World Peace Movie Quotes

people had been working for so many years to make the world a safe, organized place. nobody realized how boring it would become. with the whole world property-lined and speed-limited and zoned and taxed and regulated, with everyone tested and registered and addressed and recorded. nobody had left much room for adventure, except maybe the kind you could buy. on a roller coaster. at a movie. still, it would always be that kind of faux excitement. you know the dinosaurs aren't going to eat the kids. the test audiences have outvoted any chance of even a major faux disaster. and because there's no possibility of real disaster, real risk, we're left with no chance for real salvation. real elation. real excitement. Joy. Discovery. Invention. the laws that keep us safe, these same laws condemn us to boredom. without access to true chaos, we'll never have true peace.

She knew with suddeness and ease that this moment would be with her always, within hand's reach of memory. She doubted if they all sensed it - they had seen the world - but even George was silent for a minute as they looked, and the scene, the smell, even the sound of the band playing a faintly recognisable movie theme, was locked forever in her, and she was at peace.

War is not just the shower of bullets and bombs from both sides, it is also the shower of blood and bones on both sides.

Hopefully one day Wars will only be fought in movies. And may the best producer win!

Dear Hunger Games : Screw you for helping cowards pretend you have to be great with a bow to fight evil. You don't need to be drafted into a monkey-infested jungle to fight evil. You don't need your father's light sabre, or to be bitten by a radioactive spider. You don't need to be stalked by a creepy ancient vampire who is basically a pedophile if you're younger than a redwood. Screw you mainstream media for making it look like moral courage requires hair gel, thousands of sit ups and millions of dollars of fake ass CGI. Moral courage is the gritty, scary and mostly anonymous process of challenging friends, co-workers and family on issues like spanking, taxation, debt, circumcision and war. Moral courage is standing up to bullies when the audience is not cheering, but jeering. It is helping broken people out of abusive relationships, and promoting the inner peace of self knowledge in a shallow and empty pseudo-culture. Moral courage does not ask for - or receive - permission or the praise of the masses. If the masses praise you, it is because you are helping distract them from their own moral cowardice and conformity. Those who provoke discomfort create change - no one else. So forget your politics and vampires and magic wands and photon torpedoes. Forget passively waiting for the world to provoke and corner you into being virtuous. It never will. Stop watching fictional courage and go live some; it is harder and better than anything you will ever see on a screen. Let's make the world change the classification of courage from 'fantasy' to 'documentary.' You know there are people in your life who are doing wrong. Go talk to them, and encourage them to pursue philosophy, self-knowledge and virtue. Be your own hero; you are the One that your world has been waiting for.

Some men and women aren't looking for money. They can't be bought, bullied, reasoned, or negotiated with. They simply want to watch the world burn.

Before we complicated life with money, machines and missiles we did well with morals, manpower and meetings.

I change the channel to another movie. An old one, but new to me. And, ironically, a thin, gorgeous blonde—Meg Ryan, maybe—rides her bike on a country road. She smiles like she has no cares in the world. Like no one ever judges her. Like her life is perfect. Wind through her hair and sunshine on her face. The only thing missing are the rainbows and butterflies and cartoon birds singing on her shoulder. Maybe I should grab my bike and try to catch up with Mom, Mike, and the kids. They can't be going very fast. I would love to feel like that, even if it's just for a second—free and peaceful and normal. Suddenly, there's a truck. It can't be headed toward Meg Ryan. Could it? Yes. Oh my God. No! Meg Ryan just got hit by that truck. Figures. See what happens when you exercise?

Let someone else be the most powerful country, make ours the most peaceful country.

Without rich people who want it done now, who would animate the free world? In theory, you want everyone to live peacefully according to their needs, along the banks of a river. In fact, you worry that you'd die of boredom there. In fact, you get a buzz from someone like Carole Potter, who keeps prize chickens and could teach a graduate course in landscaping; who maintains a staff of four (more in the summers, during High Guest Season); a handsome, slightly ridiculous husband; a beautiful daughter at Harvard and an incorrigible son doing something or other on Bondi Beach; Carole who is charming and self-deprecating and capable, if pushed, of a hostile indifference crueler than any form of rage; who reads novels and goes to movies and theater and yes, yes, bless her, buys art, serious art, about which she actually fucking knows a thing or two.

Words are better than weapons, wisdom is better than war.

You know how my first few minutes in a new Minecraft world are usually spent screaming, running for my life, and hiding from scary monsters—sometimes even GIANT ones! Well, not this time! Instead of a giant monster, I was plopped down in front of a giant MANSION! (Yay, Minecraft: Peaceful Paradise floating book!) And the best part was that it wasn’t all dark and creepy like the Haunted House! It was an awesome modern mansion made of white stone and glass. Even better, it was built on a hillside overlooking an ocean! Actually, it reminded me of Tony Stark’s house in one of my favorite movies, Iron Man. I guess you could say it’s a MARVEL-ous mansion! (Heh, heh.)   Anyway,

Near Taksim he suddenly found himself inside a crowd of people leaving a movie theater. They were staring straight ahead, as if in a trance, walking down the stairs arm in arm or with their hands plunged in their pockets, and Galip was so overwhelmed by what he read in their faces and that his own nightmare faded into the background. What he read in their faces was peace: these people had been able to forget their own sadness by immersing themselves in a story. They were here, on this wretched street, but at the same time they were there, inside the story to which they'd so eagerly given themselves over. They had gone into theater with minds sucked dry by pain and defeat,but now their minds were full again with rich story that gave meaning to their memories and their melancholy. They can believe they're someone else! thought Galip longingly. For a moment he was tempted to go in to watch the film they'd just seen,to lose himself in the same story and become someone else. As they wandered down the street, stopping now and again to gaze into boring shop windows, Galip watched the return to the dull and dreary world they knew so well. They don't make much effort! Thought Galip.

