Wrist Tattoos For Women Quotes

Got a job for you, Seven.” “Yeah?” “I need you to find someone.” “Who?” “A woman,” I say. “About five and a half feet tall. Brown hair. Brown eyes.” “That describes half the women in New York.” “Yeah, well, the one I’m looking for is twenty-one or so,” I say. “She’s good-looking, kind of curvy for being so petite... got a red ‘S’ tattooed on her wrist...” He stares at me, like he expects more information. “What else?” I shrug, glancing at the high heels, flipping them over to look at the red soles. “She wears a size thirty-nine shoe.” “That’s it?” “That’s it.” “Shouldn’t be too hard,” he says, blinking a few times as he looks at the ground. “Only a couple million people in the city.” “That’s the spirit,” I say, slapping him on the back.

They started calling people my grandfather’s age “generation ink”. He represents the era when extensive tattoos tipped into the mainstream. Now the old men and women sit together in the lounge room of my grandfather’s nursing home, watching daytime television. They don’t watch sport. Tattoos from their wrist to shoulders and across their chest, snake beneath their woolen cardigans and cotton shirts. Withered souls eternally painted in often incomprehensible scrawling. Faded colours. But that’s not to say that they regret getting inked. Far from it. It’s a part of who they are. As real and as precious as the blank skin they were born with. Their tastes in music haven’t mellowed either. They slowly approach the sound-system, leaning on their walking frame, and skip to songs by Pantera and Sepultura. Or Metallica, Slayer and Iron Maiden. My grandfather enjoyed punk and post-rock bands like Millencolin, Thursday, Coheed and Cambria or At The Drive-In.

What are you looking to do?” Aaron asked as we walked into his workroom. “Nothing too complicated,” I said, displaying my wrist. “I want Bailey’s name on my wrist.” Aaron exhaled slowly. “Are you sure? The Johanssons don’t play when it comes having their women’s names on their wrists. It’s forever shit for them. That’s how I knew Cooper wasn’t fucking around with Farah.” “Bailey’s mine, but I can’t find a way to make her truly believe. When I try, it feels like just words. I know her name on my wrist is a word too, but maybe it’s one that she’ll know means forever.” “Fair enough. Just know once the Johansson boys see her name on your wrist, it’s like you’ve gotten on one knee and proposed. Trust me that Bailey and Jodi will be talking wedding dates behind your back. If you lose interest or cheat or break it off, it’s not going down softly. The shit will hit the fan.” “The only way Bailey gets rid of me is to put me in the ground.

Come on, you. I won’t bite.” That seemed to be enough assurance for Evangeline, who scooted closer, the lantern light gilding her tiny porcelain hand before she gripped Aelin’s arm to hop from the cab. No more than eleven, she was delicately built, her red-gold hair braided back to reveal citrine eyes that gobbled up the drenched street and women before her. As stunning as her mistress—or would have been, were it not for the deep, jagged scars on both cheeks. Scars that explained the hideous, branded-out tattoo on the inside of the girl’s wrist. She’d been one of Clarisse’s acolytes—until she’d been marred and lost all value. Aelin winked at Evangeline and said with a conspirator’s grin as she led her through the rain, “You look like my sort of person.

Beatrice Belladonna is the wise sister, quiet and clever as an owl in the rafters; she walks last into the tower. She never believed in crone-stories, even as a girl. She determined long ago that the Crone was an amalgamation of myths and fables, an expression of collective fear rather than an actual old woman. Old women are supposed to be doting and addled, absent-minded grandmothers who spoil their sons and keep soup bubbling on the stove-top, but the Crone is none of those things. She's the canny one, the knowing one, the too-wise witch who knows the words to every curse and the ingredients for every poison. She is Baba Yaga and Black Anna; she is the wicked fairy who hands out curses rather than christening-gifts. Bella knows her by her fingertips: ink-stained, tattooed with words in a dozen dead languages. A delicate asp coils around one wrist.

Terry Allen and a larger portion of his 1st Division descended on Oran from the sandstone hills above St. Cloud, a key crossroads east of the city, and the salt lakes farther south. Children in dirty kaftans shouted “Hi yo, Silver!” or flung stiff-arm Fascist salutes to liberators they presumed to be German. Veiled Berber women with indigo tattoos peered through casement shutters, and in cafés men wearing fezzes looked up from their tea glasses long enough to applaud the passing troops, African-style: arms extended, clapping hands hinged at the wrists, no pretense of sincerity. A war correspondent seeking adjectives to describe the locals settled on “scrofulous, unpicturesque, ophthalmic, lamentable.” Exhausted