Wrist Scars Quotes

We've searched our database for all the quotes and captions related to Wrist Scars. Here they are! All 100 of them:

Scars crossed her welded wrists.
Jeffrey Eugenides (The Virgin Suicides)
As I handed her the bag, the old scars on my wrist throbbed with buried memories.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Boys are just boys after all, but sometimes girls really seem to be the turn of a pale wrist, or the sudden jut of a hip, or a clutch of very dark hair falling across a freckled forehead. I'm not saying that's what they really are. I'm just saying sometimes it seems that way, and that those details (a thigh mole, a full face flush, a scar the precise shape and size of a cashew nut) are so many hooks waiting to land you.
Zadie Smith
It occurred to me that there was a story behind the scar -- maybe not as dramatic as the story of my wrists, but a story nonetheless -- and the fact that everyone had a story behind some mark on their inside or outside suddenly exhausted me, the gravity of all those untold pasts.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
As long as I live, the demon will remain inside you,” said the Darkling as Nikolai used a knife to saw through the ropes at his wrists. “We’ve made our peace.” “Some treaties do not last.” “You do love a dire prophecy, don’t you?” “Zoya will live a very long life,” the Darkling said. “Despite the demon, you may not do the same.” “Then I will love her from my grave.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
That’s an unfortunate place for a birthmark,” I said, more than a little unnerved that it was so similarly positioned to my own scar. Patch casually but noticeably slid his sleeve down over his wrist. “You’d prefer it someplace more private?” “I wouldn’t prefer it anywhere.” I wasn’t sure how this sounded and tried again. “I wouldn’t care if you didn’t have it at all.” I tried a third time. “I don’t care about your birthmark, period.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Tony flung himself into his brother's arms and felt them close round him tight. "Hold me so I can't get away!" he said, and found himself queerly rejoicing in the steely strength of those scarred wrists.
Constance Savery (Enemy Brothers)
I notice faint scars on her wrists and forearms, thin lines too symmetrical to be accidents.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
The door slams in response, and I laugh. I'm glad she can laugh. It means she really is coping. I know she’s internalizing a lot, though. Putting on a show for me. She’ll have new scars on her wrists soon.
Jasinda Wilder (Falling into You (Falling, #1))
Dani, Dani, Dani." I flinch. I've never heard anyone say my name so gently. It creeps me all kinds of out. He's towering over me, arms crossed over his chest, scarred forearms dark against the rolled-up sleeves of a crisp white shirt. Heavy silver cuffs glint at both wrists. The light is smack behind his head, as usual. "You didn't really think I'd let you get away with it," Ryodan says.
Karen Marie Moning (Iced (Fever, #6))
You and your scars. Please! You don't kill youself like this!" I gesture, holding a wrist turned up to the ceiling, then pretending to cut across it with my other hand. "That's just a cry for help. That's just attention. Everbody knows that. Cutting across just gets you to the hospital. That's just from movies and TV shows and stuff like that. You didn't really try to kill yourself. you just wanted attention, but you screwed up. Try harder next time.
Barry Lyga
The first time she carved something into her skin, she used the sharp tip of an X-Acto knife. She lifted up her shirt to show me after the cuts had scabbed over. She had scrawled F*** YOU on her stomach. I stood quiet for a moment, feeling the breath get knocked out of me. I should have grabbed her arm and taken her straight to the nurse's office, into that small room with two cots covered in paper sheets and the sweet, stale medicinal smell. I should have lifted Ingrid's shirt to show the cuts. Look, I would've said to the nurse at her little desk, eyeglasses perched on her pointed nose. Help her. Instead, I reached my hand out and traced the words. The cuts were shallow, so the scabs only stood out a little bit. They were rough and brown. I knew that a lot of girls at our school cut themselves. They wore their long sleeves pulled down past their wrists and made slits for their thumbs so that the scars on their arms wouldn't show. I wanted to ask Ingrid if it hurt to do that to herself, but I felt stupid, like I must have been missing something, so what I said was, F*** you too, b****. Ingrid giggled, and I tried to ignore the feeling that something good between us was changing.
Nina LaCour (Hold Still)
The Time Around Scars: A girl whom I've not spoken to or shared coffee with for several years writes of an old scar. On her wrist it sleeps, smooth and white, the size of a leech. I gave it to her brandishing a new Italian penknife. Look, I said turning, and blood spat onto her shirt. My wife has scars like spread raindrops on knees and ankles, she talks of broken greenhouse panes and yet, apart from imagining red feet, (a nymph out of Chagall) I bring little to that scene. We remember the time around scars, they freeze irrelevant emotions and divide us from present friends. I remember this girl's face, the widening rise of surprise. And would she moving with lover or husband conceal or flaunt it, or keep it at her wrist a mysterious watch. And this scar I then remember is a medallion of no emotion. I would meet you now and I would wish this scar to have been given with all the love that never occurred between us.
Michael Ondaatje
Your scars are beautiful. It means you survived. It means you’re here with me.” He kissed my wrist, light as a feather—and changed everything about us. “It’s my favorite part of you,
Ilsa Madden-Mills (Dirty English (English, #1))
I can’t do nothing for you either, Billy. You know that. None of us can. You got to understand that as soon as a man goes to help somebody, he leaves himself wide open. He has to be cagey, Billy, you should know that as well as anyone. What could I do? I can’t fix your stuttering. I can’t wipe the razorblade scars off your wrists or the cigarette burns off the back of your hands. I can’t give you a new mother. And as far as the nurse riding you like this, rubbing your nose in your weakness till what little dignity you got left is gone and you shrink up to nothing from humiliation, I can’t do anything about that, either.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
He closed his hand around my wrist and pressed my hand flat against his chest. “The way I see it, Elle, scars are proof we can survive.
Megan Hart (Dirty (Dan and Elle, #1))
What cannot be seen: our crumpled childhoods, our scarred wrists, how we hated our bodies, how hard we tried, your needle marks? my envy.
Brigid Lowry (Guitar Highway Rose)
The temperature jumped another ninety degrees. Why couldn't anyone see in my life how awesome Noah was? I shoved up my sleeves, welcoming the cold air on my skin. "Echo, stop!" Ashley propelled her self out of the gliter. I froze and then remembered Ashley was damaged. I was going on a date, not to Vegas to elope. Noah's strong hand slipped over my wrist before he entwined his fingers with mine. The sensation of warm flesh against an area I allowed no one to see, much less touch, caused me to shiver. My eyes widened, realizing my mistake. This is what had freaked Ashley out. What had come over me? I never pulled up my sleeves. I spent all my time pulling them down. When had I become...comfortable? He rubbed his thumb over my hand. "I planned on taking her to my house to meet some of my friends." Noah could have told them he was getting me to the ghetto to buy us crack and they wouldn't have heard him. Ashley stood in place, staring at my exposed scars as my father stared at our combined hands. I reached over to pull down my sleeve, but Noah casually placed his hand over my forearm, preventing me fron doing it. My lungs squeezed out all the oxygen in my body. Noah Hutchins, in fact, a human being, was overtly, on purpose, touching my scars. I'd stopped breathing moments ago, as had Ashley. Noah continued as nothing earth-shattering had happened. "What time does Echo need to be home?" Blinking my self back to life, i answered for them, "My curfew is eleven." "Twelve." My father stood and extended his hand. "I didn't have a chance to properly introduce myself earlier. I'm Owen Emerson.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
She looks at her wrist, those thin scars like an entry stamp for some horrible concert. 'All the shitty stuff people do to themselves... it can all be the same thing, you know? Just a way to drown out your own voice. To kill your memories without having to kill yourself.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
It was shortly after this, when Evangeline’s arms were being measured for gloves, that she noticed the scar. It was on the underside of her right wrist, thin and white, shaped like a broken heart. And it had definitely not been there before.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
She squeezed her wrist, fingers closing over pale burn scars, and inhaled. Focus. In the corner, a water clock rang softly. “Begin,” said the examiner. A hundred test booklets were opened with a flapping noise, like a flock of sparrows taking off at once.
R.F. Kuang (The Poppy War (The Poppy War, #1))
She had been gaoled five times as a suffragette; she still had the scars of handcuffs on her wrists.
Lissa Evans (Crooked Heart)
Teach me how to love you so good our hearts will be beating thunderously against our ribcages straining to get out. For so long I have only known how to hurt. There are scars on my body like constellations. The one on my hip was from when I was six and I learned my parents were the Titanic and the iceberg. My wrist has a faint bruise reminding me of when I gave myself to a boy who crashed and burned and took me down with him. Heartbreak sounds a lot like a slamming door. Show me it doesn’t have to be this way, I want to be proven wrong. Teach me how to love right.
Tina Tran
Ivar grabbed hold of my shoulders, swung me into a strung-up fishing net, and then smashed me into a set of shelves. Clutter rained down on me, and I fought my way to the surface, clawing free of the net. Ivar's fingers curled around my shirt and lifted me until I was eye level with her. "I'm going to enjoy killing you," she sneered. "And when you come back, I'll enjoy killing you again. If the Enshi doesn't eat your soul, I'll gladly eat your heart." Instead of replying, I stabbed her in the gut with a Khopesh. Her eyes bulged and she dropped me. I pulled the flaming sword out and slashed, but she caught my wrist before my blade could catch her skin, and she hissed, pulling her lips back viciously. "Wrong move." Her flesh healed shut with only an ugly marbled scar left behind. She lashed her black power at me, striking me across the chest like a whip, and I staggered back. I shook off the blow and saw her lunge for me through the smoky remains of her attack. My own power detonated in a deafening explosion of white and collided with her. It blew her through the cabin, and she crashed through the wall and flew back out on the other side of the deck in a storm of fiberglass and steel.
Courtney Allison Moulton (Angelfire (Angelfire, #1))
Noah's strong hand slipped over my wrist before he entwined his fingers with mine. The sensation of warm flesh against an area I allowed no one to see, much less touch, caused me to shiver. He rubbed his thumb over my hand. I reached over to pull down my sleeve, but Noah casually placed his hand over my forearm, preventing me fron doing it. My lungs squeezed out all the oxygen in my body. Noah Hutchins, in fact, a human being, was overtly, on purpose, touching my scars.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
An inch long scar on my left wrist, reminded me of an enchanted world of love, which had vanished like a mirage.
