“
And then we met you, and it was like he woke up. You couldn't see it, because you'd never known him any different. But I saw it. Hodge saw it. Alec saw it -why do you think he hated you so much? It was like that form the second we met you. You thought it was amazing that you could see us, and it was, but what was amazing to me was that Jace could see you too.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
In the 1950s kids lost their innocence.
They were liberated from their parents by well-paying jobs, cars, and lyrics in music that gave rise to a new term ---the generation gap.
In the 1960s, kids lost their authority.
It was a decade of protest---church, state, and parents were all called into question and found wanting. Their authority was rejected, yet nothing ever replaced it.
In the 1970s, kids lost their love. It was the decade of me-ism dominated by hyphenated words beginning with self.
Self-image, Self-esteem, Self-assertion....It made for a lonely world. Kids learned everything there was to know about sex and forgot everything there was to know about love, and no one had the nerve to tell them there was a difference.
In the 1980s, kids lost their hope.
Stripped of innocence, authority and love and plagued by the horror of a nuclear nightmare, large and growing numbers of this generation stopped believing in the future.
In the 1990s kids lost their power to reason. Less and less were they taught the very basics of language, truth, and logic and they grew up with the irrationality of a postmodern world.
In the new millennium, kids woke up and found out that somewhere in the midst of all this change, they had lost their imagination. Violence and perversion entertained them till none could talk of killing innocents since none was innocent anymore.
”
”
Ravi Zacharias (Recapture the Wonder)
“
I lived in a really dark place. I wasn't safe in my own mind. I woke up every morning hoping to die and then spent the rest of the day wondering if maybe I was already dead because I couldn't even tell the difference.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
Back To December is a song that addresses a first for me. In that I've never apologized in a song before. Whether it be good or bad or an apology. The person I wrote this song about deserves this. This is about a person who was incredible to me- just perfect in a relationship- and I was very careless with him. So, this is a song full of words that I would say to him that he deserves to hear.
I’ve never felt the need to apologize in a song before, but in the last two years I’ve experienced a lot, a lot of different kinds of learning lessons And sometimes you learn a lesson too late and at that point you need to apologize because you were careless. ['Back To December'] is about a person who was incredible to me, just perfect to me in a relationship, and I was really careless with him
I’ve written songs about things like burning my ex boyfriends pictures… I’ve written songs about the times that I’ve been hurt by love. But then one day I woke up and realized that I had hurt somebody… And so I wrote this song to tell him I’m sorry
”
”
Taylor Swift (Taylor Swift - Speak Now Songbook: Piano/Vocal/Guitar)
“
Life was persistent. There it was, every day. Each morning it woke me up. It was loud and brash. A bully. A lounge singer in a garish sequin dress. A runaway truck. A jackhammer. A brush fire. A canker sore. Death was different. It was tender, a mystery.
”
”
Ottessa Moshfegh (Death in Her Hands)
“
when I was four years old
they tried to test my I.Q.
they showed me a picture
of 3 oranges and a pear
they said,
which one is different?
it does not belong
they taught me different is wrong
but when I was 13 years old
I woke up one morning
thighs covered in blood
like a war
like a warning
that I live in a breakable takeable body
an ever-increasingly valuable body
that a woman had come in the night to replace me
deface me
see,
my body is borrowed
yeah, I got it on loan
for the time in between my mom and some maggots
I don't need anyone to hold me
I can hold my own
I got highways for stretchmarks
see where I've grown
I sing sometimes
like my life is at stake
'cause you're only as loud
as the noises you make
I'm learning to laugh as hard
as I can listen
'cause silence
is violence
in women and poor people
if more people were screaming then I could relax
but a good brain ain't diddley
if you don't have the facts
we live in a breakable takeable world
an ever available possible world
and we can make music
like we can make do
genius is in a back beat
backseat to nothing if you're dancing
especially something stupid
like I.Q.
for every lie I unlearn
I learn something new
I sing sometimes for the war that I fight
'cause every tool is a weapon -
if you hold it right.
”
”
Ani DiFranco
“
Last year, when Zora was a freshman, sophomores had seemed altogether a different kind of human: so very definite in their tastes and opinions, in ther loves and ideas. Zora woke up this morning hopeful that a transformation of this kind might have visited her in the night, but, finding it hadn't, she did what girls generally do when they don't feel the part: she dressed it instead.
”
”
Zadie Smith (On Beauty)
“
Once upon a time, I, Chuang Tzu, dreamt that i was a butterfly. flitting around and enjoying myself. I had no idea I was Chuang Tzu. Then suddenly I woke up and was Chuang Tzu again. But I could not tell, had I been Chuang Tzu dreaming I was a butterfly, or a butterfly dreaming I was now Chuang Tzu? However, there must be some sort of difference between Chuang Tzu and a butterfly! We call this the transformation of things.
”
”
Zhuangzi (Chuang Tsu: Inner Chapters)
“
One day or one night—between my days and nights, what difference can there be?—I dreamed that there was a grain of sand on the floor of my cell. Unconcerned, I went back to sleep; I dreamed that I woke up and there were two grains of sand. Again I slept; I dreamed that now there were three. Thus the grains of sand multiplied, little by little, until they filled the cell and I was dying beneath that hemisphere of sand. I realized that I was dreaming; with a vast effort I woke myself. But waking up was useless—I was suffocated by the countless sand. Someone said to me:
You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of the grains of sand. The path that you are to take is endless, and you will die before you have truly awakened.
I felt lost. The sand crushed my mouth, but I cried out: I cannot be killed by sand that I dream —nor is there any such thing as a dream within a dream.
— Jorge Luis Borges, The Writing of the God
”
”
Jorge Luis Borges (The Aleph and Other Stories)
“
If I woke up in a different body every day--if you never knew what I was going to look like tomorrow--would you still love me?
”
”
David Levithan (Every Day (Every Day, #1))
“
You were happy last night. This morning is a different story."
"You think I have a hangover. I don't. Well a little headache, but not much. Just let this be a warning to you if you keep me from sleeping again tonight."
"I kept you from sleeping? I kept you from sleeping?" he repeated incredulously. "You are the same woman who shook me out of a sound sleep at two a.m. yesterday morning, aren't you?"
"I didn't shake you. I kind of bounced on you, but I didn't shake you."
"Bounced," he repeated.
"You had a hard-on. I couldn't let it go to waste, could I?"
"You could have woke me up before you started not to let it go to waste."
"Look," she said exasperated, "If you don't want used, don't lie on your back with it sticking up like that. If that isn't an invitation, I don't know what is."
"I was asleep. It does that on its own." It was doing it on its own right know, as a matter of fact. It poked her in the stomach.
She looked down... and smiled. It was a smile that made his testicles draw up in fear.
With a sniff, she turned her back on him and ignored him as she finished showering.
"Hey!" he said, to get her attention. Alarm was in his tone. "You aren't going to let this one go to waste are you?
”
”
Linda Howard (Mr. Perfect)
“
But coming out of that sleep was excruciating. My entire life flashed before my eyes in the worst way possible, my mind refilling itself with all my lame memories, every little thing that had brought me to where I was. I'd try to remember something else—a better version, a happy story, maybe, or just an equally lame but different life that would at least be refreshing in its digressions—but it never worked. I was always still me. Sometimes I woke up with my face wet with tears. The only times I cried, in fact, were when I was pulled out of that nothingness, when the alarm on my cell phone went off.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
I’m not going to tell anybody, not even Lilly. Lilly would NOT understand. NOBODY would understand. Because nobody I know has ever been in this situation before. Nobody ever went to bed one night as one person and then woke up the next morning to find out that she was somebody completely different.
”
”
Meg Cabot (The Princess Diaries (The Princess Diaries, #1))
“
This morning, I woke up different.
I accepted that life goes on... I might still love you, I might still miss you, but I'm better off without you. So, I'm closing this chapter of hurt because I deserve to be happy. And the only way I'll reach that is by letting go of toxic people who don't want to see me grow. Holding on doesn't make me strong, but letting go does.
”
”
M. Sosa (Letting Go: The Quote Book)
“
Lily had lived with the same pain for so long it felt like a part of her. The worst days, though, were when the pain was different. When it came faster, or harsher, or fiercer than she was used to. When it prickled instead of throbbed. When it attacked her right ankle instead of her left knee. When it woke her up at night instead of aching dully first thing in the morning. On those days, her standard-issue pain was replaced by something different and frightening, something that took over her body and left her without the slightest clue of when, or even if, it would release her.
Those times, her pain wasn’t a part of her anymore. Those times, she was a part of it.
”
”
Robin Talley (As I Descended)
“
There comes a day each September when you wake up and know the summer is over and fall has arrived. The slant of the sun looks different and something is in the air--a coolness, a hint of frosty mornings to follow. I woke early on the morning of September 24 and reached for a warmer petticoat.
”
”
Ann Rinaldi (Time Enough for Drums)
“
I woke up every morning hoping to die and then spent the rest of the day wondering if maybe I was already dead because I couldn't even tell the difference.
”
”
Tahereh Mafi
“
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved.
Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said.
Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe.
The ragged sound cut through the apartment again.
“What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air.
Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape.
“I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand.
“I thought we were clear that night was for sleeping.”
Ronan shrugged. “Perhaps for you.”
“Not tonight. Your pterodactyl woke me. Why is it making that sound?”
In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex.
“Well, this is not going to do,” he said. “You’re going to have to make it stop.”
“She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.”
“Can’t you keep her downstairs?”
In reply, Ronan half-lifted the little bird toward him. “You tell me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
I am what became of your child. I found an old baby picture of me. And it was somebody else, not me. It was somebody pink and fat who never heard of sick or lonely, somebody who cried and got fed,, and reached up and got held and kicked but didn't hurt anybody, and slept whenever she wanted to, just by closing her eyes. Somebody who mainly just laid there and laughed at the colors waving around over her head and chewed on a polka-dot whale and woke up knowing some new trick nearly every day and rolled over and drooled on the sheet and felt your hand pulling my quilt back up over me. That's who I started out and this is who is left. That's what this is about. It's somebody I lost, all right, it's my own self. Who I never was. Or who I tried to be and never got there. Somebody I waited for who never came. And never will. So, see, it doesn't much matter what else happens in the world or in this house, even. I'm what was worth waiting for and I didn't make it. Me...who might have made a difference to me...I'm not going to show up, so there's no reason to stay, except to keep you company, and that's...not reason enough because I'm not...very good company. Am I.
”
”
Marsha Norman ('night, Mother)
“
Woke up this morning, rather early, with a sense of a mind that had penetrated into unknown depths. It was as though the mind itself was going into itself, deeply and widely and the journey seemed to have been without movement. And there was this experience of immensity in abundance and a richness that was incorruptible.
It's strange that though every experience, state, is utterly different, it is still the same movement; though it seems to change, it is still the changeless.
