Wobble Day Quotes

We've searched our database for all the quotes and captions related to Wobble Day. Here they are! All 91 of them:

After tail spinning into chaos, one needs a bolt-hole, to resource and ‘challenge’ oneself, break free from the haunting constrictions, squirrel back into bouncy and buoyant surroundings and enjoy the many laugh-out-loud-moments of the day. As soon as one manages to wobble out of one’s shell, everything may click into place again and the radiance and glare of the bright side of life might show again. ("Imbroglio")
Erik Pevernagie
I have never been one of those people—I know you aren’t, either—who feels that the love one has for a child is somehow a superior love, one more meaningful, more significant, and grander than any other. I didn’t feel that before Jacob, and I didn’t feel that after. But it is a singular love, because it is a love whose foundation is not physical attraction, or pleasure, or intellect, but fear. You have never known fear until you have a child, and maybe that is what tricks us into thinking that it is more magnificent, because the fear itself is more magnificent. Every day, your first thought is not “I love him” but “How is he?” The world, overnight, rearranges itself into an obstacle course of terrors. I would hold him in my arms and wait to cross the street and would think how absurd it was that my child, that any child, could expect to survive this life. It seemed as improbable as the survival of one of those late-spring butterflies—you know, those little white ones—I sometimes saw wobbling through the air, always just millimeters away from smacking itself against a windshield.
Hanya Yanagihara (A Little Life)
Big words from a guy who's trussed up like a turkey. What are you going to do, wobble over here like an upside-down turtle to snap me in half?
Susan Ee (Angelfall (Penryn & the End of Days, #1))
My mother hasn’t asked the questions that a normal person would ask, and I’m grateful for it. It’s like the world has become so crazy that it makes sense to her now. I turn on the engine and drive us out. ‘Thanks, Mom. For coming to rescue me.’ My voice comes out reedy and a little wobbly. I clear my throat. ‘Not every mom would do that in a world like this.
Susan Ee (End of Days (Penryn & the End of Days, #3))
Two thousand years ago the night sky looked completely different, and so when you get right down to it, the Greek conceptions of star signs as related to birth dates are grossly inaccurate for today's day and age. It's called the Line of Procession: back then the sun didn't set in Taurus, but in Gemini. A September 24 birthday didn't mean you were a Libra, but a Virgo. And there was a thirteenth zodiac constellation, Ophiuchus the Serpent Bearer, which rose between Sagittarius and Scorpio for only four days. The reason it's all off kilter? The earth's axis wobbles. Life isn't nearly as stable as we want it to be.
Jodi Picoult (My Sister’s Keeper)
I prefer physical books to eBooks, because an eBook can’t be the solution to a wobbly chair like a real book can.
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
Feyre," he said--softly enough that I faced him again. "Why?" He tilted his head to the side. "You dislike our kind on a good day. And after Andras . . ." Even in the darkened hallway, his usual bright eyes were shadowed. "So why?" I took a step closer to him, my blood-covered feet sticking to the rug. I glanced down the stairs to where I could still see the prone form of the faerie and the stumps of his wings. "Because I wouldn't want to die alone," I said, and my voice wobbled as I looked at Tamlin again, forcing myself to meet his stare. "Because I'd want someone to hold my hand until the end, and awhile after that. That's something everyone deserves, human or faerie." I swallowed hard, my throat painfully tight. "I regret what I did to Andras," I said, the words so strangled they were no more than a whisper. "I regret that there was . . . such hate in my heart. I wish I could undo it--and . . . I'm sorry. So very sorry.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
The creative process isn’t easy, even for chocolate-fountain people. It’s more like a wobbly, drunken journey down a very steep and scary hill, not knowing if there’s a sheer cliff at the end of it all. But it’s worth the journey, I promise.
Felicia Day (You're Never Weird on the Internet (Almost))
WHAT THE LIVING DO Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there. And the Drano won't work but smells dangerous, and the crusty dishes have piled up waiting for the plumber I still haven't called. This is the everyday we spoke of. It's winter again: the sky's a deep, headstrong blue, and the sunlight pours through the open living-room windows because the heat's on too high in here and I can't turn it off. For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking, I've been thinking: This is what the living do. And yesterday, hurrying along those wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve, I thought it again, and again later, when buying a hairbrush: This is it. Parking. Slamming the car door shut in the cold. What you called that yearning. What you finally gave up. We want the spring to come and the winter to pass. We want whoever to call or not call, a letter, a kiss--we want more and more and then more of it. But there are moments, walking, when I catch a glimpse of myself in the window glass, say, the window of the corner video store, and I'm gripped by a cherishing so deep for my own blowing hair, chapped face, and unbuttoned coat that I'm speechless: I am living. I remember you.
Marie Howe (What the Living Do: Poems)
No one is born a sprinter. We all learn to push ourselves up from the floor and then balance before taking that first, wobbly step. It is an individual choice where to go from there.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
There were people who escaped Hiroshima and rushed to Nagasaki to see that their loved ones were safe. Arriving just in time to be incinerated. He went there after the war with a team of scientists. My father. He said that everything was rusty. Everything looked covered with rust. There were burnt-out shells of trolleycars standing in the streets. The glass melted out of the sashes and pooled on the bricks. Seated on the blackened springs the charred skeletons of the passengers with their clothes and hair gone and their bones hung with blackened strips of flesh. Their eyes boiled from their sockets. Lips and noses burned away. Sitting in their seats laughing. The living walked about but there was no place to go. They waded by the thousands into the river and died there. They were like insects in that no one direction was preferable to another. Burning people crawled among the corpses like some horror in a vast crematorium. They simply thought that the world had ended. It hardly even occurred to them that it had anything to do with the war. They carried their skin bundled up in their arms before them like wash that it not drag in the rubble and ash and they passed one another mindlessly on their mindless journeyings over the smoking afterground, the sighted no better served than the blind. The news of all this did not even leave the city for two days. Those who survived would often remember these horrors with a certain aesthetic to them. In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry a thousand years. Like an immense bladder, they would say. Like some sea thing. Wobbling slightly on the near horizon. Then the unspeakable noise. They saw birds in the dawn sky ignite and explode soundlessly and fall in long arcs earthward like burning party favors. p.116
Cormac McCarthy (The Passenger (The Passenger #1))
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
Every habit and faculty is confirmed and strengthened by the corresponding actions, that of walking by walking, that of running by running. If you wish to be a good reader, read; if you wish to be a good writer, write. If you should give up reading for thirty days one after the other, and be engaged in something else, you will know what happens. So also if you lie in bed for ten days, get up and try to take a rather long walk, and you will see how wobbly your legs are. In general, therefore, if you want to do something, make a habit of it; if you want not to do something, refrain from doing it, and accustom yourself to something else instead.
