Word Shaker Quotes

The best word shakers were the ones who understood the true power of words. They were the ones who could climb the highest. One such word shaker was a small, skinny girl. She was renowned as the best word shaker of her region because she knew how powerless a person could be WITHOUT words.

Max," she said. He turned and briefly closed his eyes as the girl continued. There was once a strange, small man,"she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker,too." One of the Jews on his way to Dachau had stopped walking now. He stood absolutely still as the others swerved morosely around him, leaving him completely alone. His eyes staggered, and it was so simple. The words were given across from the girl to the Jew. They climbed on to him. The next time she spoke, the questions stumbled from her mouth. Hot tears fought for room in her eyes as she would not let them out. Better to stand resolute and proud. Let the words do all of it. "Is it really you? the young man asked," she said. " Is it from your cheek that I took the seed.?" Max Vandenburg remained standing. He did not drop to his knees. People and Jews and clouds all stopped. They watched. As he stood, Max looked first at the girl and then stared directly into the sky who was wide and blue and magnificent. There were heavy beams-- planks of son-- falling randomly, wonderfully to the road. Clouds arched their backs to look behind as they started again to move on. "It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die,like this. Liesel walked at him. She was courageous enought to reach out and hold his bearded face. "Is it really you,Max?" Such a brilliant German day and its attentive crowd. He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched.

She rubbed her eyes, and after a long study of his face, she spoke "Is it really you?" Is it from your cheek, she thought, that I took the seed? The man nodded. His heart wobbled and he held tighter to the branches. It is.

How can I begin to tell you how much I miss you without using those three common words that can't even start to express the magnitude nor the depth of my emotions. How can I write in my own blood while wanting to revert its color. The color of blood is similar to "I miss you". It has been raped by writers and lovers constantly, ever since Cain and Abel. I want to be able to create a new alphabet that can simply stand in front of you without bowing. I want to use new metaphors that would erupt like volcanoes between the phrases of my readers' souls. Metaphors such as your absence is similar to eating salt straight from the shaker while thirst is devouring my tongue. Metaphors such as the lack of your presence is like being straddled behind the glass of my own senses.

To be the salt, you also need to be the shaker. To shake the world. Shake the truth. Shake the people. Shake the word. Have it sprinkle, melt and preserve humanity.

THE BEST word shakers were the ones who understood the true power of words. They are the ones who could climb the highest.

There was once a strange small man but there was a word shaker too.

She was renowned as the best word shaker of her region because she knew how powerless a person could be WITHOUT words. That's why she could climb higher than anyone else. She had desire. She was hungry for them.

The book thief lay in bed that night, and the boy only came before she closed her eyes. He was one member of a cast, for Liesel was always visited in that room. Her papa stood and called her half a woman. Max was writing The Word Shaker in the corner. Rudy was naked by the door. Occasionally her mother stood on a bedside train platform. And far away, in the room that stretched like a bridge to a nameless town, her brother, Werner, played in the cemetery snow.

Her papa stood and called her half a woman. Max was writing The Word Shaker in the corner. Rudy was naked by the door.

But as they walked on, they stopped several times, to listen. They thought they could hear voices and words behind them, on the word shaker's tree.

and when the man was sick, the word shaker allowed a single teardrop to fall on his face. The tear was made of friendship-a single word-and it dried and became a seed

THE BEST word shakers were the ones who understood the true power of words. They were the ones who could climb the highest.

Max," she said. He turned and briefly closed his eyes as the girl continued. "There was once a strange, small man," she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker, too.

Max," she said. He turned and briefly closed his eyes as the girl continued. "'There was once a strange, small man,'" she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker, too.

Max", she said. He turned and briefly closed his eyes as the girl continued. " 'There was once a strange, small man,' " she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker, too.

THE BEST word shakers were the ones who understood the true power of words. They were the ones who could climb the highest. One such word shaker was a small, skinny girl. She was renowned as the best word shaker of her region because she knew how powerless a person could be WITHOUT words. That’s why she could climb higher than anyone else. She had desire. She was hungry for them.

Max," she said. He turned and briefly closed his eyes as the girl continued. "There was once a strange, small man," she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker, too." One of the Jews on his way to Dachau had stopped walking now. He stood absolutely still as the others swerved morosely around him, leaving him completely alone. His eyes staggered and it was so simple. The words were given across from the girl to the Jew.

