Woebegone Quotes

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That's the news from Lake Woebegon, where all the women are strong, all the men are good-looking, and all the children are above average.
Garrison Keillor
We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.
Mokokoma Mokhonoana
Thanks to my mother, I was raised to have a morbid imagination. When I was a child, she often talked about death as warning, as an unavoidable matter of fact. Little Debbie's mom down the block might say, 'Honey, look both ways before crossing the street.' My mother's version: 'You don't look, you get smash flat like sand dab.' (Sand dabs were the cheap fish we bought live in the market, distinguished in my mind by their two eyes affixed on one side of their woebegone cartoon faces.) The warnings grew worse, depending on the danger at hand. Sex education, for example, consisted of the following advice: 'Don't ever let boy kiss you. You do, you can't stop. Then you have baby. You put baby in garbage can. Police find you, put you in jail, then you life over, better just kill youself.
Amy Tan (The Opposite of Fate: Memories of a Writing Life)
Just because we're fictional characters doesn't mean you can pick us up and move us anywhere you want.--the people of Lake Woebegon
Garrison Keillor
Look at the woebegone walk of him. Eaten a bad egg. Poached eyes on ghost.
James Joyce (Ulysses)
For Prudence was an entirely different child from the woebegone shrinking creature who had stood in the roadway outside the school. The tight little bud that was the real Prudence had steadily opened its petals in the sunshine of Kit’s friendship and Hannah’s gentle affection.
Elizabeth George Speare (The Witch of Blackbird Pond)
We learned love was just like a soap bubble, so shining and bright one day, and the next day it popped. Then came the tears, the woebegone expressions, the anguish over endless cups of coffee while seated at the kitchen table with a best friend who had her own troubles, or his own troubles. But, no sooner was one love over and done with, then along came another love to start that shining soap bubble soaring again.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
the fact that Stacy seems to feel some kind of rapport with that woebegone creature, the fact that whether this is because she feels fierce and free, or caged and cowed, doesn’t bear thinking about.
Lucy Ellmann (Ducks, Newburyport)
Who am I? This or the other? Am I one person today and tomorrow another? Am I both at once? A hypocrite before others, And before myself a contemptibly woebegone weakling? . . . Who am I? They mock me, these lonely questions of mine. Whoever I am, Thou knowest, O God, I am Thine!2 Bonhoeffer’s question “Who am I?
John Swinton (Dementia: Living in the Memories of God)
Who am I? They often tell me I would step from my cell's confinement calmly, cheerfully, firmly, like a squire from his country-house. Who am I? They often tell me I would talk to my warden freely and friendly and clearly, as though it were mine to command. Who am I? They also tell me I would bear the days of misfortune equably, smilingly, proudly, like one accustomed to win. Am I then really all that which other men tell of, or am I only what I know of myself, restless and longing and sick, like a bird in a cage, struggling for breath, as though hands were compressing my throat, yearning for colors, for flowers, for the voices of birds, thirsting for words of kindness, for neighborliness, trembling with anger at despotisms and petty humiliation, tossing in expectation of great events, powerlessly trembling for friends at an infinite distance, weary and empty at praying, at thinking, at making, faint and ready to say farewell to it all. Who am I? This or the other? Am I one person today, and tomorrow another? Am I both at once? A hypocrite before others, and before myself a contemptibly woebegone weakling? Or is something within me still like a beaten army, fleeing in disorder from victory already achieved? Who am I? They mock me, these lonely questions of mine. Whoever I am, Thou knowest, O God, I am thine!
Dietrich Bonhoeffer (Prison Poems)
With the advent of this something-not-known (which he scarcely dares consider lest it vanish), the metastasizing animosities among the witness bearers are dissolving, as if the Dancing were sealing their acceptance of all woebegone humankind in all its greed and cruelties as the only creature capable of evil and the only one - surely those two are connected - aware that it must die.
Peter Matthiessen (In Paradise)
I never saw Claben bawled out for his performance, his extortions, yet he was a louse, the worst vile stingy hyena when it came to usury and dishonesty! A skunk when it came to "lend and lease"! Never a day's, a penny's grace...the worst tyrant about extensions...he'd fleece them to zero!...he'd finish off even the most decrepit woebegone wrecks...he'd suck them beyond the bone!...and he'd insult them besides into the bargain!