”
”
J. Krishnamurti (Krishnamurtis Notebook)
“
Three weeks after New Year, she lost her faith. It happened quite suddenly. She simply woke up and it was gone. As she lay in bed it occurred to her that between religion and superstition there was no difference, since both were based on unreason. To kill a man to redeem the sins of others was as irrational as tapping a hole in one's eggshell to stop a witch using it as a boat.
”
”
Michelle Paver (Wakenhyrst)
“
How would I feel if I woke up and she told me that we had done it while I slept? I’d be fine with it. A little sad that I missed things, but I wouldn’t be mad. I’d just ask her if I had a good time. Women are different, though.
”
”
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
“
What must it feel like, I wondered, to begin again? Would I still be the same person if I woke up in a different language and another existence?
”
”
Madeleine Thien (Do Not Say We Have Nothing)
“
Torma means “offering cake.” You offer the torma to your don. You feed the ghost that does you harm, “that which possesses you.” Giving it a little something sweet is a way of saying, Thank you for the pain you caused me, because that pain woke me up. It hurt enough to make me change. “Wish for more pain,” a friend’s therapist once told her, “because that’s how you’ll change.” It has to hurt so much that you have to do something differently. The pain forces your hand.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
I am so confused, nobody wants to be in a sate of confusion, but me when I get confused its like the best moments. My brain works in differences ways. Each way somebody inside of my head wakes up. Confusion is the voices inside of my head; each voice is different from each other. Just because I became confused all of them woke up like death wakes up from darkness.
”
”
Jameel Abuayyd
“
At Latham House, we were asked to believe in unlikely miracles. In second chances. We woke up each morning hoping that the odds had somehow swung in our favor.
But that’s the thing about odds. Roll a die twice, and you expect two different results. Except it doesn’t work that way. You could roll the same side over and over again, the laws of the universe intact and unchanging with each turn. It’s only when you consider the past that the odds change. That things become less and less likely.
Here’s something I know because I’m a nerd: up until the middle of the twentieth century, dice were made out of cellulose nitrate. It’s a material that remains stable for decades but, in a flash, can decompose. The chemical compound breaks down, releasing nitric acid. So every time you roll a die, there’s a small chance that it won’t give you a result at all, that instead it will cleave, crumble, and explode.
”
”
Robyn Schneider (Extraordinary Means)
“
The air felt different in my lungs. The world no longer looked the same. You change and then you change again. You become a dog, a bird, a plant that always leans to the left. Only now that my son was gone did I realize how much I'd been living for him. When I woke up in the morning it was because he existed, and when I ordered food in the night it was because he existed, and when I wrote my book it was because he existed to read it.
”
”
Nicole Krauss (The History of Love)
“
You don’t know,” I say, exasperated. “That’s why you don’t understand. You don’t know what I used to be like. You don’t know what it was like in my head. I lived in a really dark place,” I say to him. “I wasn’t safe in my own mind. I woke up every morning hoping to die and then spent the rest of the day wondering if maybe I was already dead because I couldn’t even tell the difference,” I say, more harshly than I mean to. “I had a small thread of hope and I clung to it, but the majority of my life was spent waiting around to see if someone would take pity on me.”
Kenji is just staring at me, his eyes tight.
“Don’t you think I’ve realized,” I say to him, angrier now, “that if I’d allowed myself to get mad a long time ago, I would’ve discovered I had the strength to break through that asylum with my own two hands?”
Kenji flinches.
“Don’t you think that I think about that, all the time?” I ask him, my voice shaking. “Don’t you think it kills me to know that it was my own unwillingness to recognize myself as a human being that kept me trapped for so long? For two hundred and sixty-four days, Kenji,” I say, swallowing hard. “Two hundred and sixty-four days I was in there and the whole time, I had the power to break myself out and I didn’t, because I had no idea I could. Because I never even tried. Because I let the world teach me to hate myself. I was a coward,” I say, “who needed someone else to tell me I was worth something before I took any steps to save myself.
“This isn’t about Adam or Warner,” I tell him. “This is about me and what I want. This is about me finally understanding where I want to be in ten years. Because I’m going to be alive, Kenji. I will be alive in ten years, and I’m going to be happy. I’m going to be strong. And I don’t need anyone to tell me that anymore. I am enough, and I always will be.
”
”
Tahereh Mafi
“
I actually do have a motto,” said Heat. “It’s ‘Never forget who you work for.'" And as she voiced the words, Nikki felt a creeping unease. It wasn’t exactly shame, but it was close. For the first time it sounded hollow. Fake. Why? She examined herself, trying to see what was different. The stress, that was new. And when she looked at that, she recognized that the hardest part of her day lately was working to avoid confrontation with Captain Montrose. That’s when it came to her. In that moment, sitting nearly naked in Rook’s living room, playing some silly nineteenth-century parlor game, she came to an unexpected insight. In that moment Nikki woke up and saw with great clarity who she had become - and who she had stopped being. Without noticing it, Heat had begun seeing herself as working for her captain and had lost sight of her guiding principle, that she worked for the victim.
”
”
Richard Castle
“
Why, once Jakes went out to cover a revolution in one of the Balkan capitals. He overslept in his carriage, woke up at the wrong station, didn't know any different, got out, went straight to a hotel, and cabled off a thousand-word story about barricades in the streets, flaming churches, machine guns answering the rattle of his typewriter as he wrote.
Well they were pretty surprised at his office, getting a story like that from the wrong country, but they trusted Jakes and splashed it in six national newspapers. That day every special in Europe got orders to rush to the new revolution. Everything seemed quiet enough, but it was as much their jobs were worth to say so, with Jakes filing a thousand words of blood and thunder a day. So they chimed in too. Government stocks dropped, financial panic, state of emergency declared, army mobilized, famine, mutiny — and in less than a week there was an honest to god revolution under way, just as jakes had said. There's the power of the press for you.
”
”
Evelyn Waugh (Scoop)
“
The country was a dreamland; and perhaps it even reminded my wife's grandfather of the night he woke up drunk in his friend's house, beside his friend's wife, everything similar but new, different, better. The United States of America was like an eternity of those first disorientating seconds of not knowing and not wanting to.
”
”
Tod Wodicka (All Shall Be Well; And All Shall Be Well; And All Manner of Things Shall Be Well)
“
Who Am I? Well, I am the Imaginary Friend. You know-the one you conjure up for conversation when you're consumed with loneliness, greed or visions of imminent doom. I have listened to thousands of stories and it would be a shame if they just stayed with me, never to be heard again. I have chosen to share only the ones I found to be particularly... curious. Have you ever been troubled by nightmares? Were you relieved when you woke up? No matter. Are you sure you can tell the difference between the nightmare and the waking state? Think it through before giving me your answer. Sometimes only an imaginary friend can truly listen to your deepest troubles and most distressing woes. Wouldn't you agree?
”
”
P.S. Gifford (The Curious Accounts of the Imaginary Friend)
“
There was death at the beginning as there would be death again at its end. Though whether it was some fleeting shadow of this that passed across the girl’s dreams and woke her on that least likely of mornings she would never know. All she knew, when she opened her eyes, was that the world was somehow altered.
The red glow of her alarm showed it was yet a half hour till the time she had set it to wake her and she lay quite still, not lifting her head, trying to configure the change. It was dark but not as dark as it should be. Across the bedroom, she could clearly make out the dull glint of her riding trophies on cluttered shelves and above them the looming faces of rock stars she had once thought she should care about. She listened. The silence that filled the house was different too, expectant, like the pause between the intake of breath and the uttering of words. Soon there would be the muted roar of the furnace coming alive in the basement and the old farmhouse floorboards would start their ritual creaking complaint. She slipped out from the bedclothes and went to the window.
There was snow. The first fall of winter. And from the laterals of the fence up by the pond she could tell there must be almost a foot of it. With no deflecting wind, it was perfect and driftless, heaped in comical proportion on the branches of the six small cherry trees her father had planted last year. A single star shone in a wedge of deep blue above the woods. The girl looked down and saw a lace of frost had formed on the lower part of the window and she placed a finger on it, melting a small hole. She shivered, not from the cold, but from the thrill that this transformed world was for the moment entirely hers. And she turned and hurried to get dressed.
”
”
Nicholas Evans (The Horse Whisperer)
“
Everything seems different now. The room I am in looks no more familiar to me than it did this morning when I woke up and stumbled into it, trying to find the kitchen, desperate for a drink of water, desperate to piece together what happened last night. And yet it no longer seems shot through with pain, and sadness. It no longer seems emblematic of a life I cannot consider living. The ticking of the clock at my shoulder is no longer just marking time. It speaks to me. Relax, it says. Relax, and take what comes.
”
”
S.J. Watson
“
He’s like a hero come back from the
war, a poor maimed bastard living out the reality of his dreams.
Wherever he sits himself the chair collapses; whatever door he
enters the room is empty: whatever he puts in his mouth leaves a
bad taste. Everything is just the same as it was before; the
elements are unchanged, the dream is no different than the reality.
Only, between the time he went to sleep and the time he woke up,
his body was stolen.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
You woke me up, Shan. Made me see things differently. Gave me a life outside of rugby. Something to look forward to.
”
”
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
“
For a while now, I have been conscious of a tension in my relationship with you,” Svetlana said. “And I think that’s the reason. It’s because we both make up narratives about our own lives. I think that’s why we decided not to live together next year. Although obviously it’s also why we’re so attracted to each other.”
“Everyone makes up narratives about their own lives.”
“But not to the same extent. Think about my roommates. Fern, for example. I don’t mean that she doesn’t have an inner life, or that she doesn’t think about the past or make plans for the future. But she doesn’t compulsively rehash everything that happens to her in the form of a story. She’s in my story – I’m not in hers. That makes her and me unequal, but it also gives our relationship a kind of stability, and safeness. We each have our different roles. It’s like an unspoken contract. With you, there’s more instability and tension, because I know you’re making up a story, too, and in our story, I’m just a character.”
“I don’t know,” I said. “I still think everyone experiences their own life as a narrative. If you didn’t have some kind of ongoing story in mind, how would you know who you were when you woke up in the morning?”
“That’s a weak definition of narrative. That’s saying that narrative is just memory plus causality. But, for us, the narrative has aesthetics, too.”
“But I don’t think that’s because of our personalities,” I said. Isn’t it more about how much money our parents have? You and I can afford to pursue some narrative just because it’s interesting. You could go to Belgrade to come to terms with your life before the war, and I could go to Hungary to learn about Ivan. But Fern has to work over the summer.”
“...Fern is just an example. Valerie’s parents are engineers, she doesn’t have to work, but she’s still more like Fern than she is like us”
“I don’t know,” I said. “I guess it feels elitist to look at it that way.”
“Don’t you think you pretending not to be elitist is disingenuous?” Svetlana said. “If you really think about who you are, and what you value?
”
”
Elif Batuman (The Idiot)
“
How I met Tyler was I went to a nude beach. This was the very end of summer, and I was asleep. Tyler was naked and sweating, gritty with sand, his hair wet and stringy, hanging in his face.
