Wren Quotes

We've searched our database for all the quotes and captions related to Wren. Here they are! All 100 of them:

Happily ever after, or even just together ever after, is not cheesy,” Wren said. “It’s the noblest, like, the most courageous thing two people can shoot for.
Rainbow Rowell (Fangirl)
Sir Christopher Wren Said, "I am going to dine with some men. If anyone calls Say I am designing St. Paul's.
E.C. Bentley
Have you ever wanted something that you knew was bad for you? Something that you ached for so much you could think of nothing else? [Wren]
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
The tiger lies low not from fear, but for aim. ~Wren
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
Now the wren has gone to roost and the sky is turnin' gold And like the sky my soul is also turnin' Turnin' from the past, at last and all I've left behind
Ray Lamontagne (God Willin' & the Creek Don't Rise)
Sometimes I fly like an eagle but with the wings of a wren
Anne Sexton (The Complete Poems)
What happened to cause the jail fight? (Maggie) They thought it would be fun to knock around the ‘kid’ and show off their manhood. I thought it would be fun to knock a couple of them unconscious. (Wren)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
You look ridiculous,” Wren said. “What?” “That shirt.” It was a Hello Kitty shirt from eighth or ninth grade. Hello Kitty dressed as a superhero. It said SUPER CAT on the back, and Wren had added an H with fabric paint. The shirt was cropped too short to begin with, and it didn’t really fit anymore. Cath pulled it down self-consciously. “Cath!” her dad shouted from downstairs. “Phone.” Cath picked up her cell phone and looked at it “He must mean the house phone,” Wren said. “Who calls the house phone?” “Probably 2005. I think it wants its shirt back.
Rainbow Rowell (Fangirl)
Don't expect me to tell you apart," Reagan said when this became a routine. "I have short hair," Wren said. "and she wears glasses." "Stop," Reagan groaned, "don't make me look at you. It's like The Shining in here.
Rainbow Rowell (Fangirl)
Cath ran her fingers along the cover, over the raised gold type. Then someone else ran right into her, pushing the book into Cath's chest. Pushing two books into her chest. Cath looked up just as Wren threw an arm around her. "They're both crying," Cath heard Reagan say. "I can't even watch." Cath freed an arm to wrap around her sister. "I can't believe it's really over," she whispered. Wren held her tight and shook her head. She really was crying, too. "Don't be so melodramatic, Cath," Wren laughed hoarsely. "It's never over... It's Simon.
Rainbow Rowell (Fangirl)
Not that I’ve ever feared a fight or backed down from one –(Wren) That’s the truth. I swear he’s half beta fish. He’d fight his own reflection to prove a point. (Maggie)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
I know you all have families who love you so if you want to leave–. (Acheron) We wouldn’t be here if we didn’t want to. You and Val fought to save my sister when no one else would have bothered. I haven’t forgotten it. (Vane) And I haven’t forgotten what the Dark-Hunters did for me and Maggie. (Wren) Yeah, we’re family. Psychotic, bizarre and a hodgepodge of personalities that should probably never be blended, but here we are. Now let’s go kick some ass. (Fury)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
I’m not putting my faith or life in anyone’s hands. All that ever got me was screwed, and my ass is currently sore from it. (Wren) Nice imagery there, tiger. Graphic. Ever think of writing children’s books? (Fury)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
Words Be careful of words, even the miraculous ones. For the miraculous we do our best, sometimes they swarm like insects and leave not a sting but a kiss. They can be as good as fingers. They can be as trusty as the rock you stick your bottom on. But they can be both daisies and bruises. Yet I am in love with words. They are doves falling out of the ceiling. They are six holy oranges sitting in my lap. They are the trees, the legs of summer, and the sun, its passionate face. Yet often they fail me. I have so much I want to say, so many stories, images, proverbs, etc. But the words aren't good enough, the wrong ones kiss me. Sometimes I fly like an eagle but with the wings of a wren. But I try to take care and be gentle to them. Words and eggs must be handled with care. Once broken they are impossible things to repair.