One of my favorite album covers is On the Beach. Of course that was the name of a movie and I stole it for my record, but that doesn't matter. The idea for that cover came like a bolt from the blue. Gary and I traveled around getting all the pieces to put it together. We went to a junkyard in Santa Ana to get the tail fin and fender from a 1959 Cadillac, complete with taillights, and watched them cut it off a Cadillac for us, then we went to a patio supply place to get the umbrella and table. We picke up the bad polyester yellow jacket and white pants at a sleazy men's shop, where we watched a shoplifter getting caught red-handed and busted. Gary and I were stoned on some dynamite weed and stood there dumbfounded watching the bust unfold. This girl was screaming and kicking! Finally we grabbed a local LA paper to use as a prop. It had this amazing headline: Sen. Buckley Calls For Nixon to Resign. Next we took the palm tree I had taken around the world on the Tonight's the Night tour. We then placed all of these pieces carefully in the sand at Santa Monica beach. Then we shot it. Bob Seidemann was the photographer, the same one who took the famous Blind Faith cover shot of the naked young girl holding the airplane. We used the crazy pattern from the umbrella insides for the inside of the sleeve that held the vinyl recording. That was the creative process at work. We lived for that, Gary and I, and we still do.

One of Carl Jung’s notable contributions was to articulate the character of the shadow archetype: it is what the self is and includes, but denies and represses. Though it is repressed, the shadow will be heard and is invariably projected in harmful and perhaps insidious ways. Our mistreatment of animals for food is far and away our greatest cultural shadow. Our collective guilt drives us not only to hide the violence we eat but also to act it out: in our aggressive lifestyle, in movies, books, games, and other media, and in the violence we inflict both directly and indirectly on each other.

The laws that keep us safe, these same laws condemn us to boredom. Without access to true chaos, we’ll never have true peace. Unless everything can get worse, it won’t get any better. This is all stuff the Mommy used to tell him. She used to say, “The only frontier you have left is the world of intangibles. Everything else is sewn up too tight.” Caged inside too many laws. By intangibles, she meant the Internet, movies, music, stories, art, rumors, computer programs, anything that isn’t real. Virtual realities. Make-believe stuff. The culture. The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because it’s only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on.

The whitewash of Kingdom of Heaven Kingdom of Heaven is a classic cowboys-and-Indians story in which the Muslims are noble and heroic and the Christians are venal and violent. The script is heavy on modern-day PC clichés and fantasies of Islamic tolerance; brushing aside dhimmi laws and attitudes (of which Ridley Scott has most likely never heard), it invents a peace-and-tolerance group called the “Brotherhood of Muslims, Jews and Christians.” But of course, the Christians spoiled everything. A publicist for the film explained, “They were working together. It was a strong bond until the Knights Templar caused friction between them.” Ah yes, those nasty “Christian extremists.” Kingdom of Heaven was made for those who believe that all the trouble between the Islamic world and the West has been caused by Western imperialism, racism, and colonialism, and that the glorious paradigm of Islamic tolerance, which was once a beacon to the world, could be reestablished if only the wicked white men of America and Europe would be more tolerant. Ridley Scott and his team arranged advance screenings for groups like the Council on American-Islamic Relations, making sure that sensitive Muslim feelings were not hurt. It is a dream movie for the PC establishment in every way except one: It isn’t true. Professor Jonathan Riley-Smith, author of A Short History of the Crusades and one of the world’s leading historians of the period, called the movie “rubbish,” explaining that “it’s not historically accurate at all” as it “depicts the Muslims as sophisticated and civilised, and the Crusaders are all brutes and barbarians. It has nothing to do with reality.” Oh, and “there was never a confraternity of Muslims, Jews and Christians. That is utter nonsense.

Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.

The movie The Third Man takes place in Vienna immediately after the end of the Second World War. Reflecting on the recent conflict, the character Harry Lime says: ‘After all, it’s not that awful…In Italy for thirty years under the Borgias they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, they had 500 years of democracy and peace, and what did that produce? The cuckoo clock.’ Lime gets almost all his facts wrong – Switzerland was probably the most bloodthirsty corner of early modern Europe (its main export was mercenary soldiers), and the cuckoo clock was actually invented by the Germans – but the facts are of lesser importance than Lime’s idea, namely that the experience of war pushes humankind to new achievements. War allows natural selection free rein at last. It exterminates the weak and rewards the fierce and the ambitious. War exposes the truth about life, and awakens the will for power, for glory and for conquest. Nietzsche summed it up by saying that war is ‘the school of life’ and that ‘what does not kill me makes me stronger’.

