Wood Burning Stove Quotes

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You want listeners to smell the lavender, to feel the point of those knitting needles in a handbag of the granny who happens to harbor a loyalty to Madame Defarge. You want the listener to know the wood's burning in the stove when they walk into the song with me. Music is about all of your senses, not just hearing.
Tori Amos (Tori Amos: Piece by Piece: A Memoir)
Winter is a quiet house in lamplight, a spin the garden to see bright stars on a clear night, the roar of the wood-burning stove, and the accompanying smell of charred wood. It is warming the teapot and making cups of bitter cocoa; it is stews magicked from bones with dumplings floating like clouds. It is reading quietly and passing away the afternoon twilight watching movies. It is thick socks and the bundle of a cardigan.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
My parents kept a small cabin the mountains. It was a simple thing, just four walls, and very dark inside. A heavy felt curtain blotted out whatever light made it through the canopy of huge pines and down into the cabin's only window. There was a queen-size bed in there, an armchair, and a wood-burning stove. It wasn't an old cabin. I think my parents built it in the seventies from a kit. In a few spots the wood beams were branded with the word HOME-RITE. But the spirit of the place me think of simpler times, olden days, yore, or whenever it was that people rarely spoke except to say there was a store coming or the berries were poisonous or whatnot, the bare essentials. It was deadly quiet up there. You could hear your own heart beating if you listened. I loved it, or at least I thought I ought to love it - I've never been very clear on that distinction.
Ottessa Moshfegh (Homesick for Another World)
The school year started in September, with a long vacation in the winter, not the summer, due to the difficulty of keeping the schools warm in North Korea’s harsh winters. My kindergarten had a large wood-burning stove in the middle of the classroom and walls painted with colourful scenes of children performing gymnastics, children in uniform, and of a North Korean soldier simultaneously impaling a Yankee, a Japanese and a South Korean soldier with his rifle bayonet.
Hyeonseo Lee (The Girl with Seven Names: A North Korean Defector's Story)
As a songwriter, I'm gathering clues and possibilities all the time, whether I see a piano that day or not. I've tried to explain to people how I collect these dispatches, because I think anybody can do what I'm talking about. Once I do plug in, I might get only one line and two bar phrases of the melody. I always have elements of songs around that may never ever get recorded. As far back as Little Earthquakes, I began to realize that I needed to have a library of notes, phrases, words, things that might prove useful at any given time. Within a few months' time I'll gather hundreds of those fragments. Half won't be used. And then the craft comes in, the part that is about painting a world. You want listeners to smell the lavender, to feel the point of those knitting needles in a handbag of the granny who happens to harbor a loyalty to Madame Defarge. You want the listener to know the wood's burning in the stove when they walk into the song with me. Music is about all of your senses, not just hearing.
Tori Amos
Yes, it’s too much to ask,” Alexander said when he returned with no ice (“Tomorrow”) but with an ax, a hammer and nails, a saw, a wood plane, and a kerosene-burning Primus stove. “I didn’t marry you so we could go over there every night.” He laughed. “You invited them inside? That’s very brave of you, my wife. Did you at least make the bed before they came in?” He laughed harder. Tatiana was sitting down on the cool iron hearth, shaking her head. “You’re just impossible.” “I’m impossible? I’m not going there for dinner, forget it. Why don’t you just invite them here afterward then, for the post-dinner vaudeville—” “Vaudeville?” “Never mind.” He dropped all of his goods on the floor in the corner of the cabin. “Invite them here for the entertainment hour. Go ahead. As I make love to you, they can walk around the hearth, clucking to their hearts’ content. Naira will say, ‘Tsk, tsk, tsk. I told her to go with my Vova. I know he could do it better.’ Raisa will want to say, ‘Oh, my, oh, my,’ but she’ll be shaking too much. Dusia will say, ‘Oh, dear Jesus, I prayed to You to spare her from the horrors of the marriage bed!’ And Axinya will say—” “‘Wait till I tell the whole village about his horrors,’” said Tatiana. Alexander laughed and then went to the water to swim.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The sawdust flew. A slightly sweet fragrance floated in the immediate area. It was a sweet but subtle aroma, neither the scent of pine nor willow, but one from the past that had been forgotten, only to reappear now after all these years, fresher than ever. The workmen occasionally scooped up a handful of sawdust, which they put into their mouths and swallowed. Before that they had chewed on pieces of green bark that they had stripped from the cut wood. It had the same fragrance and it freshened their mouths, so at first that was what they had used. Now even though they were no longer chewing the bark with which they felt such a bond, the stack of corded wood was a very appealing sight. From time to time they gave the logs a friendly slap or kick. Each time they sawed off a section, which rolled to the ground from the sawhorse, they would say: 'Off with you - go over there and lie down where you belong.' What they were thinking was that big pieces of lumber like this should be used to make tables or chairs or to repair a house or make window frames; wood like this was hard to find. But now they were cutting it into kindling to be burned in stoves, a sad ending for good wood like this. They could see a comparison with their own lives, and this was a saddening thought. ("North China")
Xiao Hong (Selected Stories of Xiao Hong (Panda Books))
This was the Connecticut Alex had dreamed of—farmhouses without farms, sturdy red-brick colonials with black doors and tidy white trim, a neighborhood full of wood-burning fireplaces, gently tended lawns, windows glowing golden in the night like passageways to a better life, kitchens where something good bubbled on the stove, breakfast tables scattered with crayons. No one drew their curtains; light and heat and good fortune spilled out into the dark as if these foolish people didn’t know what such bounty might attract, as if they’d left these shining doorways open for any hungry girl to walk through.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Gregory was in the walls, in the crawl space between the board floor of the cabin and the bitter ground. He was gone, but he was everywhere. He was on the small pantry shelf where canning was removed. The air of the cabin still held Gregory. He filled and expanded every dark corner, tight, to exploding. He was jammed between her legs so that no matter how she moved, he was inside of Agnes. She couldn't shake him from her vestments or burn him from the stove. He nested in the books, of course. She couldn't stand to touch their pages. He was in the sweet, fragrant wood Mary Kashpaw chopped, split, and piled. In the cloth of curtains, the clasp of doors, he waited. She turned the handle, let the light in, and he came, too, solid and good and alive.
Louise Erdrich (The Last Report on the Miracles at Little No Horse)
So trees communicate by means of olfactory, visual, and electrical signals. (The electrical signals travel via a from of nerve cell at the tips of the roots.) What about sounds? Let's get back to hearing and speech. When I said at the beginning of this chapter that trees are definitely silent, the latest scientific research casts doubt even on this statement. Along with colleagues from Bristol and Florence, Dr. Monica Gagliano from the University of Western Australia has, quite literally, had her ear to the ground. It's not practical to study trees in the laboratory; therefore, researchers substitute grain seedlings because they are easier to handle. They started listening, and it didn't take them long to discover that their measuring apparatus was registering roots crackling quietly at a frequency of 220 hertz. Crackling roots? That doesn't necessarily mean anything. After all, even dead wood crackles when it's burned in a stove. But the noised discovered in the laboratory caused the researchers to sit up and pay attention. For the roots of seedlings not directly involved in the experiment reacted. Whenever the seedlings' roots were exposed to a cracking at 220 hertz, they oriented their tips in that direction. That means the grasses were registering this frequency, so it makes sense to say they "heard" it.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.
