World Through My Lens Quotes

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As soon as I look up, his eyes click onto my face. The breath whooshes out of my body and everything freezes for a second, as though I’m looking at him through my camera lens, zoomed in all the way, the world pausing for that tiny span of time between the opening and closing of the shutter.
Lauren Oliver (Delirium (Delirium, #1))
Let me peer out at the world through your lens. (Maybe I'll shudder, or gasp, or tilt my head in a question.) Let me see how your blue is my turquoise and my orange is your gold. Suddenly binary stars, we have startling gravity. Let's compare scintillation - let's share starlight.
Naomi Shihab Nye (Time You Let Me In: 25 Poets under 25)
My personality traits don’t determine my destiny, they inform it.
Anne Bogel (Reading People: How Seeing the World through the Lens of Personality Changes Everything)
This is what people who have never wanted to die don’t understand: the worst thing for those of us who do is feeling like we have to live when we don’t want to. That we have to be when we don’t want to, exist where we don’t want to. What we want is nothingness, numbness, because that has to be better than the life of quiet desperation we’re living. Mara’s hand is in my hair as I lean my head back against the cracked leather seat, eyes closed, mind ruminating. The others…they weren’t missing what I’m missing, is the thing. They didn’t exist because they had no other choice. They didn’t see the world through a lens in which every scene contains a door marked exit, a door I’m forever unable to open. They lived because they wanted to. Until the end, when something, or someone, made them stop wanting. And I need to find out what.
Michelle Hodkin (The Becoming of Noah Shaw (The Shaw Confessions, #1))
Understanding our personalities makes it significantly easier to change the things within our grasp. This is whole point of studying various frameworks! Some people resist personality frameworks because they say such frameworks put them in a box. I’ve found that understanding my personality helps me step out of the box I’m trapped in. When I understand myself, I can get out of my own way.
Anne Bogel (Reading People: How Seeing the World through the Lens of Personality Changes Everything)
When I have doubts about my faith, or deep nagging questions that keep me up at night, I don’t have the luxury of finding “my truth” because I am committed to the truth. I want to know what is real. I want my worldview (the lens through which I see the world) to line up with reality. God either exists, or he doesn’t. The Bible is his Word, or it’s not. Jesus was raised from the dead, or he wasn’t. Christianity is true, or it isn’t. There is no “my truth” when it comes to God.
Alisa Childers (Another Gospel?: A Lifelong Christian Seeks Truth in Response to Progressive Christianity)
In the South, Christianity was as ubiquitous as sweet tea and country music. Questioning my religion meant questioning how the entire world worked and my very identity.
Natalie M. Esparza (Spectacle: Discover a Vibrant Life through the Lens of Curiosity)
I’m a sociable introvert. I enjoy coffee dates and Christmas parties and weddings and neighborhood picnics. I love noisy family dinners and hosting playdates and chatting with other parents on the baseball sidelines. I get a little restless when I don’t get regular doses of social interaction. But when I get out of balance—when I spend too much time extraverting, according to my personal definition of “too much”—I am useless. When I ignore the warning signs and keep extraverting until I enter the Overtalked Introvert Danger Zone, I get totally overwhelmed and borderline rude and can barely string sentences together. I wish I were exaggerating.
Anne Bogel (Reading People: How Seeing the World through the Lens of Personality Changes Everything)
But I don't want to spend my life letting my pain be the lens through which I see the world.
Melissa Tagg (Now and Then and Always (Maple Valley, #1))
Being on that pitcher’s mound, it’s the one thing I’m really good at. The one thing I haven’t fucked up. And when I’m on the field, everything else fades away. You know?” He turned to look at me, his eyes craving understanding. I smiled and he continued. “It’s like my mind is clear when I’m out there. It’s not about my mom or my dad or the stupid shit I’ve done. It’s about me, the ball, and the batter. It’s the one place in the world where I feel like I’m in control. Like I have a say in what happens around me.” I stopped my head from nodding in agreement once I realized that I was doing it. “I feel that way when I’m taking pictures. Anything that I’m not seeing through my lens fades away in the background. And I get to frame my picture any way I choose. I get to dictate how it looks. What’s in it. What isn’t. Behind that lens I have complete control in how things are seen.” He smiled, his dimples indenting his cheeks. “You get it.
J. Sterling (The Perfect Game (The Perfect Game, #1))
If I see only my bias, I have surrendered to a single myopic lens through which to view the world. If I dare to surrender my bias, I will spend the rest of my life seeing the world and throwing away lenses.
Craig D. Lounsbrough
I don’t think a camera will bring my mother back. “What I’m suggesting,” Caroline said softly, “is that the lens can function as a shield between you and the world, when the world’s just a little too much to bear. If you can’t stand to look at the world directly, maybe it’s possible to look at it through the viewfinder.
Emily St. John Mandel (The Glass Hotel)
I’m an HSP to the core. I avoid violent imagery (I abandoned reading Elaine Aron’s The Highly Sensitive Person on my first try because—in typical HSP fashion—I couldn’t handle the frequent references to sexual abuse). I’m very empathetic, and I feel as though my head will explode when two people try to talk to me at the same time. I have difficulty making dinner while the counter is cluttered with the morning’s dishes. I lose my mind when someone is singing while the radio is playing a different song. Watching the news makes me want to assume the fetal position and never get up.
