Worn Out Short Quotes

Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?

What then is truth? A movable host of metaphors, metonymies, and anthropomorphisms: in short, a sum of human relations which have been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we have forgotten are illusions — they are metaphors that have become worn out and have been drained of sensuous force.

The days passed in a dream. I pictured our reunion again and again, played it out in my mind over and over until I’d almost worn a groove in my thoughts, so deep that it seemed the only thing I could think of was our reunion. Anticipation is a gift. Perhaps there is none greater. Anticipation is born of hope. Indeed it is hope’s finest expression. In hope’s loss, however, is the greatest despair.

What then is truth? A mobile army of metaphors, metonyms, and anthropomorphisms—in short, a sum of human relations which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people: truths are illusions about which one has forgotten that this is what they are; metaphors which are worn out and without sensuous power; coins which have lost their pictures and now matter only as metal, no longer as coins.

What, then, is truth? A mobile army of metaphors, metonyms, and anthropomorphisms – in short, a sum of human relations, which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people: truths are illusions about which one has forgotten that this is what they are; metaphors which are worn out and without sensuous power; coins which have lost their pictures and now matter only as metal, no longer as coins.

What therefore is truth? A mobile army of metaphors, metonymies, anthropomorphisms: in short a sum of human relations which became poetically and rhetorically intensified, metamorphosed, adorned, and after long usage seem to a notion fixed, canonic, and binding; truths are illusions of which one has forgotten that they are illusions; worn-out metaphors which have become powerless to affect the senses; coins which have their obverse effaced and now are no longer of account as coins but merely as metal.

On Truth and Lie What is truth? A mobile army of metaphors, metonyms, and anthropomorphisms – in short, a sum of human relations, which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people: truths are illusions about which one has forgotten that this is what they are; metaphors which are worn out and without sensuous power; coins which have lost their pictures and now matter only as metal, no longer as coins.

To cut a long story short, coaching by Charlotte and Mr. Giordano was even worse than I’d expected. That was mainly because they were trying to teach me everything at the same time. While I was struggling to learn the steps of the minuet (rigged out in a hooped skirt with cherry-red stripes, not very chic worn with my school uniform blouse, which was the color of mashed potato), I was also supposed to be learning how greatly the political opinions of the Whigs and the Tories differed, how to hold a fan, and the difference between “Your Highness,” “Your Royal Highness,” “Your Serene Highness,” and even “Your Illustrious Highness.” After only an hour plus seventeen different ways of opening a fan, I had a splitting headache, and I couldn’t tell left from right. My attempt to lighten the atmosphere with a little joke—“Couldn’t we stop for a rest? I’m totally, serenely, illustriously exhausted”—went down like a lead balloon. “This is not funny,” said Giordano in nasal tones. “Stupid girl.

That we are in the midst of crisis is now well understood. Our nation is at war, against a far-reaching network of violence and hatred. Our economy is badly weakened, a consequence of greed and irresponsibility on the part of some, but also our collective failure to make hard choices and prepare the nation for a new age. Homes have been lost; jobs shed; businesses shuttered. Our health care is too costly; our schools fail too many; and each day brings further evidence that the ways we use energy strengthen our adversaries and threaten our planet. These are the indicators of crisis, subject to data and statistics. Less measurable but no less profound is a sapping of confidence across our land — a nagging fear that America's decline is inevitable, and that the next generation must lower its sights. Today I say to you that the challenges we face are real. They are serious and they are many. They will not be met easily or in a short span of time. But know this, America — they will be met. On this day, we gather because we have chosen hope over fear, unity of purpose over conflict and discord. On this day, we come to proclaim an end to the petty grievances and false promises, the recriminations and worn out dogmas, that for far too long have strangled our politics.

Shortly before the monsoon, the heat becomes very intense. It is said that the more intense it becomes the more abundantly it will draw down the rains, so one wants it to be as hot as can be. And by that time one has accepted it -- not got used to but accepted; and moreover, too worn-out to fight against it, one submits to it and endures.

For the working class, life was nasty, brutish and short. Hunger and hardship were expected. Men were old at forty, women worn out at thirty-five. The death of children was taken for granted. Poverty was frankly regarded as a moral defect. Social Darwinism (the strong adapt and survive, the weak are crushed) was borrowed and distorted from the Origin of Species (1858) and applied to human organisation.

In order to think and infer it is necessary to assume beings: logic handles only formulas for what remains the same. That is why this assumption would not be a proof of reality: 'beings' are part of our perspective. ... The fictitious world of subject, substance, 'reason,' etc., is needed-: there is in us a power to order, simplify, falsify, artificially distinguish. ... What then is truth? A moveable host of metaphors, metonomies, and anthropomorphisms: in short, a sum of human relations which have been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we have forgotten are illusions; they are metaphors that have become worn out and have been drained of sensuous force,

What, then, is truth? A mobile army of metaphors, metonyms, and anthropomorphisms—in short, a sum of human relations which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people: truths are illusions about which one has forgotten that this is what they are; metaphors which are worn out and without sensuous power; coins which have lost their pictures and now matter only as metal, no longer as coins.

Life's lessons aren't always new. Often they're the same old worn-out truths offering us greater depths of wisdom and understanding.

When modes of expression are worn out, art tends toward non-sense, toward a private and incomprehensible universe. An intelligible shudder, whether in painting, in music, or in poetry, strikes us, and rightly, as vulgar or out-of-date. The public will soon disappear; art will follow shortly. A civilization which began with the cathedrals has to end with the hermeticism of schizophrenia.

You have a visitors," Maximus stated. His face was impassive, but I still cringed, trying to discreetly tug my hand out of Vlad's. He let me go and folded his arms, smiling in that scary, pleasant way at Maximus. “And they are so important that you had to find me at once and enter without knocking?” I heard the threat behind those words and blanched. He wasn’t about to throw down on Maximus over this, was he? Don’t, I sent him, not adding the please only because I knew the word didn’t work on him. “Forgive me, but it’s Mencheres and his co-ruler,” Maximus stated, not sounding apologetic even though he bowed. “Their wives as well.” I started to slink away, sanity returning now that I wasn’t caught up by Vlad’s mesmerizing nearness. What had I been doing? Nothing smart, that was for sure. “Leila Stop,” Vlad said I kept heading for the door. “You have company, so I’ll just make myself scarce-“ “Stop” I did at his commanding tone, and then cursed. I wasn’t one of his employees-he had no right to order me around. “NO,” I said defiantly. “I’m sweaty, and bloody and I want to take a shower, so whatever you have to say, it can wait.” Maximus lost his impassive expression and looked at me as if I’d suddenly sprouted a second head. Vlad’s brow drew together and he opened his mouth, but before he could speak, laughter rang out from the hallway. “I simply must meet whoever has put you in your place so thoroughly, Tepesh,” an unfamiliar British voice stated. “Did I mention they were on their way down?” Maximus muttered before the gym door swung open and four people entered. The first was a short-haired brunet whose grin made me assume he was the one who’d greeted Vlad with the taunt. He was also handsome in a too-pretty way that made me think with less muscles, a wig, and some makeup he’d look great in a dress. Vlad’s scowl vanished into a smile as the brunet’s gaze swung in my direction as though he’d somehow heard that. “Looks as though she’s put you in your place as well, Bones,” Vlad drawled. “So it seems.” Bones replied, winking at me.” “But while I’ve worn many disguises, I draw the line at a dress.” My mouth dropped another mind reader?

Brevity Is Best: Nicknamed "Silent Cal," President Calvin Coolidge was once challenged by a reporter, saying, "I bet someone that I could get more than two words out of you." Coolidge responded, "You lose." The notion of crafting six word memoirs really took off after Smith Magazine shared this poignant one written by Ernest Hemingway: "For Sale: baby shoes, never worn." Pithiness Pays Off For Other Reasons: When required to be brief, for example, we gain clarity about what we really mean -- or have to offer. As Mark Twain once wrote, in a slower-paced time, "I didn't have time to write a short letter, so I wrote a long one instead.

Why do we complain of Nature? She has shown herself kindly; life, if you know how to use it, is long. But one man is possessed by an avarice that is insatiable, another by a toilsome devotion to tasks that are useless; one man is besotted with wine, another is paralyzed by sloth; one man is exhausted by an ambition that always hangs upon the decision of others, another, driven on by the greed of the trader, is led over all lands and all seas by the hope of gain; some are tormented by a passion for war and are always either bent upon inflicting danger upon others or concerned about their own; some there are who are worn out by voluntary servitude in a thankless attendance upon the great; many are kept busy either in the pursuit of other men's fortune or in complaining of their own; many, following no fixed aim, shifting and inconstant and dissatisfied, are plunged by their fickleness into plans that are ever new; some have no fixed principle by which to direct their course, but Fate takes them unawares while they loll and yawn—so surely does it happen that I cannot doubt the truth of that utterance which the greatest of poets delivered with all the seeming of an oracle: "The part of life we really live is small."5 For all the rest of existence is not life, but merely time. Vices beset us and surround us on every side, and they do not permit us to rise anew and lift up our eyes for the discernment of truth, but they keep us down when once they have overwhelmed us and we are chained to lust. Their victims are never allowed to return to their true selves; if ever they chance to find some release, like the waters of the deep sea which continue to heave even after the storm is past, they are tossed about, and no rest from their lusts abides. Think you that I am speaking of the wretches whose evils are admitted? Look at those whose prosperity men flock to behold; they are smothered by their blessings. To how many are riches a burden! From how many do eloquence and the daily straining to display their powers draw forth blood! How many are pale from constant pleasures! To how many does the throng of clients that crowd about them leave no freedom! In short, run through the list of all these men from the lowest to the highest—this man desires an advocate,6 this one answers the call, that one is on trial, that one defends him, that one gives sentence; no one asserts his claim to himself, everyone is wasted for the sake of another. Ask about the men whose names are known by heart, and you will see that these are the marks that distinguish them: A cultivates B and B cultivates C; no one is his own master. And then certain men show the most senseless indignation—they complain of the insolence of their superiors, because they were too busy to see them when they wished an audience! But can anyone have the hardihood to complain of the pride of another when he himself has no time to attend to himself? After all, no matter who you are, the great man does sometimes look toward you even if his face is insolent, he does sometimes condescend to listen to your words, he permits you to appear at his side; but you never deign to look upon yourself, to give ear to yourself. There is no reason, therefore, to count anyone in debt for such services, seeing that, when you performed them, you had no wish for another's company, but could not endure your own.

But if there are two things in this world that one can safely say are imperfect, that inevitably fall short, they are love and language. Words—besmirched by centuries of misuse, worn out by clichés, arbitrary—are always traitors.

Many students come to me full of wonderful intentions hoping to change the world; they plan to spend their time helping the poor and disadvantaged. I tell them to first graduate and make a lot of money, and only then figure out how best to help those in need. Too often students can’t meaningfully help the disadvantaged now, even if it makes them feel good for trying to. I have seen so many former students in their late 30s and 40s struggling to make ends meet. They spent their time in college doing good rather than building their careers and futures. I warn students today to be careful how they use their precious time and to think carefully about when is the right time to help. It’s a well-worn cliché, but you have to help yourself before you help others. This is too often lost on idealistic students. I am often asked whether one should

That was thirteen hundred years ago. This is really no improvement upon the work of the Roman augurs. Has the trade of interpreting the Lord’s matters gone out, discouraged by the time-worn fact that nobody succeeds at it? No, it still flourishes; there was never a century nor a country that was short of experts who knew the Deity’s mind and were willing to reveal it. Whenever there has been an opportunity to attribute to Him reasonings and conduct which would make a half-witted human being ridiculous, there has always been an expert ready and glad to take advantage of it.

Stepan Arkadyevitch had not chosen his political opinions or his views; these political opinions and views had come to him of themselves, just as he did not choose the shapes of his hat and coat, but simply took those that were being worn. And for him, living in a certain society--owing to the need, ordinarily developed at years of discretion, for some degree of mental activity--to have views was just as indispensable as to have a hat. If there was a reason for his preferring liberal to conservative views, which were held also by many of his circle, it arose not from his considering liberalism more rational, but from its being in closer accordance with his manner of life. The liberal party said that in Russia everything is wrong, and certainly Stepan Arkadyevitch had many debts and was decidedly short of money. The liberal party said that marriage is an institution quite out of date, and that it needs reconstruction; and family life certainly afforded Stepan Arkadyevitch little gratification, and forced him into lying and hypocrisy, which was so repulsive to his nature. The liberal party said, or rather allowed it to be understood, that religion is only a curb to keep in check the barbarous classes of the people; and Stepan Arkadyevitch could not get through even a short service without his legs aching from standing up, and could never make out what was the object of all the terrible and high-flown language about another world when life might be so very amusing in this world. And with all this, Stepan Arkadyevitch, who liked a joke, was fond of puzzling a plain man by saying that if he prided himself on his origin, he ought not to stop at Rurik and disown the first founder of his family--the monkey. And so Liberalism had become a habit...Anna Karenina, Tolstoy.

