together and croak out “Where am I?” to the woman who sat by his bed with a book in her hands. The name of the man who had written the book was Paul Sheldon. He recognized it as his own with no surprise. “Sidewinder, Colorado,” she said when he was finally able to ask the question. “My name is Annie Wilkes. And I am—” “I know,” he said. “You’re my number-one fan.” “Yes,” she said, smiling. “That’s just what I am.

You know of a girl and her apple,” The old woman's voice is steady, cutting through the noise. A patient presence that ensnares even the attention of the trees, their branches and thinning leaves stilling as the tongues below them do, too. “Or some version of it. You know of the snake, wise and guiding. The 'me too' and 'I know the way because I've walked the path' in its hiss and slither. But you do not know the tree itself.” And her story begins. You do not know the tree itself, but once you did. Once, all did. Every house had an altar and there the pillar sat. But, by the time the books were written, they found her impossible to erase, so they took her name and called her nothing but an object. It is no accident that the fruit and the snake found home in a tree. Just as it is no accident that the tree becomes a stationary fixture. But, surely, it, too was just as breathing, just as alive. As the old woman in red speaks, the children's very imaginations dance wildly around her blaze, some primal knowing stirring deep within. They meant to bury her, but like most of the stories they tried to eliminate through the permanence of ink and binding of pages, they hadn't realized she became a seed. A dew drop on all of our own spiderwebs, if we care to listen. The more you listen, the more you hear. You see. You feel. And the more you come to know… -Excerpt from “Her True Name: A Story from the Grandmother Tree” – featured in Asherah: Roots of the Mother Tree.

Ziro Valley – Hill Station in Arunachal Pradesh Leave a Comment / Off-Beat Places. / By Still Unseen Ziro Valley – A Beautiful Offbeat Hill Station in Arunachal Pradesh | Nature, Culture & Calmness Ziro Valley in Arunachal Pradesh is one of the most soulful offbeat hill stations in India – known for its lush rice fields, Apatani tribal culture, peaceful vibe, and Ziro Music Festival. Explore this unseen heaven in Northeast India. Introduction – What is Zero Valley? And why it is India’s most Soulful Offbeat Destination. Whenever we think of Hill Stations, the first name that comes to our mind is Himachal, Uttarakhand or Kashmir. But if you really want a place without crowds or fake tourist traps where you can see only nature, peace and real culture, then this small paradise of Ziro Valley, Arunachal Pradesh is for you. Ziro Valley is not a place, but a feeling where time slows down and life takes a new turn. Where every morning the fog emerges from between the rice fields and every evening it ends under the sun with a tribal song. Ziro’s Identity – Apatani Tribe and Their Life Apatani Tribe and Their Life The most special element of Ziro valley is the Apatani tribe – an indigenous tribal community whose lifestyle and values are connected with nature. Their paddy-cum-fish cultivation system is famous in the world, And even the United Nations has recognized this system as an example of a sustainable model. Apatani people build their houses with bamboo sticks, they make their own tools, and their surrounding community is also emotionally connected with each other. Their cultural identity is their attire, like jewelry, and facial tattoos. – which feels like a living history in the modern world. “When the Apatani tribe’s grandmother showed me her nose plug and tattoos, I felt as if I had time-traveled and come to Zoro Valley. She was looking very beautiful at that time. Ziro vallet’s history is not just included in their books but is written on people’s faces.

