Wrestling Quotes

We've searched our database for all the quotes and captions related to Wrestling. Here they are! All 100 of them:

Confront the dark parts of yourself, and work to banish them with illumination and forgiveness. Your willingness to wrestle with your demons will cause your angels to sing.
August Wilson
Never wrestle with pigs. You both get dirty and the pig likes it.
George Bernard Shaw
Life is a series of pulls back and forth... A tension of opposites, like a pull on a rubber band. Most of us live somewhere in the middle. A wrestling match...Which side win? Love wins. Love always wins
Mitch Albom (Tuesdays with Morrie)
You've got to get obsessed and stay obsessed.
John Irving (The Hotel New Hampshire)
If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.
Ray Bradbury
The way I wrestle five-year-olds makes me think if I were ever attacked by a pack of midgets, I’d be OK.

Jarod Kintz ($3.33 (the title is the price))
Success is a little like wrestling a gorilla. You don't quit when you're tired. You quit when the gorilla is tired.
Robert Strauss
I’ve wrestled with alligators, I’ve tussled with a whale. I done handcuffed lightning And throw thunder in jail. You know I’m bad. just last week, I murdered a rock, Injured a stone, Hospitalized a brick. I’m so mean, I make medicine sick.
Muhammad Ali
When you are wrestling for possession of a sword, the man with the handle always wins.
Neal Stephenson (Snow Crash)
Ready?" Despite the grim mood, I smiled and cracked my knuckles. "Ready to wrestle with my gorgeous boyfriend? Oh, I'd say I'm ready for that." Amusement softened his eyes. "I'll try to control where I put my hands, but in the heat of things, who knows what could happen?" I added. Patch grinned. "Sounds promising.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
Believers should acknowledge and wrestle with doubts... It is no longer sufficient to hold beliefs just because you inherited them.
Timothy J. Keller
And so I'm stupid for thinking they might be useful. Because of something Johanna Mason said while she was oiling her breasts for wrestling.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The art of living is more like wrestling than dancing, in so far as it stands ready against the accidental and the unforeseen, and is not apt to fall.
Marcus Aurelius (Meditations)
Torn between fear and something that resembled love, she wrestled with questions she never dreamed she would face: How could she leave? Then again, how could she stay?
Jodi Picoult (Picture Perfect)
There is no normal life that is free of pain. It's the very wrestling with our problems that can be the impetus for our growth.
Fred Rogers (The World According to Mister Rogers: Important Things to Remember)
If I weren't standing next to your boyfriend, I'd be tempted to ask you out myself." She blushes, and St. Clair bounds inside the box office and wrestles her into a hug. "Miiiiiiiiine!" he says. "Cut it out." Anna pushes him off, laughing. "You'll get fired. And then I'll have to support your sorry arse for the rest of our lives.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
Do you wrestle with dreams? Do you contend with shadows? Do you move in a kind of sleep? Time has slipped away. Your life is stolen. You tarried with trifles, Victim of your folly.
Frank Herbert (Dune (Dune, #1))
You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair." "Ha! So you are English!" I poke him in the stomach. He grabs my hand and we wrestle, laughing. "I claim... no... nationality.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Two souls, alas, are housed within my breast, And each will wrestle for the mastery there.
Johann Wolfgang von Goethe (Faust)
He that wrestles with us strengthens our nerves and sharpens our skill. Our antagonist is our helper.
Edmund Burke
She winced and covered her ears as Eric,onstage, wrestled with his microphone. "Sorry about that, guys!" he yelled. "All right. I'm Eric, and this is my homeboy Matt on the drums. My first poem is called 'Untitled.'" He screwed up his face as if in pain, and wailed into the mike. "Come my faux juggernaut, my nefarious loins! Slather every protuberance with arid zeal!" Simon slid down in his seat. "Please don't tell anyone I know him." Clary giggled. "Who uses the word 'loins'?" "Eric," Simon said grimly. "All his poems have loins in them." 'Turgid is my torment!" Eric wailed. "Agony swells within!" "You bet it does," Clary said.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable greyness, with nothing underfoot, with nothing around, without spectators, without clamour, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmostphere of tepid scepticism, without much belief in your own right, and still less in that of your adversary.
Joseph Conrad (Heart of Darkness)
She watched you wrestle Toby Jameson, who probably weighs two hundred pounds, without even working up a sweat. And she said to herself, wow, that's a good wrestler, he must be an angel.
Cynthia Hand (Unearthly (Unearthly, #1))
The country is in deep trouble. We've forgotten that a rich life consists fundamentally of serving others, trying to leave the world a little better than you found it. We need the courage to question the powers that be, the courage to be impatient with evil and patient with people, the courage to fight for social justice. In many instances we will be stepping out on nothing, and just hoping to land on something. But that's the struggle. To live is to wrestle with despair, yet never allow despair to have the last word.
Cornel West
I learned long ago, never to wrestle with a pig, you get dirty; and besides, the pig likes it.