Anne Bogel (Reading People: How Seeing the World through the Lens of Personality Changes Everything)
It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
Matt Haig (The Midnight Library)
Let me peer out at the world through your lens. (Maybe I'll shudder, or gasp, or tilt my head in questions.)
Nicole Guenther
this—when we feel hurt, threatened, or angered by a person, people-group, opinion, or situation, we instinctively look through the lens of self-defense. It’s like looking at something through the sights of a gun—it’s a narrow perspective framed in fear and held in hostility. Such a perspective is certainly not the full or true perspective. But if we are dualistic, non-contemplative people, we will think of our highly limited perspective as total truth. It’s all we can see. This is the black-and-white world where everything is framed as win-or-lose, us-versus-them.
Brian Zahnd (Water To Wine: Some of My Story)
Well, your perfect erotic object remains only in recognition memory); and his absolute absence from reconstruction memory becomes the yearning that is, finally, desire. That socially surrounded absence, when you’re young, masks a lot of things in the real world; when you’re older and a few thousand sexual encounters have begun to clear what desire is about (or perhaps what really lies about desire) and you have begun to perceive desire’s edges, its effect is not so much that of an obliterator any more as it is that of a distorting lens. If you can smile at what you see through, it’s sometimes illuminating.
Samuel R. Delany (Stars in My Pocket Like Grains of Sand)
My husband bought me my first camera when we were on our honeymoon. I found I could see things differently through my lens. I learnt to focus on the unexpected. It was like seeing the world anew. For me photography is not just about what I see, it's about what I feel.
Dinah Jefferies (Before the Rains)
Some flavor of all of this would have remained undiscovered to me. If you try to observe the world for long enough through the perfect lens, then one day it will surely settle permanently into place, and then every object is a still life. You live in the moments between blinks.
Jeff Johnson (Tattoo Machine: Tall Tales, True Stories, and My Life in Ink)
My type is naturally emotionally expressive; Will’s type is naturally resistant to emotional displays. When we disagreed, I would tell Will how I felt, and he would remain calm, seemingly cold. I thought that meant he didn’t understand me, or care, and I’d get upset. He didn’t understand why I was upset, because he definitely understood—and felt my disappointment deeply. Then I’d get angry that he seemed not to understand. That night I finally understood that Will wasn’t being cold or trying to exasperate me. He just wasn’t me, and I’d been expecting him to act like me.
Anne Bogel (Reading People: How Seeing the World through the Lens of Personality Changes Everything)
And when I seek a finer grace in the day, som essence of love and life, the light fades beneath my eyes. I will not abandon the quest before it has truly begun, however. I will let this grief sharpen my gaze, polish and shape it until it becomes a magnifying lens through which I might yet see.
Eowyn Ivey (To The Bright Edge of the World)
Like Oz, life is full of beauty and horror. Whether you’re in the magical realm or the so-called civilized one, you can look at the world around you and see both things at almost any time. But what being in Oz taught me is that no matter how horrific a situation may be, no matter how devastating or scary or chaotic, there is still always beauty in the colors of it all, even in the grays. As I look back on the last four years of my life, on everything that led me to the place where my life changed forever for a second time, I might think I wasted too many crucial years perceiving my world through a lens that leeched the color from everything I set my eyes on, but now I can forgive myself for my mistakes and maybe even be grateful for the trials I’ve faced. After all, a rainbow only comes out when it rains. The most spectacular rainbows are set against a backdrop of a half dark sky where gray clouds hover and rain batters the surface of the earth, but the horizon is clear and bright—a pure, radiant blue surrounding a shining golden sun. When I’m in Oz, that rainbow is who I am—a vivid, radiant spectrum of colors with a clear bright landscape ahead only made more rich-hued and vibrant by the darkness that lies behind it.
Garten Gevedon (Dorothy in the Land of Monsters (Oz ReVamped, #1))
Physics is the ultimate intellectual adventure, the quest to understand the deepest mysteries of our Universe. Physics doesn’t take something fascinating and make it boring. Rather, it helps us see more clearly, adding to the beauty and wonder of the world around us. When I bike to work in the fall, I see beauty in the trees tinged with red, orange and gold. But seeing these trees through the lens of physics reveals even more beauty.
Max Tegmark (Our Mathematical Universe: My Quest for the Ultimate Nature of Reality)
With that as my guiding question, I set out on what became a lengthy journey through the vast and tangled forest of Churchill scholarship, a realm of giant volumes, distorted facts, and bizarre conspiracy theories, to try to find my personal Churchill. As I’ve discovered with prior books, when you look at the past through a fresh lens, you invariably see the world differently and find new material and insights even along well-trodden paths.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
So here is my question for complementarian evangelicals: What if you are wrong? What if evangelicals have been understanding Paul through the lens of modern culture instead of the way Paul intended to be understood? The evangelical church fears that recognizing women's leadership will mean bowing to cultural peer pressure. But what if the church is bowing to cultural peer pressure by denying women's leadership? What if, instead of a "plain and natural" reading, our interpretation of Paul - and subsequent exclusion of women from leadership roles - results from succumbing to the attitudes and patterns of thinking around us? Christians in the past may have used Paul to exclude women from leadership, but this doesn't mean that the subjugation of women is biblical. It just means that Christians today are repeating the same mistake of Christians in the past - modeling our treatment of women after the world around us instead of the world Jesus shows us is possible.