Listen to Me in the truth of your soul. Listen to Me in the feelings of your heart. Listen to Me in the quiet of your mind. Hear Me, everywhere. Whenever you have a question, simply know that I have answered it already. Then open your eyes to your world. My response could be in an article already published. In the sermon already written and about to be delivered. In the movie now being made. In the song just yesterday composed. In the words about to be said by a loved one. In the heart of a new friend about to be made. My Truth is in the whisper of the wind, the babble of the brook, the crack of the thunder, the tap of the rain. It is the feel of the earth, the fragrance of the lily, the warmth of the sun, the pull of the moon. My Truth—and your surest help in time of need—is as awesome as the night sky, and as simply, incontrovertibly, trustful as a baby’s gurgle. It is as loud as a pounding heartbeat—and as quiet as a breath taken in unity with Me. I will not leave you, I cannot leave you, for you are My creation and My product, My daughter and My son, My purpose and My…Self. Call on Me, therefore, wherever and whenever you are separate from the peace that I am. I will be there. With Truth. And Light. And Love.

In a widely viewed documentary titled Singularity or Bust, Hugo de Garis, a renowned researcher in the field of AI and author of The Artilect War, speaks of this phenomenon. He says: In a sense, we are the problem. We’re creating artificial brains that will get smarter and smarter every year. And you can imagine, say twenty years from now, as that gap closes, millions will be asking questions like ‘Is that a good thing? Is that dangerous?’ I imagine a great debate starting to rage and, though you can’t be certain talking about the future, the scenario I see as the most probable is the worst. This time, we’re not talking about the survival of a country. This time, it’s the survival of us as a species. I see humanity splitting into two major philosophical groups, ideological groups. One group I call the cosmists, who will want to build these godlike, massively intelligent machines that will be immortal. For this group, this will be almost like a religion and that’s potentially very frightening. Now, the other group’s main motive will be fear. I call them the terrans. If you look at the Terminator movies, the essence of that movie is machines versus humans. This sounds like science fiction today but, at least for most of the techies, this idea is getting taken more and more seriously, because we’re getting closer and closer. If there’s a major war, with this kind of weaponry, it’ll be in the billions killed and that’s incredibly depressing. I’m glad I’m alive now. I’ll probably die peacefully in my bed. But I calculate that my grandkids will be caught up in this and I won’t. Thank God, I won’t see it. Each person is going to have to choose. It’s a binary decision, you build them or you don’t build them.

I just lay on the mountain Meadowside in the moonlight, head to grass, and heard the silent recognition of my temporary woes. Yes, so to try to attain to Nirvana when you're already there, to the top of a mountain when you're already there and only have to stay -thus to stay in the nirvana bliss is all I have to do, you have to do, no effort no path really no discipline but just to know that all is empty and awake , a vision and a movie in God's universal mind(Alya-Vijnana) and to stay more or less wisely in that. Because silence itself is the sound of diamonds which can cut through anything the sound of holy emptiness the sound of extinction and bliss, that graveyard silence which is like the silence of an infant's smile the sound of eternity, of the blessedness surely to be believed the sound of nothing ever happened Except God(Which I'd soon hear in a noisy Atlantic tempest) What exists is god in his emanation, what does not exist is god in his peaceful neutrality, what neither exist nor does not exist is god's immortal primordial dawn of father sky9this world this very minute). So, I said stay in that no dimensions here to any of the mountain s or mosquitos and whole milky ways of worlds Because sensation is emptiness old age is emptiness. T's only the golden eternity of gods mind so practice kindness and sympathy remember that men are not responsible in themselves as men for their ignorance and unkindness, they should be pitied, God does pity it, because who says anything about anything since everything is just what it is, free of interpretations. God is not the attainer, he is the farer in that which everything is the abider one caterpillar, a thousand hairs of God. So, know constantly that this is only, you ,God ,empty and awake and eternally free as the unnumerable atoms of emptiness everywhere.

Sean Penn mourned the death of the fifty-eight-year-old socialist creep. Sean wrote in a statement sent to the Hollywood Reporter: “Today the people of the United States lost a friend it never knew it had. And poor people around the world lost a champion.” He added: “I lost a friend I was blessed to have.” Penn needs to tell you that he knew the guy. A world leader. That’s cool. I guess playing Jeff Spicoli and marrying Madonna wasn’t enough (one made your career, the other ruined your urinary tract). Yeah, this is the same chap who told Piers Morgan that Ted Cruz should be institutionalized. Talk about the pot calling the kettle batshit crazy. If Penn got any nuttier, he’d be a Snickers bar. Of course it would be uncool to point out to Penn that Chávez was no champion of the poor. Under his rule people became far poorer in Venezuela. And in the midst of an oil boom, Chávez engineered a murder boom. The murder rate in his country tripled during Chávez’s tyrannical tenure, hitting a high of 67 per 100,000 residents in 2011, compared with a murder rate of less than 5 per 100,000 in the United States (and that includes Baltimore). And about 10 or 20 less than the last Penn movie. Penn was joined, per usual, by director Oliver Stone, who said, solemnly, somewhere: “I mourn a great hero to the majority of his people and those who struggle throughout the world for a place.” He added: “Hated by the entrenched classes, Hugo Chávez will live forever in history. “My friend, rest finally in a peace long earned.” This is from an adult, mind you. And no list of apologists for evil is complete without Michael Moore. This nugget comes from the Michigan Live website, which reports Moore praising Chávez in a feeble collection of Twitter messages, on the night the Venezuelan viper expired. Hugo Chávez declared the oil belonged 2 the ppl. He used the oil $ 2 eliminate 75% of extreme poverty, provide free health & education 4 all. That made him dangerous. US

From Walt: The Grapes of Wrath, Les Misérables, To Kill a Mockingbird, Moby-Dick, The Ox-Bow Incident, A Tale of Two Cities, The Adventures of Huckleberry Finn, The Three Musketeers, Don Quixote (where your nickname came from), The Complete Works of William Shakespeare, and anything by Anton Chekhov. From Henry: Bury My Heart at Wounded Knee, Cheyenne Autumn, War and Peace, The Things They Carried, Catch-22, The Sun Also Rises, The Blessing Way, Beyond Good and Evil, The Teachings of Don Juan, Heart of Darkness, The Human Comedy, The Art of War. From Vic: Justine, Concrete Charlie: The Story of Philadelphia Football Legend Chuck Bednarik, Medea (you’ll love it; it’s got a great ending), The Kama Sutra, Henry and June, The Onion Field, Fear and Loathing in Las Vegas, Zorba the Greek, Madame Bovary, Richie Ashburn’s Phillies Trivia (fuck you, it’s a great book). From Ruby: The Holy Bible (New Testament), The Pilgrim’s Progress, Inferno, Paradise Lost, My Ántonia, The Scarlet Letter, Walden, Poems of Emily Dickinson, My Friend Flicka, Our Town. From Dorothy: The Gastronomical Me, The French Chef Cookbook (you don’t eat, you don’t read), Last Suppers: Famous Final Meals From Death Row, The Bonfire of the Vanities, The Scarlet Pimpernel, Something Fresh, The Sound and the Fury, The Maltese Falcon, Pride and Prejudice, Brides-head Revisited. From Lucian: Thirty Seconds over Tokyo, Band of Brothers, All Quiet on the Western Front, The Virginian, The Basque History of the World (so you can learn about your heritage you illiterate bastard), Hondo, Sackett, The Man Who Shot Liberty Valance, Bobby Fischer: My 60 Memorable Games, The Rise and Fall of the Third Reich, Quartered Safe Out Here. From Ferg: Riders of the Purple Sage, Kiss Me Deadly, Lonesome Dove, White Fang, A River Runs Through It (I saw the movie, but I heard the book was good, too), Kip Carey’s Official Wyoming Fishing Guide (sorry, kid, I couldn’t come up with ten but this ought to do).

Give the Audience Something to Cheer For Austin Madison is an animator and story artist for such Pixar movies as Ratatouille, WALL-E, Toy Story 3, Brave, and others. In a revealing presentation Madison outlined the 7-step process that all Pixar movies follow. 1. Once there was a ___. 3 [A protagonist/ hero with a goal is the most important element of a story.] 2. Every day he ___. [The hero’s world must be in balance in the first act.] 3. Until one day ___. [A compelling story introduces conflict. The hero’s goal faces a challenge.] 4. Because of that ___. [This step is critical and separates a blockbuster from an average story. A compelling story isn’t made up of random scenes that are loosely tied together. Each scene has one nugget of information that compels the next scene.] 5. Because of that ___. 6. Until finally ____. [The climax reveals the triumph of good over evil.] 7. Ever since then ___. [The moral of the story.] The steps are meant to immerse an audience into a hero’s journey and give the audience someone to cheer for. This process is used in all forms of storytelling: journalism, screenplays, books, presentations, speeches. Madison uses a classic hero/ villain movie to show how the process plays out—Star Wars. Here’s the story of Luke Skywalker. Once there was a farm boy who wanted to be a pilot. Every day he helped on the farm. Until one day his family is killed. Because of that he joins legendary Jedi Obi-Wan Kenobi. Because of that he hires the smuggler Han Solo to take him to Alderaan. Until finally Luke reaches his goal and becomes a starfighter pilot and saves the day. Ever since then Luke’s been on the path to be a Jedi knight. Like millions of others, I was impressed with Malala’s Nobel Peace prize–winning acceptance speech. While I appreciated the beauty and power of her words, it wasn’t until I did the research for this book that I fully understood why Malala’s words inspired me. Malala’s speech perfectly follows Pixar’s 7-step storytelling process. I doubt that she did this intentionally, but it demonstrates once again the theme in this book—there’s a difference between a story, a good story, and a story that sparks movements.

But there were problems. After the movie came out I couldn’t go to a tournament without being surrounded by fans asking for autographs. Instead of focusing on chess positions, I was pulled into the image of myself as a celebrity. Since childhood I had treasured the sublime study of chess, the swim through ever-deepening layers of complexity. I could spend hours at a chessboard and stand up from the experience on fire with insight about chess, basketball, the ocean, psychology, love, art. The game was exhilarating and also spiritually calming. It centered me. Chess was my friend. Then, suddenly, the game became alien and disquieting. I recall one tournament in Las Vegas: I was a young International Master in a field of a thousand competitors including twenty-six strong Grandmasters from around the world. As an up-and-coming player, I had huge respect for the great sages around me. I had studied their masterpieces for hundreds of hours and was awed by the artistry of these men. Before first-round play began I was seated at my board, deep in thought about my opening preparation, when the public address system announced that the subject of Searching for Bobby Fischer was at the event. A tournament director placed a poster of the movie next to my table, and immediately a sea of fans surged around the ropes separating the top boards from the audience. As the games progressed, when I rose to clear my mind young girls gave me their phone numbers and asked me to autograph their stomachs or legs. This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game, but there was no escaping the spotlight. I found myself dreading chess, miserable before leaving for tournaments. I played without inspiration and was invited to appear on television shows. I smiled.

Human beings are capable of extraordinary things. We can create and we can destroy, we can love or we can hate. Some people believe they have souls. While others think that there is only this. Just this. Reality. The news. Killings, wars, bombings, hate, prejudice. Death. And death? No one ever dies on television. Only the bad guys do. Not you. Just them. So death is without meaning. Happens without meaning due to media. We see but don't feel, we watch but haven't experienced. We can only sympathize. A gun doesn't fire on it's own and a fanatic doesn't just wake up one day and become a murderer. Hate doesn't have a face. Death doesn't have a face. Human beings become that face. All of us everyday. Whether you like it or not. Why? Because this is a mindset a culture a history. From the time we are children we are taught that this is right and this is wrong. This is what a man does. This is what a woman does. Children emulate the behaviors of adults. Parents, movie characters and just about everyone else. We live in a society based on ideals. We celebrate the intelligence of the human race and then we take on the guises of everything the opposite of that belief we've ever known and support violence, support war. Behaviors that any intelligent race should have abandoned many years ago. We are surrounded by violence, surrounded by what we still are and what we are not becoming. Frankly we are all still just primitives and not capable in any way shape or form of creating a complete and everlasting peace and that's the sad reality of it all and always has been. We're just human. Only human. The good, the bad and the ugly. The evil, the damaged and the sick. The rich, the poor and all the rest of us. So look at it this way. You can't change the world or make the world stop killing. You can't stop violence or hatred but you can walk away from it all. Violence is a part of being human. But so is love. So? Only fight if you have to. Live peacefully and as a peace keeper and do what you can to make the small part of your own world a better place. Whether that's thru creation, protest, teaching or just being who you are and doing what you do. You can't stop humanity from being humanity and you certainly can't stop all the horrible things that happen around the world everyday. So accept it. Light a candle, say a prayer, donate or meditate, listen to some music, write. But even if the human race isn't everything you wish it could be? Hold on to love. Hold onto friends. Hold onto hope or whatever religion or belief that guides you through the dark. Because in the end? You're just human and that's all that you can do. The best that you can do.

The US traded its manufacturing sector’s health for its entertainment industry, hoping that Police Academy sequels could take the place of the rustbelt. The US bet wrong. But like a losing gambler who keeps on doubling down, the US doesn’t know when to quit. It keeps meeting with its entertainment giants, asking how US foreign and domestic policy can preserve its business-model. Criminalize 70 million American file-sharers? Check. Turn the world’s copyright laws upside down? Check. Cream the IT industry by criminalizing attempted infringement? Check. It’ll never work. It can never work. There will always be an entertainment industry, but not one based on excluding access to published digital works. Once it’s in the world, it’ll be copied. This is why I give away digital copies of my books and make money on the printed editions: I’m not going to stop people from copying the electronic editions, so I might as well treat them as an enticement to buy the printed objects. But there is an information economy. You don’t even need a computer to participate. My barber, an avowed technophobe who rebuilds antique motorcycles and doesn’t own a PC, benefited from the information economy when I found him by googling for barbershops in my neighborhood. Teachers benefit from the information economy when they share lesson plans with their colleagues around the world by email. Doctors benefit from the information economy when they move their patient files to efficient digital formats. Insurance companies benefit from the information economy through better access to fresh data used in the preparation of actuarial tables. Marinas benefit from the information economy when office-slaves look up the weekend’s weather online and decide to skip out on Friday for a weekend’s sailing. Families of migrant workers benefit from the information economy when their sons and daughters wire cash home from a convenience store Western Union terminal. This stuff generates wealth for those who practice it. It enriches the country and improves our lives. And it can peacefully co-exist with movies, music and microcode, but not if Hollywood gets to call the shots. Where IT managers are expected to police their networks and systems for unauthorized copying – no matter what that does to productivity – they cannot co-exist. Where our operating systems are rendered inoperable by “copy protection,” they cannot co-exist. Where our educational institutions are turned into conscript enforcers for the record industry, they cannot co-exist. The information economy is all around us. The countries that embrace it will emerge as global economic superpowers. The countries that stubbornly hold to the simplistic idea that the information economy is about selling information will end up at the bottom of the pile. What country do you want to live in?

You don’t know me! You know Miss Erstwhile, but--” “Come now, ever since I witnessed your abominable performance in the theatrical, it’s been clear that you can’t act to save your life. All three weeks, that was you.” He smiled. “And I wanted to keep knowing you. Well, I didn’t at first. I wanted you to go away and leave me in peace. I’ve made a career out of avoiding any possibility of a real relationship. And then to find you in that circus…it didn’t make sense. But what ever does?” “Nothing,” said Jane with conviction. “Nothing makes sense.” “Could you tell me…am I being too forward to ask?...of course, I just bought a plane ticket on impulse, so worrying about being forward at this point is pointless…This is so insane, I am not a romantic. Ahem. My question is, what do you want?” “What do I…?” This really was insane. Maybe she should ask that old woman to change seats again. “I mean it. Besides something real. You already told me that. I like to think I’m real, after all. So, what do you really want?” She shrugged and said simply, “I want to be happy. I used to want Mr. Darcy, laugh at me if you want, or the idea of him. Someone who made me feel all the time like I felt when I watched those movies.” It was hard for her to admit it, but when she had, it felt like licking the last of the icing from the bowl. That hopeless fantasy was empty now. “Right. Well, do you think it possible--” He hesitated, his fingers played with the radio and light buttons on the arm of his seat. “Do you think someone like me could be what you want?” Jane smiled sadly. “I’m feeling all shiny and brand new. In all my life, I’ve never felt like I do now. I’m not sure yet what I want. When I was Miss Erstwhile, you were perfect, but that was back in Austenland. Or are we still in Austenland? Maybe I’ll never leave.” He nodded. “You don’t have to decide anything now. If you will allow me to be near you for a time, then we can see.” He rested his head back, and they looked at each other, their faces inches apart. He always was so good at looking at her. And it occurred to her just then that she herself was more Darcy than Erstwhile, sitting there admiring his fine eyes, feeling dangerously close to falling in love against her will. “Just be near…” she repeated. He nodded. “And if I don’t make you feel like the most beautiful woman in the world every day of your life, then I don’t deserve to be near you.” Jane breathed in, taking those words inside her. She thought she might like to keep them for a while. She considered never giving them up. “Okay, I lied a little bit.” He rubbed his head with even more force. “I need to admit up front that I don’t know how to have a fling. I’m not good at playing around and then saying good-bye. I’m throwing myself at your feet because I’m hoping for a shot at forever. You don’t have to say anything now, no promises required. I just thought you should know.” He forced himself to lean back again, his face turned slightly away, as if he didn’t care to see her expression just then. It was probably for the best. She was staring straight ahead with wide, panicked eyes, then a grin slowly took over her face. In her mind was running the conversation she was going to have with Molly. “I didn’t think it was possible, but I found a man as crazy intense as I was.

The world need more honest, authentic, rational, confident, well-rounded, balanced, humble, intelligent polite, kind people, people that do not play with others feelings and dreams. People that lift others up. Happy people full of patriotism, love and dreams. People able to see into others eyes, suffering, despair and do something about it. We need real people. CIA is not a game, an action movie, a thriller book, a video game. CIA is a place of people with integrity, fighters of freedom and peace. CIA should be a role model agency, stopping all this evil that we find around us. Stopping those making fun of others lives and dreams. A place where all the good things in the world converge. We have to do something to make all the social media more safe. We have to remove all the toxic and manipulators out there from here. I am waiting for your next post, I always find inspiration by reading you. I am so far from my dreams and so close to them at the same time. See you soon. Keep up the good work.

After dinner, we escaped to a movie: The Two Towers, part two of J.R.R. Tolkien’s Lord of the Rings trilogy. It was a good story, providing the escape we sought, but something more. Near the end of the film, when Frodo feels that the burden of the ring is overwhelming and he simply cannot continue the struggle, Sam tries to convince him to hold on. Frodo asks, “What are we holding onto, Sam?” “That there’s some good in this world, Mr. Frodo, and it’s worth fighting for.” Peace

My past now played like an old movie, one I was no longer interested in, dream-like, progressively fading away. Old attachments, too, began dissolving – I didn’t care so much about the things, places or issues of my past (indeed, I threw away forty years of personal journals without an ounce of regret!). My previous world was gone, had died, but in its place, I started noticing – and exploring – the empty space left by its disappearance. Then, unexpectedly, in this emptiness, I begin to notice subtle and spontaneous changes in consciousness – expanding moments of silence, stillness, and timelessness, moments when it seemed as if the mystery of eternity was leaking into the everyday world. I was moving into a curious new and peaceful space – consciousness without thought, an awareness devoid of purpose, effort, agenda, point of view, or even self. These changes, which had been emerging unappreciated for some time, seemed to increase when observed, and eventually became harbingers of a new kind of consciousness and a new kind of life – intimations of spiritual transformation

I knew from experience that my sensitivity to what scripture calls "powers and principalities" was stronger some days than others. As I biked through downtown (Cochabamba, Bolivia), I saw groups of young men loitering on the street corners waiting for the next movie to start. I stopped and walked through a bookstore stacked with magazines depicting violence, sex, and gossip, endless forms of provocative advertisement and unnecessary articles imported from other parts of the world. I had the dark feeling of being surrounded by powers much greater than myself and felt the seductive allure of sin all around me. I got a glimpse of the evil behind all the horrendous realities that plague our world-extreme hunger, nuclear weapons, torture, exploitation, rape, child abuse, and various forms of oppression-and how they all have their small and sometimes unnoticed beginnings in the human heart. The demon is patient in the way it seeks to devour and destroy the work of God. I felt intensely the darkness of the world around me. After a period of aimless wandering, I biked to a small Carmelite convent close to the house of my hosts. A very friendly Carmelite sister spoke to me and invited me into the chapel to pray. She radiated joy, peace, and yes, light. She told me about the light that shines into the darkness without saying a word about it. As I looked around, I saw the images of Teresa of Avila and Therese of Liseaux, two sisters who taught in their own times that God speaks in subtle ways and that peace and certainty follow when we hear well. Suddenly, it seemed to me that these two saints were talking to me about another world, another life, another love. As I knelt down in the small and simple chapel, I knew that this place was filled with God's presence. Because of the prayers offered there day and night, the chapel was filled with light, and the spirit of darkness had not gotten a foothold there. My visit to the Carmelite convent helped me realize again that where evil seems to hold sway, God is not far away, and where God shows his presence, evil may not remain absent for very long. There always remains a choice to be made between the creative power of love and life and the destructive power of hatred and death. I, too, must make that choice myself, again and again. Nobody else, not even God, will make that choice for me.

She knew with suddenness and ease that this moment would be with her always, within hand's reach of memory. She doubted if they all sensed it - they had seen the world - but even George was silent for a minute as the looked, and the scene, the smell, even the sound of the band playing a faintly recognizable movie theme, was locked forever in her, and she was at peace.

In Buddhist art, the portrayals of the Buddha are suffused with shanta rasa, a sense of transcendental peace, as are the Hindu depictions of Lord Shiva in meditation. One movie is brought to mind that strikes me as a yogic parable—The Truman Show. It seems to me reminiscent of the life of the Buddha, though told in a curious way. Truman’s entire life is a television show. Unknown to him, the community where he lives is actually a giant stage set and all the people in his life—including his wife and co-workers—are actors. People in the outside world avidly follow Truman’s every move, and everything is under the control of a Svengali-like director, of whom Truman is unaware. Truman’s controlled environment is like the Buddha’s. Both were shielded from the truth since birth. As cracks in the edifice of untruth start to appear they begin to wake up. They look around and inquire, ‘What’s going on?’ In a great leap both leave their lives and, risking everything, go through a doorway into the unknown. Of course, while the Buddha went through the door that led to enlightenment, Truman went through the door that led to the backlot of a movie studio. Both stories are parables of our soul’s journey of awakening. We discover that things are completely different from the way we thought, and we wake up to a new reality. But we can only follow Truman to the point where he makes that heroic choice. That is his enlightenment.

I needed to grab another box of screws, but, when I got to the truck, I realized I’d left my wallet in my tool bucket. When I went back ground the house to get it, she had my plans open and was double-checking all my measurements.” Emma’s cheeks burned when Gram laughed at Sean’s story, but, since she couldn’t deny it, she stuck her last bite of the fabulous steak he’d grilled into her mouth. “That’s my Emma,” Gram said. “I think her first words were ‘If you want something done right, do it yourself.’” “In my defense,” she said when she’d swallowed, pointing her fork at Sean for emphasis, “my name is on the truck, and being able to pound nails doesn’t make you a builder. I have a responsibility to my clients to make sure they get quality work.” “I do quality work.” “I know you build a quality deck, but stairs are tricky.” She smiled sweetly at him. “I had to double-check.” “It’s all done but the seating now and it’s good work, even though I practically had to duct tape you to a tree in order to work in peace.” She might have taken offense at his words if not for the fact he was playing footsie with her under the table. And when he nudged her foot to get her to look at him, he winked in that way that—along with the grin—made it almost impossible for her to be mad at him. “It’s Sean’s turn to wash tonight. Emma, you dry and I’ll put away.” “I’ll wash, Gram. Sean can dry.” “I can wash,” Sean told her. “The world won’t come to an end if I wash the silverware before the cups.” “It makes me twitch.” “I know it does. That’s why I do it.” He leaned over and kissed her before she could protest. “That new undercover-cop show I like is on tonight,” Gram said as they cleared the table. “Maybe Sean won’t snort his way through this episode.” He laughed and started filling the sink with hot, soapy water. “I’m sorry, but if he keeps shoving his gun in his waistband like that, he’s going to shoot his…he’s going to shoot himself in a place men don’t want to be shot.” Emma watched him dump the plates and silverware into the water—while three coffee mugs sat on the counter waiting to be washed—but forced herself to ignore it. “Can’t be worse than the movie the other night.” “That was just stupid,” Sean said while Gram laughed. They’d tried to watch a military-action movie and by the time they were fifteen minutes in, she thought they were going to have to medicate Sean if they wanted to see the end. After a particularly heated lecture about what helicopters could and couldn’t do, Emma had hushed him, but he’d still snorted so often in derision she was surprised he hadn’t done permanent damage to his sinuses. “I don’t want you to think that’s real life,” he told them. “I promise,” Gram said, “if I ever want to use a tank to break somebody out of a federal prison, I’ll ask you how to do it correctly first.” Sean kissed the top of her head. “Thanks, Cat. At least you appreciate me, unlike Emma, who just tells me to shut up.” “I’d appreciate you more if there wasn’t salad dressing floating in the dishwater you’re about to wash my coffee cup in.” “According to the official guy’s handbook, if I keep doing it wrong, you’re supposed to let me watch SportsCenter while you do it yourself.” “Did the official guy’s handbook also tell you that if that happens, you’ll also be free to watch the late-night sports show while I do other things myself?