Anne Sexton (The Complete Poems)
How do you feel? (Maggie) Like I got hit by a bus that decided to back up a few times and make sure it finished the job. I think it must have ground its tires on my ribs during the last run. You know, just in case I might actually want to breathe again in my lifetime. (Wren)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
Hairy monkeyballs!” I hiss. “Dogshit on a stick! Puke pancakes!” A head pokes in. Wren, green eyes smiling, walks over to my bed. “I knew you were awake. Who else spews such original and captivating swears?
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
I’ve never met anyone who had a monkey for a friend before. (Maggie) I don’t know. I think those two guys you were with would qualify as primates, but then, that’s an insult to the primate and I don’t want Marvin to get pissed at me. He has higher sensibilities, you know? (Wren)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
Do you think I absorbed all the impact? That when Mom left, it hit my side of the car? Fuck that, Wren. She left you, too." "But it didn't break me. Nothing can break me unless I let it." "Do you think Dad let it? Do you think he chose to fall apart when she left?" "Yes!" Wren was shouting now. "And I think he keeps choosing. I think you both do. You'd rather be broken than move on.
Rainbow Rowell (Fangirl)
Lost' Stand still. The trees ahead and the bushes beside you Are not lost. Wherever you are is called Here, And you must treat it as a powerful stranger, Must ask permission to know it and be known. The forest breathes. Listen. It answers, I have made this place around you, If you leave it you may come back again, saying Here. No two trees are the same to Raven. No two branches are the same to Wren. If what a tree or a bush does is lost on you, You are surely lost. Stand still. The forest knows Where you are. You must let it find you.
David Wagoner
He had been willing to die because he refused to take a life. But me, I contemplated shooting everyone.
Amy Tintera (Reboot (Reboot, #1))
Raphael paints wisdom, Handel sings it, Phidias carves it, Shakespeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it.
Ralph Waldo Emerson
He was an aimless kite in search of a string to ground him to the world, but instead, he’d found Wren, a great, strong wind who’d supported his exploration of the sky
Emily Habeck (Shark Heart)
It can be brave to hate. Sometimes it’s like hope.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Wren and I might not be Paper Girls anymore, but we are still capable of creating fire. And now we have a whole world to burn.
Natasha Ngan (Girls of Storm and Shadow (Girls of Paper and Fire, #2))
My father used to say that it’s not enough to just beat an attacker off. You have to hurt them enough that they’ll know not to tangle with you anymore. Or preferably kill them. (Wren)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
Another girl might have frozen, but I am cold all the way through.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
I came here because it's pine-dark and the ocean is wild. The kind of quiet-noise you need when there's too much going on in your head. Like the water and the woods are doing all the feeling, and I can hang out, quiet as a headstone, in a between place. A blank I can bear.
Amy McNamara (Lovely, Dark and Deep)
Want to dance?" He scooped me into his arms before I could reply. "We have music this time. And I don't have to punch you when we finish." "You don't have to. But if I step on your feet too many times you can feel free.
Amy Tintera (Reboot (Reboot, #1))
What happened to your hair, tiger? (Fang) It fell off. (Wren)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
Sometimes Frank sighed, thinking he had caught a tropic bird, all flame and jewel color, when a wren would have served him just as well. In fact, much better.
Margaret Mitchell
So what happened? (Maggie) Nothing major. It’s just a group of assholes out to kill me. (Wren)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
No can do. Wren stays here. (Dev) Not what I was told. (Varyk) Well, I just told you. (Dev)
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
I’ve spent the last twelve years dwelling on all the things Wren Fletcher isn’t. I should have had the guts to come and find out all the things he is.
K.A. Tucker (The Simple Wild)
She is my air. My shelter. Wren is my wings.
