Wrapped In Cotton Wool Quotes

The sounds grew louder and closer. At first they were muffles as if wrapped in cotton wool, then they became sharper as guns cracked, horses whinnied, doors mashed open, followed by the awful sounds of people screaming.

Rose wasn't 'ordinary'. What was I supposed to do? Wrap her in cotton wool? Tell her 'Here, I could give you the universe, but I'm not going to in case you get hurt? There's all this stuff out there, all these planets, all these wonders, but I want you to stay at home and work in a shop?

Enough already of Lacan, Derrida, and Foucault poured like ketchup over everything. Lacan: the French fog machine; a grey-flannel worry-bone for toothless academic pups; a twerpy, cape-twirling Dracula dragging his flocking stooges to the crypt. Lacan is a Freud T-shirt shrunk down to the teeny-weeny Saussure torso. The entire school of Saussure, inluding Levi-Strauss, write their muffled prose of people with cotton wool wrapped around their heads; they're like walking Q-tips. Derrida: a Gloomy Gus one-trick pony, stuck on a rhetorical trope already available in the varied armory of New Criticism. Derrida's method: masturbating without pleasure. It's a birdbrain game for birdseed stakes. Neo-Foucaldian New Historicism: a high-wax bowling alley where you score points just by knockng down the pins.

Sex with a stranger makes you feel decadent, a risk taker, young again. Sex with a stranger is life on the edge. Everything else is life wrapped in cotton wool.

There's a certain type - who use their diagnosis like a human shield. They think it's a reason to find offence in anything. Accuse everyone of triggering them. Act like the world should wrap them up in cotton wool and lie coats over puddles for them just because they're on antidepressants or whatever.

On the table there, polished now and plain, an ugly case would stand containing butterflies and moths, and another one with bird's eggs wrapped in cotton wool. "Not all this junk in here," I would say, "take them to the schoolroom darlings," and they would run off, shouting, calling to one another, but the little one staying behind, pottering on his own, quieter than the others

Above all, staring at my old bedroom ceiling, I feel safe. Cocooned from the world; wrapped up in cotton wool. No one can get me here. No one even knows I'm here. I won't get any nasty letters and I won't get any nasty phone calls and I won't get any nasty visitors. It's like a sanctuary. I feel as if I'm fifteen again, with nothing to worry about but my Homework. (And I haven't even got any of that.)

She gave a frustrated little cry. "Everyone thinks I should be wrapped up in cotton wool and babied-when I'm not being pitied, that is! But I'm no tame housecat. I never have been. What was done to me didn't alter that. I'm attracted to Judd's strength-give me a nice gentle puppy dog of a man and I'd drive him to tears within the hour.

You put us on pedestals and wrap us in cotton wool, cluck over us as being too precious and too fragile for any real labor of the mind, yet where is the concern for the Yorkshire woman working herself into an early grave in a coal mine? The factory girl who chokes herself to an untimely death on bad air? The wife so worn by repeated childbearing that she is dead at thirty? No, my dear Stoker, your sex has held the reins of power for too long. And I daresay you will not turn them loose without a fight.

The only thing that was likely to cause her distress, thought Sophie in annoyance, was people's constant attempts to keep her wrapped up in cotton wool, as if she was not a real girl at all, but a fragile porcelain doll that could be shattered at any moment.

To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established.

widespread material in existence. You can actually see the change in process if you look at street photography from before and after 1976. I know we have good reason to be sceptical of aesthetic nostalgia, but the fact remains that before the 1970s, people wore durable clothes of wool and cotton, stored drinks in glass bottles, wrapped food produce in paper, and filled their houses with sturdy wooden furniture. Now a majority of objects in our visual environment are made of plastic, the ugliest substance on earth, a

Or you can believe that you have no emotional response, feel wrapped in cotton-wool insulating yourself from the world, when in fact you are deeply grieving.