Epictetus (Epictetus. The Discourses as Reported By Arrian. Vol. I. Books 1 and 2. With an English Translation By W. A. Oldfather)
TINA: I’ll have to go to the Ministry with what I’ve got. (a wobble in her voice) It was nice to see you again, Mr. Scamander. She strides from the room, leaving NEWT perplexed and upset. INT. FLAMEL HOUSE, HALLWAY—AFTERNOON JACOB follows TINA into the hall. JACOB: Hey, hold on one second, will you? Well, hold on! Wait! Tina! She leaves. As the front door closes, NEWT appears at the drawing room door. JACOB: (to NEWT) You didn’t mention salamanders, did you? NEWT: No, she just—ran. I don’t know . . . JACOB (firm): So you chase after her! NEWT grabs his case. He leaves.  EXT. RUE DE MONTMORENCY—END OF DAY TINA is hurrying up the road. NEWT hastens to catch up. NEWT: Tina. Please, just listen to me— TINA: Mr. Scamander, I need to go talk to the Ministry—and I know how you feel about Aurors— NEWT: I may have been a little strong in the way that I expressed myself in that letter— TINA: What was the exact phrase? “A bunch of careerist hypocrites”? NEWT: I’m sorry, but I can’t admire people whose answer to everything that they fear or misunderstand is “kill it”! TINA: I’m an Auror and I don’t— NEWT: Yes, and that’s because you’ve gone middle head! TINA (stopping): Excuse me? NEWT: It’s an expression derived from the three heads of the Runespoor. The middle one is the visionary. Every Auror in Europe wants Credence dead—except you. You’ve gone middle head. A beat. TINA: Who else uses that expression, Mr. Scamander? NEWT considers. NEWT: I think it might just be me.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
I have never been one of those people—I know you aren’t, either—who feels that the love one has for a child is somehow a superior love, one more meaningful, more significant, and grander than any other. I didn’t feel that before Jacob, and I didn’t feel that after. But it is a singular love, because it is a love whose foundation is not physical attraction, or pleasure, or intellect, but fear. You have never known fear until you have a child, and maybe that is what tricks us into thinking that it is more magnificent, because the fear itself is more magnificent. Every day, your first thought is not “I love him” but “How is he?” The world, overnight, rearranges itself into an obstacle course of terrors. I would hold him in my arms and wait to cross the street and would think how absurd it was that my child, that any child, could expect to survive this life. It seemed as improbable as the survival of one of those late-spring butterflies—you know, those little white ones—I sometimes saw wobbling through the air, always just millimeters away from smacking itself against a windshield. And let me tell you two other things I learned. The first is that it doesn’t matter how old that child is, or when or how he became yours. Once you decide to think of someone as your child, something changes, and everything you have previously enjoyed about them, everything you have previously felt for them, is preceded first by that fear. It’s not biological; it’s something extra-biological, less a determination to ensure the survival of one’s genetic code, and more a desire to prove oneself inviolable to the universe’s feints and challenges, to triumph over the things that want to destroy what’s yours. The second thing is this: when your child dies, you feel everything you’d expect to feel, feelings so well-documented by so many others that I won’t even bother to list them here, except to say that everything that’s written about mourning is all the same, and it’s all the same for a reason—because there is no real deviation from the text. Sometimes you feel more of one thing and less of another, and sometimes you feel them out of order, and sometimes you feel them for a longer time or a shorter time. But the sensations are always the same. But here’s what no one says—when it’s your child, a part of you, a very tiny but nonetheless unignorable part of you, also feels relief. Because finally, the moment you have been expecting, been dreading, been preparing yourself for since the day you became a parent, has come. Ah, you tell yourself, it’s arrived. Here it is. And after that, you have nothing to fear again.
Hanya Yanagihara (A Little Life)
Now consider the tortoise and the eagle. The tortoise is a ground-living creature. It is impossible to live nearer the ground without being under it. Its horizons are a few inches away. It has about as good a turn of speed as you need to hunt down a lettuce. It has survived while the rest of evolution flowed past it by being, on the whole, no threat to anyone and too much trouble to eat. And then there is the eagle. A creature of the air and high places, whose horizons go all the way to the edge of the world. Eyesight keen enough to spot the rustle of some small and squeaky creature half a mile away. All power, all control. Lightning death on wings. Talons and claws enough to make a meal of anything smaller than it is and at least take a hurried snack out of anything bigger. And yet the eagle will sit for hours on the crag and survey the kingdoms of the world until it spots a distant movement and then it will focus, focus, focus on the small shell wobbling among the bushes down there on the desert. And it will leap… And a minute later the tortoise finds the world dropping away from it. And it sees the world for the first time, no longer one inch from the ground but five hundred feet above it, and it thinks: what a great friend I have in the eagle. And then the eagle lets go. And almost always the tortoise plunges to its death. Everyone knows why the tortoise does this. Gravity is a habit that is hard to shake off. No one knows why the eagle does this. There’s good eating on a tortoise but, considering the effort involved, there’s much better eating on practically anything else. It’s simply the delight of eagles to torment tortoises. But of course, what the eagle does not realize is that it is participating in a very crude form of natural selection. One day a tortoise will learn how to fly.