Natasha Ngan (Girls of Storm and Shadow (Girls of Paper and Fire, #2))
The world is grown so bad that wrens make pray where eagles dare not perch
William Shakespeare (Richard III)
In a dark time, the eye begins to see, I meet my shadow in the deepening shade; I hear my echo in the echoing wood-- A lord of nature weeping to a tree. I live between the heron and the wren, Beasts of the hill and serpents of the den. What's madness but nobility of soul At odds with circumstance? The day's on fire! I know the purity of pure despair, My shadow pinned against a sweating wall. That place among the rocks--is it a cave, Or winding path? The edge is what I have. A steady storm of correspondences! A night flowing with birds, a ragged moon, And in broad day the midnight comes again! A man goes far to find out what he is-- Death of the self in a long, tearless night, All natural shapes blazing unnatural light. Dark, dark my light, and darker my desire. My soul, like some heat-maddened summer fly, Keeps buzzing at the sill. Which I is I? A fallen man, I climb out of my fear. The mind enters itself, and God the mind, And one is One, free in the tearing wind.
Theodore Roethke
When I hear the buzz of a plane overhead, I like to think it's Wren Fletcher, doing what he loves most, flying high over the mountains, over the land he loved so deeply. He just doesn't need to land anymore.
K.A. Tucker (Forever Wild (Wild, #2.5))
Yeah, I wish I could have stayed awake long enough to see your face when I changed over. (Wren) No, you don’t. I assure you, it wasn’t pretty. (Maggie) There’s never anything about you that isn’t pretty, Maggie. You’re the most beautiful woman I’ve ever seen. (Wren)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
Nothing can break me unless I let it.
Rainbow Rowell
What would you like? (Maggie) I don’t care. I’ll eat anything not Tylenol or chocolate. (Wren)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
Wren saw now how passion was delicate and temporary, a visitor, a feeling that would come and go. Feelings fled under pressure; feelings did not light the darkness. What remained strong in the deep, the hard times, was love as an effort, a doing, a conscious act of will. Soulmates, like her and Lewis, were not theoretical and found. They were tangible, built.
Emily Habeck (Shark Heart)
And neither do I, asshole. (Wren) Wow. Multiple syllables and a whole sentence from the tiger. Who’d have ever thought it? Whoever she was, she must have had a lot of talent to make you speak. Next thing you know, she’ll have the dead walking. Quick, call a Dark-Hunter. I’m sure some of them would like another resurrection. (Dev)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
As long as there's one person to believe it, there's no story that can't be true.
Paul Auster (Auggie Wren's Christmas Story)
Living with the feeling that the world was on fire, Wren now knew, was nothing compared to watching it burn
Adrienne Tooley (Sweet & Bitter Magic)
If Cath had to choose between everyone, she'd choose Wren.
Rainbow Rowell (Fangirl)
As Lewis held Wren's hands, he thought of her kindness, her intelligence, her inner beauty. Yet, just as he married these known qualities, he also married her vast unknowns. And she, his.
Emily Habeck (Shark Heart)
I love Wren and he knows it.” “Yeah, but he seems like he wouldn’t welcome it.” “Sometimes he doesn’t. But it’s like Cherise says, the hardest ones to love are always the ones who need it most.” (Aimee to Fang)
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
It was true that all Reboots were attractive, in a way. After death, when the virus took hold and the body Rebooted, the skin cleared, the body sharpened, the eyes glowed. It was like pretty with a hint of deranged. Although my hint was more like a generous serving.
Amy Tintera (Reboot (Reboot, #1))
Wren, come back, please come back. Don't disappear again. I want you here. Stay here.
Amy McNamara (Lovely, Dark and Deep)
Do you think the wren ever dreams of a better house?
Mary Oliver (Blue Pastures)
Si monumentum requiris circumspice (If you seek his monument, look around.) [Epitaph on Wren's tomb in St. Paul's Cathedral]
Christopher Wren
Your end is a dead blue wren.
Trent Dalton (Boy Swallows Universe)
The Deliverator belongs to an elite order, a hallow subcategory. He's got esprit up to here. Right now, he is preparing to carry out his third mission of the night. His uniform is black as activated charcoal, filtering the very light out of the air. A bullet will bounce off its arachnofiber weave like a wren hitting a patio door, but excess perspiration wafts through it like a breeze through a freshly napalmed forest. Where his body has bony extremities, the suit has sintered armorgel: feels like gritty jello, protects like a stack of telephone books.
