Words Are Like Arrows Quotes

The trouble is, sometimes words are like arrows. Once you shoot them, there's no going back.

Wise words are like arrows flung at your forehead. What do you do? Why, you duck of course.

Words are like arrows, Arianne. Once loosed, you cannot call them back.

Something Vimes had learned as a young guard drifted up from memory. If you have to look along the shaft of an arrow from the wrong end, if a man has you entirely at his mercy, then hope like hell that man is an evil man. Because the evil like power, power over people, and they want to see you in fear. They want you to know you're going to die. So they'll talk. They'll gloat. They'll watch you squirm. They'll put off the moment of murder like another man will put off a good cigar. So hope like hell your captor is an evil man. A good man will kill you with hardly a word.

Poetry And it was at that age... Poetry arrived in search of me. I don’t know, I don’t know where it came from, from winter or a river. I don’t know how or when, no, they were not voices, they were not words, nor silence, but from a street I was summoned, from the branches of night, abruptly from the others, among violent fires or returning alone, there I was without a face and it touched me. I did not know what to say, my mouth had no way with names my eyes were blind, and something started in my soul, fever or forgotten wings, and I made my own way, deciphering that fire and I wrote the first faint line, faint, without substance, pure nonsense, pure wisdom of someone who knows nothing, and suddenly I saw the heavens unfastened and open, planets, palpitating planations, shadow perforated, riddled with arrows, fire and flowers, the winding night, the universe. And I, infinitesimal being, drunk with the great starry void, likeness, image of mystery, I felt myself a pure part of the abyss, I wheeled with the stars, my heart broke free on the open sky.

Man is a rope stretched between the animal and the Superman--a rope over an abyss. A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting. What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is an OVER-GOING and a DOWN-GOING. I love those that know not how to live except as down-goers, for they are the over-goers. I love the great despisers, because they are the great adorers, and arrows of longing for the other shore. I love those who do not first seek a reason beyond the stars for going down and being sacrifices, but sacrifice themselves to the earth, that the earth of the Superman may hereafter arrive. I love him who lives in order to know, and seeks to know in order that the Superman may hereafter live. Thus seeks he his own down-going. I love him who labors and invents, that he may build the house for the Superman, and prepare for him earth, animal, and plant: for thus seeks he his own down-going. I love him who loves his virtue: for virtue is the will to down-going, and an arrow of longing. I love him who reserves no share of spirit for himself, but wants to be wholly the spirit of his virtue: thus walks he as spirit over the bridge. I love him who makes his virtue his inclination and destiny: thus, for the sake of his virtue, he is willing to live on, or live no more. I love him who desires not too many virtues. One virtue is more of a virtue than two, because it is more of a knot for one's destiny to cling to. I love him whose soul is lavish, who wants no thanks and does not give back: for he always bestows, and desires not to keep for himself. I love him who is ashamed when the dice fall in his favor, and who then asks: "Am I a dishonest player?"--for he is willing to succumb. I love him who scatters golden words in advance of his deeds, and always does more than he promises: for he seeks his own down-going. I love him who justifies the future ones, and redeems the past ones: for he is willing to succumb through the present ones. I love him who chastens his God, because he loves his God: for he must succumb through the wrath of his God. I love him whose soul is deep even in the wounding, and may succumb through a small matter: thus goes he willingly over the bridge. I love him whose soul is so overfull that he forgets himself, and all things that are in him: thus all things become his down-going. I love him who is of a free spirit and a free heart: thus is his head only the bowels of his heart; his heart, however, causes his down-going. I love all who are like heavy drops falling one by one out of the dark cloud that lowers over man: they herald the coming of the lightning, and succumb as heralds. Lo, I am a herald of the lightning, and a heavy drop out of the cloud: the lightning, however, is the SUPERMAN.--

Take care with your words, Jacquetta, especially in cursing. Only say the things you mean, make sure you lay your curse on the right man. For be very sure that when you put such words out in the world they can overshoot-like an arrow, a curse can go beyond your target and harm another. A wise woman curses very sparingly.

The three of us do not go out very often as the three of us. I think Daniel is perfect for Jed, which is the highest compliment I can give. But my friendship isn't with him, and Jed understands that. When we hit the road, we hit it together alone. We get to the bridge, out undestined destination. Even though there's no sign, no arrow, Jed turns at the last minute and parks us in a verge right before the bridge leaves the ground. The trunk pops open, and Jed runs round back to retrieve a bag of oranges and a sweatshirt that fits me better. Shall we make like lizards and leap? he asks. I never felt the urge to jump off a bridge, but there are times I have wanted to jump out of my life, out of my skin. Would you stroll me down the promenade instead? I ask back. Most certainly, my splendid. There is no word for our kind of friendship. Two people tho don't see each other a lot, but can make each other effortlessly happy.

She knew those horrid words were addressed to her. They felt like the icy tip of an arrow meant to conjure up destruction, coming from the most venomous abyss imaginable, rammed right into her chest with the utmost authority, entitlement, and pleasure.

My uniform felt like a costume. I put on a fresh coat of black nail polish. I twisted up a tube of Revlon Red and put my war paint on. I sharpened the tips of my Fierce Words so they were like a row of shiny arrows.

What we are looking at when we read are words, made up of letterforms, but we are trained to see past them-to look at what the words and letterforms point toward. Words are like arrows-they are something, and they also point toward something.

But before she could speak another word, he crushed his mouth against hers. It was so unexpected that she hadn't the chance to even think of pushing him away. His body pressed her firmly against the rough cave wall. His hands slid down to her waist to pull her closer to him. And just like that, with his proximity, with his kiss, he managed to fill her every sense. He was smoke from the campfire, he was leaves and moss and the night itself. There was nothing gentle in the rebel's kiss, nothing sweet or kind. It was like nothing she'd ever experience before, and so very dangerous—every bit as deadly as the kiss of an arrow. Finally, he pulled back just a little, his dark eyes glazed as if half drunk. "Princess..." He cupped her face between his hands, his breath ragged. Her lips felt bruised. "I suppose that's how Paelsians show their anger and frustration?

Ill wishing is a curse on the woman who does it, as well as the one who receives it. When you put such words out in the world, they can overshoot-like an arrow. A curse can go beyond your target and harm another. A wise woman curses very sparingly. I would hope that you never curse at all." "Bless you my daughter, and may you remain pure in heart and get your desires.

The truths Phaedrus began to pursue were lateral truths; no longer the frontal truths of science, those toward which the discipline pointed, but the kind of truth you see laterally, out of the corner of your eye. In a laboratory situation, when your whole procedure goes haywire, when everything goes wrong or is indeterminate or is so screwed up by unexpected results you can't make head or tail out of anything, you start looking laterally. That's a word he later used to describe a growth of knowledge that doesn't move forward like an arrow in flight, but expands sideways, like an arrow enlarging in flight, or like the archer, discovering that although he has hit the bull's-eye and won the prize, his head is on a pillow and the sun is coming in the window. Lateral knowledge is knowledge that's from a wholly unexpected direction, from a direction that's not even understood as a direction until the knowledge forces itself upon one. Lateral truths point to the falseness of axioms and postulates underlying one's existing system of getting at truth.

I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes. “Why do you wear those?” asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass. “Gah!” I said. “Don’t do that!” My miniature captive came to the edge of the dresser and peered down at me. “Don’t ask questions?” “Don’t come in here all quiet and spooky and scare me like that!” “You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.” “Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!” “Why not?” “Because of what could happen!” “Because they might fall down on the floor?” “No!” I snarled. Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.” “So why do you wear those?” I blinked. “Clothes?” “Yes. You don’t need them unless it’s cold or raining.” “You’re wearing clothes.” “I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.” “No, it won’t.” I sighed. Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?” “No.” “Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.” “Why?” “Because if you don’t, I  .  .  . I  .  .  . might pull your arms out of your sockets.” At that, she frowned. “Why?” “Because I have to maintain discipline, don’t I?” “True,” she said gravely. “But I have no clothes.” I counted to ten mentally. “I’ll  .  .  . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.” “Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said. “That’s what I was going for.” “You have a visitor, my lord.” I frowned. “What?” “That is why I came in here. You have a visitor waiting for you.” I stood up, exasperated. “Why didn’t you say so?” Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.” “It would not shock me in the least,” I said. “Would you like me to cut open your skull and check, my lord?” she asked. Someone that short should not be that disturbing. “I  .  .  . No. No, but thank you for the offer.” “It is my duty to serve,” Lacuna intoned. My life, Hell’s bells.

Words were sometimes like ammo. They could strike you with fear worse than an arrow. And worse was sometimes knowing ahead a time what the words were.

You choke my throat With words of wonder You make it hard to breathe Your love's so cold Just like an arrow Pierced through my skin I bleed

Silence is a prince’s friend, the captain had heard him tell his daughter once. Words are like arrows, Arianne. Once loosed, you cannot call them back.

I’m seething with rage, yet I can’t show it. I’d like to scream, stamp my foot, give Mother a good shaking, cry and I don’t know what else because of the nasty words, mocking looks and accusations that she hurls at me day after day, piercing me like arrows from a tightly strung bow, which are nearly impossible to pull from my body. I’d

...and also celebrate the Skill of the Scythians in that Art, who sent once to Darius King of Persia an Embassador that made him a present of a Bird, a Frog, a Mouse, and five Arrows, without speaking one word; and being ask'd what those Presents meant, and if he had Commission to say any thing, answer'd that he had not; Which puzzl'd and gravell'd Darius very much; till Gobrias, one of the seven Captains that had kil'd the Magi explain'd it, saying to Darius, By these Gifts and Offerings the Scythians silently tell you, that except the Persians like Birds fly up to Heaven, like Mice hide themselves near the Centre of the Earth, or like Frogs dive to the very bottom of Ponds and Lakes, they shall be destroyed by the Power and Arrows of the Scythians.