Little store excerpt: My marriage ended at a charity gala I organised. One moment, I was the pregnant, happy wife of tech mogul Gabe Sullivan; the next, a reporter’s screen announced to the world that he and his childhood sweetheart were expecting a child.Across the room, I saw them together, his hand resting on her stomach wasn’t just an affair; it was a public declaration thaterased me and our baby.To protect his company’s billion-dollar IPO, Gabe, his mother. By following that link you can dive into the full story of From Abandoned Wife To Powerful Heiress and begin the journey with Charlotte Jennings.Read more… Introduction When you pick up From Abandoned Wife To Powerful Heiress, you’re diving into a tale of betrayal, heartache, resilience and ultimate transformation. In From Abandoned Wife To Powerful Heiress, the heroine is forced to walk away from everything she thought she knew—and rebuild on her own terms. This article delves into From Abandoned Wife To Powerful Heiress, the author, the key themes, and why it’s a must-read. About the Book From Abandoned Wife To Powerful Heiress is written by Gavin (often credited simply as Gavin). In this novel, Gavin takes readers on an emotional roller-coaster where a once contented wife becomes the architect of her own destiny. The full title emphasises the pivot: From Abandoned Wife To Powerful Heiress. According to listing details, this book appears under the tag “Short stories” by Gavin. The premise is that a woman’s world is overturned at the very moment she thinks she will become a mother and remain a partner—and from that devastation she rises as an heiress to her own power. Plot Synopsis Here’s a summary of the core storyline of From Abandoned Wife To Powerful Heiress: The protagonist, Charlotte Jennings, is the pregnant, happy wife of tech mogul Gabe Sullivan. At a glamorous charity gala she organised, her world collapses: a reporter’s screen announces that Gabe and his childhood sweetheart (Harper) are expecting a child. Across the room, Charlotte sees them together, his hand on her stomach — public confirmation of betrayal. She and the unborn baby are effectively erased. To protect the company’s billion-dollar IPO, Gabe, his mother and even Charlotte’s adoptive parents conspire against her: they move Harper into her home/bed, treat Charlotte as if she were the outsider, lock her in a room and demand she terminate her pregnancy. Facing abandonment and betrayal, Charlotte reaches out to her biological father, Antony Dean—a powerful, shadowy figure who can make her husband’s world burn. From that moment begins her transformation: from the betrayed wife to the powerful heiress she was always meant to become. Themes & Why It Resonates 1. Betrayal and the collapse of trust In From Abandoned Wife To Powerful Heiress, the initial betrayal sets the tone: Charlotte trusted her husband, she trusted the life they built, and in one public moment it all disintegrates. The betrayal is not private—it is broadcast, symbolic of how power and image can destroy personal lives. 2. Identity and reclamation The journey in From Abandoned Wife To Powerful Heiress is as much about reclaiming self as it is about revenge. Charlotte is cast aside, labelled as unstable and unfit—but she fights to reclaim her name, her unborn child, her right to be heard. The “heiress” in the title is two-fold: heir to her father’s power and heir to her own identity.

Book Overview of Ten Years A Ward by Ten Years A Ward Ten Years A Ward is a deeply emotional and compelling story about love, family, and inner turmoil. Written by [Author's Name], this novel delves into the complexities of growing up and grappling with feelings of forbidden love. If you’re looking for a heart-wrenching tale that explores themes of sacrifice, self-discovery, and emotional resilience, Ten Years A Ward is the book for you. In Ten Years A Ward, the protagonist faces a whirlwind of emotions while struggling to reconcile her love for her guardian, Ethan Hayes, and the boundary that separates them. From heart-wrenching moments of longing to unexpected twists, this book will leave you questioning the meaning of love, loyalty, and family ties. If you’re ready to immerse yourself in a narrative that tugs at your heartstrings, dive into Ten Years A Ward today!Read More… About the Author: Ten Years A Ward Ten Years A Ward is a celebrated writer known for their evocative storytelling and deep character exploration. With a passion for crafting emotionally charged narratives, brings Ten Years A Ward to life, drawing readers into a world full of complex relationships and untold emotions. Having written several bestsellers in the romance and emotional drama genres, [Author's Name]’s works are loved by readers worldwide. Ten Years A Ward is just one example of their ability to create compelling, heart-stopping drama that stays with you long after you turn the last page. [Author’s Name]’s knack for weaving emotional tension and complex characters together is unmatched. Ten Years A Ward is a testament to their skills as a storyteller. The Plot of Ten Years A Ward (Spoiler-Free) In Ten Years A Ward, the protagonist spends a decade quietly in love with her guardian, Ethan Hayes. Ethan took her in after her family fell apart, becoming her protector and the only person she could rely on. Over the years, their bond deepens, and she begins to develop feelings for him that go far beyond familial affection. On her eighteenth birthday, she finally decides to confess her love to Ethan, hoping for a future where they could be more than guardian and ward. But what she didn't anticipate was Ethan's violent reaction—one that leaves her questioning everything she thought she knew about their relationship. I that