Tyler had been around before we met.
Tyler was pulling driftwood logs out of the surf and dragging them up the beach. In the wet sand, he’d already planted a half circle of logs so they stood a few inches apart and as tall as his eyes. There were four logs, and when I woke up, I watched Tyler pull a fifth log up the beach. Tyler dug a hole under one end of the log, then lifted the other end until the log slid into the hole and stood there at a slight angle.
You wake up at the beach.
We were the only people on the beach.
With a stick, Tyler drew a straight line in the sand several feet away. Tyler went back to straighten the log by stamping sand around its base.
I was the only person watching this.
Tyler called over, “Do you know what time it is?”
I always wear a watch,
“Do you know what time it is?”
I asked, where?
“Right here,” Tyler said. “Right now.”
It was 4:06 P.M.
After a while, Tyler sat cross-legged in the shadow of the standing logs. Tyler sat for a few minutes, got up and took a swim, pulled on a T-shirt and a pair of sweatpants, and started to leave. I had to ask.
I had to know what Tyler was doing while I was asleep.
If I could wake up in a different place, at a different time, could I wake up as a different person?
I asked if Tyler was an artist.
Tyler shrugged and showed me how the five standing logs were wider at the base. Tyler showed me the line he’d drawn in the sand, and how he’d used the line to gauge the shadow cast by each log.
Sometimes, you wake up and have to ask where you are. What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he’d created himself.
You wake up, and you’re nowhere.
One minute was enough Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection.
You wake up, and that’s enough
”
”
Chuck Palahniuk (Fight Club)
“
The best revenge is massive success.” She advised me to move forward with such great momentum and so much of a presence that every time these people woke up, turned the TV on, or made a business move, they would see my face—and be reminded of how well I was doing.
”
”
Grant Cardone (The 10X Rule: The Only Difference Between Success and Failure)
“
I woke up one day and realized?--I am just tired. Not in a desperate way, not from a quitters point of view. This is different. It's the taste of disappointment. Over-whelming disappointment. In life, in situations, in experiences, in other people...but most of all? In my own God-damned self.
”
”
Nicole D'Settēmi
“
Winnie woke early next morning. The sun was only just opening its own eye on the eastern horizon and the cottage was full of silence. But she realized that sometime during the night she had made up her mind: she would not run away today. “Where would I go, anyway?” she asked herself. “There’s nowhere else I really want to be.” But in another part of her head, the dark part where her oldest fears were housed, she knew there was another sort of reason for staying at home: she was afraid to go away alone.
It was one thing to talk about being by yourself, doing important things, but quite another when the opportunity arose. The characters in the stories she read always seemed to go off without a thought or care, but in real life--well, the world was a dangerous place. People were always telling her so. And she would not be able to manage without protection. They were always telling her that, too. No one ever said precisely what it was that she would not be able to manage. But she did not need to ask. Her own imagination supplied the horrors.
Still, it was galling, this having to admit she was afraid. And when she remembered the toad, she felt even more disheartened. What if the toad should be out by the fence again today? What if he should laugh at her secretly and think she was a coward?
Well, anyway, she could at least slip out, right now, she decided, and go into the wood. To see if she could discover what had really made the music the night before. That would be something, anyway. She did not allow herself to consider the idea that making a difference in the world might require a bolder venture. She merely told herself consolingly, “Of course, while I’m in the wood, if I decide never to come back, well then, that will be that.” She was able to believe in this because she needed to; and, believing, was her own true, promising friend once more.
”
”
Natalie Babbitt (Tuck Everlasting)
“
I didn’t wake from these dreams crying. I woke shrieking. Paul grabbed me and held me until I was quiet. He wetted a washcloth with cool water and put it over my face. But those wet washcloths couldn’t wash the dreams of my mother away. Nothing did. Nothing would. Nothing could ever bring my mother back or make it okay that she was gone. Nothing would put me beside her the moment she died. It broke me up. It cut me off. It tumbled me end over end. It took me years to take my place among the ten thousand things again. To be the woman my mother raised. To remember how she said honey and picture her particular gaze. I would suffer. I would suffer. I would want things to be different than they were. The wanting was a wilderness and I had to find my own way out of the woods. It took me four years, seven months, and three days to do it. I didn’t know where I was going until I got there. It was a place called the Bridge of the Gods.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
I think New Mexico was the greatest experience from the outside world that I have ever had. It certainly changed me for ever. Curious as it may sound, it was New Mexico that liberated me from the present era of civilization, the great era of material and mechanical development. Months spent in holy Kandy, in Ceylon, the holy of holies of southern Buddhism, had not touched the great psyche of materialism and idealism which dominated me. And years, even in the exquisite beauty of Sicily, right among the old Greek paganism that still lives there, had not shattered the essential Christianity on which my character was established. Australia was a sort of dream or trance, like being under a spell, the self remaining unchanged, so long as the trance did not last too long. Tahiti, in a mere glimpse, repelled me: and so did California, after a stay of a few weeks. There seemed a strange brutality in the spirit of the western coast, and I felt: O, let me get away!
But the moment I saw the brilliant, proud morning shine up over the deserts of Santa Fe, something stood still in my soul, and I started to attend. There was a certain magnificence in the high-up day, a certain eagle-like royalty, so different from the equally pure, equally pristine and lovely morning of Australia, which is so soft, so utterly pure in its softness, and betrayed by green parrot flying. But in the lovely morning of Australia one went into a dream. In the magnificent fierce morning of New Mexico one sprang awake, a new part of the soul woke up suddenly, and the old world gave way to a new.
”
”
D.H. Lawrence
“
You yourself are changing all the time. We think of ourselves as one unchanging entity, but the self that you are right now is different than the one you were before you read this article. And that was different than the one who woke up this morning, because various things interacted with you to change you in small (or large) ways.
”
”
Leo Babauta (Zen Habits 2014 Blog Posts)
“
Up till then, I'd dated people by default, because I either needed help paying rent or was afraid of what would happen if I rejected them-but Luke was different. I chose him. I ended up going home with him after a party a few nights Inter and woke up so deeply in love that there aren't enough poems or songs or words to ever explain it.
”
”
Kathleen Hanna (Rebel Girl: My Life as a Feminist Punk)
“
Hey, gorgeous. . . . Guess where I woke up today?”
I smiled as Kellan’s sultry voice met my ear.
“I have no idea.” And I really didn’t, I’d lost track of his exact location ages ago. Kellan chuckled , and I glanced over at Denny; his eyes were back on the road. It gave me a weird sort of guilt to be back in a situation that was eerily similar to last year. Different, though, since Denny and I weren’t doing anything inappropriate.
“Kansas. . . . Know what’s in Kansas?”
I leaned back in my seat and shook my head. “No.”
“Nothing,” he dryly said. “Miles and miles of nothing.”
Stephens, S.C. (2012-08-16). Effortless (Thoughtless Book 2) (pp. 299-300). Gallery Books. Kindle Edition.
”
”
S.C. Stephens (Effortless (Thoughtless, #2))
“
Darkness fell, revealing a sparkling night sky so beautiful that we decided to sleep out under the stars. At gray dawn, Phyllis woke me with an urgent voice. “Bill, Bill,” she said, “when I woke up I saw this huge boulder beside me, but it wasn’t there last night. Look! Look!” she said and pointed next to her. It was the huge buffalo bull! He had come back during the night and lay down beside us to sleep. I was awestruck. I felt so honored, so grateful, so loved. I loved that buffalo with all my heart and soul. I felt like he knew it, and that was why he had come back to sleep with us.
But maybe there’s a different reason. Judith Niles, a wise spiritual friend of mine recently told me that the spontaneous melody is “the voice of the soul.” The minute she said it I knew she was right. Now I feel sure that the creatures responded to “the voice of the soul” amplified through my body. When we human beings finally get it together the natural world is going to respond to us in more wonderful ways than we can ever begin to imagine.
”
”
William "Billy" Packer
“
Imagine how different your reality would be (and the reality of everyone surrounding you) if you woke up every morning certain of your own lovability and your critically important role on this planet. And if you poo-pooed shame, guilt, self-doubt, and self-loathing and allowed yourself to be, do, and have everything your little heart desired. THAT
”
”
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
When you left me I was lost. I didn’t know what to do, who I was or what I was going to do. Time froze for me. I woke up every morning with you in my head. That feeling of being lost, not knowing who I was, was terrible. It was so bad that I spent everyday numbing my pain with drugs and alcohol until I passed out. Not because I enjoyed it but because it was the only way I could sleep.
When I look back, you had every reason to leave me. I was no good for you. We rotted at my place, didn’t do anything, treated you bad, picked everything over you. I had no motivation to do begin work, debt stacked up higher and higher. Until finally, welcome to rock bottom. Heck im surprised you stayed as long as you did. But when you left and I realized what I did to cause this, I thought to my self that when I look back at this I want to know I tried to get her back. I couldn’t let you go without a fight, I wanted to know that I tried to get you back. And I tried.
After I saw you with another person my heart broke in pieces and like pieces of glass it felt stuck in my throat. You told me its what you wanted to do from the beginning and I didn’t want to believe it. But after that I gave up on you and decided to pick up whatever pieces I had left and move on. At least I tried, that’s what I told my self.
If I could go back and do it all over again, would I do it differently? Of course, but that’s not reality. I focused on what was. In a way im glad things happened this way. It opened my eyes to a different world, it made me who iam today. It gave me the best motivation possible, to prove to you and my self that I could be better. I used you everyday to get to that extra mile. Waking up every morning at awkward times thinking about you and not being able to fall back asleep. I used that to motivate me to start work everyday at 6am. And now I sit here with my successful career, my new girl friend, debt free and a fat bank account in less then a year and I have no one else to thank but MY SELF!
To everyone that has made a mistake, im here to tell you that it always gets worse before its gets better!
