“
Kitten,” he growled roughly.
I kissed him softly, sliding my hands into his silky locks, letting the pieces slide through my fingers. I tasted in him my own rising desire, my own need and heartache. Thrilling. Frightening. I pulled back.
“Kitten,” he said again, voice strained. “You don’t get to do that and then stop. That’s not how it works.”
I stared at him, my breath stalling in my lungs.
“Not when you’re mine.” Daemon backed us up and slid down the wall, pulling me on his lap so I was straddling him. “And you’re mine.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
Every job from the heart is, ultimately, of equal value. The nurse injects the syringe; the writer slides the pen; the farmer plows the dirt; the comedian draws the laughter. Monetary income is the perfect deceiver of a man's true worth.
”
”
Criss Jami (Killosophy)
“
But I kept at it with the help-wanted ads. My standards were sliding swiftly. At first I had insisted I would only work at a company with a mission I believed in. Then I thought maybe it would be fine as long as I was learning something new. After that I decided it just couldn't be evil. Now I was carefully delineating my personal definition of evil.
”
”
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
“
Sometimes it's important to work for that pot of gold. But other times it's essential to take time off and to make sure that your most important decision in the day simply consists of choosing which color to slide down on the rainbow.
”
”
Douglas Pagels (These Are the Gifts I'd Like to Give to You: A Sourcebook of Joy and Encouragement)
“
Got to be worth a try, I suppose," said Crowley. "It's not as if I haven't got lots of other work to do, God knows."
His forehead creased for a moment, and then he slapped the steering wheel triumphantly.
"Ducks!" he shouted.
"What?"
"That's what water slides off!"
Aziraphale took a deep breath.
"Just drive the car, please," he said wearily.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
I'm not normal, Tate."
"I know." Her hand was working its way under my shirt, then touching my skin, sliding over my chest and stomach. "Does this feel good?"
I closed my eyes and nodded.
"You're normal enough.
”
”
Brenna Yovanoff (The Replacement)
“
And indeed there will be time for the yellow smoke that slides along the street rubbing its back upon the window-panes; there will be time , there will be time to prepare a face to meet the faces that you meet; there will be time to murder and create, and time for all the works and days of hands that lift and drop a question on your plate; time for you and time for me, and time yet for a hundred indecisions, and for a hundred visions and revisions, before the taking of toast and tea.
”
”
T.S. Eliot (The Waste Land and Other Poems)
“
Had no fuckin’ clue how deep you ran.”
“What?” I whispered.
“Everything you do, what you eat, what you drink, how you live, how you love, how you work, all of it runs deep. You give it everything. It means everything to you.” His hand suddenly caught mine that was resting on my thigh and he gave it a squeeze. “Come here, baby.”
I bent to him and his hand went to the small of my back, sliding up my spine and into my hair.
“Teach that to our kids, will you?
”
”
Kristen Ashley (Rock Chick Revolution (Rock Chick, #8))
“
Besides, I’m not looking to get saved. I’m only going with her because it’s what you do when you’re in a relationship. You know? You slide into the third pew from the front and sit there thinking about how desperate all these people are to feel like something loves them. They’ll believe all kinds of hocus-pocus. But your girlfriend likes it, and you like her, so you do it. It’s called compromise. The only way you’re going to get something to last in this world is to work at it.
”
”
Tim Tharp (The Spectacular Now)
“
I have a secret. A big, fat, hairy secret. And I’m not talking minor-league stuff, like I once let Joseph Applebaum feel me up behind the seventh-grade stairwell or I got a Brazilian wax after work last Friday or I’m hiding a neon blue vibrator called the Electric Slide in my night table. Which I’m not, by the way. In case you were wondering.
”
”
Karen MacInerney (Howling at the Moon (Tales of an Urban Werewolf, #1))
“
You tried to slide his original curse back onto him?” Al said in wonder. “At the restaurant? And I stopped you? Sweet mother pus bucket!” he exclaimed, and I swear, dust sifted from the ceiling. “Rachel, we have to work on this communication thing.
”
”
Kim Harrison (Pale Demon (The Hollows, #9))
“
Jay took out his guitar. He was decent at it, but the piano was his best talent. He couldn’t get a certain riff right, so he handed the instrument to Kaidan, and my heart flipped.
I recalled him saying he played guitar, but I’d never actually seen or heard him play. Kaidan began to pick at each string, testing and tuning with his full attention. I watched the way his hands moved across the wood and strings, gently, reverently, his body seeming to curl around it as if it were a part of him. . . . I felt my hands getting sweaty, because watching Kaidan get lost in music did crazy things to me. My breathing became ragged and I couldn’t take my eyes off him.
He looked up at that moment and caught me staring hard. He knew. He knew what it did to me! I could tell because his badge expanded.
He angled himself away from the others and signed to me, I want to be alone with you tonight.
Patti did have a lot of guests staying in the house. I signed back, I’ll work on it.
“Excellent,” he whispered, a hot grin sliding onto his face.
”
”
Wendy Higgins (Sweet Reckoning (Sweet, #3))
“
Check this out,” Nine says. He holds up a small purple stone and then places it on the back of his hand. The stone slides into his hand—through it. Nine turns his hand over just as the stone pops out in his palm. “Pretty cool, right?” he asks me, waggling his eyebrows.
“Uh, but what is it supposed to do?” Eight asks, looking up from his own Chest.
“I dunno. Impress girls?” Nine looks over at me. “Did it work?”
“Um . . .” I hesitate, trying not to roll my eyes too hard. “Not really. But, I’ve seen guys teleport so I’m kind of hard to impress.”
“Tough crowd.
”
”
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
“
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.”
His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me.
“I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner.
“Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—”
I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet.
“I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
”
”
Emily Henry (Book Lovers)
“
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
”
”
Stephanie Klein (Straight Up and Dirty)
“
HOW CAN I TELL IF A MAN I’M SEEING WILL BECOME ABUSIVE?
• He speaks disrespectfully about his former partners.
• He is disrespectful toward you.
• He does favors for you that you don’t want or puts on such a show of generosity that it makes you uncomfortable.
• He is controlling.
• He is possessive.
• Nothing is ever his fault.
• He is self-centered.
• He abuses drugs or alcohol.
• He pressures you for sex.
• He gets serious too quickly about the relationship.
• He intimidates you when he’s angry.
• He has double standards.
• He has negative attitudes toward women.
• He treats you differently around other people.
• He appears to be attracted to vulnerability.
No single one of the warning signs above is a sure sign of an abusive man, with the exception of physical intimidation. Many nonabusive men may exhibit a umber of these behaviors to a limited degree. What, then, should a woman do to protect herself from having a relationship turn abusive?
Although there is no foolproof solution, the best plan is:
1. Make it clear to him as soon as possible which behaviors or attitudes are unacceptable to you and that you cannot be in a relationship with him if they continue.
2. If it happens again, stop seeing him for a substantial period of time. Don’t keep seeing him with the warning that this time you “really mean it,” because he will probably interpret that to mean that you don’t.
3. If it happens a third time, or if he switches to other behaviors that are warning flags, chances are great that he has an abuse problem. If you give him too many chances, you are likely to regret it later.
Finally, be aware that as an abuser begins his slide into abuse, he believes that you are the one who is changing. His perceptions work this way because he feels so justified in his actions that he can’t imagine the problem might be with him. All he notices is that you don’t seem to be living up to his image of the perfect, all-giving, deferential woman.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
”
”
Tyler Knott Gregson
“
My man got close to my back and his mouth came to my ear where he said quietly, “Hurry this shit up, baby, ‘cause what you got last night after I watched you slide down a pole upside down while straddling it is gonna be nothin’ to what I give you tonight watchin’ you be badass.”
I turned and glared up at him. “Don’t turn me on while I’m working, Zano.”
His lips quirked.
“Jesus,” Mace muttered.
”
”
Kristen Ashley (Rock Chick Revolution (Rock Chick, #8))
“
If you choose to try to make a life with another person, you will live by that choice. You'd find yourself having to choose again and again to remain rather than run. It helps if you enter into a committed relationship prepared to work, ready to be humbled and willing to accept and even enjoy living in that in-between space, bouncing between the poles of beautiful and horrible, sometimes in the span of a single conversation, sometimes over the course of years. And inside of that choice and those years you'll almost certainly come to see that there is no such thing as a 50-50 balance, instead it will be like beads on an abacus, sliding back and forth, the maths rarely tidy, the equation never quite solved....
”
”
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
“
Aria smiled, then her gaze traveled to his waist. “Perry, did you know your pants are falling down?”
“Yeah.” He didn’t have to look; he could feel them sliding down his hips. “I, uh . . . I took my belt off to make you feel comfortable.”
“You took your belt off to make me feel comfortable?”
He nodded, trying to hold back a laugh. “I worked it out in my head that this would be more natural.”
“Your pants falling down is natural?”
He grinned. “Yeah. If they fall any further, it’s going be very natural.
”
”
Veronica Rossi (Into the Still Blue (Under the Never Sky, #3))
“
Don't forget what people intend to use for harm, God can use for His greater good. Let offenses slide today, and watch how God works!
”
”
Alisa Hope Wagner (Eve of Awakening (Onoma #1))
“
MY MOTHER GETS DRESSED
It is impossible for my mother to do even
the simplest things for herself anymore
so we do it together,
get her dressed.
I choose the clothes without
zippers or buckles or straps,
clothes that are simple
but elegant, and easy to get into.
Otherwise, it's just like every other day.
After bathing, getting dressed.
The stockings go on first.
This time, it's the new ones,
the special ones with opaque black triangles
that she's never worn before,
bought just two weeks ago
at her favorite department store.
