Wool Book Quotes

This sentence is made of lead (and a sentence of lead gives a reader an entirely different sensation from one made of magnesium). This sentence is made of yak wool. This sentence is made of sunlight and plums. This sentence is made of ice. This sentence is made from the blood of the poet. This sentence was made in Japan. This sentence glows in the dark. This sentence was born with a caul. This sentence has a crush on Norman Mailer. This sentence is a wino and doesn't care who knows it. Like many italic sentences, this one has Mafia connections. This sentence is a double Cancer with a Pisces rising. This sentence lost its mind searching for the perfect paragraph. This sentence refuses to be diagrammed. This sentence ran off with an adverb clause. This sentence is 100 percent organic: it will not retain a facsimile of freshness like those sentences of Homer, Shakespeare, Goethe et al., which are loaded with preservatives. This sentence leaks. This sentence doesn't look Jewish... This sentence has accepted Jesus Christ as its personal savior. This sentence once spit in a book reviewer's eye. This sentence can do the funky chicken. This sentence has seen too much and forgotten too little. This sentence is called "Speedoo" but its real name is Mr. Earl. This sentence may be pregnant. This sentence suffered a split infinitive - and survived. If this sentence has been a snake you'd have bitten it. This sentence went to jail with Clifford Irving. This sentence went to Woodstock. And this little sentence went wee wee wee all the way home.

I almost miss the sound of your voice but know that the rain outside my window will suffice for tonight. I’m not drunk yet, but we haven’t spoken in months now and I wanted to tell you that someone threw a bouquet of roses in the trash bin on the corner of my street, and I wanted to cry because, because — well, you know exactly why. And, I guess I’m calling because only you understand how that would break my heart. I’m running out of things to say. My gas is running on empty. I’ve stopped stealing pages out of poetry books, but last week I pocketed a thesaurus and looked for synonyms for you but could only find rain and more rain and a thunderstorm that sounded like glass, like crystal, like an orchestra. I wanted to tell you that I’m not afraid of being moved anymore; Not afraid of this heart packing up its things and flying transcontinental with only a wool coat and a pocket with a folded-up address inside. I’ve saved up enough money to disappear. I know you never thought the day would come. Do you remember when we said goodbye and promised that it was only for then? It’s been years since I last saw you, years since we last have spoken. Sometimes, it gets quiet enough that I can hear the cicadas rubbing their thighs against each other’s. I’ve forgotten almost everything about you already, except that your skin was soft, like the belly of a peach, and how you would laugh, making fun of me for the way I pronounced almonds like I was falling in love with language.

The aroma of tea mixed with the scent of old books, leather chairs, and wool from the carpet in a soothing fusion.

But believe it or not, I really do like to read. I don't think anyone can ever pull the wool over your eyes if you stay prayed up and read. Frederick Douglass said that no man can be a slave if he has knowledge.

Tehol collected his cup and carefully sniffed. Then he frowned at his manservant. Who shrugged. “We don’t have no herbs, master. I had to improvise.” “With what? Sheep hide?” Bugg’s brows rose. “Very close indeed. I had some leftover wool.” “The yellow or the grey?” “The grey.” “Well, that’s alright, then.” He sipped. “Smooth.” “Yes, it would be.” “We’re not poisoning ourselves, are we?” – MT 237

I’m Caitlin McDonald,” she said, loosening the thick wool scarf from around her neck and down off her face, motioning her chin toward the big male. “You’ve already met Hector and his gang.” When Major Standback said widow I pictured an older woman. Not this one. She was young, no more than thirty. The cold on the skin of her fine features made her face shine. She had the clean, clear beauty of a china doll.

And Lukas would tell them to be good to each other, that there were only so many of them left, and that all the books and all the stars in the universe were pointless with no one to read them, no one to peer through the parting clouds for them.

Writer's Resolution Enough's Enough! No more shall I Pursue the Muse and scorch the pie Or dream of Authoring a book When I (unhappy soul) must cook; Or burn the steak while I wool-gather, And stir my spouse into a lather Invoking words like "Darn!" and such And others that are worse (Oh, much!) Concerning culinary knack Which I (HE says) completely lack. I'll keep my mind upon my work; I'll learn each boresome cooking quirk; This day shall mark a new leaf's turning... That smell! Oh Hell! The beans are burning!

He sounded flustered. Juliette watched him busy about the stove, his movements jerky and manic, and realized she was the one cloistered away and ignorant, not him. He had all these books, decades of reading history, the company of ancestors she could only imagine. What did she have as her experience? A life in a dark hole with thousands of fellow, ignorant savages? She tried to remember this as she watched him dig a finger in his ear and then inspect his fingernail.

On the black earth on which the ice plants bloomed, hundreds of black stink bugs crawled. And many of them stuck their tails up in the air. "Look at all them stink bugs," Hazel remarked, grateful to the bugs for being there. "They're interesting," said Doc. "Well, what they got their asses up in the air for?" Doc rolled up his wool socks and put them in the rubber boots and from his pocket he brought out dry socks and a pair of thin moccasins. "I don't know why," he said. "I looked them up recently--they're very common animals and one of the commonest things they do is put their tails up in the air. And in all the books there isn't one mention of the fact that they put their tails up in the air or why." Hazel turned one of the stink bugs over with the toe of his wet tennis shoe and the shining black beetle strove madly with floundering legs to get upright again. "Well, why do you think they do it?" "I think they're praying," said Doc. "What!" Hazel was shocked. "The remarkable thing," said Doc, "isn't that they put their tails up in the air--the really incredibly remarkable thing is that we find it remarkable. We can only use ourselves as yardsticks. If we did something as inexplicable and strange we'd probably be praying--so maybe they're praying." "Let's get the hell out of here," said Hazel.

The intriguing thing about playing Scrabble is that as soon as the board is set up in front of me, I don't know any words. Other than cat and bat and rat, everything disappears from the language drawer in my brain. My mother, on the other hand, who normally speaks English like a regular person, spells things like qiviut ("wool of the muskox") and hake.

Now I have more freedom than I have ever had at any time in my life, and I do only the things I always have. They were empty before, but Selina has given a meaning to them, I do them for her. I am waiting, for her - but, waiting, I think, is too poor a word for it. I am engaged with the substance of the minutes as they pass. I feel the surface of my flesh stir - it is like the surface of the sea that knows the moon is drawing near it. If I take up a book, I might as well never have seen a line of print before - books are filled, now, with messages aimed only at me. An hour ago, I found this: The blood is listening in my frame, And thronging shadows, fast and thick, Fall on my overflowing eyes... It is as if every poet who ever wrote a line to his own love wrote secretly for me, and for Selina. My blood - even as I write this - my blood, my muscle and every fibre of me, is listening, for her. When I sleep, it is to dream of her. When shadows move across my eye, I know them now for shadows of her. My room is still, but never silent - I hear her heart, beating across the night in time to my own. My room is dark, but darkness is different for me now. I know all its depths and textures - darkness like velvet, darkness like felt, darkness bristling as coir or prison wool.

To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established.

So we go around pigeonholing everything. We put cows in cowsheds, horses in stables, pigs in pigsties, and chickens in chicken coops. The same happens when Sophie Amundsen tidies up her room. She puts her books on the bookshelf, her schoolbooks in her schoolbag, and her magazines in the drawer. She folds her clothes neatly and puts them in the closet - underwear on one shelf, sweaters on another, and socks in a drawer on their own. Notice that we do the same thing in our minds. we distinguish between things made of stone, things made of wool, and things made of rubber. We distinguish between things that are alive or dead, and we distinguish between vegetables, animal, and human

What filled the rooms of Grete's cottage so decidedly were woven baskets and wooden boxes and clay pots glazed in red and blue, each with its own mishmash of this and that. Roots and leaves still redolent of dirt. Balls of scratchy wool-purple twining into pink easing into periwinkle fading into gray. At least three boxes held squares and strips of fabric, all colors, and eight pots overflowed with apples. The walls were lined with shelves, the shelves were lined with books. Wordless spines peered out. As soon as Isabelle saw them, she itched to open it up and read it from cover to cover.