”
”
Man (Don't Forget To Remember: Simple Words For Hard Times)
“
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
Joe was the only constant thing in my life. And I loved him like a brother. But that phrase has a very precise meaning. A lot of those stock sayings do. Like when people say they slept like a baby. Do they mean they slept well? Or do they mean they woke up every ten minutes, screaming? I loved Joe like a brother, which meant a lot of things in our family. The truth was I never knew for sure if I loved him or not. And he never knew for sure if he loved me or not, either. We were only two years apart, but he was born in the fifties and I was born in the sixties. That seemed to make a lot more than two years’ worth of a difference to us. And like any pair of brothers two years apart, we irritated the hell out of each other. We fought and bickered and sullenly waited to grow up and get out from under. Most of those sixteen years, we didn’t know if we loved each other or hated each other. But we had the thing that army families have. Your family was your unit. The men on the bases were taught total loyalty to their units. It was the most fundamental thing in their lives. The boys copied them. They translated that same intense loyalty onto their families. So time to time you might hate your brother, but you didn’t let anybody mess with him. That was what we had, Joe and I. We had that unconditional loyalty. We stood back to back in every new schoolyard and punched our way out of trouble together. I watched out for him, and he watched out for me, like brothers did. For sixteen years. Not much of a normal childhood, but it was the only childhood I was ever going to get. And Joe was just about the beginning and end of it. And now somebody had killed him. I sat there in the back of the police Chevrolet listening to a tiny voice in my head asking me what the hell I was going to do about that.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
You could sit down with another mom, even one halfway around the world whose life was very different from your own, and find easy conversation, shared spirit, someone who understood why you might bring your ten-year-old into a malarial jungle rather than leave him behind, someone who understood what unspeakable things sometimes befell children and to what lengths you might go to fend them off, someone who saw the horrors and the threats and the carving up and the carving out and also how hard they were to schedule around and how little they cared about your job and how much they wanted just to be touching you all the time and what they looked like when they first woke up in the morning and how they learned to talk and walk and read and how quickly they outgrew their clothes and how it was to live every moment of every day in that world—even the moments when someone else’s kid was shitting thousands of tiny larva into a bucket, even the moments when someone else’s kid was shaking with a fever whose cause you could not discern, even the moments when someone else’s kid had her own baby stuck against her pelvis, draining her life in its efforts to be born.
”
”
Laurie Frankel (This Is How It Always Is)
“
He had plans, but his hopes for higher education, like all his others, were built on “mights.” He might go hang out somewhere, with someone. He might get a job and earn some money. He might go to college, a really old school with gray stone buildings and an enormous library. He was thinking of applying next year. Maybe the year after. He wasn’t thinking about application deadlines. That sort of detail wasn’t a part of his plan. Not at the moment. And why tell his mother about this anyway? It would rekindle her expectations, and she’d only start riding him again. Better to let it be. When his dad came home, they’d sort it out together. His mother retreated into her world, Silas into his. What a family, his mother would say, but until now, Silas had never realized that they weren’t really much of one. The names of the days retreated from them both, and soon after the school term ended, Silas was no longer sure what day of the week it was. Every morning when he woke up, he missed his father more keenly than the night before, but the details and differences of each day blurred and eventually vanished. For Silas, the passage of time became a longing ache in his heart that grew daily worse.
”
”
Ari Berk (Death Watch (The Undertaken, #1))
“
I dreamed that I woke up and there was a little girl, not more than three or four years old, standing outside my window in the snow. It was dark, and she was crying and afraid. There was something familiar about her, about her eyes. And then I realized they were my mother's eyes. It was my mother as a little girl standing in the snow, shivering and helpless, a pure human being before someone did to her what she had done to me. I had this inescapable sensation that someone had hurt her and continued to hurt her for a long time. More importantly, she had once been innocent.
I realized then that the difference between my mother and me was that I had had Myrtise, who for a few precious years held me and loved me, and my mother had had no one.
When I woke up, the world seemed in focus for the first time in my life. After years of haziness, I had crystal clarity.
”
”
Darrell Hammond (God, If You're Not Up There, I'm F*cked)
“
Imagine what our world would be like if everyone loved themselves so much that they weren’t threatened by other people’s opinions or skin colors or sexual preferences or talents or education or possessions or lack of possessions or religious beliefs or customs or their general tendency to just be whoever the hell they are. Imagine how different your reality would be (and the reality of everyone surrounding you) if you woke up every morning certain
”
”
Anonymous
“
Remember what I said about cheaters not playing by the same set of rules as you? You just woke up to find out you’re in the fifth inning of Cheater Ball. When did the game start? What’s the score? Your cheater isn’t going to tell you. For cheaters, part of the game of Cheater Ball is denying they’re playing Cheater Ball. Work from the assumption that your cheater has a very different agenda than you do and that your well-being is not at the top of it.
”
”
Tracy Schorn (Leave a Cheater, Gain a Life: The Chump Lady's Survival Guide)
“
Because we embrace our scars more than our healing,” Lorraine said. “We can recall the exact day we got hurt, but who remembers the day the wound was gone? “From the moment you woke up in that hospital, I was different with you, and you were different with me. You were sullen. You were mad. You fought with me constantly. You hated my restrictions. But that wasn’t the real reason for your anger, was it?” Lorraine reached down and clutched Annie’s fingers.
”
”
Mitch Albom (The Next Person You Meet in Heaven)
“
Missy cried during our first week of marriage because I was so sick, and I couldn’t blame her because my illness wrecked our honeymoon. But after we went home to West Monroe, I woke up on the twenty-eight day of our marriage, and she was crying again! I realized then that I had a few things to learn about marriage. You’re living in a different environment, you’re away from your parents for the first time in your life, and you’re sharing a bed and home with someone new. It’s a different life than what you had when you were single, when you could get up and leave if things got tough. More than anything else, women are generally more emotional than men. When I give newlyweds in our church advice, I tell them, “Look, when you wake up on day thirty of your marriage and she’s crying for no reason, don’t panic. It’s normal. It’s going to happen. Most women are going to cry from time to time. It’s the way God made them.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
It is sleep that builds connections between distantly related informational elements that are not obvious in the light of the waking day. Our participants went to bed with disparate pieces of the jigsaw and woke up with the puzzle complete. It is the difference between knowledge (retention of individual facts) and wisdom (knowing what they all mean when you fit them together). Or, said more simply, learning versus comprehension. REM sleep allows your brain to move beyond the former to truly grasp the latter.
”
”
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
“
There have been a lot of Smedries over the centuries," he said, "and a lot of Talents. Many of them tend to be similar, in the long run. There are four kinds: Talents that affect space, time, knowledge, and the physical world."
"Take my talent, for instance," he continued. "I change things in space. I can get lost, then get found again."
"What about grandpa Smedry?"
"Time," Kas said. "He arrives late to things. Australia, however, has a Talent that can change the physical world--in this case, her own shape. Her Talent is fairly specific, and not as broad as your grandfather's. For instance, there was a Smedry a couple of centuries back who could look ugly any time he wanted, not just when he woke up in the morning. Other have been able to change anyone's appearance, not just their own. Understand?"
I shrugged. "I guess so."
"The closer the Talent gets to its purest form, the more powerful it is," Kaz said. "Your grandfather's Talent is very pure--he can manipulate time in a lot of different circumstances. Your father and I have very similar Talents--I can get lost and Attica can lose things--and both are flexible."
"What about Sing?" I asked.
"Tripping. That's what we call a knowledge Talent--he knows how to do something normal with extraordinary ability. Like Australia, though, his power isn't very flexible."
I nodded slowly. "So...what does this have to do with me?"
"Well, it's hard to say," Kaz said. "You're getting into some deep philosophy now, kid. There are those who argue that the Breaking Talent is simply a physical-world Talent, but one that is very versatile and very powerful.
There are others who argue that the Breaking Talent is much more. It seems to be able to do things that affect all four areas.
Legends say that one of your ancestors--one of only two others to have this Talent--broke time and space together, forming a little bubble where nothing aged.
Other records speak of breakings equally marvelous. Breakings that change people's memory or their abilities. What is it to 'break' something? What can you change? How far can the Talent go?
”
”
Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz vs. the Evil Librarians, #2))
“
First Day Of My Life"
This is the first day of my life
I swear I was born right in the doorway
I went out in the rain suddenly everything changed
They're spreading blankets on the beach
Yours is the first face that I saw
I think I was blind before I met you
Now I don’t know where I am
I don’t know where I’ve been
But I know where I want to go
And so I thought I’d let you know
That these things take forever
I especially am slow
But I realize that I need you
And I wondered if I could come home
Remember the time you drove all night
Just to meet me in the morning
And I thought it was strange you said everything changed
You felt as if you'd just woke up
And you said “this is the first day of my life
I’m glad I didn’t die before I met you
But now I don’t care I could go anywhere with you
And I’d probably be happy”
So if you want to be with me
With these things there’s no telling
We just have to wait and see
But I’d rather be working for a paycheck
Than waiting to win the lottery
Besides maybe this time is different
I mean I really think you like me
”
”
Bright Eyes
“
The current had not given me a curse. And I had become strong under its teaching. But there was no denying another thing Dr. Fadlan had said--that on some level, I felt like I, and everyone else, deserved pain. One thing I knew, deep in my bones, was that Akos Kereseth did not deserve it. Holding on to that thought, I reached for him, and touched my hand to his chest, feeling fabric.
I opened my eyes. The shadows were still traveling over my body, since I wasn’t touching his skin, but my entire left arm, from shoulder to the fingertips that touched him, was bare. Even if he had been able to feel my currentgift, I still would not have been hurting him.
Akos’s eyes, usually so wary, were wide with wonder.
“When I kill people with a touch, it’s because I decide to give them all the pain and keep none of it for myself. It’s because I get so tired of bearing it that all I want to do is set it down for a while,” I said. “But during the interrogation, it occurred to me that maybe I was strong enough to bear it all myself. That maybe no one else but me could. And I never would have thought of that without you.”
I blinked tears from my eyes.
“You saw me as someone better than I was,” I said. “You told me that I could choose to be different than I had been, that my condition was not permanent. And I began to believe you. Taking in all the pain nearly killed me, but when I woke up again, the gift was different. It doesn’t hurt as much. Sometimes I can control it.”
I took my hand away.
“I don’t know what you want to call it, what we are to each other now,” I said. “But I wanted you to know that your friendship has...quite literally altered me.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
It was the mist which made everything strange, spread across the land, a seven-foot-thick blanket, stretched almost uniformly over the flat bottom of the valley, and the gentle slopes leading down into it. As silent as the mist, Codrin’s army moved out of the forest. An observer high above the ground would see rows of floating heads, arranged in a matrix, the distance between them almost regular. Having helmets of many different colors, the heads offered a striking contrast to the white-gray monotony of the mist. An army of floating heads. Unaware of their weird appearance from above, the heads continued their journey down, toward Lenard’s army.
To an observer on the ground, nothing could be seen until it was too late. Lenard’s sleeping soldiers woke up when the ground trembled to the rhythm of more than a thousand horses trampling everything in their way. They woke up, and they died. Some of them died while they slept. When the last cry died away, and the fog finally lifted, the surviving men surrendered. At the end of the clash, which became known as the Battle of the Mist, Codrin found that he had lost only fifteen men. Lenard had lost half of his army, his son and his life.
”
”
Florian Armas (Respectant (Chronicle of the Seer 4))
“
Back when my parents and I lived in Bushwick in a building sandwiched between a drug house and another drug house, the only difference being that the dealers in the one drug house were also the users and so more unpredictable, and in the other the dealers were never the users and so more shrewd – back in those days, we lived in a one-bedroom apartment so subpar that we woke up with flattened cockroaches in our bedsheets, sometimes three or four stuck on our elbows, and once I found fourteen of them pressed to my calves, and there was no beauty in shaking them off, though we strove for grace, swinging our arms in the air as if we were ballerinas.