Neal Stephenson (Snow Crash)
Hey, prez!” I get out of the desk and hug him. He makes a strangled-cat noise and adjusts his glasses so hard they fly off his face. I pick them off the floor. “You okay?” “I-I’m fine. Um. You look – you look, uh, you look - ” “Nice?” I offer. “Really…really nice,” Wren exhales.
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
As a child, Wren read lots of fairy tales. That's why, when the monsters came, she knew it was because she had been wicked.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Man, Wren. I’m impressed. No woman ever sent flowers to thank me. (Serre) Don’t be that impressed. I’m thinking she didn’t send flowers to thank him. One flower says thank you. This many says she thought he was dead. Or that she killed him. Hmm...I’m thinking, put a tiger in her tank and that didn’t quit rev her up. What she needs is to go hunting for bear. (Dev)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
It was a good weekend. Five thousand words of Carry On. Fish tacos with radish and shredded cabbage. Only two more conversations about Wren. And Sunday afternoon brought Levi back, taking her front steps two at a time.
Rainbow Rowell (Fangirl)
Wren was everything that was wrong with his world, but she was also the only thing that was right. The only thing that made sense.
Nicki Pau Preto (Bonesmith (House of the Dead, #1))
It seemed, in the beginning, that fighting back would only bring me further pain. That’s the lesson they wanted me taught, but soon I realized I would be hurt anyway. Better to hurt someone else when I had a chance. Better to make them hesitate, to know it would cost them something.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Let me tell you something you haven't learnt yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn't matter who you are or what you do, it happens. Experience, time, events - they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn't have given a second thought to when you were young. It happens gradually, a chipping away that you don't even notice at first, and then one day it's there. You wake up and you just don't have the fire anymore...Then you have a choice. You can either give in to what you're feeling, just say "okay, enough is enough" and be done with it, or you can fight it. You can accept that every day you're alive you're going to have to face it down, that you're going to have to say to yourself that you don't care what you feel, that it doesn't matter what happens anyway, that you're going to do what you have to because otherwise you're defeated and life doesn't have any real pupose left. When you can do that, little Wren, when you can accept the wearing down and the eroding, then you can do anything. How did I manage to keep going out nights? I just told myself I didn't matter all that much - that those in here mattered more. You know something? It's not so hard really. You just have to get past the fear.
Terry Brooks
This has been one seriously fucked-up day, huh? (Wren) You might say that. This morning it was 2005 in New Orleans, I was staring at you wondering what it would be like to have the ability to change into a tiger. Now it’s the day before I enter the world in 1981 and I can turn into a tiger. Yeah, just your average day...if you’re in a Ted Raimi production. (Maggie)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
The secret of architectural excellence is to translate the proportions of a dachshund into bricks, mortar and marble.
Christopher Wren
Tamsin wanted to count every single one, commit them all to memory so that even when she closed her eyes, she would see a constellation of Wren.
Adrienne Tooley (Sweet & Bitter Magic)
And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber.
James Agee (A Death in the Family)
As soon as the door closed, Levi popped his eyes again. Bluely. "That's your twin sister?" "Identical," Reagan said, like she had a mouth full of hair. Cath nodded and sat down at her desk. "Wow." Levi scooted down the bed so he was sitting across from her. "I'm not sure what you're getting at," Cath said, "but I think it's offensive." "How can the fact that your identical twin sister is super hot be offensive to you?" "Because," Cath said, still too encouraged by Wren and, weirdly, by Abel, and maybe even by Nick to let this get to her right now. "It makes me feel like the Ugly One." "You're not the ugly one." Levi grinned. "You're just the Clark Kent." Cath started checking her e-mail. "Hey, Cath," Levi said, kicking her chair. She could hear the teasing in his voice. "Will you warn me when you take off your glasses?