Whenever elephants met men, elephants fared badly. Syria's final elephants were exterminated by twenty-five hundred years ago. Elephants were gone from much of China literally before the year 1 and much of Africa by the year 1000. Meanwhile, in India and southern Asia, elephants became the mounts of kings; tanks against forts, prisoners' executioners, and pincushions of arrows, driven mad in battle; elephants became logging trucks and bulldozers, and, as with other slaves, their forced labor requires beatings and abuse. Since Roman times, humans have reduced Africa's elephant population by perhaps 99 percent. African elephants are gone from 90 percent of the lands they roamed as recently as 1800, when, despite earlier losses, an estimated twenty-six million elephants still trod the continent. Now they number perhaps four hundred thousand. (The diminishment of Asian elephants over historic times is far worse.) The planet's menagerie has become like shards of broken glass; we're grinding the shards smaller and smaller.

Do not allow another person to set you back. Continue moving forward not backwards. When someone pulls you back, be like the arrow to a bow and spring forth greater than ever. And, what they thought would be your disadvantage, you turn it into your advantage.

If we imagine that our words are like arrows, then we can say that those arrows always fall short of the heavenly realm to which we aim them. In short, an emerging discourse acknowledges that speaking of God is never speaking of God but only ever speaking about our understanding of God.

One of them doesn’t want you, Zara. One of them only wants to see if he can take you away from the other. That’s part of the appeal.” She levels me with her gaze, and I feel her next words like an arrow to the heart. “Once he gets you, he’ll drop you, and it’ll hurt like hell when he does.

Peter, Adam's Son," said Father Christmas. "Here, sir," said Peter. "These are your presents," was the answer, "and they are tools, not toys. The time to use them is perhaps near at hand. Bear them well." With these words he handed to Peter a shield and a sword. The shield was the color of silver and across it there ramped a red lion, as bright as a ripe strawberry at the moment when you pick it. The hilt of the sword was of gold and it had a sheath and a sword belt and everything it needed, and it was just the right size and weight for Peter to use. Peter was silent and solemn as he received these gifts, for he felt they were a very serious kind of present. "Susan, Eve's Daughter," said Father Christmas. "These are for you," and he handed her a bow and a quiver full of arrows and a little ivory horn. "You must use the bow only in great need," he said, "for I do not mean you to fight in the battle. It does not easily miss. And when you put this horn to your lips and blow it, then, wherever you are, I think help of some kind will come to you." Last of all he said, "Lucy, Eve's Daughter," and Lucy came forward. He gave her a little bottle of what looked like glass (but people said afterwards that it was made of diamond) and a small dagger. "In this bottle," he said, "there is a cordial made of the juice of one of the fire-flowers that grow on the mountains of the sun. If you or any of your friends is hurt, a few drops of this will restore them. And the dagger is to defend yourself at great need. For you also are not to be in the battle." "Why, sir?" said Lucy. "I think- I don't know- but I think I could be brave enough." "That is not the point," he said. "But battles are ugly when women fight.

In my script-like scrawl, I wrote: If you find my body, ask Hazzard. I leaned back and surveyed my words. Then I drew a little bow and arrow. The police would need clues, right?

I still don’t really like the word ‘destiny.’ It’s just a target that people draw after the fact, in the place where the arrow landed.

Ill-wishing is a curse on the woman who does it, as well as the one who receives it. When you put such words out in the world they can overshoot – like an arrow

...he wished he could take his words back. But words were like arrows. Once you let them go and they hit their target, you couldn't take the arrow back without leaving a hole behind.

Well, the death of the body is the flight of the arrow. It's makin' a straight line for the brain. No dodgin' it not for anyone. People have't die, the body has't fall. Time is hurlin' that arrow forward. And yet, like I was sayin' thought goes on subdividin' that time for ever and ever. The paradox becomes real. The arrow never hits. In other words, immortality.

Why do we need to be pardoned? What are we to be pardoned for? For not dying of hunger? For not accepting humbly the historic burden of disdain and abandonment? For having risen up in arms after we found all other paths closed? For not heeding the Chiapas penal code, one of the most absurd and repressive in history? For showing the rest of the country and the whole world that human dignity still exists even among the world’s poorest peoples? For having made careful preparations before we began our uprising? For bringing guns to battle instead of bows and arrows? For being Mexicans? For being mainly indigenous? For calling on the Mexican people to fight by whatever means possible for what belongs to them? For fighting for liberty, democracy and justice? For not following the example of previous guerrilla armies? For refusing to surrender? For refusing to sell ourselves out? Who should we ask for pardon, and who can grant it? Those who for many years glutted themselves at a table of plenty while we sat with death so often, we finally stopped fearing it? Those who filled our pockets and our souls with empty promises and words? Or should we ask pardon from the dead, our dead, who died “natural” deaths of “natural causes” like measles, whooping cough, break-bone fever, cholera, typhus, mononucleosis, tetanus, pneumonia, malaria and other lovely gastrointestinal and pulmonary diseases? Our dead, so very dead, so democratically dead from sorrow because no one did anything, because the dead, our dead, went just like that, with no one keeping count with no one saying, “Enough!” which would at least have granted some meaning to their deaths, a meaning no one ever sought for them, the dead of all times, who are now dying once again, but now in order to live? Should we ask pardon from those who deny us the right and capacity to govern ourselves? From those who don’t respect our customs and our culture and who ask us for identification papers and obedience to a law whose existence and moral basis we don’t accept? From those who oppress us, torture us, assassinate us, disappear us from the grave “crime” of wanting a piece of land, not too big and not too small, but just a simple piece of land on which we can grow something to fill our stomachs? Who should ask for pardon, and who can grant it?

Sometimes I hate this language with its false words like sunset. The sun does not set. It doesn't rise either. It just stays there in one place, yet we get all romantic, huddling on beaches to watch its so-called departure, when it is we who turn away from it, which is a good thing-if the sun could turn, it would never come back, it'd just keep going, look for some better planet to nourish. Moonlight is another lie. It's a luminescent echo. The moon is a politician whose speeches are written by the sun. I long for a world where witnesses in court must place their hands on a dictionary when they swear. A world where an archer must ask an arrow's permission before loading it into a crossbow. A world with inverted flashlights that shoot out beams of darkness, so you can go to the beach and sabotage sunbathers, rob them of their shine. A world where people eat animals they wish to emulate. But who the hell am I? I'm just the spark from two people who rubbed their genitals together like sticks in a forest one October night because they were cold. I'm just burning the firecracker at both ends. Every morning I get up and swallow my weirdness pills. I know the glass is half full, but it's a shot glass, and there are four of us, and we're all very thirsty. I know it's easy not to cry over spilled milk when you've got another carton in the fridge.

They say the heart is just a muscle. They say it plays absolutely no role in our emotions and that its use as a symbol for love is based on archaic theories of it being the seat of the soul or something ridiculous like that. But as I quietly listened to every word she was saying to me, as each syllable shot a sharp arrow through the phone and into my ear, I swear I felt like my entire chest would collapse in on itself. I knew this feeling. They say a heart can't really break because there's nothing to be broken. But see, I once had to leave everyone I loved, and it felt this same way.

Kahlil Gibran addresses himself in what are perhaps the finest words ever written about child-raising: Your children are not your children. They are the sons and daughters of Life’s longing for itself. They come through you but not from you, And though they are with you they belong not to you. You may give them your love but not your thoughts, For they have their own thoughts. You may house their bodies but not their souls, For their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams. You may strive to be like them, but seek not to make them like you. For life goes not backward nor tarries with yesterday. You are the bow from which your children as living arrows are sent forth. The archer sees the mark upon the path of the infinite, and He bends you with His might that His arrow may go swift and far. Let your bending in the archer’s hand be for gladness; For even as He loves the arrow that flies, so He loves also the bow that is stable. 19

Only say the things you mean, make sure you lay your curse on the right man. For be very sure that when you put such words out in the world they can overshoot – like an arrow, a curse can go beyond your target and harm another. A wise woman curses very sparingly.

I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.

THE DEATH OF SALADIN You left ground and sky weeping, mind and soul full of grief. No one can take your place in existence or in absence. Both mourn, the angels, the prophets, and this sadness I feel has taken from me the taste of language, so that I can't say the flavor of my being apart. The roof of the kingdom within has collapsed! When I say the word YOU, I mean a hundred universes. Pouring grief water, or secret dripping in the heart, eyes in the head or eyes of the soul, I saw yesterday that all these flow out to find you when you're not here. That bright fire bird Saladin went like an arrow, and now the bow trembles and sobs. If you know how to weep for human beings, weep for Saladin.

While a thousand memories and moments, words, the first darling, the second time Carol had met her at the store, a thousand memories of Carol's face, her voice, moments of anger and laughter flashed like the tail of a comet across her brain. And now it was pale-blue distance and space, an expanding space in which she took flight suddenly like a long arrow.

Like arrows in the hand of a warrior are the children of one's youth." Psalm 127:4 Arrows in the wrong hands can cause a lot of destruction. Well-trained arrows, however, can save a nation. No arrow will change course mid-flight. I am not saying that a right environment guarantees our children's salvation. It most certainly does not. Children are born sinners. We do however, give them a great head start by helping them to curb passions and learn self-control and other godly traits. They must ultimately repent and believe in the Lord Jesus Christ for personal salvation, and they will still deal with sin as we all must. We do, however, prepare the soil for receiving the seed of God's word. Seed sown in good soil will bear much fruit.