Don’t try to pull the wool over my eyes. You can’t fool an old sheep like me. To prove it, I’ll tell you that I’ve been continuously voting for the same person for president for years and years, a few of them even before he died.

I go to my father's desk, getting uncomfortable flashbacks to when Allie and I emptied my father's apartment a week after his death. It was rough. The entire place smelled like him - a soothing combo of wool, aftershave and old books. Every item dropped into a cardboard box felt as though a part of his existence was being locked away where no one could see it. Every tattered cardigan. Each worn-edged book. I was erasing my father piece by piece, and it gutted me.

Lukas would tell them to be good to each other, that there were only so many of them left, and that all the books and all the stars in the universe were pointless with no one to read them, no one to peer through the parting clouds for them.

That was a cold, late spring. The dawns were chilly, and at noon the sunlight was cool. The trees unfolded their leaves slowly; the peas and beans, the carrots and corn, stood waiting for warmth and did not grow. When the rush of spring’s work was over, Almanzo had to go to school again. Only small children went to the spring term of school, and he wished he were old enough to stay home. He didn’t like to sit and study a book when there were so many interesting things to do. Father hauled the fleeces to the carding-machine in Malone, and brought home the soft, long rolls of wool, combed out straight and fine. Mother didn’t card her own wool any more, since there was a machine that did it on shares. But she dyed it. Alice and Eliza Jane were gathering roots and barks in the woods, and Royal was building huge bonfires in the yard. They boiled the roots and the bark in big caldrons over the fires, and they dipped the long skeins of wool thread that Mother had spun, and lifted them

Women have an innate ability to pick up and decipher non-verbal signals, as well as having an accurate eye for small details. This is why few husbands can lie to their wives and get away with it and why, conversely, most women can pull the wool over a man's eyes without his realizing it." - The Definitive Book of Body Language by Allan Pease, Barbara Pease, page-13

A curious country,” writes Van Mitten in his note-book, as he hastily jotted down some random impressions of the journey. “The women work in the fields and carry burthens, while the men spin flax and knit in wool.” The worthy Dutchman was not mistaken: such are still the customs in the distant province of Lazistan, where the second portion of the journey was commenced.

Wait." Walter went to the basket, taking what was a gray sleeve, drawing it out fro the middle of the heap. "Oh," He said. He held the shapeless wool sweater to his chest. Joyce had knit for months the year Daniel died, and here was the result, her handiwork, the garment that would fit a giant. It was nothing more than twelve skeins of yarn and thousands of loops, but it had the power to bring back in a flash the green-tiled walls of the hospital, the sound of an ambulance trying to cut through city traffic in the distance, the breathing of the dying boy, his father staring at the ceiling, the full greasy bucket of fried chicken on he bed table. "I'll take this one," Walter said, balling up the sweater as best he could, stuffing it into a shopping bag that was half full of the books he was taking home, that he was borrowing. "Oh, honey," Joyce said. "You don't want that old scrap." "You made it. I remember your making it." Keep it light, he said to himself, that's a boy. "There's a use for it. Don't you think so, Aunt Jeannie? No offense, Mom, but I could invade the Huns with it or strap the sleeves to my car tires in a blizzard, for traction, or protect our nation with it out in space, a shield against nuclear attack." Jeannie tittered in her usual way in spite of herself. "You always did have that sense of humor," she said as she went upstairs. When she was out of range, Joyce went to Walter's bag and retrieved the sweater. She laid it on the card table, the long arms hanging down, and she fingered the stitches. "Will you look at the mass of it," she exclaimed. "I don't even recall making it." ""'Memory -- that strange deceiver,'" Walter quoted.

It is unfortunate that in some places, especially in the United States, people have resisted making choices that will keep them and their families safer. I don’t agree with these choices, but I also think it’s unhelpful to simply label them “anti-science,” as so many people do. In her book On Immunity, Eula Biss looks at vaccine hesitancy in a way that I think also helps explain the resentment we’re seeing toward other public health measures. The distrust of science is just one factor, she says, and it is compounded by other things that trigger fear and suspicion: pharmaceutical companies, big government, elites, the medical establishment, male authority. For some people, invisible benefits that might materialize in the future are not enough to get them past the worry that someone is trying to pull the wool over their eyes. The problem is even worse in periods of severe political polarization, such as the one we’re in now.

And I read something else," Jacob goes on. "There was this discussion of the story of Cain and Abel, from the Bible. After Cain kills his brother, God says, 'The bloods of your brother call out to me.' Not blood. Bloods. Weird, right? So the Talmud tries to explain it." "I can explain it," says William. "The scribe was drunk." "William!" cries Jeanne. "The Bible is written by God!" "And copied by scribes," the big boy replies. "Who get drunk. A lot. Trust me." Jacob is laughing. "The rabbis have a different explanation. The Talmud says it's 'bloods' because Cain didn't only spill Abel's blood. He spilled the blood of Abel and all the descendants he never had." "Huh!" "And then it says something like, 'Whoever destroys a single life destroys the whole world. And whoever saves a single life saves the whole world." There are sheep in the meadow beside the road. Gwenforte walks up to the low stone wall, and one sheep--a ram--doesn't run away. They sniff each other's noses. Her white fur beside the ram's wool--two textures, two colors, both called white in our inadequate language. Jeanne is thinking about something. At last, she shares it. "William, you said that it takes a lifetime to make a book." "That's right." "One book? A whole lifetime?" William nods. "A scribe might copy out a single book for years. An illuminator would then take it and work on it for longer still. Not to mention the tanner who made the parchment, and the bookbinder who stitched the book together, and the librarian who worked to get the book for the library and keep it safe from mold and thieves and clumsy monks with ink pots and dirty hands. And some books have authors, too, like Saint Augustine or Rabbi Yehuda. When you think about it, each book is a lot of lives. Dozens and dozens of them." Dozens and dozens of lives," Jeanne says. "And each life a whole world." "We saved five books," says Jacob. "How many worlds is that?" William smiles. "I don't know. A lot. A whole lot.

We are the seeds,” he said. “This is a silo. They put us here for the bad times........But it won’t work.” He shook his head, then sat back on the floor and peered at the pictures in the massive book. “You can’t leave seeds this long,” he said. “Not in the dark like this. Nope......What do seeds do when they’re left too long?” she asked him. He frowned. “We rot,” he said. “All of us. We go bad down here, and we rot so deep that we won’t grow anymore.” He blinked and looked up at her. “We’ll never grow again.

The sultan had enormous eyebrows, fibrous like angora wool. In moments of strife, his eyebrows twitched violently. Like now! His Excellency’s royal blood boiled. Once again another mesmerized American news anchor gushed about Dubai’s vision, hailing the imagination of the al-Maktoum family. “Where is this vision coming from?” probed Katie Couric. “Ignorant Yankee!” Sultan Mo-Mo’s British twang bore traces of Basil Fawlty. The sultan wanted to retch. Dubai’s showboating gave him indigestion, but he continued helping himself to more chips and fiery salsa, downing cold Guinness, smoking excellent hash, humming the theme song of The Wonder Years.

Yet [134] even though the sense world mimics the divine like a shadow, and the divine world is self-sufficient and totally independent, still it is impossible to postulate complete nonexistence for the sensory world, for the very reason that it does reflect the world of the divine. The destruction of the world, then, can mean only that it is transformed, not that it goes out of existence altogether. The Holy Book speaks clearly to this effect in describing how the mountains will be set in motion and become like tufts of wool, and men like moths, the sun and moon cast down, the seas split open and spilled out, on the Day when the earth turns to what is no longer earth, and the heavens to what is no longer heaven.