Terry Pratchett (Small Gods (Discworld, #13))
Four times during the first six days they were assembled and briefed and then sent back. Once, they took off and were flying in formation when the control tower summoned them down. The more it rained, the worse they suffered. The worse they suffered, the more they prayed that it would continue raining. All through the night, men looked at the sky and were saddened by the stars. All through the day, they looked at the bomb line on the big, wobbling easel map of Italy that blew over in the wind and was dragged in under the awning of the intelligence tent every time the rain began. The bomb line was a scarlet band of narrow satin ribbon that delineated the forward most position of the Allied ground forces in every sector of the Italian mainland. For hours they stared relentlessly at the scarlet ribbon on the map and hated it because it would not move up high enough to encompass the city. When night fell, they congregated in the darkness with flashlights, continuing their macabre vigil at the bomb line in brooding entreaty as though hoping to move the ribbon up by the collective weight of their sullen prayers. "I really can't believe it," Clevinger exclaimed to Yossarian in a voice rising and falling in protest and wonder. "It's a complete reversion to primitive superstition. They're confusing cause and effect. It makes as much sense as knocking on wood or crossing your fingers. They really believe that we wouldn't have to fly that mission tomorrow if someone would only tiptoe up to the map in the middle of the night and move the bomb line over Bologna. Can you imagine? You and I must be the only rational ones left." In the middle of the night Yossarian knocked on wood, crossed his fingers, and tiptoed out of his tent to move the bomb line up over Bologna.
Joseph Heller (Catch-22)
A tick of amusement flashed in Tomas’ eyes. “I can see you are not quite comfortable with leaving your quarters just yet, so may I order you some food?” Helena lifted her chin. She was determined to bury her fear, and that included her wobbly knees that seemed to recognize she was talking to a lion who, under normal circumstances, viewed her as a tasty gazelle. “Sausage Pizza and…Dr. Pepper.” Tomas stared for several moments, fear filling his eyes. “I am certain we can find you a pizza, but I was not aware you are ill and require a doctor. Niccolo will have my head.” This was going to be a very, very long day.
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
Try doing that again and I’ll snap you in half before you know it.” “Big words from a guy who’s trussed up like a turkey. What are you going to do, wobble over here like an upside-down turtle to snap me in half?
Susan Ee (Angelfall (Penryn & the End of Days, #1))
I've always fixated on the things I want in my life--paint palettes and sumptuous fabrics and star-flecked skies and dancing on my tiptoes and the smell of jasmine. But I usually imagine myself alone or falling in love with all kinds of different people. These days, I've started to daydream of the permanent relationships I want to have. Friends who stay in my life forever. People who I trust to love me even if I'm wobbling--the way I trust Jonah. And if that's what I want, then I have scorched Earth to till and replant. I have a Japanese maple seedling, and I have seen how beautiful a rooted life can be. But I have miles to go before I decide where to plant us.
Emery Lord (When We Collided)
You have never known fear until you have a child, and maybe that is what tricks us into thinking that it is more magnificent, because the fear itself is more magnificent. Every day, your first thought is not “I love him” but “How is he?” The world, overnight, rearranges itself into an obstacle course of terrors. I would hold him in my arms and wait to cross the street and would think how absurd it was that my child, that any child, could expect to survive this life. It seemed as improbable as the survival of one of those late-spring butterflies—you know, those little white ones—I sometimes saw wobbling through the air, always just millimeters away from smacking itself against a windshield.
Hanya Yanagihara (A Little Life)
I was standing in a line, balanced between reality and the ever-after. I could go either way. I wasn’t his yet. “One day a week,” I said, knees wobbling. “I give you Newt’s mark, you give me my name,” Al said, then wiggled his fingers as if he needed me to take them to finish the deal. I reached for it, and at the last moment, Al’s glove melted away, and I found myself gripping his hand.
Kim Harrison (The Outlaw Demon Wails (The Hollows, #6))
Depending on how he gripped the ball and how hard he threw it, Satchel Paige had pitches that included the bat-dodger, the two-hump blooper, the four-day creeper, the dipsy-do, the Little Tom, the Long Tom, the bee ball, the wobbly ball, the hurry-up ball and the nothin’ ball.
Buck O'Neil (I Was Right On Time)
She stopped shrieking after a moment. It wasn't the crazy looks she drew from the other pedestrians that made her stop. And her damaged sanity hadn't managed to repair itself. She'd left something behind in that apartment. Something she'd always taken for granted. Faith in a rational world. It was like a tiny cog had been removed from her brain, and all the gears were still working, but a slight wobble was slowly and inevitably stripping the teeth until one day, without warning the Rube Goldberg device that was her mind would fall apart with a loud SPROING.
A. Lee Martinez (Chasing the Moon)
I miss her so much, you know,' he said, his voice wobbling. 'Every day. Even now I'm always thinking about things I want to tell her. Stuff she'd find funny. I didn't even know what I was doing that first year. It was like someone had turned off the sun. The center of everything was suddenly gone.
Morgan Matson (The Unexpected Everything)
Bath" The day is fresh-washed and fair, and there is a smell of tulips and narcissus in the air. The sunshine pours in at the bath-room window and bores through the water in the bath-tub in lathes and planes of greenish-white. It cleaves the water into flaws like a jewel, and cracks it to bright light. Little spots of sunshine lie on the surface of the water and dance, dance, and their reflections wobble deliciously over the ceiling; a stir of my finger sets them whirring, reeling. I move a foot and the planes of light in the water jar. I lie back and laugh, and let the green-white water, the sun-flawed beryl water, flow over me. The day is almost too bright to bear, the green water covers me from the too bright day. I will lie here awhile and play with the water and the sun spots. The sky is blue and high. A crow flaps by the window, and there is a whiff of tulips and narcissus in the air.