Suffice it to say I was compelled to create this group in order to find everyone who is, let's say, borrowing liberally from my INESTIMABLE FOLIO OF CANONICAL MASTERPIECES (sorry, I just do that sometimes), and get you all together. It's the least I could do. I mean, seriously. Those soliloquies in Moby-Dick? Sooo Hamlet and/or Othello, with maybe a little Shylock thrown in. Everyone from Pip in Great Expectations to freakin' Mr. Rochester in Jane Eyre mentions my plays, sometimes completely mangling my words in nineteenth-century middle-American dialect for humorous effect (thank you, Sir Clemens). Many people (cough Virginia Woolf cough) just quote me over and over again without attribution. I hear James Joyce even devoted a chapter of his giant novel to something called the "Hamlet theory," though do you have some sort of newfangled English? It looks like gobbledygook to me. The only people who don't seek me out are like Chaucer and Dante and those ancient Greeks. For whatever reason. And then there are the titles. The Sound and the Fury? Mine. Infinite Jest? Mine. Proust, Nabokov, Steinbeck, and Agatha Christie all have titles that are me-inspired. Brave New World? Not just the title, but half the plot has to do with my work. Even Edgar Allan Poe named a character after my Tempest's Prospero (though, not surprisingly, things didn't turn out well for him!). I'm like the star to every wandering bark, the arrow of every compass, the buzzard to every hawk and gillyflower ... oh, I don't even know what I'm talking about half the time. I just run with it, creating some of the SEMINAL TOURS DE FORCE OF THE ENGLISH LANGUAGE. You're welcome.

I, like many of you artists out there, constantly shift between two states. The first (and far more preferable of the two) is white-hot, ‘in the zone’ seat-of-the-pants, firing on all cylinders creative mode. This is when you lay your pen down and the ideas pour out like wine from a royal chalice! This happens about 3% of the time. The other 97% of the time I am in the frustrated, struggling, office-corner-full-of-crumpled-up-paper mode. The important thing is to slog diligently through this quagmire of discouragement and despair. Put on some audio commentary and listen to the stories of professionals who have been making films for decades going through the same slings and arrows of outrageous production problems. In a word: PERSIST. PERSIST on telling your story. PERSIST on reaching your audience. PERSIST on staying true to your vision ….

While a thousand memories and moments, words, the first darling, the second time Carol had met her at the store, a thousand memories of Carol's face, her voice, moments of anger and laughter flashed like the tail of a comet across her brain. And now it was pale-blue distance and space, an expanding space in which she took flight suddenly like a long arrow. The arrow seemed to cross an impossibly wide abyss with ease, seemed to arc on and on in space, and not quite to stop.

In other words the little piece of polished wood had become one of her treasures. Sometimes she took it out and held it in her hand and thought about the man who had made it, and wondered what he had looked like; (she had such a very hazy idea of history that she imagined him shaggy and attired in the skin of a bear). And she wondered how the arrow had got broken and where the other piece of it could be . . . but although she searched assiduously, high and low, she never found it.

The more I know you, the more I wonder who you are.” He counted off her qualities on his fingers. “You have the accent of a lady. You dress like a peasant. You shoot like a marksman. You view the world cynically, yet you venerate Miss Victorine. Your face and body would be the envy of a young goddess, yet you sport an air of innocence. And that innocence hides a criminal mind and the cheek to pull off the most outrageous of felonies.” “So I’m Athena, the goddess of war.” “Definitely not Diana, the goddess of virginity.” As the last shot hit home, he saw Amy’s mask slip. Blood rushed to her face. She bit her lip and looked toward the stairs as if only now realizing she could have—should have—left this whole discussion behind. He laughed softly, triumphantly. “Or perhaps I’m mistaken. Perhaps you have more in common with Diana than I thought.” “Pray remember, sir, that Diana was also the goddess of the hunt.” Amy leaned across the table, intent on making her point—but the blush still played across her cheeks. “She carried a bow and arrow, and she always bagged her quarry. Have a look at the bullet hole in the rock behind you and remember my skill and my cynicism. For we do know things about each other. I know that if you escape, you’ll make sure I’m hung from a gibbet. You know that if I catch you escaping, I’ll shoot you through the heart. Remember that as you cast longing glances toward the window.” With a flourish, she picked up the breakfast tray and walked up the stairs. Jermyn had learned something else about Amy. She liked to have the last word.

The word “quench” in this verse is the Greek word sbennumi, which means to quench by dousing or to extinguish by drowning in water. It refers to the water-soaked shield of Roman soldiers. You see, before Roman soldiers went out to battle, they purposely soaked their shields in water until they were completely water-saturated. The soldiers did this because they knew the enemy would be shooting fire-bearing arrows in their direction. If a shield was dry, it was possible for it to be set on fire when struck. But if this vital piece of armor was water-soaked, the flames would be extinguished even if an arrow penetrated its heavily saturated surface. How does this apply to us as believers? Well, Romans 10:17 says that our faith is increased by hearing the Word of God. In Ephesians 5:26, the Word of God is likened to water. So as we regularly submit ourselves to the Word of God, we soak our faith with the Word just as a Roman soldier soaked his shield with water. And when our faith becomes Word-saturated or Word-soaked, it becomes just like the soldier’s water-saturated shield. In other words, it will be so heavily inundated with the water of God’s Word that even if a fiery dart pierces our shield, the huge amount of Word in us will extinguish the flames and put out a potentially damaging situation!

Because for Everettians, the explanation of the quantum arrow of time is the same as that of the entropic arrow of time: the initial conditions of the universe. Branching happens when systems become entangled with the environment and decohere, which unfolds as time moves toward the future, not the past. The number of branches of the wave function, just like the entropy, only increases with time. That means that the number of branches was relatively small to begin with. In other words, that there was a relatively low amount of entanglement between various systems and the environment in the far past. As with entropy, this is an initial condition we impose on the state of the universe, and at the present

BESTIARY " charybdis: when i suck in / i make deadly / whirlpools / ask anyone who’s managed / to climb out / alive dragon: patrol or pillage / he exhales and a whole village / burns / iron scaled sentry / guardian of the ivory / tower i wrap my legs around / everyone thinks / he’s a brute / but for me / he lifts his breast plate / for me he welcome the quiver / and the arrow’s teeth. golem: take his hair in your hands / his dead / skin cells / his discarded undergarments / take them / and make of them a new boy this effigy / his likeness and nothing / like him / breathe life into its clenched carapace // my god / i think i saw it / move medusa: when i saw / my face / reflected in terror / in his eyes / i turned to stone / or a pillar of salt watching my village burn / he was the village burning / maybe that’s a different story / maybe in the end only the snakes wept siren: he cries / and i / lashed to the mast of a ship / steer my body toward the sound / sheets bound around wrists and ankles tears make grief / a lighthouse you wear / when i hear him a huge wood wheel turns in my stomach / and i break / open on / his jagged coast werewolf: there are many words for transformation / metamorphosis metaphor / medication / go to sleep / beside the man you love wake up next to a dog / maybe the moon brought it out of him hound hungry for blood / maybe its your fault / or maybe it was there inside him / howling all along

Of course. But you’re obviously dangerous,” he said. “I’d prefer you never became dangerous to me.” Dangerous. She wanted to clutch the word to her. She was fairly sure this boy was demented or just hopelessly deluded, but she liked that word, and unless she was mistaken, he was offering to let her walk out of this house tonight. “This isn’t … it isn’t a trick, is it?” Her voice was smaller than she wanted it to be. The shadow of something dark moved across Kaz’s face. “If it were a trick, I’d promise you safety. I’d offer you happiness. I don’t know if that exists in the Barrel, but you’ll find none of it with me.” For some reason, those words had comforted her. Better terrible truths than kind lies. “All right,” she said. “How do we begin?” “Let’s start by getting out of here and finding you some proper clothes. Oh, and Inej,” he said as he led her out of the salon, “don’t ever sneak up on me again.” * * * The truth was she’d tried to sneak up on Kaz plenty of times since then. She’d never managed it. It was as if once Kaz had seen her, he’d understood how to keep seeing her. She’d trusted Kaz Brekker that night. She’d become the dangerous girl he’d sensed lurking inside her. But she’d made the mistake of continuing to trust him, of believing in the legend he’d built around himself. That myth had brought her here to this sweltering darkness, balanced between life and death like the last leaf clinging to an autumn branch. In the end, Kaz Brekker was just a boy, and she’d let him lead her to this fate. She couldn’t even blame him. She’d let herself be led because she hadn’t known where she’d wanted to go. The heart is an arrow.

To Whom it May Inspire,” Austin wrote. “I, like many of you artists out there, constantly shift between two states. The first (and far more preferable of the two) is white-hot, ‘in the zone’ seat-of-the-pants, firing on all cylinders creative mode. This is when you lay your pen down and the ideas pour out like wine from a royal chalice! This happens about 3% of the time. The other 97% of the time I am in the frustrated, struggling, office-corner-full-of-crumpled-up-paper mode. The important thing is to slog diligently through this quagmire of discouragement and despair. Put on some audio commentary and listen to the stories of professionals who have been making films for decades going through the same slings and arrows of outrageous production problems. In a word: PERSIST. PERSIST on telling your story. PERSIST on reaching your audience. PERSIST on staying true to your vision.…

Hunting in my experience—and by hunting I simply mean being out on the land—is a state of mind. All of one’s faculties are brought to bear in an effort to become fully incorporated into the landscape. It is more than listening for animals or watching for hoofprints or a shift in the weather. It is more than an analysis of what one senses. To hunt means to have the land around you like clothing. To engage in a wordless dialogue with it, one so absorbing that you cease to talk with your human companions. It means to release yourself from rational images of what something “means” and to be concerned only that it “is.” And then to recognize that things exist only insofar as they can be related to other things. These relationships—fresh drops of moisture on top of rocks at a river crossing and a raven’s distant voice—become patterns. The patterns are always in motion. Suddenly the pattern—which includes physical hunger, a memory of your family, and memories of the valley you are walking through, these particular plants and smells—takes in the caribou. There is a caribou standing in front of you. The release of the arrow or bullet is like a word spoken out loud. It occurs at the periphery of your concentration. The mind we know in dreaming, a nonrational, nonlinear comprehension of events in which slips in time and space are normal, is, I believe, the conscious working mind of an aboriginal hunter. It is a frame of mind that redefines patience, endurance, and expectation. The focus of a hunter in a hunting society was not killing animals but attending to the myriad relationships he understood bound him into the world he occupied with them. He tended to those duties carefully because he perceived in them everything he understood about survival. This does not mean, certainly, that every man did this, or that good men did not starve. Or that shamans whose duty it was to intercede with the forces that empowered these relationships weren’t occasionally thinking of personal gain or subterfuge. It only means that most men understood how to behave.

