Wooden Boxes With Quotes

The rain battered the cottage. Valkyrie risked a look up at Skulduggery. “What is it?” she whispered. “It’s a box,” he whispered back. “What kind of box?” “A wooden one.” She gave him a look.

I carefully lay out the provisions. One thin black sleeping bag that reflects body heat. A pack of crackers. A pack of dried beef strips. A bottle of iodine. A box of wooden matches. A small coil of wire. A pair of sunglasses. And a half-gallon plastic bottle with a cap for carrying water that's bone dry. No water. How hard would it have been for them to fill up the bottle?

Jesus," said Clary. "I doubt he'd fit (in the wooden box)." "Jace." Clary was apalled. -Clary & Jace, pg.255-

Porthos: He thinks he can challenge the mighty Porthos with a sword... D'Artagnan: The mighty who? Porthos: Don't tell me you've never heard of me. D'Artagnan: The world's biggest windbag? Porthos: Little pimple... meet me behind the Luxembourg at 1 o'clock and bring a long wooden box. D'Artagnan: Bring your own... Porthos: [laughs]

After purifying himself he walked through a small red gate to the shrine, dropped a goen, or five yen coin, the Japanese word for which also means good luck, into the wooden collection box in front of the shrine.

But here is a question that is troubling me: if there is no God, then, one may ask, who governs human life and, in general, the whole order of things on earth? – Man governs it himself, – Homeless angrily hastened to reply to this admittedly none-too-clear question. – Pardon me, – the stranger responded gently, – but in order to govern, one needs, after all, to have a precise plan for a certain, at least somewhat decent, length of time. Allow me to ask you, then, how can man govern, if he is not only deprived of the opportunity of making a plan for at least some ridiculously short period, well, say, a thousand years , but cannot even vouch for his own tomorrow? And in fact, – here the stranger turned to Berlioz, – imagine that you, for instance, start governing, giving orders to others and yourself, generally, so to speak, acquire a taste for it, and suddenly you get ...hem ... hem ... lung cancer ... – here the foreigner smiled sweetly, and if the thought of lung cancer gave him pleasure — yes, cancer — narrowing his eyes like a cat, he repeated the sonorous word —and so your governing is over! You are no longer interested in anyone’s fate but your own. Your family starts lying to you. Feeling that something is wrong, you rush to learned doctors, then to quacks, and sometimes to fortune-tellers as well. Like the first, so the second and third are completely senseless, as you understand. And it all ends tragically: a man who still recently thought he was governing something, suddenly winds up lying motionless in a wooden box, and the people around him, seeing that the man lying there is no longer good for anything, burn him in an oven. And sometimes it’s worse still: the man has just decided to go to Kislovodsk – here the foreigner squinted at Berlioz – a trifling matter, it seems, but even this he cannot accomplish, because suddenly, no one knows why, he slips and falls under a tram-car! Are you going to say it was he who governed himself that way? Would it not be more correct to think that he was governed by someone else entirely?

A tiny little wooden man [was] slowly ascending the steps to a real set of gallows, both perched on a box that read: Reusable Hangman — Spell It Or He’ll Swing!

[Greens] don't come through the back door the same as other groceries. They don't cower at the bottom of paper bags marked 'Liberty.' They wave over the top. They don't stop to be checked off the receipt. They spill out onto the counter. No going onto shelves with cans in orderly lines like school children waiting for recess. No waiting, sometimes for years beyond the blue sell by date, to be picked up and taken from the shelf. Greens don't stack or stand at attention. They aren't peas to be pushed around. Cans can't contain them. Boxed in they would burst free. Greens are wild. Plunging them into a pot took some doing. Only lobsters fight more. Either way, you have to use your hands. Then, retrieving them requires the longest of my mother's wooden spoons, the one with the burnt end. Swept onto a plate like the seaweed after a storm, greens sit tall, dark, and proud.

One time when we were in Płaszów a guard struck my mother on the side of her head with a wood plank. The blow permanently shattered her eardrum. She said that for the rest of her life she could hear her two murdered sons calling to her in that ear.

i don't wanna be with anybody who weaponizes my vulnerability saves it in a wooden box loads it in a shotgun when I least expect it

He had learned something already in the course of his journey. If you carried a closed wooden box, people want to know what is in it.

Maybe I hadn’t really been ready to speak about my experiences until so many years later, or maybe people hadn’t really been ready to listen, or maybe both.

Just for a while": Death's opening chat-up line in His great seduction, before he drugged you with soporific comforts, distracted you with minor luxuries and ensnared you with long-term payment plans. Join the Rat Race "just for a while." Concentrate on your career "just for a while." Move in with your girlfriend "just for a while." Find a bigger place, out in the burbs "just for a while." Lie down in that wooden box "just for a while.

He finishes the tea with a single swallow. Breathing deeper, he senses the energy beneath his skin. He focuses on the minute smells in the air, catching the scent of a recently varnished piano—it’s not here, not in the lounge, but the Mesmerizer can smell it along with its premium packaging—vinyl blanket and wooden box. He smirks. That Monk mocks. Challenges.

Why? Why should the bond between a people and their baseball team be so intense? Fenway Park is a part of it, offering a physical continuum to the bond, not only because Papi can stand in the same batter's box as Teddy Ballgame, but also because a son might sit in the same wooden-slat seat as his father.

At the beginning of December 1939, the Nazis decreed Jews could no longer attend school.

My mouth blooms like a cut. I've been wronged all year, tedious nights, nothing but rough elbows in them and delicate boxes of Kleenex calling crybaby crybaby, you fool! Before today my body was useless. Now it's tearing at its square corners. It's tearing old Mary's garments off, knot by knot and see - Now it's shot full of these electric bolts. Zing! A resurrection! Once it was a boat, quite wooden and with no business, no salt water under it and in need of some paint. It was no more than a group of boards. But you hoisted her, rigged her. She's been elected. My nerves are turned on. I hear them like musical instruments. Where there was silence the drums, the strings are incurably playing. You did this. Pure genius at work. Darling, the composer has stepped into fire.

Out along the dim six-o’clock street, I saw leafless trees standing, striking the sidewalk there like wooden lightning, concrete split apart where they hit, all in a fenced-in ring. An iron line of pickets stuck out of the ground along the front of a tangleweed yard, and on back was a big frame house with a porch, leaning a rickety shoulder hard into the wind so’s not to be sent tumbling away a couple of blocks like an empty cardboard grocery box.

In my sleep I had a dream and this dream was a dream of guilt. It was not human guilt but the kind of helpless, hopeless despair that would be felt by a small wooden box or geometrical cube if such objects had consciousness; it was the guilt of sheer existence.