George Bernard Shaw
Some women get erased a little at a time, some all at once. Some reappear. Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story, the genealogy, the rights of man, the rule of law. The ability to tell your own story, in words or images, is already a victory, already a revolt.
Rebecca Solnit (Men Explain Things to Me)
Do you think I'm a whore?” Harry pulled over to the side of the road and turned to me. “I think you're brilliant. I think you're tough. And I think the word whore is something ignorant people throw around when they have nothing else. … “Isn't it awfully convenient,” Harry added, “that when men make the rules, the one thing that's looked down on the most is the one thing that would bear them the greatest threat? Imagine if every single woman on the planet wanted something in exchange when she gave up her body. You'd all be ruling the place. An armed populace. Only men like me would stand a chance against you. And that's the last thing those assholes want, a world run by people like you and me.” I laughed, my eyes still puffy and tired from crying. “So am I a whore or not?” “Who knows?” he said. “We're all whores, really, in some way or another. At least in Hollywood.” … “But I like you this way. I like you impure and scrappy and formidable. I like the Evelyn Hugo who sees the world for what it is and then goes out there and wrestles what she wants out of it. So, you know, put whatever label you want on it, just don't change. That would be the real tragedy.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I would have fought you forever. I would have wrestled you through time. I would have turned you, and been turned.
Amal El-Mohtar (This is How You Lose the Time War)
But why can't the language for creativity be the language of regeneration? You killed that poem, we say. You're a killer. You came into that novel guns blazing. I am hammering this paragraph, I am banging them out, we say. I owned that workshop. I shut it down. I crushed them. We smashed the competition. I'm wrestling with the muse. The state, where people live, is a battleground state. The audience a target audience. "Good for you, man" a man once said to me at a party, "you're making a killing with poetry. You're knockin' em dead.
Ocean Vuong (On Earth We're Briefly Gorgeous)
Here I love you and the horizon hides you in vain. I love you still among these cold things. Sometimes my kisses go on those heavy vessels that cross the sea towards no arrival. I see myself forgotten like those old anchors. The piers sadden when the afternoon moors there. My life grows tired, hungry to no purpose. I love what I do not have. You are so far. My loathing wrestles with the slow twilights. But night comes and starts to sing to me.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Here's the truth you have to wrestle with: the reason that art (writing, engaging, leading, all of it) is valuable is precisely why I can't tell you how to do it. If there were a map, there'd be no art, because art is the act of navigating without a map. Don't you hate that? I love that there's no map.
Seth Godin (Linchpin: Are You Indispensable?)
Nobody had forgotten anything here. In Berlin, you had to wrestle with the past, you had to build on the ruins, inside them. It wasn't like America where we scraped the earth clean, thinking we could start again every time.
Janet Fitch (White Oleander)
As I go clowning my sentimental way into eternity, wrestling with all my problems of estrangement and communion, sincerity and simulation, ambition and acquiescence, I shuttle between worrying whether I matter at all and whether anything else matters but me.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Hermione slid out of her bunk and moved like a sleepwalker towards Ron, her eyes upon his pale face. She stopped right in front of him, her lips slightly parted, her eyes wide. Ron gave a weak, hopeful smile and half-raised his arms. Hermione launched herself forwards and started punching every inch of him that she could reach. 'Ouch — ow — gerroff! What the — ? Hermione — OW!' “You — complete — arse — Ronald — Weasley!” She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced. “You — crawl — back — here — after — weeks — and — weeks — oh, where’s my wand?” She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively. “Protego!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
If we wrestle with traumas that do not want to give way and our inner little Red Riding Hood cannot get rid of the wolf's threatening giggles, we must not be afraid of opening ourselves to otherness that can trigger a salutary 'orienting reflex' propelling us into a new thinking pattern. ("Into a new life")
Erik Pevernagie
I regret everything because it has just finished, and already when I was twelve, I lamented the time that had gone by. Even in the best of spirits, it's always been as though I wrestle with the present in a vain effort to stop its becoming the past.
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
Unconditional love. That's what this is. I love him, as is, fully. I've had to stop arm wrestling with the facts. Why me? Didn't I already have a big love once? And lost it? So why should I get it again? I've had to stop trying to look for cracks and flaws to prove that it's not as good as it seems. Because it's as good as it seems. Even when we fight, we fight inside the container of good. Somehow, through a flip of the coin, I ended up here. Feeling like somebody at the top of the heart-lung transplant recipient list. Damaged but invigorated and fucking lucky.
Augusten Burroughs (Magical Thinking: True Stories)
Grappling with fate is like meeting an expert wrestler: to escape, you have to accept the fall when you are thrown. The only thing that counts is whether you get back up.
Ming-Dao Deng (Everyday Tao: Living with Balance and Harmony)
Literature offers the thrill of minds of great clarity wrestling with the endless problems and delights of being human. To engage with them is to engage with oneself, and the lasting rewards are not confined to specific career paths.