Preethi Venugopala (Without You (Sreepuram Series Book 1))
He lives in a room above a courtyard behind a tavern and he comes down at night like some fairybook beast to fight with the sailors. He is not big but he has big wrists, big hands. His shoulders are set close. The child's face is curiously untouched behind the scars, the eyes oddly innocent. They fight with fists, with feet, with bottles or knives. All races, all breeds. Men whose speech sounds like the grunting of apes. Men from lands so far and queer that standing over them where they lie bleeding in the mud he feels mankind itself vindicated.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
I usually avoided looking at my wrist, at my scars, but this time, I focused on them and realized my body was more than something I was trapped in. I saw a strong backbone, a big heart,
Jodi Picoult (Mad Honey)
Got a job for you, Seven.” “Yeah?” “I need you to find someone.” “Who?” “A woman,” I say. “About five and a half feet tall. Brown hair. Brown eyes.” “That describes half the women in New York.” “Yeah, well, the one I’m looking for is twenty-one or so,” I say. “She’s good-looking, kind of curvy for being so petite... got a red ‘S’ tattooed on her wrist...” He stares at me, like he expects more information. “What else?” I shrug, glancing at the high heels, flipping them over to look at the red soles. “She wears a size thirty-nine shoe.” “That’s it?” “That’s it.” “Shouldn’t be too hard,” he says, blinking a few times as he looks at the ground. “Only a couple million people in the city.” “That’s the spirit,” I say, slapping him on the back.
J.M. Darhower (Menace (Scarlet Scars, #1))
Is the mask magic?" he demanded with sudden, passionate interest. "Yes." I bowed my head, so that our eyes no longer met. "I made it magic to keep you safe. The mask is your friend, Erik. As long as you wear it, no mirror can ever show you the face again." He was silent then and when I showed him the new mask he accepted it without question and put it on hastily with his clumsy, bandaged fingers. But when I stood up to go, he reacted with panic and clutched at my grown. "Don't go! Don't leave me here in the dark." "You are not in the dark," I said patiently. "Look, I have left the candle ..." But I knew, as I looked at him, that it would have made no difference if I had left him fifty candles. The darkness he feared was in his own mind and there was no light in the universe powerful enough to take that darkness from him. With a sigh of resignation I sat back on the bed and began to sing softly; and before I had finished the first verse, he was asleep. The bandages on his hands and wrists showed white and eerie in the candle-light, as I eased my skirts from his grasp. I knew that Marie was right. Physically and mentally, I had scarred him for life.
Susan Kay (Phantom)
You told me once that you would break my heart. I asked you not to be such a goddamn cliché, but then you left me because part of you was still broken. You say some man pried open the cracks of you, dug holes where once there were none, so now you just cannot love me how I deserve, and darling, therein lies the problem: you can you can you can you can you can you can you can you can. Your reasons why are no good reasons why. We said we should not fall in love and then we showed each other our most quiet scars: my wrists, your upper thighs, and now you say this too easily: you say you cannot stay.
Neil Hilborn (Clatter)
It's peculiar how my knowledge of him extended no further than the scars etched upon my wrists. I didn't truly know him, yet it felt as though if you cut through my wrists, you'll find him flowing within my veins.
Alenour Veles (Our Lying Reflections)
What exactly are you doing?' Jacks drawled. The breath left her lungs, and the broken heart scar on her wrist caught fire. She hadn't even heard him enter. Evangeline stopped mid-twirl, her skirts still swishing as she caught his dashing reflection in the mirror. Her heart gave a silly jolt. She tried to stop it. But while Jacks was many terrible things, there was no denying that he was also painfully handsome. It was the golden hair. In certain lights, it looked like real gold, shining over eyes that glittered more than human eyes ever could. So maybe it was the eyes as well. And perhaps she could blame a little on his lips. They were perfect, of course, and right now they were smiling with amusement. 'So this is what you do when I'm not around?' Evangeline felt the sudden urge to hide inside her wardrobe, but she tampered it down as she turned and met his gaze with a smile of her own. 'You think about what I do when you're not around?' 'Careful, Little Fox.' He took a step forward. 'You sound excited by the idea.' 'I'm not, I assure you,' she said, wishing she didn't sound so breathless. 'I merely like the thought that I torment you as much as you torment me.' Jacks flashed one of his dimples, making him look deceptively charming. 'So you're the one who thinks about what I do when you're not around?' 'Only because I know you're up to no good.' 'No good.' He laughed as he said the words. 'I would hope you know by now that I'm up to far worse than just "no good".
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Another sob came, harder than the first, but she couldn't cover her face and her mastectomy scars at the same time when he raised his head. When she tried, Luke merely caught her wrists and lightly pinned them on either side of her head. "It's all right, Em. Tears are part of this," he whispered, bending to kiss them away. He moved gently within her, another tender caress that soothed as much as it stimulated. It broke the seal on the dam of her tears. They came out in a quiet rush while he stayed above her, eyes on her face as he murmured soothing things she didn't quite catch. And when the tears slowed, she looked up into his handsome face with a sniffle and the smile he gave her filled her heart to overflowing. Dear God she loved him. Had always loved him and would never love another man but him. Her heart had known it all along. And so had her body. Still, she tensed when he released one of her wrists to touch the skin beneath her right collarbone. Luke shook his dark head, those liquid eyes looking right into her soul. "I won't let you hide from me. Or from yourself." Embedded deep inside her, he raised his upper body to gaze at her, and all she could do was close her eyes in resistance. "Look at me." After a long hesitation, she did. He stared down at her with a powerful mixture of tenderness and hunger. "You think a scar's going to change how I see you? Feel about you?" She swallowed and struggled to find her voice. "It's ugly." "You're beautiful to me, Em. Always." She opened her mouth to say something but he leaned down to kiss her again. "Give me your hand," he coaxed, his voice a seductive whisper. She did, tentatively, and his fingers closed around hers in a warm grip. Strong and reassuring. "Accept who you are. Be proud of your body. It's fighting a war for you.
Kaylea Cross
I want you to tell me why you have a pair of broken angel wings on your shoulder. I want you to tell me why you cut your wrists and I want to know why and how you play and sing the way you do, but most of all, I want you to tell me what I need to do to be a good enough man for you.
Christine Zolendz (Scars and Songs (Mad World, #3))
I turn and I walk my tray to the conveyor and I drop it on the belt and I start to walk out of the Dining Hall. As I head through the Glass Corridor separating the men and women, I see Lilly sitting alone at a table. She looks up at me and she smiles and our eyes meet and I smile back. She looks down and I stop walking and I stare at her. She looks up and she smiles again. She is as beautiful a girl as I have ever seen. Her eyes, her lips, her teeth, her hair, her skin. The black circles beneath her eyes, the scars I can see on her wrists, the ridiculous clothes she wears that are ten sizes too big, the sense of sadness and pain she wears that is even bigger. I stand and I stare at her, just stare stare stare. Men walk past me and other women look at me and LIlly doesn’t understand what I’m doing or why I’m doing it and she’s blushing and it’s beautiful. I stand there and I stare. I stare because I know where I am going I’m not going to see any beauty. They don’t sell crack in Mansions or fancy Department Stores and you don’t go to luxury Hotels or Country Clubs to smoke it. Strong, cheap liquor isn’t served in five-star Restaurants or Champagne Bars and it isn’t sold in gourmet Groceries or boutique Liquor stores. I’m going to go to a horrible place in a horrible neighborhood run by horrible people providing product for the worst Society has to offer. There will be no beauty there, nothing even resembling beauty. There will be Dealers and Addicts and Criminals and Whores and Pimps and Killers and Slaves. There will be drugs and liquor and pipes and bottles and smoke and vomit and blood and human rot and human decay and human disintegration. I have spent much of my life in these places. When I leave here I will fond one of the and I will stay there until I die. Before I do, however, I want one last look at something beautiful. I want one last look so that I have something to hold in my mind while I’m dying, so that when I take my last breath I will be able to think of something that will make me smile, so that in the midst of the horror I can hold on to some shred of humanity.
James Frey
She watched with morbid fascination as they gathered at the stumps at the ends of the man's wrists, the old scar tissue the only place on him unclaimed by Fener, but the paths the sprites took to those stumps touched not a single tattooed line. The flies dance a dance of avoidance - but for all that, they were eager to dance.
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
Sherlock Holmes took his bottle from the corner of the mantelpiece, and his hypodermic syringe from its neat morocco case. With his long, white, nervous fingers he adjusted the delicate needle and rolled back his left shirtcuff. For some little time his eyes rested thoughtfully upon the sinewy forearm and wrist, all dotted and scarred with innumerable puncture-marks. Finally, he thrust the sharp point home, pressed down the tiny piston, and sank back into the velvet-lined armchair with a long sigh of satisfaction.
Arthur Conan Doyle (The Sign of Four (Sherlock Holmes, #2))
No, it was the livid red lines scoring Will's wrists, the long, jagged scars that couldn't be disguised, no matter how swiftly Nathan pulled down Will's sleeves.
Jojo Moyes (Me Before You (Me Before You, #1))
Faded scars were visible on both her wrists—the same scars I’d seen faithfully rendered in the Alcestis portrait.
Alex Michaelides (The Silent Patient)
No holding my wrists or squeezing my neck.” She says, and I feel the cold rush down my spine. “Also, no pinning me down with your body.
Neva Altaj (Painted Scars (Perfectly Imperfect, #1))
I curse him silently for moving my hands as he raises them to study the scars. He kisses them, his lips a fluid brush along sensitive flesh, then places them on his cheeks. Mouth inches from mine, he whispers, "Forgive me for bringing you into this. There was no other way." His skin is softer than clouds must feel, and the tears gathering around my fingertips are hot and tangible. But are they sincere? Our breaths swirl between us, and his black eyes swallow me whole. My heart knocks against the bottom of his rib cage. I know what's coming next. I fear it. But it's the surest way to distract him and get the wish. And if it has to happen, I'm going to be the instigator. Rising up on my toes, I press my mouth to his. He moans, frees my wrists, and sweep-s me into his arms—sealing the teddy bear between us.