The abbot had called her a sweet soul. This was true, but she was also massively irritating. She fussed over Rabalyn as if he was still three years old, and her conversation was absurdly repetitive. Every time he left the little cottage she would ask: ‘Are you going to be warm enough?’ If he voiced any concerns about life, schooling or future plans, she would say: ‘I don’t know about that. It’s enough to have food on the table today.’ Her days were spent cleaning other people’s sheets and clothes. In the evenings she would unravel discarded woollen garments and create balls of faded wool. Then she would knit scores of squares, which would later be fashioned into blankets. Some she sold. Others she gave away to the poorhouse. Aunt Athyla was never idle.

What are ye doing, lass?” His voice was so soft and close in the darkness, it made her shiver. She forgot all about the hard floor. “I always imagined that once I got married, I’d finally know what it was like to spend the night in a man’s arms. Will you hold me, so I can feel what that’s like? I won’t ask for more than that. Just hold me.” He rolled to face her and touched her cheek. “Ah, lass,” he sighed. “How can I deny you when you ask so sweetly? If ’tis holding ye want, holding you shall get. But the floor is no place for you and your bairn. Up in the bed with you.” “It’s no place for a married man, either,” she said, smiling at her small victory. He sighed again, a sound heavy with sentiment she could only guess at. She climbed under the blankets and held them up for him, but he was taking his sweet time. “Are you coming?” “Aye, lass. Just donning my plaid.” She bit back a huff of frustration. She determined to enjoy what little affection he would give her and didn’t want to push her luck by asking for more. Her hormones would have to learn patience; this was going to be a painfully slow seduction. When Darcy slipped into bed, bare-chested, but wrapped in layers of wool from the waist down, she cuddled into his open arms. All her frustration drained away as he gathered her in and the heat of his chest turned her into a melty puddle of contentment. She nestled her nose into the tuft of hair between his mounded pectorals and inhaled his scent of saddle leather and faint, masculine musk. Beneath her closed eyelids, her eyes rolled back in her head with bliss.

He would place his mouth, still full of sleep, on hers, and perhaps pull her back into the bedroom and down into the bed with him, into that liquid pool of flesh, his mouth sliding over her, furry pleasure, the covers closing over them as they sank into weightlessness. But he hadn't done that for some time. He had been waking earlier and earlier; she, on the other hand, had been having trouble getting out of bed. She was losing that compulsion, that joy, whatever had nagged her out into the cold morning air, driven her to fill all those notebooks, all those printed pages. Instead, she would roll herself up in the blankets after Bernie got up, tucking in all the corners, muffling herself in wool. She had begun to have the feeling that nothing was waiting for her outside the bed's edge. No emptiness but nothing, the zero with legs in the arithmetic book. 'I'm off,' he'd say to her groggy bundled back. She'd be awake enough to hear this; then she would lapse back into a humid sleep. His absence was one more reason for not getting up.

Thus Epicurus also, when he designs to destroy the natural fellowship of mankind, at the same time makes use of that which he destroys. For what does he say? ‘Be not deceived, men, nor be led astray, nor be mistaken: there is no natural fellowship among rational animals; believe me. But those who say otherwise, deceive you and seduce you by false reasons.’—What is this to you? Permit us to be deceived. Will you fare worse, if all the rest of us are persuaded that there is a natural fellowship among us, and that it ought by all means to be preserved? Nay, it will be much better and safer for you. Man, why do you trouble yourself about us? Why do you keep awake for us? Why do you light your lamp? Why do you rise early? Why do you write so many books, that no one of us may be deceived about the gods and believe that they take care of men; or that no one may suppose the nature of good to be other than pleasure? For if this is so, lie down and sleep, and lead the life of a worm, of which you judged yourself worthy: eat and drink, and enjoy women, and ease yourself, and snore. And what is it to you, how the rest shall think about these things, whether right or wrong? For what have we to do with you? You take care of sheep because they supply us with wool and milk, and last of all with their flesh. Would it not be a desirable thing if men could be lulled and enchanted by the Stoics, and sleep and present themselves to you and to those like you to be shorn and milked? For this you ought to say to your brother Epicureans: but ought you not to conceal it from others, and particularly before every thing to persuade them, that we are by nature adapted for fellowship, that temperance is a good thing; in order that all things may be secured for you? Or ought we to maintain this fellowship with some and not with others? With whom then ought we to maintain it? With such as on their part also maintain it, or with such as violate this fellowship? And who violate it more than you who establish such doctrines? What then was it that waked Epicurus from his sleepiness, and compelled him to write what he did write?

I’ve been allowed to read more grown-up books lately. Eva’s Youth by Nico van Suchtelen is currently keeping me busy. I don’t think there’s much of a difference between this and books for teenage girls. Eva thought that children grew on trees, like apples, and that the stork plucked them off the tree when they were ripe and brought them to the mothers. But her girlfriend’s cat had kittens and Eva saw them coming out of the cat, so she thought cats laid eggs and hatched them like chickens, and that mothers who wanted a child also went upstairs a few days before their time to lay an egg and brood on it. After the babies arrived, the mothers were pretty weak from all that squatting. At some point, Eva wanted a baby too. She took a wool scarf and spread it on the ground so the egg could fall into it, and then she squatted down and began to push. She clucked as she waited, but no egg came out. Finally, after she’d been sitting for a long time, something did come, but it was a sausage instead of an egg. Eva was embarrassed. She thought she was sick. Funny, isn’t it?

It only looked depressing compared to scenes from the children’s books—the only books to survive the uprising. Most people doubted those colors in the books, just as they doubted purple elephants and pink birds ever existed, but Holston felt that they were truer than the scene before him. He, like some others, felt something primal and deep when he looked at those worn pages splashed green and blue. Even so, when compared to the stifling silo, that muddy gray view outside looked like some kind of salvation, just the sort of open air men were born to breathe. “Always seems a little clearer in here,” Jahns said. “The view, I mean.” Holston remained silent. He watched a curling piece of cloud break off and move in a new direction, blacks and grays swirling together. “You get your pick for dinner,” the mayor said. “It’s tradition—” “You don’t need to tell me how this works,” Holston said, cutting Jahns off. “It’s only been three years since I served Allison her last meal right here.” He reached to spin the copper ring on his finger out of habit, forgetting he had left it on his dresser hours ago.