Rainbow Rowell (Fangirl)
Suddenly, in the space of a moment, I realized what it was that I loved about Britain - which is to say, all of it. Every last bit of it, good and bad - Marmite, village fetes, country lanes, people saying 'mustn't grumble' and 'I'm terribly sorry but', people apologizing to me when I conk them with a nameless elbow, milk in bottles, beans on toast, haymaking in June, stinging nettles, seaside piers, Ordnance Survey maps, crumpets, hot-water bottles as a necessity, drizzly Sundays - every bit of it. What a wondrous place this was - crazy as fuck, of course, but adorable to the tiniest degree. What other country, after all, could possibly have come up with place names like Tooting Bec and Farleigh Wallop, or a game like cricket that goes on for three days and never seems to start? Who else would think it not the least odd to make their judges wear little mops on their heads, compel the Speaker of the House of Commons to sit on something called the Woolsack, or take pride in a military hero whose dying wish was to be kissed by a fellow named Hardy? ('Please Hardy, full on the lips, with just a bit of tongue.') What other nation in the world could possibly have given us William Shakespeare, pork pies, Christopher Wren, Windsor Great Park, the Open University, Gardners' Question Time and the chocolate digestive biscuit? None, of course. How easily we lose sight of all this. What an enigma Britain will seem to historians when they look back on the second half of the twentieth century. Here is a country that fought and won a noble war, dismantled a mighty empire in a generally benign and enlightened way, created a far-seeing welfare state - in short, did nearly everything right - and then spent the rest of the century looking on itself as a chronic failure. The fact is that this is still the best place in the world for most things - to post a letter, go for a walk, watch television, buy a book, venture out for a drink, go to a museum, use the bank, get lost, seek help, or stand on a hillside and take in a view. All of this came to me in the space of a lingering moment. I've said it before and I'll say it again. I like it here. I like it more than I can tell you.
Bill Bryson (Notes from a Small Island)
We order our lives with barely held stories. As if we have been lost in a confusing landscape, gathering what was invisible and unspoken—Rachel, the Wren, and I, a Stitch—sewing it all together in order to survive, incomplete, ignored like the sea pea on those mined beaches during the war. The greyhound is
Michael Ondaatje (Warlight)
How appropriate to have my tongue cut out, when silence has been my refuge and my cage.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Because I don’t like being the fool who’d been tricked. I like games, but I hate to lose.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Where are we going?” she asked. “Mr. Durbin’s sheep have begun to lamb, and I wanted to see how the ewes are doing.” He cleared his throat. “I suppose I should have told you about today’s outing earlier.” Anna kept her eyes straight ahead and made a noncommittal sound. He coughed. “I might’ve, had you not left so precipitously yesterday afternoon.” She arched a brow but did not reply. There was a lengthy lull broken only by the dog’s eager yelp as he flushed a rabbit from the hedge along the lane. Then the earl tried again. “I’ve heard some people say my temper is rather . . .” He paused, apparently searching for a word. Anna helped him. “Savage?” He squinted at her. “Ferocious?” He frowned and opened his mouth. She was quicker. “Barbaric?” He cut her off before she could add to her list. “Yes, well, let us simply say that it intimidates some people.” He hesitated. “I wouldn’t want to intimidate you, Mrs. Wren.” “You don’t.
Elizabeth Hoyt (The Raven Prince (Princes Trilogy, #1))
It’s college,” Wren said, exasperated, covering her face with her hands. “It’s supposed to be an adventure.” “It’s already an adventure.” Cath crawled up next to her sister and pulled Wren’s hands away from her face. “The whole prospect is already terrifying.” “We’re supposed to meet new people,” Wren repeated. “I don’t need new people.” “That just shows how much you need new people.…
Rainbow Rowell (Fangirl)
I feel a little pummelled by Oak's beauty. If I look at him too long, I want to take a bite out of him.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Even now, she cannot stop searching for a way out of her skin and into a life that fits all her fire.