”
”
Jenny Zhang (Sour Heart)
“
Douglas’s work. And the first time Mrs. Caperdeen showed us a slide from his series Aspects of Negro Life, I knew the kind of art I wanted to start making. And so I did. The only difference was that I framed mine in a circle, like The Family Circus. And that’s why I needed Ma to make sure she brought me my sketch pad and pencils. I woke up early, and before doing anything else, before getting up and having a morning pee, or brushing my teeth, or spirometering, I turned the TV on, muted it, then grabbed my stuff and starting sketching on a fresh page. I wasn’t sure what I was drawing. That’s not true. I knew exactly what I was drawing. The only thing I could. I was
”
”
Jason Reynolds (All American Boys)
“
It was a dream about children crying. When I woke up they were still crying. It just got farther away. I dont think that it had stopped. I just couldnt hear it anymore. I hadnt been around babies much. But I got to wondering why they cried all the time. I think they cry for different reasons. Dont they? They’re wet, or they’re hungry. I thought there had to be more to it. Animals might whimper if they’re hungry or cold. But they dont start screaming. It’s a bad idea. The more noise you make the more likely you are to be eaten. If you’ve no way to escape you keep silent. If birds couldnt fly they wouldnt sing. When you’re defenseless you keep your opinions to yourself.
”
”
Cormac McCarthy (Stella Maris (The Passenger #2))
“
I asked myself this question every single day: Is it possible to break free? To break free from myself?
It wasn’t by choice that I became this awfully unhappy. Something, I don’t know what, came upon me and my happiness was snatched away from me in a jiffy. Everything started to feel different. Something didn’t feel right when I woke up every morning and went to bed every night. Something didn’t feel right when I looked at myself in the mirror every 15minutes.Something didn’t feel right when my favourite doughnut became my worst enemy. Something didn’t feel right when all my mind was surrounded by was the pathetic, established standards of bikini bodies and skinny models.
”
”
Insha Juneja
“
Jeffrey woke up, tied to the high-backed chair in his bedroom, nude. He could hear his wife giggling in the hallway, the hardwood floors creaking with her footsteps with what must have been someone else too. He was gagged, a tight cloth wrapped around his mouth, hurting his jaw when he tried to call for help. He looked down at his body, seeing that he was tied with an intricate rope pattern - a pentagram - on his chest, the hemp fibers tight. He could breathe fine, and he recognized his wife’s rigging skills instantly. They’d practiced Kinbaku, a rope bondage before, on multiple occasions, but this rigging was different. It seemed to be tighter than normal, and he knew that something new was being introduced tonight.
”
”
Todd Misura (Divergence: Erotica from a Different Angle)
“
All your life you've been hurt, and it's the things you loved the most that hurt the most when you lost them. Everywhere you turn, even when the eyes that look back at you are just like yours, you know you're the stranger. You can't tell others how you really feel, because you know they'll laugh. And when you sleep, you can feel the hole inside you, because you know that no matter what you do, you'll always be different, and this world hates different. So you close your eyes, and you wonder if it would really be all that bad if you never woke up. Maybe in the next world, you'll find a way to fill the hole. But eventually, you open your eyes, and it's a new day, and you brush yourself off and try to make the best of things before you lie down to sleep and think it all over again.
”
”
Aaron Burdett (Grump & Rose (Ebon and Amber, #1))
“
Later. I woke again. I kept my eyes closed. I was curious about something. What, I wondered, was the point of me? I contributed nothing to the world, absolutely nothing, and I took nothing from it either. When I ceased to exist, it would make no material difference to anyone. Most people’s absence from the world would be felt on a personal level by at least a handful of people. I, however, had no one. I do not light up a room when I walk into it. No one longs to see me or to hear my voice. I do not feel sorry for myself, not in the least. These are simply statements of fact. I have been waiting for death all my life. I do not mean that I actively wish to die, just that I do not really want to be alive. Something had shifted now, and I realized that I didn’t need to wait for death. I didn’t want to. I unscrewed the bottle and drank deeply.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
After four or five months of reading Hemingway, I decided to write a story. I had in the past written stories for English classes. These had all been about white people, because white people’s stories seemed to matter more. Also, I hadn’t known how to write about Indians. How would I translate the various family relations, the difference between an uncle who is a father’s brother and an uncle who is a mother’s brother? Having read Hemingway, I knew that I should just push all the exotic things to the side as if they didn’t matter, that this was how one used exoticism—by not bothering to explain.
The first story I wrote was about my brother coughing. I woke one night to the sound of Birju coughing downstairs and then could not go back to sleep. To be woken this way and not be able to return to sleep struck me as sad enough to merit a reader’s attention. Also, Hemingway had written a story about a man being woken because somebody is dying nearby, and the man is forced to witness the death.
I got up from my bed and turned on the light. I then returned to bed with a spiral-bound notebook and placed it against my knees. I began my story in the middle of the action the way Hemingway did. I wrote:
The coughing wakes me. My wife coughs and coughs, and then when her throat is clear, she moans. The nurse’s aide moves back and forth downstairs. The hospital bed jingles.
I wrote that it was a spouse coughing because that seemed something a reader could identify with, while a brother would be too specific to me.
I lie here, listening to my wife cough, and it is hard to believe that she is dying.
It was strange to write something down and for that thing to come into existence. The fact that the sentence existed made Birju’s coughing somehow less awful.
As I sat on my bed, I thought about how I could end my story. I held my pencil above the sheet of paper. According to the essays I had read on Hemingway, all I needed to do was attach something to the end of the story that was both unexpected and natural.
I imagined Birju dying; this had to be what would eventually happen. As soon as I imagined this, I did not want him gone. I felt a surge of love for Birju. Even though he was sick and swollen, I did not want him gone. I wrote:
I lie in my bed and listen to her cough and am glad she is coughing because this means she is alive. Soon she will die, and I will no longer be among the lucky people whose wives are sick.
Fortunate are the men whose wives cough. Fortunate are the men who cannot sleep through the night because their wives’ coughing wakes them.
”
”
Akhil Sharma (Family Life)
“
A True Account Of Talking To The Sun On Fire Island"
The Sun woke me this morning loud
and clear, saying "Hey! I've been
trying to wake you up for fifteen
minutes. Don't be so rude, you are
only the second poet I've ever chosen
to speak to personally
so why
aren't you more attentive? If I could
burn you through the window I would
to wake you up. I can't hang around
here all day."
"Sorry, Sun, I stayed
up late last night talking to Hal."
"When I woke up Mayakovsky he was
a lot more prompt" the Sun said
petulantly. "Most people are up
already waiting to see if I'm going
to put in an appearance."
I tried
to apologize "I missed you yesterday."
"That's better" he said. "I didn't
know you'd come out." "You may be
wondering why I've come so close?"
"Yes" I said beginning to feel hot
wondering if maybe he wasn't burning me
anyway.
"Frankly I wanted to tell you
I like your poetry. I see a lot
on my rounds and you're okay. You may
not be the greatest thing on earth, but
you're different. Now, I've heard some
say you're crazy, they being excessively
calm themselves to my mind, and other
crazy poets think that you're a boring
reactionary. Not me.
Just keep on
like I do and pay no attention. You'll
find that people always will complain
about the atmosphere, either too hot
or too cold too bright or too dark, days
too short or too long.
If you don't appear
at all one day they think you're lazy
or dead. Just keep right on, I like it.
And don't worry about your lineage
poetic or natural. The Sun shines on
the jungle, you know, on the tundra
the sea, the ghetto. Wherever you were
I knew it and saw you moving. I was waiting
for you to get to work.
And now that you
are making your own days, so to speak,
even if no one reads you but me
you won't be depressed. Not
everyone can look up, even at me. It
hurts their eyes."
"Oh Sun, I'm so grateful to you!"
"Thanks and remember I'm watching. It's
easier for me to speak to you out
here. I don't have to slide down
between buildings to get your ear.
I know you love Manhattan, but
you ought to look up more often.
And
always embrace things, people earth
sky stars, as I do, freely and with
the appropriate sense of space. That
is your inclination, known in the heavens
and you should follow it to hell, if
necessary, which I doubt.
Maybe we'll
speak again in Africa, of which I too
am specially fond. Go back to sleep now
Frank, and I may leave a tiny poem
in that brain of yours as my farewell."
"Sun, don't go!" I was awake
at last. "No, go I must, they're calling
me."
"Who are they?"
Rising he said "Some
day you'll know. They're calling to you
too." Darkly he rose, and then I slept.
”
”
Frank O'Hara
“
What a strange responsibility it was, to hold someone’s death in your hands. Death seemed fragile, like crumpled paper, a thousand years old. One false move and I could crush it. Death was like old, brittle lace, the appliqué about to separate from the fine mesh threads, nearly shredded, hanging there, beautiful and delicate and about to disintegrate. Life wasn’t like that. Life was robust. It was stubborn. Life took so much to ruin. One had to beat it out of the body. Even just the slightest seed of life, a fertilized egg, took payment, an expert, a machine, and an industrial vacuum, I’d heard. Life was persistent. There it was, every day. Each morning it woke me up. It was loud and brash. A bully. A lounge singer in a garish sequin dress. A runaway truck. A jackhammer. A brush fire. A canker sore. Death was different. It was tender, a mystery. What was it, even? Why did anybody have to die?
”
”
Ottessa Moshfegh (Death in Her Hands)
“
Does it undermine my image as a warrior to be with you?'
'No. Does it undermine Feyre's when she's seen with Rhys?'
Her stomach tightened. Her heartbeat pulsed in her arms, her gut. 'It's different for them,' she made herself say as they reached the end of the bridge and turned to walk along the quay flanking the river.
Cassian asked carefully. 'Why?'
Nesta kept her focus on the glittering river, vibrant with the hues of sunset. 'Because they're mates.'
At his utter silence, she knew what he'd say. Halted again, bracing herself for it.
Cassian's face was a void. Completely empty as he said, 'And we're not?'
Nesta said nothing.
He huffed a laugh. 'Because they're mates and you don't want us to be.'
'That word means nothing to me, Cassian,' she said, voice thick as she tried to keep the people who strode past from overhearing. 'It means something to all of you, but for most of my life, husband and wife was as good as it got. Mate is just a word.'
'That's bullshit.'
When she only began walking along the river again, he asked. 'Why are you frightened?'
'I'm not frightened.'
'What spooked you? Just being seen publicly with me like this?'
Yes. Having him kiss her and realising that soon she'd have to return to the world humming around them, and leave the House, and she didn't know what she would do then. What it would mean for them. If she would plunge back into that dark place she'd occupied before.
Drag him down with her.
'Nesta. Talk to me.'
She met his stare, but wouldn't open her mouth.
Cassian's eyes blazed. 'Say it.' She refused. 'Say it, Nesta.'
'I don't know what you're talking about.'