Louis-Ferdinand Céline (Guignol's Band)
I stepped out into the biting air and drizzle. Cyclops loped beside me, barking a couple of times, as if to tell me something. Slaver’s got Timmy! “Empress.” Matthew looked as bad as I felt—his face wan, his shoulders slumped with fatigue. He gazed at me with those woebegone brown eyes. “Tredici nears.” "Hey, aren’t you happy that we rescued Jack?” “I couldn’t see.” He hugged his arms around his torso, batting his fists against his parka. “The Lovers!” The lowest hum came from him. He stared down at me. “The twins—inseparable. Never parted.” “A path. You won’t like where it leads.” “I can’t steer, can’t change. Before there were waves or eddies; now stone. Our enemies laugh.” He raised his palm. “Hold, please.” “Are you talking to someone else?” Matthew was the Arcana switchboard, a medium. “To . . . Aric? Is he in your eyes?” Watching me through Matthew?
Kresley Cole (Dead of Winter (The Arcana Chronicles, #3))
That’s the difference between most oppressed peoples of the world and American blacks. They vow never to forget, and we want everything expunged from our record, sealed and filed away for eternity. We want someone like Foy Cheshire to present our case to the world with a set of instructions that the jury will disregard centuries of ridicule and stereotype and pretend the woebegone niggers in front of you are starting from scratch. Foy
Paul Beatty (The Sellout)
Flannery O’Connor once wrote, “is the engine that makes perception operate.” Our expectations and assumptions—whether generous or hopeful, pitiless or woebegone—constantly bend and even warp the world we see. That’s how we cope with what William James called life’s “great blooming, buzzing confusion.” We’re endlessly reducing ambiguity to certainty, and in general, the system works well. Absolut’s marketing triumph showed that the mind’s resolution urge is so powerful and innate that simply by baiting our habituated associations, by hinting at connections left out, advertisers could transform liquor ads into captivating little puzzles.
Jamie Holmes (Nonsense: The Power of Not Knowing)
CHORUS OF NIGHT VOICES Come out, come out, wherever you are, you dreamers and drowners, you loafers and losers, you shadow-seekers and orphans of the sun. Come out, come out, you flops and fizzler, you good-for-nothings and down-and-outers, a day's outcasts, dark's little darlin's. Come on, all you who are misbegotten and woebegone, all you with black thoughts and red-fever-visions, come on, you small-town Ishmaels with your sad blue eyes, you plain Janes and hard-luck guys, come, you gripers and groaners, you goners and loners, you sad sack and shlemiels, come on, come on, you pale romantics and pie-eye Palookas, you has-beens and never-will-bes, you sun-mocked and day-doomed denizens of the dar: come out into the night.
Steven Millhauser (Enchanted Night)
Have you somewhere else to be, George?” “Hmm?” His friend snapped to attention and grinned. “Anywhere but here. No offense intended, old man, but I tire of watching you glower at them. If you don’t intend to relinquish Lady Oh to Fairchild, why did you invite him?” “Because he looked so woebegone when I had coffee with him the other day. Mrs. Hampton has not let her granddaughter see anyone but my family these weeks, and apparently the colonel felt her withdrawal acutely.” Ben, on the other hand, had been allowed to watch her bruise change color under the rouge. Each shade proved a twist to the knife in his gut. Yes, it would be better for all if Fairchild were given the chance to declare himself. George clapped a hand to his shoulder. “Well, cheer up, my friend. If his expression is any indication, he may propose tonight, and then you will no longer be plagued by indecisiveness, what with him removing all decision from your hands.” “Indeed.” Blast it.