Her arms were tight around Carol, and she was conscious of Carol and nothing else, of Carol’s hand that slid along her ribs, Carol’s hair that brushed her bare breasts, and then her body too seemed to vanish in widening circles that leaped further and further, beyond where thought could follow. While a thousand memories and moments, words, the first darling, the second time Carol had met her at the store, a thousand memories of Carol’s face, her voice, moments of anger and laughter flashed like the tail of a comet across her brain. And now it was paleblue distance and space, an expanding space in which she took flight suddenly like a long arrow. The arrow seemed to cross an impossibly wide abyss with ease, seemed to arc on and on in space, and not quite to stop. Then she realized that she still clung to Carol, that she trembled violently, and the arrow was herself. She saw Carol’s pale hair across her eyes, and now Carol’s head was close against hers. And she did not have to ask if this were right, no one had to tell her, because this could not have been more right or perfect.

When we were little, I almost drowned in the fjord. I fell through the ice.” I looked at myself in the reflection. “Iri and I were trying to see how far out we could make it and when I heard the crack, I looked up and saw his face just before it gave way beneath me.” He took a step toward me. “It was so dark. I could hardly see. And then his hands had me, yanking me up and throwing me back onto the ice.” I remembered the way it looked. The water was a darker blue than I’d ever seen. “I don’t know how he didn’t fall in. I was so angry with him for coming to the edge like that.” My words trailed off. Once, he’d loved me enough to jump into the frozen water for me. But then he left. “We do things we have to do.” Fiske broke the thin silence between us. “If he hadn’t jumped in, you would have died.” He paused. “If I hadn’t taken you that night in Aurvanger, that Riki would have killed you.” I stood to face him. “I know.” “If I hadn’t put the arrow into your shoulder, someone else would have put one in your heart. If I hadn’t taken you as a dýr, you’d be in one of those other burned villages on the mountain.” “I know,” I said again. “I would do it again,” he said. “All of it.

And you're thinking I just tossed out some casual phrase that you've heard from dozens of guys? Or maybe one in particular,who mattered enough to turn you into a cynic?" At the intensity of his tone she looked up. "Yeah.Something like that.After all, McCord,your reputation precedes you. You're not exactly shy with women. I'm sure you've used plenty of lines like that to get what you want." His eyes,steady on hers,were hot and fierce. His voice was equally fierce. "I'll admit that when I first saw you, my initial reaction was purely physical. A healthy combination of testosterone and lust.What guy could look at you and not feel what I felt? You're beautiful, and bright and independent.And did I mention beautiful?" That brought a smile to her eyes. "But the more I got to know you,the more I realized you weren't just a pretty package.I started learning that you were someone special.Someone I wanted to treat very carefully." "And now?" "I'm still battling lust." There was that grin,sending an arrow straight through her heart. "But there's more here.Much more." He stared at her mouth with naked hunger. "I've waited a long time for this,but now I'm going to have to kiss you.And when I do,I can't promise to stop." She stood very still,heart pounding. "How do you know I'll ask you to?" "Careful.Because unless you tell me to stop,you have to know where this is heading..." In reply she stood on tiptoe to brush her mouth to his,stopping his words. Stopping his heart. He drew in a deep breath and drew her a little away to stare into her eyes. "I hope you meant that." "With all my heart." "Thank God." He dragged her against him and covered her lips with his.Inside her mouth he whispered, "Because, baby,I mean this." She'd waited so long.So long.And it was worth all the time she'd spent waiting and wondering.Here was a man who knew how to kiss a woman and make her feel like the only one in the universe. This kiss was so hot,so hungry, she felt the rush of desire from the top of her head all the way to her toes.And still it spun on and on until she became lost in it. He changed the angle of the kiss and took it deeper until Marilee could feel her flesh heating, her bones melting like hot wax. She wanted to be sensible,to move slowly, but her mind refused to cooperate. With a single kiss her brain had been wiped clear of every thought but one.She wanted this man.Wanted him now.Desperately. When at last they came up for air, she put a hand to his chest. "I need a minute to catch my breath." "Okay." A second later he dragged her close. "Time's up." Her laughter turned into a sigh as he ran nibbling kisses down her throat until the blood was drumming in her temples.

Eventually, the men’s talk of politics turned to poetry. The recitations could begin with a quatrain from Omar Khayyam’s Rubaiyat: I need a jug of wine and a book of poetry, Half a loaf for a bite to eat, Then you and I, seated in a deserted spot, Will have more wealth than a Sultan’s realm. To which a voice might answer with a poem by Rumi: My arrow of love has arrived at the target I am in the house of mercy and my heart is a place of prayer. These gatherings went on for hours, with one guest after another reciting poems of the Persian masters—Rumi, Khayyam, Sa’adi, snd Hafez. That my father, the Colonel, who could make us cower with a single sidelong glance, produced the most skillful recitations both bewildered and fascinated me. His voice had a deep timbre perfectly suited to reciting verse, and the frequent cries of “Lovely!” and “Exquisite!” roused him to ever more passionate declamation. I listened from behind the window, enraptured by the music of a language that can sometimes sound like susurrations of a lover and sometimes like the reed’s plaintive song. The words hooked into me and wouldn’t let me go. Rivers, oceans, and deserts, the nightingale and the rose—the perennial symbols of Persian poetry first grew familiar to me through these late-night scenes in the garden, and even though I was still a young girl, only just a child, the verses called me away to different lands.

1. Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you. 2. The man who passes the sentence should swing the sword. 3. A wise man does not make demands of kings. 4. A mind needs a book as a sword needs a whetstone, if it is to keep it's edge. 5. People often claim to hunger for truth, but seldom like the taste when it's served up. 6. A reader lives a thousand lives before he dies. The man who never reads lives only one. 7. I swear to you, sitting a throne is a thousand times harder than winning one. 8. In the world as I have seen it, no man grows rich by kindness. 9. If a man paints a target on his chest, he should expect that sooner or later someone will loose an arrow on him. 10. Crowns do queer things to the heads beneath them. 11. In battle a Captain's lungs are as important as his sword arm. I does not matter how brave or brilliant the man is if his commands can't be heard. 12. A man is never so vulnerable in battle as when he flees. 13. Gold has it's uses, but wars are won with iron. 14. The man who fears losing has already lost. 15. Words are wind. 16. The unseen enemy is always the most fearsome. 17. Sharp steel and strong arms rule this world, don't ever believe any different. 18. Give gold to a foe and he will just come back for more. 19. In this world only winter is certain. 20. The gods have no mercy. That's why they're gods. 21. I have learned that the contents of a man's letters are more valuable than the contents of his wallet

I dreamed once that I had committed a terrible crime. Carried beyond myself by passion, I knew not at the moment HOW evil was the thing I did. But I knew it was evil. And suddenly I became aware, when it was too late, of the nature of that which I had done. The horror that came with the knowledge was of the things that belong only to the secret soul. I was the same man as before I did it, yet was I now a man of whom my former self could not have conceived the possibility as dwelling within it. The former self seemed now by contrast lovely in purity, yet out of that seeming purity this fearful, foul I of the present had just been born! The face of my fellow-man was an avenging law, the face of a just enemy. Where, how, should the frightful face be hidden? The conscious earth must take it into its wounded bosom, and that before the all-seeing daylight should come. But it would come, and I should stand therein pointed at by every ray that shot through the sunny atmosphere! "The agony was of its own kind, and I have no word to tell what it was like. An evil odour and a sickening pain combined, might be a symbol of the torture. As is in the nature of dreams, possibly I lay but a little second on the rack, yet an age seemed shot through and through with the burning meshes of that crime, while, cowering and terror-stricken, I tossed about the loathsome fact in my mind. I had DONE it, and from the done there was no escape: it was for evermore a thing done.—Came a sudden change: I awoke. The sun stained with glory the curtains of my room, and the light of light darted keen as an arrow into my very soul. Glory to God! I was innocent! The stone was rolled from my sepulchre. With the darkness whence it had sprung, the cloud of my crime went heaving lurid away. I was a creature of the light and not of the dark. For me the sun shone and the wind blew; for me the sea roared and the flowers sent up their odours. For me the earth had nothing to hide. My guilt was wiped away; there was no red worm gnawing at my heart; I could look my neighbour in the face, and the child of my friend might lay his hand in mine and not be defiled! All day long the joy of that deliverance kept surging on in my soul.