A.G. Howard (Splintered (Splintered, #1))
When you think of how the world’s changed in your lifetime, what do you think about?” “I think of killing.” Her gaze was steady. “Really? Why?” “Have you ever had to do it?” François sighed. He didn’t like to think about it. “I was surprised in the woods once.” “I’ve been surprised too.” It was evening, and François had lit a candle in the library. It stood in the middle of a plastic tub, for safety. The candlelight softened the scar on Kirsten’s left cheekbone. She was wearing a summer dress with a faded pattern of white flowers on red, three sheathed knives in her belt. “How many?” he asked. She turned her wrist to show the knife tattoos. Two.
Emily St. John Mandel (Station Eleven)
Why have you done all this for me?" She turned her head to look at him. "Tell me the truth." He shook his head slowly. "I don't think I could have been more terrified of the devil than I was of you," she said, "when it was happening and in my thoughts and nightmares afterward. And when you came home to Willoughby and I realized that the Duke of Ridgeway was you, I thought I would die from the horror of it." His face was expressionless. "I know," he said. "I was afraid of your hands more than anything," she said. "They are beautiful hands." He said nothing. "When did it all change?" she asked. She turned completely toward him and closed the distance between them. "You will not say the words yourself. But they are the same words as the ones on my lips, aren't they?" She watched him swallow. "For the rest of my life I will regret saying them," she said. "But I believe I would regret far more not saying them." "Fleur," he said, and reached out a staying hand. "I love you," she said. "No." "I love you." "It is just that we have spent a few days together," he said, "and talked a great deal and got to know each other. It is just that I have been able to help you a little and you are feeling grateful to me." "I love you," she said. "Fleur." She reached up to touch his scar. "I am glad I did not know you before this happened," she said. "I do not believe I would have been able to stand the pain." "Fleur," he said, taking her wrist in his hand. "Are you crying?" she said. She lifted both arms and wrapped them about his neck and laid her cheek against his shoulder. "Don't, my love. I did not mean to lay a burden on you. I don't mean to do so. I only want you to know that you are loved and always will be." "Fleur," he said, his voice husky from his tears, "I have nothing to offer you, my love. I have nothing to give you. My loyalty is given elsewhere. I didn't want this to happen. I don't want it to happen. You will meet someone else. When I am gone you will forget and you will be happy." She lifted her head and looked into his face. She wiped away one of his tears with one finger. "I am not asking anything in return," she said. "I just want to give you something, Adam. A free gift. My love. Not a burden, but a gift. To take with you when you go, even though we will never see each other again." He framed her face with his hands and gazed down into it. "I so very nearly did not recognize you," he said. "You were so wretchedly thin, Fleur, and pale. Your lips were dry and cracked, your hair dull and lifeless. But I did know you for all that. I think I would still be in London searching for you if you had not gone to that agency. But it's too late, love. Six years too late.
Mary Balogh (The Secret Pearl)
They live beyond the quick ghetto. In hovels. In the shantytown.' He smiled. 'And every night, after the sun's descended, they can crawl safely out from their shacks and shuffle into the town. Stick-figures in rags, leaning against the walls. Exhausted and starving, hands outstretched. Begging.' His voice was soft and vicious. 'Begging for the quick to take pity on them. And every so often one of us will acquiesce, and out of pity and contempt, embarrassed by our soft philanthropy, we'll stand in the eaves of a building and offer up our wrists. And you and your kind will open them, all frantic with hunger and fawning with gratitude, and take a few eager swigs, till we decide you've had enough and take back our hands while you weep and beg for more, and maybe spew because you've gone without a hit so long your stomach can't handle what it craves, and we leave you lying in the dirt, blissed by your little fix.
China Miéville (The Scar (New Crobuzon, #2))
can. “New York City, huh?” “Yup.” She rolled up her sleeves and dipped down into the water. And that was when I noticed the scar. “Jeez. What’s that?” It started just inside her left elbow and ran down to the wrist like a long pink twisted worm. She saw where I was looking. “Accident,” she said. “We were in a car.” Then she looked back into the water where you could see her reflection shimmering. “Jeez.” But then she didn’t seem to want to talk much after that. “Got any more of ’em?” I don’t know why scars are always so fascinating to boys, but they are, it’s a fact of life, and I just couldn’t help it. I couldn’t shut up about it yet. Even though I knew she wanted me to, even though
Jack Ketchum (The Girl Next Door)
We tried not to look at each other for a minute, smiling each time we did. Except for the tiny scars on her wrists, she seemed perfect to me, and so I loved the scars, because they meant that I could save her from something, and save myself
Chris Fuhrman (The Dangerous Lives of Altar Boys)
I grasp her cheeks, framing her face with my hands, and stare her straight in the eyes, dead serious, as I say, “If you’re going to start crying, I need you to not do it while you’re sitting on my lap.” She lets out a light laugh, grabbing my wrists, pulling my hands away from her face, forcing my arms around her. “I’m not going to cry,” she says, fumbling between us, undoing my pants. “I’m going to show you my appreciation instead.” “You don’t have to give pussy to show gratitude,” I tell her. “A simple ‘thanks’ will suffice.” “I know,” she whispers. “Thank you. But I want to give you pussy to show you I’m grateful, because the way I feel when you’re inside of me? There’s nothing else like it. You make me feel alive.
J.M. Darhower (Grievous (Scarlet Scars, #2))
When I complain about the bandages she says: 'I promise you that when you take them off you'll be just as you were before.' And it is true. When she takes them off there is not one line, not one wrinkle, not one crease. And five weeks afterwards there I am, with not one line, not one wrinkle, not one crease. And there he is, lying with a ticket tied around his wrist because he died in a hospital. And there I am looking down at him, without one line, without one wrinkle, without one crease...
Jean Rhys (Good Morning, Midnight)
Wren was discovered in the flashing lights of a patrol car two years later, walking along the side of a highway. The soles of her shoes were as worn as if she'd danced through them, her clothing was stiff with sea salt, and scars marred the skin of her wrists and cheeks.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
They all jumped on me and started beating me. They had me on the floor—eventually my arms and legs were chained. They dragged me by the chains to PSA and stopped only when a nurse asked them to please stop. So they put me on a mattress and dragged the mattress. They took me to the observation room and left me, hands and feet cuffed. I had no sanitary napkins, no means to wash myself. The cuffs cut into my skin (the scars are still visible), and my wrists were bleeding. Later i found out that i had received an infraction for slapping an officer in the face while they were beating me.
Assata Shakur (Assata: An Autobiography)
Oh, please.” Loki stepped back, examining me with a look of disappointment. “It’s only a matter of degree. So I killed a god. Big deal! He went to Niflheim and became an honored guest in my daughter’s palace. And my punishment? You want to know my punishment?” “You were tied on a stone slab,” I said. “With poison from a snake dripping on your face. I know.” “Do you?” Loki pulled back his cuffs, showing me the raw scars on his wrists. “The gods were not content to punish me with eternal torture. They took out their wrath upon my two favorite sons–Vali and Narvi. They turned Vali into a wolf and watched with amusement while he disemboweled his brother Narvi. Then they shot and gutted the wolf. The gods took my innocent sons’ own entrails…” Loki’s voice cracked with grief. “Well, Magnus Chase, let’s just say I was not bound with ropes.” Something in my chest curled up and died–possibly my hope that there was any kind of justice in the universe. “Gods.” Loki nodded. “Yes, Magnus. The gods. Think about that when you meet Thor.” “I’m meeting Thor?” “I’m afraid so. The gods don’t even pretend to deal in good and evil, Magnus. It’s not the Aesir way. Might makes right. So tell me… do you really want to charge into battle on their behalf?
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
No matter what I tell you about vampires, you're going to be intrigued instead of horrified. Your kind always wants to be bitten or changed.' 'Not me,' Evangeline argued. 'But you're curious,' Jacks challenged. 'I'm curious about a lot of things. I'm curious about you, but I don't want you to bite me.' The corner of Jacks' mouth twitched. 'I've already done that, Little Fox.' His cold fingers found her wrist and slipped underneath the edge of her glove to stroke the last remaining broken heart scar. 'Lucky for you, no matter how many times I bite you, you'll never turn in to what I am. But sometimes all it takes from a vampire is one look, and you're theirs.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
One boy, still aching from his battle the day before and newly educated in the mysteries of sex. One boy, now looking twelve instead of fourteen, his lashes dusting down thick upon his cheeks, the lids shuttering those extraordinary blue eyes; one boy with his hand loosely cupping a whore's breast, his hawk-scarred wrist lying tanned upon the counterpane. One boy in the final instants of his life's last good sleep, one boy who will shortly be in motion, who will be falling as a dislodged pebble falls on a steep and broken slope of scree; a falling pebble that strikes another, and another, and another, those pebbles striking yet more, until the whole slope is in motion and the earth shakes with the sound of the landslide.
Stephen King (Wizard and Glass (The Dark Tower, #4))
They say everyone is born with a purpose in this world. My purpose was to find you and to love you.” She let go of my hands and turned up her wrists. “The scars are gone because of you, and they’ve been replaced with love. You’ve put life back into my soul, and you’ve completed me. I will forever cherish this moment, and I will spend eternity thanking you and loving you.
Sandi Lynn (The Forever Trilogy (Forever, #1-3))
Asher,” I tell him. “You’re the one who gets to decide who you’re going to be. You don’t have to be like your father.” He tilts his head, looking at me. “You’re so…fierce.” He reaches for my wrist, his hand skating lightly over my scars. “You’re the bravest person I know.” “I’m not brave,” I tell him. “You’re brave enough to tell the truth,” he says. Now it’s my turn to feel ashamed.
Jodi Picoult (Mad Honey)
I wrote your name over and over—on scraps of paper, in books and on the back of my wrists. I carved it like sacred markings into trees and the tops of my thighs. Years went by and the scars have vanished, but the sting has not left me. Sometimes when I read a book, parts will lift from the pages in an anagram of your name. Like a code to remind me it’s not over. Like dyslexia in reverse.
Lang Leav (Lullabies (Lang Leav Book 2))
The thorn wood is a path you walk alone, boy king." "But it's a very arduous path," Nikolai said. "Who will carry my snacks?" Juris shook his head and turned to Zoya, who had already hung her axes on the wall. "You waste your time with trifles." "My country's future is not a trifle." "King and country are not the same." Zoya unrolled her sleeves, fastening the buttons at the wrist. "Close enough.