'Ask me why I vanished for nearly a week after Solstice. Why I suddenly had to do an inspection right after a holiday.'
Nesta kept her mouth shut.
'It was because I woke up the next morning and all I wanted to do was fuck you for a week straight. And I knew what that meant, what had happened, even though you didn't, and I didn't want to scare you. You weren't ready for the truth- not yet.'
Her mouth went dry.
'Say it,' Cassian snarled. People gave them a wide berth. Some outright turned back toward the direction they'd come from.
'No.'
His face shuttered with rage even as his voice became calm. 'Say it.'
She couldn't. Not before he'd ordered her to, and certainly not now. She couldn't let him win like that.
'Say what I guessed from the moment we met,' he breathed. 'What I knew the first time I kissed you. What became unbreakable between us on Solstice night.'
She wouldn't.
'I am your mate, for fuck's sake!' Cassian shouted, loud enough for people across the river to hear. 'You are my mate! Why are you still fighting it?'
She let the truth, voiced at last, wash over her.
'You promised me forever on Solstice,' he said, voice breaking. 'Why is one word somehow throwing you off that?'
'Because with that one word, the last scrap of my humanity goes away!' She didn't care who saw them, who heard. 'With that one stupid word, I am no longer human in any way. I'm one of you!'
He blinked. 'I thought you wanted to be one of us.'
'I don't know what I want. I didn't have a choice.'
'Well, I didn't have a choice in being shackled to you, either.'
The declaration slammed into her. Shackled.
He sucked in a breath. 'That was an incredibly poor choice of words.'
'But the truth, right?'
'No, I was angry- it's not true.'
'Why? Your friends saw me for what I was. What I am. The mating bond made you stupidly blind to it. How many times did they warn you away from me, Cassian?' She barked a cold laugh.
Shackled.
Words beckoned, sharp as knives, begging for her to grab one and plunge it into his chest. Make him hurt as much as that one would hurt her. Make him bleed.
But if she did that, if she ripped into him... She couldn't. Wouldn't let herself do it.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
They were already out of her lands, and in another day Yorkshire would be behind them altogether. By the end of the week she'd be in London, resuming her life as if this trip had never happened. Three or four months from now, Harry, acting as her land steward, might write to ask if she wanted him to present his report on her lands in person. And she, having just returned from another soiree, might turn the letter over in her hand and muse, Harry Pye. Why, I once lay in his arms. I looked up into his illuminated face as he joined his flesh with mine, and I was alive. She might toss the letter on her desk and think, But that was so long ago now and in a different place. Perhaps it was only a dream.
She might think that.
George closed her eyes. Somehow she knew that there would never come a day when Harry Pye was not her first memory when she woke and her last thought as she drifted into sleep. She would remember him all the days of her life.
Remember and regret.
”
”
Elizabeth Hoyt (The Leopard Prince (Princes Trilogy, #2))
“
Besides, the days at Briar were run so very regular, it was quite like some great mechanical show, you could not change it. The house bell woke us up in the mornings, and after that we all went moving on our ways from room to room, on our set courses, until the bell rang us back into our beds at night. There might as well have been grooves laid for us in the floorboards; we might have glided on sticks. There might have been a great handle set into the side of the house, and a great hand winding it.—Sometimes, when the view beyond the windows was dark or grey with mist, I imagined that handle and thought that I could almost hear it turning. I grew afraid of what would happen if the turning was to stop. That’s what living in the country does to you. When Gentleman came, the show gave a kind of jog. There was a growling of the levers, people quivering for a second upon their sticks, the carving of one or two new grooves; and then it all went on, smooth as before, but with the scenes in a different order.
”
”
Sarah Waters (Fingersmith)
“
In 1987, a rich donor in Philadelphia “adopted” 112 black sixth graders, few of whom had grown up with fathers in their home. He guaranteed them a fully funded education through college as long as they did not do drugs, have children before getting married, or commit crimes. He also gave them tutors, workshops, and after-school programs, kept them busy in summer programs, and provided them with counselors for when they had any kind of problem. Forty-five of the kids never made it through high school. Of the sixty-seven boys, nineteen became felons. Twelve years later, the forty-five girls had had sixty-three children between them, and more than half had become mothers before the age of eighteen. So what exactly was the “racism” that held these poor kids back that could have been erased at the time and created a different result for these children? The answer is none. Social history is too complex to yield to the either/or gestures of KenDiAngelonian propositions. What held those poor kids back was that they had been raised amid a different sense of what is normal than white kids in the burbs.
”
”
John McWhorter (Woke Racism: How a New Religion Has Betrayed Black America)
“
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year.
The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home.
He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street.
They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then.
The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips.
Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites.
The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra.
“Who is The Mandarin? His name? Who is The Mandarin?”
He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him.
By the time they freed him, he was a different man.
”
”
Gary Haynes (State of Honour)
“
There once was a woman who woke up one morning, looked in the mirror, and noticed she had only three hairs on her head. “Well,” she said, “I think I’ll braid my hair today.” So she did and she had a wonderful day. The next day she woke up, looked in the mirror, and saw that she had only two hairs on her head. “Hmmm,” she said, “I think I’ll part my hair down the middle today.” So she did and she had a grand day. The next day she woke up, looked in the mirror, and noticed that she had only one hair on her head. “Well,” she said, “Today I’m going to wear my hair in a ponytail.” So she did, and she had a fun, fun day. The next day she woke up, looked in the mirror, and noticed that there wasn’t a single hair on her head. “YAY!” she exclaimed. “I don’t have to fix my hair today!” This is a woman who understood the power of a good attitude. Her attitude, her confession, and her choice to rest allowed her to see life differently. They allowed her to enjoy her life regardless of the situation she faced. I don’t know what circumstances you face today, but I want you to know that a new beginning awaits you. And God allows you to play a vital role in that new beginning. Your attitude, your confessions, and your choice to rest will greatly affect your life, today and each day moving forward.
”
”
Joyce Meyer (You Can Begin Again: No Matter What, It's Never Too Late)
“
We turned off the path then, following a line of red, cup-shaped wildflowers that I had not seen before. And then abruptly, we came to a door-- an actual door, because the Folk are maddeningly inconsistent, even when it comes to their inconsistencies--- tucked into a little hollow.
It was only about two feet tall and painted to look like the mountainside, a scene of grey-brown scree with a few splashes of green, so realistic that it was like a reflection on still water. The only thing that gave it away was the doorknob, which looked like nothing that I can put into human terms; the best I can do is compare it to a billow of fog trapped in a shard of ice.
"It has the look of a brownie house," Wendell said. "But perhaps I should make sure."
He shoved the door open and vanished into the shadows within--- I cannot relate how he accomplished this; it seemed for a moment as if the door grew to fit him, but I was unable to get a handle on the mechanics as not one second later he was racing out again and the door had shrunk to its old proportions. Several porcelain cups and saucers followed in his wake, about the right size for a doll, and one made contact, smashing against his shoulder. Behind the hail of pottery came a little faerie who barely came up to my knee, wrapped so tightly in what looked like a bathrobe made of snow that I could see only its enormous black eyes. Upon its head it wore a white sleeping cap. It was brandishing a frying pan and shouting something--- I think--- but its voice was so small that I could only pick out the odd word. It was some dialect of Faie that I could not understand, but as the largest difference between High Faie and the faerie dialects lies in the profanities, the sentiment was clear.
"Good Lord!" Rose said, leaping out of range of the onslaught.
"I don't--- what on--- would you stop?" Wendell cried, shielding himself with his arm. "Yes, all right, I should have knocked, but is this really necessary?"
The faerie kept on shrieking, and then it launched the frying pan at Wendell's head--- he ducked--- and slammed its door.
Rose and I stared at each other. Ariadne looked blankly from Wendell to the door, clutching her scarf with both hands. "Bloody Winter Folk," Wendell said, brushing ceramic shards from his cloak.
"Winter Folk?" I repeated.
"Guardians of the seasons--- or anyway, that is how they see themselves," he said sourly. "Really I think they just want a romantic excuse to go about blasting people with frost and zephyrs and such. It seems I woke him earlier than he desired."
I had never heard of such a categorization, but as I was somewhat numb with surprise, I filed the information away rather than questioning him further. I fear that working with one of the Folk is slowly turning my mind into an attic of half-forgotten scholarly treasures.
”
”
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
“
In the 1950s kids lost their innocence.They were liberated from their parents by well-paying jobs, cars, and lyrics in music that gave rise to a new term—the generation gap. In the 1960s, kids lost their authority. It was the decade of protest—church, state, and parents were all called into question and found wanting.Their authority was rejected, yet nothing ever replaced it. In the 1970s, kids lost their love. It was the decade of me-ism dominated by hyphenated words beginning with self. Self-image, Self-esteem, Self-assertion . . . It made for a lonely world. Kids learned everything there was to know about sex and forgot everything there was to know about love, and no one had the nerve to tell them there was a difference. In the 1980s, kids lost their hope. Stripped of innocence, authority, and love and plagued by the horror of a nuclear nightmare, large and growing numbers of this generation stopped believing in the future. To bring it up to date, I have added two more paragraphs: In the 1990s kids lost their power to reason. Less and less were they taught the very basics of language, truth, and logic and they grew up with the irrationality of a postmodern world. In the new millennium, kids woke up and found out that somewhere in the midst of all this change, they had lost their imagination. Violence and perversion entertained them till none could talk of killing innocents since none was innocent anymore.
”
”
Ravi Zacharias (Recapture the Wonder)
“
She looked up in confusion and then glanced at her mother. Lydia shook her head and said, “Dreams are nonsense, Corporal Gheorghe. They don’t come true.” “No, no, dreams come true,” he said, taking off his helmet and gesturing to a still-livid scar above a slight crescent-shaped depression in his skull above his right ear. “The old Corporal Gheorghe? Before the mortar hit? He hated life. He suffered every day, dark and angry, and listened to scared voices in his head. Why me? Why not me? Who will shoot me? The old Corporal Gheorghe did not believe in God. He did not believe that dreams come true.” The Romanian soldier put his hand over his heart, and his eyes widened. “But then the mortar bomb hit, knocked me cold. I woke up and everything was different. I was part of everything and everyone. I saw it. I felt it. I understood! Private Kumar was right! Dreams come true if you hold them in your heart and act from your heart. Every night, right here in my chest, I know I was born to make honey, find a beautiful woman, and make more honey.” He laughed, touched the scar with his right hand again, and closed his eyes, his face as blissful as a man’s face could be. “I can wait. I have patience and peace and am not afraid. I know in my heart I am already a beekeeper. No matter what, I am a beekeeper.” Emil had concluded by then that the Romanian was a raving lunatic or a drunk or both. He felt a little hostile as he said, “You did not tell us where you learned to speak German.
”
”
Mark T. Sullivan (The Last Green Valley)
“
He stared down at her for a moment, wanting to heal every
cut on her soft skin. But he couldn’t, not yet. He needed to get her,
and her car, far from this place so neither he nor Kate would be
implicated in any way with the gruesome murder site.