He took a step closer to me, the laughter still dancing on his face. 'Feeling better today?' I mumbled some noncommittal response. 'Good,' he said, either ignoring or hiding his amusement. 'But just in case, I wanted to give you this,' he added, pulling some papers from his tunic and extending them to me. I bit the inside of my cheek as I stared down at the three pieces of paper. It was a series of five-lined... poems. There were five of them altogether, and I began sweating at words I didn't recognise. It would take me an entire day just to figure out what these words meant. 'Before you bolt or start yelling...' he said, coming around to peer over my shoulder. If I'd dared, I could have leaned back into his chest. His breath warmed my neck, the shell of my ear. He cleared his throat and read the first poem. There once was a lady most beautiful Spirited, if a little unusual Her friends were few But how the men did queue But to all she gave a refusal. My brows rose so high I thought they'd touch my hairline, and I turned, blinking at him, our breath mingling as he finished the poem with a smile. Without waiting for my response, Tamlin took the papers and stepped a pace away to read the second poem, which wasn't nearly as polite as the first. By the time he read the third poem, my face was burning. Tamlin paused before he read the fourth, then handed me back the papers. 'Final word in the second and fourth line of each poem,' he said, jerking his chin toward the papers in my hands. Unusual. Queue. I looked at the second poem. Slaying. Conflagration. 'These are-' I stared. 'Your list of words was too interesting to pass up. And not good for love poems at all.' When I lifted my brow in silent inquiry, he said, 'We had contests to see who could write the dirtiest limericks while I was living with my father's war-band by the border. I don't particularly enjoy losing, so I took it upon myself to become good at them.' I didn't know how he'd remembered that long list I'd compiled- I didn't want to. Sensing I wasn't about to draw an arrow and shoot him, Tamlin took the papers and read the fifth poem, the dirtiest and foulest of them all. When he finished, I tipped back my head and howled, my laughter like sunshine shattering age-hardened ice.

author of the ransom note. Quoting Steve Thomas (Thomas 2000)[10], “Then, while reviewing a list of book titles from the Ramsey home at the request of Don Foster, I dug out the Polaroid photographs from the Evidence Room. Using magnifying glasses, evidence tech Pat Peck and I compared the titles on the list with what the pictures showed. Entire shelves of books had been overlooked. When we checked the photos from a big manila envelope marked as evidence item #85KKY, I almost fell out of my chair, and Peck inhaled in sharp surprise. A picture showed Webster's New Collegiate Dictionary on a coffee table in the first-floor study, the corner of the lower left-hand page sharply creased and pointing like an arrow to the word incest. Somebody had apparently been looking for a definition of sexual contact between family members. Ever so slowly, our accumulated circumstantial evidence grew.

The thing is, he liked to go into a deep reverie, liked to daydream ... not the sort of daydream like he was remembering a woman from his past or something, but say we were in that pine forest of ours, he'd suddenly get this dreamy look and drop into a squat and rest his chin in his hand and his elbow on his knee, and he could squat there like a Bedouin for a whole hour, eyes closed, smiling, intently focused on what he was seeing there in his mind s eye... And I absolutely hated this, I thought my husband was a nitwit. And out of the blue I shouted and startled him and he went pale and couldn't utter a word, as if woken from a trance .. And I said, If you'd rather do something useful, then the doorsill needs fixing, there's a draft, and mice will get into the cottage... And leaning against a tree, or down in his squat position, my husband looked at me and I saw that the arrow had hit its mark, that he despised me... I have nowhere else left to run, he said sadly, voice breaking..

The words came out like a plea, dressed prettily in a tone I’d never heard from my voice.

The computer was primitive. It had the words “MacBook Pro” on it, and a keypad full of letters and numbers, and a lot of arrows pointing in every possible direction. It seemed like a metaphor for human existence

Take care with your words, especially in cursing. Only say the things you mean...For be very sure that when you put such words out in the world they can overshoot-like an arrow, a curse can go beyond your target and harm another.

If you have to look along the shaft of an arrow from the wrong end, if a man has you entirely at his mercy, then hope like hell that man is an evil man. Because the evil like power, power over people, and they want to see you in fear. They want you to know you’re going to die. So they’ll talk. They’ll gloat. They’ll watch you squirm. They’ll put off the moment of murder like another man will put off a good cigar. So hope like hell your captor is an evil man. A good man will kill you with hardly a word.

His cheeks stretched as he grinned that same grin she once found irresistible. “I’ll cut you a check right now. Name the price.” “I’m not sure the trust fund could take the hit.” She regretted her words as they left her lips. In her head, she had rehearsed endless barbs that would cut him to the bone. She carried them like arrows. Now she saw them for what they were, petty comments forged in the fires of disappointment and sharpened by time.

Words are like arrows Arianne. once loosed, you cannot call them back.

Words are like arrows. Once loosed, you cannot call them back.

wishing is a curse on the woman who does it, as well as the one who receives it. When you put such words out in the world, they can overshoot—like an arrow—that’s what my great-aunt Jehanne told me. A curse can go beyond your target and harm another. A wise woman curses very sparingly.

Words can be like hugs or like arrows. It’s up to us how we use them. Next time you talk, think about what you’re really saying. Choose compassion, empathy, understanding – it’ll change everything. Choose your words wisely.

When you curse somebody …” She pauses and sighs as if she is very weary. “Take care with your words, Jacquetta, especially in cursing. Only say the things you mean, make sure you lay your curse on the right man. For be very sure that when you put such words out in the world they can overshoot—like an arrow, a curse can go beyond your target and harm another. A wise woman curses very sparingly.

And now I’m going to shoot an arrow right into your heel so I can say I was the one who finally took down Achilles.” And that I instantly have the words for: “I’d like to see you fucking try.

Stones and Shadows" (Verse 1) In this old, dusty town, words fly like arrows, Sharp and swift, they cut through the marrow. But I stand tall, I stand proud, under the sun's golden glow, 'Cause I know God's with me, when the cold winds blow. (Chorus) There will always be someone, to cast a stone, to spin a tale, To try and break your spirit, to watch you fail. But with God by your side, you'll sail through the storm, you'll prevail, Never afraid, never worthless, in His love, you'll never be frail. (Verse 2) Gossip's a wildfire, spreading fast, burning bright, But I've got a river of faith, to fight this fight. I see the truth, I feel His grace, and I hold it close, hold it tight, 'Cause with God beside me, everything's alright. (Bridge) So let them talk, let them whisper, let them throw their shade, I've got a shield of conviction, I'm not afraid. For every stone they hurl, God's love is my barricade, Standing strong, standing fearless, that's how I'm made. (Chorus) There will always be someone, to cast a stone, to spin a tale, To try and break your spirit, to watch you fail. But with God by your side, you'll sail through the storm, you'll prevail, Never afraid, never worthless, in His love, you'll never be frail. (Outro) So here's to the believers, the ones who stand alone, With God as their witness, they've found their home. No stone can hurt them, no words can tear them down, They're rooted in faith, wearing courage like a crown.

Even in the equations that had been formulated to describe electromagnetism, there is no natural directionality to the interactions of particles; the equations look the same going both directions. If you looked at a video of atoms interacting, you could play it backward and you wouldn’t be able to tell which was correct. It is only in the macroworld of objects, people, planets, and so on, the world governed by entropy, that causation appears to unfold in a single direction. The second law of thermodynamics describes the increasing disorder in the universe at macroscales and is often seen as equivalent to the one-way arrow of time. More and more physicists over the past few decades, sensitive to the nondirectionality that seems to rule at the micro or quantum level, have begun to question the no-teleology rule. Recall that the tiny particles making up the matter and energy of the physical universe are really like worms or strings snaking through the block universe of Minkowski spacetime. Their interactions, which look to us a bit like tiny balls colliding on a billiard table, are from a four-dimensional perspective more like threads intertwining; the twists and turns where they wrap around each other are what we see as collisions, interactions, and “measurements” (in the physicists’ preferred idiom). Each interaction changes information associated with those threads—their trajectory through the block universe (position and momentum) as well as qualities like “spin” that influence that trajectory. According to some recent theories, a portion of the information particles carry with them actually might propagate backward rather than forward across their world lines. For instance, an experiment at the University of Rochester in 2009 found that photons in a laser beam could be amplified in their past when interacted with a certain way during a subsequent measurement—true backward causation, in other words.8 The Israeli-American physicist Yakir Aharonov and some of his students are now arguing that the famous uncertainty principle—the extent to which the outcome of an interaction is random and unpredictable—may actually be a measure of the portion of future influence on a particle’s behavior.9 In other words, the notorious randomness of quantum mechanics—those statistical laws that captured Jung’s imagination—may be where retrocausation was hiding all along. And it would mean Einstein was right: God doesn’t play dice.*23 If the new physics of retrocausation is correct, past and future cocreate the pattern of reality built up from the threads of the material world. The world is really woven like a tapestry on a four-dimensional loom. It makes little sense to think of a tapestry as caused by one side only;

I want you too.” Her words are no more than a whisper “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief. With how close I am to her, the move has my face coming dangerously close to her own. “You want me?” “Why?” I ask. But I already know the answer. Because no one knows where Astarte’s arrow will strike, but when she aims, she strikes true. Because the gods are cruel and love to toy with their half-mortal children even more than they love to play with the mortals. Because Adrienne’s fate is somehow woven with mine and Jadi’s. Jadi told me that, he told me, and –fool that I am – I ignored him. “I’m sorry,” I say, trying to soften my voice. To curb the mocking, defensive bite in my words. “I just don’t see how you could. Not after how I’ve treated you.” Adrienne gives me a lopsided grin, then reaches over to lightly pat my shoulder. “You not that bad.” Her smile falls, expression growing serious. “I don’t know how explain it. I just feel… it feels…” she trails off, brow furrowing in frustration. She tucks her hands under her chin, and without thinking about it, I grasp them in my own. “I know.” The words come out in a low rumble. “I know. You don’t have to explain.” Because I feel it too. The pull towards her. It’s more than a physical attraction. More than desire – though that is certainly part of it. And now that I’m looking at her, with her mouth close to my own and her hands in mine and the heat of her body mixing with my own beneath the blankets. It feels right, and there’s no room for hesitation. Only action. I lean forward, slowly enough that she has time to object, my eyes never leaving her own. My nose brushes against hers for a brief moment, and then she’s pushing forward, her lips pressing against mine with a raw urgency that has fire racing through my veins and lust clouding my vision. It’s too much. Too much. I pull back, angling my body over hers, keeping my weight on my elbows as I cup her face in one hand, my thumb stroking the underside of her jaw, fingers tangling in her loose hair. I stare down at her – at her dilated pupils and sleep-mussed hair. At her parted lips and the delicate line of her throat. I can see her pulse thundering beneath the skin, and the rosy flush spreading down her neck. She’s so delicate. I’m torn between wanting to worship her and devour her. Carefully, I brush my mouth against hers, then trace the shape of her lips with my teeth and tongue. My hands tremble where they grip her face, keeping her from chasing my teasing kisses. It’s almost embarrassing, the way I’m quaking like an autumn leaf above her. She lets out a frustrated whimper, and I deepen the kiss, swallowing up the sound as I tangle my tongue with her own. When her own kisses become more insistent, I pull back, waiting for her to retreat before delving forward again. “Good,” I murmur, my thumb stroking her pulse point when she relaxes beneath me. “There’s no rush.” I’m speaking more to myself than to her. Because more than anything, I want to feel myself buried deep inside her. I want to push the fabric between us aside and feel her wet and clenching around me. I want to bury my head between her thighs and taste her, to turn those faint whimpers into wild, throaty cries. But now isn’t the time for that. I kiss her again, slowly this time. Deep. Controlled. I need to be controlled. Take this slow. Her thighs part, long limbs twining with mine, the heels of her feet pressing against the backs of my legs. Pulling me towards her, until my cock is pressed against her core and I can practically feel the heat of her, even with our clothes between us. She rocks against me, her faint mewling cry swallowed up by my mouth, and it’s like something in me snaps. Something primal and hungry and dark. Something that’s only come out with Jadi.