Vane, you okay in there?” my mom calls through my door. I jump so hard I crash into my desk and knock off some books and video game cases. If my mom comes in and finds a gorgeous girl in a skimpy dress passed out on my worn gray rug, I’ll be grounded for the rest of eternity. Especially since all I have on at the moment are my Batman boxers. Pretty sure she won’t buy my ghost-guardian angel/freak-of-nature theories either. I stumble toward the door, prepared to barricade it with my dresser if I have to. “I’m fine, Mom,” I say as I grab the first T-shirt I see off my floor and throw it on, along with my gym shorts. “Then what’s all that banging?” Come on, Vane. Think! Inspiration strikes. “I found a date roach in my bed.” “Did you kill it?” My mom sounds farther away, like she jumped back. “I tried to, but now I can’t find it.” I don’t need to worry about my mom offering to help. She’s a big believer in the whole boys should kill all the bugs philosophy. “Well, I won’t distract you, then,” she says, and I can’t help smiling.

It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face in marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat. Shame on the man of cultivated taste who permits refinement to develop into fastidiousness that unfits him for doing the rough work of a workaday world. Among the free peoples who govern themselves there is but a small field of usefulness open for the men of cloistered life who shrink from contact with their fellows. Still less room is there for those who deride of slight what is done by those who actually bear the brunt of the day; nor yet for those others who always profess that they would like to take action, if only the conditions of life were not exactly what they actually are. The man who does nothing cuts the same sordid figure in the pages of history, whether he be a cynic, or fop, or voluptuary. There is little use for the being whose tepid soul knows nothing of great and generous emotion, of the high pride, the stern belief, the lofty enthusiasm, of the men who quell the storm and ride the thunder. Well for these men if they succeed; well also, though not so well, if they fail, given only that they have nobly ventured, and have put forth all their heart and strength. It is war-worn Hotspur, spent with hard fighting, he of the many errors and valiant end, over whose memory we love to linger, not over the memory of the young lord who 'but for the vile guns would have been a valiant soldier.

King of The Road Trailer for sale or rent Rooms to let, fifty cents No phone, no pool, no pets ain't got no cigarettes Two hours of pushin' broom Buys a eight by twelve four-bit room I'm a man of means, by no means King of the road Third boxcar, midnight train Destination: Bangor, Maine Old worn out suit and shoes I don't pay no union dues I smoke, old stogies I have found Short, but not too big around I'm a man of means, by no means King of the road I know every engineer on every train All of the children and all of their names Every handout in every town Every lock that ain't locked when no one's around They sing, trailers for sale or rent Rooms to let, fifty cents No phone, no pool, no pets I ain't got no cigarettes About two hours of pushin' broom Buys an eight by twelve four-bit room I'm a man of means, by no means King of the road Trailer for sale or rent Rooms to let, fifty cents No phone, no pool, no pets I ain't got no cigarettes About two hours of pushin' broom Buys an eight by twelve four-bit room I'm a man of means, by no means King of the road

Stepan Arkadyevitch had not chosen his political opinions or his views; these political opinions and views had come to him of themselves, just as he did not choose the shapes of his hat and coat, but simply took those that were being worn. And for him, living in a certain society—owing to the need, ordinarily developed at years of discretion, for some degree of mental activity—to have views was just as indispensable as to have a hat. If there was a reason for his preferring liberal to conservative views, which were held also by many of his circle, it arose not from his considering liberalism more rational, but from its being in closer accordance with his manner of life. The liberal party said that in Russia everything is wrong, and certainly Stepan Arkadyevitch had many debts and was decidedly short of money. The liberal party said that marriage is an institution quite out of date, and that it needs reconstruction; and family life certainly afforded Stepan Arkadyevitch little gratification, and forced him into lying and hypocrisy, which was so repulsive to his nature. The liberal party said, or rather allowed it to be understood, that religion is only a curb to keep in check the barbarous classes of the people; and Stepan Arkadyevitch could not get through even a short service without his legs aching from standing up, and could never make out what was the object of all the terrible and high-flown language about another world when life might be so very amusing in this world. And with all this, Stepan Arkadyevitch, who liked a joke, was fond of puzzling a plain man by saying that if he prided himself on his origin, he ought not to stop at Rurik and disown the first founder of his family—the monkey. And so Liberalism had become a habit of Stepan Arkadyevitch's, and he liked his newspaper, as he did his cigar after dinner, for the slight fog it diffused in his brain. He read the leading article, in which it was maintained that it was quite senseless in our day to raise an outcry that radicalism was threatening to swallow up all conservative elements, and that the government ought to take measures to crush the revolutionary hydra; that, on the contrary, "in our opinion the danger lies not in that fantastic revolutionary hydra, but in the obstinacy of traditionalism clogging progress," etc., etc. He read another article, too, a financial one, which alluded to Bentham and Mill, and dropped some innuendoes reflecting on the ministry. With his characteristic quickwittedness he caught the drift of each innuendo, divined whence it came, at whom and on what ground it was aimed, and that afforded him, as it always did, a certain satisfaction. But today that satisfaction was embittered by Matrona Philimonovna's advice and the unsatisfactory state of the household. He read, too, that Count Beist was rumored to have left for Wiesbaden, and that one need have no more gray hair, and of the sale of a light carriage, and of a young person seeking a situation; but these items of information did not give him, as usual, a quiet, ironical gratification. Having finished the paper, a second cup of coffee and a roll and butter, he got up, shaking the crumbs of the roll off his waistcoat; and, squaring his broad chest, he smiled joyously: not because there was anything particularly agreeable in his mind—the joyous smile was evoked by a good digestion.

Without the pathos of distance, the sort which grows out of the deeply rooted difference between the social classes, out of the constant gazing outward and downward of the ruling caste on the subjects and work implements, and out of their equally sustained practice of obedience and command, holding down and holding at a distance, that other more mysterious pathos would have no chance of growing at all, that longing for an ever new widening of distances inside the soul itself, the development of ever higher, rarer, more distant, more expansive, more comprehensive states, in short, simply the enhancement in the type 'man,' the constant 'self-conquest of man,' to cite a moral formula in a supra-moral sense. Of course, where the history of the origins of aristocratic society is concerned (and thus the precondition for that raising of the type 'man' —), We should not surrender to humanitarian illusions: truth is hard. So without further consideration, let's admit to ourselves how up to this point every higher culture on earth has started! People with a still natural nature, barbarians in every dreadful sense of the word, predatory men still in possession of an unbroken power of the will and a desire for power, threw themselves on weaker, more civilized, more peaceful, perhaps trading or cattle-raising races, or on old, worn cultures, in which at that very moment the final forces of life were flaring up in a dazzling fireworks display of spirit and corruption. At the start the noble caste has always been the barbarian caste: its superiority has lain not primarily in physical might but in psychical power — it has been a matter of more COMPLETE human beings (which at every level also means 'more complete beasts').

Just before noon, they were standing at a Schnell-Imbiss wagon in Kreuzberg, both with tinned beers, Frank with a Bulette or bunless hamburger, cold but cooked meat that one could hold in one’s fingers and dip into mustard. A Turk standing with beer and a frankfurter next to them wore the last word in casual summer gear: no top at all, hairy abdomen bulging over short green shorts not only worn out but eaten nearly to pieces perhaps by a dog. His dirty feet were in sandals. Frank looked this chap up and down with an unfazed eye, and said: “I think Berlin is quite big. Not cramped at all.

She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.” Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs. “What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts. “Don’t be ridiculous.” “I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—” He took the boxers from her. “Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over. Right. After he got the boxers on, he took off the bathrobe and . . . Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts. Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?” She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—” “Gina.” Max stopped her before she reached the door. He motioned for her to come back. She held out the green shorts, but instead of taking them, he took her arm, pulled her close. “I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little. Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle. And then, before her heart even had a chance to start beating again, he kissed her. And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated. And, God. That was a miracle, too. Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now? Yes, she’d been waiting for years for him to say that he loved her, but . . . Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’” She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted. It was obvious that he wanted her to say something, but she was completely speechless.

There was a young man who, you know, He wanted to make a lot of money And so he went to this Guru, right. And he told the Guru, “You know I wanna be on the same level you’re on.” And so The Guru said, “If you wanna be on the same level I’m on, I’ll meet tomorrow, At the beach, at 4 AM.” He’s like, “The beach? I said I wanna make money. I don’t wanna swim.” Guru said, “If you wanna make money, I’ll meet you tomorrow. 4 AM.” So the young man got there 4 AM. He all ready to rock n’ roll. Got on a suit. Should have worn shorts. The old man grabs his hand and said, “How bad do you wanna be successful?” He said, “Real bad”. [The Guru] He said, “Walk on out in the water.” So he walks out into the water. Watch this. When he walks out into the water it goes waist deep. So he’s like, “This guy crazy. I wanna make money and he got me out here swimming. I didn’t ask to be a lifeguard. I wanna make money.” So he [The Guru] said, “Come out a little further.” [He] walked out a little further. Then he had it right around this area, The shoulder area. “So this old man crazy. He making money, But he crazy.” So he [The Guru] said, “Come on out a little further.” He came out a little further, It was right at his mouth, My man like, “I’m not about to go back in. This guy out of his mind.” So the old man said, “I thought you said you wanted to be successful?” He said, “I do.” He [The Guru] said, “Walk a little further.” He came, Dropped his head in, Held him down, Hold him down, My man getting scratchy, Holding him down, He [The Guru] had him held down, Just before my man was about to pass out, He [The Guru] raised him up. He [The Guru] said, “I got a question for you.” He [The Guru] said, “When you were underwater, what did you want to do?” He said, “I wanted to breathe.” He [The Guru] told the guy; He [The Guru] said, “When you want to succeed, As bad as you want to breathe, Then you’ll be successful.

Approaching the trail, he broke through the thicket a short distance ahead of the Empath. Causing the Empaths horse to startle as the surprised rider jerked on the reins. Cap was equally surprised to find a young girl before him instead of an older, experienced male Empath. Cap brought his horse to a quick halt. The young girl pulled a small knife from her boot and cautioned him. "I don't know where you came from, but I'm not easy prey.” Her voice shook slightly with fear as she raised the knife. Not sure how to proceed, they stared silently at each other. Cap had always believed that Empaths didn't carry weapons. This pretty, chestnut haired girl couldn't be more than 18 years old. Her long straight tresses covered the spot on her jacket where the Empathic Emblem was usually worn, causing Cap to doubt she was the one he sought. Not wanting to frighten her any more than he already had, Cap tried to explain. "I'm Commander Caplin Taylor. I’m looking for an Empath that is headed for the Western Hunting Lodge.” "My name is Kendra; I am the Empath you seek.” She answered cautiously, still holding the blade. A noise from the brush drew her attention as a small rodent pounced out, trying to evade an unseen predator. Cap was just close enough to lurch forward and snatch the dirk from her hand. Her head jerked back in alarm. "Bosen May has been mauled by a Sraeb, his shoulder is a mass of pulp." Cap spoke quickly not wanting to hesitate any longer. That was all Kendra needed to hear. She pushed her horse past him and headed quickly down the trail. "Wait!" Cap called after her, turning his horse around. Reining in the horse, she turned back to face him annoyed by the delay. "Are you a good horseman?" Cap asked, as he stuffed her dirk in his jacket. "I've been in the saddle since I was a child." She answered, abruptly. "Okay so just a few years then?" Cap's rebuke angered her. Jerking the horse back toward the trail, she ignored him. "Wait, I'm sorry!" Cap called after her. "It's just that I know a quicker way, if you can handle some rough terrain." "Let’s go then." Kendra replied, gruffly, turning back to face him. Without another word, Cap dove back into the brush and the girl followed.

Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.