Roseanna M. White (Ring of Secrets (The Culper Ring, #1))
I feel as if there’s a gnome inside my head, banging away at my skull with an axe. I ought to give him a name. Something nice and gnomish. Snorgoth the Skullcrusher.” “Now,” said James, “that was witty and charming. Think of Snorgoth. Think of him taking an axe to people you don’t like. The Inquisitor, for instance. Perhaps that can help you get through the party. Or—” “Who is Snortgoth?” It was Eugenia, who had come up to them, her yellow cap askew on her dark hair. “Never mind. I am not interested in your dull friends. Matthew, will you dance with me?” “Eugenia.” Matthew looked at her with weary affection. “I am not in a dancing mood.” “Matthew.” Eugenia looked woebegone. “Piers keeps stepping on my feet, and Augustus is lurking about as if he wants a waltz, which I just can’t manage. One dance,” she wheedled. “You’re an excellent dancer, and I’d like to have a bit of fun.” Matthew looked long-suffering but allowed Eugenia to lead him out onto the floor.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
Is it not a saying in every one's mouth, Possession is half of the law: that is, regardless of how the thing came into possession? But often possession is the whole of the law. What are the sinews and souls of Russian serfs and Republican slaves but Fast-Fish, whereof possession is the whole of the law? What to the rapacious landlord is the widow's last mite but a Fast-Fish? What is yonder undetected villain's marble mansion with a doorplate for a waif; what is that but a Fast-Fish? What is the ruinous discount which Mordecai, the broker, gets from poor Woebegone, the bankrupt, on a loan to keep Woebegone's family from starvation; what is that ruinous discount but a Fast-Fish? What is the Archbishop of Savesoul's income of £100,000 seized from the scant bread and cheese of hundreds of thousands of broken-backed laborers (all sure of heaven without any of Savesoul's help) what is that globular 100,000 but a Fast-Fish? What are the Duke of Dunder's hereditary towns and hamlets but Fast-Fish? What to that redoubted harpooneer, John Bull, is poor Ireland, but a Fast-Fish? What to that apostolic lancer, Brother Jonathan, is Texas but a Fast-Fish? And concerning all of these, is not Possession the whole of the law?
Herman Melville (Moby-Dick or, The Whale)
Brightly and merrily swaying, like an April shower, came the young lady. Perhaps if she had been sad and conscience stricken, like certain dames of old who left the site of their illicit love as woe-begone as the passing moment that never returns; if the lady had approached in full cognizance of her frailty, ready to forego a man's respectful handkisses of greeting, and trembling in shame at the tryst exposed in broad daylight, like Risoulette, sixty-six times, whenever having misbehaved, she hastened back home teary-eyed to her Captain; or if a lifelong memory's untearable veil had floated over her fine features, like the otherworldly wimple of a nun . . . Then Pistoli would have stood aside, closed his eyes, swallowed the bitter pill, and come next winter, might have scrawled on the wall something about women's unpredictability. Then he would have glimpsed ghostly, skeletal pelvic bones reflected in his wine goblet, and strands of female hair, once wrapped around the executioner's wrist, hanging from his rafters; and would have heard wails and cackles emanating from the cellar's musty wine casks, but eventually Pistoli would have forgiven this fading memory, simply because women are related to the sea and the moon, and that is why at times they know not what they do.
Gyula Krúdy (Sunflower)
La Belle Dame sans Merci O what can ail thee, knight-at-arms, Alone and palely loitering? The sedge has withered from the lake, And no birds sing. O what can ail thee, knight-at-arms, So haggard and so woe-begone? The squirrel’s granary is full, And the harvest’s done. I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. I met a lady in the meads, Full beautiful—a faery’s child, Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made sweet moan I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A faery’s song. She found me roots of relish sweet, And honey wild, and manna-dew, And sure in language strange she said— ‘I love thee true’. She took me to her Elfin grot, And there she wept and sighed full sore, And there I shut her wild wild eyes With kisses four. And there she lullèd me asleep, And there I dreamed—Ah! woe betide!— The latest dream I ever dreamt On the cold hill side. I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried—‘La Belle Dame sans Merci Thee hath in thrall!’ I saw their starved lips in the gloam, With horrid warning gapèd wide, And I awoke and found me here, On the cold hill’s side. And this is why I sojourn here, Alone and palely loitering, Though the sedge is withered from the lake, And no birds sing.