Beth Allison Barr (The Making of Biblical Womanhood: How the Subjugation of Women Became Gospel Truth)
The sun was vast and low and not so bright that I couldn’t make out something happening in the fire of its surface, the tracings of a story so distant I’d never read it. Flowers furled into pellets or went lurid as I passed, sending out vapor trails of scent—cardamom, iced tea, Ella’s shampoo. This new world was too strange, too lucid; it made my mind explode in a dandelion puff. Everything had a revelatory crispness, like a new day seen through the lens of a coffee-fueled all-nighter.
Melissa Albert (The Hazel Wood (The Hazel Wood #1))
What I like best about traveling is exploring new places, cultures, and cuisines, and learning to look at the world through a different lens. Travel really is the world’s best teacher. And actually, veganism offers the same thing. Becoming vegan completely changed my worldview and enabled me to connect with nature and with my fellow earthlings in a way I never had before. By combining travel with veganism, I’m able to view the world through a whole new window and experience places in a way that most other tourists don’t.
Wendy Werneth
...the gift of good writing, good storytelling, was allowing readers to temporarily inhabit someone else's soul. It's the only time in our lives when we actually live and breathe through another person's lens. Crack open the pages of any book and suddenly we're transported into a different world. My perspective had been expanded and altered thanks to the many pages of historical fiction and poetry that I had devoured. Stories had helped shape me, written by authors who had vastly different experiences than mine. Yet these writers welcomed me i not their worlds and allowed me to glimpse (even briefly) what life was like through their perspective. Books had shifted my understanding, offered me an opportunity to see myself in a different light.
Ellie Alexander (Lost Coast Literary)
We live in a world convinced that security is the most reliable context for freedom. The bitter irony of this conviction is that the havens of security we create are unable to provide the freedom we seek. The quest for national, economic, or personal security too often generates compulsive patterns of life at the expense of genuine freedom. Christian tradition offers an alternative. In biblical perspective, it is obedience rather than security that forms the proper context for freedom. Thus, the Christian vision of freedom is focused through the lens of a paradox: “Whoever cares for his own safety is lost; but if a man will let himself be lost for my sake, he will find his true self” (Matt. 16:25, NEB). —John S. Mogabgab, “Editor’s Introduction,” Weavings (May/June 1988)
Rueben P. Job (A Guide to Prayer for All Who Walk with God)
I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.
Bill Bryson (The Life and Times of the Thunderbolt Kid)
As I gaze through the lens at a life’s worth of moments, a plate of Barilla spaghetti and a reprimand from my beloved sister are seemingly unimportant, but it filled in my heart from such a young age. This was one of my first introductions to shame. The same shame would keep coming as years went on. There was a whole system, I saw, that wasn’t about being good or even just being. It was about authority, with rules we are not born knowing. If this was how the world worked, I was in for a rough ride. We don’t know what stains a pure heart. We may not remember all those times, when we follow the wrong woman in the grocery store and reach for her hand and feel the red-hot shame for this understandable error. By the time we reach adulthood, we are so accustomed to being here that we forget how big everything used to be. The trespasses that to us seem light once felt like life and death.
Selma Blair (Mean Baby: A Memoir of Growing Up)
Dr. Syngmann: But someone must have made it all. Don't you think so, John? Pastor Jón: Thou shalt love the Lord thy God with all thy heart and so on, said the late pastor Lens. Dr. Syngmann: Listen, John, how is it possible to love God? And what reason is there for doing so? To love, is that not the prelude to sleeping together, something connected with the genitals, at its best a marital tragedy among apes? It would be ridiculous. People are fond of their children, all right, but if someone said he was fond of God, wouldn't that be blasphemy? Pastor Jón once again utters that strange word 'it' and says: I accept it. Dr. Syngmann: What do you mean when you say you accept God? Did you consent to his creating the world? Do you think the world as good as all that, or something? This world! Or are you all that pleased with yourself? Pastor Jón: Have you noticed that the ewe that was bleating outside the window is now quiet? She has found her lamb. And I believe that the calf here in the homefield will pull through. Dr. Syngmann: I know as well as you do, John, that animals are perfect within their limits and that man is the lowest rung in the reverse-evolution of earthly life: one need only compare the pictures of an emperor and a dog to see that, or a farmer and the horse he rides. But I for my part refuse to accept it. Pastor Jón Prímus: To refuse to accept it - what is meant by that? Suicide or something? Dr. Syngmann: At this moment, when the alignment with a higher humanity is at hand, a chapter is at last beginning that can be taken seriously in the history of the earth. Epagogics provide the arguments to prove to the Creator that life is an entirely meaningless gimmick unless it is eternal. Pastor Jón: Who is to bell the cat? Dr. Syngmann: As regards epagogics, it is pleading a completely logical case. In six volumes I have proved my thesis with incontrovertible arguments; even juridically. But obviously it isn't enough to use cold reasoning. I take the liberty of appealing to this gifted Maker's honour. I ask Him - how could it ever occur to you to hand over the earth to demons? The only ideal over which demons can unite is to have a war. Why did you permit the demons of the earth to profess their love to you in services and prayers as if you were their God? Will you let honest men call you demiurge, you, the Creator of the world? Whose defeat is it, now that the demons of the earth have acquired a machine to wipe out all life? Whose defeat is it if you let life on earth die on your hands? Can the Maker of the heavens stoop so low as to let German philosophers give Him orders what to do? And finally - I am a creature you have created. And that's why I am here, just like you. Who has given you the right to wipe me out? Is justice ridiculous in your eyes? Cards on the table! (He mumbles to himself.) You are at least under an obligation to resurrect me!