He walked to the exit, skirting the pools of vapor light purely out of habit, but he saw that the last lamp was unavoidable, because it was set directly above the exit gate. So he saved himself a further perimeter diversion by walking through the next-to-last pool of light, too. At which point a woman stepped out of the shadows. She came toward him with a distinctive burst of energy, two fast paces, eager, like she was pleased to see him. Her body language was all about relief. Then it wasn’t. Then it was all about disappointment. She stopped dead, and she said, “Oh.” She was Asian. But not petite. Five-nine, maybe, or even five-ten. And built to match. Not a bone in sight. No kind of a willowy waif. She was about forty, Reacher guessed, with black hair worn long, jeans and a T-shirt under a short cotton coat. She had lace-up shoes on her feet. He said, “Good evening, ma’am.” She was looking past his shoulder. He said, “I’m the only passenger.

And what books should we so read? The principle which has never failed to confer superiority on a man's thinking activity is the well-worn precept: DO NOT READ GOOD BOOKS—life is too short for that—ONLY READ THE BEST. This simple recipe is as infallible as good air and good food are in physical hygiene. Yet, it is a fact that nineteen out of twenty modern people quake away from it. "Masterpieces again," they groan, "The Aeneid, the Divina Commedia, Paradise Lost, we have heard that before: much rather be ordinary than bored." The notion that masterpieces are boresome school books interpreted by dull teachers, or examination stuff, is a marvellous product of education. Ignorance is assuredly less deadly, for it can create no such inferiority complex as the schoolboy's notion of his lack of kinship with the best literature. But this phantasm can easily be exorcised if we modify the above principle to: ONLY READ WHAT GIVES YOU THE GREATEST PLEASURE.

I must tell you something about necks in Japan, if you don't know it; namely, that Japanese men, as a rule, feel about a woman's neck and throat the same way that men in the West might feel about a woman's legs. This is why geisha wear the collars of their kimono so low in the back that the first few bumps of the spine are visible; I suppose it's like a woman in Paris wearing a short skirt. Auntie painted onto the back of Hatsumomo's neck a design called sanbon-ashi-"three legs." It makes a very dramatic picture, for you feel as if you're looking at the bare skin of the neck through little tapering points of a white fence. It was years before I understood the erotic effect it has on men; but in a way, it's like a woman peering out from between her fingers. In fact, a geisha leaves a tiny margin of skin bare all around the hairline, causing her makeup to look even more artificial, something like a mask worn in Noh drama. When a man sits beside her and sees her makeup like a mask, he becomes that much more aware of the bare skin beneath.

Break down! Oh! Lord! Did you ever see such a little tittuppy thing in your life? There is not a sound piece of iron about it. The wheels have been fairly worn out these ten years at least—and as for the body! Upon my soul, you might shake it to pieces yourself with a touch. It is the most devilish little rickety business I ever beheld! Thank God! we have got a better. I would not be bound to go two miles in it for fifty thousand pounds." "Good heavens!" cried Catherine, quite frightened. "Then pray let us turn back; they will certainly meet with an accident if we go on. Do let us turn back, Mr. Thorpe; stop and speak to my brother, and tell him how very unsafe it is." "Unsafe! Oh, lord! What is there in that? They will only get a roll if it does break down; and there is plenty of dirt; it will be excellent falling. Oh, curse it! The carriage is safe enough, if a man knows how to drive it; a thing of that sort in good hands will last above twenty years after it is fairly worn out. Lord bless you! I would undertake for five pounds to drive it to York and back again, without losing a nail.

CUCHULAIN’S FIGHT WITH THE SEA A MAN came slowly from the setting sun, To Emer, raddling raiment in her dun, And said, ‘I am that swineherd whom you bid Go watch the road between the wood and tide, But now I have no need to watch it more.’ Then Emer cast the web upon the floor, And raising arms all raddled with the dye, Parted her lips with a loud sudden cry. That swineherd stared upon her face and said, ‘No man alive, no man among the dead, Has won the gold his cars of battle bring.’ ‘But if your master comes home triumphing Why must you blench and shake from foot to crown?’ Thereon he shook the more and cast him down Upon the web-heaped floor, and cried his word: ‘With him is one sweet-throated like a bird.’ ‘You dare me to my face,’ and thereupon She smote with raddled fist, and where her son Herded the cattle came with stumbling feet, And cried with angry voice, ’It is not meet To idle life away, a common herd.’ ‘I have long waited, mother, for that word: But wherefore now?’ ‘There is a man to die; You have the heaviest arm under the sky.’ ‘Whether under its daylight or its stars My father stands amid his battle-cars.’ ‘But you have grown to be the taller man.’ ‘Yet somewhere under starlight or the sun My father stands.’ ‘Aged, worn out with wars On foot, on horseback or in battle-cars.’ ‘I only ask what way my journey lies, For He who made you bitter made you wise.’ ‘The Red Branch camp in a great company Between wood’s rim and the horses of the sea. Go there, and light a camp-fire at wood’s rim; But tell your name and lineage to him Whose blade compels, and wait till they have found Some feasting man that the same oath has bound.’ Among those feasting men Cuchulain dwelt, And his young sweetheart close beside him knelt, Stared on the mournful wonder of his eyes, Even as Spring upon the ancient skies, And pondered on the glory of his days; And all around the harp-string told his praise, And Conchubar, the Red Branch king of kings, With his own fingers touched the brazen strings. At last Cuchulain spake, ‘Some man has made His evening fire amid the leafy shade. I have often heard him singing to and fro, I have often heard the sweet sound of his bow. Seek out what man he is.’ One went and came. ‘He bade me let all know he gives his name At the sword-point, and waits till we have found Some feasting man that the same oath has bound.’ Cuchulain cried, ‘I am the only man Of all this host so bound from childhood on. After short fighting in the leafy shade, He spake to the young man, ’Is there no maid Who loves you, no white arms to wrap you round, Or do you long for the dim sleepy ground, That you have come and dared me to my face?’ ‘The dooms of men are in God’s hidden place,’ ‘Your head a while seemed like a woman’s head That I loved once.’ Again the fighting sped, But now the war-rage in Cuchulain woke, And through that new blade’s guard the old blade broke, And pierced him. ‘Speak before your breath is done.’ ‘Cuchulain I, mighty Cuchulain’s son.’ ‘I put you from your pain. I can no more.’ While day its burden on to evening bore, With head bowed on his knees Cuchulain stayed; Then Conchubar sent that sweet-throated maid, And she, to win him, his grey hair caressed; In vain her arms, in vain her soft white breast. Then Conchubar, the subtlest of all men, Ranking his Druids round him ten by ten, Spake thus: ‘Cuchulain will dwell there and brood For three days more in dreadful quietude, And then arise, and raving slay us all. Chaunt in his ear delusions magical, That he may fight the horses of the sea.’ The Druids took them to their mystery, And chaunted for three days. Cuchulain stirred, Stared on the horses of the sea, and heard The cars of battle and his own name cried; And fought with the invulnerable tide.

What is so rewarding about friendship?” my son asked, curling his upper lip into a sour expression. “Making friends takes too much time and effort, and for what?” I sat on the edge of his bed, understanding how it might seem simpler to go at life solo. “Friendship has unique rewards,” I told him. “They can be unpredictable. For instance....” I couldn’t help but pause to smile crookedly at an old memory that was dear to my heart. Then I shared with my son an unforgettable incident from my younger years. “True story. When I was about your age, I decided to try out for a school play. Tryouts were to begin after the last class of the day, but first I had to run home to grab a couple props for the monologue I planned to perform during tryouts. Silly me, I had left them at the house that morning. Luckily, I only lived across a long expanse of grassy field that separated the school from the nearest neighborhood. Unluckily, it was raining and I didn’t have an umbrella. “Determined to get what I needed, I raced home, grabbed my props, and tore back across the field while my friend waited under the dry protection of the school’s wooden eaves. She watched me run in the rain, gesturing for me to go faster while calling out to hurry up or we would be late. “The rain was pouring by that time which was added reason for me to move fast. I didn’t want to look like a wet rat on stage in front of dozens of fellow students. Don’t ask me why I didn’t grab an umbrella from home—teenage pride or lack of focus, I’m not sure—but the increasing rain combined with the hollering from my friend as well as my anxious nerves about trying out for the play had me running far too fast in shoes that lacked any tread. “About a yard from the sidewalk where the grass was worn from foot traffic and consequently muddied from the downpour of rain, I slipped and fell on my hind end. Me, my props, and my dignity slid through the mud and lay there, coated. My things were dripping with mud. I was covered in it. I felt my heart plunge, and I wanted to cry. I probably would have if it hadn’t been for the wonderful thing that happened right then. My crazy friend ran over and plopped herself down in the mud beside me. She wiggled in it, making herself as much a mess as I was. Then she took my slimy hand in hers and pulled us both to our feet. We tried out for the play looking like a couple of swine escaped from a pigsty, laughing the whole time. I never did cry, thanks to my friend. “So yes, my dear son, friendship has its unique rewards—priceless ones.

Saying goodbye to everyone, I picked up my bag and began walking away as a deep husky voice called my name. I didn’t stop walking, but looked over my shoulder in time to see Brandon walking around the table toward me, and Chase holding the brunette’s head away from his as he watched us, she just continued onto his neck. Falling into step with me, he held out a hand, “We haven’t met yet, I’m Brandon Taylor.” Dear Lord that voice could warm me on the coldest day of the year. “Harper Jackson, nice to meet you.” He smiled as he held the door open for me, “You too. You seem to know the rest of the guys pretty well though we’re just meeting, they said you’re Bree’s roommate?” “Uh, yeah. I am, but I don’t really know them well. I’ve only talked to them for a total of about ten minutes before today.” “Really?” The corners of his mouth twitched up, “You seem to make quite an impression in a short amount of time then.” “Oh I definitely made an impression with them.” I muttered. He looked at me quizzically but I shook my head so he wouldn’t push it. We stopped walking when we got to the path that would take me to the dorms and him to his next class. I turned towards him and shamelessly took in his worn jeans resting low on his narrow hips and fitted black shirt before going back to his face. I hadn’t realized how tall he was when we were walking out, but he had to be at least a foot taller than me. His height and muscled body made me want to curl up in his arms, it looked like I’d fit perfectly there. I nervously bit my bottom lip while I watched his cloudy eyes slowly take in my small frame. It didn’t feel like the guys at the party, looking at me like I was something to eat. His eyes made me feel beautiful, and it thrilled me that they were on me. Thrilled me that they were on me? Get a grip Harper you just met him two seconds ago. “Come on PG, let’s go.” Chase grabbed my arm and started dragging me away. “Chase! Stop!” I yanked my arm out and shot him a dirty look. “What is your problem?” “I’m taking you and Bree to the house, and you need to pack for the weekend so let’s go.” He grabbed for me again but I dodged his hand. “The weekend, what?” “You’re staying with me, go pack.” I narrowed my eyes and started to turn towards Brandon, “Fine, hold on.” “Harper.” “Go away Chase, I’ll meet you in the room in a minute. Go find Bree.” He moved to stand closer behind me so I just sighed and gave Brandon a lame smile. “Sorry, apparently I have to go. I’ll see you tonight?” I don’t know why I asked, he actually lived there. A sexy smile lit up his face as his hand reached out to quickly brush against my arm, “See you then.” With a hard nod directed towards Chase, he turned and walked away.

I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches. Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned. My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling. As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me? We lived in the attic, Christopher, Cory, Carrie and me— Now there are only three. Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.

Orwell usually wrote as an observer, but here he is a prescriber, laying down rules and offering advice. A careful writer, he instructs, should ask himself about every sentence a series of questions, such as what he is trying to say and what words will best express it. He should be especially careful about using stale, worn-out imagery that fails to really evoke an image in the reader’s mind. He summarizes his points succinctly, offering six “elementary” rules: Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out, always cut it out. Never use the passive where you can use the active. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous. Any writer today would do well to post those rules on the wall of his or her work space. Less noted about the essay is that it isn’t simply against bad writing, it is suspicious of what motivates such prose. He argues that writing that is obscure, dull, and Latinate is made that way for a purpose—generally, in order to disguise what is really happening. “Political language . . . is designed to make its lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.” So, he writes memorably, in one of his best passages anywhere: Defenceless villages are

out of their equally sustained practice of obedience and command, holding down and holding at a distance, that other more mysterious pathos would have no chance of growing at all, that longing for an ever new widening of distances inside the soul itself, the development of ever higher, rarer, more distant, more expansive, more comprehensive states, in short, simply the enhancement in the type 'man,' the constant 'self-conquest of man,' to cite a moral formula in a supra-moral sense. Of course, where the history of the origins of aristocratic society is concerned (and thus the precondition for that raising of the type 'man' —), we should not surrender to humanitarian illusions: truth is hard. So without further consideration, let's admit to ourselves how up to this point every higher culture on earth has started! People with a still natural nature, barbarians in every dreadful sense of the word, predatory men still in possession of an unbroken power of the will and a desire for power, threw themselves on weaker, more civilized, more peaceful, perhaps trading or cattle-raising races, or on old, worn cultures, in which at that very moment the final forces of life were flaring up in a dazzling fireworks display of spirit and corruption. At the start the noble caste has always been the barbarian caste: its superiority has lain not primarily in physical might but in psychical power — it has been a matter of more COMPLETE human beings (which at every level also means 'more complete beasts').

