Worm Queen Quotes

We've searched our database for all the quotes and captions related to Worm Queen. Here they are! All 45 of them:

It’s you I love,” he says. “I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.” He walks to the door to the royal chambers, as though to end the conversation. “You probably guessed as much,” he says. “But just in case you didn’t.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It’s you I love,” he says. ”I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It's you I love," he says. "I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn't have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
The worms do not take heed of caste and rank when they feast on our ashes," the Raja said. "Your subjects will not remember you. They will not remember the shade of your eyes, the colors you favored, or the beauty of your wives. They will only remember your impression upon their hearts and whether you filled them with glee or grief. That is your immortality.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
It's you I love. I spent so much of my life guarding my heart. I guarded it so well that I could behave as though I didn't have one at all. Even now, it is a shabby, worm-eaten, scabrous thing. But it is yours. You probably guessed as much. But just in case you didn't.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn't have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Meaningless sex is like eating the worm at the bottom of a tequila bottle: fun in the moment, but not something you’d want to repeat over and over.” —MELANTHE OF THE DEIE SORCERI, QUEEN OF PERSUASION
Kresley Cole (Dark Skye (Immortals After Dark, #15))
As presumptive heir to one of the largest Duchies in the Kingdom of the Mists, she could have easily grown up more spoiled than any human princess. Instead she grew into the sort of little girl who's always up a tree or down a hole, a magnet for mud, queen of worms and frogs and crawling things.
Seanan McGuire (Rosemary and Rue (October Daye, #1))
It’s you I love. I spent much of my life guarding my heart. I guarded it so we’ll that I could behave as though I didn’t have one. Even now, it’s a shabby, worm eaten, and scabrous thing. But it’s yours… you probably guessed as much… but just incase you didn’t
Holly Black (The Cruel Prince / The Wicked King / The Queen of Nothing (The Folk of the Air, #1-3))
I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at al. Even now, it is a shabby, worm-eaten and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
As winter went on, longer than long, we both freaked out. My mania grew to insane proportions. I sat in the study room at night, wildly typing out Dali-esque short stories. I sat at my desk in our room, drinking tea, flying on speed. She'd bang into the room in a fury. Or, she'd bang into the room, laughing like a maniac. Or, she'd bang into the room and sit under the desk eating Nutter-Butters. She was a sugar freak. She'd pour packets of sugar down her throat, or long Pixie-Stix. She was in constant motion. At first I wondered if she too had some food issues, subsisting mostly on sugar and peanut butter-and-jelly sandwiches on Wonder Bread, but my concern (as she pointed out) was “total transference, seriously, Max. Maybe you're just hungry.” Some Saturdays, we'd go to town together, buy bags and bags of candies, Tootsie Rolls (we both liked vanilla best; she always smelled delicious and wore straight vanilla extract as perfume, which made me hungry), and gummy worms and face- twisting sour things and butterscotch. We'd lie on our backs on the beds, listening to The Who and Queen, bellowing, “I AM THE CHAMPION, YES I AM THE CHAMPION” through mouths full of sticky stuff, or we'd swing from the pipes over the bed and fall shrieking to the floor.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Remember, there were dragons long before men came into the world. Why, it was none other than The Great Dragons of Yore who invented the idea of knighthood. Yes, yes, that’s right! Dragons had knights, Kings, princesses and queens long before men crawled out of the muck.
Sully Tarnish (The Dragon and the Apprentice: A Humorous Fantasy Adventure)
What if at the core, if you dug deep enough, uncovered every truth...what if at the heart of it all. .. there was a lie, like a worm at the centre of the apple, coiled like Oroborus, just as the secret of men hides coiled at the centre of each piece of you, no matter how fine you slice? Wouldn't that be a fine joke now?
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I spent so much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have on at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it’s yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Why do you do that? Do what? Push the sceptic thing so hard!? I mean, it made sense at first, but now? After everything we’ve seen, after everything you’ve read! I hear you recording statements and y-you just dismiss them. You tear them to pieces like they’re wasting your time, but half of the “rational” explanations you give are actually more far-fetched than just accepting it was a, a ghost or something. I mean for god’s sake John, we’re literally hiding from some kind of worm… queen… thing, how, how could you possibly still not believe!? Of course, I believe. Of course I do. Have you ever taken a look at the stuff we have in Artefact Storage? That’s enough to convince anyone. But, but even before that… Why do you think I started working here? It’s not exactly glamorous. I have… I’ve always believed in the supernatural. Within reason. I mean. I still think most of the statements down here aren’t real. Of the hundreds I’ve recorded, we’ve had maybe… thirty, forty that are… that go on tape. Now, those, I believe, at least for the most part. Then why do you – Because I’m scared, Martin!. Because when I record these statements it feels… it feels like I’m being watched. I… I lose myself a bit. And then when I come back, it’s like… like if I admit there may be any truth to it, whatever’s watching will… know somehow. The skepticism, feigning ignorance. It just felt safer.