Halldór Laxness (Under the Glacier)
One way to understand fiction is to treat every story as an attempt to make an argument (Helena Bell has written more extensively about this concept). That feels like a natural fit with my way of thinking, colored by my experiences as a lawyer. But the “message” in fiction is harder to pin down than the “message” in a brief or essay, for the ways in which stories attempt to persuade are different from the ways in which traditional rhetoric attempts to persuade. I would say that my stories do make an argument about my view of the world, but it is a view that resists easy summation; I find the most effective way to communicate that argument is through fiction. An argument made through fiction can be subtler and more tolerant of ambivalence, more cognizant of emotion and more accommodating of uncertainty; but, because of these advantages, such an argument also tends to lose precision and can be open to (mis)interpretation. Sometimes, a reader will dismiss a work because the argument is too at odds with the reader’s own assumptions (hence the resistance to so-called “message” stories); other times, a reader will not even perceive the argument because their own stance and interpretive lens will not even allow them to see that their assumptions are being challenged.
Ken Liu
if I am depressed, whatever I think about is darkened by the present mood.  Depression is a dark lens through which I see the world at that moment.
Ronnie Worsham (Fighting and Winning Over Depression: My Practical Thoughts and Spiritual Journey)
you view the current status of the human body as a whole, many countries, like the United States, now confront a novel paradox. On the one hand, more wealth and impressive advances in health care, sanitation, and education since the Industrial Revolution have dramatically improved billions of people’s health, especially in developed nations. Children born today are far less likely to die from infectious mismatch diseases caused by the Agricultural Revolution and they are much more likely to live longer, grow taller, and be generally healthier than children born in my grandfather’s generation. As a consequence, the world’s population tripled over the course of the twentieth century. But on the other hand, our bodies face new problems that were barely on anyone’s radar screen a few generations ago. People today are much more likely to get sick from new mismatch diseases such as type 2 diabetes, heart disease, osteoporosis, and colon cancer, which were either absent or much less common for most of human evolutionary history, including most of the agricultural era. To understand how and why all this happened—and how to address these new problems—requires considering the industrial era through the lens of evolution. How did the Industrial Revolution along with the growth of capitalism, medical science, and public health affect the way our bodies grow and function? In
Daniel E. Lieberman (The Story of the Human Body: Evolution, Health and Disease)
For me, I can’t understand something unless I’ve experienced it and I tend to be very judgmental by nature. But, it’s very telling when you see the world from the other side of the lens because it opens the door to self-discovery. Perspective changes everything. I prefer empathy to sympathy if I have a choice. That’s where the research comes in. I’ve packed a lot of life into the past few years trying to understand people and situations. Trying to make sense of my life. I have a lot to work through. My past is something that requires introspection and forgiveness. And that takes time. Research. When I feel like I’ve learned something about myself and grown as a person, I move on to the next journey. Hopefully with new perspective.
Kim Holden (So Much More)
But does contemptus mean 'contempt,' dear? Of course not. That would imply arrogance, superiority, pride. So much that we call worldly is actually just flawed or being seen through a cracked lens. Imperfect or imperfectly understood. Who are we to judge as contemptible a thing or person whose existence God sustains? Everything, however imperfect, has its purpose. No, Tony dear, contemptus mundi means 'detachment from the world,' seeing the world sub specie aeternitatis. Enduring or celebrating it, but never forgetting—even when it seems perfect and forever—that as the Bible says: 'all this shall pass like grass before the wind.
Tony Hendra (Father Joe: The Man Who Saved My Soul)
I let myself get lost in the fantasies I created when I was looking at the world through my lens. Life was easier to ignore when I was busy pretending for other people.