A shudder went through me at the thought of what I should still learn in this hour. How awry, altered and distorted everything and everyone was in these mirrors, how mockingly and unattainably did the face of truth hide itself behind all these reports, counter-reports and legends! What was still truth? What was still credible? And what would remain when I also learned about myself, about my own character and history from the knowledge stored in these archives? I must be prepared for anything. Suddenly I could bear the uncertainty and suspense no longer. I hastened to the section Chattorum res gestas, looked for my sub-division and number and stood in front of the part marked with my name. This was a niche, and when I drew the thin curtains aside I saw that it contained nothing written. It contained nothing but a figure, an old and worn-looking model made from wood or wax, in pale colours. It appeared to be a kind of deity or barbaric idol. At first glance it was entirely incomprehensible to me. It was a figure that really consisted of two; it had a common back. I stared at it for a while, disappointed and surprised. Then I noticed a candle in a metal candlestick fixed to the wall of the niche. A match-box lay there. I lit the candle and the strange double figure was now brightly illuminated. Only slowly did it dawn upon me. Only slowly and gradually did I begin to suspect and then perceive what it was intended to represent. It represented a figure which was myself, and this likeness of myself was unpleasantly weak and half-real; it had blurred features, and in its whole expression there was something unstable, weak, dying or wishing to die, and looked rather like a piece of sculpture which could be called "Transitoriness" or "Decay," or something similar. On the other hand, the other figure which was joined to mine to make one, was strong in colour and form, and just as I began to realise whom it resembled, namely, the servant and President Leo, I discovered a second candle in the wall and lit this also. I now saw the double figure representing Leo and myself, not only becoming clearer and each image more alike, but I also saw that the surface of the figures was transparent and that one could look inside as one can look through the glass of a bottle or vase. Inside the figures I saw something moving, slowly, extremely slowly, in the same way that a snake moves which has fallen asleep. Something was taking place there, something like a very slow, smooth but continuous flowing or melting; indeed, something melted or poured across from my image to that of Leo's. I perceived that my image was in the process of adding to and flowing into Leo's, nourishing and strengthening it. It seemed that, in time, all the substance from one image would flow into the other and only one would remain: Leo. He must grow, I must disappear. As I stood there and looked and tried to understand what I saw, I recalled a short conversation that I had once had with Leo during the festive days at Bremgarten. We had talked about the creations of poetry being more vivid and real than the poets themselves. The candles burned low and went out. I was overcome by an infinite weariness and desire to sleep, and I turned away to find a place where I could lie down and sleep.

The Fatals,” I breathe. “Yes.” He seems to stiffen at the title. “And it seems you have already encountered one.” The Silencer I fought in the alley comes to mind as I say slowly, “Was he…?” “Yes, he was a Resistance member.” Calum holds up a hand, silencing the apology I was about to utter for taking one of their members down. “There is no need to apologize, Paedyn. It was Micah’s own foolishness that got him caught.” “He always was a hothead,” Lenny mutters. “And a dumbass. A reckless dumbass. To think he could take down a prince, the future Enforcer, without consequences…” My eyes dance between the five of them. “Do I get to know exactly why this Micah is a reckless dumbass?” “Because he saw the prince already weakened and his anger got the best of him,” Mira says, her expression void of sympathy. “Long story short, Prince Kai killed someone very close to Micah, consuming the Silencer with rage and a need for revenge. When he saw the prince in that alley, worn out and preoccupied, he took the opportunity to try and take him down.” She pins me with a stare. “But you took him down instead.” “At the time, we didn’t know who you were,” Lenny adds. “We put the pieces together when we saw your name on the banner on Loot and saw you at the interviews.” “I thought you were dead, Paedyn,” Calum says gravely. “And then you suddenly showed up in the Trials, and we had found Adam’s daughter. Well, you found us.” “Who would have thought that Adam Gray’s daughter, the kid of a Resistance leader, would be the one to rob me blind and find that note,” Finn says with a sigh. “The note that led you right to us and right back to your own home.” He looks up at the ceiling and smiles to himself. “When I saw you at the ball, saw you recognize who I was, I knew it wouldn’t be long before you came and found us.

After Us, the Salamanders!, The Future belongs to the Newts, Newts Mean Cultural Revolution. Even if they don't have their own art (they explained) at least they are not burdened with idiotic ideals, dried up traditions and all the rigid and boring things taught in schools and given the name of poetry, music, architecture, philosophy and culture in any of its forms. The word culture is senile and it makes us sick. Human art has been with us for too long and is worn-out and if the newts have never fallen for it we will make a new art for them. We, the young, will blaze the path for a new world of salamandrism: we wish to be the first newts, we are the salamanders of tomorrow! And so the young poetic movement of salamandrism was born, triton - or tritone - music was composed and pelagic painting, inspired by the shape world of jellyfish, fish and corals, made its appearance. There were also the water regulating structures made by the newts themselves which were discovered as a new source of beauty and dignity. We've had enough of nature, the slogans went; bring on the smooth, concrete shores instead of the old and ragged cliffs! Romanticism is dead; the continents of the future will be outlined with clean straight lines and re-shaped into conic sections and rhombuses; the old geological must be replaced with a world of geometry. In short, there was once again a new trend that was to be the thing of the future, a new aesthetic sensation and new cultural manifestoes; anyone who failed to join in with the rise of salamandrism before it was too late felt bitterly that he had missed his time, and he would take his revenge by making calls for the purity of mankind, a return to the values of the people and nature and other reactionary slogans. A concert of tritone music was booed off the stage in Vienna, at the Salon des Indépendents in Paris a pelagic painting called Capriccio en Bleu was slashed by an unidentified perpetrator; salamandrism was simply victorious, and its rise was unstoppable.

Gossip, even malicious rumors, are worth more than the most expensive publicity campaign in the world. What alarmed me most in the course of my stay in the United States was the habit of spending enormous sums of money in order to achieve so little real luxury. America represents the triumph of quantity over quality. Mass production triumphs; men and women both prefer to buy a multitude of mediocre things rather than a smaller number, carefully chosen. The American woman, faithful to the ideal of optimism with the United States seems to have made its rule of life, spends money entirely in order to gratify the collective need to buy. She prefers three new dresses to one beautiful one and does not linger over a choice, knowing perfectly well that her fancy will be of short duration and the dress which she is in the process of buying will be discarded very soon. The prime need of fashion is to please and attract. Consequently this attraction cannot be born of uniformity, the mother of boredom. Contemporary elegance is at once simple and natural. Since there is no patience where vanity is concerned, any client who is kept waiting considers it a personal insult. The best bargain in the world is a successful dress. It brings happiness to the woman who wears it and it is never too dear for the man who pays for it. The most expensive dress in the world is a dress which is a failure. It infuriates the woman who wears it and it is a burden to the man who pays for it. In addition, it practically always involves him in the purchase of a second dress much more expensive - the only thing that can blot out the memory of the first failure. Living in a house which does not suit you is like wearing someone else's clothes. There will always be women who cling to a particular style of dress because they wore it during the time of their greatest happiness, but white hair is the only excuse for this type of eccentricity. The need for display, which is dormant in all of us, can express itself nowadays in fashion and nowhere else. The dresses of this collection may be worn by only a few of the thousands of women who read and dream about them, but high fashion need not be directly accessible to everyone: it need only exist in the world for its influence to be felt.

When Musk took delivery of his F1, CNN was there to cover it. “Just three years ago I was showering at the Y and sleeping on the office floor,” he told the camera sheepishly, “and now obviously, I’ve got a million-dollar car… it’s just a moment in my life.” While other McLaren F1 owners around the world—the sultan of Brunei, Wyclef Jean, and Jay Leno, among others—could comfortably afford it, Musk’s purchase had put a sizable dent in his bank account. And unlike other owners, Musk drove the car to work—and declined to insure it. As Musk drove Thiel up Sand Hill Road in the F1, the car was the subject of their chat. “It was like this Hitchcock movie,” Thiel remembered, “where we’re talking about the car for fifteen minutes. We’re supposed to be preparing for the meeting—and we’re talking about the car.” During their ride, Thiel looked at Musk and reportedly asked, “So, what can this thing do?” “Watch this,” Musk replied, flooring the accelerator and simultaneously initiating a lane change on Sand Hill Road. In retrospect, Musk admitted that he was outmatched by the F1. “I didn’t really know how to drive the car,” he recalled. “There’s no stability systems. No traction control. And the car gets so much power that you can break the wheels free at even fifty miles an hour.” Thiel recalls the car in front of them coming fast into view—then Musk swerving to avoid it. The McLaren hit an embankment, was tossed into the air—“like a discus,” Musk remembered——then slammed violently into the ground. “The people that saw it happen thought we were going to die,” he recalled. Thiel had not worn a seat belt, but astonishingly, neither he nor Musk were hurt. Musk’s “work of art” had not fared as well, having now taken a distinctly cubist turn. Post-near-death experience, Thiel dusted himself off on the side of the road and hitchhiked to the Sequoia offices, where he was joined by Musk a short while later. X.com’s CEO, Bill Harris, was also waiting at the Sequoia office, and he recalled that both Thiel and Musk were late but offered no explanation for their delay. “They never told me,” Harris said. “We just had the meeting.” Reflecting on it, Musk found humor in the experience: “I think it’s safe to say Peter wouldn’t be driving with me again.” Thiel wrung some levity out of the moment, too. “I’d achieved lift-off with Elon,” he joked, “but not in a rocket.

Rose barely poured herself a cup of hot, mouth-watering chocolate, when she saw Grey and Archer walking across the lawn. Archer was impeccable as always, but Grey was a mess. His clothes were the same he’d worn the night before, and obviously slept in. His shirt, open at the throat, revealed a glimpse of tanned flesh that made her heart twitch and her gingers itch to touch him. His hair was mussed, and stubble covered his cheeks and jaw, except where prohibited by his scar. In short, he looked absolutely beautiful-a fallen angel. The only thing that made him remotely human was that scar, and she could easily tell herself he got that from battling the archangel Gabriel before being thrown out of heaven. She squinted as she realize Grey held something against his chest-something that moved. Was that a puppy? She jumped to her feet, and skipped down the few steps that took her down to the lawn. Lifting the skirts of her yellow morning gown, she hurried to meet them. “Good morning!” she cried. “What have you there?” Archer smiled in greeting, but Rose barely noticed. Her gaze was riveted on the man looking at her with an expression so hopeful it neigh on broke her heart. “I brought you something,” he said, his voice low and strangely rough. “A gift.” And then he held out his arms and offered her the sweetest face she’d ever seen. “Oh!” What an idiot she must seem, her eyes welling with tears over a dog, but she didn’t care. She let the tears come and slip down her cheeks as she took the warm, silky animal into her own arms, burying her face against its fur. “Grey, thank you!” “He’s too young to be away from his mother yet, but he’s yours if you want hm.” “Of course I want him! He’s beautiful.” He ran a hand through the thick tangle of his hair. “I didn’t know that you’d never had a dog before.” Rose cast a glance at Archer, who shrugged. “Telling my secrets are you, Lord Archer?” What else had he revealed? Grey’s brother shot her a sincere glance. “Only that one, Lady Rose. I did not think you would mind.” “And I don’t.” Turning her attention back to the squirming puppy in her arms, Rose was rewarded with a lick to the chin. “He’ll need to go back to the stables in a few minutes,” Grey told her. “But you can see him whenever you like.” With her free hand, Rose reached out and took one of Grey’s. His fingers were so big and strong next to hers. She squeezed and then let go, letting him know with a touch just how much his gift meant to her. “I love him. Thank you so very much.” “What are you going to name him?” he asked. Rose tore her gaze away from the pleasure in his, lest she do something stupid like kiss him in front of his brother. Instead, she cast a small, secretive smile at Archer. “Heathcliff,” she replied. “His name is Heathcliff.