Jonathan Sims (The Magnus Archives: Season 1 (Magnus Archives, #1))
Its imagination had been limited by the closeness of the walls of the room, the smallest tooth of sky seen through the window, the stifling inside air, the worms fed it one by one out of the hand of the queen.
Lauren Groff (Matrix)
It’s you I love — I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Yes! thus will you be, queen of the Graces, After the last sacraments, When you go beneath grass and luxuriant flowers, To molder among the bones of the dead.  Then, O my beauty! say to the worms who will Devour you with kisses, That I have kept the form and the divine essence Of my decomposed love!
Charles Baudelaire (Les Fleurs du Mal)
It’s you I love,” he says. “I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.” He walks to the door to the royal chambers, as though to end the conversation. “You probably guessed as much,” he says. “But just in case you didn’t
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Beauty is but a flower Which wrinkles will devour; Brightness falls from the air; Queens have died young and fair; Dust hath closed Helen's eye. I am sick, I must die. Strength stoops unto the grave, Worms feed on Hector brave; Swords may not fight with fate, Earth still holds open her gate. "Come, come!" the bells do cry. I am sick, I must die. 'A Litany in Time of Plague
Thomas Nashe
My lord, it should little beseem me that am of the seed of men of war since long generations to trap my mind with the false shows of a greatness that is gone. Yet I pray you forget not this: the dominion of the Demons hath used to soar a pitch above common royalty, and like the eye of day regarded kings from above. And for this style of Queen thou offerest me, I say unto thee it is an addition I desire not, who am sister unto him that writ that writing above the gate that all ye had tasted the truth thereof had he been here to meet with you.
E.R. Eddison (The Worm Ouroboros)
Come for a walk, dear. The air will do you good." Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance. On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips: "You, a sailor!" And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead. She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies. She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.
Gaston Leroux (The Phantom of the Opera)
The Book of Thel II "O little Cloud," the virgin said, "I charge thee tell to me, Why thou complainest not when in one hour thou fade away: Then we shall seek thee but not find; ah, Thel is like to Thee. I pass away, yet I complain, and no one hears my voice." The Cloud then shew'd his golden head & his bright form emerg'd, Hovering and glittering on the air before the face of Thel. "O virgin, know'st thou not our steeds drink of the golden springs Where Luvah doth renew his horses? Look'st thou on my youth, And fearest thou because I vanish and am seen no more, Nothing remains? O maid, I tell thee, when I pass away, It is to tenfold life, to love, to peace, and raptures holy: Unseen descending, weigh my light wings upon balmy flowers, And court the fair eyed dew, to take me to her shining tent: The weeping virgin trembling kneels before the risen sun, Till we arise link'd in a golden band, and never part, But walk united, bearing food to all our tender flowers." "Dost thou O little Cloud? I fear that I am not like thee; For I walk through the vales of Har and smell the sweetest flowers, But I feed not the little flowers; I hear the warbling birds, But I feed not the warbling birds; they fly and seek their food; But Thel delights in these no more, because I fade away, And all shall say, 'Without a use this shining woman liv'd, Or did she only live to be at death the food of worms?'" The Cloud reclind upon his airy throne and answer'd thus: "Then if thou art the food of worms, O virgin of the skies, How great thy use, how great thy blessing! Every thing that lives Lives not alone, nor for itself; fear not, and I will call The weak worm from its lowly bed, and thou shalt hear its voice. Come forth, worm of the silent valley, to thy pensive queen.