[I]t corroded and, little by little, reduced to powder the paper or the cotton wool in which it was wrapped…

It is but a glimpse of the world of fashion that we want on this same miry afternoon.… There is much good in it; there are many good and true people in it; it has its appointed place. But the evil of it is that it is a world wrapped up in too much jeweller’s cotton and fine wool, and cannot hear the rushing of the larger worlds, and cannot see them as they circle round the sun.

these drugs, they take away the lows but they can take away the highs too. They can isolate you from the world, you know? Wrap you in cotton wool . . . remove you a little. For people whose pain is unendurable, of course.

before the 1970s, people wore durable clothes of wool and cotton, stored drinks in glass bottles, wrapped food produce in paper, and filled their houses with sturdy wooden furniture. Now a majority of objects in our visual environment are made of plastic, the ugliest substance on earth, a material which when dyed does not take on colour but actually exudes colour, in an inimitably ugly way.

Anyway, I have a new theory. Would you like to hear it? Ignore this paragraph if not. My theory is that human beings lost the instinct for beauty in 1976, when plastics became the most widespread material in existence. You can actually see the change in process if you look at street photography from before and after 1976. I know we have good reason to be sceptical of aesthetic nostalgia, but the fact remains that before the 1970s, people wore durable clothes of wool and cotton, stored drinks in glass bottles, wrapped food produce in paper, and filled their houses with sturdy wooden furniture. Now a majority of objects in our visual environment are made of plastic, the ugliest substance on earth, a material which when dyed does not take on colour but actually exudes colour, in an inimitably ugly way. One thing a government could do with my approval (and there aren’t many) would be to prohibit the production of each and every form of plastic not urgently necessary for the maintenance of human life. What do you think?

between his finger and thumb and said he was not dead but half choked. So they wrapped him in cotton wool, and warmed him over a little fire, and he opened his eyes and sneezed. “Now,” said the big man (he was an Englishman who had just moved into the bungalow), “don’t frighten him, and we’ll see what he’ll do.” It is the hardest thing in the world to frighten a mongoose, because he is eaten up from nose to tail with curiosity. The motto of all the mongoose family is “Run and find out,” and Rikki-tikki was a true mongoose. He looked at the cotton wool, decided that it was

It is not a large world. Relatively even to this world of ours, which has its limits too (as your Highness shall find when you have made the tour of it and are come to the brink of the void beyond), it is a very little speck. There is much good in it; there are many good and true people in it; it has its appointed place. But the evil of it is that it is a world wrapped up in too much jeweller’s cotton and fine wool, and cannot hear the rushing of the larger worlds, and cannot see them as they circle round the sun. It is a deadened world, and its growth is sometimes unhealthy for want of air.

He'd been cossetted and wrapped up in cotton wool all his life by his mother, who was a horror.

His fingers cupped my face, cradling my cheek and jaw as if I was made of glass. I found a handful of his soft hair and wound my fingers into it, while curling my other hand into the shoulder of his leather coat. My heart hadn’t even stopped thundering from the Foul Woman’s presence. Now it was thrumming against my ribs again, too fast to count the beats. I did something I’d always secretly wanted to and bit down, very gently, on his beautiful bottom lip. Shinobu’s breath shivered into my mouth, and he pulled me closer.   I was taller now, but not tall enough. Tiptoes didn’t bring me where I wanted to be either. I jumped and hauled myself up the steel pillar of his body, wrapping one leg around his hip. The big, warm hand on my waist slid slowly down the thin fabric of my trousers to cup my thigh, supporting my weight. His other hand was clenched in my hair. A wave of almost painful excitement and yearning crashed through me, and sent me into a full-body shudder that I had no chance of hiding. A tiny moan popped from my lips straight into his.   “Mio. Oh, Mio…” His shaking voice echoed in my ears, mixing with words in Japanese. I recognized some of them. My beloved. My Mio. He pressed his mouth to my eyelid, my cheek, the edge of my jaw, the skin beneath my ear.   There was a loud tearing noise. We both froze.   Abruptly I was aware of the wall against my back, and the tremble in my thigh from hanging onto him like a demented spider monkey. I swallowed and blinked as Shinobu eased back, letting my feet drop to the pavement again. Our eyes met.   “What just…?” I asked.   He cleared his throat. “I think – my shirt.”   I looked down and saw that at some point I’d traded my grip on his hair for a handful of the T-shirt and jumper under his jacket. My fingers had gone straight through the thin wool and made a nice tear in the cotton beneath that too.   “Darn super-strength,” I muttered.   Shinobu’s lip twitched up at the corner again. I snatched my hand away from his ruined clothes and clapped it over his mouth. “No laughing at me,” I said, only half joking. “Not at a moment like this. Romance will die forever and it’ll be your fault.” He peeled my hand off and pressed a kiss to my palm. “Where are we now? What is this place?” “Um … Remnant Street, I think.”   “No. From now on it will be Paradise Street. Heaven Road. Happiness Avenue.”   “You big cheese-ball…” I muttered, putting my arms around his waist and hugging him tightly.   “What?”   “Never mind!” I grumped, then sighed. “I wish we could stay on Happiness Avenue a bit longer…”   “But we can’t,” he finished. “It is all right. I promise we will come back whenever you want.