Morgan Nikola-Wren (Magic with Skin On)
A time will come when men will stretch out their eyes. They should see planets like our Earth.
Christopher Wren
There were ten tongues within one head, and one went out to fetch some bread, to feed the living and the dead." "What does it mean?" "A wren made a nest inside the skull of a gibbeted corpse, flying in and out of the jaw to feed its young. In the midst of death, as it were, life just keeps on happening.
Neil Gaiman
I thought love was a fascination, or a desire to be around someone, or wanting to make them happy. I believed it just happened, like a slap to the face, and left the way the sting from such a blow fades. That’s why it was easy for me to believe it could be false or manipulated or influenced by magic. Until I met you, I didn’t understand to feel loved, one has to feel known. And that, outside of my family, I had never really loved because I hadn’t bothered to know the other person. But I know you. And you have to come back to me, Wren, because no one gets us but us. You know why you’re not a monster, but I might be. I know why throwing me in your dungeon meant there was still something between us. We are messes and we are messed up and I don’t want to go through this world without the one person I can’t hide from and who can’t hide from me.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
I like your glasses," he said. "I like your Simon Snow T-shirts. I like that you don't smile at everyone, because then, when you smile at me...Cather." He kissed her mouth. "Look at me." She did. "I choose you over everyone.
Rainbow Rowell (Fangirl)
Holy shit,” Spencer said. She held her T-shirt up against her naked chest. “What is it? Wren asked. Spencer stepped back. Her throat was dry. “Oh,” she croaked. “Oh,” Wren echoed. Melissa stood outside the window, her hair messay and Medusa-like, her face absolutely expressionless. A cigarette shook in her tiny, usually steady fingers. “I didn’t know you smoked,” Spencer finally said.
Sara Shepard (Pretty Little Liars (Pretty Little Liars, #1))
I leave her to chemically combust and find Wren in the student council office, filling out extremely interesting paperwork. He’s buried behind piles of the stuff. I can barely see tufts of his blonde hair poking out. I reach into the paperwork pile and shove the two halves aside. Hundreds of them fall off the desk and to the floor. Papers drift through the air like snowflakes. Fat, boring-ass snowflakes. Wren looks up, face slack with shock. “Whatcha doing?” I ask. “Dividing up funding for the other clubs,” He whispers, clearly distraught. A paper plops onto his head and slides off dejectedly. I’m respectful for three seconds. “So anyway, I had this nightmare in which Jack was sexy and Kayla died.
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
Sound can manipulate emotions better than almost anything else.
Alaina Urquhart (The Butcher and The Wren)
Would you consider actually marrying me?” She looks up at him, obviously surprised and a little suspicious. “Really?” He presses a kiss to her hair. “If you did, I would be willing to make the ultimate sacrifice to prove the sincerity of my feelings.” “What’s that?” she asks, peering up at him. “Become a king of some place instead of running away from all royal responsibility.” She laughs. “You wouldn’t rather sit by my throne on a leash?” “That does seem easier,” he admits. “I would make an excellent consort.” “Then I’ll have to marry you, Prince Oak of the Greenbriar line,” Wren says, with a sharp-toothed smile. “Just to make you suffer.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Wren no longer sees life as a long, linear ladder with a beginning, middle, and end. Instead, she considers how life is like a spiraling trail up a mountain. Each circling lap represents a learning cycle, the same lesson at a slightly higher elevation. Wren realizes she likes to rest as much as she likes to climb. She begins to enjoy the view.
Emily Habeck (Shark Heart)
Her smile faded to a more serious expression. "Is everything okay? With Callum?" "Fine," I said, taking a bite of meat and avoiding her eyes. "He's crazy about you, you know," she said softly, like I hadn't just told her things were fine. "I see other girls looking at him sometimes, and he doesn't even notice. He only sees you.
Amy Tintera (Rebel (Reboot, #2))
Madoc seemed like the sort to roast him over a fire, consume his flesh, and call it love. By then, I had become familiar with love of that kind.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
The place was silent and - aware.