I skanked deep on Wolt's pipe an' four days march from our free Windward to Kona Leeward seemed like four mil'yun, yay, babbybies o' blissweed cradled me that night, then the drummin' started up, see ev'ry tribe had its own drums. Foday o' Lotus Pond Dwellin' an' two-three Valleysmen played goatskin'n'pingwood tom-toms, an' Hilo beardies thumped their flumfy-flumfy drums an' a Honokaa fam'ly beat their sash-krrangers an' Honomu folk got their shell-shakers an' this whoah feastin' o' drums twanged the young uns' joystrings an' mine too, yay, an' blissweed'll lead you b'tween the whack-crack an' boom-doom an' pan-pin-pon till we dancers was hoofs thuddin' an' blood pumpin' an' years passin' an' ev'ry drumbeat one more life shedded off me, yay, I glimpsed all the lifes my soul ever was till far-far back b'fore the Fall, yay, glimpsed from a gallopin' horse in a hurrycane, but I cudn't describe 'em 'cos there ain't the words no more but well I mem'ry that dark Kolekole girl with her tribe's tattoo, yay, she was a saplin' bendin' an' I was that hurrycane, I blowed her she bent, I blowed harder she bent harder an' closer, then I was Crow's wings beatin' an' she was the flames lickin' an' when the Kolekole saplin' wrapped her willowy fingers around my neck, her eyes was quartzin' and she murmed in my ear, Yay, I will, again, an' yay, we will, again.

The emancipation of women was destined to follow that of the slaves and the glorification of people without a caste and without traditions, namely, the pariah. In a society that no longer understands the figure of the ascetic and of the warrior; in which the hands of the latest aristocrats seem better fit to hold tennis rackets or shakers for cocktail mixes than swords or scepters; in which the archetype of the virile man is represented by a boxer or by a movie star if not by the dull wimp represented by the intellectual, the college professor, the narcissistic puppet of the artist, or the busy and dirty money-making banker and the politician—in such a society it was only a matter of time before women rose up and claimed for themselves a 'personality' and a 'freedom' according to the anarchist and individualist meaning usually associated with these words.

The young man wandered around for quite some time, thinking, planning, and figuring out exactly how to make the world his. Then one day, out of nowhere, it struck him - the perfect plan. He'd seen a mother walking with her child. At one point, she admonished the small boy, until finally, he began to cry. Within a few minutes, she spoke softly to him, after which he was soothed and even smiled. The young man rushed to the woman and embraced her. "Words!" He grinned. "What?" But there was no reply. He was already gone. Yes, the Fuhrer decided that he would rule the world with words.

For Alwyn's grandfather, who was known as "the greatest talker in the country," used words which no one else understood, words which he did not understand, and words which do not exist, to swell a passionate theme, to confound his neighbors in an argument, and for their own sake. He would say, for example, "My farm was the very apocalypse of fertility, but the renter has rested on his oars till it is good for nothing," or "Manifest the bounty to pass the salt shaker in my direction." Something of the Bible, something of an Irish inheritance, something of a liar's anxiety, made of his most ordinary remark a strange and wearisome oratory.

The best word shakers were those who understood the true power of words. They were always able to climb the highest. One such word shaker was a small, skinny girl. She was renowned as the last of her region because she knew how powerless a person could be without words. She had desire. She was hungry for them. One day, however, she met a man who was despised by her homeland, even though he was born in it. They became good friends, and when the man was sick, the word shaker allowed a single teardrop to fall on his face. The tear was made of friendship - a single word - which dried and became a seed. When next the girl was in the forest, she planted that seed amongst the other trees. She watered it before and after every shift.