didn’t even think to be self-conscious until I turned around to see Max standing completely still in the water. He looked like he wasn’t even breathing, his searing gaze hurling an arrow through my chest — the intensity of it paralyzing me. What?, I wanted to ask, but the force of his stare was so strong that the question died before it left my lips. “I hope that whoever did that to you died a terrible, painful death,” he said at last, words hissing like steam. “And I hope that if there is an underworld, they suffer there forever.

The computer was primitive. It had the words 'Macbook Pro' on it, and a keypad full if letters and numbers, and a lot of arrows pointing in every possible direction. It seemed like a metaphor for human existence.

Then there were the people the Virginia Company called the “naturals”—the roughly nine thousand Indians gathered into a loose-knit confederation of disparate groups ruled by the paramount chief, Wahunsonacock, who was known to the English as Powhatan. Trouble between the Indians and the settlers started on the first day the English stepped ashore on the banks of the Chesapeake. Late that day, as an exploring party of about two dozen armed settlers returned to the safety of the three ships anchored off a spot of land they called Point Comfort, a group of natives crept from the woods “like Beares,” in the words of settler George Percy, “with their Bowes in their mouths.” When the Indians—there were only five or six—got close enough, they loosed a volley of arrows. Gabriel Archer, one of the colonists, was wounded in the hands and a sailor, Matthew Morton, “in two places of the body very dangerously.”16 The English responded with a volley of musket fire that drove the Indians back into the woods.

It's all about trust." She wrote trust under the arrow, right under the word skeptic. "Wait a second. Your discipleship model starts with unbelievers?" "Right," she said. "With both unbelievers and believers, we're just helping them become like Jesus and do what he did. We really see evangelism and discipleship as part of the same continuum. But we have different tasks at each stage.

Why don’t we consider moving in together? While we head for this event?” She gulped. “What?” she asked weakly. “Let’s clear the debt, get Kid Crawford out of the picture, I’ll take on your upkeep rather than Vanni and Paul shouldering your food and board, and we’ll evolve into…” He cleared his throat. “We don’t have to explain anything. People will just say, ‘Dr. Michaels likes that nice pregnant girl.’ We’ll share a house. I’ll be your roommate. You’ll have your own room. But there will be late nights you’re worried about some belly pain or later, night crying from the babies. You don’t want to do that to Vanni and Paul and—” “I was just going to go home to Seattle. To my mom and dad’s.” “They have room for me?” he asked, lifting his fork and arching that brow. “Oh, for God’s sake,” she said, slamming down her fork. “You can’t mean to say you plan to just follow me and demand to live with the babies!” “Well, no,” he said. “That would be obsessive. But Jesus, Ab, I don’t want to miss out on anything. Do you know how much babies change from two to six weeks? It just kills me to think you’d take them that far away from me. I mean, they are—” “I know,” she said, frustrated. “Yours.” “Yeah, sweetheart. And they’re also yours. And I swear to God, I will never try to take them away from you. That would be cruel.” He had just aimed an arrow at her sense of justice. The shock of realization must have shown on her face, but he took another bite, had another drink of his beer, smiled. “Live together?” “Here’s how it’ll go if you stay with Vanni and Paul. Toward the end, when you’re sleepless, you’ll be up at night. You’ll be tired during the day, but there will be a toddler around, making noise and crying. And you’ll have all those late pregnancy complaints, worries. Then you’ll have a small guest room stuffed to the ceiling with paraphernalia. Then babies—and grandmothers as additional guests? Newborns, sometimes, cry for hours. They could have Vanni and Paul up all night, walking the floor with you. Nah, that wouldn’t be good. And besides, it’s not Paul’s job to help, it’s mine.” “Where do you suggest we live? Here?” “Here isn’t bad,” he said with a shrug. “But Mel and Jack offered us their cabin. It’s a nice cabin—two bedrooms and a loft, ten minutes from town. Ideally, we should hurry and look around for a place that can accommodate a man, a woman, two newborns, two grandmothers and… We don’t have to make room for the lawyers, do we?” “Very funny,” she said, crossing her arms over her chest. “Abby, we have things to work out every single day. We have to buy cribs, car seats, swings, layette items, lots of stuff—it’s going to take more than one trip to the mall. We have to let the families know there will be babies coming—it’s only fair. We should have dinner together every day, just so we can communicate, catch up. If there’s anything you need or anything you’re worried about, I want to be close so I can help. If you think I’m going to molest you while you’re huge with my babies—” “You know, I’m getting sick of that word, huge.

The association of magic and cryptology was reinforced by other factors. Mysterious symbols were used in such esoteric fields as astrology and alchemy—where each planet and chemical had a special sign, like the circle and arrow for Mars—just as they were in cryptology. Like words in cipher, spells and incantations, such as “abracadabra,” looked like nonsense but in reality were potent with hidden meanings.

As if this wasn’t enough, word spread of a new peril. Enemy troops masquerading as refugees were said to be infiltrating the lines. From now on, the orders ran, all women were to be challenged by rifle. What next? wondered Lance Bombardier Gentry; Germans in drag! Fear of Fifth Columnists spread like an epidemic. Everyone had his favorite story of German paratroopers dressed as priests and nuns. The men of one Royal Signals maintenance unit told how two “monks” visited their quarters just before a heavy bombing attack. Others warned of enemy agents, disguised as Military Police, deliberately misdirecting convoys. There were countless tales of talented “farmers” who cut signs in corn and wheat fields pointing to choice targets. Usually the device was an arrow; sometimes a heart; and in one instance the III Corps fig leaf emblem. The

The science of innocence is complex and technical—I shall not worry your little ears with such talk. Suffice it to say the hymen is irrelevant, as irrelevant to us as trousers. The word innocent means without harm—did you know? Your mother ought to have taught you what a dictionary was. There is some debate, when unicorns gather, as to what, exactly, the definition ought to be: one who has not been harmed, or one who has done no harm. The smell is different, of course, and everyone has their tastes. I have always held that those who do no harm are the most rarefied creatures—which is why we draw back in such horror when the huntsmen come. Suddenly the dove who opened its little wings to us is a dove no longer, but a thing which has caused harm, great harm, which has brought arrows and knives, and smells like burning crusts, scorched flour.

Leaving the Connecticut River March 8, 1704 Temperature 40 degrees By the time Mercy had sorted this out, her three brothers were gone. She panicked. “Sam!” she screamed. “John! Benny!” She ran from group to group, darting behind sledges, racing among the dogs, circling the fires. “Sam! John!” What was the matter with her? How could she have stayed separate from them? Why had she not kicked Tannhahorens in the shins, as Ruth would have, and marched with her brothers no matter what he said? Ruth was right, he was nothing but an Indian! O Father! she thought. O Mother! I let you down again. I didn’t protect Tommy. I didn’t save Marah or Stepmama or the baby. And now the boys are gone. On her second screaming circle of the camp, Tannhahorens caught her. “Boys go,” he said. “But are they all right? I didn’t say good-bye! You never let me talk to them at all! I don’t even know their masters’ names!” A new and even more horrifying thought struck Mercy. It tore the wind from her lungs and her voice broke. “Will my brothers and I go to the same place? Will I see them again?” Poor Father, come home to find his entire family ripped away in a night. Father would comfort himself that Mercy was taking care of the boys--and he would be wrong. Tannhahorens had fewer English words than Mercy had Mohawk. He could not understand this outpouring. He steered her back to his possessions. “Raquette,” he said. Mercy jumped in front of him, blocking his path. He was hung with weapons in preparation for departure: knives, tomahawk, hatchet, gun, two bows, quiver of arrows. But something new hanging from Tannhahorens’ chest gave her pause. A Catholic cross. Although in her whole life, Mercy had seen only one spoon and a belt buckle made of silver, she knew this cross to be silver. She wrenched her eyes from its beauty. It would be a sin to find a cross beautiful. Religion must be heart and soul, not scraps of metal. Tannhahorens pushed her along in front of him. “Raquette,” he said irritably. “Raquette?” she begged. “Is that your town? Is that Sam’s master’s name? Are the boys together? Is Same going to be able to watch out for John and Benny?” This time, ragged trousers and a torn stained coat blocked Tannhahorens’s way The Indian looked harshly at the Englishman in front of him, and Mercy wished she had learned words like please. But Tannhahorens walked on and left them together. “Oh, Uncle Nathaniel!” she said, and they wrapped their arms around each other. He held her tightly. He had to clear his throat several times to find his voice. “Your brothers are not together,” he said, “but they seemed all right. They were not afraid. Benny’s Indian has a sled and he will ride as he did yesterday. John’s with five other English, all adults. They will watch for him. And Sam is with the Kellogg girls. He’ll be busy taking care of Joanna and Rebecca.” Her three brothers, going in three directions in the hands of strangers. “They took my Will and my Mary in the last band,” said her uncle. “I have some hope. The Indians treat my children tenderly. When nobody else had a morsel to eat, their masters fed them.” Sam. John. Benny. Will. Little Mary. Gone.