William Blake
But after he had been singing awhile, mist and shadows seemed to gather about him, sometimes coming out of the sea, and sometimes moving upon it. It seemed to him that one of the shadows was the queen-woman he had seen in her sleep at Slieve Echtge; not in her sleep now, but mocking, and calling out to them that were behind her: 'He was weak, he was weak, he had no courage.' And he felt the strands of the rope in his hand yet, and went on twisting it, but it seemed to him as he twisted, that it had all the sorrows of the world in it. And then it seemed to him as if the rope had changed in his dream into a great water-worm that came out of the sea, and that twisted itself about him, and held him closer and closer, and grew from big to bigger till the whole of the earth and skies were wound up in it, and the stars themselves were but the shining of the ridges of its skin. And then he got free of it, and went on, shaking and unsteady, along the edge of the strand, and the grey shapes were flying here and there around him. And this is what they were saying, 'It is a pity for him that refuses the call of the daughters of the Sidhe, for he will find no comfort in the love of the women of the earth to the end of life and time, and the cold of the grave is in his heart for ever. It is death he has chosen; let him die, let him die, let him die.
W.B. Yeats (Stories of Red Hanrahan)
I don't have a care what you want, you horrid little insect," she hissed through her smile. "The Crown chose you. You are Queen of Fairyland. It's about as appetizing to myself personally as a pie full of filthy, crawling worms, but it's a fact. You can pull and pry and blubber, but that Crown won't come off until you're dead or deposed. I could cut you down in a heart's-breadth, but the rest of these ruffians would have my head. They take regicide terribly personally. Make no mistake; this present predicament is entirely your fault, you and your wretched Dodo's Egg. You will want my help to sort it limb from limb. You are a stranger in Fairyland—oh, it's charming how many little vacations you take here! But this is not your home. You don't know these people from a beef supper. But I do. I recognize each and every one. And if you show them that you are a vicious little fool with no more head on her shoulders than a drunken ostrich, they will gobble you up and dab their mouths with that thing you call a dress. You may not like me, but I have survived far more towering acts of mythic stupidity than you. I am good. I know what power weighs. If you have any wisdom in your silly monkey head, from this moment until the end of your reign—which I do hope will come quickly—you and I shall become the very best of friends. After all, Queen September, a Prime Minister lives to serve.
Catherynne M. Valente (The Girl Who Raced Fairyland All the Way Home (Fairyland, #5))
We are each of us the result of billions of years of the universe evolving toward its own splendor. And evolution builds: the very mitochondria that power our cells and give us life once existed as separate organisms that first infected our pre–pre–human ancestors and then became one with them. We each contain not only the slime mold and the worm, the fish and amphibian and reptile, but the pig and the ape and the barely human. If we look hard enough, we can discern hundreds of parts: kings and queens, warriors and troubadours, mages, bullies, and saints. And hustlers, adventurers, survivors, rebels, reactionaries, and rogues. And the part of us that wants to be more than human, or rather more fully human. I believe that we need to enlist all these separate selves into a single army of free companions who respect each other and love each other to the death. And who are willing to devote their lives to fight together in order to win a shared splendor. I will return to this theme of integration again and again, for it is key to everything. All of my characters struggle with themselves, and face as well external obstacles such as exploding stars or dragons or icy wastelands cold enough to freeze the breath. Maram, who writes poems glorifying his second chakra (the body’s sexual center), pants like a dog after every enticing woman he sees. Even as he resists his essential nobility and destiny as a hero, he insists that every man deserves at least one vice. When it is pointed out to him that he also drinks, gambles, gluttonizes, and whores, he declares that he is still trying to decide which vice will be his.
David Zindell (Splendor)
Lucifer Sansfoi Varlet Sansfoi Omer Perdiu I.B.Perdie Billy Perdy I'll unwind your guts from Durham to Dover and bury em in Clover-- Your psalms I'll 'ave engraved in your toothbone-- Your victories nilled-- You jailed under under a woman's skirt of stone-- Stone blind woman with no guts and only a scale-- Your thoughts & letters Shandy'd about in Beth (Gaelic for grave) Your philosophies run up your nose again-- Your confidences and essays bandied in ballrooms from switchblade to switchblade --Your final duel with sledge hammers-- Your essential secret twinned to buttercups & dying-- Your guide to 32 European cities scabbed in Isaiah --Your red beard snobbed in Dolmen ruins in the editions of the Bleak-- Your saints and Consolations bereft --Your handy volume rolled into an urn-- And your father And mother besmeared at thought of you th'unspent begotless crop of worms --You lay there, you queen for a day, wait for the "fun- sucked frogs" to carp at you Your sweety beauty discovered by No Name in its hidingplace till burrs Part from you from lack of issue, sinew, all the rest-- Gibbering quiver graveryard Hoo! The hospital that buries you be Baal, the digger Yorick, & the shoveler groom-- My rosy tomatoes pop squirting from your awful rotten grave-- Your profile, erstwhile Garboesque, mistook by earth- eels for some fjord to Sheol-- And your timid voice box strangled by lie-hating earth forever. May the plighted Noah-clouds dissolve in grief of you-- May Red clay be your center, & woven into necks, of hogs, boars, booters & pilferers & burned down with Stalin, Hitler & the rest-- May you bite your lip that you cannot meet with God-- or Beat me to a pub --Amen The Almoner, his cup hat no bottom, nor I a brim. Devil, get thee back to the russet caves.