We have now reached a level in which many people are not merely unacquainted with the fundamentals of punctuation, but don’t evidently realize that there are fundamentals. Many people—people who make posters for leading publishers, write captions for the BBC, compose letters and advertisements for important institutions—seem to think that capitalization and marks of punctuation are condiments that you sprinkle through any collection of words as if from a salt shaker. Here is a headline, exactly as presented, from a magazine ad for a private school in York: “Ranked by the daily Telegraph the top Northern Co-Educational day and Boarding School for Academic results.” All those capital letters are just random. Does anyone really think that the correct rendering of the newspaper is “the daily Telegraph”? Is it really possible to be that unobservant? Well, yes, as a matter of fact. Not long ago, I received an e-mail from someone at the Department for Children, Schools and Families asking me to take part in a campaign to help raise appreciation for the quality of teaching in Great Britain. Here is the opening line of the message exactly as it was sent to me: “Hi Bill. Hope alls well. Here at the Department of Children Schools and Families…” In the space of one line, fourteen words, the author has made three elemental punctuation errors (two missing commas, one missing apostrophe; I am not telling you more than that) and gotten the name of her own department wrong—this from a person whose job is to promote education. In a similar spirit, I received a letter not long ago from a pediatric surgeon inviting me to speak at a conference. The writer used the word “children’s” twice in her invitation, spelling it two different ways and getting it wrong both times. This was a children’s specialist working in a children’s hospital. How long do you have to be exposed to a word, how central must it be to your working life, to notice how it is spelled?

Now that you are living on such intimate terms with her, Gwyn has emerged as a slightly different person... She is both funnier and more salacious than you imagined, more vulgar and idiosyncratic, more passionate, more playful, and you are startled to realize how deeply she exults in filthy language and the bizarre slang of sex... Common twentieth-century words do not interest her. She shuns the term making love, for example, in favor of older, more hilarious locutions, such as rumpty-rumpty, quaffing, and bonker bang. A good orgasm is referred to as a bone-shaker. Her ass is a rumdadum. Her crotch is a slittie, a quim, a quim-box, a quimsby. Her breasts are boobs and tits, boobies and titties, her twin girls. At one time or another, your penis is a bong, a blade, a slurp, a shaft, a drill, a quencher, a lancelot, a lightning rod, Charles Dickens, Dick Driver, and Adam Junior... In the grip of approaching orgasm, however, she tends to revert to the contemporary standbys, falling back on the simplest, crudest words in the English lexicon to express her feelings. Cunt, pussy, fuck. Fuck me, Adam. Again and again. Fuck me, Adam. For an entire month you are the captive of that word, the willing prisoner of that word, the embodiment of that word. You dwell in the land of flesh, and your cup runneth over. Surely goodness and mercy shall follow you all the days of your life.

In a society that no longer understands the figure of the ascetic and of the warrior; in which the hands of the latest aristocrats seem better fit to hold tennis rackets or shakers for cocktail mixes than swords or scepters; in which the archetype of the virile man is represented by the boxer or by a movie star if not by the dull wimp represented by the intellectual, the college professor, the narcissistic puppet of the artist, or the busy and dirty money-making banker and the politician – in such a society it was only a matter of time before women rose up and claimed for themselves a “personality” and a “freedom” according to the anarchist and individualist meaning usually associated with those words.

Challenge’ is one of those words executives like to say at conferences. It makes them sound like they’re at the forefront of something. Words such as ‘modernisation’, ‘development technology’ and ‘the future’ are bandied about at any professional gathering, even if it’s one attended by just milkmen. The word that bugs me most at the moment is ‘choice’. Businesses and governments now say ‘choice’ as readily as a two-year-old says ‘poo’. Somehow our movers and shakers have got it into their heads that our lives are enriched by having available a vaster spread of options, but there are certain times when the last thing you need is a choice. When you’re ill, for example. You want to go straight to hospital, without having to decide which one. Yet our administrators think it’s nice we can now choose the hospital we go to. It’s a false choice. If there are two hospitals nearby, a good one and a terrible one, there’s nothing to be gained from offering sick people the option of going to the terrible one. Better to knock it down or improve it. People who choose to go to the terrible one need their heads examining, although not at the hospital they’ve just chosen.