Bear Grylls (Mud, Sweat and Tears)
Local Teen Adopted Finds Adoptive Family Within 24 Hours of 18th Birthday The final chapter of a family tragedy was written yesterday at the county courthouse when Cynthia and Tom Lemry signed formal adoption papers, gaining custody of Sarah Byrnes less than 24 hours before her 18th birthday. Local readers will remember Ms. Byrnes as the youngster whose face and hands were purposely burned on a hot wood stove by her father 15 years ago. The incident came to light this past February after Virgil Byrnes assaulted another teenager, 18-year-old Eric Calhoune, with a hunting knife. “Better late than never,” said Cynthia Lemry, a local high school teacher and swimming coach, in a statement to the press. “If someone had stepped up for this young lady a long time ago, years of heartache could have been avoided. She’s a remarkable human being, and we’re honored to have her in our family.” “I guess they’re just in the nick of time to pay my college tuition,” the new Sarah Lemry said with a smile. Also attending the ceremony were Eric Calhoune, the victim of Virgil Byrnes’s attack; Sandy Calhoune, the boy’s mother and a frequent columnist for this newspaper; Carver Milddleton, who served time on an assault charge against Virgil Byrnes in a related incident; the Reverend John Ellerby, controversial Episcopalian minister whose support of female clergy and full homosexual rights has frequently focused a spotlight on him in his 15-year stay at St. Mark’s; and his son, Steve Ellerby, who describes himself as “a controversial Episcopalian preacher’s kid.” Sarah Lemry confirmed that following the burning 15 years ago, her father refused her opportunities for reconstructive surgery, saying her condition would teach her to “be tough.” She refused comment on further torturous physical abuse allegations, for which, among other charges, Byrnes has been found guilty in superior court and sentenced to more than 20 years in the state penitentiary at Walla Walla. When asked if she would now seek the reconstructive surgery she was so long denied, Sarah Lemry again smiled and said, “I don’t know. It’d be a shame to change just when I’m getting used to it.
Chris Crutcher (Staying Fat for Sarah Byrnes)
We ran back, he first and I following him, between the beds and downstairs, and we picked up an armful of wood from the pile by the wall and the knife for whittling and ran up again, we couldn’t be quick enough. He knelt down in front of the stove, and it wasn’t long before he had done the trick again. Outside the window it was night now, and the wind blew vaporous white milk against the panes, milk over the forest and the fjord, but in here there were just the two of us and the stoves and the sound of wood burning behind the black iron and sending waves of heat out into the rooms and into the walls and timbers that sucked it in. I smelt the scent of wood growing warm, and it made me as white in my head as the whirling night outside, and hungry. We stood in the kitchen with our coats on eating the contents of two tins with one spoon we took it in turns to use, and we laughed, I didn’t even notice what I was eating. Soon it was warm enough for us to take off some clothes, his overcoat and my coat, and while he hung his on a hook, I let mine fall to the floor. I took off the sweater I wore underneath and dropped that on the floor too, I unbuttoned my blouse and still felt the cold against my neck. But the heat rose to the ceiling and up to the first floor and there was another stove there. Then I calmly walked across the room and upstairs with his eyes on my back, and at first he stood still, and then he followed, and when he got to the top my blouse was off and my stockings on the floor. I slowly turned round and stood there, me inside my skin, while he was fully clothed, and I cleared my head of every thought I had ever had and let them sink out into my skin till it was painfully taut and shinning all over my body, and he saw it and did not know what it was he saw. I put my arms round my back and unfastened my bra and slid the straps over my shoulders, and I thought he might be going to weep, but his voice sounded hoarse as he whispered: “You’re lovely,” and I answered “Yes”, and didn’t know if that was true. But it did not matter, for I knew what I wanted and what to say, and his hands were as I’d thought they would be, his skins as soft and his body as hard, and it was so warm around us, and the whole time I smelt the dampness of the bedclothes like the ones at Vrangbæk, and then I just shut my eyes and floated away.