Leigh Bardugo (King of Scars (King of Scars, #1))
I wish you’d told me this before.” “It wouldn’t have changed anything.” “Maybe not. But talking about wounds can help heal them.” “You don’t talk about yours,” she pointed out. He sat down on the sofa facing her and leaned forward. “But I do,” he said seriously. “I talk to you. I’ve never told anyone else about the way my father treated us. That’s a deeply personal thing. I don’t share it. I can’t share it with anyone but you.” “I’m part of your life,” she said heavily, smoothing her hair back again. “Neither of us can help that. You were my comfort when Mama died, my very salvation when my stepfather hurt me. But I can’t expect you to go on taking care of me. I’m twenty-five years old, Tate. I have to let you go.” “No, you don’t.” He caught her wrists and pulled her closer. He was more solemn than she’d ever seen him. “I’m tired of fighting it. Let’s find out how deep your scars ago. Come to bed with me, Cecily. I know enough to make it easy for you.” She stared at him blankly. “Tate…” She touched his lean cheek hesitantly. He was offering her paradise, if she could face her own demons in bed with him. “This will only make things worse, whatever happens.” “You want me,” he said gently. “And I want you. Let’s get rid of the ghosts. If you can get past the fear, I won’t have anyone else from now on except you. I’ll come to you when I’m happy, when I’m sad, when the world falls on me. I’ll lie in your arms and comfort you when you’re sad, when you’re frightened. You can come to me when you need to be held, when you need me. I’ll cherish you.” “And you’ll make sure I never get pregnant.” His face tautened. “You know how I feel about. I’ve never made a secret of it. I won’t compromise on that issue, ever.” She touched his long hair, thinking how beautiful he was, how beloved. Could she live with only a part of him, watch him leave her one day to marry another woman? If he never knew the truth about his father, he might do that. She couldn’t tell him about Matt Holden, even to insure her own happiness. He glanced at her, puzzled by the expression on her face. “I’ll be careful,” he said. “And very slow. I won’t hurt you, in any way.” “Colby might come back…” He shook his head. “No. He won’t.” He stood up, pulling her with him. He saw the faint indecision in her face. “I won’t ask for more than you can give me,” he said quietly. “If you only want to lie in my arms and be kissed, that’s what we’ll do.” She looked up into his dark eyes and an unsteady sigh passed her lips. “I would give…anything…to let you love me,” she said huskily. “For eight long years…!” His mouth covered the painful words, stilling them.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Cursed,” he said, laughing without humor. “I’m well aware of that.” “But don’t you see?” She took his hands. “This is a good thing.” “How is being cursed a good thing?” It was the question Serilda had been trying to answer her whole life. She lifted his hand and placed a kiss against the pale scar on his freckled wrist, where the gold-tipped arrow had tethered his spirit to this castle, trapping him forever. “Because curses can be broken.
Marissa Meyer (Gilded (Gilded, #1))
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Let it hurt. Pick those flowers on your lungs and let it wither. Let your heart stop beating for someone who doesn’t deserves it. Let yourself be burn to your worst degree. Fall right down on your knees and scream the damn pain inside you. You’ve let the love to do its work, let it hurt. That’s part of its work. Let it bleed. Let the tears roll down your face. For once, allow yourself to be an artist. Let your mouth bleed with the unspoken feelings you’ve been wanting to say and be the author of your own story. Let the abstract in you be seen by the people who are doubting you. Do not cut your wrist, blood and scar might ruin your skin. I know, your heart was cut by the words they’ve stabbed on you, let it bleed with poetry and speak for yourself. Let it heal. For how many times people could’ve told you that time heals. Let me now tell you that it’s you, and you only, who could heal yourself. You could pick your broken pieces and build a better and stronger you. Let it heal, not for anyone. Let it heal for yourself. Even for once, let it be for yourself. And let it go. Snap out of the darkness you’re in right now. Let go of the pain that’s stopping you from moving forward. Let the toxic people go, you could’ve been better without them. Stop holding on to the anchor. Stop drowning yourself from sadness. You could always be happy. Just learn to let go of the things that keep you away from that possibility, just let go.
Angela Diloy
HE LIES ON HIS BACK. I run a finger along the fence of dark hair that partitions his torso from navel to chest. “I like your body,” I tell him. He sighs and smiles. “Don’t,” he says; and then, with my hand idling in the shallows of his neck, he catalogues his every flaw: the dry skin that makes terrazzo of his back; the single mole between his shoulder blades, like an Eskimo marooned on an expanse of flaggy ice; his warped thumbnail; his knobbed wrists; the tiny white scar that hyphenates his nostrils. I finger the wound. My pinkie dips into his nose; he snorts. “How did it happen?” I ask. He twists my hair around his thumb. “My cousin.” “I didn’t know you had a cousin.” “Two. This was my cousin Robin. He held a razor against my nose and said he’d slit my nostrils so that I only had one. And when I shook my head no, the blade sliced me.” “God.” He exhales. “I know. If I’d only nodded okay, it would’ve been fine.” I smile. “How old were you?” “Oh, this was last Tuesday.
A.J. Finn (The Woman in the Window)
But I do know that you aren’t a ghost. You aren’t dead. You’re just cursed.” “Cursed,” he said, laughing without humor. “I’m well aware of that.” “But don’t you see?” She took his hands. “This is a good thing.” “How is being cursed a good thing?” It was the question Serilda had been trying to answer her whole life. She lifted his hand and placed a kiss against the pale scar on his freckled wrist, where a gold-tipped arrow had tethered his spirit to this castle, trapping him forever. “Because curses can be broken.
Marissa Meyer (Gilded (Gilded, #1))
I no longer hold the title for worst breach of manners in the Four Nations,” Kyoshi said. “And I am never, ever going to let you forget it.” Rangi reached over and took her hand. Red scars traveled down Kyoshi’s wrist in wavy, branching patterns like the veins of a palm frond, a token from when she’d fought the lightning. “For as long as you live?” Rangi asked solemnly. Kyoshi smiled and nodded. “For as long as I live.” Rangi pressed her lips to the healed skin on Kyoshi’s knuckles. The kiss sealed a promise to always give each other a hard time for the rest of their days. If Kyoshi held any longing for the past, it was for those simpler moments when she was Rangi’s greatest and only headache.
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
His lips brushed over the delicate underside of her wrist. Once. Twice. Three times. It was barely a touch, and yet there was something incredibly intimate about it. It made her think of the other stories that said his kisses might have been fatal, but they were worth dying for. Jacks' cool mouth dragged intentionally back and forth over her racing pulse, velvety and gentle and- his sharp teeth dug in to her skin. She cried out, 'You bit me!' 'Relax, pet. I didn't draw any blood.' His eyes shone brighter as he dropped her arm. She ran a finger over the tender skin he'd just sunk his teeth into. Three thin white scars, shaped like tiny broken hearts, lined the underside of her wrist. One for each kiss.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
The little Otak was hiding in the rafters of the house, as it did when strangers entered. There it stayed while the rain beat on the walls and the fire sank down and the night wearing slowly along left the old woman nodding by the hearthpit. Then the otak crept down and came to Ged where he lay stretched stiff and still upon the bed. It began to lick his hands and wrists, long and patiently, with its dry leaf-brown tongue. Crouching beside his head it licked his temple, his scarred cheek, and softly his closed eyes. And very slowly under that soft touch Ged roused. He woke, not knowing where he had been or where he was or what was the faint grey light in the air about him, which was the light of dawn coming to the world. Then the otak curled up near his shoulder as usual, and went to sleep. Later, when Ged thought back upon that night, he knew that had none touched him when he lay thus spirit-lost, had none called him back in some way, he might have been lost for good. It was only the dumb instinctive wisdom of the beast who licks his hurt companion to comfort him, and yet in that wisdom Ged saw something akin to his own power, something that went as deep as wizardry. From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
Azriel set the potatoes in the centre of the table, Cassian diving right in. Or he tried to. One moment, his hand was spearing toward the serving spoon. The next, it was stopped. Azriel's scarred fingers wrapped around his wrist. 'Wait,' Azriel said, nothing but command in his voice. Mor gaped wide enough that I was certain the half-chewed green beans in her mouth were going to tumble onto her plate. Amren just smirked over the rim of her wineglass. Cassian gawped at him. 'Wait for what? Gravy?' Azriel didn't let go. 'Wait until everyone is seated before eating.' 'Pig,' Mor supplied. Cassian gave a pointed look to the plate of green beans, chicken, bread, and ham already half eaten on Mor's plate. But he relaxed his hand, leaning back in his chair. 'I never knew you were a stickler for manners, Az.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
I was debating what I might have in my deep glassy lake to use—Barrons had slurped down my crimson runes like truffles—when Ryodan called down, “Let her up.” I tipped my head back. The urbane owner of the largest den of sex, drugs, and exotic thrills in the city stood behind the chrome balustrade, big hands closed on the chrome railing, thick wrists cuffed by silver, features darkened by a convenient shadow. He looked like a scarred Gucci model. Whatever kind of life these men had lived before they’d become whatever they were, it had been violent and hard. Like them. “Why?” Lor demanded. “I said so.” “Not time for the meeting yet.” “She wants to see her parents. She’s going to insist.” “So?” “She thinks she has something to prove. She’s feeling pushy.” “Gee, this is nice. I don’t even have to talk,” I purred.
Karen Marie Moning (Shadowfever (Fever, #5))
Her long blue sleeve was hiked past her elbow and I followed her gaze to the exposed skin. She attempted to yank her hand away, but I tightened my grip and swallowed my disgust. In all the horror-show homes I’d lived in, I never once saw mutilation like that. White and pale red, raised scars zigzagged up her arm. “What the f*ck is that?” I tore my eyes away from the scars and searched her face for answers. She sucked in several shallow gasps before yanking a second time and successfully jerking out of my grasp. “Nothing.” “That ain’t nothing.” And that something had to hurt like hell when it happened. Echo stretched her sleeve past her wrist to her fingertips. She resembled a corpse. The blood rushed out of her cheeks and her body quaked with silent tremors. “Leave me alone.” She turned away and stumbled back to the library.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Maybe the true surprise, I thought, was that it had not happened sooner. My uncles’ eyes used to crawl over me as I poured their wine. Their hands found their way to my flesh. A pinch, a stroke, a hand slipping under the sleeve of my dress. They all had wives, it was not marriage they thought of. One of them would have come for me in the end and paid my father well. Honor on all sides. The light had reached the loom, and its cedar scent was rising in the air. The memory of [Redacted]’s white-scarred hands, and the pleasure I had taken in them, was like a hot wire pushed through my brain. I dug my nails into my wrist. There are oracles scattered across our lands. Shrines where priestesses breathe sacred fumes and speak the truths they find in them. Know yourself is carved above their doors. But I had been a stranger to myself, turned to stone for no reason I could name.