We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; — World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems. With wonderful deathless ditties We build up the world's great cities, And out of a fabulous story We fashion an empire's glory: One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample a kingdom down. We, in the ages lying, In the buried past of the earth, Built Nineveh with our sighing, And Babel itself in our mirth; And o'erthrew them with prophesying To the old of the new world's worth; For each age is a dream that is dying, Or one that is coming to birth. A breath of our inspiration Is the life of each generation; A wondrous thing of our dreaming Unearthly, impossible seeming — The soldier, the king, and the peasant Are working together in one, Till our dream shall become their present, And their work in the world be done. They had no vision amazing Of the goodly house they are raising; They had no divine foreshowing Of the land to which they are going: But on one man's soul it hath broken, A light that doth not depart; And his look, or a word he hath spoken, Wrought flame in another man's heart. And therefore to-day is thrilling With a past day's late fulfilling; And the multitudes are enlisted In the faith that their fathers resisted, And, scorning the dream of to-morrow, Are bringing to pass, as they may, In the world, for its joy or its sorrow, The dream that was scorned yesterday. But we, with our dreaming and singing, Ceaseless and sorrowless we! The glory about us clinging Of the glorious futures we see, Our souls with high music ringing: O men! it must ever be That we dwell, in our dreaming and singing, A little apart from ye. For we are afar with the dawning And the suns that are not yet high, And out of the infinite morning Intrepid you hear us cry — How, spite of your human scorning, Once more God's future draws nigh, And already goes forth the warning That ye of the past must die. Great hail! we cry to the comers From the dazzling unknown shore; Bring us hither your sun and your summers; And renew our world as of yore; You shall teach us your song's new numbers, And things that we dreamed not before: Yea, in spite of a dreamer who slumbers, And a singer who sings no more.

It also made her think of the sounds of ceremony: the eagle whistles, the drum, the shakers. It made her think that we really are replicating the sounds of nature through our music and celebrations, all of which help heal us.

You grow up to believe that if you say, Please pass the salt, a person will reach toward the shaker, grab it in his hand, and move it in your direction. But then one day some of us might learn that it can happen that you can say, Please pass the salt, and a person will jam his hand into the mayonnaise jar and fling a fistful of it at your face. All at once, words don't mean what they're supposed to mean. I am a girl. My name is Io. I say no thanks, not me, stop please. But all at once, words do not matter. I do not matter.

That you – God`s YOU – will be hopeful and kind, a giver who lives with all heart, soul and mind. A dreamer who dreams in big and small themes, one who keeps dreaming in journeys upstream. A mover, a shaker, a lover of nature. A builder of bridges, you, the peacemaker. A you who vies others as sisters ad brothers an lives by three words: love one another. A confident you, strong and brave too. You being you is God`s dream come true.

That you – God`s YOU – will be hopeful and kind, a giver who lives with all heart, soul and mind. A dreamer who dreams in big and small themes, one who keeps dreaming in journeys upstream. A mover, a shaker, a lover of nature. A builder of bridges, you, the peacemaker. A you who views others as sisters ad brothers and lives by three words: love one another. A confident you, strong and brave too. You being you is God`s dream come true.

Jimmy’s goal since childhood, he explained to Siegel, had been to join the cast of Saturday Night Live. He was endearing. After a two-hour call, Siegel offered to represent him. She had one question, however. “Why don’t you stay and graduate?” Jimmy was a semester shy of a degree. Siegel suggested that they get started in the summer, so he’d have a bachelor’s degree to fall back on, just in case. “No, no,” Jimmy insisted. “I need to get on Saturday Night Live, and you’re going to make it happen, because you know Adam Sandler! I don’t want to do anything else.” Siegel knew this was a long shot—and a long-term endeavor—especially for an out-of-town kid with zero acting credits. But for some reason, she couldn’t turn him down; she had never met someone as focused and passionate about a single dream as this grinning bumpkin from the tiny town of Saugerties, New York. And though his skills were rough, given some time in the industry, she thought he might just make it. “OK, let’s do this,” she said. So, in January 1996 Jimmy quit college and moved to Los Angeles. For six months, Siegel booked him gigs on small, local stand-up comedy stages. Then, without warning, SNL put a call out for auditions; three cast members would be leaving the show. Having worked with one of the departing actors, David Spade, Siegel pulled a few strings and arranged a Hail Mary for the young Jimmy Fallon: an audition at The Comic Strip. SO HERE HE WAS. Fresh-faced, sweating in his light shirt, holding his Troll doll. In front of Lorne Michaels and a phalanx of Hollywood shakers. When Jimmy ended his three-minute bit, the audience clapped politely. True to his reputation, Michaels didn’t laugh. Not once. Jimmy went home and awaited word. Finally, the results came: SNL had invited Tracy Morgan, Ana Gasteyer, and Chris Kattan, each of whom had hustled in the comedy scene for years, to join the cast. Jimmy—the newbie whose well-connected manager had finagled an invite—was crushed. “Was he completely raw? A hundred percent,” Siegel says. But, the SNL people said, “Let’s keep an eye on him.