Per Petterson (To Siberia)
I woke up as the first light began to bring an orange glow to the tops of the whispering pines (and sky) above me at 5:43 but lay still to avoid waking Hope for another half-hour. She had suffered through a tough and mostly sleepless night, and I wanted to give her every second I could as the next week promised to be very stressful for her (and me), and that was if everything went according to plan. At a few minutes after six, she either sensed the growing light or my wakefulness and shifted to give me a wet kiss. We both moved down towards the slit in the bottom of my Hennessy hammock and dropped out and down onto the pine needles to explore the morning. Both of us went a ways into the woods to take care of early morning elimination, and we met back by the hammock to discuss breakfast. I shook out some Tyler kibble (a modified GORP recipe) for me and an equal amount of Hope’s kibble for her. As soon as we had scarfed down the basic snack, we picked our way down the sloping shore to the water’s edge, jumped down into the warm water (relative to the cool morning air at any rate) for a swim as the sun came up, lighting the tips of the tallest pines on the opposite shore. Hope and I were bandit camping (a term that I had learned soon after arriving in this part of the world, and enjoyed the feel of), avoiding the established campsites that ringed Follensby Clear Pond. We found our home for the last seventeen days (riding the cooling August nights from the full moon on the ninth to what would be a new moon tonight) near a sandy swimming spot. From there, we worked our way up (and inland) fifty feet back from the water to a flat spot where some long-ago hunter had built/burned a fire pit. We used the pit to cook some of our meals (despite the illegality of the closeness to the water and the fire pit cooking outside an approved campsite … they call it ‘bandit camping’ for a reason). My canoe was far enough up the shore and into the brush to be invisible even if you knew to look for it, and nobody did/would/had. After we had rung a full measure of enjoyment out of our quiet morning swim, I grabbed the stringer I had anchored to the sandy bottom the previous afternoon after fishing, pulled the two lake trout off, killed them as quickly/painlessly/neatly as I could manage, handed one to Hope, and navigated back up the hill to our campsite. I started one of the burners on my Coleman stove (not wanting to signal our position too much, as the ranger for this area liked morning paddles, and although we had something of an understanding, I didn’t want to put him in an uncomfortable position … we had, after all, been camping far too long in a spot too close to the water). Once I had gutted/buttered/spiced the fish, I put my foil-wrapped trout over the flame (flipping and moving it every minute or so, according to the sound/smell of the cooking fish); Hope ate hers raw, as is her preference. It was a perfect morning … just me and my dog, seemingly alone in the world, doing exactly what we wanted to be doing.
Jamie Sheffield (Between the Carries)
In America, my father began working as a clerk for a government agency. He rented an apartment in a place called Queens, New York. A year after he left us, he sent airplane tickets. The Delhi of the seventies is hard to imagine: the quietness, the streets empty of traffic, children playing cricket in the middle of the street and rarely having to move out of the way to let cars by, the vegetable vendors who came pushing their carts down the streets in the late afternoon, crying out their wares in tight, high-pitched voices. There weren't VCRs back then, let alone cable channels. A movie would play for twenty-five or fifty weeks in huge auditorium theaters, and then once the movie was gone, it was gone forever. I remembered feeling grief when the enormous billboards for Sholay at the end of our street were taken down. It was like somebody had died. It is also hard to remember how frugal we were. We saved the cotton that comes inside pill bottles. Our mothers used it to make wicks. This frugality meant that we were sensitive to the physical reality of the world in a way most people no longer are. When my mother bought a box of matches, she had my brother sit at a table and use a razor to split the matches in half. When we had to light several things, we would use the match to set a twist of paper on fire and then walk around the apartment lighting the stove, the incense stick, the mosquito coil. This close engagement with things meant that we were conscious that the wood of a match is soft, that a bit of spit on paper split on paper slows down how it burns. By the time our airplane tickets arrived, not every family hired a band to play outside their house on the day of the departure to a foreign country. Still, many families did.
Akhil Sharma
The one piece of nostalgia he has allowed himself is the gleaming cast-iron wood-burning stove in the center of the room, which replaced his mother’s that was stolen during the years the studio lay derelict.
Pierre Lemaitre (Camille)
Before the presents, Maximilian and his brother Reinhard would bathe together in the smoke kitchen in a wood tub held together by iron rings. Cursing when one of them had peed in the bathwater, they would lather themselves with a bar of turpentine soap with a stag stamped on its surface, dry their lean white bodies, the genitals still hairless, with a coarse towel beside the glowing red griddle of the wood-burning stove, and put on clean underwear, ironed shirts, and gray wool socks.