The Wife They Broke: A Tale of Love, Betrayal, and Resilience My husband and son were pathologically obsessed with me, constantly testing my love by showering attention on another woman, Kassandra. My jealousy and misery were their proof of my devotion.Then came the car accident. My hand, the one that wrote award-winning film scores, was severely crushed. But Jacob and Anton chose to prioritize Kassandra's minor head injury, leaving my career in ruins.They watched me, waiting for tears, anger, jealousy. They got nothing. I was a statue, my face a placid mask. My silence unsettled them see more …. The Wife They Broke They continued their cruel game, celebrating Kassandra's birthday lavishly, while I sat in a secluded corner, watching them. The Wife They Broke is an emotionally intense and psychologically gripping novel that explores the complexities of love, obsession, and the devastating consequences of betrayal. Written by this book intricately delves into the destructive nature of emotional manipulation and the lengths people will go to test the limits of another's devotion. From obsession to silence, The Wife They Broke will keep readers at the edge of their seats, exploring how one woman fights to survive the unthinkable. Whether you’re an avid fan of psychological thrillers or someone who enjoys heart-wrenching emotional stories, The Wife They Broke is a must-read that leaves a lasting impact. In this article, we will explore the storyline, characters, themes, and why The Wife They Broke deserves a place on your reading list. Who is the Author of The Wife They Broke? The Wife They Broke is the work of [Author Name], an acclaimed writer known for weaving deep, psychological narratives that explore complex emotions and relationships. [Author Name] has garnered a loyal following for their ability to craft stories that engage the heart and mind. Their novels typically explore themes such as love, obsession, manipulation, and personal transformation, making The Wife They Broke no exception. This author has spent years honing their craft, capturing the raw emotions of human experiences through relatable characters who wrestle with the darker aspects of relationships. s works are known for their compelling plots, deeply flawed characters, and the unsettling way they tackle difficult subjects. The Plot of The Wife They Broke: A Tale of Love and Betrayal The protagonist of The Wife They Broke is a woman caught in the tangled web of love, obsession, and betrayal. Her husband, Jacob, and son, Anton, are both pathologically obsessed with her. However, their obsession is not born from affection but rather from an insidious desire to test her love constantly. They achieve this by showering attention on another woman, Kassandra, in front of her. Their cruelty seems to know no bounds as they push her to the breaking point, testing her devotion with every interaction. Despite their emotional manipulation, the protagonist continues to stay silent, unsure of how to confront the toxic environment that her family has created. As she questions her worth and her place in their lives, she is faced with an unimaginable event that will change everything: a devastating car accident. The Life-Altering Car Accident The accident becomes the pivotal moment in The Wife They Broke. The protagonist is severely injured in the crash, with her hand – the very hand that once wrote award-winning film scores – crushed. But despite her traumatic injuries, her husband and son show no concern for her pain. Instead, they prioritize Kassandra, whose injury was far less severe, over the woman who has given them her love and loyalty.