Sweet to me your voice, said Caolcrodha Mac Morna, brother to sweet-worded sweet-toothed Goll from Sliabh Riabhach and Brosnacha Bladhma, relate then the attributes that are to Finn's people. [...] I will relate, said Finn. Till a man has accomplished twelve books of poetry, the same is not taken for want of poetry but is forced away. No man is taken till a black hole is hollowed in the world to the depth of his two oxters and he put into it to gaze from it with his lonely head and nothing to him but his shield and a stick of hazel. Then must nine warriors fly their spears at him, one with the other and together. If he be spear-holed past his shield, or spear-killed, he is not taken for want of shield-skill. No man is taken till he is run by warriors through the woods of Erin with his hair bunched-loose about him for bough-tangle and briar-twitch. Should branches disturb his hair or pull it forth like sheep-wool on a hawthorn, he is not taken but is caught and gashed. Weapon-quivering hand or twig-crackling foot at full run, neither is taken. Neck-high sticks he must pass by vaulting, knee-high sticks by stooping. With the eyelids to him stitched to the fringe of his eye-bags, he must be run by Finn's people through the bogs and the marsh-swamps of Erin with two odorous prickle-backed hogs ham-tied and asleep in the seat of his hempen drawers. If he sink beneath a peat-swamp or lose a hog, he is not accepted of Finn's people. For five days he must sit on the brow of a cold hill with twelve-pointed stag-antlers hidden in his seat, without food or music or chessmen. If he cry out or eat grass-stalks or desist from the constant recital of sweet poetry and melodious Irish, he is not taken but is wounded. When pursued by a host, he must stick a spear in the world and hide behind it and vanish in its narrow shelter or he is not taken for want of sorcery. Likewise he must hide beneath a twig, or behind a dried leaf, or under a red stone, or vanish at full speed into the seat of his hempen drawers without changing his course or abating his pace or angering the men of Erin. Two young fosterlings he must carry under the armpits to his jacket through the whole of Erin, and six arm-bearing warriors in his seat together. If he be delivered of a warrior or a blue spear, he is not taken. One hundred head of cattle he must accommodate with wisdom about his person when walking all Erin, the half about his armpits and the half about his trews, his mouth never halting from the discoursing of sweet poetry. One thousand rams he must sequester about his trunks with no offence to the men of Erin, or he is unknown to Finn. He must swiftly milk a fat cow and carry milk-pail and cow for twenty years in the seat of his drawers. When pursued in a chariot by the men of Erin he must dismount, place horse and chariot in the slack of his seat and hide behind his spear, the same being stuck upright in Erin. Unless he accomplishes these feats, he is not wanted of Finn. But if he do them all and be skilful, he is of Finn's people.

For example, if you name a sheep “jeb_”, you will get a sheep with wool that is fading through color cycles, however, you will get the sheep’s original color when you harvest wool from it. When you name a rabbit “toast”, it will look like a skinned rabbit, a tribute to the legendary lost rabbit of a player’s girlfriend, “toast the bunny”. If you name a mob with “Grumm” or “Dinnerbone”, you can make a mob turn upside down! These are awesome Minecraft secrets for players.

It was a chicken. He had flown through the hole in the ceiling, and was flapping down. But he didn’t stop at my floor. He went straight through the hole where the blue block had been. He kept on falling and flapping, all the way down into the treasure room. It looked like my test dummy had found me. He landed gently on the gray square.     Nothing happened. I exhaled with relief.   And then…KABOOM!  Yep, I guess I was right after all. It WAS a booby trap. I thanked my lucky stars that I hadn’t tried it out myself. But then I felt kind of bad for the chicken. That brave (and bird-brained) chicken had saved my life! I will forever remember that chicken as Buster, my crash-test dummy. (I think “dummy” may be an especially accurate description in this case.)   Sadly, the chests didn’t make it. There was only a giant crater where they used to be. So long riches and possibly cookies. That’s the way the cookie crumbles. *sigh*   Monday   Good News: I have five emeralds. Bad News: I think another librarian doesn’t like me.   Whew! My pack mule days are finally done. Over the past couple of days, I gathered the last ten blocks of wool I needed to trade for a saddle, and dragged them back to the village. Then, one-by-one I grabbed the blocks of wool from the library, and gave them to the farmer. I don’t think the librarian was too pleased with me. She strung together about nine “Hurrrs” while I removed my blocks of wool. I’ve never heard villagers speak so much. In my experience, that’s usually not a good thing. (Think: Mr. Rimoldi.)   Anyway, it was totally worth it. My wooly trade with the farmer went down without a hitch. Tomorrow I get a saddle!

ave you thought of your family photos as a collection? One of my tables held photos of many generations of women in our family. I displayed them in a variety of frames, and the mother-daughter-granddaughter theme pulled the collection together. No one could resist stopping and taking a peek. Group as black-and-white photos or formal or informal in groups. Another idea is to keep the same frames but change the photos for the seasons. If you have a ton of photos, rotate them so you can enjoy your entire collection. And for a designer touch, add a surprise to your grouping-something that doesn't "match," such as that silly picture of your Aunt Lily. The idea is to share yourself with others in a way that is interesting. ant to change your room? Put two lamps of different sizes on a side table with books, a small clock, a pot of flowers, or a ceramic creation. These change the look and provide better lighting. Your coffee table is an ideal spot for a plant or a terracotta pot with candles. For a softer look, add a throw rug made of mohair or wool-something warm and inviting. And I don't know about you, but I like bookshelves in the living room-complete with books, family pictures, and a mixture of the things I collect. I also love to frame favorite scriptures to welcome me as I go from room to room.

another villager strolling my way. I tapped him on the shoulder and his speech box showed the trade, 20 fluffy blocks for one emerald. What are fluffy blocks? Cotton? Cotton candy? Wool? And if it’s wool, how would I get some? I hadn’t seen any sheep. And even if I had, how would you sheer sheep in Minecraft? Punch them like a tree? I will NOT punch a sheep!

Good News: I found wool. Bad News: There isn’t cotton candy in Minecraft.

And the books with the faded colored pages? The fanciful imagination of authors, a class done away with for all the trouble they inspired. But

So the villager hands me a bar of what he called “SO-AP,” and handed me something called a “TA-WOOL,” then he tells me to go take something called a “SHA-WUR.” Then he pointed me to a place called the “BA-FROOM.” Man, I was getting dizzy just trying to remember it all.

My first thought, as I followed Sean to that field behind the post office, was that he wanted a touch of this or that. And he did, really. But he also fancied himself a poetry lover. He would arrange us comfortably, then pull out a book and start to read. I would sit there on the plastic tarp, smoothing the plaid skirt of my uniform over my wool stockings, rather at a loss. How is a girl supposed to react to Keats? Does she gaze at the reader adoringly? Lie back seductively on one arm?

Wool

March 6: Emmeline Snively, head of the Blue Book Modeling Agency, sends Norma Jeane to Joseph Jasgur for test shots. In The Birth of Marilyn, Jeannie Sakol reports Jasgur’s first impressions: “What he saw was not too encouraging. Her hips were too broad and would photograph even broader if he didn’t take special pains. Her loose pink wool sweater and check pedal pushers only exaggerated the imperfections of her figure and emphasized her need to lose some weight. As for her hair, it was thick and wild and reddish brown, its natural curliness obviously impossible to control—although she had equally obviously tried to do just that with a saucy beret. The colour, Jasgur realized, was totally wrong for her blue eyes and peach blossom skin tones. If ever a girl should be blonde it was this girl who was so patiently enduring his professional scrutiny. . . . She didn’t have a chance, he thought, until he looked into her eyes. . . . A lovely vivid blue, they gazed at him with a calm and quiet dignity, neither arrogant nor seductive. There was something there. Jasgur shakes his head with amazement that has never left him in forty-five years. ‘I never thought that something would take her so far.’” He finds her shy and anxious. Other photographers report similar experiences with her. But in front of the camera, Jasgur remembered, “[S]he was relaxed, no trace of self-consciousness. Even in those formative days, I think she trusted the camera more than she trusted people.

It was an extraordinary moment, and Maigret would never forget the taste of it. First the late-night weariness, and that smell of wet wool. That unknown corridor that seemed to go on for ever. Again they heard the foghorn.

The story and the storyteller are never far apart, in my experience. Authors and their books maintain a relationship that is the best and worst of us. Once a book is out in the world, the author pretends to let go. Stories, after all, are for the people who need to hear them. We have to let go of a story, give up the reins, when we ask it to be read. We pretend it's like making any other product, bread for the hungry or coats for the cold. But what no author admits is that it's not like that at all. Stories are not made of flour or wool. Stories, real stories, are made with a sliver of yourself. The purpose for stories is what readers will make of them. But the reason, the desperate need, is a splinter in the author alone. A good story gets under your skin, because that's where all good stories start.

What i quickly discovered is that high school running was divided into two camps: those who ran cross-country and those who ran track. There was a clear distinction. The kind of runner you were largely mirrored your approach to life. The cross-country guys thought the track runners were high-strung and prissy, while the track guys viewed the cross-country guys as a bunch of athletic misfits. It's true that the guys on the cross-country team were a motley bunch. solidly built with long, unkempt hair and rarely shaven faces, they looked more like a bunch of lumberjacks than runners. They wore baggy shorts, bushy wool socks, and furry beanie caps, even when it was roasting hot outside. Clothing rarely matched. Track runners were tall and lanky; they were sprinters with skinny long legs and narrow shoulders. They wore long white socks, matching jerseys, and shorts that were so high their butt-cheeks were exposed. They always appeared neatly groomed, even after running. The cross-country guys hung out in late-night coffee shops and read books by Kafka and Kerouac. They rarely talked about running; its was just something they did. The track guys, on the other hand, were obsessed. Speed was all they ever talked about....They spent an inordinate amount of time shaking their limbs and loosening up. They stretched before, during, and after practice, not to mention during lunch break and assembly, and before and after using the head. The cross-country guys, on the the other hand, never stretched at all. The track guys ran intervals and kept logbooks detailing their mileage. They wore fancy watched that counted laps and recorded each lap-time....Everything was measured, dissected, and evaluated. Cross-country guys didn't take notes. They just found a trail and went running....I gravitated toward the cross-country team because the culture suited me

fluffy sheep, but at least I got my wool. Also, I was able to gather some raw mutton pieces. I walked away and continued my journey while feeling slightly

The U.S. father of colorism is Samuel Stanhope Smith, a longtime theologian who taught at and then presided over Princeton University in early America. In early 1787, the young Princeton professor gave the annual oration to the new nation’s most distinguished scholarly group, the American Philosophical Society. He spoke before the White men who wrote the U.S. Constitution that year, pledging to use “the genuine light of truth.” Smith’s racist light: “domestic servants…who remain near the [White] persons” have “advanced far before the others in acquiring the regular and agreeable features.” Since “field slaves” live “remote from…their superiors,” their bodies “are, generally, ill shaped,” and their kinky hair is “the farthest removed from the ordinary laws of nature.” In an 1850 book, Peter Browne leaned on his unrivaled human-hair collection to classify the “hair” of Whites and “wool” of Blacks, to swear, “The hair of the white man is more perfect than that of the Negro.

Holy is the dish and drain The soap and sink, and the cup and plate And the warm wool socks, and cold white tile Showerheads and good dry towels And frying eggs sound like psalms With a bit of salt measured in my palm It’s all a part of a sacrament As holy as a day is spent Holy is the busy street And cars that boom with passion’s beat And the check out girl, counting change And the hands that shook my hands today And hymns of geese fly overhead And stretch their wings like their parents did Blessed be the dog, that runs in her sleep To catch that wild and elusive thing Holy is the familiar room And the quiet moments in the afternoon And folding sheets like folding hands To pray as only laundry can I’m letting go of all I fear Like autumn leaves of earth and air For summer came and summer went As holy as a day is spent Holy is the place I stand To give whatever small good I can And the empty page, and the open book Redemption everywhere I look Unknowingly we slow our pace In the shade of unexpected grace And with grateful smiles and sad lament As holy as a day is spent And morning light sings “Providence” As holy as a day is spent

The Ender King shook his head. “Herobrine, we were discussing our favorite colors of wool dye. Obviously what they have to say is more important.

Everything felt far away, and yet very beautiful: a keening, edged beauty, like a distant iceberg under moonlight. The coffee beans, and the pot of fresh ink, and her own still hand. All of them swaddled by a layer of invisible wool like the ruff of a winter coat. Perhaps she could just sit here a moment. It was warm and dark, and she was surrounded by books.

You can make a better axe and pickaxe using the same crafting recipe, but with cobblestone instead of planks. When the morning comes, it would be a good idea to find some sheep. You can kill them to get some wool and make a bed. This will help you pass the night peacefully. Place three wool in a line above three planks in a crafting bench to make it. Well done, you’ve survived your first night! You’ll probably need some breakfast. So let’s move on to satisfying that hunger.

Priests   Yahweh chose the Levites to be your priests and ministers forever. They will get no inheritance in the Promised Land and will own nothing because they have Yahweh. They will live on the food sacrificed to him (Deut. 8:1–2).   The priests will eat the shoulders, internal organs, and head meat from the sacrifices, and they get the first taste of your harvests and new wine, and the first wool sheared. They are chosen by Yahweh (Deut.18:3–5).   Any Levite from anywhere can minister at Yahweh's temple, even if he’s broke (Deut. 18:6–8).   Obey the Levitical priests regarding defiling skin diseases. Remember what Yahweh did to Miriam (Deut. 24:8–9).

And Lukas would tell them to be good to each other, that there were only so many of them left, and that all the books and all the stars in the universe were pointless with no one to read them, no one to peer through the parting clouds for them. He

He’s in cotton-wool, pampered and cosseted, surrounded with hot-house flowers and picture papers. He’s a prisoner in a gilded cage. I wonder how long it will be

You can change the color of your bed by Dying the Wool blocks before crafting.

Welcome to my life around February of 2012 as I sat down to write Shift. My novel Wool had somehow become a New York Times bestseller, even though it was still a self-published book with some truly questionable cover art. Ridley Scott had snatched up the film rights. Publishers were offering me hundreds of thousands of dollars to take the book off my hands (the offers would soon reach seven figures). Reviews and fan e-mails were pouring in, asking for more, more, more. I had twenty years of not being able to finish a novel under my belt. I had thirty years of being disappointed with sequels as a reader. At the time, Eminem’s song “Lose Yourself” was popular, and I would jam the song every morning, firing myself up so as not to waste this opportunity. And then I decided to write a book that absolutely no one was asking for. No one except me. A word of advice here: If you love reading, you should really give writing a chance. The blank page can be whatever you want it to be. A sad scene, a happy scene, a love story, a tragedy. It’s all right there. You are in charge. You make the rules. Delight your every fancy. Right your every literary wrong.

The entire place smelled like him—a soothing combo of wool, aftershave, and old books.

Bea Aguilar was the very image of her mother and the apple of her father’s eye. Redheaded and exquisitely pale, she always wore very expensive dresses made of silk or pure wool.

Men so often are allowed to show emotion towards others only at certain times; brothers fallen on the battlefield may be embraced, women may be courted, yet the emotion most men are permitted to show in public is rage, anger. The rest of them they are taught to tie up inside, emotions bound inside their souls and hearts, as though feelings other than anger are balls of wool to roll up and place in a basket out of sight. How we limit women by making them perform roles of perfection, of virtue and meekness, chastity and sweetness, yet how we reduce men too; make them creatures only of anger and action, never contemplation and reflection. They have that inside them, just as women have much too, yet laws, the Church, habits of man and mortal try to make us but one thing, the thing accepted. Aberrations men call monsters, yet this is just lack of understanding. Were our minds wider, we might be more accepting, allowing people to grow into creations more glorious than that which they started life as.

I had two great passions at the time: one magical and ethereal, which was reading, and the other mundane and predictable, which was pursuing silly love affairs. Concerning my literary ambitions, my successes went from slender to nonexistent. During those years I started a hundred woefully bad novels that died along the way, hundreds of short stories, plays, radio serials, and even poems that I wouldn't let anyone read, for their own good. I only needed to read them myself to see how much I still had to learn and what little progress I was making, despite the desire and enthusiasm I put into it. I was forever rereading Carax's novels and those of countless authors I borrowed from my parent's bookshop. I tried to pull them apart as if they were transistor radios, or the engine of a Rolls-Royce, hoping I would be able to figure out how they were built and how and why they worked. I'd read something in a newspaper about some Japanese engineers who practiced something called reverse engineering. Apparently these industrious gentlemen disassembled an engine to its last piece, analyzing the function of each bit, the dynamics of the whole, and the interior design of the device to work out the mathematics that supported its operation. My mother had a brother who worked as an engineer in Germany, so I told myself that there must be something in my genes that would allow me to do the same thing with a book or with a story. Every day I became more convinced that good literature has little or nothing to do with trivial fancies such as 'inspiration' or 'having something to tell' and more with the engineering of language, with the architecture of the narrative, with the painting of textures, with the timbres and colors of the staging, with the cinematography of words, and the music that can be produced by an orchestra of ideas. My second great occupation, or I should say my first, was far more suited to comedy, and at times touched on farce. There was a time in which I fell in love on a weekly basis, something that, in hindsight, I don't recommend. I fell in love with a look, a voice, and above all with what was tightly concealed under those fine-wool dresses worn by the young girls of my time. 'That isn't love, it's a fever,' Fermín would specify. 'At your age it is chemically impossible to tell the difference. Mother Nature brings on these tricks to repopulate the planet by injecting hormones and a raft of idiocies into young people's veins so there's enough cannon fodder available for them to reproduce like rabbits and at the same time sacrifice themselves in the name of whatever is parroted by bankers, clerics, and revolutionary visionaries in dire need of idealists, imbeciles, and other plagues that will prevent the world from evolving and make sure it always stays the same.

There are books on Dream Making for Insomniacs, Sheep Counting 101, encyclopedias on the methods of sleep, theories around daydreams and naps and sleepwalkers. I pull out a recipe book titled, Sleep Tonics, filled with recipes for golden milk and warm butterscotch cocoa. There is a book on how to choose the correct pillow firmness for side sleepers, and a DIY book on constructing your own mattress made of recycled fibers and sheep's wool.

To peer into the mass of wastepaper and find the spine and boards of a rare book has always been a special treat for me. Instead of going after it on the spot, I’ll take a piece of steel wool and give the shaft a good rub, then have another look at the paper and check whether I have the strength to pull out the book and open it, and not until I decide I do have the strength will I pick it up, and even then it shakes in my hands like a bride’s bouquet at the altar.

That’s plagarism!” shouted Sheila Barnes in her last-season, off-black, faux wool power suit. “We can’t use that. Besides, we’re supposed to be promoting population maintenance, not homosexuality.” “But Sheila,” Marjorie whined, “that book is almost a hundred years old and the author is long dead.

Tehol collected his cup and cautiously sniffed. Then he frowned at his manservant. Who shrugged. ‘We don’t have no herbs, master. I had to improvise.’ ‘With what? Sheep hide?’ Bugg’s brows rose. ‘Very close indeed. I had some leftover wool.’ ‘The yellow or the grey?’ ‘The grey.’ ‘Well, that’s all right, then.’ He sipped. ‘Smooth.’ ‘Yes, it would be.’ ‘We’re not poisoning ourselves, are we?’ ‘Only mildly, master.’ ‘There are times,’ Shurq Elalle said, ‘when I regret being dead. This is not one of those times, however.’ The two men eyed her speculatively, sipping at their tea.

He could imagine the thrill of breaking in on one of those conversations and introducing himself to people who weren’t in the know. “I am Lukas from silo eighteen,” he might say. And they would want to know why silos had numbers. And Lukas would tell them to be good to each other, that there were only so many of them left, and that all the books and all the stars in the universe were pointless with no one to read them, no one to peer through the parting clouds for them.

The old, the crippled, the children, everyone with their worldly goods on their backs, we’ll all have to fend for ourselves when our own soldiers flood the Marsh, but sheep are valuable. Look, nobody gives a damn for the Marsh except Marshmen. The government and the King don’t care if we starve. They put on the blockade but charge their rents and taxes same as ever, and they’ll let the sea or the French take us if that preserves their skins for another day. So we look after ourselves. And that means trading, and selling wool—some of it wool off the sheep that are going to be saved when old women and children will be left behind, acause if you think those landowners have given up their income for the sake of the war, you’re joking. They want their wool sold, just like the Quality in London want to wear silk and drink brandy, and the merchants want their shelves stocked. We run goods for them, and when they catch us doing it, they hang us for the look of the thing.

Look, nobody gives a damn for the Marsh except Marshmen. The government and the King don’t care if we starve. They put on the blockade but charge their rents and taxes same as ever, and they’ll let the sea or the French take us if that preserves their skins for another day. So we look after ourselves. And that means trading, and selling wool—some of it wool off the sheep that are going to be saved when old women and children will be left behind, acause if you think those landowners have given up their income for the sake of the war, you’re joking. They want their wool sold, just like the Quality in London want to wear silk and drink brandy,

how people could believe amazing things crafted from mere words, how beliefs could form from books. But perhaps they had to want to believe those things. And maybe Lukas was right that not everyone would want to believe the truth.

Gradually, they draw back, and I’m left floating, drifting in a current of Charlie: his faintly spiced scent, the heat of his skin, the fine wool of his light sweater. A picture of my apartment flickers across my mind. The yellowy-red streetlights catching raindrops on my windowpane, the sound of cars slushing past, the radiator hissing against my socked feet. The smell of old books and crisp new ones, and the cologne whose cedarwood and amber notes are meant to conjure up the image of sun-soaked libraries. The creak of old floorboards, the shuffle of footsteps, half-drunken singing as revelers make their way home from the tequila bar across the street, stopping for dollar slices of pizza dripping with oil. I can almost believe I’m there. In my home, where it’s safe enough to relax, to undo the brackets of steel in my spine and slip out of my harsh outline to—settle. “You’re not useless, Charlie,” I whisper against his steady heartbeat. “You’re . . .” His hand is still in my hair. “Organized?” I smile into his chest. “Something like that,” I say. “It’ll come to me.

the animal poofed and left behind some meat and wool. “Score!” yelled The101greatone. “Wow, that was way easier with three people,” I said. “I told you.” “Hm, now we have to cook it,” said Alex. “We should’ve brought the furnace.” “It’s okay. I’ll craft one in a jiffy,” said The101greatone. Then he started punching the grass block below him.

*1 - WOOL COAT in black (Cycle 2) *2 - NOVELTY SHOES (Cycle 2) *2 - STATEMENT NECKLACES (Cycles 1 & 2) *2 - EARRINGS (Cycles 1 & 2) *1 - SCARF (Cycle 2) 1 - SHAWL (Cycle 1) 1 - BELT (Cycle 1) *3 - BLACK OPAQUES, hosiery/socks/tights. (Cycle 1 & 2) 1 - BLACK FLATS (Cycle 1) 1 - BLACK HIGHER HEELED STILETTOS (Cycle 1) 1 - BLACK HIGHER HEELED STILETTOS TALL BOOTS (Cycle 1) 1 - BLACK LOW FAT BOOT IN A POINTED-TOE (Cycle 1) 6 - (3 SETS OF 2) UNDER GARMENTS (Cycle 1) *4 - (2 SETS OF 2) WORK-OUT (Cycles 1 & only 2 in Cycle 2) *1 - DAY BAG (all Cycles) 1 - EVENING BAG (Cycle 1, then as needed) *1 - ROBE, such as terry cloth then later a warmer or cooler one. (Cycles 1 & 2, then as needed) *1 - PJ (Cycle 1 & 2, then as needed) *1 - SLIPPERS/FLIP-FLOPS (Cycle 1 slippers & Cycle 2 flip flops hence forth 1 casual or sandal) 1 - SWIMSUIT (Cycle 1, then as needed) 1 - COVER-UP (Cycle 1, then as needed)

If geography and time are the warp and weft structuring (art) history, perceptual culture is like the pile of a velvet cloth that, without altering the warp or weft of the fabric, reenchants its texture and depth. It treats Islam as the Simurgh, and objects as its feathers. Like the galleries in China full of representations futilely and obsessively trying to reconstruct the bird from its feathers, the museum is a monument to our inability to feel what we are trying to represent. And yet like the three princes seeking the hand of the Chinese princess in the gallery of creation, we can also discover through objects the spirit we can never expect to pin down in our hands. With these hopes tucked in between the warp of evidence and the weft of interpretation, this book would like to quote a certain textile from a very long time ago: I exist for pleasure; Welcome! For pleasure am I; he who beholds me sees joy and well-being. This book offers complex more than simple pleasures: its many questions diverge and converge, offering iridescence to our certainties. It puts forth the pleasure of using thought as steel wool polishing our mental acumen, enabling perception beyond predetermined realities. It may be that a barzakh exists somewhere between the secular and the sacred, a peninsula of understanding in which we enter the cave of our ghurba and become in the world but not of it. If we tread lightly with a pure heart cleansed in the mirror of curiosity and wonder, it may just open its doors a bit and let us explore the glory it holds inside.

Oh, yeah! I farmed a bunch of black wool.” “How many were you able to get?” “I think something like 500 blocks. Then I fell asleep,” I admitted sheepishly.

He paused to tilt his daughter’s chin upward so his narrow eyes could fall on hers. “Don’t let anyone sell you cheap dreams, pull wool over your eyes or disrespect you – ever. And if they do, what do you do?” “Beat their ass?” He nodded proudly. “Like they stole your shit. You hungry?

Once a book is out in the world, the author pretends to let go. Stories, after all, are for the people who need to hear them. We have to let go of a story, give up the reins, when we ask it to be read. We pretend it’s like making any other product, bread for the hungry or coats for the cold. But what no author admits is that it’s not like that at all. Stories are not made of flour or wool. Stories, real stories, are made with a sliver of yourself.

1 sheep jumped off a cliff & 1500 sheep followed. Only about 400 died because the other sheep fell on a soft pile of wool/sheep.

And for whatever reason, she and Wheaton had developed a bond: he the county cop and she the county’s lost child. He was the one who showed up for her track meets at school, the one who bought her a wool sweater each Christmas. She didn’t have the heart to tell him the wool made her skin itch, probably because it reminded her of sleeping in his jailhouse.

Daniel wrote in Chapter Seven and verses nine and ten: ‘As I looked, thrones were set in place, and the Ancient of Days took his seat. His clothing was as white as snow; the hair of his head was white like wool. His throne was flaming with fire, and its wheels were all ablaze. A river of fire was flowing, coming out from before him. Thousands upon thousands attended him; ten thousand times ten thousand stood before him. The court was seated, and the books were opened.

The founder of the Kashmir wool industry is traditionally held to be the 15th-century ruler of Kashmir, Zayn-ul-Abidin, who employed weavers from Central Asia. The mention of woollen shawls made from this wool in Kashmir is found in several books between the 3rd century BCE and the 11th century BCE.

In older centuries Rákava had been the pearl of the east, the glory and fortress of the province, the untaken, the unsullied, Rácava intacta. Now the high walls were breached in fifty places to let in and out the swarms of men and women going to work in the factories, coming back from work in the factories. There was still wealth there; industry was modern and on a scale unmatched in any other city of the land. Wool and silk was the city’s wealth; silkworms were raised, baled fleeces stored, yarns spun and dyed, cloth woven and cut, in the huge sheds and buildings along the northern wall; the life of the city was there, and the old towers of feudal defense stood useless, like the rusty iron fingers of a gauntlet thrusting up through the chalk of a barren hill.

He kept returning to the factories to watch the rattling grey-black efficiency of the wooden and iron machines out of which came long webs of pure white wool, fragile silks the colors of jewels and flowers, patterned velvets, splendid and delicate products of the looms and racks, the stinking vats of dye and sizing, the crazy dancing spindles, the endless trays of leaves and worms. The big new Ferman Wool factory had two steam-driven looms, the first in the country; he had read Sangiusto’s descriptions of such machines in the northern English cities, and went to see them in some intellectual excitement, but was drawn back to them again and again simply to watch them work: the swift endless back-and-forth, the deft, effaced men that served them. He could stand watching them for an hour, all the time with a slightly sick feeling in the pit of his stomach. They were the same motions, it was the same product, as Kounney working at his loom in his rooms in Mallenastrada; it was weaving, there had been weaving done since the dawn of human time, why did the powered looms so fascinate and frighten him? He wrote an article describing them, their structure, their product, and their probable effect on the economy if more came into use.

Whiskers taut, front teeth bared Shaking breath, round eyes scared Winter kept falling from the sky, building up under the windowsills, and crawling with frost over the panes. When clouds kept the sun from burning the frost away, Miri could see the outside world only as a grayish blur. So much time indoors, so much time with no one to talk to, was making her feel wretched. Her body ached, her skin itched as though she were wrapped tight in wool and could not stretch. The next time Olana dismissed the girls outside, Esa turned to Miri before leaving the classroom and gestured that she should follow. Miri sighed with anticipation. If Esa forgave her, perhaps the others would as well. Her determination to be just fine alone melted under the bright hope of making everything all right. She had one small task first. After waiting until all the girls left the classroom, Miri crept to the book shelf for a chance to return the volume of tales. She was standing on her tiptoes, inching the book back into place, when a sound at the door startled her. She jumped and dropped the book. "What are you doing?" asked Olana. "Sorry," said Miri, picking up the fallen book and dusting it off. "I was just . . ." "Just dropping my books on the floor? You weren't planning on stealing one, were you? Of course you were. I would have allowed you to borrow a book, Miri, but I won't tolerate stealing. In the closet with you." "The closet?" said Miri. "But I wasn't . . ." "Go," said Olana, herding Miri like a sulky goat. Miri knew the place, though she had never been in it. She looked back before stepping inside. "For how long?" Olana shut the door on Miri and clicked the lock. The sudden lack of light was terrifying. Miri had never been any place so dark. In winter Marda, Pa, and Miri slept by the kitchen fire, and in summer they slept under the stars. She lay on the floor and peered under

Below, Grandma Elvina's recipe for a comfortable bed: Order a medium thickness egg foam pad from Sears, double up a thick wool Army blanket, and pull the bottom sheet taut across the whole thing. Then sprinkle a little loose Avon powder (any flowerly one will do) and rub it into the sheet.

A: Why yes you can! Even better if you tell others or write a review. I read every single review on Amazon, I promise. This is how books are discovered, so if you want other readers to find the books you’re enjoying, take a few minutes and craft a review. Do it for all the books you enjoy. As writers, our souls subsist on your feedback. It means a lot to us!

As her eyes adjusted to the dark, she peered over the edge of the bed at her husband. When he rolled to one side and then the other and finally settled for lying on his back, she arched an eyebrow. “Comfortable?” He made that Scottish harrumph sound. “Come on up here,” she said, patting the bed. “I promise to keep my hands to myself.” He made no response. Fine. Be that way. She scooted out of bed and unabashedly stretched out alongside her tall Highlander. The burgundy kilt did nothing to disguise the hardness of the floor, and her hip protested when she turned on her side to face him. “What are ye doing, lass?” His voice was so soft and close in the darkness, it made her shiver. She forgot all about the hard floor. “I always imagined that once I got married, I’d finally know what it was like to spend the night in a man’s arms. Will you hold me, so I can feel what that’s like? I won’t ask for more than that. Just hold me.” He rolled to face her and touched her cheek. “Ah, lass,” he sighed. “How can I deny you when you ask so sweetly? If ’tis holding ye want, holding you shall get. But the floor is no place for you and your bairn. Up in the bed with you.” “It’s no place for a married man, either,” she said, smiling at her small victory. He sighed again, a sound heavy with sentiment she could only guess at. She climbed under the blankets and held them up for him, but he was taking his sweet time. “Are you coming?” “Aye, lass. Just donning my plaid.” She bit back a huff of frustration. She determined to enjoy what little affection he would give her and didn’t want to push her luck by asking for more. Her hormones would have to learn patience; this was going to be a painfully slow seduction. When Darcy slipped into bed, bare-chested, but wrapped in layers of wool from the waist down, she cuddled into his open arms. All her frustration drained away as he gathered her in and the heat of his chest turned her into a melty puddle of contentment. She nestled her nose into the tuft of hair between his mounded pectorals and inhaled his scent of saddle leather and faint, masculine musk. Beneath her closed eyelids, her eyes rolled back in her head with bliss.

He had all these books, decades of reading history, the company of ancestors she could only imagine.

It wasn't the best view of the landscape around their buried bunker, but it wasn’t the worst, either. In the distance, low rolling hills stood, a pretty shade of brown, like coffee mash with just the right amount of pig’s milk in it. The sky above the hills was the same dull gray of his childhood and his father’s childhood and his grandfather’s childhood. The only moving feature on the landscape was the clouds. They hung full and dark over the hills. They roamed free like the herded beasts from the picture books.

Maelyn made a disgusted sound. “The first man, a wool dyer, lent ten silvers to a second man, a farmer. The farmer, finding it difficult to pay back the ten silvers, gave a sheep to the wool dyer. The farmer claims the sheep is worth ten silvers, cancelling his debt.” “Ah ha,” said Briette. Maelyn held up a finger. “But! The first man, the wool dyer, says the sheep is worth only five silvers, and therefore, the farmer still owes him five more. The farmer insists he paid ten silvers for that sheep. The dyer says it’s not his fault if the farmer made a foolish purchase, the sheep is worth only five, therefore five silvers are still owed.” “Oooh....

Next door was a vegetarian café and deli, and next to that was the Wooly Bear yarn shop. Its logo was a caterpillar in shades of yellow, green, and scarlet. Maggie went in. The shop was warm and bright, with one entire wall given over to cubbyholes filled with yarns of every hue in many weights and fibers. The opposite wall held small skeins and spools of thread on pegs for embroidery and quilting. There were racks of pattern books and magazines, and in the back a mini classroom was set up with a small maple table and folding chairs, now accommodating a group of eight-year-olds wielding fat knitting needles and balls of oversize wool. A girl of about sixteen wearing a Rye Manor sweatshirt was helping a little boy to cast on stitches.

Every time I swung, I would just graze the sheep’s wool. It was, like, I was giving it a haircut.

be.” He turned in the chair and reached for his coat. “They have provoked me into this.” “This is not going to be easy, Samuel.” “I know it.” Samuel stood up and jammed on his heavy wool coat with fierce and punitive thrusts of his arms. “Don’t sympathize with me, Colonel. I have lost all goodwill, here.” “You will need all your resolve,” said Grierson. “The Texans will want them executed by cannon, or machete or something.” “Oh yes, I have thought of that many times.” Samuel put on the brown felt hat that he had bought so long ago at Wanamaker’s on Market Street. “I am grateful for your prompt response.” “My duty,” said Grierson. Jiles, Paulette. The Color of Lightning: A Novel (p. 307). HarperCollins e-books. Kindle Edition.

Nature sometimes mingles her effects and her spectacles with our actions with sombre and intelligent appropriateness, as though she desired to make us reflect. For the last half-hour a large cloud had covered the heavens. At the moment when Jean Valjean paused in front of the bed, this cloud parted, as though on purpose, and a ray of light, traversing the long window, suddenly illuminated the Bishop’s pale face. He was sleeping peacefully. He lay in his bed almost completely dressed, on account of the cold of the Basses-Alps, in a garment of brown wool, which covered his arms to the wrists. His head was thrown back on the pillow, in the careless attitude of repose; his hand, adorned with the pastoral ring, and whence had fallen so many good deeds and so many holy actions, was hanging over the edge of the bed. His whole face was illumined with a vague expression of satisfaction, of hope, and of felicity. It was more than a Free eBooks at Planet eBook.com 179 smile, and almost a radiance. He bore upon his brow the indescribable reflection of a light which was invisible. The soul of the just contemplates in sleep a mysterious heaven. A reflection of that heaven rested on the Bishop. It was, at the same time, a luminous transparency, for that heaven was within him. That heaven was his conscience. At the moment when the ray of moonlight superposed itself, so to speak, upon that inward radiance, the sleeping Bishop seemed as in a glory. It remained, however, gentle and veiled in an ineffable half-light. That moon in the sky, that slumbering nature, that garden without a quiver, that house which was so calm, the hour, the moment, the silence, added some solemn and unspeakable quality to the venerable repose of this man, and enveloped in a sort of serene and majestic aureole that white hair, those closed eyes, that face in which all was hope and all was confidence, that head of an old man, and that slumber of an infant. There was something almost divine in this man, who was thus august, without being himself aware of it. Jean Valjean was in the shadow, and stood motionless, with his iron candlestick in his hand, frightened by this luminous old man. Never had he beheld anything like this. This confidence terrified him. The moral world has no grander spectacle than this: a troubled and uneasy conscience, which has arrived on the brink of an evil action, contemplating the slumber of the just.

Marry me, and I’ll restore Ramsay House. I’ll turn it into a palace. We’ll consider it part of your bride-price.” “My what?” “A Romany tradition. The groom pays a sum to the bride’s family before the wedding. Which means I’ll also settle Leo’s accounts in London—” “He still owes you money?” “Not to me. Other creditors.” “Oh, no,” Amelia said, her stomach dropping. “I’ll take care of you and your household,” Cam continued with relentless patience. “Clothes, jewelry, horses, books … school for Beatrix … a season in London for Poppy. The best doctors for Winnifred. She can go to any clinic in the world.” A calculated pause. “Wouldn’t you like to see her well again?” “That’s not fair,” she whispered. “In return, all you have to do is give me what I want.” His hand came up to her wrist, sliding along the line of her arm. A ticklish pleasure ran beneath the layers of silk and wool. Amelia fought to steady her voice. “I would feel as if I’d made a bargain with the devil.” “No, Amelia.” His voice was dark velvet. “Just with me.” “I’m not even certain what it is you want.” Cam’s head lowered over hers. “After last night, I find that hard to believe.” “You could get that from countless other women. F-far more cheaply, I might add, and with much less trouble.” “I want it from you. Only you.

The Talmud distinguishes between huqqim (laws) and mishpatim (statutes). While the reasons for the mishpatim, such as “Do not murder,” are perfectly clear, the reasons behind huqqim—for example, not mixing wool and linen, or sending out the scapegoat on Yom Kippur—are opaque. The Talmud says about them, “I, God, decreed it and you do not have permission to question them” (BT Yoma, 67b).

My breathing feels heavier than I want it to. I hope Gus doesn’t notice. “The plan is excellent,” he tells me, nodding. I’m chuffed and relieved to have pulled the wool over his eyes. “There’s only one major flaw.” He looks at me. “Oh?” “He’s falling for you and you’re falling for him.” Fuck. Am I? Are we? I don’t know. But I certainly don’t want him to know I don’t know so I make a pfffft sound.

In her book Woven into the Earth, Else Østergård discusses how much wool was needed each year to provide a family with their clothing and blankets. Possibly 5 kilogrammes of wool per person, which would allow for the durability of wool garments. But then there are all the additional requirements for wool, including wool tents and wadmal cloth being used as currency in the Nordic region, Scotland and Ireland. This all adds up to a lot of sheep. It has been calculated that in order to produce the required annual crop of wool to supply all the needs of the population, the combined Viking flocks would have needed to total two million sheep.