Madeline Miller (Circe)
May I care for you?” Flame nodded his head, and placing my hands on his scarred tattooed skin, I began to wash him, showing with my touch how much he meant to me. I soaped over his arms and across his chest. The entire time I did so, his eyes never moved from mine. Then as my hands moved down his hard stomach, he caught my wrist. I looked up in panic, but the soft expression on his face quickly assuaged any worry. I waited for him to speak, then he finally rasped, “No one has ever cared for me like this before.” My heart cracked, because as much as my life had been difficult, and as much as I had shunned their affection, I had my sisters. But for Flame… there was no one. Leaning in, until my breasts pressed against his hard chest, I said, “That is in the past. Because I will care for you every day for the rest of our lives. You are my Flame. I will treasure you always. More than you will ever know.
Tillie Cole (Souls Unfractured (Hades Hangmen, #3))
So did you actually try to kill yourself? Or did that weird bitch just make up the whole thing?' Silently, I held up my left arm, wrist facing Emily. She crossed her arms and kept her lips squished together as she examined me for a moment, sizing up those three perfect scars. Finally, she said, 'You know that you're supposed to cut down to kill yourself, right? You did it wrong.' I looked at Emily and thought about what would have happened if I'd cut the other way. Or what wouldn't have happened. Char wouldn't have broken up with me. Alex wouldn't be mad at me. Pippa wouldn't hate me. And I never would have met Vicky. I would never have had my first kiss. I would never have worn rhinestone pumps. I would never have heard Big Audio Dynamite. I would never have discovered Start. I would never have known I could be a DJ. Emily Wallace didn't know what she was talking about. She never had. You did it wrong, she said. 'No,' I said to her. 'I didn't.
Leila Sales (This Song Will Save Your Life)
Jamie was right too. Looking at this wanton damage, I could not avoid a mental picture of the process that had caused it. I tried not to imagine the muscular arms raised, spread-eagled and tied, ropes cutting into wrists, the coppery head pressed hard against the post in agony, but the marks brought such images all too readily to mind. Had he screamed when it was done? I pushed the thought hastily away. I had heard the stories that trickled out of postwar Germany, of course, of atrocities much worse than this, but he was right; hearing is not at all the same as seeing. Involuntarily, I reached out, as though I might heal him with a touch and erase the marks with my fingers. He sighed deeply, but didn’t move as I traced the deep scars, one by one, as though to show him the extent of the damage he couldn’t see. I rested my hands at last lightly on his shoulders in silence, groping for words. He placed his own hand over mine, and squeezed lightly in acknowledgment of the things I couldn’t find to say.
Diana Gabaldon (Outlander (Outlander, #1))
He shoved up his sleeves, displaying several thin leather bracelets and the red-and-black tip of a dragon tail just above his right elbow. I've never actually seen the head. It's on Daniel's back, Frankie told us once, between his shoulder blades. "So,my children, what is up?" "We're trying to figure out how to get a soul-sucking, male lower life-form out of Ella's head," Frankie explained. "Kill him," Daniel said casually. "Unless there's a symbiotic thing going on and Ella would have to die, too. That would be a shame." Here's the thing about Daniel. He has always scared me a little. I don't bother going through the scar-hiding motions; I'm convined he can see right through clothing. Not that he leers. He's not a leerer. He has two facial expressions: cold and amused. He also has a second tattoo, on the inside of his left wrist, that looks exactly like how I would expect a gang mark to look. Frankie has never said a word about that tat. Or much about his brother's friends.Who have names like Ax and spend time in police custody.
Melissa Jensen (The Fine Art of Truth or Dare)
I gave him my best cryptic smile. He grimaced. “What have you found out?” he asked. “I’m not at liberty to tell you that.” Not with the Pack suspect. He leaned forward more, letting the moonlight fall on his face. His gaze was direct and difficult to hold. Our stares locked and I gritted my teeth. Five seconds into the conversation and he was already giving me the alpha-stare. If he started clicking his teeth, I’d have to make a run for it. Or introduce him to my sword. “You will tell me what you know now,” he said. “Or?" He said nothing, so I elaborated. “See, this kind of threat usually has an ‘or’ attached to it. Or an ‘and.’ ‘Tell me and I’ll allow you to live’ or something like that.” His eyes ignited with gold. His gaze was unbearable now. “I can make you beg to tell me everything you know,” he said and his voice was a low growl. It sent icy fingers of terror down my spine. I gripped Slayer’s hilt until it hurt. The golden eyes were burning into my soul. “I don’t know,” I heard my own voice say, “you look kinda out of shape to me. How long has it been since you took care of your own dirty work?” His right hand twitched. Muscles boiled under the taut skin and fur burst, sheathing the arm. Claws slid from thickened fingers. The hand snapped inhumanly fast. I weaved back and it fanned my face, leaving no scars. A strand of hair fell onto my left cheek, severed from my braid. The claws retracted. “I think I still remember how,” he said. A spark of magic ran from my fingers into Slayer’s hilt and burst into the blade, coating the smooth metal in a milky-white glow. Not that the glow actually did anything useful, but it looked bloody impressive. “Any time you want to dance,” I said. He smiled, slow and lazy. “Not laughing anymore, little girl?” He was impressive, I’d give him that. I turned the blade, warming up my wrist. The saber drew a tight glowing ellipse in the air, flinging tiny drops of luminescence on the dirty floor. One of them fell close to the Beast Lord’s foot and he moved away. “I wonder if all this changing has made you sluggish.” “Bring your pig-sticker and we’ll find out.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
held out to me a closed fist that seemed three-quarters precious stones in their clawlike settings. In a movement that spoke of great effort, she turned her hand and opened it, as though she had some surprise gift concealed and was about to offer it to me. But there was no gift. The surprise was the hand itself. The flesh of her palm was like no flesh I had seen before. Its whitened ridges and purple furrows bore no relation to the pink mound at the base of my fingers, the pale valley of my palm. Melted by fire, her flesh had cooled into an entirely unrecognizable landscape, like a scene left permanently altered by the passage of a flow of lava. Her fingers did not lie open but were drawn into a claw by the shrunken tightness of the scar tissue. In the heart of her palm, scar within a scar, burn inside burn, was a grotesque mark. It was set very deep in her clutch, so deep that with a sudden nausea I wondered what had happened to the bone that should be there. It made sense of the odd set of the hand at the wrist, the way it seemed to weigh upon her arm as though it had no life of its own. The mark was a circle embedded in her palm, and extending from it, in the direction of the thumb, a short line.
Diane Setterfield (The Thirteenth Tale)
All right,” he said slowly, as if he’d only just made up his mind about something. “You win. I’ve decided to help you.” Serilda’s heart lifted, filling fast with untethered hope. “In exchange,” he continued, “for this.” He pointed a finger at her. His sleeve slipped back toward his elbow, revealing a ghastly knot of scar tissue above his wrist. Serilda gaped at his extended arm, momentarily speechless. He was pointing at her heart. She stepped back and placed a protective hand to her chest, where she could feel her heartbeat thudding underneath. Her gaze lingered on his hand, as if he might reach into her chest and tear out the beating organ at any moment. He didn’t exactly look like one of the dark ones, with their majestic figures and flawless beauty, but he didn’t look half-faded like a ghost either. He seemed harmless enough, but she couldn’t trust anyone in this castle. The boy frowned, confused at her reaction. Then understanding hit him and he dropped his hand with a roll of his eyes. “Not your heart”, he said, exasperated. “That locket.” Oh. That. Her hand shifted to the chain around her neck. She gripped the locket, still hanging open, in her fist. “It will hardly suit you.” “Strongly disagree. Besides, there’s something familiar about her.
Marissa Meyer (Gilded (Gilded, #1))
Open the so-called body and spread out all its surfaces: not only the skin with each of its folds, wrinkles, scars, with its great velvety planes, and contiguous to that, the scalp and its mane of hair, the tender pubic fur, nipples, nails, hard transparent skin under the heel, the light frills of the eyelids, set with lashes - but open and spread, expose the labia majora, so also the labia minora with their blue network bathed in mucus, dilate the diaphragm of the anal sphincter, longitudinally cut and flatten out the black conduit of the rectum, then the colon, then the caecum, now a ribbon with its surface all striated and polluted with shit ; as though your dress maker' s scissors were opening the leg of an old pair of trousers, go on, expose the small intestines' alleged interior, the jejunum, the ileum, the duodenum, or else, at the other end, undo the mouth at its corners, pull out the tongue at its most distant roots and split it, spread out the bats' wings of the palate and its damp basements, open the trachea and make it the skeleton of a boat under construction; armed with scalpels and tweezers, dismantle and lay out the bundles and bodies of the encephalon; and then the whole network of veins and arteries, intact, on an immense mattress, and then the lymphatic network, and the fine bony pieces of the wrist, the ankle, take them apart and put them end to end with all the layers of nerve tissue which surround the aqueous humours and the cavernous body of the penis, and extract the great muscles, the great dorsal nets, spread them out like smooth sleeping dolphins. Work as the sun does when you're sunbathing or taking grass.