From His Luna to Alpha Vance: A Journey of Love, Betrayal, and Destiny From His Luna to Alpha Vance is a captivating story that blends romance, drama, and the intricate dynamics of the werewolf world. Written by [Author's Name], the book explores themes of loyalty, love, and the challenges faced by a Luna. With heart-wrenching twists and passionate moments, this book promises to keep readers on the edge of their seats. Whether you're a fan of paranormal romance or love stories with deep emotional depth, From His Luna to Alpha Vance is a must-read for you. >Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com What is From His Luna to Alpha Vance All About? In From His Luna to Alpha Vance, we are introduced to a strong, brave protagonist who faces the unexpected at her bonding ceremony. The story takes readers through an emotional roller-coaster filled with betrayal, love, and self-discovery. At the core of the narrative lies the relationship between the protagonist, her Alpha, and the twist of fate that changes everything. The Opening Scene: Love and Betrayal Collide At her bonding ceremony, the protagonist, a future Luna, stands in front of her pack, ready to bond with her Alpha, Ethan. However, she is shocked when Ethan arrives at >Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com Why Should You Read From His Luna to Alpha Vance? The allure of From His Luna to Alpha Vance lies in its rich storytelling, complex characters, and unpredictable plot twists. Below are some reasons why readers should pick up this book: Engaging and Emotional Plot: The narrative is full of emotional highs and lows, pulling readers into a world of love, duty, and complicated choices. Complex Characters: The protagonist, Alpha Ethan, Seraphina, and Vance each bring a unique perspective to the story, making it rich and multifaceted. A Journey of Empowerment: While the story begins with betrayal, the protagonist’s journey is one of self-empowerment, strength, and resilience. Key Themes in From His Luna to Alpha Vance The Struggle Between Love and Duty One of the central themes in From His Luna to Alpha Vance is the conflict between love and duty. As the protagonist tries to navigate the difficult circumstances of her bonding ceremony, she must confront the reality of being an Alpha's mate while also questioning her feelings for Ethan. Betrayal and Redemption Betrayal is another prominent theme. The protagonist's trust in Ethan is shattered, and throughout the book, readers will see her struggle with feelings of betrayal and the possibility of redemption. Can Ethan earn back her trust, or will the protagonist find love in another unexpected place? The Power of Choice The narrative also explores the power of choice in shaping one's destiny. The protagonist’s decision to choose her own path, despite the odds, is a crucial element that drives the plot forward. >Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com >

The Story: A Deeper Dive into "The Wife They Broke" My husband and son were pathologically obsessed with me, constantly testing my love by showering attention on another woman, Kassandra. My jealousy and misery were their proof of my devotion. Then came the car accident. My hand, the one that wrote award-winning film scores, was severely crushed. But Jacob and Anton chose to prioritize Kassandra's minor head injury, leaving my career in ruins. They watched me, waiting for tears, anger, jealousy. They got nothing. I was a statue, my face a placid mask. My silence unsettled them. They continued their cruel game, celebrating Kassandra's birthday lavishly, while I sat in a secluded corner, watching them. >Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com The Wife They Broke: A Heart-Wrenching Tale of Love, Jealousy, and Betrayal Introduction to "The Wife They Broke" The Wife They Broke is a compelling novel that takes readers deep into the world of love, obsession, and betrayal. Written by [Author's Name], this heart-wrenching story reveals the complexities of relationships tested by jealousy, power, and shattered dreams. The protagonist’s life spirals into turmoil as she faces the toxic love of her husband and son, both of whom are pathologically obsessed with her but seem unable to understand the true depth of her pain. In The Wife They Broke, we witness how the protagonist's devotion to her family is tested beyond imagination. If you are looking for a gripping, emotional story that delves into the depths of human emotions and relationships, The Wife They Broke is the book you need to read. [Author's Name], a master of creating complex characters and emotional landscapes, has once again delivered a captivating narrative. >Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com>Visit : webnovelfree(dot)com > Visit : webnovelfree(dot)com The Power of "The Wife They Broke" In the novel The Wife They Broke, the main character is a woman caught in a tug-of-war between love and suffering. Her husband and son, in a strange act of affection, test her devotion by showering attention on another woman, Kassandra. This is not just a story about love—it is about manipulation, obsession, and the ultimate destruction of the human spirit. The protagonist’s journey of emotional endurance becomes the backbone of the novel. It’s a story that challenges the boundaries of loyalty and identity, leaving readers wondering how far one can be pushed before breaking. The Emotional and Psychological Impact: Understanding the Characters of "The Wife They Broke