You’re…you’re what? Where?” I stood up and glimpsed myself in the mirror. I was a vision, having changed into satin pajama pants, a torn USC sweatshirt, and polka-dotted toe socks, and to top it off, my hair was fastened in a haphazard knot on the top of my head with a no. 2 Ticonderoga pencil. Who wouldn’t want me? “I’m outside,” he repeated, throwing in a trademark chuckle just to be extra mean. “Get out here.” “But…but…,” I stalled, hurriedly sliding the pencil out of my hair and running around the room, stripping off my pathetic house clothes and searching in vain for my favorite faded jeans. “But…but…I’m in my pajamas.” Another trademark chuckle. “So?” he asked. “You’d better get out here or I’m comin’ in…” “Okay, okay…,” I replied. “I’ll be right down.” Panting, I settled for my second-favorite jeans and my favorite sweater of all time, a faded light blue turtleneck I’d worn so much, it was almost part of my anatomy. Brushing my teeth in ten seconds flat, I scurried down the stairs and out the front door. Marlboro Man was standing outside his pickup, hands inside his pockets, his back resting against the driver-side door. He grinned, and as I walked toward him, he stood up and walked toward me, too. We met in the middle--in between his vehicle and the front door--and without a moment of hesitation, greeted each other with a long, emotional kiss. There was nothing funny or lighthearted about it. That kiss meant business. Our lips separated for a short moment. “I like your sweater,” he said, looking at the light blue cotton rib as if he’d seen it before. I’d hurriedly thrown it on the night we’d met a few months earlier. “I think I wore this to the J-bar that night…,” I said. “Do you remember?” “Ummm, yeah,” he said, pulling me even closer. “I remember.” Maybe the sweater had magical powers. I’d have to be sure to hold on to it. We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.

He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.

The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid. From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not. Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.

Their affair had been three of the most intense, reckless, terrifying, happy, alive months of his life. Like how he imagined being on heroin felt if the high never ended, if every syringe didn’t also contain the possibility of death. They’d been partners at the time, and there had been one week when they’d been on the road together in northern California. Every night, they rented two rooms. Every night, for five days, he stayed with her. They barely slept that week. Couldn’t keep their hands off each other. Couldn’t stop talking when they weren’t making love, and the daylight hours when they had to pretend to be professionals made it all the more beautifully excruciating. He had never felt such a complete lack of self-consciousness around anyone. Even Theresa. Unconditional acceptance. Not just of his body and mind, but also of something more, of something indefinably him. Ethan had never connected with anyone on this level. The most generous blessing and life-destroying curse all wrapped up in the same woman, and despite the pain of the guilt and the knowledge of how it would crush his wife, whom he still loved, the idea of turning away from Kate seemed like a betrayal of his soul. So she had done it for him. On a cold and rainy night in Capitol Hill. In a booth over glasses of Belgian beer in a loud dark bar called the Stumbling Monk. He was ready to leave Theresa. To throw everything away. He had asked Kate there to tell her that and instead she had reached across the scuffed wood of a table worn smooth by ten thousand pint glasses and broken his heart. Kate wasn’t married, had no children. She wasn’t ready to jump off the cliff with him when he had so much pulling him back from the ledge. Two weeks later, she was in Boise, pursuant to her own transfer request. One year later, she was missing in a town in Idaho in the middle of nowhere called Wayward Pines, with Ethan off to find her. Eighteen hundred years later, after almost everything they had known had turned to dust or eroded out of existence, here they stood, facing each other in a toy shop in the last town on earth. For a moment, staring into her face at close range blanked Ethan’s mind. Kate spoke first. “I was wondering if you’d ever drop in.” “I was wondering that myself.” “Congratulations.” “For?” She reached over the counter and tapped his shiny brass star. “Your promotion. Nice to see a familiar face running the show. How are you adjusting to the new job?” She was good. In this short exchange, it was obvious that Kate had mastered the superficial conversational flow that the best of Wayward Pines could achieve without straining. “It’s going well,” he said. “Good to have something steady and challenging, I bet.” Kate smiled, and Ethan couldn’t help hearing the subtext, wondered if everyone did. If it ever went silent. As opposed to running half naked through town while we all try to kill you. “The job’s a good fit,” he said. “That’s great. Really happy for you. So, to what do I owe the pleasure?” “I just wanted to pop in and say hi.” “Well, that was nice of you. How’s your son?” “Ben’s great,” Ethan said.

Many students come to me full of wonderful intentions hoping to change the world; they plan to spend their time helping the poor and disadvantaged. I tell them to first graduate and make a lot of money, and only then figure out how best to help those in need. Too often students can’t meaningfully help the disadvantaged now, even if it makes them feel good for trying to. I have seen so many former students in their late 30s and 40s struggling to make ends meet. They spent their time in college doing good rather than building their careers and futures. I warn students today to be careful how they use their precious time and to think carefully about when is the right time to help. It’s a well-worn cliché, but you have to help yourself before you help others. This is too often lost on idealistic students.

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The vibrating sounds of a big brass bell reached them from the town. Nekhludoff’s driver, who stood by his side, and the other men on the raft raised their caps and crossed themselves, all except a short, dishevelled old man, who stood close to the railway and whom Nekhludoff had not noticed before. He did not cross himself, but raised his head and looked at Nekhludoff. This old man wore a patched coat, cloth trousers and worn and patched shoes. He had a small wallet on his back, and a high fur cap with the fur much rubbed on his head. “Why don’t you pray, old chap?” asked Nekhludoff’s driver as he replaced and straightened his cap. “Are you unbaptized?” “Who’s one to pray to?” asked the old man quickly, in a determinately aggressive tone. “To whom? To God, of course,” said the driver sarcastically. “And you just show me where he is, that god.” There was something so serious and firm in the expression of the old man, that the driver felt that he had to do with a strong-minded man, and was a bit abashed. And trying not to show this, not to be silenced, and not to be put to shame before the crowd that was observing them, he answered quickly. “Where? In heaven, of course.” “And have you been up there?” “Whether I’ve been or not, every one knows that you must pray to God.” “No one has ever seen God at any time. The only begotten Son who is in the bosom of the Father he hath declared him,” said the old man in the same rapid manner, and with a severe frown on his brow. “It’s clear you are not a Christian, but a hole worshipper. You pray to a hole,” said the driver, shoving the handle of his whip into his girdle, pulling straight the harness on one of the horses. Some one laughed. “What is your faith, Dad?” asked a middle-aged man, who stood by his cart on the same side of the raft. “I have no kind of faith, because I believe no one--no one but myself,” said the old man as quickly and decidedly as before. “How can you believe yourself?” Nekhludoff asked, entering into a conversation with him. “You might make a mistake.” “Never in your life,” the old man said decidedly, with a toss of his head. “Then why are there different faiths?” Nekhludoff asked. “It’s just because men believe others and do not believe themselves that there are different faiths. I also believed others, and lost myself as in a swamp,--lost myself so that I had no hope of finding my way out. Old believers and new believers and Judaisers and Khlysty and Popovitzy, and Bespopovitzy and Avstriaks and Molokans and Skoptzy--every faith praises itself only, and so they all creep about like blind puppies. There are many faiths, but the spirit is one--in me and in you and in him. So that if every one believes himself all will be united. Every one be himself, and all will be as one.” The old man spoke loudly and often looked round, evidently wishing that as many as possible should hear him. “And have you long held this faith?” “I? A long time. This is the twenty-third year that they persecute me.” “Persecute you? How?” “As they persecuted Christ, so they persecute me. They seize me, and take me before the courts and before the priests, the Scribes and the Pharisees. Once they put me into a madhouse; but they can do nothing because I am free. They say, ‘What is your name?’ thinking I shall name myself. But I do not give myself a name. I have given up everything: I have no name, no place, no country, nor anything. I am just myself. ‘What is your name?’ ‘Man.’ ‘How old are you?’ I say, ‘I do not count my years and cannot count them, because I always was, I always shall be.’ ‘Who are your parents?’ ‘I have no parents except God and Mother Earth. God is my father.’ ‘And the Tsar? Do you recognise the Tsar?’ they say. I say, ‘Why not? He is his own Tsar, and I am my own Tsar.’ ‘Where’s the good of talking to him,’ they say, and I say, ‘I do not ask you to talk to me.’ And so they begin tormenting me.

Compounding matters was Mobile’s four-hundred-year history as a seaport. More than 280 shipwrecks have been located in Mobile Bay and the swamp immediately to the north. Most remain unidentified. Some of them are ships that sank as early as the 1600s. Others are ships or barges that were intentionally sunk after they’d become too worn-out to sail. Wooden ships like the Clotilda had a fairly short working life of about twenty-five years. Built before the revolution in construction techniques brought on by the mass production of screws, nuts, and bolts in the 1870s and ’80s, the wooden sailing vessels of the Clotilda era were held together with nothing but giant nails. Decades at sea, with the constant stress of rising and falling waves, gradually loosened them, making the ships leakier and leakier, until eventually they were no longer seaworthy. As a result, several bayous around Mobile Bay are well-known “ship graveyards” where old vessels were beached or sunk to get them out of the way of the shipping channels and rivers.

A few years from now, far away from here, a young woman will be sitting on a sofa at a party. Everyone around will be dancing and drinking but his eyes will be glued to the television. It's just a short clip from concert by one of the country's most female performers right now. Her name is Maya Andersson, and the young man has always loved that name. How ordinary it sounds. He's never thought about her accent, has never reflected upon why it sound so familiar to hin, But now he sees her on television and she's singing a song about someone she loved,because it's hit birthday, and on the huge screen behind ger a photograph of him flashes up for moment. She knows no one will really see it, a thousand more images flash past right after it, she just inclided that particular photograph for her own sake. But he man on sofa recognizes it. Because he remembers fingertips and glances. Beer bottles on a worn bar counter and smoke in a silent forest. The way snow feels as it falls on your skin while a boy with sad eyes and a wild heart teaches you to skate. The man on the sofa pack almost nothing. He takes just a light bag and the case containing his bass guitar and travels to the next town on Maya's tour. He elbows past her security guard and almost gets knocked to the floor and he he calls out: "I knew him! I knew Benji! I loved him too!" Maya stops mid-stride. They look each other in the eye and see only him, the boy in the forest, sad and wild. "Do you play?" May asks. "I'm a bass player," he says. From then on he is her bass player. No one plays her songs like he does. No one else cries as much each night.

God’s plan for homeschooling isn’t to leave us worn out and broken on the side of the road. He says His yoke is easy and His burden is light. He wants us to walk in freedom. You have the freedom to use whatever curriculum is a good fit for your children, and you also have the freedom not to let curriculum be what defines your homeschooling—or your family. Instead, your homeschooling can look like heart discipleship, walking alongside one another, relishing the qualities that make your family unique, and taking part in simple everyday joys. Those are the things God wants for your family life and homeschooling journey. At the end of the day, we want to embrace God’s good plan for us and for our kids because this sends a very clear message to our kids that God really is good, that we can trust Him and that He’s worth following.

FROM OTHER SOURCES Pre–race and Venue Homework Get hold of any history of past events at the venue, plus any information that the conducting club may have about weather and expected conditions. Go to the weather bureau and get history for the area. Speak to sailors from your class who have this venue as their home club or who have sailed there on a number of occasions. Boat, Sails, Gear Preparation Checklist Many times the outcome of a race is as dependent on what you have done prior to the race as to what you do out on the course. Sometimes no matter how good your tactics and strategy are a simple breakage could render all that useless. Hull – make sure that your hull is well sanded and polished, centreboard strips are in good condition, venturis if fitted are working efficiently, buoyancy tanks are dry and there are no extraneous pieces of kit in your boat which adds unwanted weight. Update any gear that looks tired or worn especially control lines. Mast, boom and poles – check that all halyards, stays and trapeze wires are not worn or damaged and that pins are secure, knots tight and that anything that can tear a sail or injure flesh is taped. Mark the full hoist position on all halyards. Deck hardware – check all cam cleats for spring tension and tape anything that may cause a sail tear or cut legs hands and arms. Check the length of all sheets and control lines and shorten anything that is too long. This not only reduces weight but also minimises clutter. Have marks on sheets and stick or draw numbers and reference scales for the jib tracks, outhaul and halyards so that you can easily duplicate settings that you know are fast in various conditions. Centreboard and rudder – ensure that all nicks and gouges are filled and sanded and the surfaces are polished and most importantly that rudder safety clips are working. Sails – select the correct battens for the day’s forecast. Write on the deck, with a china graph pencil, things like the starting sequence, courses, tide times and anything else that will remind you to sail fast. Tools and spares – carry a shackle key with screwdriver head on your person along with some spare shackles and short lengths of rope or different diameters. A tool like a Leatherman can be very useful to deal with unexpected breakages that can occur even in the best prepared boat.