Jean-François Lyotard (Libidinal Economy)
What else do you want to know?’ he asked. Possessed by morbid curiosity, her eyes darted to the scar that cut just over his ear. She’d found it shortly after they met, while he lay unconscious in the grass. He didn’t need to ask what had caught her attention. ‘I got that in a fight against imperial soldiers. Ask me why.’ She shook her head, unable to bring herself to do it. The cocoon of warmth that had enveloped the entire afternoon unwound itself in an instant. ‘Are you having second thoughts about being here with me?’ He planted a hand into the grass, edging closer. ‘No. I trust you.’ He was giving her all the time in the world to shove him away, to rise, to flee. Her heartbeat quickened as she watched him. Moving ever so slowly, he braced an arm on either side of her, his fingers sinking into the moss. ‘I asked you to come with me.’ Despite her words, she dug her heels into the ground and inched backwards. ‘I feel safe with you.’ ‘I can see that.’ He affected a lazy smile as she retreated until her back pressed against the knotted roots that crawled along the ground. His boldness was so unexpected, so exciting. She held her breath and waited. Her pulse jumped when he reached for her. She’d been imagining this moment ever since their first duel and wondering whether it would take another swordfight for him to come near her again. His fingers curled gently against the back of her neck, giving her one last chance to escape. Then he lowered his mouth and kissed her. It was as natural as breathing to wrap his arms around her and lower her to the ground. He settled his weight against her hips. The perfume of her skin mixed with the damp scent of the moss beneath them. At some point, her sense of propriety would win over. Until then he let his body flood with raw desire. It felt good to kiss her the way he wanted to. It felt damn good. He slipped his tongue past her lips to where she was warm and smooth and inviting. Her hands clutched at his shirt as she returned his kiss. A muted sound escaped from her throat. He swallowed her cry, using his hands to circle her wrists: rough enough to make her breath catch, gentle enough to have her opening her knees, cradling his hips with her long legs. He stroked himself against her, already hard beyond belief. He groaned when she responded, instinctively pressing closer. ‘I need to see you,’ he said. The sash around her waist fell aside in two urgent tugs while his other hand stole beneath her tunic. She gasped when his fingers brushed the swath of cloth at her breasts. The faint, helpless sound nearly lifted him out of the haze of desire. He didn’t want to think too hard about this. Not yet. He felt for the edge of the binding. ‘In back.’ She spoke in barely a whisper, a sigh on his soul. She peered up at him, her face in shadow as he parted her tunic. She watched him in much the same way she had when they had first met: curious, fearless, her eyes a swirl of green and gold. He pulled at the tight cloth until Ailey’s warm, feminine flesh swelled into his hands. He soothed his palms over the cruel welts left by the bindings. She bit down against her lip as blood rushed back into the tortured flesh. With great care, he stroked her nipples, teasing them until they grew tight beneath his roughened fingertips. God’s breath. Perfect. He wanted his mouth on her and still it wouldn’t be enough. Her heart beat out a chaotic rhythm. His own echoed the same restless pulse. ‘I knew it would be like this.’ His words came out hoarse with passion. At that moment he’d have given his soul to have her. But somewhere in his thick skull, he knew he had a beautiful, vulnerable girl who trusted him pressed against the bare earth. He sensed the hitch in her breathing and how her fingers dug nervously into his shoulders, even as her hips arched into him. He ran his thumb gently over the reddened mark that ran just below her collarbone and felt her shiver beneath him.
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
The man was impossible. To her every retort,he had a counter. "A beak you may want to avoid for I will use it." His dimples turned into craters. "Aye, my lady,that you most certainly are not afraid of using. I think I actually see the small scars along your wrists and hands from where you missed your intended target and clipped yourself." Edythe opened her mouth,ready to send out another assualt, when the sparkle in his hazel eyes captured her attention. Tyr was not making fun of her. Rather,he was truly enjoying their conversation, and if she was being honest, so was she. Inclining her head in agreement, she curled her lips mischievously and said, "Inflictions all finches must learn to endure." "Indeed they must," Tyr replied with a bow. "You,Lady Finch,are a genuine surprise. These past few days,your elder sister has been gracious, kind, and all things a lady should be when welcoming a guest, but it seems that only my friend Ranulf can turn her into a fiery tempest. And each time she does, it pulls him farther in.I see now why he is susceptible to such treatment." Edythe briefly closed her eyes and gave a quick shake to her head. "You enjoy being insulted?" "You have not insulted me, you couldn't. You don't know me well enough.Nor I you. We just merely sparred and I am finding that I like wit in a woman, a most uncommon trait where I have been. If I were not so decided in my ways,you,dear Finch, would be in trouble." "Well,then I thank the Lord you are decided, for I am not easily swayed by a pretty face and you have a ways to go before you seem even moderately charming. And before you try to convince me otherwise,I must go see to Lily for she is looking overly animated and all too often the results of such excitement negatively affect me.Excuse me,sir." Tyr bowed and stared as Edythe left his side and headed toward her younger sister. He had not lied. She was probably the most intriguing woman he had ever encountered.But it changed nothing.Marriage was not for him. Still,a pretty redhead with a cunning mind and a sharp tongue would be fun to pass the time with until he had to leave.
Michele Sinclair (The Christmas Knight)
Stop!” she called out. To a one, the crewmen froze. A dozen heads swiveled to face her. Sophia swallowed and turned to Mr. Grayson. “What about me? I’m also a virgin voyager.” His lips quirked as his gaze swept her from head to toe and then back up partway. “Are you truly?” “Yes. And I haven’t a coin to my name. Do you plan to dunk and shave me, too?” “Now there’s an idea.” His grin widened. “Perhaps. But first, you must submit to an interrogation.” A lump formed in Sophia’s throat, impossible to speak around. Mr. Grayson raised that sonorous baritone to a carrying pitch. “What’s your name then, miss?” When Sophia merely firmed her chin and glared at him, he warned dramatically, “Truth or eels.” Bang. Excited whispers crackled through the assembly of sailors. Davy was completely forgotten, dropped to the deck with a dull thud. Even the wind held its breath in anticipation, and Sophia gave a slight jump when a sail smacked limp against the mast. Though her heart pounded an erratic rhythm of distress, she willed her voice to remain even. “I’ve no intention of submitting myself to any interrogation, by god or man.” She lifted her chin and arched an eyebrow. “And I’m not impressed by your staff.” She paused several seconds, waiting for the crew’s boisterous laughter to ebb. Mr. Grayson pinned her with his bold, unyielding gaze. “You dare to speak to me that way? I’m Triton.” With each word, he stepped closer. “King of the Sea. A god among men.” Now they stood just paces apart. Hunger gleamed in his eyes. “And I demand a sacrifice.” Her hand remained pressed against her throat, and Sophia nervously picked at the neckline of her frock. This close, he was all bronzed skin stretched tight over muscle and sinew. Iridescent drops of seawater paved glistening trails down his chest, snagging on the margins of that horrific scar, just barely visible beneath his toga. “A sacrifice?” Her voice was weak. Her knees were weaker. “A sacrifice.” He flipped the trident around, his biceps flexing as he extended the blunt end toward her, hooking it under her arm. He lifted the mop handle, pulling her hand from her throat and raising her wrist for his inspection. Sophia might have yanked her arm away at any moment, but she was as breathless with anticipation as every other soul on deck. She’d become an observer of her own scene, helpless to alter the drama unfolding, on the edge of her seat to see how it would play out. He studied her arm. “An unusually fine specimen of female,” he said casually. “Young. Fair. Unblemished.” Then he withdrew the stick, and Sophia’s hand dropped to her side. “But unsatisfactory.” She felt a sharp twinge of pride. Unsatisfactory? Those words echoed in her mind again. I don’t want you. “Unsatisfactory. Too scrawny by far.” He looked around at the crew, sweeping his makeshift trident in a wide arc. “I demand a sacrifice with meat on her bones. I demand…” Sophia gasped as the mop handle clattered to a rest at her feet. Mr. Grayson gave her a sly wink, bracing his hands on his hips in a posture of divine arrogance. “I demand a goat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
What happens when all we have in common are the scars on our wrists?
Caroline Greyling (Five (Maor, #1))
Look through the heavy pine forest and see a fire glowing. Beside it sits a bear of a man, knife in one hand, a clay bowl on the ground in front of him. It has been a long time since he last shed blood for his Gods. Tonight would satisfy them a little while longer. The screech of a doomed animal is cut short and the bowl fills with its steaming blood. He puts it on a flat stone by the fire. He cuts his scarred wrist to let his own blood drip into the warming mixture. For many days he has thrown his runes and has had no clear sight. He has marked each one with his blood and still they reveal nothing. A tune starts deep in his gut. It stretches and twists like an unborn child, travelling up like a snake through his chest, setting his bones to shake. He grinds his jaw shut to keep it from escaping as it creeps up his throat. His lips start to vibrate with the tune as it tries to push its way out. The man is well learned in the ways of the song and knows how to control it. The bowl is steaming heavily and he leans over it to breathe in the blood fumes that will give his visions. This man’s name is Vasilli and he is trying to find his brother.
Amy Kuivalainen
He’d almost died and seeing the proof of his knife wounds, hearing him describe the incident that had almost taken his life, rattled her so much. With him still holding her wrist, she bent awkwardly and pressed her lips against the worst of his scars.
Virna DePaul (Shades of Temptation (SIG, #2))
I tugged Amelia into my lap and whispered something to her. She smiled, and gave a nod, crawling up her dad’s long legs. “Come find the stars with me, Daddy,” she insisted. “Lay in the hay with me.” She was tugging on his hands. “Come on…you can’t see as good sitting up!” “Amelia…” I tilted my head to Brianne to help her sister. “Daddy, come on,” Brianne chimed in. “Lay down!” She went for his other hand and pulled until Liam was scooting down between them and lying on his back, peering up at the stars. The girls were lying on either side of him. “Do you see now, Daddy?” “Yeah,” he grumbled. “I see now!” The girls giggled at his grousing. I smiled and turned, biting my lip against a laugh. “I see Miss Meadows is still sitting up! She needs to get over here and look at the stars, too.” He sat up quickly and I yelped in surprise. His grip was firm. His tug was strong and I was soon flat on my back in the wagon as well…night sky above me. The girls were laughing so hard it made me laugh. I didn’t fight to sit up; I just lay there. His fingers were still around my wrist and he squeezed. I felt the warmth run up my arm…it was like electricity. Could he feel that, too? His thumb pressed my pulse. Yes, he could. Amelia was right between us. Our arms made a teepee above her. She clasped both of her little hands one over each of ours. “No, you do it wrong,” she sighed and undid Liam’s grip around my wrist. She placed our hands together palm to palm. “Like this.” I shivered as he completed the hold, lacing his fingers with mine. “Like that?” His voice was low and soft. “Yes!” Amelia laughed. I let my fingers twine with his. He had to feel them trembling. Brianne sat up and smiled over at me. I saw something in that little face. It was kind of like when she was petting Zosimo. There was a little bit of awe…but a lot more love. She lay back down in the crook of her daddy’s arm. Amelia crawled over us to join her sister. She was dragging a blanket with her to cover up. “Bri, Rissa and Daddy are holding hands,” she said in a loud whisper. Brianne hushed her. “I saw!” They scooted over and started whispering.