Amy Lowell (The Complete Poetical Works of Amy Lowell)
You have to wait for good things to happen—wait and wait and work so hard—but bad things occur out of the blue, like fire alarms triggered in the dead of night, blaring randomly, a shock of sound, a chatter of current from which there is no turning back. There's only the day that starts like any other, and when it ends, it leaves you shaken, wobbly, unsure of where you stand, the patch of ground that holds your feet dissolving, disintegrating from under you. Often there's a sign, a harbinger of what's to come. Sometimes there are many signs, like black crows scattered in the road, but they blend into the scenery on the path ahead. You can only spot them when you look back.
Gennifer Choldenko (No Passengers Beyond This Point)
A tattoo is an energy exchange that can be addictive for both client and practitioner, and those two tattoos with ashes carried wild energy—lightning crackling and popping on clear-skied days—and made Mike’s hands wobble in a way they hadn’t wobbled in twenty years. His breath was high and greedy in his chest, and just the emotion, the connection of it, was unreal.
Aric Davis (A Good and Useful Hurt)
What did you do?" said Charles. "You know that night all our shoes went into the hall," said Nirupam. "Well, we had a feast that night. Dan Smith made me get up the floorboards and get the food out. He says I have no right to be so large and so weak," Nirupam said resentfully, "and I was hating him for it, when I took the boards up and found a pair of running shoes, with spikes, hidden there with the food. I turned those shoes into a chocolate cake. I knew Dan was so greedy that he would eat it all himself. And he did eat it. He didn't let anyone else have any. You may have noticed that he wasn't quite himself the next day." So much had happened to Charles that particular day, that he could not remember Dan seeming anything at all. He didn't have the heart to explain all the trouble Nirupam had caused him. "Those were my spikes," he said sadly. He wobbled along on the mop rather awed at the thought of iron spikes passing through Dan's stomach. "He must have a digestion like an ostrich!" "The spikes were turned into cherries," said Nirupam. "The soles were the cream. The shoes as a whole became what is called a Black Forest gateau.
Diana Wynne Jones (Witch Week (Chrestomanci, #3))
America I’ve given you all and now I’m nothing. America two dollars and twentyseven cents January 17, 1956. I can’t stand my own mind. America when will we end the human war? Go fuck yourself with your atom bomb. I don’t feel good don’t bother me. I won’t write my poem till I’m in my right mind. America when will you be angelic? When will you take off your clothes? When will you look at yourself through the grave? When will you be worthy of your million Trotskyites? America why are your libraries full of tears? America when will you send your eggs to India? I’m sick of your insane demands. When can I go into the supermarket and buy what I need with my good looks? America after all it is you and I who are perfect not the next world. Your machinery is too much for me. You made me want to be a saint. There must be some other way to settle this argument. Burroughs is in Tangiers I don’t think he’ll come back it’s sinister. Are you being sinister or is this some form of practical joke? I’m trying to come to the point. I refuse to give up my obsession. America stop pushing I know what I’m doing. America the plum blossoms are falling. I haven’t read the newspapers for months, everyday somebody goes on trial for murder. America I feel sentimental about the Wobblies. America I used to be a communist when I was a kid I’m not sorry. I smoke marijuana every chance I get. I sit in my house for days on end and stare at the roses in the closet. When I go to Chinatown I get drunk and never get laid. My mind is made up there’s going to be trouble. You should have seen me reading Marx. My psychoanalyst thinks I’m perfectly right. I won’t say the Lord’s Prayer. I have mystical visions and cosmic vibrations. America I still haven’t told you what you did to Uncle Max after he came over from Russia. I’m addressing you. Are you going to let your emotional life be run by Time Magazine? I’m obsessed by Time Magazine. I read it every week. Its cover stares at me every time I slink past the corner candystore. I read it in the basement of the Berkeley Public Library. It’s always telling me about responsibility. Businessmen are serious. Movie producers are serious. Everybody’s serious but me. It occurs to me that I am America. I am talking to myself again. ...
Allen Ginsberg (Howl and Other Poems)
Being afraid reminds us how alive we are. What makes you afraid, Stasia?” I felt my legs get wobbly. “Nothing scares me,” I said with as much confidence as I could muster. He definitely terrified me, but only because I didn’t trust my body to function correctly around him. “Nothing at all?” His gaze intensified. “Nothing at all.” I straightened and held my chin slightly higher to prove it. “You’re not a good liar.” He leaned in closer and I could feel his breath on my cheeks. “What makes you afraid?” I whispered. I was having trouble breathing. His answer was another slow smile. If I moved forward even an inch, his mouth would be on mine. Trying not to hyperventilate, I noticed when his eyes glanced down at my lips. His smile disappeared abruptly and he took a step back. As he turned his attention to the water, I tried to figure out what had just happened. My entire body, humming with electricity, was instantly cooled by the distance he’d put between us.
Kristen Day (Forsaken (Daughters of the Sea, #1))
Sometimes the gap between wrong and right is so negligible that we ignore it altogether. We pretend that the length of a day is 24 hours and that the ground beneath our feet is steady, when in fact the length of the day changes and Earth’s axis wobbles constantly as we hurtle around the sun at about 66,000 miles per hour and the sun moves around the center of the galaxy at about 500,000 miles per hour.