Claire Contreras (Paper Hearts (Hearts, #2))
We are cradlers of secrets. Every day patients grace us with their secrets, often never before shared. Receiving such secrets is a privilege given to very few. The secrets provide a backstage view of the human condition without social frills, role playing, bravado, or stage posturing. Sometimes the secrets scorch me and I go home and hold my wife and count my blessings. Other secrets pulsate within me and arouse my own fugitive, long-forgotten memories and impulses. Still others sadden me as I witness how an entire life can be needlessly consumed by shame and the inability to forgive oneself. Those who are cradlers of secrets are granted a clarifying lens through which to view the world—a view with less distortion, denial, and illusion, a view of the way things really are. (Consider, in this regard, the titles of books written by Allen Wheelis, an eminent psychoanalyst: The Way Things Are, The Scheme of Things, The Illusionless Man.) When I turn to others with the knowledge that we are all (therapist and patient alike) burdened with painful secrets—guilt for acts committed, shame for actions not taken, yearnings to be loved and cherished, deep vulnerabilities, insecurities, and fears—I draw closer to them. Being a cradler of secrets has, as the years have passed, made me gentler and more accepting. When I encounter individuals inflated with vanity or self-importance, or distracted by any of a myriad of consuming passions, I intuit the pain of their underlying secrets and feel not judgment but compassion and, above all, connectedness. When I was first exposed, at a Buddhist retreat, to the formal meditation of loving-kindness, I felt myself much at home. I believe that many therapists, more than is generally thought, are familiar with the realm of loving-kindness.
Irvin D. Yalom
As my friend Joel Lindsey has written, “A gospel-centered church is so because the gospel is the engine that propels its mission. . . . The gospel is the primary lens through which to view the world and the people and things in it.”5 In other words, the gospel isn’t just a fad or style you lay over your philosophy of ministry—something traditional, something Baptist, something Reformed—as if “gospel-centrality” were an Instagram filter for your church.
Jared C. Wilson (The Gospel-Driven Church: Uniting Church Growth Dreams with the Metrics of Grace)
Nina looked at her. 'Everyone describes him so differently.' She paused, unsure. 'He was one guy, but there's no consensus about what he was like. For Peter's mom, he was a blowhard who drank too much; for Millie, he was the kindest man in the world who made endless time for her.' Eliza shrugged. 'People change. There's forty years between the William that Peter's mom knew and the William that Millie knew. Parents get stuck in the amber of childhood, right? Whenever my parents visit, I feel myself becoming a cranky fourteen-year-old. I saw William through the lens of being his wife; I look at Millie only as her mother... You see what I mean?' 'Sure. So I'll never see my dad properly, only through the filter of other people's opinions.' 'Or maybe it'll average out and you'll be the only one who sees the real him.' Nina laughed. 'Maybe there is no real thing for anyone. Maybe all of us change depending on where we are and who we're with.' 'And that's why you like to be alone.' Eliza looked at her and smiled. 'How do you mean?' 'Because you prefer who you are when you're alone.' Nina shrugged. 'It takes a lot of energy to be with other people. It's easier to be myself when there's no one else there.' 'Some people take energy; some people give energy... Occasionally, you get lucky and find someone whose energy balances your own and brings you into neutral.' She paused. 'My God, I've been in Malibu too long. I said that completely without irony.' Nina laughed. 'It was really convincing. I think I even heard a tiny temple bell ringing somewhere...' Eliza made a face at herself. 'Your dad used to say being with me was as good as being alone.' Eliza laughed. 'I think he meant it as a complement.' The two women looked at each other. 'I think we're overthinking this,' said Eliza. 'More wine?
Abbi Waxman (The Bookish Life of Nina Hill)
Nina looked at her. 'Everyone describes him so differently.' She paused, unsure. 'He was one guy, but there's no consensus about what he was like. For Peter's mom, he was a blowhard who drank too much; for Millie, he was the kindest man in the world who made endless time for her.' Eliza shrugged. 'People change. There's forty years between the William that Peter's mom knew and the William that Millie knew. Parents get stuck in the amber of childhood, right? Whenever my parents visit, I feel myself becoming a cranky fourteen-year-old. I saw William through the lens of being his wife; I look at Millie only as her mother... You see what I mean?' 'Sure. So I'll never see my dad properly, only through the filter of other people's opinions.' 'Or maybe it'll average out and you'll be the only one who sees the real him.' Nina laughed. 'Maybe there is no real thing for anyone. Maybe all of us change depending on where we are and who we're with.' 'And that's why you like to be alone.' Eliza looked at her and smiled. 'How do you mean?' 'Because you prefer who you are when you're alone.' Nina shrugged. 'It takes a lot of energy to be with other people. It's easier to be myself when there's no one else there.' 'Some people take energy; some people give energy... Occasionally, you get lucky and find someone whose energy balances your own and brings you into neutral.' She paused. 'My God, I've been in Malibu too long. I said that completely without irony.' Nina laughed. 'It was really convincing. I think I even heard a tiny temple bell ringing somewhere...' Eliza made a face at herself. 'Your dad used to say being with me was as good as being alone.' Eliza laughed. 'I think he meant it as a compliment.' The two women looked at each other. 'I think we're overthinking this,' said Eliza. 'More wine?
Abbi Waxman (The Bookish Life of Nina Hill)
I inhaled deeply and felt the smoke pass slowly from my nostrils. Lies, like thick, warm, invisible syrup, must've secretly coated Alan's situation with a soothing, sweet, and delicate aroma. It had hardened, making him a victim-immobile, trapped-looking out through a thick, unbendable lens to a distorted world beyond.