London life was very full and exciting [...] But in London there would be no greenhouse with a glossy tank, and no apple-room, and no potting-shed, earthy and warm, with bunches of poppy heads hanging from the ceiling, and sunflower seeds in a wooden box, and bulbs in thick paper bags, and hanks of tarred string, and lavender drying on a tea-tray.

[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.

We live in an age in which saving is subterfuge for spending. No doubt you sincerely believe that there is margarine in your refrigerator because it is more economical than butter. But you are wrong. Look in your bread drawer. How many boxes of cute snack crackers are there? How many packages of commercial cookies reeking of imitation vanilla badly masked with oil of coconut? How many presweetened breakfast cereals? Tell me now that you bought the margarine because you couldn't afford butter. You see - you can't. You bought the bread drawer of goodies because you were conned into them; and you omitted the butter because you were conned out of it. The world has slipped you culinary diagrams instead of food. It counts on your palate being not only wooden, but buried under ten coats of synthetic varnish as well. Therefore, the next time you go to check out of the supermarket, simply put back one box of crackers, circle round the dairy case again, swap your margarine for a pound of butter and walk up to the checker with your head held high, like the last of the big spenders. This is no time for cost-counters: It is time to be very rich or very poor - or both at once.

There's nowhere else to escape to ... Except in a wooden box, that is.

One of my prized possessions is a small wooden box with a special lock on it that is more than five hundred years old and works according to a secret code that my grandfather taught me. My grandfather learned it from his grandfather, and his grandfather learned it from his grandfather, and I would teach it to my grandchild if I thought that I would ever have a family of my own instead of living out the remainder of my days all alone in this world.

I'm staying right here," grumbled the rat. "I haven't the slightest interest in fairs." "That's because you've never been to one," remarked the old sheep . "A fair is a rat's paradise. Everybody spills food at a fair. A rat can creep out late at night and have a feast. In the horse barn you will find oats that the trotters and pacers have spilled. In the trampled grass of the infield you will find old discarded lunch boxes containing the foul remains of peanut butter sandwiches, hard-boiled eggs, cracker crumbs, bits of doughnuts, and particles of cheese. In the hard-packed dirt of the midway, after the glaring lights are out and the people have gone home to bed, you will find a veritable treasure of popcorn fragments, frozen custard dribblings, candied apples abandoned by tired children, sugar fluff crystals, salted almonds, popsicles,partially gnawed ice cream cones,and the wooden sticks of lollypops. Everywhere is loot for a rat--in tents, in booths, in hay lofts--why, a fair has enough disgusting leftover food to satisfy a whole army of rats." Templeton's eyes were blazing. " Is this true?" he asked. "Is this appetizing yarn of yours true? I like high living, and what you say tempts me." "It is true," said the old sheep. "Go to the Fair Templeton. You will find that the conditions at a fair will surpass your wildest dreams. Buckets with sour mash sticking to them, tin cans containing particles of tuna fish, greasy bags stuffed with rotten..." "That's enough!" cried Templeton. "Don't tell me anymore I'm going!

Through the barbed-wire fences surrounding the camp, I could look out and sometimes see the children of the German officers strutting back and forth, wearing their Hitler Youth uniforms and singing songs praising the Führer, Adolf Hitler. They were so exuberant, so full of life, while just a few yards away from them I was exhausted

the secret histories of things deserve to linger, to belong again to the coil of your hair I found once as a child, dried out by shadows, in a shut-tight wooden box

He who saves a life saves the world entire.

The pictures are postcard reproductions of Old Masters. She has lots of metal animals about an inch long, little wooden shoes, painted boxes only big enough to hold stamps.

a man who still recently thought he was governing something, suddenly winds up lying motionless in a wooden box,

My mom is in this cheap little wooden box now,” she whined. “It’s only this big.” She took her hands off the wheel to show me the dimensions, voguing.

There were wooden toys moldering in a box; crayons on a windowsill, their colors dulled by the light of ten thousand afternoons; a dollhouse with dolls inside, lifers in an ornate prison. In a modest library, the creep of moisture had bowed the shelves into crooked smiles.

It has the pictures of my people, the books I love, the music I hear. I guess it is really just a wooden box to hold a life in, for days or decades, until someone else takes it over.

Being young's a sort of sickness, Measles, mumps or chicken pox. Gather all your toys together, Lock them in a wooden box. That means tolchocks, crasting and dratsing, All of the things that suit a boy. When you build instead of busting, You can start your Ode to Joy. Do not be a clockwork orange, Freedom has a lovely voice. Here is good and there is badness, Look on both, then take your choice. Sweet in juice and hue and aroma, Let's not be changed to fruit machines. Choice is free but seldom easy- That's what human freedom means.

Reality [...] at every level from photons to philosophical fancies to the consciousness of living organisms was fluid [...]. To break apart and confine this reality into separate categories created by the mind was foolish and futile, much like trying to capture a ray of light inside a dark wooden box. This urge to categorize was the true fall of man [...] the infinite became finite, good opposed evil, thoughts hardened into beliefs, one's joys and discoveries became dreadful certainties, man became alienated from what he perceived as other ways and other things, and, ultimately, divided against himself, body and soul. [...] Always seeking meaning, always making their lives safe and comfortable, human beings do not truly live.

4. Confusion in the Market Place Indeed it was, for as they approached, Milo could see crowds of people pushing and shouting their way among the stalls, buying and selling, trading and bargaining. Huge wooden-wheeled carts streamed into the market square from the orchards, and long caravans bound for the four corners of the kingdom made ready to leave. Sacks and boxes were piled high waiting to be delivered to the ships that sailed the Sea of Knowledge, and off to one side a group of minstrels sang songs to the delight of those either too young or too old to engage in trade. But above all the noise and tumult of the crowd could be heard the merchants’ voices loudly advertising their products. “Get your fresh-picked ifs, ands, and buts.” “Hey-yaa, hey-yaa, hey-yaa, nice ripe wheres and whens.” “Juicy, tempting words for sale.

The splitting up, I know, I know. I feel like the idiot that says, ‘Yeah I’ll go down to the basement alone to check out the breaker box, and I only have this one wooden match to light my way. Oh, and did I mention that we heard suspicious sounds down there only moments earlier?

reached into his pocket and took out a wooden box, inlaid with iridescent mother of pearl. Hun-Kamé opened it. In it lay a human ear, perfectly preserved. Hun-Kamé pressed it against his head,

Patrick’s own nanny was dead. A friend of his mother’s said she had gone to heaven, but Patrick had been there and knew perfectly well that they had put her in a wooden box and dropped her in a hole. Heaven was the other direction and so the woman was lying, unless it was like sending a parcel.