Josef Winkler (When the Time Comes)
Winter is a quiet house in lamplight, a spin in the garden to see bright stars on a clear night, the roar of the wood-burning stove, and the accompanying smell of charred wood. It is warming the teapot and making cups of bitter cocoa; it is stews magicked from bones with dumplings floating like clouds. It is reading quietly and passing away the afternoon twilight watching movies. It is thick socks and the bundle of a cardigan.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
The essence of things is not rationally knowable, and reality cannot be reduced to mechanistic frameworks. When realizing this, we can finally start to look for the essence of life where it truly can be found: in that which always escapes rationalization and mechanization, in that which dissapears from a conversation when you digitalize it, in the difference between the mother's womb and an artificial plastic womb, in the difference between the heat of an electric heater and that of a wood-burning stove, and so on.
Mattias Desmet (The Psychology of Totalitarianism)
Lucy felt the crisp October air creeping into the schoolhouse, and pulled her cape over her shoulders. She finished assigning seat work for her students, and then placed another log in the wood burning stove.
Abigail Fisher (Unexpected Family (A Lancaster County Courtship Romance))
Mother's Apron There's a great old skit called "Mother's Apron" that touts the many household uses of the apron. This basic skit, with its infinite individual variations, has been performed by women's church and community clubs for generations. Below is a version remembered by Bernice Esau that was presented by her mother, probably originally in Low German, the common language of the rural Minnesota community where it was performed, hence the slightly lilting, old-fashioned sound to it: Do you remember Mother's aprons? Always big they were, and their uses were many. Besides the foremost purpose, the protection of the dress beneath, it was a holder for removal of hot pans from the oven. It was wonderful for drying children's tears and, yes, even for wiping small noses. From the henhouse it carried eggs, fuzzy chicks, ducklings, or goslings, and sometimes half-hatched eggs to be finished in the warming oven. Its folds provided an ideal hiding place for shy children, and when guests lingered on chilly days, the apron was wrapped about Mother's arms. Innumerable times it wiped a perspiring brow bent over a hot wood-burning stove. Corncobs and wood kindlings came to the kitchen stove in that ample garment, as did fresh peas and string beans from the garden. Often they were podded and stemmed in the lap the apron covered. Windfall apples were gathered in it, and wildflowers. Chairs were hastily dusted with its corners when unexpected company was sighted. Waving it aloft was as good as a dinner bell to call the men from the field. Big they were, and useful. Now I wonder, will any modern-day apron provoke such sweet and homesick memories?
EllynAnne Geisel (The Apron Book: Making, Wearing, and Sharing a Bit of Cloth and Comfort)
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A little too much anger, too often or at the wrong time, can destroy more than you would ever imagine. Above all, mind what you say. “Behold how much wood is kindled by how small a fire, and the tongue is a fire”—that’s the truth. When my father was old he told me that very thing in a letter he sent me. Which, as it happens, I burned. I dropped it right in the stove. This surprised me a good deal more at the time than it does in retrospect.
Marilynne Robinson (Gilead (Gilead #1))
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FOREVER It wasn’t so hard to want it, while the ancient stove smoked and our friends slept under their coats on the linoleum. The door’s warped wood meant it never shut completely, so each snap of wind masked my movement toward you on the sofa. We hadn’t kissed, wouldn’t—we both had partners—I undid my hair from its braids and shook it out over my burning shoulders. Our friends woke. They read tarot on the floor; someone tuned a guitar, another broke down some boxes and threw them on the fire. My suitcase was brought in and dismembered, and my green party dress, and the table where I’d drafted a letter home, of which there was then a staged reading. I was told I could direct my own production, as there was time. There was time for me to move myself so minutely that I would never reach you. I could have what I wanted. The impossibility, the creeping forward all the same.
Brittany Cavallaro (Unhistorical: Poems (Akron Series in Poetry))
The hour that was for them, for us, for all who had awakened one morning to see their fields covered with blood rather than harvest, who didn't seek to change the world but lived in good faith and prayer offered to an imposing God, for the young women who mended their men's clothing and held their sons' mouths to the purple nipples of sweet breasts, for the man who watched the suns descend behind the mountain every evening and dreamed and when his sons were grown, passed on his dreams, for the black nights when guitars harmonized with the wind's song, to the bottle of regional brew, and a hand-rolled cigarette, to the baptism and a dance of celebration, to the aroma of soups simmering on wood-burning stoves and filled the bellies of those who worked the fields, to a candle that burned in vigil while a hungry mind gulped the printed truth of another's legacy, to the owl that called from between the moon and earth while lovers enwrapped their passion on silver tinted grass, to the history of the world and to its future, to all that had lived and died and had been born again in that moment as i approached am opaque window and pointed my weapon.