While George fell asleep in the back of the bus, I examined his outfit, noting that my strange American friend had now got his ‘world traveller’ apparel down to a fine art. His compact munchkin figure wore a short-cropped jeans jacket from Nepal over a ratty pink T-shirt he’d picked up in Bangkok which was decorated with the simple message, ‘Fuck You.’ Beneath a pair of worn out, fashionably torn Levis from Dharamsala poked a brace of dusty hiking boots obtained second-hand from a hill porter in Manali. All this was topped by an expandable Afghani hat, into which he tucked his long, matted dreadlocks. As for his bespectacled features, these were rendered quite dwarfish by a wispy little beard, cut short at the cheeks and running wild below the chin. A glittering array of chunky ethnic rings adorned each finger. He actually had an extra one—fortunately out of sight—which had been inserted into his penis during his last foray into Paharganj. Around his neck hung a final touch: a valuable Zzi-bead necklace purchased from a Tibetan family in Ladakh for the considerable sum of 1600 dollars. Nobody looking at him would have guessed that this was the foremost wholesaler of hippy goods into America.

I’m taking thirty to shower and give myself a full body lift. You’ll thank me later,” she parroted back to her sister. “Says the sister who was born looking like an Olympian. Wah-wah.” Kerry stood and stretched, stifling a groan as every muscle in her body protested. So much for the restorative powers of sleep. She grabbed her last fresh pair of khaki shorts, decided which of her already worn T-shirts was the least questionable, made a mental note to take her laundry basket with her when she left, then sighed as she caught sight of her restless night, wild-child hair once again in the mirror. If only Cooper could see your oh-so-sexy self now, she thought, he’d book the next flight out. “Kerry?” “Well,” she said, making a face at herself in the mirror, “if there was an Olympic even for bed head, I’d take the gold right now, no question. Even the Russian judge would have to cave and give me a ten.” “I’d say give me a break, but come to think of it, I have seen you in the morning.” “Bite me.” “Oh, and because you brought it up,” Fiona added, her voice dripping with sugar once again, “make sure you book some extra time to tell us every last detail about your dead-sexy Aussie fiancé.” “He’s not my--” “Hurry!” Fiona interrupted as group laughter echoed through the phone from somewhere behind her; then she hung up. Kerry looked at the dead phone, then tossed it on the bed, mumbling swear words in several languages under her breath.

All she could do was hope Sean had put the same consideration into his sleeping attire. He probably didn’t sleep in the buff, despite the deliciously vivid visual of that her imagination had no trouble conjuring. He’d been in the army for twelve years—a good chunk of that deployed overseas—and surely they weren’t in the habit of sleeping nude. Flannel would be nice. And not battered shorts, like hers. Long pants and a long-sleeved shirt buttoned up to his throat would be nice, like something Ward Cleaver would have worn to bed in his 1950s sitcom. When she finally dropped the curtain on the mental drama and left the bathroom, she was a little disappointed he was already asleep. Clearly he wasn’t struggling to hold back the reins of runaway sexual attraction the way she was. He’d dimmed the overhead light, but she could hear him softly snoring and make out the sheet pulled halfway up his stomach. His naked stomach, which led her gaze to his naked chest and then to his naked shoulders, the muscles nicely highlighted by the way he slept with his arms raised over his head. Was the rest of him naked, too? “When you stare at somebody who’s sleeping,” he mumbled without moving or opening his eyes, “they usually wake up.” Busted. Her face burned as though his words were a blowtorch and she rushed across the room to slap the light switch off. In the faint glow of moonlight penetrating the curtains, she went to the couch to try to get comfortable. It wasn’t quite long enough, but she curled up under the light cotton blanket and closed her eyes. Getting caught staring on the first night was embarrassing, but at least he wasn’t a mind reader. There was no way he could guess she’d been wondering what he wore from the waist down. “Good night, Emma.” The quiet, husky voice in the darkness made her shiver. “Night, Sean.” A little less than seven hours of tossing and turning later, Emma’s question was answered—much to the detriment of her recently revived libido. At some point during the night, Sean had thrown off the sheet. Probably right around the time he rolled onto his stomach. With his hands shoved under his pillow and one knee drawn up a little, she had a clear view of his ass—showcased perfectly in dark blue boxer briefs.

He looked at his frayed sports coat and his worn-out running shoes, decided he was easily ten years behind the times and thousands of dollars short in refurbishing his wardrobe, and sighed as he entered the elevator.

When they got back to town the hunters had returned and Mel was delighted to see no evidence of murdered wildlife in the truck beds or tied to roofs. But her elation was short-lived, because once inside the bar she learned that they had bagged two bucks, four-by-fours, both of which had already been taken to the meat processor to be butchered. “Oh,” she whined emotionally. “Who did it?” Jack looked at his feet. But he made an attempt. “I think Ricky did it.” Mel met Rick’s eyes and the boy put up two hands, palms toward her. It wasn’t him. Mel leaned against her husband and, unbelievably, started to cry. Jack shook his head, put an arm around her and led her away from the gathering, back toward the kitchen. As he did so, David was bouncing up and down on Mel’s hip, waving his arms wildly and reaching for his dad. “Melinda,” Jack said. “You knew we were going hunting. We didn’t torture the deer. We’re going to have venison.” “I hate it,” she sniveled. “I know you hate it, but it’s not a cruel thing. It’s probably more humane than the way cattle are slaughtered.” “Don’t try to make me feel better about this.” “Jesus, I wouldn’t dare,” he said. “What’s wrong with you?” “I don’t know,” she whimpered. “I’m weepy.” “No shit. Here, let me have him. He’s out of his mind.” “Sugar,” she said. “I should go nurse him.” “He’s going to be riding his bike up to the breast before long.” “He doesn’t want to give it up.” “Understandable. But you’re worn out. Maybe you should go home and go to bed.” “I don’t sleep till he sleeps. And he isn’t going to sleep until he detoxes.” “All right,” Jack said, taking his son. “Go cry or wash your face or nap or something. I’ll hang on to the wild one until he calms down a little.” He kissed her forehead. “This really isn’t like you. Not even over deer.” “By the way, you smell really bad,” she said. “Thank you, my love. You smell really good. I’ll wash this off before I smell the rest of you, how’s that?” She

The meanness that first bothered me, though, when I encountered it a decade ago, long before I was married, was in a short story in Pigeon Feathers in which a young husband returns with hamburgers and eats them happily with his family in front of the fire, and thinks lovingly of his wife’s Joyceanly “smackwarm” thighs, and then, in the next paragraph, says as narrator (the “you” directed at the narrator’s wife), “In the morning, to my relief, you are ugly.… The skin between your breasts is a sad yellow.” And a little later, “Seven years have worn this woman.” This hit me as inexcusably brutal when I read it. I couldn’t imagine Updike’s real, nonfictional wife reading that paragraph and not being made very unhappy. You never know, though; the internal mechanics of marriages are shielded from us, and maybe in the months after that story came out the two of them enjoyed a wry private joke whenever they went to a party and she wore a dress with a high neckline and they noticed some interlocutor’s gaze drop to her breasts and they saw together the little knowing look cross his unpleasantly salacious features as he thought to himself, Ho ho: high neckline to cover up all that canary-yellow, eh? Updike knows that people are going to assume that the fictional wife of an Updike-like male character corresponds closely with Updike’s own real-life wife — after all, Updike himself angered Nabokov by suggesting that Ada was Vera. How can Updike have the whatever, the disempathy, I used frequently to ask myself, and ask myself right now, to put in print that his wife appeared ugly to him that morning, especially in so vivid a way? It just oughtn’t to be done! It makes us readers imagine her speculating as she read it: “Which morning was he thinking that? He sat at the kitchen table eating breakfast and thinking I was ugly and worn! And I had no idea.

I see rather than hear a guy in a suit and tie knocking on my door.  I wave him in, he opens the door and starts strolling toward my desk, he’s followed by two long haired, bearded, overweight, scruffy looking assholes both wearing glasses, short sleeved white shirts with their shirt breast pocket full of pens and little ruler looking things, complete with pocket protectors.       He’s wearing a really cheap looking blue suit, that’s been worn shiny slick and had to be right out of the 50’s.  The suit is adorned with a greasy looking; really wide tie that had more soup stains than Campbell’s.  To complete his ensemble he’s chosen a pair of shit brown shoes that hadn’t seen polish since they were new, which had to be a long time ago.  To top it all off, he’s sporting the most massive “Comb Over” on his head I’ve ever seen.  On the left side of his head was a “Tuft” of very thin gray hair.  He’d allowed this to grow until he could comb it all the way over the top of his bald head and down to his right ear.  I couldn’t help but stare.      Marines are first impression people and if you present a poor one, they generally will turn you off immediately. 

The Roman cassock, however, part of the authoritative outfit of the church, is not a formal vestment. It was initially the out-of-entryways and household dress of European people and also pastorate, and its survival among the last when the mainstream designs had changed is just the result of religious conservatism. In gentle climate it was the external piece of clothing; in chilly climate it was worn under the tabard (a tunic with or without short sleeves) or chimere (a free, sleeveless outfit); in some cases in the Middle Ages the name chimere was given to it and also to the sleeveless upper robe.

Graegar told me that any power expended to Change What Was could alert the enemy to my presence, so I held that in reserve and tried a different tactic. I didn't know I could do it until I was forced to do it, either. I placed Kathleen Rome in a short, temporary stasis too many times to count so the surgeon and his staff could save her life. I had to do it remotely, too, as my physical body sat in a cold waiting room, seemingly anticipating an update on Kathleen's condition. The poor girl who got burned was dying, too. Should I save her if I could? It was her fault she'd been injured, but then people make dumb mistakes all the time. I learned that I could juggle several balls at once. Between Kathleen's stasis treatment, I bent power similar to that of a Larentii toward a burned girl in another hospital, repairing charred and damaged tissue. I did what I considered the important things first, lessening the injury and giving her a fighting chance before going back to Kathleen and what she needed to survive. Yes, I'd expended power to save four million people. I was still weary and in need of rest from that. Graegar had said it would take weeks to recuperate; I'd taken only a few days. By the time I knew the burned girl would live and Kathleen would survive and have no lasting damage to her heart, I was worn out. The sun dipped below the horizon when I rose to lean against the window frame and stare out at the Pacific in the distance.

On the other stage, there was a girl who looked like a mix of Japanese and something Mediterranean or Latin. A good mix. She had that silky, almost shimmering black hair so many modern Japanese women like to ruin with chapatsu dye, worn short and swept over from the side. The shape of the eyes was also Japanese, and she was on the petite side. But her skin, a smooth gold like melted caramel, spoke of something else, something tropical. Her breasts and hips, too, appealingly full and slightly incongruous on her Japanese-sized frame, suggested some foreign origin. She was using the pole skillfully, grabbing it high, posing with her body held rigid and parallel to the floor, then spiraling down in time to the music. There was real vitality in her moves and she didn’t seem to mind that most of the patrons were focused on the blonde. Mr. Ruddy held out a chair for me at an empty table in the center of the room. After a routine glance to ensure the seat afforded a proper view of the entrance, I sat. I wasn’t displeased to see that I also had a good view of the stage where the dark-haired girl was dancing. “Wow,” I said in English, looking at her. “Yes, she is beautiful,” he replied, also in English. “Would you like to meet her?” I watched her for another moment before answering. I didn’t want to wind up with one of the Japanese girls here. I would have a better chance of creating rapport, and therefore of eliciting information, by chatting with a foreigner while playing the role of foreigner. I nodded.

The round-head counselor/warden finally stopped talking. He was worn out. He folded his short arms defensively

The slave chain hissed along the ground as the men closed in around us. I kicked at it to keep it out from underneath my slippers, and one of the men—the taller of the first pair—swung a short-hafted pike at Elka’s head in an artless, horizontal slash. She ducked without blocking and shifted to the side, bending around my left flank so that I could move with her. I saw what she was doing and dropped into a crouch as she twisted. The man reared back again, and while his attention was focused on Elka, I sprang forward with a low, darting thrust that tagged him solidly on the upper thigh. He howled in pain, flinching as the point of my sword pierced his worn breeches and sank into the muscle there. I pulled my sword out and blood spilled down the front of his leg. It was the first time I’d ever wounded a man, and I felt a savage rush of excitement. “Not such easy meat as he thought.” Elka’s voice was in my ear, panting with fear or exertion—I couldn’t tell which. “That was nice, little fox.