Now in my eleven years of conventional life I had learned many things and one of them is what it means to be convicted of rape--I do not mean the man who did it, I mean the woman to whom it was done. Rape is one of the Christian mysteries, it creates a luminous and beautiful tableau in people's minds; and as I listened furtively to what nobody would allow me to hear straight out, I slowly came to understand that I was face to face with one of those feminine disasters, like pregnancy, like disease, like weakness; she was not only the victim of the act but in some strange way its perpetrator; somehow she had attracted the lightening that struck her out of a clear sky. A diabolical chance--which was not chance--had revealed her to all of us as she truly was, in her secret inadequacy, in that wretched guiltiness which she had kept hidden for seventeen years but which now finally manifested in front of everybody. Her secret guilt was this: She was Cunt. She had "lost" something. Now the other party to the incident had manifested his essential nature, too; he was Prick--but being Prick is not a bad thing. In fact, he had "gotten away with" something (possibly what she had "lost"). And there I was at eleven years of age: She was out late at night. She was in the wrong part of town. Her skirt was too short and that provoked him. She liked having her eye blacked and her head banged against the sidewalk. I understood this perfectly. (I reflected thus in my dream, in my state of being a pair of eyes in a small wooden box stuck forever on a grey, geometric plane--or so I thought.) I too had been guilty of what had been done to me, when I came home from the playground in tears because I had been beaten up by bigger children who were bullies. I was dirty. I was crying. I demanded comfort. I was being inconvenient. I did not disappear into thin air.

We’ve all got our own stories behind what happens. You can’t say someone who’s had a miscarriage at ten weeks is not as important as somebody that’s had a stillbirth at term, or a baby that’s lived for two days,’ she says, placing the wooden box back in the cupboard alongside the others. ‘There’s so much that’s misunderstood about pregnancy loss. The perception that you can just try again makes that little life seem not as important.

You are quarter ghost on your mother’s side. Your heart is a flayed peach in a bone box. Your hair comes away in clumps like cheap fabric wet. A reflecting pool gathers around your altar of plywood sub flooring and split wooden slats. You are rag doll prone. You are contort, angle and arc. Here you rot. Here you are a greening abdomen, slipping skin, flesh fly, carrion beetles. This is where bullets take shelter, where scythes find their function, breath loses its place on the page. This is where the page is torn out of every book before chapter’s close, this is slippage, this is a shroud of neglect pulled over the body, this is your chance to escape. Little wraith, bend light around your skin until it colors you clear, disappear like silica in a kiln, become glass and glass beads, become the staggered whir of an exhaust fan: something only noticed when gone. Become an origami swan. Fold yourself smaller than ever before. Become less. More in some ways but less in the way a famine is less. They will forgive you for not being satisfied with fitting in their hands. They will forgive you for dying to be a bird diminutive enough to fit in a mouth and not be crushed.

The patch of lawn before it had relapsed into a hayfield; but to the left an overgrown box-garden full of dahlias and rusty rose-bushes encircled a ghostly summer-house of trellis-work that had once been white, surmounted by a wooden Cupid who had lost his bow and arrow but continued to take ineffectual aim.

In my mind, I gave the woman gifts. I gave her a candle stub. I gave her a box of wooden kitchen matches. I gave her a cake of Lifebuoy soap. I gave her a ceilingful of glow-in-the-dark planets. I gave her a bald baby doll. I gave her a ripe fig, sweet as new wood, and a milkdrop from its stem. I gave her a peppermint puff. I gave her a bouquet of four roses. I gave her fat earthworms for her grave. I gave her a fish from Roebuck Lake, a vial of my sweat for it to swim in.

Ooh, ooh, ooh!” Ivy was practically bouncing in excitement over some kind of revelation. “I had a thought,” she said, examining the edge of the wooden stake with interest. “Oh, yes?” encouraged Alexia loudly. Ivy stopped and frowned, her pert little face creased in worry. “I said I had one. It appears to have vanished.

Yes,” he said. “It is one of the consolations of urban life. A beguiling contradiction: that a narrow wooden box can open on a myriad of wide vistas, tonight Arcadia, tomorrow Rome.” Thorland, Donna (2015-03-03). Mistress Firebrand: Renegades of the American Revolution (p. 34). Penguin Publishing Group. Kindle Edition.

local rabbi, who had been seen talking to the Romanians and Hungarians earlier. However it came to pass, as the sun moved toward the horizon, the entire population of Atlit—nearly three hundred that day—gathered as a single congregation. They streamed toward the promenade, dragging benches, chairs, and wooden boxes through the dirt.

Zhou fell in behind an administrator carrying a wooden box full of scrolls. His own arms were laden down with scrolls and a scholar's robe covered the dark clothes, the unfortunate previous owner would wake in a few hours with a large bruise and a headache to match. He kept his head down as they approached the guarded door to the keep.

She's eighty-four and still has all her teeth. She keeps them in a little wooden box on her dressing table.

Nunca olvidé su definición de héroe. Campbell dijo que un héroe es 'un ser humano común y corriente que hace lo mejor en las peores circunstancias'.

At the end of the meal, the waiter brings over a pair of heart-shaped sweets in a beautifully carved wooden box. I eat mine whole. Turns out it was actually a candle.

The Nazi businessman whose safe he cracked, who had just hired him, was Oskar Schindler.

- No puedes sentarte ahí -dijo-. Los asientos traseros son para los negros. Tienes que cambiarte a la parte delantera. Sus palabras me golpearon como una bofetada. De repente retrocedí en el tiempo hasta Cracovia, cuando los nazis ordenaron que los judíos nos sentáramos en los asientos traseros de los tranvías (antes de prohibirnos directamente viajar en transporte público). El contexto era muy diferente, pero de todos modos casi hizo explotar mi cabeza. ¿Por qué existía algo así en los Estados Unidos? Yo habría creído, erróneamente, que esa clase de discriminación estaba destinada únicamente a los judíos durante el régimen nazi. Ahora descubriría que la inequidad y el prejuicio existía también en ese país que yo habría aprendido a amar

The words thumped deep and low, rhythmically, like a little drum in a wooden box, beaten by unseen hands in a black room that opened doors onto another place you could not see the end of.

What filled the rooms of Grete's cottage so decidedly were woven baskets and wooden boxes and clay pots glazed in red and blue, each with its own mishmash of this and that. Roots and leaves still redolent of dirt. Balls of scratchy wool-purple twining into pink easing into periwinkle fading into gray. At least three boxes held squares and strips of fabric, all colors, and eight pots overflowed with apples. The walls were lined with shelves, the shelves were lined with books. Wordless spines peered out. As soon as Isabelle saw them, she itched to open it up and read it from cover to cover.

BAKED CAMEMBERT WITH CARAMELIZED ONIONS Take a wheel of Camembert out of its box and make a shallow X incision through the top skin. Insert slivered garlic and thyme sprigs. Put the cheese back into its wooden box, drizzle with olive oil (or white wine or vermouth), place on baking sheet, and bake in a medium oven until the cheese is runny all the way through. Serve with sliced onions caramelized in butter and balsamic vinegar.

As a Jewish kid during those times, I fought to live every day. I didn't have a choice. As an influential Nazi, Schindler did have a choice. Countless times he could have abandoned us, taken his fortune, and fled. He could have decided that his life depended on working us to death but he didn't. Instead, he put his own life in danger every time he protected us for no other reason than it was the right thing to do. I am not a philosopher, but I believe that Oskar Schindler defines heroism. He proves that one person can stand up to evil and make a difference. I am living proof of that. I recall a television interview I once saw with scholar and writer Joseph Campbell. I've never forgotten his definition of a hero. Campbell said that a hero is an ordinary human being who does "the best of things in the worst of times". Oskar Schindler personifies that definition.

The bunk was a long, rectangular building. Inside, the walls were whitewashed and the floor unpainted. In three walls there were small, square windows, and in the fourth a solid door with a wooden latch. Against the walls were eight bunks, five of them made up with blankets and the other three showing their burlap ticking. Over each bunk there was nailed an apple-box with the opening forward so that it made two shelves for the personal belongings of the occupant of the bunk. And these shelves were loaded with little articles, soap and talcum-powder, razors and those Western magazines ranch-men love to read and scoff at and secretly believe. And there were medicines on the shelves, and little vials, combs; and, from nails on the box-sides, a few neck-ties. Near one wall there was a black cast-iron stove, its stove-pipe going straight up through the ceiling. In the middle of the room stood a big square table littered with playing-cards, and around it were grouped boxes for the players to sit on.

There are no singular tales. Nothing that stands alone is worth looking at. You and me, we know this. We could fill a thousand scrolls recounting the lives of those who believe they are each both beginning and end, those who fit the totality of the universe into small wooden boxes which they then tuck under one arm – you have seen them marching past, I’m sure. They have somewhere to go, and wherever that place is, why, it needs them, and failing their dramatic arrival it would surely cease to exist. Is

Tangling with the Goliath Corporation generally left you in one of two places: inside a wooden box with a grieving family outside, or inside a wooden box under six foot of soil with family wondering where you were. The former was if they didn't hold a grudge.

My dear Princess, if you could creep unseen about your City, peeping at will through the curtain-shielded windows, you would come to think that all the world was little else than a big nursery full of crying children with none to comfort them. The doll is broken: no longer it sweetly sqeaks in answer to our pressure, "I love you, kiss me." The drum lies silent with the drumstick inside, no longer do we make a brave noise in the nursery. The box of tea-things we have clumsily put out foot upon; there will be no more merry parties around the three-legged stool. The tin trumpet will not play the note we want to sound; the wooden bricks keep falling down; the toy has exploded and burnt our fingers. Never mind, little man, little woman, we will try and mend things to-morrow

The body of Katherine de Valois, buried 1483, had been a grisly exhibit since she was dug up in 1502, when the chapel was demolished on the orders of Henry VII. Katherine’s body was placed in a wooden box near her husband’s tomb and Henry fully intended to have her reburied.

By the age of twelve, he was using the family typewriter to correspond with a number of well-known local geologists about the rock formations he had studied in Central Park. Not aware of his youth, one of these correspondents nominated Robert for membership in the New York Mineralogical Club, and soon thereafter a letter arrived inviting him to deliver a lecture before the club. Dreading the thought of having to talk to an audience of adults, Robert begged his father to explain that they had invited a twelve-year-old. Greatly amused, Julius encouraged his son to accept this honor. On the designated evening, Robert showed up at the club with his parents, who proudly introduced their son as “J. Robert Oppenheimer.” The startled audience of geologists and amateur rock collectors burst out laughing when he stepped up to the podium; a wooden box had to be found for him to stand on so that the audience could see more than the shock of his wiry black hair sticking up above the lectern. Shy and awkward, Robert nevertheless read his prepared remarks and was given a hearty round of applause. Julius

He lifted a sort of black cone attached to the wooden box. Immediately a voice, sounding as though it were yelling from the far end of a tunnel, bellowed, "Identify yourself!" Will held the cone away from his head, looking pained. James and Lucie exchanged a look. The voice was immediately identifiable: Albert Pangborn, the head of the Cornwall Institute. Lucie gleefully mimed her hands sticking together, to Jesse's puzzlement and a disapproving look from Tessa. "This is Will Herondale." Will spoke into the mouthpiece slowly and clearly. "And you telephoned me.

I pull on my hat and veil and lift the same handsaw I used on the evergreen boughs. The branch is about six inches too high for me to reach. Cursing, I lug the broken wooden base of the old frame underneath the tree and try to gingerly balance on what’s left of it. The odds are about equal that I will either manage to saw down the branch or break my ankle. I nearly sob with relief when the branch is free, and carry it slowly and gently to the new hive. I give it a sharp jerk, watching the bees rain down into the box. I do this again, praying that the queen is one of them.

There are many ways to tell if someone is a bit thick. You can sit them in a room and ask them to push various bits of plastic into a wooden box. Or you can ask them to describe a cloud. Or you can carefully measure the distance between their eyes, the height of their forehead or the length of their arm.

Presents are made for the pleasure of the one who gives them, not for the merits of those who receive them,' said my father. 'Besides, it can't be returned. Open it.' I undid the carefully wrapped package in the dim light of dawn. It contained a shiny carved wooden box, edged with gold rivets. Even before opening it, I was smiling. The sound of the clasp when it unlocked was exquisite, like the ticking of a watch. Inside, the case was lined with dark blue velvet. Victor Hugo's fabulous Montblanc Meisterstuck rested in the centre. It was a dazzling sight. I took it and gazed at it by the light of the balcony. The gold clip of the pen top had an inscription. Daniel Sempere, 1950 I stared at my father, dumbfounded. I don't think I had ever seen him look as happy as he seemed to me at that moment. Without saying anything, he got up from his armchair and held me tight. I felt a lump in my throat and, lost for words, fell utterly silent.

That merely glimpsing three good wooden boxes on a baggage-wain could lead to such broodings made Daniel wonder that he could get out of bed in the morning. Once, he had feared that old age would bring senility; now, he was certain it would slowly paralyze him by encumbering each tiny thing with all sorts of significations.

At Padovani Beach the dance hall is open every day. And in that huge rectangular box with its entire side open to the sea, the poor young people of the neighborhood dance until evening. Often I used to await there a a moment of exceptional beauty. During the day the hall is protected by sloping wooden awnings. When the sun goes down they are raised. Then the hall is filled with an odd green light born of the double shell of the sky and the sea. When one is seated far from the windows, one sees only the sky and, silhouetted against it, the faces of the dancers passing in succession. Sometimes a waltz is being played, and against the green background the black profiles whirl obstinately like those cut-out silhouettes that are attached to a phonograph's turntable. Night comes rapidly after this, and with it the lights. But I am unable to relate the thrill and secrecy that subtle instant holds for me. I recall at least a magnificent tall girl who had danced all afternoon. She was wearing a jasmine garland on her right blue dress, wet with perspiration from the small of her back to her legs. She was laughing as she danced and throwing back her head. As she passed the tables, she left behind her a mingled scent of flowers and flesh. When evening came, I could no longer see her body pressed tight to her partner, but against her body alternating spots of white jasmine and black hair, and when she would throw back her swelling breast I would hear her laugh and see her partner's profile suddenly plunge forward. I owe to such evenings the idea I have of innocence. In any case, I learn not to separate these creatures bursting with violent energy from the sky where their desires whirl.

I am going to describe her life from the inside outward, from its core, the house as well, rooms in which life was gathered, rooms in which the morning sunlight, the floors spread with Oriental rugs that had been her mother-in-law’s, apricot, rough and tan, rugs which though worn seemed to drink the sun, to collect its warmth; books, potpourris, cushions in colors of Matisse, objects glistening like evidence, many which might had they been possessed by ancient people, have been placed in the tombs for another life: clear crystal dice, pieces of staghorn, amber beads, boxes, sculptures, wooden balls, magazines in which were photographs of women to whom she compared herself.

But here, window boxes overflowed with peppermint, chervil, and geraniums of pink, lilac, and white, while ivy crept cheerfully up the walls of stone buildings that looked as if they’d been here since long before the French Revolution. Clothes dried on lines strung across wooden balconies, and even the church overlooking the small town seemed to glow, the lights inside illuminating the colorful windows. The town square was anchored by a stone fountain featuring a bearded man with a cross in one hand and a pitcher of water in the other. Water gurgled cheerfully around the statue’s feet. This was a town whose heart hadn’t yet been trampled, and for a few seconds, Eva didn’t know what to make of it.

The container had been packed half-full of steel cylinders of some sort, each one of them in a protective wooden box with a lid. Allan was totally exhausted once the heavy corpse was finally in place inside one of the two innermost cylinders. But when he closed the wooden lid and saw the address label, he livened up. Addis Ababa. ‘He’s going to see the world if he keeps his peepers open,’ said Allan.

It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us to start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered the man one of the bottles of wine. The man waved it away. He said it was too hot and he had drunk too much at lunch. When Bill offered the bottle the second time he took a long drink, and then the bottle went all over that part of the bus. Every one took a drink very politely, and then they made us cork it up and put it away. They all wanted us to drink from their leather wine-bottles. They were peasants going up into the hills.

There were some hours to spare before his ship sailed, and having deposited his luggage, including a locked leather despatch-case, on board, he lunched at the Cafe Tewfik near the quay. There was a garden in front of it with palm trees and trellises gaily clad in bougainvillias: a low wooden rail separated it from the street, and Morris had a table close to this. As he ate he watched the polychromatic pageant of Eastern life passing by: there were Egyptian officials in broad-cloth frock coats and red fezzes; barefooted splay-toed fellahin in blue gabardines; veiled women in white making stealthy eyes at passers-by; half-naked gutter-snipe, one with a sprig of scarlet hibiscus behind his ear; travellers from India with solar tepees and an air of aloof British Superiority; dishevelled sons of the Prophet in green turbans, a stately sheik in a white burnous; French painted ladies of a professional class with lace-rimmed parasols and provocative glances; a wild-eyed dervish in an accordion-pleated skirt, chewing betel-nut and slightly foaming at the mouth. A Greek boot-black with box adorned with brass plaques tapped his brushes on it to encourage customers, an Egyptian girl squatted in the gutter beside a gramophone, steamers passing into the Canal hooted on their syrens. ("Monkeys")

Lastly- and this was the most pitiless torture of all- we heard the rain and it was not raining! This was an infernal invention... Oh, I knew well enough how Erik obtained it! He filled with little stones a very long and narrow box, broken up inside with wooden and metal projections. The stones, in falling, struck against these projections and rebounded from one to another; and the result was a series of pattering sounds that exactly imitated a rainstorm.

I feared, at times, that I had lost my imagination, because I felt boxed in my role as victim. But when I was trapped, I learned I could still move internally. When I felt depressed, I wrote and imagined my future down to the coffee bean. The children's books I will illustrate, the chickens I will have in my yard, the soft cotton linens, the sauce-dipped wooden spoons on the counter. The need for it to come true according to plan was not important. The act of imagining was.

more than anything else was … CHOCOLATE. Walking to school in the mornings, Charlie could see great slabs of chocolate piled up high in the shop windows, and he would stop and stare and press his nose against the glass, his mouth watering like mad. Many times a day, he would see other children taking bars of creamy chocolate out of their pockets and munching them greedily, and that, of course, was pure torture. Only once a year, on his birthday, did Charlie Bucket ever get to taste a bit of chocolate. The whole family saved up their money for that special occasion, and when the great day arrived, Charlie was always presented with one small chocolate bar to eat all by himself. And each time he received it, on those marvellous birthday mornings, he would place it carefully in a small wooden box that he owned, and treasure it as though it were a bar of solid gold; and for the next few days, he would allow himself only to look at it, but never to touch it.

lost-and-found items left behind on trains and in stations, and the unusual, strange items among them—the ashes of cremated people, wigs, prosthetic legs, the manuscript of a novel (the stationmaster read a little bit of it and found it dull), a neatly wrapped, bloodstained shirt in a box, a live pit viper, forty color photos of women’s vaginas, a large wooden gong, the kind Buddhist priests strike as they chant sutras … “Sometimes you’re not sure what to do with them,” the stationmaster said.

Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.

Young has a personal relationship with electricity. In Europe, where the electrical current is sixty cycles, not fifty, he can pinpoint the fluctuation --- by degrees. It dumbfounded Cragg. "He'll say, 'Larry, there's a hundred volts coming out of the wall, isn't there?' I'll go measure it, and yeah, sure --- he can hear the difference." Shakey's innovations are everywhere. Intent on controlling amp volume from his guitar instead of the amp, Young had a remote device designed called the Whizzer. Guitarists marvel at the stomp box that lies onstage at Young's feet: a byzantine gang of effects that can be utilized without any degradation to the original signal. Just constructing the box's angular red wooden housing to Young's extreme specifications had craftsmen pulling their hair out. Cradled in a stand in front of the amps is the fuse for the dynamite, Young's trademark ax--Old Black, a '53 Gold Top Les Paul some knot-head daubed with black paint eons ago. Old Black's features include a Bigsby wang bar, which pulls strings and bends notes, and Firebird picking so sensitive you can talk through it. It's a demonic instrument. "Old black doesn't sound like any other guitar," said Cragg, shaking his head. For Cragg, Old Black is a nightmare. Young won't permit the ancient frets to be changed, likes his strings old and used, and the Bigsby causes the guitar to go out of tune constantly. "At Sound check, everything will work great. Neil picks up the guitar, and for some reason that's when things go wrong.

Later he would tell her that their story began at the Royal Hungarian Opera House, the night before he left for Paris on the Western Europe Express. The year was 1937; the month was September, the evening unseasonably cold. His brother had insisted on taking him to the opera as a parting gift. The show was Tosca and their seats were at the top of the house. Not for them the three marble-arched doorways, the façade with its Corinthian columns and heroic entablature. Theirs was a humble side entrance with a red-faced ticket taker, a floor of scuffed wood, walls plastered with crumbling opera posters. Girls in knee-length dresses climbed the stairs arm in arm with young men in threadbare suits; pensioners argued with their white-haired wives as they shuffled up the five narrow flights. At the top, a joyful din: a refreshment salon lined with mirrors and wooden benches, the air hazy with cigarette smoke. A doorway at its far end opened onto the concert hall itself, the great electric-lit cavern of it, with its ceiling fresco of Greek immortals and its gold-scrolled tiers. Andras had never expected to see an opera here, nor would he have if Tibor hadn’t bought the tickets. But it was Tibor’s opinion that residence in Budapest must include at least one evening of Puccini at the Operaház. Now Tibor leaned over the rail to point out Admiral Horthy’s box, empty that night except for an ancient general in a hussar’s jacket. Far below, tuxedoed ushers led men and women to their seats, the men in evening dress, the women’s hair glittering with jewels.

The largest wooden old town in the Nordic countries, Vanha Rauma deserves its Unesco World Heritage status. Its 600 houses might be museum pieces, but they also form a living centre: residents tend their flower boxes and chat to neighbours, while visitors meander in and out of the low-key cafes, shops, museums and artisans’ workshops. Rauman giäl, an old sailors’ lingo that mixes up a host of languages, is still spoken here, and the town’s medieval lace-making heritage is celebrated during Pitsiviikko (Rauma Lace Week).

When I finally leave the market, the streets are dark, and I pass a few blocks where not a single electric light appears – only dark open storefronts and coms (fast-food eateries), broom closet-sized restaurants serving fish, meat, and rice for under a dollar, flickering candles barely revealing the silhouettes of seated figures. The tide of cyclists, motorbikes, and scooters has increased to an uninterrupted flow, a river that, given the slightest opportunity, diverts through automobile traffic, stopping it cold, spreads into tributaries that spill out over sidewalks, across lots, through filling stations. They pour through narrow openings in front of cars: young men, their girlfriends hanging on the back; families of four: mom, dad, baby, and grandma, all on a fragile, wobbly, underpowered motorbike; three people, the day’s shopping piled on a rear fender; women carrying bouquets of flapping chickens, gathered by their feet while youngest son drives and baby rests on the handlebars; motorbikes carrying furniture, spare tires, wooden crates, lumber, cinder blocks, boxes of shoes. Nothing is too large to pile onto or strap to a bike. Lone men in ragged clothes stand or sit by the roadsides, selling petrol from small soda bottles, servicing punctures with little patch kits and old bicycle pumps.

He set the tea on the table and drew a wooden box from underneath. “I wanted to apologize.” “For what?” asked Kell. “The lying? The drinking? The fighting? The relentless—” But something in Rhy’s expression made him stop. The prince raked the black curls from his face, and Kell realized that he looked older. Not old—Rhy was only twenty, a year and a half younger than Kell—but the edges of his face had sharpened, and his bright eyes were less amazed, more intense. He’d grown up, and Kell couldn’t help but wonder if it was all natural, the simple, inevitable progression of time, or if the last dregs of his youth had been stripped away by what had happened.

Ivette dug into my wooden jewelry box and pulled out a gold chain with a white daisy on it. "Well this just screams out 'I'm a little girl,' so forget this one." Next, she picked out a silver necklace with a small cross. "Oh, no, we can't make you holy and untouchable. You'll never get your first kiss that way." I blushed and nervously started to giggle. "Can you picture it?" She draped the chain around her neck and swayed to imaginary music. "Hi, Manuel. Oh, of course I'd like to dance, but be careful if you hold me too close, because not only is my mother chaperoning, God is watching and you'll be sent straight to hell." Ivette couldn't hold back her laughter. "No, this is definitely not the right necklace!

What they don’t understand about birthdays and what they never tell you is that when you’re eleven, you’re also ten, and nine, and eight, and seven, and six, and five, and four, and three, and two, and one. And when you wake up on your eleventh birthday you expect to feel eleven, but you don’t. You open your eyes and everything’s just like yesterday, only it’s today. And you don’t feel eleven at all. You feel like you’re still ten. And you are—underneath the year that makes you eleven. Like some days you might say something stupid, and that’s the part of you that’s still ten. Or maybe some days you might need to sit on your mama’s lap because you’re scared, and that’s the part of you that’s five. And maybe one day when you’re all grown up maybe you will need to cry like if you’re three, and that’s okay. That’s what I tell Mama when she’s sad and needs to cry. Maybe she’s feeling three. Because the way you grow old is kind of like an onion or like the rings inside a tree trunk or like my little wooden dolls that fit one inside the other, each year inside the next one. That’s how being eleven years old is. You don’t feel eleven. Not right away. It takes a few days, weeks even, sometimes even months before you say Eleven when they ask you. And you don’t feel smart eleven, not until you’re almost twelve. That’s the way it is. Only today I wish I didn’t have only eleven years rattling inside me like pennies in a tin Band-Aid box. Today I wish I was one

Faint traces of other black churches are tucked away in handwritten ledgers at the state archives at Morrow; in the collections at the University of Georgia in Athens; even in the basement of the Forsyth courthouse, where a cardboard box atop a metal filing cabinet still holds deeds for the land on which black residents once founded Mt. Fair, Shakerag, and Stoney Point - about which nothing is known but names and approximate locations. All that can be said for certain is that, again and again in the fall of 1912, white men sloshed gasoline and kerosene onto the benches and wooden floors of such rooms, then backed out into the dark, tossing lit matches as they went. All over the county, beneath the ground on which black churches stood, the soil is rich with ashes.

Of the many wonderful tales Moor told me, the most wonderful, the most delightful one, was “Hans Röckle.” It went on for months; it was a whole series of stories... Hans Röckle himself was a Hoffman-like magician, who kept a toyshop, and who was always “hard up.” His shop was full of the most wonderful things—of wooden men and women, giants and dwarfs, kings and queens, workmen and masters, animals and birds as numerous as Noah got into the Ark, tables and chairs, carriages, boxes of all sorts and sizes. And though he was a magician, Hans could never meet his obligations either to the devil or to the butcher, and was therefore—much against the grain—constantly obliged to sell his toys to the devil. These then went through wonderful adventures—always ending in a return to Hans Röckle’s shop. —Eleanor Marx, on her father Karl’s bedtime stories (in Stallybrass 1998:198)

I pulled a black party dress and fake pearls out of a wooden trunk- very 'Breakfast at Tiffany's'- and went into the wardrobe to put the dress on. When I came out, River took one look at me and grinned. A nice, kind of 'appreciative' grin. "You need to put your hair up," he said. So I dug around in a small box of cheap jewelry until I had gathered a handful of bobby pins. Then River appeared behind me, and, with his long, tan fingers, started lifting my hair, one strand at a time, twirling it and pinning it until it was all piled on my head in a graceful twist. My hair was thick with dried salt from sitting on the beach, and tangled from the wind, but River made it look pretty damn elegant, all things considered. When he was done, I went over and looked at myself in one of the long dressing mirrors- it was warped and stained with age, but I could still see half my face pretty well.

Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home. But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world. He said, “This is not a sitting room.” “Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.” His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.” Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown. “Wait,” he said. “What are the stakes?” She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.” But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them. “Hmm,” he said, and they each put in their ante. Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage. “How do you know?” she said. “How do I know what?” “That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her. She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated. Kestrel realized that Arin had been waiting to answer her question. He was watching her. “I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.” “Well,” said Kestrel, uncomfortable, “it is no longer what it was.

The next day brought death and judgement, stirring his soul slowly from its listless despair. The faint glimmer of fear became a terror of spirit as the hoarse voice of the preacher blew death into his soul. He suffered its agony. He felt the death chill touch the extremities and creep onward towards the heart, the film of death veiling the eyes, the bright centres of the brain extinguished one by one like lamps, the last sweat oozing upon the skin, the powerlessness of the dying limbs, the speech thickening and wandering and failing, the heart throbbing faintly and more faintly, all but vanquished, the breath, the poor breath, the poor helpless human spirit, sobbing and sighing, gurgling and rattling in the throat. No help! No help! He — he himself — his body to which he had yielded was dying. Into the grave with it. Nail it down into a wooden box, the corpse. Carry it out of the house on the shoulders of hirelings. Thrust it out of men's sight into a long hole in the ground, into the grave, to rot, to feed the mass of its creeping worms and to be devoured by scuttling plump-bellied rats.

When we have to pay a lot for something nice, we appreciate it to the full. Yet as its price in the market falls, passion has a habit of fading away. Why, then, do we associate a cheap price with lack of value? Our response is a hangover from our long preindustrial past. For most of human history, there truly was a strong correlation between cost and value: The higher the price, the better things tended to be, because there was simply no way both for prices to be low and for quality to be high. It is not that we refuse to buy inexpensive or cheap things. It's just that getting excited over cheap things has come to seem a little bizarre. How do we reverse this? The answer lies in a slightly unexpected area: the mind of a four-year-old. Children have two advantages: They don't know what they're supposed to like and they don't understand money, so price is never a guide to value for them. We buy them a costly wooden toy made by Swedish artisans who hope to teach lessons in symmetry and find that they prefer the cardboard box that it came in. If asked to put a price on things, children tend to answer by the utility and charm of an object, not its manufacturing costs. We have been looking at prices the wrong way. We have fetishised them as tokens of intrinsic value; we have allowed them to set how much excitement we are allowed to have in given areas, how much joy is to be mined in particular places. But prices were never meant to be like this: We are breathing too much life into them and thereby dulling too many of our responses to the inexpensive world. At a certain age, something very debilitating happens to children. They start to learn about "expensive" and "cheap" and absorb the view that the more expensive something is, the better it may be. They are encouraged to think well of saving up pocket money and to see the "big" toy they are given as much better than the "cheaper" one. We can't directly go backwards; we can't forget what we know of prices. However, we can pay less attention to what things cost and more to our own responses. We need to rethink our relationship to prices. The price of something is principally determined by what it cost to make, not how much human value is potentially to be derived from it.

Barrels of oysters wrapped in seaweed came by boat from Stollport. Fat beam and trout were carried in dripping wooden boxes lined with wet straw. A great conger eel arrived in a crate large enough to hold a cannon and appeared so fearsome Mister Bunce quelled the kitchen boys' mock-screams only by bringing out Mister Stone to take his pick among the screechers. Sacks of raisins, currants, dried prunes and figs piled up in the dry larder. In the wet room, soused brawn, salted ling and gallipots of anchovies crowded the shelves and floor. In the butchery, Colin and Luke marshalled four undercooks, six men from the Estate armed with saws, a grumbling Barney Curle and his barrow to skin, draw and joint the hogs. Simeon, Tam Yallop and the other bakers lugged in sacks of meal from the Callock Marwood mill while a dray from the ale-house made journeys over the hill, past the gatehouse and into the yard until the buttery and cellar were filled with kegs and barrels. Rhenish wine arrived in a covered wagon, the dark oak tuns resting on a thick bed of bracken. Scents of cinnamon and saffron drifted out of the spice room.

The night before, Um-Nadia came over with her small wooden box stuffed with handwritten recipes, dishes Um-Nadia hadn't prepared or eaten in the thirty-five years since she and Mireille had left Lebanon. Some were recipes for simple, elegant dishes of rice pilafs and roasted meats, others were more exotic dishes of steamed whole pigeons and couscous or braised lambs' brains in broth. And they discussed ingredients and techniques until late in the night. Um-Nadia eventually fell asleep on the hard couch in the living room, while Sirine's uncle dozed across from her in his armchair. But Sirine stayed up all night, checking recipes, chopping, and preparing. She looked up Iraqi dishes, trying to find the childhood foods that she'd heard Han speak of, the sfeehas- savory pies stuffed with meat and spinach- and round mensaf trays piled with lamb and rice and yogurt sauce with onions, and for dessert, tender ma'mul cookies that dissolve in the mouth. She stuffed the turkey with rice, onions, cinnamon, and ground lamb. Now there are pans of sautéed greens with bittersweet vinegar, and lentils with tomato, onion, and garlic on the stove, as well as maple-glazed sweet potatoes, green bean casserole, and pumpkin soufflé.

I’m tired of thinking about Agatha. Well, not about her, but about my loss of her. Today I went through some old boxes of mine and found some journal entries I wrote in the second grade. One was about the loss of a girl, the S name on my list, so I’ll copy and paste it for posterity: Today was a bad day. Stephany broke up with me for Tommy. I don’t like that slimy Tommy. Tommy is a turtle. I used to like turtles but now I like warm blooded creetures. Maybe Stephany is a reptile disguised as a human jerkface. I won’t cry because I am a soldier. Soldiers do not dispense tears. Soldiers kill their enemies. Tommy is my enemy. But the code of the moose says a warrior must eat what he kills. Does this mean I should have eaten my neighbors cat? I will not cry today or ever. I am fearless like my dad. My dad is a superhero. He is courageous and invisible. I haven’t seen him in four years. When I see him next he’ll probably tell me I am taller. Maybe I will tell him he is shorter. And fatter and balder. Maybe he will appear again and I can be normal. I would very much like to not wear wooden shoes anymore. Cats tongues are rough like sandpaper. Cats must never lick my shoes. Nobody licked my shoes the way Stephany did. I will miss her and her early-onset male pattern baldness.

The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.

The books began to arrive, boxes of them. At first I could not open a single one, but was taken by them as objects. The covers were all so attractive. The jacket copy made each one sound great, blurbs from established literary icons told me why I should like it. The fat books were praised for being fat, the skinny books were praised for being skinny, old writers were great because they were old, young writers were talents because of their youth, every one was startling, ground-breaking, warm, chilling, original, honest and human. I would have found refreshing: "Jo Blow’ s new novel takes on the mundane and leaves it right where it is. The prose is clear and pedestrian. The moves are tried and true. Yet the book is not so alarmingly dishonest. The characters are as wooden as the ones we meet in real life. This is a torturous journey through the banal. The novel is ordinary but not insipid, pointless but not meaningless, savorless but not stale. Jo Blow is a middle aged writer with a family and no discernible special features. He lives in a house and is about as smart as his last novel." So, I opened the first book and I loved it. Actually, I enjoyed reading. The book sucked. But I did enjoy reading it and so I read another and another. I read three in one night and the better part of the next day. All three were sterile, well-constructed, predictable fare. I decided that perhaps I was jaded. I was familiar with novels the way a surgeon is familiar with blood. I would have to contact my innocent, inner self, the part of me that could be amazed by the dull and commonplace.

His world turned on its head for the second time at precisely ten eighteen p.m. He’d been taken into custody a little under ninety minutes earlier, but that had nothing to do with it. They did the job efficiently, boxing him in, two in front and two behind. Four men, swift and grim, clearly plainclothes law enforcement officers. One of the men in front of him stepped close, said something. He shook his head. ‘Non parlo Croato. Solo Italiano.’ The man nodded as if unsurprised, tipped his head: come with us. He followed the front pair to the unmarked saloon parked up on the kerb ahead. Before he got in the back he glimpsed the glitter of light off the restless water of the bay, the masts of the boats shifting in the embrace of the marina at the bottom of the hill. He glanced at his watch. Five past nine. Fifty-five minutes to go. * The room was a cliché: ivory linoleum curling at the edges, dusty fluorescent lighting strips with one bulb flickering like an eyelid with a tic, cheap wooden tabletop with metal legs bolted to the floor. The smell was of tobacco and sour sweat. He sat facing the door, alone. After seventeen minutes, at nine forty-four by the clock on the wall, the door opened. A woman came in, dark-haired, with glasses like an owl’s eyes. Two of the men who had picked him up followed her in. One seated himself in the chair. The other leaned against the wall, arms folded. She stood across the table from him, his passport grasped loosely between her fingertips like a soiled rag. Without introduction she said, her Italian accented but fluent, ‘Alberto Manta, of Lugano, Switzerland. Arrived in Zagreb on September second. Checked in at Hotel Neboder here in Rijeka the same day.

Wait until the truffles hit the dining room---absolute sex," said Scott. When the truffles arrived the paintings leaned off the walls toward them. They were the grand trumpets of winter, heralding excess against the poverty of the landscape. The black ones came first and the cooks packed them up in plastic quart containers with Arborio rice to keep them dry. They promised to make us risotto with the infused rice once the truffles were gone. The white ones came later, looking like galactic fungus. They immediately went into the safe in Chef's office. "In a safe? Really?" "The trouble we take is in direct proportion to the trouble they take. They are impossible," Simone said under her breath while Chef went over the specials. "They can't be that impossible if they are on restaurant menus all over town." I caught her eye. "I'm kidding." "You can't cultivate them. The farmers used to take female pigs out into the countryside, lead them to the oaks, and pray. They don't use pigs anymore, they use well-behaved dogs. But they still walk and hope." "What happened to the female pigs?" Simone smiled. "The scent smells like testosterone to them. It drives them wild. They destroyed the land and the truffles because they would get so frenzied." I waited at the service bar for drinks and Sasha came up beside me with a small wooden box. He opened it and there sat the blanched, malignant-looking tuber and a small razor designed specifically for it. The scent infiltrated every corner of the room, heady as opium smoke, drowsing us. Nicky picked up the truffle in his bare hand and delivered it to bar 11. He shaved it from high above the guest's plate. Freshly tilled earth, fields of manure, the forest floor after a rain. I smelled berries, upheaval, mold, sheets sweated through a thousand times. Absolute sex.

Jermyn’s breath stilled. He watched intently. So far, she had followed his instructions. Now he waited to see if she would follow his last, insistent direction. In the top drawer of my bedside table, there’s a small box. It contains everything we need to make our night pleasurable . . . leave everything else behind but bring that box. He bent his will on her. Amy, get the wooden box. Get it. If thoughts had power, then his directive would surely be followed. She gathered the clothes, wrapped them in a piece of brown paper and tied them like a package with a string. She thrust the package into a large cloth bag that hung by her belt and started toward the sitting room. In frustration, Jermyn wanted to stick his fist through the wall. Why couldn’t the girl just once do as she was told? At the doorway, she hesitated. Jermyn’s heart lifted. Do it, he mentally urged. Get it. She glanced toward the bedside table, then away. Jermyn could almost see the tug-of-war between her good sense and her yearning. Had he baited the trap with strong enough desire? Had he played the meek, willing male with enough sincerity? With a soft “blast!” she hurried to the bedside table. Opening the drawer, she pulled out the wooden box and stared at it as if it were a striking snake. With a glance around her, she placed it on the table and raised the lid. She lifted the small, gilt-and-blue bottle. Pulling the stopper, she sniffed. Jermyn preferred a combination of bayberry and spice, and he held his breath as he scrutinized her face, waiting for her reaction. If she didn’t savor the scent, he had no doubt she would put it back. But for a mere second, she closed her eyes. Pleasure placed a faint smile on her lips. She liked it. And he hoped she associated the scent with him, with the day she kidnapped him. That would be sweet justice indeed. Briskly she stoppered the bottle, replaced it in the box and slid the box in her pocket. Together the two men watched as she left the bedroom. Jermyn heard a click as the outer door closed. Guardedly he walked out, surveying the sitting room. Empty. Turning to the bewildered Biggers, Jermyn said, “Quickly, man. I need that bath!