John Keats (The Complete Poems)
On October 15, 1959, the day after we arrived at Western Shore, we rented a boat to get over to the island. It was a raw, windy day and by the time we reached the dock, my husband closed the throttle with a firm twist. It snapped clean off. “That’s a good start,” I thought. An omen? Well we were here, so off we went to see the pits. It had been four years since I last saw the pits, and standing there looking down at them I was shocked at their condition. One pit had partially collapsed, leaving broken and twisted timbers around; you could no longer see the water (at the bottom of the pit). In the other, the larger of the two, rotting cribbing was visible, as all the deck planking had been ripped off, exposing it to the weather. Even my son’s face fell momentarily. Looking across the slate grey sea at the black smudges of other islands, I felt utterly wretched. I don’t think I have ever seen a place so bleak and lonely as that island, that day. I just wanted to go home. Soon Bobby’s eyes began to sparkle as he and his dad walked around, talking. They walked here, they walked there, son asking questions, my husband answering…all about the history of the place. I trailed after them, ignored and unnoticed. Finally Bob said it was time for us to go back. Catching sight of my face with its woebegone expression, he started to laugh, “Look,” he said to Bobby, pointing to me, “The reluctant treasure hunter.” They both thought that was hilarious and went off down the hill, roaring with laughter.
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
If it’s a draw between a baby and Henry, I’ll kick his ornery butt all the way to the fancy house in Jacksboro and tell him to stay there this time.” Appalled and uncertain how to react, Loretta said, “Fancy house?” “You don’t really think he goes there to get tobacco and coffee and the Godey’s Lady’s Book for us, do you?” Rachel touched Loretta’s shoulder. “Don’t look so woebegone. He leaves me alone for nigh on a month after. I consider it a blessing.” Loretta threw back her head and gave a weak laugh. “Uncle Henry visiting a fancy house? Oh, Aunt Rachel, I bet those ladies double their rates when they see the likes of him coming!” “No doubt,” Rachel said grimly.
Catherine Anderson (Comanche Moon (Comanche, #1))
Watching you and my daughter, seeing how you’ve survived things other women couldn’t--” She licked her lips. “That steel in your backbones came from your bringin’ up, from me. I’ve taught you to stand up and fight back. I’ve raised you proud. Lately, I’ve been staring into my looking glass, wondering where the old Rachel has got off to.” “Oh, Aunt Rachel, you’ve only done what you felt you had to for me and Amy.” Rachel nodded. “Yes. But there comes a time when a body must draw the line." She sighed and rolled her eyes, a reluctant smile tugging at her mouth. “If it’s a draw between a baby and Henry, I’ll kick his ornery butt all the way to the fancy house in Jacksboro and tell him to stay there this time.” Appalled and uncertain how to react, Loretta said, “Fancy house?” “You don’t really think he goes there to get tobacco and coffee and the Godey’s Lady’s Book for us, do you?” Rachel touched Loretta’s shoulder. “Don’t look so woebegone. He leaves me alone for nigh on a month after. I consider it a blessing.” Loretta threw back her head and gave a weak laugh. “Uncle Henry visiting a fancy house? Oh, Aunt Rachel, I bet those ladies double their rates when they see the likes of him coming!” “No doubt,” Rachel said grimly. “A lover, Henry ain’t. I’ve wasted a lot of years kowtowing to him. I don’t plan to waste any more. I can make it without a man. Just you watch me.” She pushed to her feet and extended Loretta a helping hand. “Come on, little mother. I’ll fix you some remedy for that rolling tummy.” “Oh, Aunt Rachel, do you think it’s for sure?” “Sure enough that we’d best start cutting out nightshirts. I got flannel tucked away in my barrel. That’ll make up nice.” Loretta smiled, and taking a deep breath, she passed a hand over her brow. “I am powerful pleased, Aunt Rachel!” “Just keep thinkin’ that way until I get Henry told.” “Do we have to tell him right now?” “Honey, if you go to upchucking of a morning before you can reach the privacy, he’s gonna know anyway. May as well light his fuse when we’re expecting the explosion.
Catherine Anderson (Comanche Moon (Comanche, #1))
Rapp pulled a woebegone face. “My doctor tells me I might never be able to have sex again.” Anna tried her best not to smile. “The divorce papers will be on your desk in the morning.