Sarah Brocious (More Than Scars)
Something wet and cold fell into her lap. Aimee jumped in surprise, jolted out of her sensual daydreams. She stared as a large trout flopped up and down on her legs. Her gaze shot toward the river. Daniel wore a wolfish grin on his face. “You threw a fish at me?” she shouted in false anger. “I can’t believe you threw a fish at me!” In truth, it was hard to believe. Mr. Tall, Dark, and Scowly had actually done something funny. Imagine that. She bent down in pretense of picking up the wiggling fish, and gathered a handful of river mud from the bank, and squeezed it into a ball. As Daniel slowly waded toward her, still grinning from ear to ear, she aimed and threw the mud, hitting him in the shoulder. “Hah! Take that!”  Daniel’s grin faded quickly. “Two can play at that game.” Aimee kept taunting him, her hands on her hips. Daniel emerged from the river, and she swallowed hard. Her eyes roamed over his glistening wet body as he advanced. His feral virility stunned her. Several large jagged scars on his chest stood out against his olive skin. Why hadn’t she noticed them the day before? She swallowed nervously as her gaze traveled lower, and sighed in relief. He wasn’t completely nude. He wore a breechcloth, but it didn’t leave much to the imagination as to what it covered, and only served to accentuate his flat, rippled stomach and muscular thighs. The smoldering look in his eyes as he advanced sent her a few steps backwards, and the smile on her face froze. Oh God! Is he really this angry because I threw some mud at him?  In one lightning fast, predatory move, Daniel grabbed her up and flung her over his shoulder like a sack of potatoes, and turned back to the water. “What are you doing? Put me down!” Aimee shrieked. Her fists pounded his hard back while her feet kicked uselessly in the air. He waded into the water a few feet, and unceremoniously threw her into the river. Before she hit the water, her thought was one of disbelief that he carried the game this far. It seemed so uncharacteristic of him. “You slimeball,” she yelled as her head emerged from the water. She was actually pleasantly surprised at this new, playful side of him. At least it solved her dilemma of wanting to go for a swim earlier. “How dare you!” she squealed in mock anger. Daniel dove into the river after her and came up inches from her face. She splashed water at him to ward him off. Daniel’s hands shot up and encircled her wrists. Flashing a devilish grin, he asked, “What is a slimeball?” She couldn’t keep up her false anger any more. “A slippery snake,” she laughed. “Like you, who preys on helpless women.” Daniel’s eyebrows shot up. “I thought you said you weren’t helpless.” “You’re right, I’m not helpless,” she confirmed, and flapped like a fish to try and free herself from his iron grip.
Peggy L. Henderson (Yellowstone Heart Song (Yellowstone Romance, #1))
Rava approached Steldor and removed a dagger from a sheath at her hip. With her left hand, she smoothed the collar of his white shirt, then yanked the fabric away from his chest, slicing through it in a single motion. Spying the silver wolf’s head talisman that he always wore, she seized it, ripping it free of his neck. “Whether for good luck or good fortune, you’ll have no need of this,” she sneered, dropping the pendant into a pouch that hung from her belt. “I’m sorry it’s not strong enough to cover your stench,” he icily replied, for the mixture inside the talisman was the source of his rich, masculine scent. Rava stared at Steldor, then stalked around him to tear the remnants of his shirt from his back, trying without success to strip him of his pride. She perused his muscular torso, and when she faced him once more, her eyes came to rest on the scar beneath his rib cage--the one that marked the life-threatening wound given to him by a Cokyrian blade--and placed the tip of the dagger she still held against it. “Only slightly marred.” She traced the knife’s point along the jagged white line, leaving a trail of red. “I’ll see what I can do to change that.” She tucked the weapon back into its sheath and gave a nod to the soldiers who had brought Steldor out of the Bastion. As they tied his wrists with rope, she went to the woman who had brought the box and lifted its lid. With a satisfied chuckle, she removed a whip more fearsome than any I had ever seen, cradling it like a mother would an infant, and the gathered throng fell silent. It was indeed rawhide, but uncoiled it reached four feet in length before meeting a silver ring, on the other end of which another two feet of metal-studded leather waited to strike. I looked to Narian and Cannan, and knew by both of their expressions that this was not what they had expected. Indeed, Rava purposefully made eye contact with Narian, her demeanor haughty, before returning her attention to her prey. “On your knees,” Rava growled, dangling the whip in front of Steldor. He obeyed, his eyes never leaving her face, continuing to radiate strength and insolence. “How can a flag be of consequence in a dead kingdom?” she taunted. “It is cloth. It is meaningless. And it can be burned.” She ticked a finger for one of the many soldiers around us to come forward, and I recognized Saadi. He extended our rolled Hytanican flag, and Rava took it, letting it unfurl until the end touched the ground. She held out her other hand and Saadi passed her a lit torch, which she touched to the banner of my homeland, letting flames consume it. The courtyard’s white stone walkway would now and forever be scorched. Steldor’s upper lip lifted away from his teeth, but aside from this snarl, he showed no reaction. “Tell me, does it seem worth it to you to suffer this punishment for a rag?” “Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine.
Cayla Kluver (Sacrifice (Legacy, #3))
Philip stirred. The bed beneath him felt hard as stone; his body was cramped from lying on it. Then his eyes opened. The bed was stone, for he and Linda were lying on the rock shelf above the beach. Beside him, he saw her sleeping form, still covered by the space-blanket. In the half-light he could make out the rowboat drawn up on the shingle. He was wearing his jeans and sweater; above them the sky glowed rose and apricot with dawn. “Linda!” The involuntary loudness of his cry echoed out across the water. From the farthest margin of the lake a loon’s voice answered, then another and another, until four plangent, trembling voices took up their chorus among the silence of the hills. She stirred. “Philip, I’ve had the strangest dream.” “Not a dream!” But everything disproved his words and turned them into illusions, into lies: the cabin that rose, solid and shuttered, on the opposite head of land; the gray mist coiling over the water; the smell of juniper, pungent in the dawn chill. They pushed back the plastic blanket and stood up, looking dazedly around them. Linda gave a long, soft sigh. “We’re home,” she said. Still Philip could not accept the evidence of eyes and ears and hands. He sat down and bowed his head. “He didn’t even give us the chance to say good-by.” “Yes, he did, Philip.” He heard strength and gentleness in Linda’s voice, from which all sharpness had disappeared. “But we didn’t understand.” “No. It’s hard, though.” Philip turned so that she would not see his face. A tear slid down onto the sleeve of his sweater. He wiped it away and stopped, arrested, staring. As he looked, his despair changed slowly to a still, triumphant joy. For circling his wrists, faint and indelible as an ancient scar, he saw the mark of Kyril’s hands.
Ruth Nichols (The Marrow of the World)
this will end.” He ran a nail across his wrist and blood rose to the surface. He held it inches away from my mouth. “Drink, Danielle.” I met his eyes, ignoring the lure that would end this. “It’s Danni, asshole.” It was all I had left, the last rebellion. He gripped my chin and tilted my head to the side. “I’m very patient, Danni.” I heard the familiar hiss and
Nashoda Rose (Stygian (Scars of the Wraiths, #1))
What letter?” she heard McKenna ask in a suffocated voice. “The one you had sent to her…asking for money, because you needed to break your apprenticeship and flee from Mr. Ilbery. Mrs. Faircloth read the letter to me…and hearing the words you had written made me realize…that as long as there was a chance that you were in this world, I wanted to go on living in it.” Aline stopped suddenly as her eyes blurred, and she blinked furiously to clear them. McKenna made a hoarse sound. He came to the chair and sank to his haunches before her, breathing as if someone had delivered a crushing blow to the center of his chest. “I never thought you’d come back,” Aline said. “I never wanted you to find out about my accident. But when you returned to Stony Cross, I decided that being close to you—even for one night—was worth any risk. That is why I…” She hesitated, blushing wildly. “The night of the village fair…” Breathing heavily, McKenna reached for the hem of her gown. Swiftly Aline bent to stop him, gripping his wrist in a convulsive movement. “Wait!” McKenna went still, the muscles of his shoulders tightly bunched. “Burn scars are so ugly,” Aline whispered. “They’re all over my legs. The right one is especially bad, where much of the skin was destroyed. The scars tighten and shrink until it’s difficult to straighten my knee sometimes.” He absorbed that for a moment, and then proceeded to pry her fingers from his wrist and remove her slippers, one after the other.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
My hands read a Braille map hewn from bone, starting with my hollow breasts threaded with blue-vein rivers thick with ice. I count my ribs like rosary beads, muttering incantations, fingers curling under the bony cage. They can almost touch what’s hiding inside. My skin slopes down over the empty belly, then around the inside sharp curve of my hip bones, bowls carved out of stone and painted with fading pink razor scars. I twist in the glass. My vertebrae are wet marbles piled one on top of the other. My winged shoulder blades look ready to sprout feathers. I pick up the knife. The tendons on the back of my hand tense, ropes holding down a tent while the wind blows. Thin scars etch the inside of my wrist, widening to the ribbons in the crook of my elbow where I cut too deep in ninth grade. I win, I won.   I’m lost.     The music from my bedroom shrieks so loud against the mirror it’s making my ears ring. I stare at the ghost-girl on the other side, her corset bones waiting to be laced even tighter so she can fold in on herself over and over until she disappears past zero.
Laurie Halse Anderson (Wintergirls)
caught a wavery glimpse of myself in a plate-glass window—mud-caked, oversized boots, sweat drawing damp lines through road dust at my temples, pinkish-white scars scrolling haphazardly from wrist to shoulder—and it occurred to me that my seven-year-old self—that dear temerarious girl—would’ve been rather taken with my seventeen-year-old self.