Awesomely, our nation, like no other in the world, is a culture driven by the quest to love (it's the theme of our movies, music, literature) even as it offers so little opportunity for us to understand love's meaning or to know how to realize love in word and deed. ... Schools for love do not exist. Everyone assumes that we will know how to love instinctively.

Peace, A Crime Against State (The Sonnet) There's no difference between a soldier and a contract killer. Hitmen are paid to kill individuals, Soldiers are paid to kill in bulk. Righteous soldiers don't exist, they only exist in fairytale movies. No academy trains youngsters for peace, they manufacture state-abiding terrorists. If any soldier ever wakes up to peace, they're instantly discharged without honor. Thinking soldiers are no use to state, States only want brainless suicide bombers. Enemy of war is enemy of the state, Making of peace is crime against state.

She went straight to bed. She hadn’t told her family, but she had been dreaming of the Bellweather every single night for months. The reason she’d ceased to wake herself up, shaking and crying, was that she’d become too tired to fight; the fear had won. She had accepted that, in her dreams, she would always be afraid. Then The Shining—and no other movie would have done for this first, critical dosing—inoculated her. She had been exposed to the fear that was eating her, slowly but surely, in the light of day; she had confronted it in her waking hours and was rewarded with a night of black, dreamless peace. When she woke up the next morning, a kind of rested she’d forgotten she could feel, Minnie at last knew how to train herself to survive in the world. She would spend the rest of her life pouring the fear out of her dreams and into scary movies.

Right-wing TV networks did not exist in 1917, but in that year was born a presidential tool even more powerful, a lavishly financed government propaganda agency that operated in every medium of the day: films, books, posters, newspaper articles, and a corps of 75,000 speakers who gave more than seven million talks everywhere from movie houses to revival tents. In addition, the federal government also attacked the press, both during and well after the First World War.

They wont fear it until they understand it, and they won’t understand it until they have use it. When the world learns of the terrible secret of Los Alamos, it will ensure a peace mankind has never seen. Peace based on the kind of international cooperation that Roosevelt always envisaged.

David cannot recall being hugged, kissed, or told he was loved by his parents. The only physical comfort he had was from “Mammy,” an African-American housekeeper who recognized David’s needs and provided solace. On Saturdays she’d take him to a movie, where she was allowed to sit with him in the whites’ section. He is convinced that, “If I hadn’t had Mammy, I would have been in much worse shape.

Careful not to reveal too much about himself. Clint knew he could be fierce but he didn’t know he was brutal. Gawl painted himself as a man of honour, merciless when he needed to be, but benevolent most of the time, peaceful unless provoked. All lies, but Gawl had to win Clint’s trust and dependance, and the world for Clint was like the movies — gangsters were men of honour, with codes and ethics. That delusion helped Gawl manipulate him, so it had to be maintained.

Hitler is still a historical figure, but he’s predominantly a placeholder for cognitive darkness; he’s the entity we use in the same way people once employed the devil. But the devil is no longer a villain in pop culture. The devil is sympathetic. He’s charming. If you’re making a movie about the devil, you cast Al Pacino. In the pop world, the devil is mostly depicted as a fair-minded gambler; if you’re a good enough musician, the devil will give you a golden fiddle and concede his defeat, allowing you to peacefully live the rest of your days in rural Georgia. There really isn’t “another category of radical evil.” That category has a population of one.

As a boy, I admired Humphrey Bogart in a big way. I coveted the homburg and trench coat. I wanted to pack heat and smoke unfiltered cigarettes and give them long-legged dames in mink stoles the squinty-eyed once-over. I longed to chase villains, right wrongs, and restore the peace. Upon surviving into manhood, I discovered the black and comedic irony that is every gumshoe’s existential plight, the secret that dime novels and black-and-white movies always elide: each clue our intrepid detective deciphers, each mystery he unravels, each crime he solves, makes the world an unhappier place. I got smart and became a gangster instead. More money, more women, and better clothes. Much less in the way of mystery. As for the misery quotient? Basically a wash.

Every day I ask the world to give me something that it can’t. I ask my wife to make me feel happy. I ask my work to make me feel loved. I ask my car or my house or my clothes to give me peace. I ask a movie or a football game to make life feel exciting and meaningful. I ask the church to be what I think it ought to be. And when this doesn’t work, I get bitter and go looking for something else that might have what I want. I invest some new thing with the hope that, when I get it, it could make me happy. This, though, is cruel and unfair. It’s cruel because peace and happiness aren’t even the kind of thing that the world, however willing, could give. Peace and happiness simply aren’t, at bottom, a function of the world being a certain way. They are a function of my relating to the world in a certain way. They’re a function of my caring for the world in a certain way. And when I put my trust in Christ—when I consecrate my time and treat my goals and desires as types—then I find that peace and happiness and love are already given, in plain view, in the ongoing work of caring for the world.

No matter what you achieve in this material world, at the end it all feels like a movie watched in the distant past.