Jack Kerouac (Scattered Poems)
Are you trying to make me jealous, my pretty bird?” Theseus asked, teasing. He took one of the filled wine goblets from the cupbearer attending him and tried to give it to me. I turned my shoulder to him deliberately. “You can’t seem to take your eyes off Telys. What will it take to make you spare just one of those sweet glances for me? Shall I step onto the training ground myself?” “Only if you’ll let me be the one to fight you, sword against sword,” I replied. “I’m willing to stake my freedom on the match.” His lips twisted into a mocking smile. “And risk damaging that face? In four days’ time, we’ll be married. I intend to have a queen whose beauty makes me the envy of all.” He tried to stroke my cheek. I jerked my head back. “Don’t worry, Theseus,” I said. “If we fight, I won’t be the one who’ll take away a scar. But if you’re afraid, name one of your men to match swords with me.” I swept the training ground with my eyes and in a loud, carrying voice added: “Or are all the men of Athens scared to fight a Spartan girl?” A grumbling ran through the ranks of the assembled guardsmen. My barb hit the target and sunk in deep. Theseus didn’t like the way things were going. He tried to pull the fangs from my challenge by turning it into a joke. “Ha! I know what you’re after, Helen. You’re hoping I’ll say yes to this mad proposal of yours, then you’ll find some sly, womanly way to fix it so that you fight Telys. There’s an easy win for anyone!” I looked into his leering face and decided I’d seen enough of the cold malice everyone in the palace inflicted on Telys. The soldiers, the servants, and even the slaves were all a yapping pack of hounds following the lead of Theseus, the nastiest cur of them all. I leaped to my feet and shouted, “You worm! If you’re too scared to fight me yourself, then say so!
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
A wild tree grew in her heart. Its roots wove throughout her guts, thick with worms of death and rebirth; it stretched its crown up into the bright, open space in her mind, where she worshipped the shining stars.
Tessa Gratton (The Queens of Innis Lear (Innis Lear, #1))
It's you I love.'' he says. ''I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn't have one at all. Even now, it is a shabby, worm eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It’s you I love,” he says. “I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Cardan manages to persuade my sister to tell him a little about the mortal world. He sounds delighted at her description of slushy machines, with their violently bright colours and sugary strangeness. She is hallway through an explanation on gummy worms when we are back at the palace and climbing down from the carriage.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Madoc says you will duel for love,' I say. 'Whose?' he asks, frowning. There is no banquet too abundant for a starving man. I shake my head. 'It's you I love,' he says. 'I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn't have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.' He walks to the door to the royal chambers as though to end the conversation. 'You probably guessed as much,' he says. 'But just in case you didn't.' He opens the door to prevent me from responding. Abruptly, we are no longer alone. ... I can't believe he said that and then just walked out, leaving me reeling. I am going to strangle him.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn't have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn't have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It's you I love," he says. "I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn't have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
My God is all and has no name but God. God is more than stars and trees and worms, and is all those things, too. I pray, but with action and choice, and God knows it, no matter where I am, because God is in me, and in you, and everything.
Tessa Gratton (The Queens of Innis Lear (Innis Lear, #1))
It's you I love. I spent much of my life guarding my heart. I guarded it so well tha I could behave as though I didn't have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.'' ''You probably guessed as much. But just in case you didn't.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It's you I love. I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn't have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It’s you I love,” he says. “I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.” He walks to the door to the royal chambers, as though to end the conversation. “You probably guessed as much,” he says. “But just in case you didn’t.” - Queen of Nothing
Holly Black
You soft hearted worm,” Manon hissed at Abraxos once the cunning, many-faced girl was gone. “A crippled leg and a few chains, and you’re in love?
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))