P.C. Wren
WRENS ARE TRULY MAGNIFICENT LITTLE creatures. They signify rebirth and protection, immortality, and strength. Because of the wren’s small stature, most larger birds and predators underestimate its incredible ingenuity and intelligence. But while technically fragile, the wren outwits its underprepared predator to come out on top when threatened.
Alaina Urquhart (The Butcher and The Wren)
You will make an interesting High King,' I tell him. He looks alarmed. 'I most definitely will not. The Folk adore Cardan and they're terrified of my sister, two excellent things. I hope they rule Elfhame for a thousand years and then pass it down to one of a dozen offspring. No need for me to be involved.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
I imagine giving up. No more peering through windows, mourning the loss of a life that could never again be mine. No more hopeless desire. No more uncertain future. No more terror.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
...it occurred to me, not for the first time, what a remarkably small world Britain is. That is its glory, you see--that it manages at once to be intimate and small scale, and at the same time packed to bursting with incident and interest. I am constantly filled with admiration at this--at the way you can wander through a town like Oxford and in the space of a few hundred yards pass the home of Christopher Wren, the buildings where Halley found his comet and Boyle his first law, the track where Roger Bannister ran the first sub-four-minute mile, the meadow where Lewis Carroll strolled; or how you can stand on Snow's Hill at Windsor and see, in a single sweep, Windsor Castle, the playing fields of Eton, the churchyard where Gray wrote his "Elegy," the site where The Merry Wives of Windsor was performed. Can there anywhere on earth be, in such a modest span, a landscape more packed with centuries of busy, productive attainment?
Bill Bryson (Notes from a Small Island)
Stand still. The trees ahead and bushes beside you Are not lost. Wherever you are is called Here, And you must treat it as a powerful stranger, Must ask permission to know it and be known. The forest breathes. Listen. It answers, I have made this place around you. If you leave it, you may come back again, saying Here. No two trees are the same to Raven. No two branches are the same to Wren. If what a tree or a bush does is lost on you, You are surely lost. Stand still. The forest knows Where you are. You must let it find you.
David Wagoner (Traveling Light: Collected and New Poems)
True submission comes from a place of strength, ... because submitting means choosing to make yourself vulnerable to another person. It takes real guts to do that. It isn't weakness at all - exactly the opposite, in fact.
Indigo Wren (The Trap)
Life up here may be simple but it’s not easy, and it’s not for everyone. Water runs out; pipes freeze; engines won’t start; it’s dark for eighteen, nineteen hours a day, for months. Even longer in the far north. Up here it’s about having enough food to eat, and enough heat to stay alive through the winter. It’s about survival, and enjoying the company of the people that surround us. It’s not about whose house is the biggest, or who has the nicest clothes, or the most money. We support each other because we’re all in this together. “And people either like that way of life or they don’t; there’s no real in-between. People like Wren and Jonah, they find they can’t stay away from it for too long. And people like Susan, well . . . they never warm up to it. They fight the challenges instead of embracing them, or at least learning to adapt to them.” Agnes pauses, her mouth open as if weighing whether she should continue. “I don’t agree with the choices Wren made where you’re concerned, but I know it was never a matter of him not caring about you. And if you want to blame people for not trying, there’s plenty of it to go around.” Agnes turns to smile at me then. “Or you could focus on the here-and-now, and not on what you can’t change.
K.A. Tucker (The Simple Wild (Wild, #1))
Every game has its Jacks,' she said, the sadness of it pulling down the elation of sudden understanding. 'The thing that acts as a wild card. It can't be counted on or predicted. A weapon, even. But he's in other places, too, isn't he? And do you know what else a Jack is, Puck?...I do.