Annette Valentine (Eastbound from Flagstaff: A Novel)
It took a war to shatter the singular lens of Us Versus Them. It took meeting the people I've been told were my enemy in order to value those I've been told were my enemy back home where I lived. Before the War, I view the world through lenses obscured by false patriotism, white supremacy and self-centered religion. I didn't even know I was wearing these glasses or seeing the world through them until I went to war and saw my beliefs in action. Bullets and bombs cleared my ears to the still soft voice of the Divine “But I love them Diana, I love them too.
Diana Oestreich (Waging Peace: One Soldier's Story of Putting Love First)
...it seems to me as though my wife and I looked at the world through a long lens of preconception, by which we held ourselves at some unbreachable distance from what was around us, a distance that constituted a kind of safety but also created a space for illusion.
Rachel Cusk (Outline)
...it's great for my outlook to focus on the positive instead of only calling out people for messing up. It's a face of life that people tend to get what they give.
Anne Bogel (Reading People: How Seeing the World through the Lens of Personality Changes Everything)
Putting it in my own words, [Edwards] said that the infinite complexity of the divine mind is such that God has the capacity to look at the world through two lenses. He can look through a narrow lens or through a wide-angle lens. When God looks at a painful or wicked event through his narrow lens, he sees the tragedy or sin for what it is in itself and he is angered and grieved. "I have no pleasure in the death of anyone, says the LORD God" (Ezekiel 18:32). But when God looks at a painful or wicked event through his wide-angle lens, he sees the tragedy or the sin in relation to everything leading up to it and everything flowing out from it. He sees it in all the connections and effects that form a pattern or mosaic stretching into eternity. This mosaic- in all its parts- good and evil- brings him delight.
John Piper (Desiring God: Meditations of a Christian Hedonist)
When we as parents are relaxed and in a healthy mental state, attuning to our child’s needs and seeing the world through their lens almost comes naturally. But when we ourselves are stressed, upset, or worried, it’s harder to get out of our own heads. And this is especially true for a parent who’s been traumatized.
Dorothy Husen (Breaking the Chains of Transgenerational Trauma: My Journey from Surviving to Thriving)
Adults with ADHD as a group have often experienced more than their fair share of disappointments and frustrations associated with the symptoms of ADHD, in many cases not realizing the impact of ADHD has had on them. When you reflect on a history of low grades, forgetting or not keeping promises made to others, repeated exhortations from others about your unfulfilled potential and the need to work harder, you may be left with a self-view that “I’m not good enough,” “I’m lazy,” or “I cannot expect much from myself and neither can anyone else.” The end result of these repeated frustrations can be the erosion of your sense of self, what is often called low self-esteem. These deep-seated, enduring self-views, or “core beliefs” about who you are can be thought of as a lens through which you see yourself, the world, and your place in the world. Adverse developmental experiences associated with ADHD may unfairly color your lens and result in a skewed pessimistic view of yourself, at least in some situations. When facing situations in the here-and-now that activate these negative beliefs, you experience strong emotions, negative thoughts, and a propensity to fall into self-defeating behaviors, most often resignation and escape. These core beliefs might only be activated in limited, specific situations for some people with ADHD; in other cases, these beliefs color one’s perception in most situations. It should be noted that many adults with ADHD, despite feeling flummoxed by their symptoms in many situations, possess a healthy self-view, though there may be many situations that briefly shake their confidence. These core beliefs or “schema” develop over the course of time from childhood through adulthood and reflect our efforts to figure out the “rules for life” (Beck, 1976; Young & Klosko, 1994). They can be thought of as mental categories that let us impose order on the world and make sense of it. Thus, as we grow up and face different situations, people, and challenges, we make sense of our situations and relationships and learn the rubrics for how the world works. The capacity to form schemas and to organize experience in this way is very adaptive. For the most part, these processes help us figure out, adapt to, and navigate through different situations encountered in life. In some cases, people develop beliefs and strategies that help them get through unusually difficult life circumstances, what are sometimes called survival strategies. These old strategies may be left behind as people settle into new, healthier settings and adopt and rely on “healthy rules.” In other cases, however, maladaptive beliefs persist, are not adjusted by later experiences (or difficult circumstances persist), and these schema interfere with efforts to thrive in adulthood. In our work with ADHD adults, particularly for those who were undiagnosed in childhood, we have heard accounts of negative labels or hurtful attributions affixed to past problems that become internalized, toughened, and have had a lasting impact. In many cases, however, many ADHD adults report that they arrived at negative conclusions about themselves based on their experiences (e.g., “None of my friends had to go to summer school.”). Negative schema may lay dormant, akin to a hibernating bear, but are easily reactivated in adulthood when facing similar gaffes or difficulties, including when there is even a hint of possible disappointment or failure. The function of these beliefs is self-protective—shock me once, shame on you; shock me twice, shame on me. However, these maladaptive beliefs insidiously trigger self-defeating behaviors that represent an attempt to cope with situations, but that end up worsening the problem and thereby strengthening the negative belief in a vicious, self-fulfilling cycle. Returning to the invisible fences metaphor, these beliefs keep you stuck in a yard that is too confining in order to avoid possible “shocks.