Konstantin Kakaes (The Pioneer Detectives: Did a distant spacecraft prove Einstein and Newton wrong? (Kindle Single))
Gustavo Tiberius speaking." “It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.” “It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.” “Oh boy, there’s the Grumpy Gus I know. You miss me?” Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.” “Really.” “Yes.” “Gus.” “Casey.” “I miss you.” “I miss you too,” Gus mumbled into the phone, blushing fiercely. “Yeah? How much?” Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.” “I know what you mean,” Casey said. “The guys were saying the same thing about me.” Gus smiled. “How embarrassing for you.” “Completely. You have no idea.” “They’re going to get you packed up this week?” “Ah, yeah. Sure. Something like that.” “Casey.” “Yes, Gustavo.” “You’re being cagey.” “I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.” Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?” There was a knock on the window to the Emporium. Gus looked up. Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen. Casey wiggled his eyebrows at Gus. “Hey, man.” “Hi,” Gus croaked. “Come over here, but stay on the phone, okay?” Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal. Gus went to the window, and Casey smiled that lazy smile. He said, “Hi.” Gus said, “Hi.” “So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?” “I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close. The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.” Gus didn’t even try to stop the eye roll. “Oh my god.” “Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.” “What did?” Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?” “Yeah?” “I’m going to ask you a question, okay?” Gustavo’s throat felt very dry. “Okay.” “What was the Oscar winner for Best Song in 1984?” Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to— And then he could barely breathe. Casey’s smile wobbled a little bit. “Okay?” Gus blinked the burn away. He nodded as best he could. And Casey said, “Yeah, man. I love you too.” Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
T.J. Klune (How to Be a Normal Person (How to Be, #1))
But it is a singular love, because it is a love whose foundation is not physical attraction, or pleasure, or intellect, but fear. You have never known fear until you have a child, and maybe that is what tricks us into thinking that it is more magnificent, because the fear itself is more magnificent. Every day, your first thought is not “I love him” but “How is he?” The world, overnight, rearranges itself into an obstacle course of terrors. I would hold him in my arms and wait to cross the street and would think how absurd it was that my child, that any child, could expect to survive this life. It seemed as improbable as the survival of one of those late-spring butterflies—you know, those little white ones—I sometimes saw wobbling through the air, always just millimeters away from smacking itself against a windshield. And let me tell you two other things I learned. The first is that it doesn’t matter how old that child is, or when or how he became yours. Once you decide to think of someone as your child, something changes, and everything you have previously enjoyed about them, everything you have previously felt for them, is preceded first by that fear. It’s not biological; it’s something extra-biological, less a determination to ensure the survival of one’s genetic code, and more a desire to prove oneself inviolable to the universe’s feints and challenges, to triumph over the things that want to destroy what’s yours. The second thing is this: when your child dies, you feel everything you’d expect to feel, feelings so well-documented by so many others that I won’t even bother to list them here, except to say that everything that’s written about mourning is all the same, and it’s all the same for a reason—because there is no real deviation from the text. Sometimes you feel more of one thing and less of another, and sometimes you feel them out of order, and sometimes you feel them for a longer time or a shorter time. But the sensations are always the same. But here’s what no one says—when it’s your child, a part of you, a very tiny but nonetheless unignorable part of you, also feels relief. Because finally, the moment you have been expecting, been dreading, been preparing yourself for since the day you became a parent, has come. Ah, you tell yourself, it’s arrived. Here it is. And after that, you have nothing to fear again.
Hanya Yanagihara (A Little Life)
If ideas flow out of you easily like a chocolate fountain, bless you, and skip to the next chapter. But if you’re someone like me, who longs to create but finds the process agonizing, here’s my advice: –Find a group to support you, to encourage you, to guilt you into DOING. If you can’t find one, start one yourself. Random people enjoy having pancakes. –Make a goal. Then strike down things that are distracting you from that goal, especially video games. (Unless it’s this book; finish reading it and THEN start.) –Put the fear of God into yourself. Okay, I’m not religious. Whatever spiritual ideas float your boat. Read some obituaries, watch the first fifteen minutes of Up, I don’t care. Just scare yourself good. You have a finite number of toothpaste tubes you will ever consume while on this planet. Make the most of that clean tooth time. For yourself. The creative process isn’t easy, even for chocolate-fountain people. It’s more like a wobbly, drunken journey down a very steep and scary hill, not knowing if there’s a sheer cliff at the end of it all. But it’s worth the journey, I promise.
Felicia Day (You're Never Weird on the Internet (Almost))
I don’t get it.” He sighed, standing up and throwing his dinner into the trash can. As he turned back to me, I saw total confusion in his eyes. “When I was thirteen, my dad bought my mom a new car. She came home from the grocery store one day, and bam—there it was. Red bow and everything. And she said all the same things you’re saying. It’s too much, you shouldn’t have done this—everything. And my dad kissed her, handed her the keys, and said, ‘Let’s go for a drive.’ And that was it. She gave in.” He leaned against a sawhorse, dragging his hands through his hair. “You know why? Because she knew how much it meant to him. Everything he did was to make her happy.” His voice deepened toward the end, sounding rough and a little choppy. His blue eyes were huge, and I could see his jaw clenching. He cleared his throat. Twice. Then he swallowed hard. Shit. “So keep the car, don’t keep the car, whatever. I just wanted to do something nice for you, because I could.” His voice wobbled a bit, and I couldn’t take it anymore. I was in front of him, pulling him close and wrapping his strong arms around me. I held him tight. A minute later, I felt him hang on. Sweet boy.
Alice Clayton (Rusty Nailed (Cocktail, #2))
I used to believe that I could do everything and be everywhere. I could work longer hours, make the dead line, cook delicious meals, play with the kids, get enough sleep, focus on my health. And I can absolutely can do all these things. But not at the same time. Not on the same day. Realizing that was a delightful freedom. Letting go of that notion of constant balance was releasing a breath I didn't realize I'd been holding. You mean I don't have to be everything to everyone all the time? I don't have to keep all the balls in the air all the time? I can change balls? I can choose different balls? Balance is finding the correct weight for every area of life and understanding that the correctness of that weight will change over time. Balance is fluid and flexible. Balance is alive and aware. Balance is intention. This idea of balance- a correctness rather than an equalness has taught me some of the most important lessons of my life. - I can not be everything to everyone - I can not be in all places at once. - Saying yes to one thing means saying no to another. - Saying no to one thing means I can say yes to another. - Perfection doesn't exist. Let it go. - I can not change people - I have to stop comparing myself to others. They aren't me. I'm not them. - I will never finish the laundry - I can't control everything - Bad things happen to good people and vice versa. - My kids aren't me. - Being all in a moment means I'm all out of another. - Envy and jealousy are different things. - Achievements never look like I thought they were going to. - Being kind to others is addictive. - I can't always be self- possessed. - Sometimes I need a cheerleader. - I like being part of a community. - Asking for help is hard, but necessary. Embrace the wobbly balance.