The moment we designate the used or maligned as a state with generative capacity, our reality expands. President John F. Kennedy once mentioned an old saying that success has many fathers, but failure is an orphan. 4 Failure is an orphan until we give it a narrative. Then it is palatable because it comes in the context of story, as stars within a beloved constellation. Once we reach a certain height we see how a rise often starts on a seemingly outworn foundation. The gift of failure is a riddle. Like the number zero, it will always be both the void and the start of infinite possibility. The arc is one for which there are few perfect words. Its most succinct summary may come from the wisdom in seventeenth-century poet and samurai Mizuta Masahide’s haiku: “My barn having burned down / I can now see the moon.” When we take the long view, we value the arc of a rise not because of what we have achieved at that height, but because of what it tells us about our capacity, due to how improbable, indefinable, and imperceptible the rise remains. There are advantages to certain opportunities, including their seeming opposite, that make our path as curved and as precise as an arrow’s course.

She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds. She waved, flashed a thumbs-up, then waved again as they sailed on, leaving laughter in their wake. With her teeth still gritted in a smile, she said, “This will be all over the Cove five seconds after they get back. Sooner if they have radio signal.” She turned back to Cooper, who was grinning shamelessly, hands linked behind his head now, as if preparing for his plank walk. “Very funny,” she said, trying to ignore how the posture made his biceps flex and showed off the definition in his six-pack. She couldn’t help but note that some of the blueberries had slid all the way down to the waistband of his cargo shorts, leaving streaks of blue on his skin, like arrows pointing to where she should go to resume their little game. She realized she was staring when her eyes slid a little lower still and--she jerked her gaze back to his, realizing he’d made her blush again. She typically wasn’t much of a blusher either. But she didn’t usually find herself playing food Twister with a half-naked man. Rather than finding a mocking smile waiting for her, the curve of his lips was amused, maybe even a little affectionate. Like she was being cute or something. She’d show him cute. Then she met his eyes and saw there was nothing amused or even borderline condescending to be found there. Incendiary was the word that came to mind.

My boy is painting outer space, and steadies his brush-tip to trace the comets, planets, moon and sun and all the circuitry they run in one great heavenly design. But when he tries to close the line he draws around his upturned cup, his hand shakes, and he screws it up. The shake’s as old as he is, all (thank god) his body can recall of the hour when, one inch from home, we couldn’t get the air to him; and though today he’s all the earth and sky for breathing-space and breath the whole damn troposphere can’t cure the flutter in his signature. But Jamie, nothing’s what we meant. The dream is taxed. We all resent the quarter bled off by the dark between the bowstring and the mark and trust to Krishna or to fate to keep our arrows halfway straight. But the target also draws our aim - our will and nature’s are the same; we are its living word, and not a book it wrote and then forgot, its fourteen-billion-year-old song inscribed in both our right and wrong - so even when you rage and moan and bring your fist down like a stone on your spoiled work and useless kit, you just can’t help but broadcast it: look at the little avatar of your muddy water-jar filling with the perfect ring singing under everything.

The nasty things people say behind your back are like poisoned arrows. But, thankfully, the words people say while hiding have no strength. So, those arrows can't pierce your heart. However, the most foolish thing you can do is pick up those arrows that have fallen to the ground and then, pierce your own heart with those arrows.

{19:12} Like an arrow fixed in the flesh of the thigh, so is a word in the heart of a foolish man.   {19:13}

APRIL 13 I HAVE LOOSED YOU FROM SATANIC AND DEMONIC CONSPIRACIES MY CHILD, REMEMBER My great goodness, which I have laid up for those who fear Me. If you will keep your trust in Me, My goodness will be yours in the presence of the sons of men. I will hide you in the secret place of my presence and will keep you hidden from the evil plots of wicked men. You will be loosed from any evil, demonic conspiracies that the enemy has plotted against you. I have hidden you from their secret plots and from the rebellion of the workers of iniquity who sharpen their tongues like swords and bend their bows to shoot arrows of bitter words at the blameless. I have preserved your life from the fear of the enemy’s secret plots. PSALMS 31:19–20; 64:2–4 Prayer Declaration Hear my voice, O God, in my meditation; preserve my life from fear of the enemy. Hide me from the secret plots of the wicked, and from the rebellion of the workers of iniquity. Though they talk secretly of laying snares for me and believe they have perfected a shrewd scheme, You will make them stumble over their own tongues, and all who see them will flee far from them. I shall declare Your wonderful works.

The Advent of Karna Now the feats of arm are ended, and the closing hour draws nigh, Music's voice is hushed in silence, and dispersing crowds pass by, Hark! Like welkin-shaking thunder wakes a deep and deadly sound, Clank and din of warlike weapons burst upon the tented ground! Are the solid mountains splitting, is it bursting of the earth, Is it tempest's pealing accent whence the lightning takes its birth? Thoughts like these alarm the people for the sound is dread and high, To the gate of the arena turns the crowd with anxious eye! Gathered round preceptor Drona, Pandu's sons in armour bright, Like the five-starred constellation round the radiant Queen of Night, Gathered round the proud Duryodhan, dreaded for his exploits done, All his brave and warlike brothers and preceptor Drona's son, So the gods encircled Indra, thunder-wielding, fierce and bold, When he scattered Danu's children in the misty days of old! Pale, before the unknown warrior, gathered nations part in twain, Conqueror of hostile cities, lofty Karna treads the plain! In his golden mail accoutred and his rings of yellow gold, Like a moving cliff in stature, arméd comes the chieftain bold! Pritha, yet unwedded, bore him, peerless archer on the earth, Portion of the solar radiance, for the Sun inspired his birth! Like a tusker in his fury, like a lion in his ire, Like the sun in noontide radiance, like the all-consuming fire! Lion-like in build and muscle, stately as a golden palm, Blessed with every very manly virtue, peerless warrior proud and calm! With his looks serene and lofty field of war the chief surveyed, Scarce to Kripa or to Drona honour and obeisance made! Still the panic-stricken people viewed him with unmoving gaze, Who may be this unknown warrior, questioned they in hushed amaze! Then in voice of pealing thunder spake fair Pritha's eldest son Unto Arjun, Pritha's youngest, each, alas! to each unknown! “All thy feats of weapons, Arjun, done with vain and needless boast, These and greater I accomplish—witness be this mighty host!” Thus spake proud and peerless Karna in his accents deep and loud, And as moved by sudden impulse leaped in joy the listening crowd! And a gleam of mighty transport glows in proud Duryodhan's heart, Flames of wrath and jealous anger from the eyes of Arjun start! Drona gave the word, and Karna, Pritha's war-beloving son, With his sword and with his arrows did the feats by Arjun done!

February 21 MORNING “He hath said.” — Hebrews 13:5 IF we can only grasp these words by faith, we have an all-conquering weapon in our hand. What doubt will not be slain by this twoedged sword? What fear is there which shall not fall smitten with a deadly wound before this arrow from the bow of God’s covenant? Will not the distresses of life and the pangs of death; will not the corruptions within, and the snares without; will not the trials from above, and the temptations from beneath, all seem but light afflictions, when we can hide ourselves beneath the bulwark of “He hath said”? Yes; whether for delight in our quietude, or for strength in our conflict, “He hath said” must be our daily resort. And this may teach us the extreme value of searching the Scriptures. There may be a promise in the Word which would exactly fit your case, but you may not know of it, and therefore you miss its comfort. You are like prisoners in a dungeon, and there may be one key in the bunch which would unlock the door, and you might be free; but if you will not look for it, you may remain a prisoner still, though liberty is so near at hand. There may be a potent medicine in the great pharmacopoeia of Scripture, and you may yet continue sick unless you will examine and search the Scriptures to discover what “He hath said.” Should you not, besides reading the Bible, store your memories richly with the promises of God? You can recollect the sayings of great men; you treasure up the verses of renowned poets; ought you not to be profound in your knowledge of the words of God, so that you may be able to quote them readily when you would solve a difficulty, or overthrow a doubt? Since “He hath said” is the source of all wisdom, and the fountain of all comfort, let it dwell in you richly, as “A well of water, springing up unto everlasting life.” So shall you grow healthy, strong, and happy in the divine life.

I'm here for you, Max. Always." Those words. Every time she says them, they land like an arrow to my heart. They're a reminder that I've got her in my corner. And I want her to know that I'll be there for her too. Always. "I'm here for you too, Joelle. Always, no matter what." The way she melts into my body softens me. I'm head over heels for this woman, and I fucking love it. Love. The word echoes in my mind. I wrap my arms around her and kiss the top of her head. For a quiet minute we just hold each other. I close my eyes and relish the feel of her against me. Without her I'd... The thought cuts off in my head. Without Joelle. Just imagining that scenario has me panicking. Love. An unfamiliar ache claims my throat as my heart races. Love. It rings louder in my head until it's the only word I know. Love. I glance down at Joelle, cuddled into my chest, blinking slowly, her delicate shoulders rising with each breath she takes. And that's when it hits me. I don't ever want to know a life without Joelle. Because I'm in love with her. The thought lands like a brick to the head, but in the best way. Because the impact of that realization leaves me in a daze. It's like I'm floating. The most thoughtful, beautiful, kind, funny, and loyal person I've ever met---and she's with me. And I love her.

Take for instance a phenomenon called frustrated spontaneous emission. It sounds like an embarrassing sexual complaint that psychotherapy might help with. In fact, it involves the decay of radioactive particles, which ordinarily takes place at a predictably random rate. The exception, however, is when radioactive material is placed in an environment that cannot absorb the photons that are emitted by decay. In that case, decay ceases—the atoms become “frustrated.” How do these atoms “know” to stop decaying until conditions are suitable? According to Wharton, the unpredictable decay of radioactive particles may be determined in part by whatever receives their emitted photons in the future.20 Decay may not really be random at all, in other words. Another quantum mystery that arguably becomes less mysterious in a retrocausal world is the quantum Zeno effect. Usually, the results of measurements are unpredictable—again according to the famous uncertainty believed to govern the quantum kingdom—but there is a loophole. Persistent, rapid probing of reality by repeating the same measurement over and over produces repetition of the same “answer” from the physical world, almost as if it is “stopping time” in some sense (hence the name of the effect, which refers to Zeno’s paradoxes like an arrow that must first get halfway to its target, and then halfway from there, and so on, and thus is never able to reach the target at all).21 If the measurement itself is somehow influencing a particle retrocausally, then repeating the same measurement in the same conditions may effectively be influencing the measured particles the same way in their past, thereby producing the consistent behavior. Retrocausation may also be at the basis of a long-known but, again, hitherto unsatisfyingly explained quirk of light’s behavior: Fermat’s principle of least time. Light always takes the fastest possible path to its destination, which means taking the shortest available path through different media like water or glass. It is the rule that accounts for the refraction of light through lenses, and the reason why an object underwater appears displaced from its true location.22 It is yet another example of a creature in the quantum bestiary that makes little sense unless photons somehow “know” where they are going in order to take the most efficient possible route to get there. If the photon’s angle of deflection when entering a refractive medium is somehow determined by its destination, Fermat’s principle would make much more sense. (We will return to Fermat’s principle later in this book; it plays an important role in Ted Chiang’s short story, “Story of Your Life,” the basis for the wonderful precognition movie Arrival.) And retrocausation could also offer new ways of looking at the double-slit experiment and its myriad variants.

Paul felt that he waited for some private signal from his sister. It could be any action or word, something of wizardry and mystical processes, an outward streaming that would fit him like an arrow into a cosmic bow. This instant lay like quivering mercury in his awareness.

Claray murmured sleepily, smiled and cuddled into the warmth wrapped around her. Only to blink her eyes open with surprise when her shifting brought on a responding movement that had her suddenly on her back with something heavy thrown across her legs and something else almost equally heavy across her chest just below her breasts. There was also a sleepy grumbling in her ear that blew the hair around her face. It was followed by a smacking of lips and a murmur of unintelligible words. Despite all of this, it took a full moment for her to realize that the warmth wrapped around her was the Wolf. She'd been resting on top of his chest; however, her squirming around had made the man roll and now he was the one on top. Well, sort of, she acknowledged wryly. Really, he was on his side next to her. But his one arm and leg were cast over her and cuddling her close, while his lips were now... well, she wasn't sure what his lips were doing, though it felt like he was chewing lightly on her ear. And why was that sending little arrows of heat and tingling through her body?

He wasn't staring into the fire anymore. He wasn't even here anymore. Behind those eyes, there was nothing but a dark place, far away and lightless, that he'd disappeared into. I knew that look. I knew that place. ... Wherever he went , whatever dark place inside his head he crawled into, it wasn't a place for laughter, for words. It wasn't a place I could follow. Places like that, everyone has to go through on their own.

Every word I speak is like a blade cutting me from within. It'd the arrow they shot into Baba's chest. It's being forced to rip out my heart and bury it all over again.

Autumn Psalm A full year passed (the seasons keep me honest) since I last noticed this same commotion. Who knew God was an abstract expressionist? I’m asking myself—the very question I asked last year, staring out at this array of racing colors, then set in motion by the chance invasion of a Steller’s jay. Is this what people mean by speed of light? My usually levelheaded mulberry tree hurling arrows everywhere in sight— its bow: the out-of-control Virginia creeper my friends say I should do something about, whose vermilion went at least a full shade deeper at the provocation of the upstart blue, the leaves (half green, half gold) suddenly hyper in savage competition with that red and blue— tohubohu returned, in living color. Kandinsky: where were you when I needed you? My attempted poem would lie fallow a year; I was so busy focusing on the desert’s stinginess with everything but rumor. No place even for the spectrum’s introverts— rose, olive, gray—no pigment at all— and certainly no room for shameless braggarts like the ones that barge in here every fall and make me feel like an unredeemed failure even more emphatically than usual. And here they are again, their fleet allure still more urgent this time—the desert’s gone; I’m through with it, want something fuller— why shouldn’t a person have a little fun, some utterly unnecessary extravagance? Which was—at least I think it was—God’s plan when He set up (such things are never left to chance) that one split-second assignation with genuine, no-kidding-around omnipotence what, for lack of better words, I’m calling vision. You breathe in, and, for once, there’s something there. Just when you thought you’d learned some resignation, there’s real resistance in the nearby air until the entire universe is swayed. Even that desert of yours isn’t quite so bare and God’s not nonexistent; He’s just been waylaid by a host of what no one could’ve foreseen. He’s got plans for you: this red-gold-green parade is actually a fairly detailed outline. David never needed one, but he’s long dead and God could use a little recognition. He promises. It won’t go to His head and if you praise Him properly (an autumn psalm! Why didn’t I think of that?) you’ll have it made. But while it’s true that my Virginia creeper praises Him, its palms and fingers crimson with applause, that the local breeze is weaving Him a diadem, inspecting my tree’s uncut gold for flaws, I came to talk about the way that violet-blue sprang the greens and reds and yellows into action: actual motion. I swear it’s true though I’m not sure I ever took it in. Now I’d be prepared, if some magician flew into my field of vision, to realign that dazzle out my window yet again. It’s not likely, but I’m keeping my eyes open though I still wouldn’t be able to explain precisely what happened to these vines, these trees. It isn’t available in my tradition. For this, I would have to be Chinese, Wang Wei, to be precise, on a mountain, autumn rain converging on the trees, a cassia flower nearby, a cloud, a pine, washerwomen heading home for the day, my senses and the mountain so entirely in tune that when my stroke of blue arrives, I’m ready. Though there is no rain here: the air’s shot through with gold on golden leaves. Wang Wei’s so giddy he’s calling back the dead: Li Bai! Du Fu! Guys! You’ve got to see this—autumn sun! They’re suddenly hell-bent on learning Hebrew in order to get inside the celebration, which explains how they wound up where they are in my university library’s squashed domain. Poor guys, it was Hebrew they were looking for, but they ended up across the aisle from Yiddish— some Library of Congress cataloger’s sense of humor: the world’s calmest characters and its most skittish squinting at each other, head to head, all silently intoning some version of kaddish. Part 1

Too difficult? Better not to make the attempt? Those are the words of a coward,' Cardan said, full of childish bravado. In truth, his brother intimidated him, but that only made him more scornful. Prince Dain smiled. 'Let us exchange arrows at least. Then, if you miss, you can say that it was my arrow then went awry.' Prince Cardan ought to have been suspicious of this kindness, but he'd had little enough of the real thing to tell true from false. Instead, he notched Dain's arrow and pulled back the bowstring, aiming for the walnut. A sinking feeling came over him. He might not shoot true. He might hurt the man. But on the heels of that, angry glee sparked at the idea of doing something so horrifying that his father could no longer ignore him. If he could not get the High King's attention for something good, then perhaps he could get if for something really, really bad. Cardan's hand wobbled. The mortal's liquid eyes watched him in frozen fear. Enchanted, of course. No one would stand like that willingly. That was what decided him. Cardan forced a laugh as he relaxed the bowstring, letting the arrow fall out of the notch. 'I simply will not shoot under these conditions,' he said, feeling ridiculous at having backed down. 'The wind is coming from the north and mussing my hair. It's getting all in my eyes.' But Prince Dain raised his bow and loosed the arrow Cardan had exchanged with him. It struck the mortal through the throat. He dropped with almost no sound, eyes still open, now staring at nothing. It happened so fat that Cardan didn't cry out, didn't react. He just stared at his brother, slow, terrible understanding crashing over him. 'Ah,' said Prince Dain with a satisfied smile. 'A shame. It seems your arrow went awry. Perhaps you can complain to our father about that hair in your eyes.

Too difficult? Better not to make the attempt? Those are the words of a coward,' Cardan said, full of childish bravado. In truth, his brother intimidated him, but that only made him more scornful. Prince Dain smiled. 'Let us exchange arrows at least. Then, if you miss, you can say that it was my arrow then went awry.' Prince Cardan ought to have been suspicious of this kindness, but he'd had little enough of the real thing to tell true from false. Instead, he notched Dain's arrow and pulled back the bowstring, aiming for the walnut. A sinking feeling came over him. He might not shoot true. He might hurt the man. But on the heels of that, angry glee sparked at the idea of doing something so horrifying that his father could no longer ignore him. If he could not get the High King's attention for something good, then perhaps he could get if for something really, really bad. Cardan's hand wobbled. The mortal's liquid eyes watched him in frozen fear. Enchanted, of course. No one would stand like that willingly. That was what decided him. Cardan forced a laugh as he relaxed the bowstring, letting the arrow fall out of the notch. 'I simply will not shoot under these conditions,' he said, feeling ridiculous at having backed down. 'The wind is coming from the north and mussing my hair. It's getting all in my eyes.' But Prince Dain raised his bow and loosed the arrow Cardan had exchanged with him. It struck the mortal through the throat. He dropped with almost no sound, eyes still open, now staring at nothing. It happened so fast that Cardan didn't cry out, didn't react. He just stared at his brother, slow, terrible understanding crashing over him. 'Ah,' said Prince Dain with a satisfied smile. 'A shame. It seems your arrow went awry. Perhaps you can complain to our father about that hair in your eyes.

A spoken word is like an arrow shot from a bow. Once it’s released, it can’t be un-released. If the arrow was shot after a careful aiming and in a deliberate manner, it will hit its target and accomplish the purpose of its release. But if it’s released aimlessly or not in deliberation for a purpose, then it might bring unwanted results and cause unintended damage.