It also meant he would have to drive.
In all his years, he had never driven an automobile. The closest he
had come was watching various assistants through the years as they
chauffeured him. He wasn’t sure he could even remember how to
start the car, but right now he had no choice.
Grudgingly, he got into the driver’s seat, and finding the lever
underneath, he pushed it back so he sat comfortably behind the
wheel. After trying three different keys, he found one that slipped into
the ignition.
From what he had seen over the past hundred years, driving was
not a complex operation, and he was an immortal with reflexes far
more keen than a human man.
How difficult could it be?
He turned the key and nearly jerked the wheel off the steering
column when the car surprised him by lurching forward. The car went
silent. The engine wasn’t running. What was he doing wrong?
He stared at the gearshift, wondering if he should move it. His
frustration reared up, but his agitation would not make the car drive
itself. He had to keep a cool head.
Not knowing what else to try, he pushed one of the pedals at his
feet to the floor and turned the key again. This time the car didn’t
move, and it roared to life. Grasping the gearshift, he jammed it into
the first position and glanced over at Kate.
Why couldn’t she have owned a car with an automatic
transmission?
Shaking his head, he put some pressure on the gas pedal and
slowly released the clutch. Thankfully the car rolled a few feet, but
without warning it jumped forward. He pressed the clutch back to the
floor before the engine lost power again.
Calisto slammed his hand against the wheel, muttering under his
breath in Spanish. At this rate it would take him all night to drive her
home.
The faded yellow convertible pitched forward again, threatening
to stall as he continued out of the parking lot, thankful it was late. The
streets were fairly empty. At least he wouldn’t get into an accident
with another car. Her car staggered ahead, lurching each time he
tried to release the clutch, bouncing and jostling them both until Kate
finally stirred and woke up.
§
“Are we out of gas or something?”
Calisto watched her with a tight smile. “Not exactly.”
Kate winced in pain when she laughed. “You can’t drive a stickshift,
can you?”
“Does it show?” Calisto pulled over, finally allowing the engine to
stall.
She nodded her head slowly to avoid more pain. “Just a little.
What happened?”
“You don’t remember?”
“I remember being mugged. And I remember seeing you, but
everything after that is blank.” She watched his eyes as Calisto
reached over to brush her hair back from her face, and his touch sent
shivers through her body. This wasn’t how she had hoped she would
run into him, but she learned a long time ago fate didn’t always work
out the way you expected.
”
”
Lisa Kessler (Night Walker (Night, #1))
“
Equal protection under the law is not a hard principle to convince Americans of. The difficulty comes in persuading them that it has been violated in particular cases, and of the need to redress the wrong. Prejudice and indifference run deep. Education, social reform, and political action can persuade some. But most people will not feel the sufferings of others unless they feel, even in an abstract way, that 'it could have been me or someone close to me'. Consider the astonishingly rapid transformation of American attitudes toward homosexuality and even gay marriage over the past decades. Gay activism brought these issues to public attention but attitudes were changed during tearful conversations over dinner tables across American when children came out to their parents (and, sometimes, parents came out to their children). Once parents began to accept their children, extended families did too, and today same-sex marriages are celebrated across the country with all the pomp and joy and absurd overspending of traditional American marriages. Race is a wholly different matter. Given the segregation in American society white families have little chance of seeing and therefore understanding the lives of black Americans. I am not black male motorist and never will be. All the more reason, then, that I need some way to identify with one if I am going to be affected by his experience. And citizenship is the only thing I know we share. The more differences between us are emphasized, the less likely I will be to feel outrage at his mistreatment.
Black Lives Matter is a textbook example of how not to build solidarity. There is no denying that by publicizing and protesting police mistreatment of African-Americans the movement mobilized supporters and delivered a wake-up call to every American with a conscience. But there is also no denying that the movement's decision to use this mistreatment to build a general indictment of American society, and its law enforcement institutions, and to use Mau-Mau tactics to put down dissent and demand a confession of sins and public penitence (most spectacularly in a public confrontation with Hillary Clinton, of all people), played into the hands of the Republican right.
As soon as you cast an issue exclusively in terms of identity you invite your adversary to do the same. Those who play one race card should be prepared to be trumped by another, as we saw subtly and not so subtly in the 2016 presidential election. And it just gives that adversary an additional excuse to be indifferent to you. There is a reason why the leaders of the civil rights movement did not talk about identity the way black activists do today, and it was not cowardice or a failure to be "woke". The movement shamed America into action by consciously appealing to what we share, so that it became harder for white Americans to keep two sets of books, psychologically speaking: one for "Americans" and one for "Negroes". That those leaders did not achieve complete success does not mean that they failed, nor does it prove that a different approach is now necessary. No other approach is likely to succeed. Certainly not one that demands that white Americans agree in every case on what constitutes discrimination or racism today. In democratic politics it is suicidal to set the bar for agreement higher than necessary for winning adherents and elections.
”
”
Mark Lilla (The Once and Future Liberal: After Identity Politics)
“
He called back with an incredible report: there were people lined up around the store already.
Wow, I thought.
Wow!
Wow didn’t begin to cover it. People lined up on two floors of the store to talk to Chris and get their books signed, hours before he was even scheduled to arrive. Chris was overwhelmed when he got there, and so was I. The week before, he’d been just another guy walking down the street. Now, all of a sudden he was famous.
Except he was still the same Chris Kyle, humble and a bit abashed, ready to shake hands and pose for a picture, and always, at heart, a good ol’ boy.
“I’m so nervous,” confided one of the people on the line as he approached Chris. “I’ve been waiting for three hours just to see you.”
“Oh, I’m sorry,” said Chris. “Waitin’ all that time and come to find out there’s just another redneck up here.”
The man laughed, and so did Chris. It was something he’d repeat, in different variations, countless times that night and over the coming weeks.
We stayed for three or four hours that first night, far beyond what had been advertised, with Chris signing each book, shaking each hand, and genuinely grateful for each person who came. For their part, they were anxious not just to meet him but to thank him for his service to our country-and by extension, the service of every military member whom they couldn’t personally thank. From the moment the book was published, Chris became the son, the brother, the nephew, the cousin, the kid down the street whom they couldn’t personally thank. In a way, his outstanding military record was beside the point-he was a living, breathing patriot who had done his duty and come home safe to his wife and kids. Thanking him was people’s way of thanking everyone in uniform.
And, of course, the book was an interesting read. It quickly became a commercial success beyond anyone’s wildest dreams, including the publisher’s. The hardcover debuted at number two on the New York Times bestseller list, then rose to number one and stayed there for more than two months. It’s remained a fixture on the bestseller lists ever since, and has been translated into twenty-four languages worldwide.
It was a good read, and it had a profound effect on a lot of people. A lot of the people who bought it weren’t big book readers, but they ended up engrossed. A friend of ours told us that he’d started reading the book one night while he was taking a bath with his wife. She left, went to bed, and fell asleep. She woke up at three or four and went into the bathroom. Her husband was still there, in the cold water, reading.
The funny thing is, Chris still could not have cared less about all the sales. He’d done his assignment, turned it in, and got his grade. Done deal.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Clary held her hands up. 'I do get it. I know you don’t like me, Isabelle. Because I’m a mundane to you.'
'You think that’s why—' Isabelle broke off, her eyes bright; not just with anger, Clary saw with surprise, but with tears. “God, you don’t understand anything, do you? You’ve known Jace what, a month? I’ve known him for seven years. And all the time I’ve known him, I’ve never seen him fall in love, never seen him even like anyone. He’d hook up with girls, sure. Girls always fell in love with him, but he never cared. I think that’s why Alec thought—” Isabelle stopped for a moment, holding herself very still. She’s trying not to cry, Clary thought in wonder—Isabelle, who seemed like she never cried. “It always worried me, and my mom, too—I mean, what kind of teenage boy never even gets a crush on anyone? It was like he was always half-awake where other people were concerned. I thought maybe what had happened with his father had done some sort of permanent damage to him, like maybe he never really could love anyone. If I’d only known what had really happened with his father—but then I probably would have thought the same thing, wouldn’t I? I mean, who wouldn’t have been damaged by that?'
'And then we met you, and it was like he woke up. You couldn’t see it, because you’d never known him any different. But I saw it. Hodge saw it. Alec saw it—why do you think he hated you so much? It was like that from the second we met you. You thought it was amazing that you could see us, and it was, but what was amazing to me was that Jace could see you, too. He kept talking about you all the way back to the Institute; he made Hodge send him out to get you; and once he brought you back, he didn’t want you to leave again. Wherever you were in the room, he watched you…. He was even jealous of Simon. I’m not sure he realized it himself, but he was. I could tell. Jealous of a mundane. And then after what happened to Simon at the party, he was willing to go with you to the Dumort, to break Clave Law, just to save a mundane he didn’t even like. He did it for you. Because if anything had happened to Simon, you would have been hurt. You were the first person outside our family whose happiness I’d ever seen him take into consideration. Because he loved you.'
Clary made a noise in the back of her throat. 'But that was before—'
'Before he found out you were his sister. I know. And I don’t blame you for that. You couldn’t have known. And I guess you couldn’t have helped that you just went right on ahead and dated Simon afterward like you didn’t even care. I thought once Jace knew you were his sister, he’d give up and get over it, but he didn’t, and he couldn’t. I don’t know what Valentine did to him when he was a child. I don’t know if that’s why he is the way he is, or if it’s just the way he’s made, but he won’t get over you, Clary. He can’t. I started to hate seeing you. I hated for Jace to see you. It’s like an injury you get from demon poison—you have to leave it alone and let it heal. Every time you rip the bandages off, you just open the wound up again. Every time he sees you, it’s like tearing off the bandages.'
'I know,' Clary whispered. “How do you think it is for me?”
'I don’t know. I can’t tell what you’re feeling. You’re not my sister. I don’t hate you, Clary. I even like you. If it were possible, there isn’t anyone I’d rather Jace be with. But I hope you can understand when I say that if by some miracle we all get through this, I hope my family moves itself somewhere so far away that we never see you again.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
As the bus headed into the night, I noticed that the bench seat in the back of the bus was vacant. So I took my blanket and pillow, made my way to the back and stretched out. Rumbling along I was vaguely aware of the stops we made, but the night passed quickly. Eventually it started getting light outside, but looking around I saw that most people were still sleeping, including a Negro woman wearing a Navy uniform. She was a WAVE and must have boarded the bus sometime during the night. I had no idea where we were, but it didn’t matter as long as we were heading west.