Brooke McAlary (Slow: Simple Living for a Frantic World)
Yep! I was twenty-six years old and an associate beauty editor at Lucky, one of the top fashion magazines in America, and that’s all that most people knew about me. But beneath the surface, I was full of secrets: I was an addict, for one. A pillhead! I was also an alcoholic-in-training who drank warm Veuve Clicquot after work, alone in my boss’s office with the door closed; a conniving uptown doctor shopper who haunted twenty-four-hour pharmacies while my coworkers were at home watching True Blood in bed with their boyfriends; a salami-and-provolone-puking bulimic who spent a hundred dollars a day on binge foods when things got bad (and they got bad often); a weepy, wobbly hallucination-prone insomniac who jumped six feet in the air à la LeBron James and gobbled Valium every time a floorboard squeaked in her apartment; a tweaky self-mutilator who sat in front of The Tonight Show with Jay Leno, digging gory abscesses into her bikini line with Tweezerman Satin Edge Needle Nose Tweezers;
Cat Marnell (How to Murder Your Life)
So much is kept off limits these days. There are things we don't speak of, things we not only don't remember but carefully forget, places we do not stray into, memories we bury or reshape. That is the way we all live nowadays: driving a long a road between hallucination and amnesia. As long as you are moving, you are OK -- you have negotiated safe passage, for the moment. It is only when you come to a stop like this, in a black night in the middle of nowhere, that things wobble a bit and you wonder about the purpose of roads. You sit in the dark, frightened at the life you've led and things you've led undone. You can only hope that in the long run it won't matter, but that in itself is no consolation at all.
Romesh Gunesekera (Noontide Toll: Stories)
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?” Still no response. “Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.” Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate. And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood. That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle. “You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!” A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?” He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . . His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman. Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.” And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink. “What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?” Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable. She grimaced, then said, “I’ll be fine.” Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?” She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.” “Are you faint? Dizzy? Weak?” She shook her head. “Just in pain. What are you doing here?” He smiled through his tears. “I came to find you.” “You did?” she whispered. He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.” Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx
Holly Smale (Picture Perfect (Geek Girl, #3))
There are those who sail through a ‘visit from Auntie Flo’, enduring little more than a twinge in the abdomen. And then there are people like me, who firmly believe their uterus is re-enacting the Battle of the Somme. Allow me to paint a picture for you. It’s fucking ugly. Your body bloats, your tits hurt and you sweat uncontrollably. Your crevices start to feel like a swamp and your head is pounding all the time. You feel like you have a cold – shivering, aching, nauseous – and have the hair-trigger emotions of someone who has not slept for days. But we’re not done yet. The intense cramping across your lower abdomen feels like the worst diarrhoea you’ve ever had – in fact, you’ll also get diarrhoea, to help with the crying fits. As your internal organs contract and tear themselves to blooded bits so you can lay an egg, blasts of searing pain rip through you. You bleed so much that all ‘intimate feminine hygiene products’ fail you – it’s like trying to control a lava flow with an oven mitt. You worry people can smell your period. You are terrified to sit on anything or stand up for a week in case you’ve bled through. And as you’re sitting, a crying, sweaty, wobbly, spotty, smelly mess, some bastard asks ‘Time of the month, love?’ And then you have to eat his head.
Kate Lister (A Curious History of Sex)
The best part (or maybe the worst) of loving you is... that I never have any plan to stop. Because I don't want to reach the end. Too afraid to catch the finish line. Let me do it slowly, wobbly, as if I'm decrepit. Because, by doing that, I have many years to go, never ending days to come... enough time... to stuck... with you. Helplessly addicted, stupidly enraptured... by you. I love you this way, and will keep loving you this way. So come... wear your white gown... because there is a ring, waiting for your finger. A vow, waiting for your mouth to say it out. A man... waiting for you... to make a commitment to spend every tomorrow... together. Go hand in hand, to any kind of future we maybe have. Let's be happy. Let me... to make you happy. Come, marry me, and I will show you what kind of life you will get by laying down your happiness on my hand. I will be thankful for every second, and I will make you feel the same. Come, marry me. Because I want to make you my wife, and me, your husband. Come, start it, and then end it. With me....
Yuli Pritania (CallaSun)
The day Marty Anderson saw the billboard was just before the Internet finally went down for good. It had been wobbling for eight months since the first short interruptions. Everyone agreed it was only a matter of time, and everyone agreed they would muddle through somehow once the wired-in world finally went dark—after all, they had managed without it, hadn’t they? Besides, there were other problems, like whole species of birds and fish dying off, and now there was California to think about: going, going, possibly soon to be gone.
Stephen King (If It Bleeds)
Jalal-ud-Din Rumi used to tell a story about a far distant country, somewhere to the north of Afghanistan. In this country there was a city inhabited entirely by the blind. One day the news came that an elephant was passing outside the walls of this city. ‘The citizens called a meeting and decided to send a delegation of three men outside the gates so that they could report back what an elephant was. In due course, the three men left the town and stumbled forwards until they eventually found the elephant. The three reached out, felt the animal with their hands, then they all headed back to the town as quickly as they could to report what they had felt. ‘The first man said: “An elephant is a marvellous creature! It is like a vast snake, but it can stand vertically upright in the air!” The second man was indignant at hearing this: “What nonsense!” he said. “This man is misleading you. I felt the elephant and what it most resembles is a pillar. It is firm and solid and however hard you push against it you could never knock it over.” The third man shook his head and said: “Both these men are liars! I felt the elephant and it resembles a broad pankah. It is wide and flat and leathery and when you shake it it wobbles around like the sail of a dhow.” All three men stuck by their stories and for the rest of their lives they refused to speak to each other. Each professed that they and only they knew the whole truth. ‘Now of course all three of the blind men had a measure of insight. The first man felt the trunk of the elephant, the second the leg, the third the ear. All had part of the truth, but not one of them had even begun to grasp the totality or the greatness of the beast they had encountered. If only they had listened to one another and meditated on the different facets of the elephant, they might have realized the true nature of the beast. But they were too proud and instead they preferred to keep to their own half-truths. ‘So it is with us. We see Allah one way, the Hindus have a different conception, and the Christians have a third. To us, all our different visions seem incompatible and irreconcilable. But what we forget is that before God we are like blind men stumbling around in total blackness ...
Anonymous
[Hyun Song Shin] most accurately portrayed the state of the global economy. 'I'd like to tell you about the Millennium Bridge in London,' he began…'The bridge was opened by the queen on a sunny day in June,' Shin continued. 'The press was there in force, and many thousands of people turned up to savor the occasion. However, within moments of the bridge's opening, it began to shake violently.' The day it opened, the Millennium Bridge was closed. The engineers were initially mystified about what had gone wrong. Of course it would be a problem if a platoon of soldiers marched in lockstep across the bridge, creating sufficiently powerful vertical vibration to produce a swaying effect. The nearby Albert Bridge, built more than a century earlier, even features a sign directing marching soldiers to break step rather than stay together when crossing. But that's not what happened at the Millennium Bridge. 'What is the probability that a thousand people walking at random will end up walking exactly in step, and remain in lockstep thereafter?' Shin asked. 'It is tempting to say, 'Close to Zero' ' But that's exactly what happened. The bridge's designers had failed to account for how people react to their environment. When the bridge moved slightly under the feet of those opening-day pedestrians, each individual naturally adjusted his or her stance for balance, just a little bit—but at the same time and in the same direction as every other individual. That created enough lateral force to turn a slight movement into a significant one. 'In other words,' said Shin, 'the wobble of the bridge feeds on itself. The wobble will continue and get stronger even though the initial shock—say, a small gust of wind—had long passed…Stress testing on the computer that looks only at storms, earthquakes, and heavy loads on the bridge would regard the events on the opening day as a 'perfect storm.' But this is a perfect storm that is guaranteed to come every day.' In financial markets, as on the Millennium Bridge, each individual player—every bank and hedge fund and individual investor—reacts to what is happening around him or her in concert with other individuals. When the ground shifts under the world's investors, they all shift their stance. And when they all shift their stance in the same direction at the same time, it just reinforces the initial movement. Suddenly, the whole system is wobbling violently. Ben Bernanke, Mervyn King, Jean-Claude Trichet, and the other men and women at Jackson Hole listened politely and then went to their coffee break.
Neil Irwin (The Alchemists: Three Central Bankers and a World on Fire)
When I finally leave the market, the streets are dark, and I pass a few blocks where not a single electric light appears – only dark open storefronts and coms (fast-food eateries), broom closet-sized restaurants serving fish, meat, and rice for under a dollar, flickering candles barely revealing the silhouettes of seated figures. The tide of cyclists, motorbikes, and scooters has increased to an uninterrupted flow, a river that, given the slightest opportunity, diverts through automobile traffic, stopping it cold, spreads into tributaries that spill out over sidewalks, across lots, through filling stations. They pour through narrow openings in front of cars: young men, their girlfriends hanging on the back; families of four: mom, dad, baby, and grandma, all on a fragile, wobbly, underpowered motorbike; three people, the day’s shopping piled on a rear fender; women carrying bouquets of flapping chickens, gathered by their feet while youngest son drives and baby rests on the handlebars; motorbikes carrying furniture, spare tires, wooden crates, lumber, cinder blocks, boxes of shoes. Nothing is too large to pile onto or strap to a bike. Lone men in ragged clothes stand or sit by the roadsides, selling petrol from small soda bottles, servicing punctures with little patch kits and old bicycle pumps.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
No one is perfect, and I see ways in which each of the companies I’ve profiled could adjust and improve their social media initiatives. Then again, I’m well aware that there are things I could do to improve my own efforts. Sustaining relationships and leveraging social networks is challenging work. Yet the thing that strikes me about the individuals who are leading the companies and brands profiled in this book is their excitement. They work like animals, and the economy is still wobbly, but when they talk about their work, you get the definite sense that all they see are doors of opportunity flying open every day. It’s as though social media has given all its users an equal platform on which they can build not just their careers, but their dreams.
Gary Vaynerchuk (The Thank You Economy)
Does it stand, but not straight enough? Is there a bend in the tool? Leaning left like the Marxist-Leninist Party? To the right, like the Jan Sangh fascists? Or wobbling mindlessly in the middle, like the Congress Party? Fear not, for it can be straightened! Does it refuse to harden even with rubbing and massage? Then try my ointment, and it will become hard as the government's heart! All your troubles will vanish with this amazing ointment made from the organs of these wild animals! Capable of turning all men into engine-drivers! Punctual as the trains in the Emergency! Back and forth you will shunt with piston power every night! The railways will want to harness your energy! Apply this ointment once a day, and your wife will be proud of you! Apply it twice a day, and she will have to share you with the whole block!
Rohinton Mistry
~We were here~ We were here years ago Dusk swept away the white day departing monotonous sun to sleep “You came out of abyss or on High?” The scent of her willingness breasts I breathe ! Eyes closed ! Naked bodies sailed in colour, sound and smell her swan-like arms coiled The shadowy light of lamp the flamboyant bits of dying coal sighed in air Blood depurated the tawny flesh of bodies Beside on a table words scattered like flock of birds grief, dejection and melancholy b r o k e n bones of free verse In contrivance of our sweetest submission words rupture; secret message deciphered unrhymed metamorphosed to rhymes they read our skins like first love poem besotted in warm delighted air flying high as kite You were coaxed to sing in flow; I danced wobbly Wary sky above the roof ceased in our devout brittle embrace.