J. Russell Ramsay (The Adult ADHD Tool Kit)
) It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes
Matt Haig (The Midnight Library)
I take pictures to see the world. To understand it through the lens of my experiences and prejudices and dreams. To find out what’s truly out there.
Skye Warren (Force of Nature (Deserted Island, #1))
Multi-colored lines of light formed a kind of dome covered in a faceted geometric network of jewels, the whole dome spinning silently. The jewelled dome seemed to become a kind of lens, through which I could see into other worlds beyond, where the points of light were stars and galaxies. At first there were tiny scintillating sparks of light against a velvety blackness. They merge to become a brilliantly colored, weaving, flowing tapestry of geometric forms, extending infinitely in all directions. Then this kaleidoscopic field of patterns dissolved my body into it, so that I don’t see it anymore – I have become part of it (RM).
Ralph Metzner (The Toad and the Jaguar)
I suddenly realized that I was in the center of my world, and my emotions were at the center of me. They were the basis of my identity. Emotions had been my center point, the lens through which my reality was dispersed and regulated. The desire for pleasure, satisfaction, approval, and recognition had ruled my life.
Michael J Heil (Pursued: God’s relentless pursuit and a drug addict’s journey to finding purpose)
When you look at your life through the lens of worry, doubt and uncertainty, you will see things a lot differently than if you look through the lens of trust, faith, and love. Viewing the world through the correct lens has huge benefits. Thoughts are clarified. Ideas become focused. New horizons open up.
J. Martin (Lord, Light My Path: Finding a way through anxious times)
understanding of happiness and built my own world, I finally grasp the beautiful gift that is the lens I possess. Through it, I can see that instead of a “mom,” I have been given a moral compass.
iO Tillett Wright (Darling Days: A Memoir)
Viewing people through my lens can't possibly put their world into focus.
Aly Stiles (Play Smart (Work For It, #5))
A Thing I Have Learned (Written By A Nobody Who Has Been Everybody) It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
Matt Haig (The Midnight Library)
Every nation has a narrative—a story composed of historical interpretations, deletions, and fabrications that engender beliefs and traditions. And every national narrative has a “bad guy,” a scapegoat to take the blame for group and national failings, a bad guy against whom to unite the whole, to serve as a symbol of what the nation is not—thereby defining what the nation is. The antiwhites are products of this narrative, and the bad guy is my people, our people, the White race and our biospiritual expression: Western Civilization. Our most vulnerable members—our children—are the narrative’s primary victims. The Regime can never permit us to escape the role as the bad guy. It’s too important to the narrative. The narrative explains, defines, frames, and predicts the world as seen through the Regime’s self-serving lens. It also unites the diverse peoples that live in our countries. Without a common enemy at whom to direct unifying anger, an enemy who “oppresses” and “exploits” them, they would turn on one another—as has already begun in many areas where we are too few to blame. This Antiwhite Narrative cannot be altered, and it will not end well for us and our children. Either we jump off the pages of the narrative that stigmatizes us as the bad guy, the scapegoat, or we follow that story to its grisly conclusion. Our alternative is the pen and the blank page on which to write our own story, a story where we are not demonized for embracing our dignity, identity, and inheritance, where we are not vilified and discriminated against, where we can practice our culture, civilization, and religions the way we want to practice them, without being made to feel guilty for our preferences and history—a story where we are the good guys, the heroes, and where we have a future that is bright and safe for our children.
Jason Köhne (Born Guilty: Liable for Compensation Subject to Retaliation)
Listen to a Trusted Voice The chances that we would be deceived by propaganda would diminish significantly if we spent as much time reading our Bibles as we do following the news. Scripture is a lens through which we see the world more clearly. Our ultimate authority is not a top cable news network or other major media outlet. We must look first and foremost to the one voice we can trust, Jesus Christ. God instructs us, “This is my beloved Son, with whom I am well pleased; listen to him” (Matthew 17:5). One of our pastors at The Moody Church was in the hospital with his wife for the birth of their first child. Suddenly, panic swept through the room when the baby’s shoulder was stuck in the birth canal. This young father became anxious. The doctor came over to him, looked him directly in the eyes, and said, “In a moment, this room will be filled with twenty people, and there will be a lot of buzz and activity. But just know this: We have been here before; we know what we are doing; and everything is going to be okay.” The father’s demeanor changed. Worry turned into hopeful anticipation. And yes, they knew what they were doing, and everything was okay. Their daughter arrived safe and sound. Today, when you don’t know who to trust in the cacophony of voices shouting for this point of view or another, listen to the voice that you know with certainty will always speak the truth. Before you turn to your smartphone in the morning, read God’s Word. Listen to His voice. “The words of the LORD are pure words, like silver refined in a furnace on the ground, purified seven times” (Psalm 12:6). We are in a race, with people shouting all kinds of messages to us from the stands. And every runner seems to be headed in a different direction, arguing about where the finish line should be. We are distracted by varied opinions about who is in the race, who should win, and who will lose. Confusion runs rampant, and usually it’s the person who happens to have the loudest megaphone who is heard, though they may be shouting the wrong message. We need to remind ourselves that God knows the truth, and the closer we walk with Him, the more likely we will be kept from error. He assures us that in the end, “everything is going to be okay.