Perhaps it was because Malcolm was so big and strong and full of life … even now it was difficult to believe that the Germans had killed him. I wondered if it had hurt, being killed, and I wondered what he was doing at this moment. I wondered if Malcolm still cared about what happened in this world and whether he could see me. Then I remembered his locket which was wrapped up in cotton wool in a little box in the drawer of my dressing-table and I said aloud, “ Malcolm, are you listening? I’ll keep your locket safely for you, like you said, and I’ll never never forget you.

I promise you this: I will never, ever hurt your heart. I’ll wrap it up in cotton wool if you’ll let me. Entrust it to me, and it’ll be my honor to defend it. I’ll make it sing in your chest. And if it ever stops singing for me, if I ever stop making it beat a little too fast, a little too wildly, I promise I’ll give it back unscathed. You have my word.

The bedding given to each monk is one broad futon or quilt wadded with cotton-wool, which is about six feet square in size. He wraps himself in this only, even in the midst of the cold winter, and sleeps from 9 p.m. till about 3.30 in the morning. For the pillow he uses a pair of small cushions, each about two feet square, on which during the daytime he sits and keeps up his meditation. As soon as he wakes, the bedding is put up to the common shelf overhead.

It’s okay. You’ll get the next one, Honeybee.’ Steve lost his temper. ‘Stop treating him like a baby.’ ‘Excuse me?’ ‘Stop coddling him. He messed up. He needs to learn.’ ‘Don’t tell me how to raise my son.’ Steve snatched the fishing rod out of my hand. ‘My parents didn’t raise a son, they raised a man. Calling him fucking Honeybee and protecting his feelings isn’t going to help him grow up.’ ‘Well I’ve been doing this longer than you.’ ‘Fine. Keep wrapping him in cotton wool. I don’t give a shit.’ Steve started the boat and took us back to shore and didn’t speak to either of us for the rest of the day. After that, she never called me Honeybee again.

In India you clawed your way through the day, through dirt and glamour and people who seemed to strip the skin off your bones when they dealt with you, leaving every nerve raw. Here it was all so much more courteous even at its worst, hushed, gentler. They spoke to you with a respect that wrapped you in cotton wool. You didn't feel that every man coveted your property or your self-respect or was otherwise desperately straining to find ways to humble you.

But language is power. Words do make a difference. They can reinforce stereotypes, cause offense, undermine, hurt, and humiliate. You don't have to wrap everything you say in cotton wool, but you should choose your words carefully. Good communication is about courtesy and kindness as well as clarity and getting your message across.

You’re going to feel stretched and sore. Muscles you never knew you had are gonna ache and burn, Firefly, but I promise you this: I will never, ever hurt your heart. I’ll wrap it up in cotton wool if you’ll let me. Entrust it to me, and it’ll be my honor to defend it. I’ll make it sing in your chest. And if it ever stops singing for me, if I ever stop making it beat a little too fast, a little too wildly, I promise I’ll give it back unscathed. You have my word.