Ruth Frances Long (The Treachery of Beautiful Things)
Who calls at Habetrot's chamber?' comes a whispery voice. Oak raises his eyebrows at me, as though he intends me to answer. Fine, if that's what he wants. 'Suren, whose garb has been deemed inadequate by an obnoxious prince, despite the fact I've seen people go naked to revels.' Rather than be insulted, Oak laughs delightedly.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
They taught you a lot of things, your family,' I say. The sleight of hand, the wall climbing, the swordsmanship. 'Not to die,' he says. 'That's what they attempted to teach me, anyway. Not to die.' Considering how often he throws himself directly into the path of danger, I do not think they taught him well enough.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
As technological civilization diminishes the biotic diversity of the earth, language itself is diminished. As there are fewer and fewer songbirds in the air, due to the destruction of their forests and wetlands, human speech loses more and more of its evocative power. For when we no longer hear the voices of warbler and wren, our own speaking can no longer be nourished by their cadences. As the splashing speech of the rivers is silenced by more and more dams, as we drive more and more of the land’s wild voices into the oblivion of extinction, our own languages become increasingly impoverished and weightless, progressively emptied of their earthly resonance.17
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
The important thing is to keep them pledging,' he explained to his cohorts. 'It doesn't matter whether they mean it or not. That's why they make little kids pledge allegiance even before they know what "pledge" and "allegiance" mean.' To Captain Piltchard and Captain Wren, the Glorious Loyalty Oath Crusade was a glorious pain in the ass, since it complicated their task of organizing the crews for each combat mission. Men were tied up all over the squadron signing, pledging and singing, and the missions took hours longer to get under way. Effective emergency action became impossible, but Captain Piltchard and Captain Wren were both too timid to raise any outcry against Captain Black, who scrupulously enforced each day the doctrine of 'Continual Reaffirmation' that he had originated, a doctrine designed to trap all those men who had become disloyal since the last time they had signed a loyalty oath the day before. It was Captain Black who came with advice to Captain Piltchard and Captain Wren as they pitched about in their bewildering predicament. He came with a delegation and advised them bluntly to make each man sign a loyalty oath before allowing him to fly on a combat mission.
Joseph Heller (Catch-22)
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.
Rachel Carson
Oak puts a hand on my arm. I startle. 'You all right?' he asks. 'When they first took me from the mortal world to the Court of Teeth, Lord Jarel and Lady Nore tried to be nice to me. They gave me good things to eat and dressed me in fancy dresses and told me that I was their princess and would be a beautiful and beloved queen,' I tell him, the words slipping from my lips before I can call them back. I occupy myself with searching deeper in the closet so I don't have to see his face as I speak. 'I cried constantly, ceaselessly. For a week, I wept and wept until they could bear it no more.' Oak is silent. Though he knew me as a child, he never knew me as that child, the one who still believed the world could be kind. But then, he had sisters who were stolen. Perhaps they had cried, too. 'Lord Jarel and Lady Nore told their servants to enchant me to sleep, and the servants did. But it never lasted. I kept weeping.' He nods, just a little, as though more movement might break the spell of my speaking. 'Lord Jarel came to me with a beautiful glass dish in which there was flavoured ice,' I tell him. 'When I took a bite, the flavour was indescribably delicious. It was as though I were eating dreams.' 'You will have this every day if you cease you're crying,' he said. 'But I couldn't stop. 'Then he came to me with a necklace of diamonds, as cold and beautiful as ice. When I put it on, my eyes shone, my hair sparkled, and my skin shimmered as though glitter had been poured over it. I looked wondrously beautiful. But when he told me to stop crying, I couldn't. 'Then he became angry, and he told me that if I didn't stop, he would turn my tears to glass that would cut my cheeks. And that's what he did. 'But I cried until it was hard to tell the difference between tears and blood. And after that, I began to teach myself how to break their curses. They didn't like that. 'And so they told me I would be able to see the humans again- that's what they called them, the humans- in a year, for a visit, but only if I was good. 'I tried. I choked back tears. And on the wall beside my bed, I scratched the number of days in the ice. 'One night I returned to my room to find the scratches weren't the way I remembered. I was sure it had been five months, but the scratches made it seem as though it had been only a little more than three. 'And that was when I realised I was never going home, but by then the tears wouldn't come, no matter how much I willed them. And I never cried again.' His eyes shone with horror.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))