Slowly the passengers woke up and looked around, including the young Negro lady. I never had a problem talking to people, so, striking up a conversation, I discovered that she was going home to Oklahoma City. I told her about being a cadet at Farragut and that I was now heading to California for the summer. Time always goes faster when there is someone to talk to and we had the entire back of the bus to ourselves. The first inkling that something was wrong came when we got off the bus for a rest stop in Little Rock, Arkansas. The driver told me that it wasn’t fitting to sit in the back of the bus with a Negro. I was dumbfounded, and coming from the North, I didn’t understand. I tried to explain that this woman was wearing the uniform of her country, but it didn’t make any difference. That’s just the way it was in the South!
We ran into the same kind of bigotry in the diner at our next rest stop, but before I could make an issue out of it, she hushed me up and explained that she just wanted to go home and didn’t need any problems. The two of us sat in the section for “Negroes Only,” where they served her but not this white boy, which is what I was called, along with other derogatory remarks. Never mind, I shared her sandwich and I guess they were just glad to get rid of us when we boarded the bus again. Behind me, I heard someone say something about my being a “nigger lover”.... Big as life, I sat in the back again! This time no one said anything and everything seemed forgotten by the time she got off in Oklahoma City. Another driver came aboard and took over. Saying goodbye to my friend, I got up and moved back to the seat I had had originally -- the one over the big hump for the rear tires!
”
”
Hank Bracker
“
Schaffer was feeling even more vague and woolly than Smith, if for different reasons. He was waking, slowly and painfully, from a very bad dream and in this dream he could taste salt in his mouth and hear a soft urgent feminine voice calling his name, calling it over and over again. In normal times Schaffer would have been all for soft feminine voices, urgent or not, but he wished that this one would stop for it was all part of the bad dream and in this bad dream someone had split his head in half and he knew the pain wouldn't go until he woke up. He moaned, put the palms of his hands on the floor and tried to prop himself up. It took a long time, it took an eternity, for someone had laid one of the girders from the Forth bridge across his back, but at last he managed to straighten both his arms, his head hanging down between them. His head didn't feel right, it didn't even feel like his head, for, apart from the fact that there seemed to be a butcher's cleaver stuck in it, it seemed to be stuffed with cotton wool, grey and fuzzy round the edges. He shook his head to clear it and this was a mistake for the top of his head fell off. Or so it felt to Schaffer as the blinding coruscation of multi-coloured lights before his eyes arranged themselves into oddly kaleidoscopic patterns. He opened his eyes and the patterns dimmed and the lights began to fade: gradually, beneath his eyes the pattern of floorboards began to resolve themselves, and, on the board, the outlines of hands. His own hands.
He was awake, but this was one of those bad dreams which stayed with you even when you were awake. He could still taste salt—the salt of blood—his head still felt as if one incautious shake would have it rolling across the floor and that soft and urgent voice was still calling.
”
”
Alistair MacLean (Where Eagles Dare)
“
I woke up this morning and I was me,
I went downstairs, ate breakfast and I was me.
I went through the front door and I was different.
What is the difference?
What caused the difference?
Is it just me who is different?
Or are we all different?
Whatever my difference, I d o not need for it to be tolerated, I need my difference to be appreciated and valued.
”
”
Cascia Davis
“
I woke up this morning and I was me,
I went downstairs, ate breakfast and I was me.
I went through the front door and I was different.
What is the difference?
What caused the difference?
Is it just me who is different?
Or are we all different?
Whatever my difference, I do not need for it to be tolerated, I need my difference to be appreciated and valued.
”
”
Cascia David, Unmasking Race, Culture and Attachment in the Psychoanalytic Space
“
I woke up this morning and I was me,
I went downstairs, ate breakfast and I was me.
I went through the front door and I was different.
What is the difference?
What caused the difference?
Is it just me who is different?
Or are we all different?
Whatever my difference, I do not need for it to be tolerated, I need my difference to be appreciated and valued.
”
”
Cascia Davis; Unmasking Race, Culture and Attachment in the Psychoanalytic Space
“
I will always find you, Brandy. This is what I kept telling myself ever since I woke up to the bitter taste of reality. It was a nightmare. The only difference is that I could remember every detail of this one.
”
”
Ysa Arcangel (Forever Night Stand)
“
A week before my due date, Marlboro Man had to preg-test a hundred cows. Preg-testing cows, I would learn in horror that warm June morning, does not involve the cow urinating on a test stick and waiting at least three minutes to read the result. Instead, a large animal vet inserts his entire arm into a long disposable glove, then inserts the gloved arm high into the rectum of a pregnant cow until the vet’s arm is no longer visible. Once his arm is deep inside the cow’s nether regions, the vet can feel the size and angle of the cow’s cervix and determine two things:
1. Whether or not she is pregnant.
2. How far along she is.
With this information, Marlboro Man decides whether to rebreed the nonpregnant cows, and in which pasture to place the pregnant cows; cows that became bred at the same time will stay in the same pasture so that they’ll all give birth in approximately the same time frame.
Of course, I understood none of this as I watched the doctor insert the entire length of his arm into a hundred different cows’ bottoms. All I knew is that he’d insert his arm, the cow would moo, he would pull out his arm, and the cow would poop. Unintentionally, each time a new cow would pass through the chute, I’d instinctively bear down. I was just as pregnant as many of the cows. My nether regions were uncomfortable enough as it was. The thought of someone inserting their…
It was more than I probably should have signed up for that morning.
“God help me!” I yelped as Marlboro Man and I pulled away from the working area after the last cow was tested. “What in the name of all that is holy did I just witness?”
“How’d you like that?” Marlboro Man asked, smiling a satisfied smile. He loved introducing me to new ranching activities. The more shocking I found them, the better.
“Seriously,” I mumbled, grasping my enormous belly as if to protect my baby from the reality of this bizarre, disturbing world. “That was just…that was like nothing I’ve ever seen before!” It made the rectal thermometer episode I’d endured many months earlier seem like a garden party.
Marlboro Man laughed and rested his hand on my knee. It stayed there the rest of the drive home.
At eleven that night, I woke up feeling strange. Marlboro Man and I had just drifted off to sleep, and my abdomen felt tight and weird. I stared at the ceiling, breathing deeply in an effort to will it away. But then I put two and two together: the whole trauma of what I’d seen earlier in the day must have finally caught up with me. In my sympathy for the preg-tested cows, I must have borne down a few too many times.
I sat up in bed. I was definitely in labor.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Viewing your life from a different place can equally transform your feelings. Think back to a time when you were getting ready for a well-earned vacation. There was far too much to do and simply not enough time to cram it all in. You got home late from work after trying and failing to “clear the decks” before allowing yourself to take time off. You felt like a hamster trapped in a wheel going round and round and round. Even deciding what to take with you was fraught with difficulties. By the time the packing was complete, you felt exhausted and then had trouble sleeping because your mind was still churning through all of the things you’d been working on throughout the day. In the morning, you woke up, put all the bags
”
”
J. Mark G. Williams (Mindfulness: An Eight-Week Plan for Finding Peace in a Frantic World)
“
I Woke Up
and it was political.
I made coffee and the coffee was political.
I took a shower and the water was.
I walked down the street in short shorts and a Bob Mizer tank top
and they were political, the walking and the shorts and the beefcake
silkscreen of the man posing in a G-string. I forgot my sunglasses
and later, on the train, that was political,
when I studied every handsome man in the car.
Who I thought was handsome was political.
I went to work at the university and everything was
very obviously political, the department and the institution.
All the cigarettes I smoked between classes were political,
where I threw them when I was through.
I was blond and it was political.
So was the difference between “blond” and “blonde.”
I had long hair and it was political. I shaved my head and it was.
That I didn’t know how to grieve when another person was killed in America
was political, and it was political when America killed another person,
who they were and what color and gender and who I am in relation.
I couldn’t think about it for too long without feeling a helplessness
like childhood. I was a child and it was political, being a boy
who was bad at it. I couldn’t catch and so the ball became political.
My mother read to me almost every night
and the conditions that enabled her to do so were political.
That my father’s money was new was political, that it was proving something.
Someone called me faggot and it was political.
I called myself a faggot and it was political.
How difficult my life felt relative to how difficult it was
was political. I thought I could become a writer
and it was political that I could imagine it.
I thought I was not a political poet and still
my imagination was political.
It had been, this whole time I was asleep.
”
”
Jameson Fitzpatrick
“
Just for a minute, if there were no limits to what is possible, what would you envision your entrepreneurial company providing you? The first thing that pops into almost everyone’s mind is financial independence. I agree. I totally agree. But there is more, isn’t there? What if building your business made you feel emotionally satisfied, totally happy? What if your business made a difference? What if you woke up every morning excited to work? What if people loved your company? What if the world heralded what you did and happily consumed what you had to offer?
”
”
Mike Michalowicz (The Toilet Paper Entrepreneur: The tell-it-like-it-is guide to cleaning up in business, even if you are at the end of your roll.)
“
When I kill people with a touch, it’s because I decide to give them all the pain and keep none of it for myself. It’s because I get so tired of bearing it that all I want to do is set it down for a while,” I said. “But during the interrogation, it occurred to me that maybe I was strong enough to bear it all myself. That maybe no one else but me could. And I never would have thought of that without you.” I blinked tears from my eyes. “You saw me as someone better than I was,” I said. “You told me that I could choose to be different than I had been, that my condition was not permanent. And I began to believe you. Taking in all the pain nearly killed me, but when I woke up again, the gift was different. It doesn’t hurt as much. Sometimes I can control it.” I took my hand away. “I don’t know what you want to call it, what we are to each other now,” I said. “But I wanted you to know that your friendship has . . . quite literally altered me.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
I don’t care,” he said, his breath warm and enticing against my mouth. “I knew I could never keep you, Blue. I knew it from the first time we kissed, I just fooled myself into believing it for a while. So when it came to us or you, I chose you. Because I woke up to reality. And real life isn’t nice or easy, it’s fucking quicksand that tries to drag you down the more you fight it. Love doesn’t conquer all this time, because we’re on two different paths. You’re heading to the stars, beautiful, and I’m staying down here in the dirt. That’s just the way it is.
”
”
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
“
She intertwined our fingers, so we were holding hands. We did this a lot. Sometimes I felt more like we were sisters than just friends. I felt like soemthing connected us under our skin, inside our brains. Like maybe Laura's cruelty had taught us how to see the parts of ourselves and of each other that noone else could see and we might always be hurting, we might always be damaged, but we were more than that, too. We were the parts of us that saved ourselves, who'd enough, who'd chosen to live. I knew it was as hard for Agatha as it was for me. I knew she had nightmares, too. But when I woke up in a panic, she was there to remind me I was safe. And I did the same for her. Agatha took a deep, searching breath. Her hand squeezed mine, and I could tell we had come to that quiet part of the day when the hurt was closest to the surface. But we had each other. We weren't alone. And that made all the difference.
”
”
Katie Alender (The Companion)
“
My name is Sam Tyler. I had an accident, and I woke up in 1973. Am I mad, in a coma, or back in time? Whatever's happened, it's like I've landed on a different planet. Now, maybe if I can work out the reason, I can get home.
”
”
Sam Tyler