Alix E. Harrow (The Ten Thousand Doors of January)
Praise the miracle body The odd and undeniable mechanics of hand Hundred boned foot, perfect stretch of tendon Praise the veins that river these wrists Praise the prolapsed valve in a heart Praise the scars marking a gallbladder absent Praise the rasp and rattle of functioning lungs Praise the pre-arthritic ache of elbows and ankles Praise the lifeline sectioning a palm Praise the photographic pads of fingertips Praise the vulnerable dip at the base of a throat Praise the muscles surfacing on an abdomen Praise these arms that carry babies, and anthologies Praise the leg hairs that sprout and are shaved Praise the ass that refuses to shrink or be hidden Praise the cunt that bleeds and accepts, bleeds and accepts Praise the prominent ridge of nose Praise the strange convexity of rib cage Praise the single hair that insists on growing from a right areola Praise the dent where the mole was clipped from the back of a neck Praise these inner thighs brushing Praise these eyelashes that sometimes turn inward Praise these hips preparing to spread into a grandmother’s skirt Praise the beauty of the freckle on the first knuckle of a left little finger We’re gone in a blizzard of seconds Love the body human while we’re here A gift of minutes on an evolving planet A country in flux, give thanks For bone, and dirt, and the million things that will kill us someday Motion and the pursuit of happiness, no garauntees, give thanks For chaos theory, ecology, common sense that says we are web A planet in balance or out That butterfly in Tokyo setting off thunder storms in Iowa Tell me you don’t matter to a universe that conspired to give you such a tongue Such rhythm or rhythmless hips Such opposable thumbs Give thanks, or go home a waste of spark Speak, or let the maker take back your throat March, or let the creator rescind your feet Dream, or let your god destroy your good and fertile mind This is your warning This your birthright Do not let this universe regret you
Marty McConnell
He grabbed her hands and turned them over. Exposed her wrists. Traced a finger down her scars. Suicide hickeys.
Blake Crouch (Good Behavior)
Wake up! Stop—fuck! Wake up!” “Stop, please! Get off me!” I screamed, and thrashed wildly. Another curse came from him when I connected with his face again. “Wake up!” My eyes flew open and blinked quickly against the blinding light in the room to find Taylor directly above me. He’d grabbed at my arms to pin my wrists down above my head, the other was pressing down on my hips to keep me from bucking against him. “Get off me,” I pleaded hoarsely. Taylor’s form blurred as tears gathered in my eyes, and eventually fell. When I could see him again, I noticed his dark eyes fixed on my chest, a look of horror on his face. Slowly, his eyes went up to where my arms were being held down. They widened marginally, and bounced back and forth a few times before coming down to rest on my face. “Please let me go.” His face morphed into an expression I didn’t understand as he released me and sat back on the ground. I quickly pulled at the large shirt I was wearing to cover my chest. The V-neck collar wasn’t deep and usually hid the scarred MINE; but I knew with it being stretched down, he’d seen it just then. “I’m sorry,” he said, his voice gruff. “You were screaming this time, and I—I just . . . I don’t know. I’m sorry.” “This time? W-what do you mean this time?” “I hear you beg me to stop. Every. Night. The same words you screamed when I took you and kept you from escaping. I won’t hurt you,” he assured me. “I know you don’t believe me, but all I want to do is keep you safe.” My
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
Come on, you. I won’t bite.” That seemed to be enough assurance for Evangeline, who scooted closer, the lantern light gilding her tiny porcelain hand before she gripped Aelin’s arm to hop from the cab. No more than eleven, she was delicately built, her red-gold hair braided back to reveal citrine eyes that gobbled up the drenched street and women before her. As stunning as her mistress—or would have been, were it not for the deep, jagged scars on both cheeks. Scars that explained the hideous, branded-out tattoo on the inside of the girl’s wrist. She’d been one of Clarisse’s acolytes—until she’d been marred and lost all value. Aelin winked at Evangeline and said with a conspirator’s grin as she led her through the rain, “You look like my sort of person.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
When they reached the river, he turned left. “Tohobt Pah-e-hona, Blue Water River. You call it the Brazos, eh?” He pointed ahead of them. “Pah-gat-su, upstream.” Jabbing a thumb over his shoulder, he said, “Te-naw, downstream. You will listen good, Blue Eyes, and learn. Tosi tivo talk is dirt in my mouth.” His tone set Loretta off balance. Dirt in his mouth? If he hated the whites so much, why on earth had he taken her? Upstream, downstream, she couldn’t remember the words. She didn’t want to. The language of murderers. All she wanted was to be free of the whole filthy lot of them. Another rock jabbed her insole, and she winced, missing a step. He released her elbow and swept her off her feet into his arms. He took her so much by surprise that if she could have screamed, she would have. Their eyes locked, his mocking, hers wide. Though he now bore Loretta’s weight, her position was such that her back was in danger of breaking if she didn’t loop an arm around his neck. He stood there, looking down at her and waiting. Her mouth went dry. She wished he would just toss her over his shoulder again and be done with it. Being carried like a sack of grain wasn’t very dignified, but at least that way she didn’t have to cling to him. That determined glint she was coming to know too well crept into his eyes. He gave her a little toss, not enough to drop her, but enough to give her a start. Instinctively she hooked an arm around his neck. His lips slanted into a satisfied grin, a grin that said as clearly as if he had spoken that he would have the last word, always. He started walking again. The firm cords of muscle that ran down from his neck undulated beneath her fingers, his warm skin as smooth as fine-grained leather. His hair, silken and heavy, brushed against her knuckles. Beneath her wrist she could feel the crusty cut on his shoulder from Aunt Rachel’s bullet. Remembering the wound he had inflicted on his arm last night, she wondered just how many scars he had. Strangely, the longer she was around him, the less she noticed the slash on his cheek. His was the kind of face that suffered imperfections well, features chiseled, skin weathered to a tough, burnished brown, as rugged as the sharp-cut canyons and endless plains from whence he’d sprung.
Catherine Anderson (Comanche Moon (Comanche, #1))
Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body? Waving his friends away, Hunter hunkered down and scooped a handful of dirt, pressing it to the shallow cut on his shoulder. Loretta stared at the blood trailing down his arm. If not for his quick thinking, it could have been her own. Survival instinct and common sense warred within her. She knew death might be preferable to what was in store for her, but she couldn’t help being glad she was alive. As if he felt her staring at him, the Comanche lifted his head. When his eyes met hers, the fury and loathing in them chilled her. He stood and jerked the feathers from his braid, wrapping them in his shirt. Never taking his gaze off her, he stuffed the bundle into a parfleche hanging from his surcingle. “Keemah,” he growled. Uncertain what he wanted and afraid of doing the wrong thing, Loretta stayed where she was. He caught her by the arm and hauled her to her feet. “Keemah, come!” He gave her a shake for emphasis, his eyes glittering. “Listen good, and learn quick. I have little patience with stupid women.” Grasping her waist, he tossed her on the horse and scooted her to the back of the blanket saddle. The hem of her nightgown rode high. She could feel all the men staring at her. Had he no decency? With trembling hands, she tugged at the gown and tried to cover her thighs. There wasn’t enough material to stretch. And it was so thin from years of wear, it was nearly transparent. The morning breeze raised gooseflesh on her naked arms and back. With a grim set to his mouth, her captor opened a second parfleche, withdrawing a length of braided wool and a leather thong. Before she realized what he was about to do, he knotted the wool around one of her ankles, looped it under his horse’s belly, and swiftly bound her other foot. “We must ride like the wind!” he yelled to the others. “Meadro! Let’s go!” The other men ran for their horses. Grasping the stallion’s mane, Hunter vaulted to its back and settled himself in front of her. When he reached for her arms and pulled them around him, she couldn’t stifle a gasp. Her breasts were flattened against his back. “Your woman does not like you, cousin,” someone called in English. Loretta turned to see who spoke and immediately recognized the brave who had encouraged Hunter to kill her that first day. His scarred face was unforgettable. He flashed her a twisted smile that seemed more a leer, his black eyes sliding insolently down her body to rest on her naked thighs. Then he laughed and wheeled his chestnut horse. “She won’t be worth the trouble she will make for you.” Hunter glanced over his shoulder at her. The fiery heat of his anger glowed like banked embers in his eyes. “She will learn.” With an expertise born of long practice, he lashed her wrists together with the leather. “She will learn quick.
Catherine Anderson (Comanche Moon (Comanche, #1))
Imagine that you have to break someone’s arm. Right or left, doesn’t matter. The point is that you have to break it, because if you don’t…well, that doesn’t matter either. Let’s just say bad things will happen if you don’t. Now, my question goes like this: do you break the arm quickly — snap, whoops, sorry, here let me help you with that improvised splint — or do you drag the whole business out for a good eight minutes, every now and then increasing the pressure in the tiniest of increments, until the pain becomes pink and green and hot and cold and altogether howlingly unbearable? Well exactly. Of course. The right thing to do, the only thing to do, is to get it over with as quickly as possible. Break the arm, ply the brandy, be a good citizen. There can be no other answer. Unless. Unless unless unless. What if you were to hate the person on the other end of the arm? I mean really, really hate them. This was a thing I now had to consider. I say now, meaning then, meaning the moment I am describing; the moment fractionally, oh so bloody fractionally, before my wrist reached the back of my neck and my left humerus broke into at least two, very possibly more, floppily joined-together pieces. The arm we’ve been discussing, you see, is mine. It’s not an abstract, philosopher’s arm. The bone, the skin, the hairs, the small white scar on the point of the elbow, won from the corner of a storage heater at Gateshill Primary School — they all belong to me. And now is the moment when I must consider the possibility that the man standingbehind me, gripping my wrist and driving it up my spine with an almost sexual degree of care, hates me. I mean, really, really hates me. He is taking for ever. His name was Rayner. First name unknown. By me, at any rate, and therefore, presumably, by you too. I suppose someone, somewhere, must have known his first name — must have baptised him with it, called him down to breakfast with it, taught him how to spell it — and someone else must have shouted it across a bar with an offer of a drink, or murmured it during sex, or written it in a box on a life insurance application form. I know they must have done all these things. Just hard to picture, that’s all. Rayner, I estimated, was ten years older than me. Which was fine. Nothing wrong with that. I have good, warm, non-arm-breaking relationships with plenty of people who are ten years older than me. People who are ten years older than me are, by and large, admirable. But Rayner was also three inches taller than me, four stones heavier, and at least eight however-you-measure-violence units more violent. He was uglier than a car park, with a big, hairless skull that dipped and bulged like a balloon full of spanners, and his flattened, fighter’s nose, apparently drawn on his face by someone using their left hand, or perhaps even their left foot, spread out in a meandering, lopsided delta under the rough slab of his forehead.
Hugh Laurie (The Gun Seller)