Ana Castillo (The Mixquiahuala Letters)
Graced by a large front yard, backed by persimmon, loquat, pomegranate, and fig trees, the house was designed to accommodate Katsuji’s Victorian furnishings, Kinu’s wood-and-coal-burning cast-iron stove, and the flush toilet Harry had always wanted.
Pamela Rotner Sakamoto (Midnight in Broad Daylight: A Japanese American Family Caught Between Two Worlds)
Marcie looked at the ugly thing and took a minute to rearrange her mental picture of the family gathered around the wood-burning stove, replacing the quaint, charming piece in her imagination with this big, brown metal beast, which would heat their home but not burn little fingers. It would be like a large, beloved dog of some hideous mixed breed, that fit right into their family and served its purpose so well that no one noticed or cared what it looked like.
Karen Jones Gowen (Uncut Diamonds (A Mormon Family Saga #1))
41. Among the Rewards of My Sloth . . . . . . is that the tree in our backyard that we had cut down because it was mostly dead and waiting to pierce the asphalt-shingled roof and, more urgently maybe, the neighbor’s (and always, yes, mourn a tree by my hand felled, for it is a home, dead or not) is still, about three and a half months later, sprawled in many parts of the backyard. Probably about one hundred little and not so little logs chucked in a pile out near the black walnut tree, very much alive. And a brush pile about the size of a Cadillac Escalade leaning up against the building you’d be very generous to call a garage, twisting slowly apart on its cracked foundation. Sometimes the brush pile and logs would make me feel like a piece of shit, perhaps especially when Stephanie looked wistfully out into that yard, remembering, I imagine, when she could visualize a garden there. Not to mention my mother, who, when I first got this house in Bloomington, Indiana, in a kind of terror I have to think is informed by some unspoken knowledge (black husband, brown kids in the early seventies kind of knowledge), pleaded with my brother and uncle to convince me to mow my grass lest the neighbors burn my house down. (Of which, let it be known, there was no danger in my case. Despite the Confederate flags in the windows three doors down. You should see his yard. By the way, if you haven’t seen the movie A Man Named Pearl, you should.) Anyway, I’d think, very much pervious to all of the above despite my affect to the contrary, we’ll get a splitting maul and wood chipper and turn a lot of that wood into good mulch, which turns into good soil, trying to make myself feel better about myself. But today, going out back to grab some wood for the stove, past my mess, there was a racket blasting from that thicket like the most rambunctious playground you’ve ever heard, and getting closer, looking inside, I saw maybe one hundred birds hopping around in this enormous temporary nest, sharing a song I never would’ve heard and been struck dumb with glee by had I had my shit more together.
Ross Gay (The Book of Delights: Essays)
For a moment I imagine skipping through the waves like the playful portraits seen in a certain kind of holiday cottage. Later I’d eat fish and chips on the beach, wrapped up against the October chill blowing off the North Sea before lighting a fire in the wood-burning stove in my perfectly appointed house.
Harriet Tyce (Blood Orange)
He found Granny on the porch, asleep. Her chin sat on her chest, rising and falling with her breath. He gathered her up in his arms, light as a girl, and carried her inside to her room. He covered her in her old handed-down quilt. The outer layers were burnished to a luster over decades of sleeping flesh, the inner batting composed of older blankets still. He tucked it under her feet, her elbows and shoulders, and went out into the den and opened the door of the wood stove. A mouth of red coals. He added two lengths of the seasoned white oak they kept stacked on the porch, hot-burning wood for cold nights, and stoked it to a fury before stepping outside.