We start with the heavy, careful stuff of the right toes
into the stocking tip
then a smooth yank past the knob of her ankle
and over her cool, smooth calf
then the other toe
cool ankle, smooth calf
up the legs
and the pantyhose is coaxed to her waist.
You're doing great, Mom,
I tell her
as we ease her body
against mine, rest her whole weight against me
to slide her black dress
with the black empire collar
over her head
struggle her fingers through the dark tunnel of the sleeve.
I reach from the outside
deep into the dark for her hand,
grasp where I can't see for her touch.
You've got to help me a little here, Mom
I tell her
then her fingertips touch mine
and we work her fingers through the sleeve's mouth
together, then we rest, her weight against me
before threading the other fingers, wrist, forearm, elbow, bicep
and now over the head.
I gentle the black dress over her breasts,
thighs, bring her makeup to her,
put some color on her skin.
Green for her eyes.
Coral for her lips.
I get her black hat.
She's ready for her company.
I tell the two women in simple, elegant suits
waiting outside the bedroom, come in.
They tell me, She's beautiful.
Yes, she is, I tell them.
I leave as they carefully
zip her into
the black body bag.
Three days later,
I dream a large, green
suitcase arrives.
When I unzip it,
my mother is inside.
Her dress matches
her eyeshadow, which matches
the suitcase
perfectly. She's wearing
coral lipstick.
"I'm here," she says, smiling delightedly, waving
and I wake up.
Four days later, she comes home
in a plastic black box
that is heavier than it looks.
In the middle of a meadow,
I learn a naked
more than naked.
I learn a new way to hug
as I tighten my fist
around her body,
my hand filled with her ashes
and the small stones of bones.
I squeeze her tight
then open my hand
and release her
into the smallest, hottest sun,
a dandelion screaming yellow at the sky.
”
”
Daphne Gottlieb (Final Girl)
“
I love you,” he whispered, rubbing his
jaw against her temple. “And you love me. I can feel it when you’re in my arms.” He felt her stiffen slightly
and draw a shaky breath, but she either couldn’t or wouldn’t speak. She hadn’t thrown the words back in his face, however, so Ian continued talking to her, his hand roving over her back. “I can feel it, Elizabeth, but if you don’t admit it pretty soon, you’re going to drive me out of my mind. I can’t work. I can’t think. I make decisions and then I change my mind. And,” he teased, trying to lighten the mood by using the one topic sure to distract her, “that’s nothing to the money I squander whenever I’m under this sort of violent stress. It wasn’t just the gowns I bought, or the house on Promenade...”
Still talking to her, he tipped her chin up, glorying in the gentle passion in her eyes, overlooking the doubt in their green depths. “If you don’t admit it pretty soon,” he teased, “I’ll spend us out of house and home.” Her delicate brows drew together in blank confusion, and Ian grinned, taking her hand from his chest, the emerald betrothal ring he had bought her unnoticed in his fingers. “When I’m under stress,” he emphasized, sliding the magnificent emerald onto her finger, “I buy everything in sight. It took my last ounce of control not to buy one of these in every color.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The young man walks by himself, fast but not fast enough, far but not far enough (faces slide out of sight, talk trails into tattered scraps, footsteps tap fainter in alleys); he must catch the last subway, the streetcar, the bus, run up the gangplanks of all the steamboats, register at all the hotels, work in the cities, answer the wantads, learn the trades, take up the jobs, live in all the boardinghouses, sleep in all the beds. One bed is not enough, one job is not enough, one life is not enough. At night, head swimming with wants, he walks by himself alone.
”
”
John Dos Passos (The 42nd Parallel (U.S.A. #1))
“
No longer just "a dull bunch of grey buildings with grey people who worked with slide rules and wrote long equations on blackboards," NASA, the public now believed, was all that stood between them and a Red sky.
”
”
Margot Lee Shetterly (Hidden Figures)
“
On the dashboard of our family car is a shallow indentation about the size of a paperback book. If you are looking for somewhere to put your sunglasses or spare change, it is the obvious place, and it works extremely well, I must say, so long as the car is not actually moving. However, as soon as you put the car in motion ... everything slides off ... It can hold nothing that has not been nailed to it. So I ask you: what then is it for?
”
”
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
“
Much of what I have done is left unfinished- not because I left it too soon, not because I was lazy, but because it had a life of it's own that continues without me. Children, I suppose, are always unfinished business: they begin as part of your own body, and continue as seperate as another continent. The work you do, if it has any meaning, passes to other hands. The day slides into a night's dreaming.
True stories are the ones that lie open at the border, allowing a crossing, a further frontier. The final frontier is just science fiction -don't believe it. Like the universe, there is no end. (p.87)
”
”
Jeanette Winterson (The Stone Gods)
“
Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason -- if the worlds are in any way blurred -- the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'.
”
”
Raymond Carver (Call If You Need Me: The Uncollected Fiction and Other Prose)
“
I mean, how do we know it works? Right now it’s just a drawing—you can’t take fear away from a piece of paper, it doesn’t have any to begin with. We have to try it out on one of us before we can be sure it’s a real rune.”
“I’m not sure that’s such a great idea,” Luke said.
“It’s a fabulous idea.” Jace dropped the paper back onto the table, and began to slide off his jacket. “I’ve got a stele we can use. Who wants to do me?”
“A regrettable choice of words,” muttered Magnus.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
[Jules] slides into a seat beside me with her hot lunch tray, sighing. “Four hours, thirty-six minutes, and twelve seconds till we’re out of purgatory for the weekend.”
“Maybe later,” I murmur, still distracted by the day’s previous events.
“So, let me show you how a conversation works. I say something, and then you say something back that actually relates to what I was talking about, as if you were even the least bit interested.”
“Huh?” I say.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
I'm going to be everything you never wanted,' I warn on a gruff breath, 'nothing that you need.'
I slide my other hand farther up her thigh.
'Sometimes my work will take me away, and I won't call, and I'll piss you off.'
I graze my longest finger over the silky V covering her sex.
'I'll be selfish. I'll take everything I want, whenever I want it. I'm not the man of your dreams, Melanie, I'm your worst nightmare.
”
”
Katy Evans (Rogue (Real, #4))
“
Greater sins do sooner startle the soul, and awaken and rouse up the soul to repentance, than lesser sins do. Little sins often slide into the soul, and breed, and work secretly and undiscernably in the soul, till they come to be so strong, as to trample upon the soul, and to cut the throat of the soul.
”
”
Thomas Brooks (The complete works of Thomas Brooks)
“
He reached for her, his big hand cupping her cheek, his fingers sliding into her hair, scattering hairpins, threatening the quick work she’d done to put it to rights earlier. She didn’t care. Let them fall. Let them rust in the soil to be found two hundred years from now.
”
”
Sarah MacLean (Bombshell (Hell's Belles, #1))
“
The world is not sliding, but galloping into a new transnational dystopia. This development has not been properly recognized outside of national security circles. It has been hidden by secrecy, complexity and scale. The internet, our greatest tool of emancipation, has been transformed into the most dangerous facilitator of totalitarianism we have ever seen. The internet is a threat to human civilization.
These transformations have come about silently, because those who know what is going on work in the global surveillance industry and have no incentives to speak out. Left to its own trajectory, within a few years, global civilization will be a postmodern surveillance dystopia, from which escape for all but the most skilled individuals will be impossible. In fact, we may already be there.
While many writers have considered what the internet means for global civilization, they are wrong. They are wrong because they do not have the sense of perspective that direct experience brings. They are wrong because they have never met the enemy.
”
”
Julian Assange (Cypherpunks: Freedom and the Future of the Internet)
“
It’s certainly nice to have my options open.” He looked back out at the city. “Can this possibly work, Mister Brekker? Or am I risking the fate of Ravka and the world’s Grisha on the honor and abilities of a fast-talking urchin?”
“More than a bit of both,” said Kaz. “You’re risking a country. We’re risking our lives. Seems a fair trade.”
The king of Ravka offered his hand. “The deal is the deal?”
“The deal is the deal.”
They shook.
“If only treaties could be signed so quickly,” he said, his easy privateer’s mien sliding back in place like a mask purchased on West Stave. “I’m going to have a drink and a bath. One can take only so much mud and squalor. As the rebel said to the prince, it’s bad for the constitution.”
He flicked an invisible speck of dust from his lapel and sauntered out of the solarium.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
it is very telling what we don’t hear in eulogies. We almost never hear things like: “The crowning achievement of his life was when he made senior vice president.” Or: “He increased market share for his company multiple times during his tenure.” Or: “She never stopped working. She ate lunch at her desk. Every day.” Or: “He never made it to his kid’s Little League games because he always had to go over those figures one more time.” Or: “While she didn’t have any real friends, she had six hundred Facebook friends, and she dealt with every email in her in-box every night.” Or: “His PowerPoint slides were always meticulously prepared.” Our eulogies are always about the other stuff: what we gave, how we connected, how much we meant to our family and friends, small kindnesses, lifelong passions, and the things that made us laugh.
”
”
Arianna Huffington (Thrive: The Third Metric to Redefining Success and Creating a Life of Well-Being, Wisdom, and Wonder)
“
Orpheus never liked words. He had his music. He would get a funny look on his face and I would say what are you thinking about and he would always be thinking about music.
If we were in a restaurant sometimes Orpheus would look sullen and wouldn't talk to me and I thought people felt sorry for me. I should have realized that women envied me. Their husbands talked too much.
But I wanted to talk to him about my notions. I was working on a new philosophical system. It involved hats.
This is what it is to love an artist: The moon is always rising above your house. The houses of your neighbors look dull and lacking in moonlight. But he is always going away from you. Inside his head there is always something more beautiful.
Orpheus said the mind is a slide ruler. It can fit around anything. Show me your body, he said. It only means one thing.
”
”
Sarah Ruhl (Eurydice)
“
When it is all too much; when the news is so bad meditation itself feels useless, and a single life feels too small a stone to offer on the altar of Peace, find a Human Sunrise. Find those people who are committed to changing our scary reality. Human sunrises are happening all over the earth, at every moment. People gathering, people working to change the intolerable, people coming in their robes and sandals or in their rags and bare feet, and they are singing, or not, and they are chanting, or not. But they are working to bring peace, light, compassion, to the infinitely frightening downhill slide of Human life.
”
”
Alice Walker
“
I had to persuade a dog to swallow a pill. I twittered for advice and I got suggestion after suggestion. Most of them didn't work. 'Put the pill in the sausage.' No - that doesn't work. 'Cheese.' No.
Then someone said: 'You wrap it in butter and it will slide down.'
I tried it and it worked!
And I'd learnt how to give a pill to a dog through the magic of Twitter.
”
”
Neil Gaiman
“
Honestly I think she’s terrified of letting anyone close enough to break her heart again.” I shrugged and started to slide out of the booth. “Nothing wrong with reaching for the stars.” “There is when what’s available is only here in the ground level. I love Rule with everything I have, but he is far from perfect. Relationships are not tailor-made and people are flawed. You have to work around that and love the other person anyway. Our flaws are what make us unique, and while Rule might not be perfect, he is absolutely perfect for me.
”
”
Jay Crownover (Rome (Marked Men, #3))
“
Billy stretched and yawned, his withered neck taut again for a few seconds. "I can feel the season changing," he said. "Drawing in. This weather change coming means the end of hot weather. Time I got out to Gaze Island and worked on me poor old father's grave. Put it off last year and the year before." Some sadness straining the words. Billy seemed stored in an envelope; the flap sometimes lifted, his flattened self sliding onto the table.
”
”
Annie Proulx (The Shipping News)
“
Emotions I’ve been working hard to hold back all summer start to spill out of me as I pull Elliott’s mouth toward my own. I’m so eager and impatient that our noses bump and teeth knock together before our lips slide into place. The frigid water is still lapping at my legs, but I can’t feel it anymore. My entire body is flush with heat, with desire. If it weren’t for the faintest hint of dance music from the clearing, I’d think that the two of us were completely alone.
I wish the two of us were completely alone.
”
”
Paula Stokes (This is How it Happened)
“
Rose worked and played so hard that kids all across the country—not just in Cincinnati—were emulating him on sandlots everywhere, proud to dirty their jerseys doing a headfirst “Pete Rose” dive into cardboard boxes used for bases … whether they needed to slide or not.
”
”
Tucker Elliot (Cincinnati Reds IQ: The Ultimate Test of True Fandom (History & Trivia))
“
I’ve got a surprise.” Jase opens the door of the van for me a couple days later. I haven’t seen Tim or Nan since the incident at the B&T, and I’m secretly glad for a break from the drama.
I slide into the van, my sneakers crunching into a crumpled pile of magazines, an empty Dunkin’ Donuts coffee cup, various Poland Spring and Gatorade bottles, and lots of unidentifiable snack wrappers. Alice and her Bug are evidently still at work.
“A surprise, for me?” I ask, intrigued.
“Well, it’s for me, but you too, kind of. I mean, it’s something I want you to see.”
This sounds a little unnerving. “Is it a body part?” I ask.
Jase rolls his eyes. “No. Jeez. I hope I’d be smoother than that.”
I laugh. “Okay. Just checking.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
The dreamy guy at this Starbucks wasn't working the counter. Instead he was working a broom behind it, smiling as he swept. At first I didn't get the smile, but then I realized he was listening to the radio, to Norah Jones sliding her voice around he notes. In his own way, he was dancing alone.
”
”
David Levithan (How They Met, and Other Stories)
“
Are you all right?" A crease appears between his eyebrows, and he touches my cheek gently.I bat his hand away.
"Well," I say, "first I got reamed out in front of everyone,and then I had to chat with the woman who's trying to destroy my old faction,and then Eric almost tossed my friends out of Dauntless,so yeah,it's shaping up to be a pretty great day,Four."
He shakes his head and looks at the dilapidated building to his right, which is made of brick and barely resembles the sleek glass spire behind me. It must be ancient.No one builds with brick anymore.
"Why do you care,anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn't mean to use it so flippantly,but it's too late now. "You can't play both parts at the same time."
"I am not cruel." He scowls at me. "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call your ranking a result of my favoritism rather than your skill."
I open my mouth to object,but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands.
"You didn't have to insult me to prove something to them," I say finally.
"And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides-it worked,didn't it?"
"At my expense."
"I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you.That you are capable of being hurt."
I slide my hands into my pockets and rock back on my heels.A strange feeling goes through me-a sweet,aching weakness. He did what he did because he believed in my strength.
At home it was Caleb who was strong,because he could forget himself,because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength.
I stand on my tiptoes, lift my head, and kiss him.Only our lips touch.
"You're brilliant,you know that?" I shake my head. "You always know exactly what to do."
"Only because I've been thinking about this for a long time," he says, kissing my briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend,Tris?"
"Not exactly." I shrug. "Why? Do you want me to?"
He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous.
"Yes," he finally says. Then his smile fades. "You think we convinced him you're just a silly girl?"
"I hope so," I say.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
here’s my 8-step process for maximizing efficacy (doing the right things): Wake up at least 1 hour before you have to be at a computer screen. Email is the mind-killer. Make a cup of tea (I like pu-erh) and sit down with a pen/pencil and paper. Write down the 3 to 5 things—and no more—that are making you the most anxious or uncomfortable. They’re often things that have been punted from one day’s to-do list to the next, to the next, to the next, and so on. Most important usually equals most uncomfortable, with some chance of rejection or conflict. For each item, ask yourself: “If this were the only thing I accomplished today, would I be satisfied with my day?” “Will moving this forward make all the other to-dos unimportant or easier to knock off later?” Put another way: “What, if done, will make all of the rest easier or irrelevant?” Look only at the items you’ve answered “yes” to for at least one of these questions. Block out at 2 to 3 hours to focus on ONE of them for today. Let the rest of the urgent but less important stuff slide. It will still be there tomorrow. TO BE CLEAR: Block out at 2 to 3 HOURS to focus on ONE of them for today. This is ONE BLOCK OF TIME. Cobbling together 10 minutes here and there to add up to 120 minutes does not work. No phone calls or social media allowed. If you get distracted or start procrastinating, don’t freak out and downward-spiral; just gently come back to your ONE to-do.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
From a balanced reading of the Ten Commandments, we can only assume that God would prefer you to have gay sex than to covet your neighbor’s oxen. If you’d had a terrible day at work and had to do some sinning, just to unwind, the Commandments are clear about which sin is considered more unholy. “God, I’ve had a terrible day at work; I’ve got to let off some steam. Either I’m going to have sex with Terry or I’m going to covet my neighbor’s oxen.” “What?! No, you mustn’t do that; you better go hang out with Terry.” “Thank you, Lord. I’m going to slide my erect penis right up Terry’s anus.” “Fair enough, my son; I don’t really have a policy on that. I will ask, though, that you don’t look over next door’s fence at them grazing oxen, then imagine in your mind, ‘What would it be like if those oxen were my oxen?’ Don’t do that, will you?” “I won’t. I’m going to empty myself into Terry, then put my mouth over his rect—” “Okay! Do what you’ve gotta do! Just remember: Those are not your oxen!
”
”
Russell Brand (Revolution)
“
If this constant sliding and hiding of meaning were true of conscious life, then we would of course never be able to speak coherently at all. If the whole of language were present to me when I spoke, then I would not be able to articulate anything at all. The ego, or consciousness, can therefore only work by repressing this turbulent activity, provisionally nailing down words on to meanings. Every now and then a word from the unconscious which I do not want insinuates itself into my discourse, and this is the famous Freudian slip of the tongue or parapraxis. But for Lacan all our discourse is in a sense a slip of the tongue: if the process of language is as slippery and ambiguous as he suggests, we can never mean precisely what we say and never say precisely what we mean. Meaning is always in some sense an approximation, a near-miss, a part-failure, mixing non-sense and non-communication into sense and dialogue.
”
”
Terry Eagleton (Literary Theory: An Introduction)
“
I love you,” he repeated. “I love the way your mouth always slides into a smile, even when no one’s looking. I love the way you go out of your way for people you’ve barely met. I love how your hair always curls right here, at the nape of your neck”—and he ran his fingers along the side of my neck. “And I love how you make me want to see the world in color, and I love how I feel when I’m with you. And maybe we won’t work out, but maybe we will—and I’ll run across cities, and I’ll show up with boom boxes outside your window, and I’ll meet you at the tops of buildings, and I’ll kiss you in the rain just to remind you that you’re worth every moment.” He bent and kissed my cheeks, and I realized that he had kissed the tears off them. I was crying, and I couldn’t stop.
”
”
Ashley Poston (A Novel Love Story)
“
think women are held to a different standard from men when it comes to celebrating their professional accomplishments. No matter what we do, we are never quite enough. Getting a promotion or a prize outside the home sometimes seems to mean that either that prize was easy to get or that we are letting our domestic duties slide.
”
”
Indra Nooyi (My Life in Full: Work, Family, and Our Future)
“
Another tidbit you might be interested in is when it comes to chicks and open mouths, guys -" Decebel leaned over and covered Jen's mouth with his hand and warned her with a glare to swallow her words.
"Thanks, Dec. That's usually my job,"
Sally told him. "But I was in such shock that I couldn't get my limbs to move."
Decebel inclined his head. "Is that why you always seem to stand so close to her?"
"It's of utmost importance that whoever is within her reach be ready at any and all moments to intercept what might come from that wicked tongue."
en was frantically trying to talk around Decebel's hand at Sally's comment. Decebel was quickly learning how Jennifer's brain worked, and could only imagine what she wanted to voice in regards to Sally's wicked tongue comment. He leaned forward to whisper in her ear. "I'm going to uncover your mouth. It would be wise of you to just let the wicked tongue comment slide."
Jen glared at him from the corner of her eye, and after a tense moment finally nodded once in submission. Decebel slowly uncovered her mouth, ready if need be to slap it right back over her lips.
The room began to get quiet and they all directed their attention to the front of the room. As Vasile welcomed everyone for coming and began to explain about the meeting he had with the other Alphas, Jen leaned over to Decebel. "You owe me. Sally walked right into it with that whole wicked tongue thing."
Decebel chuckled and whispered back,
"For some reason, ţinere de meu inimă (one who holds my heart), I have a feeling there will be plenty of opportunities for you to embarrass your friends for questionable comments they innocently walk into."
Jen shrugged. "True enough, but you still owe me. And what are you calling me when you speak Romanian? You've said the same phrase to me twice now."
Decebel patted her leg, causing all sorts of tingling sensations. "Dar tu romaneste, Micul meu lup. (but you speak Romanian, my little wolf)"
"I know what lup is and I am not a wolf.
Whatever else you said I'm sure is a load of crap as well.
”
”
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
“
The idea of labor, of hard work, leading to increased productivity was so novel, so radical, in the overall span of Western history that most ordinary people, most of those who labored, could scarcely believe what was happening to them. Labor had been so long thought to be the natural and inevitable consequence of necessity and poverty that most people still associated it with slavery and servitude. Therefore any possibility of oppression, any threat to the colonists' hard earned prosperity, any hint of reducing them to the povery of other nations, was especially frightening; for it seemed likely to slide them back into the traditional status of servants or slaves, into the older world where labor was merely a painful necessity and not a source of prosperity.
”
”
Gordon S. Wood (The Radicalism of the American Revolution)
“
Brian came in heavy at that moment on his guitar, the rapid, high-pitched squeal ranging back and forth as his fingers flew along the frets. As the intro's tempo grew more rapid, Bekka heard Derek's subtle bass line as it worked its way in. After another few seconds Will came in, slow at first, but racing along to match the others' pace. When their combined efforts seemed unable to get any heavier, David jumped into the mix.
As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response.
Bekka smiled to herself.
This is what she lived for.
”
”
Nathan Squiers (Death Metal)
“
And yes—scholars might care about the innovative brushwork and use of light, the historical influence and the unique significance in Dutch art. But not me. As my mother said all those years ago, my mother who loved the painting only from seeing it in a book she borrowed from the Comanche County Library as a child: the significance doesn’t matter. The historical significance deadens it. Across those unbridgeable distances—between bird and painter, painting and viewer—I hear only too well what’s being said to me, a psst from an alleyway as Hobie put it, across four hundred years of time, and it’s really very personal and specific. It’s there in the light-rinsed atmosphere, the brush strokes he permits us to see, up close, for exactly what they are—hand worked flashes of pigment, the very passage of the bristles visible—and then, at a distance, the miracle, or the joke as Horst called it, although really it’s both, the slide of transubstantiation where paint is paint and yet also feather and bone. It’s the place where reality strikes the ideal, where a joke becomes serious and anything serious is a joke. The magic point where every idea and its opposite are equally true.
”
”
Donna Tartt (The Goldfinch)
“
And you figure because the two of you don't rub smooth she'll let things slide?" Her eyes, colored to match her hair were round and sad. "That's jerk thinking, Sumerset. Dallas'll work till she drops to do right by you, and I figure you know it. If somebody came after you, she'd step between and take the hit, because that's who she is. I figure you know that, too.
”
”
J.D. Robb (Vengeance in Death (In Death, #6))
“
A HOW-TO ON DISAPPEARING
No one understands the way we break.
Not jagged. Not knife sliding between ribs.
Not the spine, cracking.
That would be too easy.
That would be being able to know that
you're broken. That would be X-rays
showing the gaps, the fissures.
Clean breaks are easier to heal.
We do not break cleanly.
We break without breaking.
Not a crack, but a fog.
We dissipate.
Body here one moment and
not here the next.
Hands working one moment and
a dead weight the next.
We watch ourselves turn
colourless. Watch ourselves
become invisible / invincible.
This way, at least the pain is our own.
That's what I wanted all along, I guess.
”
”
Darshana Suresh (Howling at the Moon)
“
In America, our girlfriends teach us what love, trust, and desire are; they hold our hands as we navigate the Scylla of sex and the Charybdis of culture. With them we are our truest, most essential selves. We don’t have to be pretty, but we heap praise upon one another when we are. We don’t have to be nice, and we forgive each other when we aren’t. With our friends, our guard tumbles like acrobats, falls like leaves, and swirls in glittery, dusty eddies. That face we keep up in front of everyone else—family, lovers, husbands, or children—we let slide. Our friends see the frailties, the insecurities, the unattractive bits that we have to keep hidden from the rest of the world because—and this is the meat of the matter—it’s hard work to be a woman.
”
”
Chelsea G. Summers (A Certain Hunger)
“
I cleared my throat and began my presentation. As I moved through the different aspects of the proposal, he stayed silent, staring directly at his copy. Why was he so calm? His temper tantrums I could handle. But the eerie silence? It was unnerving.
I was leaning over the table, gesturing toward a set of graphs, when it happened.
"Their timeline for the first milestone is a little ambi-" I stopped midsentence, my breath caught in my throat. His hand pressed gently into my lower back before sliding down, settling on the curve of my ass. In the nine months I had worked for him, he had never intentionally touched me.
This was most definitely intentional.
”
”
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
“
Now, it is our understanding that his Majesty Grom is requesting an unsealing from his mating with the Common Paca?”
“That is correct,” Antonis says, rolling his eyes. “Poseidon’s beard, but this is repetitive.”
Tandel ignores the elder king’s bluster. “It is also our understanding that Prince Galen requests, in exchange for his help, and the help of Emma the Half-Breed, that he is permitted to mate with Emma as if she were full-blooded Syrena.”
“You have that correct,” Galen answers gruffly.
Tandel pauses. “And do the Royals have any more requests at this time?”
“Yes,” Emma says, to Galen’s surprise. She’s never held back from speaking what’s on her mind. But she never acknowledged herself as a Royal until now. “Because of my Half-breed status, and the fact that I’ve lived on land all my life, I would like for the Royals to be able to visit me here whenever they like. I know that under the current laws, that’s not allowed, but I want that changed.”
“You might as well agree to that, Tandel,” Antonis says. “Or else you’ll be holding another tribunal for the Royals, because all of us intend to be visiting land more often I think.”
“Actually I won’t be visiting land,” Galen says. He turns to Emma. “I’ll be living here.” Tears pool in her eyes. He catches one sliding down her cheek and kisses it away. Her reaction just confirms what he’d suspected all along. That she’s been worried about it. How it would work out between them, where would they live. Emma had said before that she wanted the best of both worlds. Prom, graduation, college. Swimming with dolphins, visiting the Titanic, searching for Amelia Earhart’s plane. He intends to make sure she has it all.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Sirs, I am but a nameless man,
A rhymester without a home,
Yet since I come of the Wessex clay
And carry the cross of Rome,
I will even answer the mighty earl
That asked of Wessex men
Why they be meek and monkish folk,
And bow to the White Lord's broken yoke;
What sign have we save blood and smoke?
Here is my answer then.
That on you is fallen the shadow,
And not upon the Name;
That though we scatter and though we fly,
And you hang over us like the sky,
You are more tired of victory,
Than we are tired of shame.
That though you hunt the Christian man
Like a hare on the hill-side,
The hare has still more heart to run
Than you have heart to ride.
That though all lances split on you,
All swords be heaved in vain,
We have more lust again to lose
Than you to win again.
Your lord sits high in the saddle,
A broken-hearted king,
But our king Alfred, lost from fame,
Fallen among foes or bonds of shame,
In I know not what mean trade or name,
Has still some song to sing.
Our monks go robed in rain and snow,
But the heart of flame therein,
But you go clothed in feasts and flames,
When all is ice within;
Nor shall all iron dooms make dumb
Men wandering ceaselessly,
If it be not better to fast for joy
Than feast for misery.
Nor monkish order only
Slides down, as field to fen,
All things achieved and chosen pass,
As the White Horse fades in the grass,
No work of Christian men.
Ere the sad gods that made your gods
Saw their sad sunrise pass,
The White Horse of the White Horse Vale,
That you have left to darken and fail,
Was cut out of the grass.
Therefore your end is on you,
Is on you and your kings,
Not for a fire in Ely fen,
Not that your gods are nine or ten,
But because it is only Christian men
Guard even heathen things.
For our God hath blessed creation,
Calling it good. I know
What spirit with whom you blindly band
Hath blessed destruction with his hand;
Yet by God's death the stars shall stand
And the small apples grow.
”
”
G.K. Chesterton (The Ballad of the White Horse)
“
Come,we cannot leave the poor man pacing the swamp.He will think we are engaging in something other than conversation."
Wickedly Savannah moved her body against his,her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. "Aren't we?" she asked with that infuriating sexy smile he could never resist.
"We have a lot of clean-up to do here, Savannah," he said severely. "And we need to get word to our people, spread the society's list through our ranks, warn those in danger."
Her fingers were working at the buttons of his shirt so that she could push the material aside to examin his chest and shoulder,where two of the worst wounds had been.She had to see his body for herself, touch him to assure herself he was completely healed. "I suggest, for now,that your biggest job is to create something for Gary to do so we can have a little privacy.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Jazz presumes that it would be nice if the four of us--simpatico dudes that we are--while playing this complicated song together, might somehow be free and autonomous as well. Tragically, this never quite works out. At best, we can only be free one or two at a time--while the other dudes hold onto the wire. Which is not to say that no one has tried to dispense with wires. Many have, and sometimes it works--but it doesn't feel like jazz when it does. The music simply drifts away into the stratosphere of formal dialectic, beyond our social concerns.
Rock-and-roll, on the other hand, presumes that the four of us--as damaged and anti-social as we are--might possibly get it to-fucking-gether, man, and play this simple song. And play it right, okay? Just this once, in tune and on the beat. But we can't. The song's too simple, and we're too complicated and too excited. We try like hell, but the guitars distort, the intonation bends, and the beat just moves, imperceptibly, against our formal expectations, whetehr we want it to or not. Just because we're breathing, man. Thus, in the process of trying to play this very simple song together, we create this hurricane of noise, this infinitely complicated, fractal filigree of delicate distinctions.
And you can thank the wanking eighties, if you wish, and digital sequencers, too, for proving to everyone that technologically "perfect" rock--like "free" jazz--sucks rockets. Because order sucks. I mean, look at the Stones. Keith Richards is always on top of the beat, and Bill Wyman, until he quit, was always behind it, because Richards is leading the band and Charlie Watts is listening to him and Wyman is listening to Watts. So the beat is sliding on those tiny neural lapses, not so you can tell, of course, but so you can feel it in your stomach. And the intonation is wavering, too, with the pulse in the finger on the amplified string. This is the delicacy of rock-and-roll, the bodily rhetoric of tiny increments, necessary imperfections, and contingent community. And it has its virtues, because jazz only works if we're trying to be free and are, in fact, together. Rock-and-roll works because we're all a bunch of flakes. That's something you can depend on, and a good thing too, because in the twentieth century, that's all there is: jazz and rock-and-roll. The rest is term papers and advertising.
”
”
Dave Hickey (Air Guitar: Essays on Art & Democracy)
“
On top of his grudge holding, he had a reputation for impatience. Like so many brilliant people, Calvin just couldn’t understand how no one else got it. He was also an introvert, which isn’t really a flaw but often manifests itself as standoffishness. Worst of all, he was a rower. As any non-rower can tell you, rowers are not fun. This is because rowers only ever want to talk about rowing. Get two or more rowers in a room and the conversation goes from normal topics like work or weather to long, pointless stories about boats, blisters, oars, grips, ergs, feathers, workouts, catches, releases, recoveries, splits, seats, strokes, slides, starts, settles, sprints, and whether the water was really “flat” or not. From there, it usually progresses to what went wrong on the last row, what might go wrong on the next row, and whose fault it was and/or will be. At some point the rowers will hold out their hands and compare calluses. If you’re really unlucky, this could be followed by several minutes of head-bowing reverence as one of them recounts the perfect row where it all felt easy.
”
”
Bonnie Garmus (Lessons in Chemistry)
“
Single parenting isn’t just being the only one to take care of your kid. It’s not about being able to “tap out” for a break or tag team bath- and bedtime; those were the least of the difficulties I faced. I had a crushing amount of responsibility. I took out the trash. I brought in the groceries I had gone to the store to select and buy. I cooked. I cleaned. I changed out the toilet paper. I made the bed. I dusted. I checked the oil in the car. I drove Mia to the doctor, to her dad's house. I drove her to ballet class if I could find one that offered scholarships and then drove her back home again. I watched every twirl, every jump, and every trip down the slide. It was me who pushed her on the swing, put her to sleep at night, kissed her when she fell. When I sat down, I worried. With the stress gnawing at my stomach, worrying. I worried that my paycheck might not cover bills that month. I worried about Christmas, still four months away. I worried that Mia's cough might become a sinus infection that would keep her out of day care... . I worried that I would have to reschedule work or miss it altogether.
”
”
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
“
Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light.
She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Not much different from the morgue. Smaller,” she noted, scanning the steel worktables, the gullies on the sides, the hoses and tubes and tools. “I guess he got some of his knowledge of anatomy working here. Might have had some of his early practice sessions on corpses.”
“Charming thought.”
“Yeah, well, being as they were already dead—hopefully—it probably didn’t upset them too much. Oh, and FYI? When my time comes, I don’t want the preservatives and the stylist. You can just build a big fire, slide me in. Then you can throw yourself on the pyre to show your wild grief and constant devotion.”
“I’ll make a note of it.
”
”
J.D. Robb (Creation in Death (In Death, #25))
“
By the time we reached the front door of the party house—a total mansion, like Harrison had said—Nathan was far behind us. Well, he’d promised to stay out of our hair.
“Wow,” I heard Bailey gasp as the front door swung open for us, though I wasn’t sure if that was her reaction to the freakishly large house or to the drop-dead-gorgeous guy standing in front of us.
“Good evening, ladies,” he said, stepping aside to let us enter.
Automatically, I found myself standing up taller and sliding my shoulder blades back for optimum cleavage exposure. It was like a flirting reflex. I just wished I wasn’t all sunburned. “Hello to you.”
He grinned at me. A cocky, sexy grin. “I don’t believe we’ve met,” he said. He glanced at Bailey then. “Any of us. I’m sure I’d remember those pretty faces.”
I swear, Bailey was blushing so hard I could feel the heat radiating from her body.
“Oh, you’d remember,” I agreed, tossing back my hair and putting a hand on my hip. “I’m Whi—”
“Whitley!”
I jumped and spun around involuntarily. Harrison was standing beside me, looking thoroughly delighted. “Hello again, darling. You look gorgeous—and the lack of flip-flops is making my day. Those slingbacks are perfect!”
I nodded, glancing over my shoulder at the hot guy, but he’d already moved on and was chatting with a group of kids a few feet away. Goddamn it.
“Wesley is just so busy,” Harrison said, following my gaze. “You have to give him credit for being a great host. He talks to everyone. Seems like way too much work to me.
”
”
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
“
She tamped down the awful urge to cry with a fierceness that her mother had always deplored, especially in the wake of her father’s death, when her other daughters, and the aunts and cousins, were all wailing and beating their breasts. ‘And you were his favourite too!’ But Parminder kept her unwept tears locked tightly inside where they seemed to undergo an alchemical transformation, returning to the outer world as lava slides of rage, disgorged periodically at her children and the receptionists at work.
”
”
J.K. Rowling (The Casual Vacancy)
“
It was time to let go. That day on the Shadow Fold, Mal had saved my life, and I had saved his. Maybe that was meant to be the end of us. The thought filled me with grief, grief for the dreams we’d shared, for the love I’d felt, for the hopeful girl I would never be again. That grief flooded through me, dissolving a knot that I hadn’t even known was there. I closed my eyes, feeling tears slide down my cheeks, and I reached out to the thing within me that I’d kept hidden for so long. I’m sorry, I whispered to it. I’m sorry I left you so long in the dark. I’m sorry, but I’m ready now. I called and the light answered. I felt it rushing toward me from every direction, skimming over the lake, skittering over the golden domes of the Little Palace, under the door and through the walls of Baghra’s cottage. I felt it everywhere. I opened my hands and the light bloomed right through me, filling the room, illuminating the stone walls, the old tile oven, and every angle of Baghra’s strange face. It surrounded me, blazing with heat, more powerful and more pure than ever before because it was all mine. I wanted to laugh, to sing, to shout. At last, there was something that belonged wholly and completely to me. “Good,” said Baghra, squinting in the sunlight. “Now we work.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
The top 1% holds nearly half of the financial wealth, the greatest concentration of wealth of any industrialized nation, more concentrated than at any time since the Depression. In 1980, on average, CEOs earned 42 times the salary of the average worker, and these days they earn about 476 times that salary. Since 1980, the rich have been getting richer fast and furiously and hard-working people in the middle are sliding down the greasy slope who never imagined this could happen to them. The concentration of wealth and power in the hands of a few is the death knell of democracy. No republic in the history of humankind has survived this.
”
”
Garrison Keillor (Homegrown Democrat: A Few Plain Thoughts from the Heart of America)
“
Being in a relationship doesn’t mean that you never get aroused by anything else ever again. It just means that you don’t act on it. I think it’s healthy to maintain the ability to be aroused in other situations. Relationships shouldn’t be a prison.
You’d have gotten hard before, and you should now. As long as you know that the only person you’re going to be sliding your big hard cock in to, we’re fine. There really is a happy medium between the craziness of your parents with their compulsion to continue having sex with anyone they wanted, and couples who expect one another to be perfect at all times with the idea that no feelings of sexuality outside of the relationship are acceptable. Both of those types of relationships would never work for me. What’s perfect for me is that we stay ourselves, and make each other truly happy
”
”
Ella Fox (Broken Hart (The Hart Family, #1))
“
Here it comes,” I say gleefully. “The levelheaded reason for why they stay in the house.”
“Watch, the ghost won’t let them leave,” Logan guesses.
He guesses wrong.
On the screen, the characters argue about whether they should go, and one of the girls announces, “We’re doing important work here, guys! We’re proving the existence of paranormal entities! Science needs this. Science needs us.”
I burst out laughing, shuddering against Logan’s rock-hard chest. “Did you hear that, Johnny? Science needs them.”
“I fucking hate you,” he grumbles.
“Five bucks…” I say in a singsong voice.
His hand slides down to pinch my butt, making me squeak in surprise. “Go ahead and gloat. You win the battle by getting five bucks out of me, but I win the war.”
I sit up. “How do you figure?”
“Because you still have to sit through the rest of this movie, and you’re going to hate every second of it. I, on the other hand, am enjoying it immensely.”
The jerk is absolutely right.
Unless…
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
certain categories of us are more crucial to our identities than the kind of car we drive or the number of dots we can guess on a slide—gender, sexuality, religion, politics, ethnicity, and nationality, for starters. Without feeling attached to groups that give our lives meaning, identity, and purpose, we would suffer the intolerable sensation that we were loose marbles floating in a random universe. Therefore, we will do what it takes to preserve these attachments. Evolutionary psychologists argue that ethnocentrism—the belief that our own culture, nation, or religion is superior to all others—aids survival by strengthening our bonds to our primary social groups and thus increasing our willingness to work, fight, and occasionally die for them. When things are going well, people feel pretty tolerant of other cultures and religions—they even feel pretty tolerant of the other sex!—but when they are angry, anxious, or threatened, the default position is to activate their blind spots.
”
”
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
“
What are you thinking? Sandwiches?” Finn asked in a hopeful voice. “No. I’m in the mood for something sweet.” I grabbed the butter out of the fridge, then rummaged through the cabinets. Flour, oats, dried apricots, golden raisins, brown sugar, vanilla. I pulled them out, along with some mixing cups, a baking pan, a spatula, and a bowl. Finn settled himself at the kitchen table and drank his coffee while I worked. By the time Jo-Jo walked back into the kitchen, I was sliding the batter into the oven. “Whatcha making?” the dwarf asked, pouring herself a cup of coffee. “Apricot bars,
”
”
Jennifer Estep (Web of Lies (Elemental Assassin, #2))
“
Whatever. If I don’t get off, then you don’t get off either. You’ll be suffering as much as I will.” He drops my shoe onto the floor and arches his brow at me. “Is that right?” “Yes,” I state with a clipped tone. My other shoe gets tossed over his shoulder, but I don’t care where because all my attention is drawn down to his hands as he works his cock free and begins stroking it. I gasp and reach out for it, my mouth watering at the sight. “Oh, my God. Let me do that.” “No.” He lets his khakis slide down to mid-thigh as he stares at my body, his hand working his glorious cock. I’ve never seen Reese jerk off before, and I’m kicking myself for never requesting that he do it in front of me. This is insanely hot, probably one of the hottest things to witness. His upper body is flexed completely, every muscle bulging out at me, screaming for my hands. And then there’s his cock.
”
”
J. Daniels (Sweet Possession (Sweet Addiction, #2))
“
Leaning against my car after changing the oil,
I hold my black hands out and stare into them
as if they were the faces of my children looking
at the winter moon and thinking of the snow
that will erase everything before they wake.
In the garage, my wife comes behind me
and slides her hands beneath my soiled shirt.
Pressing her face between my shoulder blades,
she mumbles something, and soon we are laughing,
wrestling like children among piles of old rags,
towels that unravel endlessly, torn sheets,
work shirts from twenty years ago when I stood
in the door of a machine shop, grease blackened,
and Kansas lay before me blazing with new snow,
a future of flat land, white skies, and sunlight.
After making love, we lie on the abandoned
mattress and stare at our pale winter bodies
sprawling in the half-light. She touches her belly,
the scar of our last child, and the black prints
of my hand along her hips and thighs.
”
”
B.H. Fairchild
“
Why do you care, anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn’t mean to use it so flippantly, but it’s too late now. "You can’t play both parts at the same time."
"I am not cruel." He scowls at me "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call you ranking a result of my favoritism rather than your skill."
I open my mouth to object, but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands.
"You didn't have to insult me to prove something to them," I say finally.
"And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck.
"Besides- it worked, didn't it?"
"At my expense."
"I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you. That you are capable of being hurt."
I slide my hands into my pockets and rock back on my heels. A strange feeling goes through me- a sweet, aching weakness. He did what he did because he believed in my strength.
At home it was Caleb who was strong, because he could forget himself, because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength.
I stand on my tiptoes, lift my head, and kiss him. Only our lips touch.
"You're brilliant. You know that?" I shake my head. "You always know exactly what to do."
"Only because I've been thinking about his for a long time," he says, kissing me briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend, Tris?"
"Not exactly." I shrug. "Why? Do you want me to?"
He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous.
"Yes," he finally says.
”
”
Veronica Roth
“
This nothingness into which the West is sliding is not the natural end, the dying, the sinking of a flourishing community of peoples. Instead, it is again a specifically Western nothingness: a nothingness that is rebellious, violent, anti-God, and antihuman. Breaking away from all that is established, it is the utmost manifestation of all the forcesopposed to God. It is nothingness as God; no one knows its goal or its measure. Its rule is absolute. It is a creative nothingness[113] that blows its anti-God breath into all that exists, creates the illusion of waking it to new life, and at the same time sucks out its true essence[114] until it soon disintegrates into an empty husk and is discarded. Life, history, family, people, language, faith—the list could go on forever because nothingness spares nothing—all fall victim to nothingness.[115]
”
”
Dietrich Bonhoeffer (Ethics (Works, Vol 6))
“
He raises his hand to my face again and I allow the touch. His fingers slide along my jawline and the warmth of his caresses radiates past my skin and into my bloodstream. Pleasing goose bumps rise on my neck.
“Do you think you’ll come back sometime?” he asks. “And let me help you with your car?”
My ears ring with the staccato thrum, thrum, thrum of my heart. Holy crap, I can’t believe this is happening to me.
“I’ll make it work. I swear.” The words tumble out of my mouth without thought. That’s not true. Actually, they tumble out with a lot of thought of how my parents won’t approve, of how my brothers will kill Isaiah, then possibly kill me. But in this moment, I don’t care what any of them think.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
I felt like we were a machine, working in unison with one another. This was perfect. With my eyes closed, there was no time, no space, no house, no kitchen, just us. We weren’t two people any more, we were an us. A we. We became one. His tongue sliding up and down, and pressing against my clit.
Each time his tongue touched my clit, my hips were raised as high as I could raise them. When he released my clit from between his tongue and his lip, I lowered my hips. This system of movements worked perfectly. It was the same every time.
With my eyes closed, I tried to focus on the movements. I don’t know how much time passed, but I heard my breathing change. I felt as if I was turning hot.
I opened my eyes and looked at Erik. His eyes were open, and he was looking at my face. His mouth encompassed my entire mound. I opened my mouth. He raised his mouth off of me for a split second.
“Do it, Kelli. Do it. Cum in my mouth. Do it. And when you do, scream. Scream, Kelli. Cum in my mouth and scream. Do you hear me?”
In a short, shallow breath, I responded, “Yes.
”
”
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
“
Jak’ri stared at her. “There are no Gathendiens on Purvel, Ava.” The Lasarans and their Aldebarian Alliance allies had decimated the Gathendien military and driven whatever remained to the outer reaches of the galaxy a long time ago.
His heart clenched when a tear spilled over her lashes and trailed down one cheek.
Her throat worked in a swallow. “That’s why I don’t think I’m on Purvel.”
Jak’ri just stared at her, uncomprehending.
She motioned to the vast blue ocean beyond the cliff. “I don’t think this is real.” Another tear slipped down her cheek. “And I really want this to be real, Jak’ri.” Easing forward, she slid her arms around him, pressed her face to his neck, and hugged him tight. “I wish this were real,” she said brokenly. “I wish you were real.”
Sliding an arm around her, he cradled her close as he kept them afloat. “I am real, Ava. I’m right here, holding you.” He pressed a kiss to her hair. “It’ll be all right. I won’t let anyone hurt you again.”
Squeezing him tighter, she whispered, “I wish this were real.”
And the despair in her sweet voice made him want to weep, too.
”
”
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
“
And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet – fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And
”
”
Donna Tartt (The Goldfinch)
“
watch myself in the mirrors at work constantly. It makes it more interesting. I used to do this ages ago out of worry of my body not looking right. Now I’m curious about what my “work moves” look like, my whiteness with a slash of dark lace underwear, my tattoos (my “permanent epaulets”) in contrast, in profile, my back arching doing a downward dog over the guy’s back before I slide down it, serpentine chin first to rub my cheek against his neck. I think about sex all the time because it’s my job. I want to make room for other stuff. I want to think about other stuff. I think?
…it’s strange to watch because it’s really just a long-ago choreographed dance, every time with a different partner. There are slightly different turns and dips, but I can almost do the counts. I feel unfair for offering this processed sex. They don’t care. Maybe I am good enough of an actress, or good enough of an empathy to make it seem authentic. Sometimes it feels that way. Sometimes they catch me watching myself bend and writhe. They usually watch. I watch myself kissing them out of the corner of my eye, to see what it looks like.
”
”
Kelley Kenney (Prose and Lore: Memoir Stories About Sex Work (Issue 1))
“
I sent a clear warning to you, Aidan." There was a hint of censure in his words, although his voice was soft.
There was a hard edge to Aidan's mouth. "I received your warning. But this is my city, Gregori, and my family. I take care of my own."
Savannah rolled her eyes. "You could just beat on your chests,you know. It probably works just as well."
You will show some respect, Gregori ordered.
Savannah burst out laughing, then reached up to caress his shadowed jaw. "Keep hoping,my love, and perhaps someday someone will obey you."
Aidan's mouth twitched, the golden eyes sliding over Gregori in amusement. "She inherited something besides her mother's good looks,did she not?"
Gregori sighed heavily. "She is impossible."
Aidan laughed,ignoring the warning flash from Gregori's pale eyes. "I believe they all are."
Savannah ducked out from under Gregori's arm and found an overstuffed chair to curl up on. "Of course we're impossible.It's the only way to stay sane."
"I would have brought Alexandria to meet you,but Gregori's warning dictated prudence." Aidan sounded smug, as if he had been able to lay down the law to his woman when Gregori was unable to do so.
Savannah flashed an impish grin up at the man. "What did you do,leave her sleeping while you ran off to play hero? I'll just bet she has a thing or two to say to you when you wake her."
Aidan had the grace to look sheepish. Then he turned to Gregori. "Your lifemate is a mean little thing, healer. I do not envy you."
Savannah laughed, unrepentant. "He's crazy about me. Don't let him fool you."
"I believe you," Aidan agreed.
"Do not encourage her in her rebellion," Gregori tried to sound severe,but she was turning him inside out.She was everything to him, even with her silliness.Where did she get her outrageous sense of humor? How could she ever be happy with someone who hadn't laughed in centuries? She melted his insides. Melted him. He was careful to keep his face expressionless. It was bad enough that Savannah knew he was practically wrapped around her little finger. Aidan didn't need to know,too.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
We have imagined that a white hospital train with a white Diesel engine has taken you through many a tunnel to a mountainous country by the sea. You are getting well there. But you cannot write because your fingers are so very weak. Moonbeams cannot hold even a white pencil. The picture is pretty, but how long can it stay on the screen? We expect the next slide, but the magic-lantern man has none left. Shall we let the theme of a long separation expand till it breaks into tears? Shall we say (daintily handling the disinfected white symbols) that the train is Death and the nursing home Paradise? Or shall we leave the picture to fade by itself, to mingle with other fading impressions? But we want to write letters to you even if you cannot answer. Shall we suffer the slow wobbly scrawl (we can manage our name and two or three words of greeting) to work its conscientious and unnecessary way across a post card which will never be mailed? Are not these problems so hard to solve because my own mind is not made up yet in regard to your death? My intelligence does not accept the transformation of physical discontinuity into the permanent continuity of a nonphysical element escaping the obvious law, nor can it accept the inanity of accumulating incalculable treasures of thought and sensation, and thought-behind-thought and sensation-behind-sensation, to lose them all at once and forever in a fit of black nausea followed by infinite nothingness. Unquote.
”
”
Vladimir Nabokov (Bend Sinister)
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….]
I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors:
Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space.
[…] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
But Wilson was ahead of the curve. Long before the first octopus-enrichment handbook was published, many octopuses ago, he set out to create a safe toy worthy of an octopus’s intellect. Working at his lab at Arthur D. Little Corp., Wilson devised a series of three clear Plexiglas cubes with different locks. The smallest of the three has a sliding latch that twists to lock down, like the bolt on a horse’s stall. You can put a live crab—a favorite food—inside and leave the lid unlocked. The octopus will lift the lid. When you lock the lid, invariably the octopus will figure out how to open it. Then it’s time to deploy the second cube. This one has a latch that slides counterclockwise to catch on a bracket. You put the crab in the first box and then lock it inside the second box. The octopus will figure it out. And finally, there’s a third cube. This one has two different latches: a bolt that slides into position to lock down, and a second one with a lever arm, sealing the lid much like an old-fashioned canning jar closes. Bill told me that once the octopus “gets it,” the animal can open all four locks in three or four minutes.
”
”
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
“
friendship nostalgia
i miss the days when
my friends knew every mundane detail
about my life and i knew every ordinary detail about theirs
adulthood has starved me of that consistency that us
those walks around the block
those long conversations when we were
too lost in the moment to care
what time it was when we won-and celebrated
when we failed and celebrated even harder
when we were just kids
now we have our very important jobs
that fill up our very busy schedules
we have to compare calendars
just to plan coffee dates
that one of us will eventually cancel
because adulthood is being
too exhausted to leave our apartments most days
i miss belonging to a group of people bigger than myself
it was that belonging that made life easier to live
how come no one warned us about
how we'd graduate and grow apart
after everything we'd been through
how come no one said
one of life's biggest challenges
would be trying to stay connected
to the people that make us feel alive
no one talks about the hole
a friend can leave inside you
when they go off to make their dreams come true
in college we used to stay up till 4 in the morning
dreaming of what we'd do
the moment we started earning real paychecks
now we finally have the money
to cross everything off our bucket lists
but those lists are collecting dust
in some lost corridor of our minds
sometimes when i get lonely
i still search for them
i'd give anything to go back
and do the foolish things we used to do
i feel the most present in your presence
when we're laughing so hard
the past slides off our shoulders
and worries of the future slip away
the truth is i couldn't survive without my friends
they know exactly what i need
before i even know that i need
the way we hold each other is just different
so forget grabbing coffee
i don't want to have another dinner
where we sit across from each other
at a table reminiscing about old times
when we have so much time left
to make new memories with
how about
you go pack your bags
and i'll pack mine
you take a week off work
i'll grab my keys
and let's go for ride
we've got years of catching up to do
”
”
Rupi Kaur
“
His lips fell back against mine and in the blink of an eye, our bathing suits were shed. He fisted my hair and tilted my head off to the side, nibbling down my neck as he sucked marks against my skin. I felt my pussy heating for him. I felt my toes curling as he kissed down the valley of my breasts. He cupped them forcefully, massaging and tweaking my puckered peaks as I moaned and squealed and whimpered. “Teo,” I whispered. He growled. “Already so wet for me.” He slid two fingers inside of my body and my back arched dangerously. He crooked them against that pebbled spot as his thumb slid against my clit, and already I felt my ending approaching. I fisted the bed sheets as he pumped his dexterous fingers, tickling that sweet spot that made my eyes widen and my jaw unhinge with silent pleasure. An unearthly drone bubbled up the back of my throat as my orgasm crashed over me. But, nothing felt even remotely wonderful compared to the feeling of his cock sliding between my legs. “Holy fuck,” he growled. He pinned my wrists above my head and pounded against my body. My tits jumped for his viewing pleasure as he planted his knees into the mattress. My legs locked around him as I opened myself up for his assault. His thick dick, sliding against my walls as they clamped around him. My body, puckering at every movement and every sound he graced me with. All I knew was pleasure. All I understood was his presence. And the only name that came to mind as my second orgasm approached was his name. “Teo! Holy shit!” I exclaimed. He grunted. “Come for me. Squeeze that tight little pussy ar—ound—oh, shit.” He slowed his movements long enough to work me through an ecstasy that crashed so hard against my body that my vision tunneled. My body shook and tensed. Contracted and released. Then finally, my back collapsed to the bed. I felt physically spent until Teo’s dick slid from between my legs. And automatically, I missed him.
”
”
Callie Vincent (Monster (Sold to the Don, #1))
“
When did pursuing your ambitions cross the line from brave into foolhardy? How did you know when to stop? In earlier, more rigid, less encouraging (and ultimately, more helpful) decades, things would be much clearer: you would stop when you turned forty, or when you got married, or when you had kids, or after five years, or ten years, or fifteen. And then you would go get a real job, and acting and your dreams for a career in it would recede into the evening, a melting into history as quiet as a briquette of ice sliding into a warm bath. But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault. Would Willem work for year upon year at Ortolan, catching the same trains to auditions, reading again and again and again, one year maybe caterpillaring an inch or two forward, his progress so minute that it hardly counted as progress at all? Would he someday have the courage to give up, and would he be able to recognize that moment, or would he wake one day and look in the mirror and find himself an old man, still trying to call himself an actor because he was too scared to admit that he might not be, might never be? According
”
”
Hanya Yanagihara (A Little Life)
“
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business.
Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
”
”
Henry David Thoreau (Walden)
“
Harry!” he panted, massaging his immense chest beneath his emerald-green silk pajamas. “My dear boy…what a surprise…Minerva, do please explain…Severus…what…?”
“Our headmaster is taking a short break,” said Professor McGonagall, pointing at the Snape-shaped hole in the window.
“Professor!” Harry shouted, his hands at his forehead. He could see the Inferi-filled lake sliding beneath him, and he felt the ghostly green boat bump into the underground shore, and Voldemort leapt from it with murder in his heart--
“Professor, we’ve got to barricade the school, he’s coming now!”
“Very well. He-Who-Must-Not-Be-Named is coming,” she told the other teachers. Sprout and Flitwick gasped; Slughorn let out a low groan. “Potter has work to do in the castle on Dumbledore’s orders. We need to put in place every protection of which we are capable while Potter does what he needs to do.”
“You realize, of course, that nothing we do will be able to keep out You-Know-Who indefinitely?” squeaked Flitwick.
“But we can hold him up,” said Professor Sprout.
“Thank you, Pomona,” said Professor McGonagall, and between the two witches there passed a look of grim understanding. “I suggest we establish basic protection around the place, then gather our students and meet in the Great Hall. Most must be evacuated, though if any of those who are over age wish to stay and fight, I think they ought to be given the chance.”
“Agreed,” said Professor Sprout, already hurrying toward the door. “I shall meet you in the Great Hall in twenty minutes with my House.”
And as she jogged out of sight, they could hear her muttering, “Tentacula. Devil’s Snare. And Snargaluff pods…yes, I’d like to see the Death Eaters fighting those.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Lacan, as we have seen in our discussion of Freud, regards the unconscious as structured like a language. This is not only because it works by metaphor and metonymy: it is also because, like language itself for the post-structuralists, it is composed less of signs — stable meanings — than of signifiers. If you dream of a horse, it is not immediately obvious what this signifies: it may have many contradictory meanings, may be just one of a whole chain of signifiers with equally multiple meanings. The image of the horse, that is to say, is not a sign in Saussure’s sense - it does not have one determined signified tied neatly to its tail - but is a signifier which may be attached to many different signifieds, and which may itself bear the traces of the other signifiers which surround it. (I was not aware, when I wrote the above sentence, of the word-play involved in ‘horse’ and ‘tail’: one signifier interacted with another against my conscious intention.) The unconscious is just a continual movement and activity of signifiers, whose signifieds are often inaccessible to us because they are repressed. This is why Lacan speaks of the unconscious as a ‘sliding of the signified beneath the signifier’, as a constant fading and evaporation of meaning, a bizarre ‘modernist’ text which is almost unreadable and which will certainly never yield up its final secrets to interpretation.
”
”
Terry Eagleton (Literary Theory: An Introduction)
“
One day in the next five hundred billion years, while the probes complete one full circuit of the Milky Way, maybe they’ll stumble upon intelligent life. In forty thousand years or so, when the two probes sail close enough to a planetary system, maybe just maybe one of these plants will be home to some life form which will spy the probe with whatever it has that passes for eyes, stay its telescope, retrieve the derelict fuel-less old probe with whatever it has that passes for curiosity, lower the stylus (supplied) to the record with whatever it has that passes for digits, and set free the dadadadaa of Beethoven’s Fifth. It’ll roll like thunder through a different frontier. Human music will permeate the Milky Way’s outer reaches. There’ll be Chuck Berry and Bach, there’ll be Stravinsky and Blind Willie Johnson, and the didgeridoo, violin, slide guitar and shakuhachi. Whale song will drift through the constellation of Ursa Minor. Perhaps a being on a planet of the star AC +793888 will hear the 1970s recording of sheep bleat, laughter, footsteps, and the soft pluck of a kiss. Perhaps they’ll hear the trundle of a tractor and the voice of a child.
When they hear on the phonograph a recording of rapid firecracker drills and bursts, will they know that these sounds denote brainwaves? Will they ever infer that over forty thousand years before in a solar system unknown a woman was rigged to an EEG and her thoughts recorded? Could they know to work backwards from the abstract sounds and translate them once more into brainwaves, and could they know from these brainwaves the kinds of thoughts the woman was having? Could they see into a human’s mind? Could they know she was a young woman in love? Could they tell from this dip and rise in the EEG’s pattern that she was thinking simultaneously of earth and lover as if the two were continuous? Could they see that, though she tried to keep her mental script, to bring to mind Lincoln and the Ice Age and the hieroglyphs of ancient Egypt and whatever grand things have shaped the earth and which she wished to convey to an alien audience, every thought cascaded into the drawn brows and proud nose of her lover, the wonderful articulation of his hands and the way he listened like a bird and how they had touched so often without touching. And then a spike in sound as she thought of that great city Alexandria and of nuclear disarmament and the symphony of the earth’s tides and the squareness of his jaw and the way he spoke with such bright precision so that everything he said was epiphany and discovery and the way he looked at her as though she were the epiphany he kept on having and the thud of her heart and the flooding how heat about her body when she considered what it was he wanted to do to her and the migration of bison across a Utah plain and a geisha’s expressionless face and the knowledge of having found that thing in the world which she ought never to have had the good fortune of finding, of two minds and bodies flung at each other at full dumbfounding force so that her life had skittered sidelong and all her pin-boned plans just gone like that and her self engulfed in a fire of longing and thoughts of sex and destiny, the completeness of love, their astounding earth, his hands, his throat, his bare back.
”
”
Samantha Harvey (Orbital)
“
How old is she now?” “Oh, she’s twenty now.” She hesitated. She was obligated to end our little chat with a stylized flourish. The way it’s done in serial television. So she wet her little bunny mouth, sleepied her eyes, widened her nostrils, patted her hair, arched her back, stood canted and hip-shot, huskied her voice and said, “See you aroun’, huh?” “Sure, Marianne. Sure.” Bless them all, the forlorn little rabbits. They are the displaced persons of our emotional culture. They are ravenous for romance, yet settle for what they call making out. Their futile, acne-pitted men drift out of high school into a world so surfeited with unskilled labor there is competition for bag-boy jobs in the supermarkets. They yearn for security, but all they can have is what they make for themselves, chittering little flocks of them in the restaurants and stores, talking of style and adornment, dreaming of the terribly sincere stranger who will come along and lift them out of the gypsy life of the two-bit tip and the unemployment, cut a tall cake with them, swell them up with sassy babies, and guide them masterfully into the shoal water of the electrified house where everybody brushes after every meal. But most of the wistful rabbits marry their unskilled men, and keep right on working. And discover the end of the dream. They have been taught that if you are sunny, cheery, sincere, group-adjusted, popular, the world is yours, including barbecue pits, charge plates, diaper service, percale sheets, friends for dinner, washer-dryer combinations, color slides of the kiddies on the home projector, and eternal whimsical romance—with crinkly smiles and Rock Hudson dialogue. So they all come smiling and confident and unskilled into a technician’s world, and in a few years they learn that it is all going to be grinding and brutal and hateful and precarious. These are the slums of the heart. Bless the bunnies. These are the new people, and we are making no place for them. We hold the dream in front of them like a carrot, and finally say sorry you can’t have any. And the schools where we teach them non-survival are gloriously architectured. They will never live in places so fine, unless they contract something incurable.
”
”
John D. MacDonald (The Deep Blue Good-By)
“
Now comes the fun part,” he whispered. His cold hands ran down my calves to my ankles, which he pressed against the side of the couch and into hard metal bands that snapped around them like shackles. “What was that?” I asked, sitting up. He stood, his muscular frame leaning as he towered over me, his chest sliding over my spread legs. “Those are to keep you where I want you,” Saxon whispered as his hands continued over my body, gliding or whispering over my abdomen, around my breasts, to my shoulders, and down my arms. The farther up my arms his fingers moved, the closer he came to my lips, to my neck. His fangs were fully exposed. “Do you want to be mine?” Saxon asked, his nose trailing over my neck. He planted his lips against my jaw, the touch a burning cold. I shivered. “Do you want to be right where I want you?” “Yes,” I gasped, knowing that I did, no matter how terrifying the fact that I couldn't move was making me. “Good,” Saxon whispered, his hands rough against my arm as he pressed my wrists against the sides of the couch and into the bands that instantly snapped together to lock me in place. I made a sound that was half fear, half pleasure. As I re-balanced my weight trying to get away from the cold bands only to find that I was captured. Held against the couch. Caught underneath the Vampire who smiled as he ripped my bra and panties from my soaked and wanting body in one quick motion. “You smell so good, Ivy,” Saxon said, running his nose down my neck and over my bare breasts where his tongue darted out to capture my nipple for a moment. I moaned and he continued down, his hands running down my sides, down my legs, as he inhaled the scent of my stomach. The scent of my sex. “My rose,” he murmured, burying his face between my legs, his cold tongue darting out to flick at my clit. I gasped at the contact, a thrill of pleasure shooting up my spine. My body convulsed as he nipped at the tiny nub of aroused flesh, my back attempting to arch, my hips working to press in to him, but I couldn’t move. Judging by the pricks of cold metal that was all up and down my legs and arms, he had bound me by more than my ankles and wrists. A split second of panic captured my breath. “Saxon,” I moaned, shifting as the pleasure began to overtake me.
”
”
Rae Foxx (The Bloodwood Academy Shifter: Semester Two (The Bloodwood Academy, #2))
“
I think I would make a very good astronaut.
To be a good astronaut you have to be intelligent and I’m intelligent. You also have to understand how machines work and I’m good at understanding how machines work. You also have to be someone who would like being on their own in a tiny spacecraft thousands and thousands of miles away from the surface of the earth and not panic or get claustrophobia or homesick or insane. And I really like little spaces, so long as there is no one else in them with me. Sometimes when I want to be on my own I get into the airing cupboard outside the bathroom and slide in beside the boiler and pull the door closed behind me and sit there and think for hours and it makes me feel very calm.
So I would have to be an astronaut on my own, or have my own part of the space craft which no one else could come into.
And also there are no yellow things or brown things in a space craft, so that would be okay too.
And I would have to talk to other people from Mission Control, but we would do that through a radio linkup and a TV monitor, so they wouldn’t be like real people who are strangers, but it would be like playing a computer game.
Also I wouldn’t be homesick at all because I’d be surrounded by things I like, which are machines and computers and outer space. And I would be able to look out of a little window in the spacecraft and know that there was no one near me for thousands and thousands of miles, which is what I sometimes pretend at night in the summer when I go and lie on the lawn and look up at the sky and I put my hands round the sides of my face so that I can’t see the fence and the chimney and the washing line and I can pretend I’m in space.
And all I could see would be stars. And stars are the places where molecules that life is made of were constructed billions of years ago. For example, all the iron in your blood which keeps you from being anemic was made in a star.
And I would like it if I could take Toby with me into space, and that might be allowed because they sometimes do take animals into space for experiments, so if I could think of a good experiment you could do with a rat that didn’t hurt the rat, I could make them let me take Toby.
But if they didn’t let me I would still go because it would be a Dream Come True.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—”
“If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.”
Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders.
“Where is it?” he asked.
“The key?”
His tone was deadly. “Yes, Daisy. The key.”
“It fell inside my corset. Which means… I’ll have to take that off too.”
There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew.
He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her.
Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap.
Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset.
She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise.
The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew.
His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her.
Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?”
“No.”
But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders.
He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat.
Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff.
Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer.
Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.”
He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))