Erwin W. Lutzer (No Reason to Hide: Standing for Christ in a Collapsing Culture)
It is easy to mourn the lives we aren't living. Easy to wish we'd developed other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn't make and the work we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy. We can't tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can't visit every place or meet every person or do every job, yet most of what we'd feel in any life is still available. We don't have to play every game to know what winning feels like. We don't have to hear every piece of music in the world to understand music. We don't have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don't have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let's be kind to the people in our existence. Let's occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, the same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
Matt Haig (The Midnight Library)
The supermodel Emily Ratajkowski, widely considered to be one of the most beautiful women in the world, writes in her autobiography My Body about the dysfunction that results from seeing oneself always through a commercialised lens.
Louise Perry (The Case Against the Sexual Revolution: A New Guide to Sex in the 21st Century)
When you get to be my age, you realize that sometimes the world is so terrible that the only way people can admit the truth is through the lens of fantasy.
Bharat Krishnan
Peter would have said that behaviors are determined by principles, theories. That the difference between Theory of God and Theory of Not God was actually quite slim, each a slightly different lens through which to choose to view the world. One a shade lighter, the other negligibly darker—what mattered was that both were held up to the eye and used to filter our experience. It was easier to change the lens than to remove the vehicle of understanding, easier to adjust my sense of how I fit into the world than reconceive of the world entirely.
Julia Fine (What Should Be Wild)
A name after all is a label as personal as “sweetheart” that a lover may use or as distant as a “hey you” that a stranger in a crowd may call out. But a name is more than a label. It is an inheritance that is uniquely your own. It is the primary way in which you respond to the world and the lens through which the world sees you. It defines you, shapes you, and grounds you. It is the one right you take for granted from the time you start interacting with society.
Ranjani Rao (Rewriting My Happily Ever After - A Memoir of Divorce and Discovery)
Sorry. I was thinking about my pets. Two cats and a dog. Haven’t seen them for weeks now. This whole thing reminds me of them, I guess. My cats are all over me when I’m the only human around. Jumping up on the couch to get pet. Screeching at me to get fed. So on. But if anyone else comes over — a stranger, I mean — they run and hide under the bed for hours. “The dog is just the opposite. He charges to the door to confront any would-be intruder on his turf. He smells the guest, looks them straight in the eye, sizes up the situation face to face and only then will he calm down. “It’s two different ways of looking at the world, you know? A cat sees individuals above all else. Almost like an artist’s point of view, I think. She sees everything through the lens of individuals and relationships. If something disrupts that intricate web of connections — such as a stranger’s presence — she’ll disengage and keep to herself a while. “A dog sees territory to control. He’s cognizant of individuals, but his primary concern is controlling his environment in a direct, assertive way. He wants to feel in control. If you cross that threshold into his territory, you will be dealt with. Even if that only means you’ll be barked at a few times.
L.T. Vargus (Dead End Girl (Violet Darger, #1))
Science IS life, dear cousin. It is the lens through which I see and experience the and make sense of the world around me, and it is my way of giving back. In solving crucial scientific mysteries at King's, I became closer and closer to the understanding of life itself. And I wouldn't undo that for anything. That IS my faith.
Marie Benedict (Her Hidden Genius)
What was required was a new story, a new history told through the lens of our struggle. I had always known this, had heard the need for a new history in Malcolm, had seen the need addressed in my father’s books. It was in the promise behind their grand titles—Children of the Sun, Wonderful Ethiopians of the Ancient Kushite Empire, The African Origins of Civilization. Here was not just our history but the history of the world, weaponized to our noble ends.
Ta-Nehisi Coates (Between the World and Me)
If you try to observe the world for long enough through the perfect lens, then one day it will surely settle permanently into place, and then every object is a still life. You live in the moments between blinks.
Jeff Johnson (Tattoo Machine: Tall Tales, True Stories, and My Life in Ink)
I glance around, staring at the framed pictures that fill this temporary home. Every place I have been, memorialized forever on glossy paper. Through the prism of a camera lens, I have seen the beauty of the world. Monuments created by humans stand in competition with art sculpted by nature. Each image serves as a reminder that a light shines through so many people, and yet, no matter how far I run, I cannot seem to escape my shadow.
Sejal Badani (Trail of Broken Wings)
for lovers and partners who bring smiles to our faces just because for a world that sings of wonder and grace just walking through for pleasures and pains that speak the intricate magic of all creation so direct for my life and those of all who have been your vehicles I thank you, good Lord.
Len Freeman (Ashes and the Phoenix: Meditations for the Season of Lent)
After spending half my life giving intuitive readings to folks around the world, I saw how most people chased the answers on the outside. I came to know we had to focus the lens within, where Love runs through our veins.
Tosha Silver (Change Me Prayers: The Hidden Power of Spiritual Surrender)