Jonathan Stroud
Being a seasoned Londoner, Martin gave the body the "London once-over" - a quick glance to determine whether this was a drunk, a crazy or a human being in distress. The fact that it was entirely possible for someone to be all three simultaneously is why good-Samaritanism in London is considered an extreme sport - like BASE jumping or crocodile wrestling.
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
I should learn to run, to wrestle, to swim, to ride horses, to row, to drive a car, to fire a rifle. I should fill my soul with flesh. I should fill my flesh with soul. In fact, I should reconcile at last within me the two internal antagonists.
Nikos Kazantzakis (Zorba the Greek)
So spring break consisted of seven fun-filled days cooped up in the house with Jeffrey, who was grounded because he’d won the Regional Wrestling Championships
Cynthia Hand (Unearthly (Unearthly, #1))
I hear Peeta's voice in my head. She has no idea. The effect she can have. Obviously meant to demean me. Right? But a tiny part of me wonders if this was a compliment. That he meant I was appealing in some way. It's weird, how much he's noticed me. Like the attention he's paid to my hunting. And apparently, I have not been as oblivious to him as I imagined, either. The flour. The wrestling. I have kept track of the boy with the bread.
Suzanne Collins
Marriage is a wrestling match where you hold on tight while your mate changes into a hundred different things. The trick is that you're changing into a hundred other things, but you can't let go. You can only try to match up and never turn into a wolf while he's a rabbit, or a mouse while he's still busy being an owl, a brawny black bull while he's a little blue crab scuttling for shelter. It's harder than it sounds.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Cats were often familiars to workers of magic because to anyone used to wrestling with self-willed, wayward, devious magic—which was what all magic was—it was rather soothing to have all the same qualities wrapped up in a small, furry, generally attractive bundle that looked more or less the same from day to day and might, if it were in a good mood, sit on your knee and purr. Magic never sat on anybody’s knee and purred.
Robin McKinley (Spindle's End)
Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted. “A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle. “ Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way.” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie)
He hesitated, as if wrestling with the desire to cross the space between us and kiss me until I admitted I was just a tiny bit in love with him too. But he didn't. He didn't.
Lisa Tawn Bergren (Torrent (River of Time, #3))
This is not to say that I wasn't completely repulsed. I mean, I wasn't exactly proud that my stepbrother was in there tongue wrestling with the second stupidest person in our class, after himself.
Meg Cabot (Ninth Key (The Mediator, #2))
Solitude is the natural dwelling place of truth…It is there you will wrestle. It is there you will be tested by fire and by darkness.
Michael D. O'Brien
Whenever you write on a subject that questions the status quo, there are bound to be many who wrestle with the issues
Ted Dekker (The Slumber of Christianity: Awakening a Passion for Heaven on Earth)
Professional wrestling is a lot like cuddling, I thought as I hugged a tree. As far as lumberjacks go, I’m slow, but when the tree finally falls for me, it falls hard.
Jarod Kintz (This Book is Not for Sale)
Creative people, as I see them, are distinguished by the fact that they can live with anxiety, even though a high price may be paid in terms of insecurity, sensitivity, and defenselessness for the gift of the “divine madness,” to borrow the term used by the classical Greeks. They do not run away from non-being, but by encountering and wrestling with it, force it to produce being. They knock on silence for an answering music; they pursue meaninglessness until they can force it to mean.
Rollo May (The Courage to Create)
You do not,’ cried Giovanni, sitting up, ‘love anyone! You never have loved anyone, I am sure you never will! You love your purity, you love your mirror—you are just like a little virgin, you walk around with your hands in front of you as though you had some precious metal, gold, silver, rubies, maybe diamonds down there between your legs! You will never give it to anybody, you will never let anybody touch it—man or woman. You want to be clean. You think you came here covered with soap and you think you will go out covered with soap—and you do not want to stink, not even for five minutes, in the meantime.’ He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying little moralities. And you—you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?
James Baldwin (Giovanni’s Room)
In El-harím, there lived a man, a man with yellow eyes. To me, he said, "Beware the whispers, for they whisper lies. Do not wrestle with the demons of the dark, Else upon your mind they'll place a mark; Do not listen to the shadows of the deep, Else they haunt you even when you sleep.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
It seemed to me certain, and I still think so today, that one can never wrestle enough with God if one does so out of pure regard for the truth. Christ likes us to prefer truth to him because, before being Christ, he is truth. If one turns aside from him to go toward the truth, one will not go far before falling into his arms.
Simone Weil
We are such small, stupid things. For most of my life I thought of nature as the stupid thing: Blind, animal, destructive. We, the humans, were clean and smart and in control: we had wrestled the rest of the world into submission, battered it down, pinned it to a glass slide and the pages of The Bool of Shhh.
Lauren Oliver (Pandemonium (Delirium, #2))
Do not believe that others will die, not you.... I have wrestled with Thanatos knee to knee and I know how death is vanquished. Man's immortality is not to live forever; for that wish is born of fear. Each moment free from fear makes a man immortal.
Mary Renault (Fire from Heaven (Alexander the Great, #1))
As women glide from their twenties to thirties, Shazzer argues, the balance of power subtly shifts. Even the most outrageous minxes lose their nerve, wrestling with the first twinges of existential angst: fears of dying alone and being found three weeks later half-eaten by an Alsatian.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
He has chosen not to heal me, but to hold me. The more intense the pain, the closer His embrace.
Joni Eareckson Tada (A Place of Healing: Wrestling with the Mysteries of Suffering, Pain, and God's Sovereignty)
It’s easy to be close, but almost impossible to stay close. Think about friends. Think about hobbies. Even ideas. They’re close to us—sometimes so close we think they are part of us—and then, at some point, they aren’t close anymore. They go away. Only one thing can keep something close over time: holding it there. Grappling with it. Wrestling it to the ground, as Jacob did with the angel, and refusing to let go. What we don’t wrestle we let go of. Love isn’t the absence of struggle. Love is struggle.
Jonathan Safran Foer (Here I Am)
Life is bearable even when it's unbearable: that is what's so terrible, that is the unbearable thing about it.
Geoff Dyer (Out of Sheer Rage: Wrestling With D.H. Lawrence)
Authenticity is the daily practice of letting go of who we think we’re supposed to be and embracing who we are. Choosing authenticity means cultivating the courage to be imperfect, to set boundaries, and to allow ourselves to be vulnerable; exercising the compassion that comes from knowing that we are all made of strength and struggle; and nurturing the connection and sense of belonging that can only happen when we believe that we are enough. Authenticity demands Wholehearted living and loving—even when it’s hard, even when we’re wrestling with the shame and fear of not being good enough, and especially when the joy is so intense that we’re afraid to let ourselves feel it. Mindfully practicing authenticity during our most soul-searching struggles is how we invite grace, joy, and gratitude into our lives.
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
None of them seem as crazy obsessive about everything as I am. It's strange 'cause I had the same feeling in high school that I have here. It's like, well, it just seems so easy for everyone else and so difficult for me. I turn from these extremes of feeling on top of the fucking world - to feeling so despondent. They don't have to struggle like I do - or maybe that's just me comparing my goddamn insides to everyone else's outsides. But I swear to God, I just seem to wrestle with everything more than anyone else.
Nic Sheff (Tweak: Growing Up On Methamphetamines)
Respect our strength.” “I do.” His hair fell in his eyes, and he tried to blow it away. “Being chivalrous is respectful. Women have been oppressed and persecuted since the beginning of time. If I can make their lives easier with my superior upper-body strength, I’m going to. At every opportunity.” “Superior.” “Yes. Superior. Do you want to arm wrestle?
Rainbow Rowell (Fangirl)
Mom, this isn’t what it looks like.” Mom put her hand on her hip. “It looks like a group of boys wrestling on the floor of your bedroom while you watch. Wearing a towel.” “Okay,” I admitted, “it is what it looks like, but it’s not—” “Sexual?” She raised her eyebrows. “Mom!” Luna stuck her head under Mom’s arm and sucked in a breath. “She’s gone from a love triangle to a kinky sex pentagon.
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
Marc’s hand tightened visibly around Kevin’s fingers, his digits going white. Again. Both men clenched their jaws, Kevin in pain, and Marc in an obvious effort to control his temper and keep from breaking Kevin’s hand. Off. Why couldn’t guys find a more original way to test each other’s manly prowess? Arm wrestling might have been more subtle. Or maybe comparing the length of their…canines.
Rachel Vincent (Rogue (Shifters, #2))
Come with me, Elliot. I have wanted to ask you for weeks, but I have waited, out of fear and doubt and the belief that it’s nothing but my own selfishness that wants you with me. I wrestled with this, and chance after chance passed me by. I can’t afford to lose this one. Please accept. This time, please accept. And please believe that no matter what, I am, ever, Your Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
Patch wore black jeans and a matching T- shirt that hugged his form. He rested his hands on my shoulders, facing me. "Ready?" Despite the grim mood, I smiled and cracked my knuckles. "Ready to wrestle my gorgeous boyfriend? Oh, I'd say I'm ready for that." Amusement softened his eyes. "I'll try to control where I put my hands, but in the heat of things, who knows what could happen?" I added. Patch grinned. "Sounds promising.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
I'm the best there is, the best there was, and the best there ever will be.
Bret Hart
Starting my own business was the only thing that made life’s other risks—marriage, Vegas, alligator wrestling—seem like sure things. But my hope was that when I failed, if I failed, I’d fail quickly, so I’d have enough time, enough years, to implement all the hard-won lessons. I wasn’t much for setting goals, but this goal kept flashing through my mind every day, until it became my internal chant: Fail fast.
Phil Knight (Shoe Dog)
Our hearts are not pure: our hearts are filled with need and greed as much as with love and grace, and we wrestle with our hearts all the time. The wrestling is who we are. How we wrestle is who we are. What we want to be is never what we are. Not yet. Maybe that's why we have these relentless engines in our chests, driving us forward toward what we might be." Orion (Jan/Feb 2005)
Brian Doyle
Champions never sleep, the eternal spirit keep them alert and awake.
Amit Ray (Enlightenment Step by Step)
Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he’d folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; she’d hit him twice across the face; she’d run from the house in a thunderstorm and slept at a motel; she’d wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. He’d presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; she’d forgotten and was happy — had never not been happy — and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him.
Jennifer Egan (A Visit from the Goon Squad)
When you're facing down multiple attackers, you always want to make the first move. It lets them know that you're ready to fight and that you're crazy enough to get the party started. One rule of thumb in fighting is that crazy can often overcome skill and numbers, because, while a trained fighter might actually enjoy going up against another trained fighter, no one really wants to wrestle with crazy. Crazy doesn't know when it's winning. And crazy doesn't know when to stop. If you can't pull off crazy, if, for instance, you're handcuffed in a small van with six armed assailants, stupid is a decent substitute for crazy.
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
I know the rules. I've been living here longer than you have." He cracks a smile then. He nudges me back. "Hardly." "Born and raised. You're a transplant." I nudge him again, a little harder, and he laughs and tries to catch hold of my arm. I squirm away, giggling, and he stretches out to tickle my stomach. "Country bumpkin!" I squeal, as he grabs out and wrestles me back onto the blanket, laughing. "City slicker," he says, rolling over on top of me, and then kisses me. Everything dissolves: heat, explosions of color, floating.
Lauren Oliver
Ellen drank long and deep from her water bottle and wiped her mouth with her gauntleted arm. "Are you feeling all right, Jack? Your play's flat, all in all. I was hoping to give Seph more of a show." Jack tested the edge of his blade with his thumb. "Actually, Ellen, I wondered if you were coming down with something. You were downright lethargic. I nearly dozed off once or twice." "Well, that explains it. You looked like you were asleep." With that, they threw down their weapons and it dissolved into a wrestling match. In the end they were kissing each other. It was certainly a different kind of courtship, but there was a chemistry, an understanding, a kinship between Jack and Ellen that Seph envied.
Cinda Williams Chima (The Wizard Heir (The Heir Chronicles, #2))
Have I told you about the tension of opposites? he says. The tension of opposites? Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn't. You take certain things for granted, even when you know you should never take anything for granted. A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.Sounds like a wrestling match, I say. A wrestling match. He laughs. Yes, you could describe life that way. So which side wins, I ask? Which side wins? He smiles at me, the crinkled eyes, the crooked teeth. Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie)
In that moment, I finally figured out what kind of handsome he was. He was fiction-handsome. Romance novel handsome; but not the clean-cut (billionaire) alpha male or even the tattooed (billionaire) bad boy archetype. He was the Scottish highlander, Viking conqueror, bodice-ripper historical romance kind of handsome; an unshaven, lion wrestling, mountain man recluse, toss you over his shoulder and plunder your goodies kind of handsome. He was both scary and swoony. I wanted to braid his beard. I also wanted to run away.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
Craziness is only a matter of degree, and there are lots of people besides me who have the urge to roll heads. They go to stock-car races and the horror movies and the wrestling matches they have in Portland Expo. Maybe what she said smacked of all those things, but I admired her for saying out loud, all the same--the price of honesty is always high. She had an admirable grasp of the fundamentals. Besides, she was tiny and pretty.
Richard Bachman (Rage)
Fats was starting to think that if you flipped every bit of received wisdom on its head you would have the truth. He wanted to journey through dark labyrinths and wrestle with the strangeness that lurked within; he wanted to crack open piety and expose hypocrisy; he wanted to break taboos and squeeze wisdom from their bloody hearts; he wanted to achieve a state of amoral grace, and be baptised backwards into ignorance and simplicity.
J.K. Rowling (The Casual Vacancy)
We laugh at a man who, stepping out of his room at the very minute when the sun is rising, says, “It is my will that the sun shall rise”; or at him who, unable to stop a wheel, says, “I wish it to roll”; or, again, at him who, thrown in a wrestling match, says, “Here I lie, but here I wish to lie.” But, joking apart, do we not act like one of these three persons whenever we use the expression “I wish”?
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
If you don't pray often, you won't gain a love for praying. Prayer is work, and therefore it is not very appealing to our natural sensibilities. But the simple rule for prayer is this: Begin praying and your taste for prayer will increase. The more you pray, the more you will acquire the desire for prayer, the energy for prayer, and the sense of purpose in prayer.
Leslie Ludy (Wrestling Prayer: A Passionate Communion with God)
On the warm stone walls, climbing roses were just coming into bloom and great twisted branches of honeysuckle and clematis wrestled each other as they tumbled up and over the top of the wall. Against another wall were white apple blossoms on branches cut into sharp crucifixes and forced to lie flat against the stone. Below, the huge frilled lips of giant tulips in shades of white and cream nodded in their beds. They were almost finished now, spread open too far, splayed, exposing obscene black centers. I've never had my own garden but I suddenly recognized something in the tangle of this one that wasn't beauty. Passion, maybe. And something else. Rage.
Meg Rosoff (How I Live Now)
They were beyond the present, outside time, with no memories and no future. There was nothing but obliterating sensation, thrilling and swelling, and the sound of fabric on fabric and skin on fabric as their limbs slid across each other in this restless, sensuous wrestling. ... They moved closer, deeper and then, for seconds on end, everything stopped. Instead of an ecstatic frenzy, there was stillness. They were stilled not by the astonishing fact of arrival, but by an awed sense of return - they were face to face in the gloom, staring into what little they could see of each other's eyes, and now it was the impersonal that dropped away.
Ian McEwan (Atonement)
It can’t be said enough. Don’t concern yourself with fashion; stick to simple pieces that flatter your body type. By nineteen, I had found my look. Oversize T-shirts, bike shorts, and wrestling shoes. To prevent the silhouette from being too baggy, I would cinch it at the waist with my fanny pack. I was pretty sure I would wear this look forever. The shirts allowed me to express myself with cool sayings like “There’s No Crying in Baseball” and “Universität Heidelberg,” the bike shorts showed off my muscular legs, and the fanny pack held all my trolley tokens. I was nailing it on a daily basis. Find something like this for yourself as soon as possible.
Tina Fey (Bossypants)
If Bailey had been born without MD, he wouldn't be Bailey. The Bailey who is smart and sensitive, and seems to understand so many things we don't. You might have looked right past Bailey if he'd grown up healthy, wrestling on his dad's team, acting like every other guy you've ever known. A big part of the reason Bailey is so special is because life has sculpted him into something amazing . . . maybe not on the outside, but on the inside. On the inside, Bailey looks like Michelangelo's David. And when I look at him, and when you look at him, that's what we see.
Amy Harmon (Making Faces)
For a moment she could have sworn she was standing in one of those history-comes-alive museums--the kind that feature animatronic robots, the narration stylings of James Earl Jones, and the sort of exhibits that invade children's nightmares for years to come. But instead of a cyborgish John Wilkes Booth discharging his deadly bullet into the back of a plastic Lincoln's head, a very real version of the assassin was engaged in a furious arm-wrestling match with Elvis Presley. Lincoln was watching the tussle, amused. "Come on, John," he said. "You can do better than that." "He's all talk," Elvis whispered back. "Silence!" roared Booth. "I'm trying to concentrate!" Lincoln rolled his eyes.
Gina Damico (Croak (Croak, #1))
My mind was quickly consumed with thoughts of my girlfriend and all the good times we had had, like one of those cheesy montages ni eighties movies, when the angsty protagonist envisions himself and his ex holding hands on the beach, feeding a small puppy, getting into some kind of zany wrestling match with whipped cream. I interrupted my cliché memories by saying aloud: "Ugh, I'm feeling pretty low about this whole thing." "You just gotta try to put it out of your head," he said, folding the paper halfway down to look at me. "I know, it's just hard. I mean, I still have stuff at her place. What am I going to do about that? I still have a TV...," I said. "Fuck the TV. Leave the TV. Cut your ties." "It's a fifteen-hundred-dollar TV," I insisted. "Go get that fucking TV.
Justin Halpern (Sh*t My Dad Says)
This explains so much," she said, clucking her tongue in mother-hen fashion. "You're compensating for this withered appendage." Withered appendage? What the devil was she talking about? He shook his head, trying to clear it. Colin's dire predictions of shriveled twigs and dried currants rattled in his skull. Wide awake now, he fought to sit up, wrestling the sheets. "Listen, you. I don't know what sort of liberties you've taken while I was insensible, or just what your spinster imagination prepared you to see. But I'll have you know, that water was damned cold." She blinked at him. "I'm referring to your leg." "Oh." His leg. That withered appendage
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
The dogs left with us and we walked. I sobbed the whole way home, still heartbroken. My mom had no time for my whining. “Why are you crying?!” “Because Fufi loves another boy.” “So? Why would that hurt you? It didn’t cost you anything. Fufi’s here. She still loves you. She’s still your dog. So get over it.” Fufi was my first heartbreak. No one has ever betrayed me more than Fufi. It was a valuable lesson to me. The hard thing was understanding that Fufi wasn’t cheating on me with another boy. She was merely living her life to the fullest. Until I knew that she was going out on her own during the day, her other relationship hadn’t affected me at all. Fufi had no malicious intent. I believed that Fufi was my dog, but of course that wasn’t true. Fufi was a dog. I was a boy. We got along well. She happened to live in my house. That experience shaped what I’ve felt about relationships for the rest of my life: You do not own the thing that you love. I was lucky to learn that lesson at such a young age. I have so many friends who still, as adults, wrestle with feelings of betrayal. They’ll come to me angry and crying and talking about how they’ve been cheated on and lied to, and I feel for them. I understand what they’re going through. I sit with them and buy them a drink and I say, “Friend, let me tell you the story of Fufi.
Trevor Noah (Born a Crime: Stories From a South African Childhood)
God made me a girl. And He did that on purpose. But He asks me to become the kind of girl who is actually useful to His kingdom purposes. I need to become the sort of girl who is unafraid to poke my head into the battle of the ages and cry out, “Who is this uncircumcised Philistine who is blaspheming the armies of the living God?” God wants me to wrestle. God wants to stick grit in my girliness. He wants me to be prepared to tangle, to interlock my soul in this eternal combat—- not with other girls, not with sweaty boys, but with Him, and with the otherworldly powers of darkness. He wants me to wrestle in prayer, to grab ahold of His great and precious promises and fight to see them unfurled in living reality on this Earth.
Leslie Ludy
And therefore, all of those for whom authentic transformation has deeply unseated their souls must, I believe, wrestle with the profound moral obligation to shout form the heart—perhaps quietly and gently, with tears of reluctance; perhaps with fierce fire and angry wisdom; perhaps with slow and careful analysis; perhaps by unshakable public example—but authentically always and absolutely carries a a demand and duty: you must speak out, to the best of your ability, and shake the spiritual tree, and shine your headlights into the eyes of the complacent. You must let that radical realization rumble through your veins and rattle those around you. Alas, if you fail to do so, you are betraying your own authenticity. You are hiding your true estate. You don’t want to upset others because you don’t want to upset your self. You are acting in bad faith, the taste of a bad infinity. Because, you see, the alarming fact is that any realization of depth carries a terrible burden: those who are allowed to see are simultaneously saddled with the obligation to communicate that vision in no uncertain terms: that is the bargain. You were allowed to see the truth under the agreement that you would communicate it to others (that is the ultimate meaning of the bodhisattva vow). And therefore, if you have seen, you simply must speak out. Speak out with compassion, or speak out with angry wisdom, or speak out with skillful means, but speak out you must. And this is truly a terrible burden, a horrible burden, because in any case there is no room for timidity. The fact that you might be wrong is simply no excuse: You might be right in your communication, and you might be wrong, but that doesn’t matter. What does matter, as Kierkegaard so rudely reminded us, is that only by investing and speaking your vision with passion, can the truth, one way or another, finally penetrate the reluctance of the world. If you are right, or if you are wrong, it is only your passion that will force either to be discovered. It is your duty to promote that discovery—either way—and therefore it is your duty to speak your truth with whatever passion and courage you can find in your heart. You must shout, in whatever way you can.
Ken Wilber (One Taste: Daily Reflections on Integral Spirituality)
No matter what you do with your life during the day, there's always that moment when you have to wake up with yourself, with yourself and with the person that's sleeping beside you. That's the person that you make a home with, discuss life's big decisions with, share your finances, eat, shop, maybe parent with. That's the person you share your body with forever, kiss, touch, the one you sit on the couch with and watch movies, the one who gives you a hug when you've had a rough day. That's the person you put up a Christmas tree with and arrive home with for the holidays, the person you watch grow old and who still loves you when you're not as nice to look at, the one who holds your hand when you're dying. And none of that had anything to do with wrestling.
Eli Easton (Superhero)
This metropolitan world, then, is a world where flesh and blood is less real than paper and ink and celluloid. It is a world where the great masses of people, unable to have direct contact with more satisfying means of living, take life vicariously, as readers, spectators, passive observers: a world where people watch shadow-heroes and heroines in order to forget their own clumsiness or coldness in love, where they behold brutal men crushing out life in a strike riot, a wrestling ring or a military assault, while they lack the nerve even to resist the petty tyranny of their immediate boss: where they hysterically cheer the flag of their political state, and in their neighborhood, their trades union, their church, fail to perform the most elementary duties of citizenship. Living thus, year in and year out, at second hand, remote from the nature that is outside them and no less remote from the nature within, handicapped as lovers and as parents by the routine of the metropolis and by the constant specter of insecurity and death that hovers over its bold towers and shadowed streets - living thus the mass of inhabitants remain in a state bordering on the pathological. They become victims of phantasms, fears, obsessions, which bind them to ancestral patterns of behavior.
Lewis Mumford (The Culture of Cities (Book 2))
There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
Tom Robbins
The working, concentrating artist is an adult who refuses interruption from himself, who remains absorbed and energized in and by the work — who is thus responsible to the work… Serious interruptions to work, therefore, are never the inopportune, cheerful, even loving interruptions which come to us from another. […] It is six A.M., and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes flat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt. My responsibility is not to the ordinary, or the timely. It does not include mustard, or teeth. It does not extend to the lost button, or the beans in the pot. My loyalty is to the inner vision, whenever and howsoever it may arrive. If I have a meeting with you at three o’clock, rejoice if I am late. Rejoice even more if I do not arrive at all. There is no other way work of artistic worth can be done. And the occasional success, to the striver, is worth everything. The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.
Mary Oliver (Upstream: Selected Essays)
Before, Sazed had looked at the doctrines themselves. This time, he found himself studying the people who had believed, or what he could find of them. As he read their words over again in his mind, he began to see something. The faiths he had looked at, they couldn't be divorced from the people who had adhered to them. In the abstract, those religions were stale. However, as he read the words of the people—really read them—he began to see patterns. Why did they believe? Because they saw miracles. Things one man took as chance, a man of faith took as a sign. A loved one recovering from disease, a fortunate business deal, a chance meeting with a long lost friend. It wasn't the grand doctrines or the sweeping ideals that seemed to make believers out of men. It was the simple magic in the world around them. What was it Spook said? Sazed thought, sitting in the shadowy kandra cavern. That faith was about trust. Trusting that somebody was watching. That somebody would make it all right in the end, even though things looked terrible at the moment. To believe, it seemed, one had to want to believe. It was a conundrum, one Sazed had wrestled with. He wanted someone, something, to force him to have faith. He wanted to have to believe because of the proof shown to him. Yet, the believers whose words now filled his mind would have said he already had proof. Had he not, in his moment of despair, received an answer? As he had been about to give up, TenSoon had spoken. Sazed had begged for a sign, and received it. Was it chance? Was it providence? In the end, apparently, it was up to him to decide. He slowly returned the letters and journals to his metalminds, leaving his specific memory of them empty—yet retaining the feelings they had prompted in him. Which would he be? Believer or skeptic? At that moment, neither seemed a patently foolish path. I do want to believe, he thought. That's why I've spent so much time searching. I can't have it both ways. I simply have to decide. Which would it be? He sat for a few moments, thinking, feeling, and—most important—remembering. I sought help, Sazed thought. And something answered. Sazed smiled, and everything seemed a little bit brighter. Breeze was right, he thought, standing and organizing his things as he prepared to go. I was not meant to be an atheist.
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
To the extent that you actually realize that you are not, for example, your anxieties, then your anxieties no longer threaten you. Even if anxiety is present, it no longer overwhelms you because you are no longer exclusively tied to it. You are no longer courting it, fighting it, resisting it, or running from it. In the most radical fashion, anxiety is thoroughly accepted as it is and allowed to move as it will. You have nothing to lose, nothing to gain, by its presence or absence, for you are simply watching it pass by. Thus, any emotion, sensation, thought, memory, or experience that disturbs you is simply one with which you have exclusively identified yourself, and the ultimate resolution of the disturbance is simply to dis-identify with it. You cleanly let all of them drop away by realizing that they are not you--since you can see them, they cannot be the true Seer and Subject. Since they are not your real self, there is no reason whatsoever for you to identify with them, hold on to them, or allow your self to be bound by them. Slowly, gently, as you pursue this dis-identification "therapy," you may find that your entire individual self (persona, ego, centaur), which heretofore you have fought to defend and protect, begins to go transparent and drop away. Not that it literally falls off and you find yourself floating, disembodied, through space. Rather, you begin to feel that what happens to your personal self—your wishes, hopes, desires, hurts—is not a matter of life-or-death seriousness, because there is within you a deeper and more basic self which is not touched by these peripheral fluctuations, these surface waves of grand commotion but feeble substance. Thus, your personal mind-and-body may be in pain, or humiliation, or fear, but as long as you abide as the witness of these affairs, as if from on high, they no longer threaten you, and thus you are no longer moved to manipulate them, wrestle with them, or subdue them. Because you are willing to witness them, to look at them impartially, you are able to transcend them. As St. Thomas put it, "Whatever knows certain things cannot have any of them in its own nature." Thus, if the eye were colored red, it wouldn't be able to perceive red objects. It can see red because it is clear, or "redless." Likewise, if we can but watch or witness our distresses, we prove ourselves thereby to be "distress-less," free of the witnessed turmoil. That within which feels pain is itself pain-less; that which feels fear is fear-less; that which perceives tension is tensionless. To witness these states is to transcend them. They no longer seize you from behind because you look at them up front.
Ken Wilber (No Boundary: Eastern and Western Approaches to Personal Growth)
There is a club in this world that you do not join knowingly. One day you are just a member. It is “The life changing events club.” The fee to join the club is hurt beyond belief, payable in full, up front for a lifetime membership. The benefit of the club is a new found perspective on life, and a deep understanding that you may not be happy about your current situation, but you can be happy in your current situation. The only rule to the club is that you cannot tell anyone that you are a member. The club does not provide a directory of its members, but when you look into a member’s eye, you can tell that they too are part of the club. Members are allowed to exchange that brief eye contact that says: “I didn’t know.” Being a member of this club is the last thing that anyone initially wants in their life. Being a member of this club is the best thing that ever happens to a person in their life, and there is not a person in the club that would ever give up their membership. If you really look and know what you are looking for you can spot the clubs members; they are the ones that provide a random act of kindness and do something for someone who can never repay them for what they have done. They are the people spreading joy and optimism and lifting people’s spirits even when their own heart has been broken. I have paid my dues; my lifetime membership arrived today, not by mail, but by a deep inner feeling that I cannot describe. It is the best club that I never wanted to be part of. But I am glad that I am a member.
JohnA Passaro (6 Minutes Wrestling With Life (Every Breath Is Gold #1))