HIKER GLOSSERY AT- Appalachian Trail - The most populated and most difficult terrain of the three longest trails in the USA Aqua Blazing- Canoeing instead of hiking a section of the trail in the Shenandoahs. Bear Cables- A system to easily hang up food bags. Bear bagging- Hanging food up high in a tree. Bivy Sack- A lightweight waterproof shelter that has bad condensation Blow Down- A fallen tree or limb blocking the trail Blue Blazer- A hiker that takes short cut trails or more scenic trails that lead back to the main trail Bushwhack- To hike where there is no trail /to clear a trail with a machete. CDT- The Continental Divide Trail - The most secluded and least populated of the three longest US trails. Cowboy Camping- to sleep on the ground with no shelter Cairn- Pile of rocks to depict where the trail is located when above treeline Day Hiker- Usually a novice who is out for the day or several days. DEET- A heavy duty bug spray. Drop Box- Food or gear sent by mail. Five Fingers - Shoes with toes. Flip-Flopper- A thru-hiker who hikes one way, then skips ahead to hike the opposite direction Gators- A piece of gear worn around the ankle to keep dirt from entering shoes Giardia- Parasites that cause diarrhea from drinking unclean water.

You, Miss Tourvel, have no beginning and no end. Your body, however, does, and when it is worn out, you will have no need for it any longer.

Cookie, I thought when I looked at Ellie. Not that I wanted to eat her. I wasn't a cannibal or anything. But she reminded me of the cookies my mother baked when her bridge group came to our house. The smell of them in the oven was all rich vanilla and spice, oh-so-sweet. Ellie was a little shorter than me, with endless curves that swooped and dipped, creamy skin sprinkled with cinnamon freckles up and down her arms and across her round cheeks. Her short hair fell in soft honey-colored curls, and her big blue eyes... well, that's where the whole cookie idea fell down, but they made me think of my favorite pair of worn-out jeans. But back to those cookies. Every time, I'd tiptoe to the cooling rack and reach for one perfectly round, warm cookie when I thought Mom wasn't looking. And every time, out of nowhere, she'd slap my grubby hand away, snapping, "Not for you." Ellie may have looked warm and round, but she had "not for you" written all over her.

I had two great passions at the time: one magical and ethereal, which was reading, and the other mundane and predictable, which was pursuing silly love affairs. Concerning my literary ambitions, my successes went from slender to nonexistent. During those years I started a hundred woefully bad novels that died along the way, hundreds of short stories, plays, radio serials, and even poems that I wouldn't let anyone read, for their own good. I only needed to read them myself to see how much I still had to learn and what little progress I was making, despite the desire and enthusiasm I put into it. I was forever rereading Carax's novels and those of countless authors I borrowed from my parent's bookshop. I tried to pull them apart as if they were transistor radios, or the engine of a Rolls-Royce, hoping I would be able to figure out how they were built and how and why they worked. I'd read something in a newspaper about some Japanese engineers who practiced something called reverse engineering. Apparently these industrious gentlemen disassembled an engine to its last piece, analyzing the function of each bit, the dynamics of the whole, and the interior design of the device to work out the mathematics that supported its operation. My mother had a brother who worked as an engineer in Germany, so I told myself that there must be something in my genes that would allow me to do the same thing with a book or with a story. Every day I became more convinced that good literature has little or nothing to do with trivial fancies such as 'inspiration' or 'having something to tell' and more with the engineering of language, with the architecture of the narrative, with the painting of textures, with the timbres and colors of the staging, with the cinematography of words, and the music that can be produced by an orchestra of ideas. My second great occupation, or I should say my first, was far more suited to comedy, and at times touched on farce. There was a time in which I fell in love on a weekly basis, something that, in hindsight, I don't recommend. I fell in love with a look, a voice, and above all with what was tightly concealed under those fine-wool dresses worn by the young girls of my time. 'That isn't love, it's a fever,' Fermín would specify. 'At your age it is chemically impossible to tell the difference. Mother Nature brings on these tricks to repopulate the planet by injecting hormones and a raft of idiocies into young people's veins so there's enough cannon fodder available for them to reproduce like rabbits and at the same time sacrifice themselves in the name of whatever is parroted by bankers, clerics, and revolutionary visionaries in dire need of idealists, imbeciles, and other plagues that will prevent the world from evolving and make sure it always stays the same.

I missed the rest of the conversation because, while the good actor was carefully cooking his sentences with criticisms spiced with kindness, another member of the group, a young man who looked Chinese, with a face like raspberry jelly, stumbled up to me. His naturally yellow complexion was complemented by bright threads of broken veins, more purple than red. He had thick hair, a receding brow, jutting cheekbones, narrow eyes whose dark pupils seemed more polished than alive, a barely visible moustache the color of dead leaves, a little salt and pepper beard that was worn out like an old carpet, a long neck with an Adam’s apple stuck in it like a huge walnut, and shoulders like a scrawny old horse which did not fit with his thick, short chest and his pot belly. He was knock-kneed and bowed legged, with kneecaps shaped like coconuts. He also borrowed Doctor Magne’s chair, blew cigarette smoke out his nose, and took his turn to tackle me. His language was less elegant than the other two; it was hard for him to speak, which you could put down to shyness. He was dull and awkward. He seemed horribly unhappy and sorry to have come over, but there he was. He had to march on—and he did so heroically!—death in his soul. “Monsieur—finally yes!... Monsieur… I don’t like to jaw about brothers… absolutely not! But I have to tell you that Desbosquets is a lot more… absolutely… oh, I’ll blurt it out… a lot more… absolutely cracked than our friend Magne. Absolutely yes!” He wanted to be frank, to open up, which he constantly regretted, because he knew that he would be clumsy and mocked; he felt ridiculous and it was killing him. But his need for some honest self-indulgence gnawed at him, and he spit out his slang and his absolutelys—‘absolutely yes!’ and ‘absolutely no!’— which made him think he was revealing the deepest depths of his soul. He continued. “Maybe they told you about me—yes! I know: bing, bang —mechanics! Absolutely yes! A hack, they must have told you…” (Aha! I thought. So it’s my colleague the poet!) “…and the worst trouble, right? That’s Leonard—yes! Ah! When I’m a little…bing, bang…mechanics! I guess—grumpy—I don’t say… but there’s not an ounce of meanness in me! Disgusting, this awful problem with talking, but the mechanics, you know—because it’s the mechanics—no way! Do you want me to tell you my name? Ah! Totally unknown, my name, but don’t want them to mangle it mechanically when quoting it to you: Oswald Norbert Nigeot. Don’t say Numskull—no!—Although my verses!... Ah! Damned mechanics!... A bonehead, a stupid bonehead, bitten by the morbid mania to write—and the slander of the old students of the Polytechnic! Oh! To write! Terrible trade for the poorly gifted like me who are… bing, bang, not mechanics! And angry at the mechanics of words. Polytechnic pigs manufacture words; so, poor hacks can’t use them. Ah! Even this is mechanics!... And drunk on it, Desbosquets too, very drunk! Obviously you see it: Cusenier, Noilly-Prat, why not Pernod? It’s awful for people like him and me! See, you know— liquids are scarce—but thanks to the guards’ hatred of Bid’homme… and thanks to old Froin, too good, don’t believe in any bad—but can you call that bad? He lives with the Heaven of…mechanics…of…bang…of derangements, no! I want arrangements, not derangements!” Mr. Nigeot seemed very proud of having successfully (?) completed such a long sentence propped up by only one “bang” and one “mechanics,” but in spite of his satisfaction, he was scared of continuing less elegantly and he got all tangled up in a run of bizarre expressions in which the hated Polytechnicians and the bings and bangs (not to mention the absolutelys) got so out of hand that I could not understand a word of what he said.

Surely I can't be the first woman to try and hide from you?" She got out, grateful she'd worn her heavy boots, which always made her feel a bit like Lara Croft. "Oh, is that what you were doing? You're so short, I just assumed you were normally eye-level with the steering wheel.

It seemed stupid that I had stayed in the cold stone room, knowing that as soon as the new day had crested, I was no longer in the Inquisitor’s service and no longer had to follow his orders. I finished eating and opened the package, revealing the complicated sections of leather pieces that somehow made up an outfit. Some of the sections were hardened with inlaid metal, a tarnished golden colour peeking through the stitching. I finally discerned something resembling the usual bodysuits worn beneath sectorian women’s clothing, though this one was different. It was thick brown leather, a silk underlining hidden on the inside. It moulded tightly to the body, two ovals cut into the sides, exposing the hips and the sides of the stomach and back. Some sort of covering fit over the top of the bodysuit, ending a few inches above the waist. The metal-inlaid patterns curved around the front of my chest and the top of my spine, connected with brown, buckled straps along my sides. A belted skirt slid over the hips, the belt pulling along the cut of the bodysuit, above my hips, another band looping around my hips. The skirt had two short layers. Yet another section of the outfit fit over my shoulders, metallic glimpses peering out from the leather that cupped my shoulders, attaching to the upper chest armour with straps. Another set of wraps covered my wrists and forearms, and I was glad to see the Inquisitor’s mark and the Spider’s mark disappearing from view. I was able to re-wear the same footwear, as there were also knee and thigh wraps in the same boiled brown leather that complemented the knee-high boots. The outfit was clearly some kind of warrior’s uniform. The Vold—and the Sentinels in particular—often wore revealing, scant clothing to show off their impressive physiques. With Calder’s cloak still on the ground, I could see half of his bare back above the golden armour that wrapped his torso. The muscles bunched and stretched as he pulled his forearm up for investigation. He had clearly stitched and re-dressed his wound after my dismal attempt at caring for it the night before. Despite my outfit showing so much skin, it was by far the heaviest thing I had ever worn, and I started to truly appreciate how quickly and silently Calder moved, weighed down as he must have been by so much armour. I tugged my hair over my shoulders, arranging the strands so that they might hide my face better. There was a lump in my throat when I stuffed everything back into my pack and muttered, “Done.

vice president, and secretary of the treasury beam down from the walls. Visitors pass a sequence of photographs and paintings detailing the history of paper money in the United States and culminating with a life-size re-creation of President Lincoln signing the legislation authorizing the federal government to print money. At the end of the long corridor, visitors watch a short video on the history of paper money, after which guides divide them into small groups before they enter the work area. These small groups wend their way through the carefully marked visitors’ corridors past glass-enclosed galleries from which they can watch the sheets of dollars being printed, examined, cut, and stacked as the guides dispense a constant flow of facts about America’s money: The dollar is printed on textile paper made by the Crane Company using a mixture of 75 percent cotton and 25 percent linen with a polyester security thread. The printing machines are made by Germans and Italians. Nearly half of the bills printed in a day are one-dollar notes, and 95 percent of the bills are used to replace worn-out bills. The average life span of a bill varies from eighteen months for the one-dollar note to an ancient nine years for a one-hundred-dollar note. A bill can be folded four thousand times before it tears.

smiled a real smile, then looked from Daegan back to him and nodded. Not sure why she wanted Daegan to explain—or how he even knew all the information that suddenly flashed in his mind—he nevertheless answered for her. “She is from a lost race that is from deep within the mountains. There are not many left of her kind... the Ehsmia. They have gifts beyond those of other Faeries, but I’m not sure all of what they can do. They keep to themselves, but she knew we were coming so she came out to meet us.” He frowned. Turning to Ella, he asked, “Why us? I do not understand how you know what we are looking for, let alone that we are looking at all.” “In due time, all will be revealed to you,” she said, looking deeply into his eyes, boring into his soul. It was personal and invasive, but before he could look away, she released him, leaving him with a sensation of warmth spreading throughout his body. “You are ready, Daegan of the Ferrishyn. Do not fear your destiny.” She inclined her head slightly, but Daegan could only frown, feeling a sense of foreboding, as though everything was about to change. What is she talking about? “The Ehsmia? I have heard stories... legends of your people. You are also called the Hidden People, are you not?” Hal asked in awe. When Ella only nodded, he continued. “I thought your people were no more, if they even had existed at all.” He did not mean to be rude. “That is how we prefer to be known... or not known at all. Otherwise, what purpose would our hiding be if we were known?” she said with a smirk on her face but said no more. Ella turned to face the rock wall, which looked like a crumbling ruin of what was at one time a part of a great wall. It was built into the side of the Kandrian Mountains. Hal’s look of confusion mirrored Daegan’s own. Hal finally shrugged his shoulders, figuring they would understand “in due time.” Oddly, his typical nonchalant response gave Daegan a sense of calm. Staring at the rocks that made up the wall for what seemed several minutes but in reality was probably much shorter, Ella laid her hand flat onto a rock that suddenly appeared smoother and duller than all the other old, jagged stones. There was a rumbling of the ground that stopped as suddenly as it started. She gave them a sneaky smile. Daegan still wasn’t sure he trusted her, but at this point it seemed she might be the only one with answers of any kind. “Are you ready to follow where not many have been before, a land within a land?” she asked. Without waiting for their answer, she turned around and walked straight into the rock wall, which had magically become an illusion. Daegan and Hal both knew there was magic in Alandria and that every species had their own type of magic. They had their own magic as well, but they had only heard of this kind of magic in their own legends. Halister and Daegan quickly followed Ella, not wanting to get shut out of what could be their only opportunity to see where the Hidden People were, well, hidden. CHAPTER FIVE It was dark, yet they had no trouble following Ella through the murky tunnel of rock and stone that looked worn from centuries of use and natural erosion. Other than the thin layer of water trickling over some of the stones, it was silent and peaceful. They had been following a star, literally, for the past several minutes, but it wasn’t above them. Ella’s short, jagged snow-white hair allowed them to see the back of her neck, upon which was a horizontally stretched eight-point star from which a soft blue light emanated, marking her as other. Assuming she could see in the dark, they kept following and soon the tunnel began to lighten. Green leafy vines began crawling up the sides of the