Vince Flynn (Executive Power (Mitch Rapp, #6))
woebegone. As
Kami Garcia (Beautiful Redemption (Caster Chronicles, #4))
He turned back to me, his eyes taking on a sad, woebegone look. "Warprize, are these cloths up my nose really necessary? They will not stay in!" "Yes, they are." "What if I did this?" He took a strip of bandage from my supplies and tied it over his nose and mouth. "If we dip this in the oil? Please?" I had to smile at his pleading tone. "That would work." "Epor, you are my hero." Isdra sighed with relief as they quickly rigged the masks and made ready to leave.
Elizabeth Vaughan (Warsworn (Chronicles of the Warlands, #2))
The true nature of victory lies in the true self Even when burnt to pieces it tinkles in its shell
Hornbill Harcel (Woebegone Wynds)
The connection fell among the tendrils of stems and became a tool at Homines realm
Hornbill Harcel (Woebegone Wynds)
Divided hearts is what I am now Forever alone in the wilderness
Hornbill Harcel (Woebegone Wynds)
The breath has no thread Yet it keeps on breathing I’m alive it says But only the dead hears
Hornbill Harcel (Woebegone Wynds)
When rain pours on the temple of her eyes I flashed back to the memories buried deep inside
Hornbill Harcel (Woebegone Wynds)
Effete tells and tales they encase never fitting in a utopian plaquette
Hornbill Harcel (Woebegone Wynds)
Deers, dolphins, and cryptic Silvermist carves a delicate blanket as they kissed
Hornbill Harcel (Woebegone Wynds)
Green gables in the countryside haunts my dreams, impede my appetite
Hornbill Harcel (Woebegone Wynds)
Divided hearts is what I am now Forever alone in the wilderness Living and dying In a gloom of mist and happiness
Hornbill Harcel (Woebegone Wynds)
No longer will this body obey All your strings and pulley chains
Hornbill Harcel (Woebegone Wynds)
The Sun has Gone The beast is set Today there will be bloodshed
Hornbill Harcel (Woebegone Wynds)
For you are dawn, I am your dusk And there is no past, no histories to trust
Hornbill Harcel (Woebegone Wynds)
Twas two kinds of death I faced One was now and the other then
Hornbill Harcel (Woebegone Wynds)
The bullets and the guns pierce through me My Armor’s made of specter, Still, the heart runs a scary beat
Hornbill Harcel (Woebegone Wynds)
Victory was destined to reek of soil and blood When he twice made his mind to move Heavens and Earth
Hornbill Harcel (Woebegone Wynds)
And I never got the chance to explain to Foy and his close-minded ilk that Mark Twain’s truth is that your average black nigger is morally and intellectually superior to the average white nigger, but no, those pompous Dum Dum niggers wanted to ban the word, disinvent the watermelon, snorting in the morning, washing your dick in the sink, and the eternal shame of having pubic hair the color and texture of unground pepper. That’s the difference between most oppressed peoples of the world and American blacks. They vow never to forget, and we want everything expunged from our record, sealed and filed away for eternity. We want someone like Foy Cheshire to present our case to the world with a set of instructions that the jury will disregard centuries of ridicule and stereotype and pretend the woebegone niggers in front of you are starting from scratch.
Paul Beatty (The Sellout)
woebegone
Jacqueline Wilson (Katy)
woebegone.
Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
Wise husband is one who thinks twice before saying nothing.
Jim Stevens (The Case of the Woebegone Widow (Richard Sherlock Whodunit #5))
A victory looks but a sorry thing to the boy conscript lying cramped, and bleeding, and crushed, and woe-begone in the ambulance wagon on the red evening-tide after the battle.
Ouida (Puck)
I glanced back before I got into the car and he was basically Velcro’d to the window with a woebegone expression on his tiny furry face.
Taryn Quinn (His Temporary Assistant (Kensington Square, #1))
To these old hands, rock and roll sounded like musical illiteracy, the undignified, untutored keenings of woebegone Negroes, hicks, and juvenile delinquents.
Joel Selvin (Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues)