Woodstock Festival 1969 Quotes

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Woodstock, summer of 1969, was the turning point of rock festivals. Time magazine described this happening as “one of the most significant political and sociological events of the age.” One half-million American youth assembled for a three-day rock concert. They were non-violent, fun-loving hippies who resembled the large followings of Mahatma Gandhi in India and Rev. Martin Luther King in the USA, both strong advocates of non-violence. Both assassinated. It is important to understand the kinds of drugs and chemical agents available to stifle dissent, the mentality of people hell-bent on changing the course of history, to comprehend that cultures and tastes can be moved in directions according to game plans in the hands of a few people. Adolf Hitler’s first targets in Nazi Germany were Gypsies and the students. LSD was a youth-oriented drug perfected in the laboratory. When it was combined with other chemicals and given wide distribution, all that remained were marching orders to go to war.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
Spitz and Michael Wadleigh’s documentary film Woodstock
Andrew Gentes (Woodstock 1969: The Origins, Audience, and Impact of a Countercultural Festival)
Ten shockingly arty events What arty types like to call a ‘creative tension’ exists in art and music, about working right at the limits of public taste. Plus, there’s money to be made there. Here’s ten examples reflecting both motivations. Painting: Manet’s Breakfast on the Lawn, featuring a group of sophisticated French aristocrats picnicking outside, shocked the art world back in 1862 because one of the young lady guests is stark naked! Painting: Balthus’s Guitar Lesson (1934), depicting a teacher fondling the private parts of a nude pupil, caused predictable uproar. The artist claimed this was part of his strategy to ‘make people more aware’. Music: Jump to 1969 when Jimi Hendrix performed his own interpretation of the American National Anthem at the hippy festival Woodstock, shocking the mainstream US. Film: In 1974 censors deemed Night Porter, a film about a love affair between an ex-Nazi SS commander and his beautiful young prisoner (featuring flashbacks to concentration camp romps and lots of sexy scenes in bed with Nazi apparel), out of bounds. Installation: In December 1993 the 50-metre-high obelisk in the Place Concorde in the centre of Paris was covered in a giant fluorescent red condom by a group called ActUp. Publishing: In 1989 Salman Rushdie’s novel Satanic Verses outraged Islamic authorities for its irreverent treatment of Islam. In 2005 cartoons making political points about Islam featuring the prophet Mohammed likewise resulted in riots in many Muslim cities around the world, with several people killed. Installation: In 1992 the soon-to-be extremely rich English artist Damien Hirst exhibited a 7-metre-long shark in a giant box of formaldehyde in a London art gallery – the first of a series of dead things in preservative. Sculpture: In 1999 Sotheby’s in London sold a urinoir or toilet-bowl-thing by Marcel Duchamp as art for more than a million pounds ($1,762,000) to a Greek collector. He must have lost his marbles! Painting: Also in 1999 The Holy Virgin Mary, a painting by Chris Ofili representing the Christian icon as a rather crude figure constructed out of elephant dung, caused a storm. Curiously, it was banned in Australia because (like Damien Hirst’s shark) the artist was being funded by people (the Saatchis) who stood to benefit financially from controversy. Sculpture: In 2008 Gunther von Hagens, also known as Dr Death, exhibited in several European cities a collection of skinned corpses mounted in grotesque postures that he insists should count as art.
Martin Cohen (Philosophy For Dummies, UK Edition)