Taylor Brown (Gods of Howl Mountain)
When the price of oil on the world market began to fall, the American business community and the public lost interest in the great energy crusade. Carter’s successor, Ronald Reagan, removed the solar panels from the White House roof and scrapped the wood-burning stove in the living quarters. America went back to business as usual, buying even larger gasguzzling vehicles, and using ever greater volumes of energy to support a wasteful, consumer-driven lifestyle.
Jeremy Rifkin (The The Third Industrial Revolution: How Lateral Power Is Transforming Energy, the Economy, and the World)
She made it in that pocket of time before dawn, when the aging night gathered it's dark shirts and paused in the stillness. She made it with twelve eggs, still warm and flecked with feathers. She washed them and cracked them, one at a time, holding each golden yolk in her palm as the whites slid and dropped through her open fingers. She set them aside in her flowered China bowl. In the year 1974, Celia Jennings still cooked in a wood burning stove, she still used a whisk and muscle and patience to beat her egg whites into foaming peaks. She used pure vanilla, the same sweet liquid she had poured into Saturday night baths before their father, the Reverend Jennings, arrived back in town. The butter was from her churn, the confectioners sugar from P & K. And as she stirred the dawn into being, a few drop of sweat salted to batter. The cake baked and rode with the sun.
Cynthia Bond (Ruby)
But in the deep red event behind the stove’s glass window the filament of time was never tangled, nothing had a name or a reason, everything was itself, and the things she would always know, even if you took her head away, even if you killed her, were confirmed: It catches, then burns, then blazes; it rages and sings, it wanes, it shifts and flares, it burns a little longer and then weakens, whatever it is, and goes out. But if you lay the small wood across it in the morning, it all begins again.
Denis Johnson (Fiskadoro)
Indeed, like everyone else, I have days that require I sit inside the office or the library all day and work until the end. And on these days I always feel as if there is a small stove slowly burning in my stomach, a hollow pain, which grows fierier the longer I stifle my vitality. If evening comes and I have not walked far at all, then this fire cannot be contained and it becomes impossible to remain sitting still. I get so anxious that I cannot concentrate on even the simplest of tasks. My mind is exhausted but my body’s energy is idle and unsatisfied. If this energy does not find release through physical exertion, it seeps into the mind and transforms into worries, doubts, fears — what’s more, I can’t sleep, because the untapped life force whirls and spins around my mind, desperately trying to exert itself, keeping me awake. The life force I should be expressing through physical exertion turns back on my body and slowly destroys me.
Harry J. Stead
My kindergarten had a large wood-burning stove in the middle of the classroom and walls painted with colourful scenes of children performing gymnastics, children in uniform, and of a North Korean soldier simultaneously impaling a Yankee, a Japanese and a South Korean soldier with his rifle bayonet.
Hyeonseo Lee (The Girl with Seven Names: A North Korean Defector's Story)
I walked to the covered porch. Rafe was on the futon, still dressed, no blankets or pillow, sleeping with his head on his arm. It was chilly, with the cold night air seeming to blast through the window glass. I found a blanket folded by the wood-burning stove. I went back to Rafe, unfolded the blanket, and crawled in beside him. He woke as I was pulling the blanket up over us. “Maya?” I put my fingers to my lips and lay down. When I opened my mouth, he put his hand over it and waved at himself, reminding me that he was still wired. Then he leaned to my ear again, his voice so low I’d never have heard it without skin-walker hearing. “I have to sleep with my clothes on. But I know why you’re here. Daniel.” “I--” He covered my mouth again and whispered in my ear. “You need to tell him. I was hoping you wouldn’t…” He trailed off, but stayed by my ear, so I couldn’t see his expression. I knew what I’d see if I did, though. Disappointment. Hurt. “I’m so sorry,” I whispered. He hugged me. A tight hug. Fierce. Then his lips went to my ear again. “Don’t be.” I tried to look away, but he caught my chin and kissed me and it was such a sweet kiss, and I felt so guilty, like I’d betrayed him, and my throat seized up and tears trickled down my cheeks, onto his.
Kelley Armstrong (The Calling (Darkness Rising, #2))