When I arrived in San Francisco, there was no way to find the Castro on any map. People were forever calling the bookstore for directions to the neighborhood. In my group there was the sense that we were a wave arriving on the West Coast from the East: postcollegiate youngsters seeking and finding a paradise of cheap apartments and thrift stores bursting with the old athletic T-shirts and jeans and flannel shirts we all prixed. I remember when I put the empty clothes together with the empty apartments, on an ordinary sunny afternoon walking down the sidewalk to work: there on a blanket stood a pari of black leather steel-toed boots, twelve-hole lace-ups. They gleamed, freshly polished, in the light of the morning. As I approached them, feeling the pull of the hill, I drew up short to examine the rest of the sidewalk sale. Some old albums, Queen and Sylvester; three pairs of jeans; two leather wristbands; a box of old T-shirts; a worn watch, the hands still moving; a pressed-leather belt, west style; and cowboy boots, the same size as the steel-toes. I tried the steel-toes on and took a long look at the salesman as I stood up, feelign that they were exactly my size. This man was thin, thin in a way that was immediately familiar. Hollowing from the inside out. His skin reddened, and his brown eyes looked over me as if lighting might fall on me out of that clear afternoon sky. And I knew then, as I paid twenty dollars for the boots, that they'd been recently emptied. That he was watching me walk off in the shoes of the newly dead. And that all of this had been happening for some time now.

Many students come to me full of wonderful intentions hoping to change the world; they plan to spend their time helping the poor and disadvantaged. I tell them to first graduate and make a lot of money, and only then figure out how best to help those in need. Too often students can’t meaningfully help the disadvantaged now, even if it makes them feel good for trying to. I have seen so many former students in their late 30s and 40s struggling to make ends meet. They spent their time in college doing good rather than building their careers and futures. I warn students today to be careful how they use their precious time and to think carefully about when is the right time to help. It’s a well-worn cliché, but you have to help yourself before you help others. This is too often lost on idealistic students. I am often asked whether one should work in the private or public sector. I always advise working in the private sector, and wish I did this before entering politics and the public sector. The private sector teaches important skills like entrepreneurship that can then be applied to any area of work later on.

Rib I frown because you frustrate me, your wooly, muffled voice, and the dishes that will not do themselves. I have traded word for weary word with you and come up short so many sentences, that I am broke from paying attention. Maybe I have treated you badly. I am sorry if I have treated you badly, but other men have worn me out, and I no longer make love, it will not last. So if I linger at the arcs of your chest, we shall call it mere tenderness, or homecoming. And if I happen to write sonnets in the honor of us, I will not drown you in burdens of marigolds, rather clay, a kiss or two, some serpents looking on. I am near useless here, and if I cross myself, it is only because I am that lost, with nothing left to do for my hands.

The rifle said more than the man. It was a short-magazine Lee-Enfield, three-oh-three caliber, and its worn brass buttplate and the scars & scratches on its woodwork spoke volumes of the century gone by. They spoke of Mons, 1914, where cries of TEN ROUNDS RAPID! convinced the German soldiers they faced machine-gun fire, and English bowmen from the time of Agincourt-- so legend has it-- appeared in the clouds to cover the retreat. They spoke of Harry and Jack on their way up to Arras, of the morning on the Somme where men of Ulster, Scotland, Wales, and Ireland, all the children of the empire fixed bayonets as long as swords and went to feed the earth. They spoke of Tommies on the beach at Dunkirk, taking hopeful potshots at the Stukas, and of stopping Rommel dead at Alam Halfa. They spoke of Normandy, the sneaking gang-fights in the hedgerows, where a platoon could bleed out faster than its predecessors on the Somme. Finally, they spoke of Afghanistan, the land that swallows armies. Of ancient rifles in the hands of men as hard as mountains, glimpsed on CNN & BBC, anachronisms next to things of tin and plastic. Of weapons taken by the locals from the empire that had fought them, an inheritance of iron and gun-oil out on the Northwest Frontier. They spoke of history. The man was Russian.

I keep this my dirty little secret for years, he was my true first, yet it was not the most romantic yet it was something, now looking back now how is the loser, it did it long before, yet it was with him so it was not cool, I never- ever said this to anyone, that he took me. Yet play around like that with a boy that was me, he wanted to know so I said okay. It was the first time seeing all that- you know, at least mine was real, and not like time two at a party. This thing is so high- I get sick of feeling so short at like four-foot, on top that I can see the world by looking down, and they are looking up at me, my mom and grandmother were all the same size also, if not shorter, or so they say. The car is old and dusty and looks like no one has been in it for years on the outside, it is just blacked and crusty, the only car other than the coal car behind the locomotive, and it too is rusted reddish orange. They used to have tripped over this thing and park it on the bridge, and you spent the night up in the stars, and so that is what we did on a big full moon night. In the big bed looking out the one side of all those old windows. The car and train sit here for there was a fire or something on that line, and this becomes the new home of the serving remanences about half a mile in, the train was going over and was near the end on the one said when the wind took it all down, and all the cars but one fall all the many feet to the ground below, yet it never steamed over again. There sits the old Pullman car. It's red and has black, with yellow writing on it, up till now I am not sure what it says. It was a custom car made just for spending the night on top of the linked- mountains. The train is all the same color for what I can make out, dating around the 1800s or so, that what my dad said anyway we and he were up here, oh so long ago. We both walked up to her and me on the left, tacking him on the right hand-woven tight. The grass tall the track worn, and feet sore, from the journey there. Over smaller yet high crossings that have known side rails. Inside you can see it is in touch, and all dark wood, I light one of the old lanterns, I thought down a towel, and we had juice pouches and P-P and J. Romantic- No! It’s all good, he tried. It wasn’t about that anyway. The bed is off to the back and looks like a five-star hotel room to us, there is a living room spot, where ass naked in the big old sofas… or next to it, we were playing house, and loving it. We were young but we feel- we were on the bed all night long. Looking out over… see the tree sway below. it was cold in the car, yet he keeps me warm, I was fogging up the windows, with my breath Moan it out in a sweet- yet sensual way, I was pressed upon it looking out as I was on top, he was looking up at me, yet I was looking out and at his eyes, at definite times. I even kissed the glass to leave something behind, I wonder if it’s still there, and my name is covered in the old wood, next to his.

3D Art Outsourcing & Game Art Design Companies By Game Art Outsourcing Studio A 3D game art outsourcing company can outsource the game art to extra game developers. Game art is separated into two categories which are 2D and 3D game art. In 2D art outsourcing, game developers outsource their 2D oriented design to the game artists. 2D game artist focus in produce the thought as well as the texture of the game. 3D game artist deliberate on fabricating the animation of games; which include models and 3D environment. It is also potential to get a game art company that has artists who focus in both 2D and 3D game art. Game 3D Art Outsourcing company give lots of reward to game developers. The major advantage is that game developers are able to delegate all their work to diverse companies so that the work get concluded in a very short length of time. This, therefore, make it feasible for a game developer to discharge a game in lesser phase of time. Time full in developing a game is very central since if the game take too long to be unconfined, technology worn in the game may quickly be out of manner. Hence, it is very significant for 3D Game Designer to outsource their gaming growth work to guarantee that all games are out in ideal occasion, i.e., while there is publicity in the market. 3D Game outsourcing company make it potential for a game developer to construct games of finest value. It is well-known by professional and while game developers rush with their work in arrange to try and cut the occasion really required in increasing a game, quality of the pastime is regrettably compromised. On the other pass, if they break down the labor into programming, art, level scheming and sound engineering, they can shun poverty of superiority. It is potential to outsource every work to the diverse team of game development company. By receiving in touch with encoding and Art Outsourcing Studio game designers, it is probable to get the best entity for each part of game conniving. When the labour is outsourced, every section will have adequate time to focus in their area and once everything has been mutual together, a superb game is shaped. As a game developer, it is very significant to outsource your Game Art Design Company frequently. This is because hiring diverse game art designers make your games exclusively diverse each time. This is incredibly significant if you want to market a game effectively because it must have amazing completely diverse to offer as compare to your previous games. For example, it should contain the upgrade of features that were liked by patrons who used last account. Doing that is very easy as you only require a long term game outsourcing company for your game art and design.

By this time, the effect of the drinks kindly furnished to me by the officers in the Mess had worn off and I was feeling discouraged. First, I had been made to sign a form stating that if, in firing this PIAT, I were injured or killed, the Ministry of Defence would not be responsible. Next, the gentleman who had acquired this PIAT from the museum told me he had tried it out earlier on, which I thought was rather brave of him, and had been concerned because something had whistled back past his ear — probably, he suggested, part of the cartridge case. His advice to me was to refuse to fire this weapon until I could be provided with a tin hat, although for some unknown reason these commodities appeared to be in short supply on these particular ranges and he had so far been unable to locate one.

professor of archaeology at The Pennsylvania State University, watched the new arrival beside his site manager, assistant professor Amanda Jeffers. Hunter was a slender but weathered forty-five-year-old with longish curling salt and pepper hair that danced in the wind off the Atlantic as if it had a life of its own. Amber-tinted aviator glasses hid his mahogany eyes. He wore heavy work boots, khaki shorts that revealed calves taut as knotted hawsers, a vented white safari shirt, and a multi-pocketed canvas vest more suited to fly-fishing than digging. It had belonged to his father, a digger of another sort: a Pennsylvania coal miner and avid fly-fisherman. Hunter would never admit to being superstitious, but he’d worn the vest on every successful expedition since his father had died of black lung disease a decade ago. Behind Hunter and Jeffers, as if it had grown out of the ground, lay the stone foundations  of Carn Dewes, a prehistoric

This used to be a great country. Not now. Not anymore. I was laid off from the drugstore. Worked there almost thirty years. Worked my way up from the bottom, from Stock Boy to Manager, with little in the way of education -- I didn't graduate high school, was a semester shy when my dad got sick. I ran that damned place for the owner, Bud Wilkins. Then, when Bud retired, and had no one to carry on the business, this big chain bought him out and they discarded me like a badly worn sneaker. --From "After the Layoff," one of the stories in forthcoming collection BROTHERS, FATHERS, AND OTHER STRANGERS.

This used to be a great country. Not now. Not anymore. I was laid off from the drugstore. Worked there almost thirty years. Worked my way up from the bottom, from Stock Boy to Manager, with little in the way of education -- I didn't graduate high school, was a semester shy when my dad got sick. I ran that damned place for the owner, Bud Wilkins. Then, when Bud retired, and had no one to carry on the business, this big chain bought him out and they discarded me like a badly worn sneaker." --From the story "After the Layoff," included in forthcoming story collection BROTHERS, FATHERS, AND OTHER STRANGERS

They’re incredibly well prepared in their fields -- they become masters of their domains by practicing for many years, day after day. They spend time deeply focused on solving a key problem or key set of problems, no matter the obstacles. They allow themselves to step away from the problem(s) on which they’re focused, so that insights can come to them in activities such as walking, or looking out on a beautiful scene. To get great insights absolutely requires hard work, but it also requires space. This is the case because the human mind is not a linear machine. If you don’t put in the required effort, you won’t be capable of generating good ideas; you won’t understand the subject matter. But if you don’t give yourself space from the problems on which you are working, you likely will be so worn