Satbir Singh Noor
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
History is storytelling,’” Yaw repeated. He walked down the aisles between the rows of seats, making sure to look each boy in the eye. Once he finished walking and stood in the back of the room, where the boys would have to crane their necks in order to see him, he asked, “Who would like to tell the story of how I got my scar?” The students began to squirm, their limbs growing limp and wobbly. They looked at each other, coughed, looked away. “Don’t be shy,” Yaw said, smiling now, nodding encouragingly. “Peter?” he asked. The boy who only seconds before had been so happy to speak began to plead with his eyes. The first day with a new class was always Yaw’s favorite. “Mr. Agyekum, sah?” Peter said. “What story have you heard? About my scar?” Yaw asked, smiling still, hoping, now to ease some of the child’s growing fear. Peter cleared his throat and looked at the ground. “They say you were born of fire,” he started. “That this is why you are so smart. Because you were lit by fire.” “Anyone else?” Timidly, a boy named Edem raised his hand. “They say your mother was fighting evil spirits from Asamando.” Then William: “I heard your father was so sad by the Asante loss that he cursed the gods, and the gods took vengeance.” Another, named Thomas: “I heard you did it to yourself, so that you would have something to talk about on the first day of class.” All the boys laughed, and Yaw had to stifle his own amusement. Word of his lesson had gotten around, he knew. The older boys told some of the younger ones what to expect from him. Still, he continued, making his way back to the front of the room to look at his students, the bright boys from the uncertain Gold Coast, learning the white book from a scarred man. “Whose story is correct?” Yaw asked them. They looked around at the boys who had spoken, as though trying to establish their allegiance by holding a gaze, casting a vote by sending a glance. Finally, once the murmuring subsided, Peter raised his hand. “Mr. Agyekum, we cannot know which story is correct.” He looked at the rest of the class, slowly understanding. “We cannot know which story is correct because we were not there.” Yaw nodded. He sat in his chair at the front of the room and looked at all the young men. “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on. But now we come upon the problem of conflicting stories. Kojo Nyarko says that when the warriors came to his village their coats were red, but Kwame Adu says that they were blue. Whose story do we believe, then?” The boys were silent. They stared at him, waiting. “We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.
Yaa Gyasi (Homegoing)
The Calf Path One day, through the primeval wood, A calf walked home, as good calves should; But made a trail all bent askew, A crooked trail as all calves do. Since then three hundred years have fled, And, I infer, the calf is dead. But still he left behind his trail, And thereby hangs my moral tale. The trail was taken up next day By a lone dog that passed that way; And then a wise bell-wether sheep Pursued the trail o’er vale and steep, And drew the flock behind him, too, As good bell-wethers always do. And from that day, o’er hill and glade, Through those old woods a path was made. And many men wound in and out, And dodged, and turned, and bent about And uttered words of righteous wrath Because ’twas such a crooked path.15 But still they followed—do not laugh— The first migrations of that calf, And through this winding wood-way stalked, Because he wobbled when he walked. This forest path became a lane, That bent, and turned, and turned again; This crooked lane became a road, Where many a poor horse with his load Toiled on beneath the burning sun, And traveled some three miles in one. And thus a century and a half They trod the footsteps of that calf. The years passed on in swiftness fleet, The road became a village street; And this, before men were aware, A city’s crowded thoroughfare; And soon the central street was this Of a renowned metropolis; And men two centuries and a half Trod in the footsteps of that calf. Each day a hundred thousand rout Followed the zigzag calf about; And o’er his crooked journey went The traffic of a continent. A hundred thousand men were led By one calf near three centuries dead. They followed still his crooked way, And lost one hundred years a day; For thus such reverence is lent To well-established precedent. A moral lesson this might teach, Were I ordained and called to preach; For men are prone to go it blind Along the calf-paths of the mind, And work away from sun to sun To do what other men have done. They follow in the beaten track, And out and in, and forth and back, And still their devious course pursue, To keep the path that others do. They keep the path a sacred groove, Along which all their lives they move. But how the wise old wood-gods laugh, Who saw the first primeval calf! Ah! Many things this tale might teach— But I am not ordained to preach. —Sam Walter Foss
Frank Viola (Pagan Christianity?: Exploring the Roots of Our Church Practices)
Even though Jasmine was supposed to try Marcella's Stone Plum Soup tonight, she pulled at her baking cupboard. She wanted chocolate. She wanted oozing, rich, creamy, comforting chocolate. She would throw chops on the grill and toss a salad for dinner. Tonight, she was going to concentrate her efforts on dessert. She pulled out her big bowl and mixer. She took down blocks of chocolate, vanilla, sugar. Poked her head into the refrigerator to count the eggs. Ten. Just enough. Her mouth watered, her tongue repeatedly swallowing the swamp that had become her mouth. Cream? A pint poked from behind the mayonnaise. She smelled it. One day to spare. She padded to the liquor cabinet and examined her choices. Brandy, amaretto, Grand Marnier. Mmm, yes. Grand Marnier, a subtle orange swirl. The chocolate and butter wobbled over the heat of the double boiler. Unctuous and smooth. Jasmine beat the eggs and sugar until lemony light. She poured in the chocolate in a long professional sweep. A few deft turns of the spatula turned the mixture into what she really craved. She stood over the bowl tasting slabs of it from the spatula. A good dash of Grand Marnier. Another taste. And another. She had to discard a number of egg whites to fit with the reduced mixture. She finally tipped the glossy beaten whites into the chocolate.
Nina Killham (How to Cook a Tart)
When I hit thirty, he brought me a cake, three layers of icing, home-made, a candle for each stone in weight. The icing was white but the letters were pink, they said, EAT ME. And I ate, did what I was told. Didn’t even taste it. Then he asked me to get up and walk round the bed so he could watch my broad belly wobble, hips judder like a juggernaut. The bigger the better, he’d say, I like big girls, soft girls, girls I can burrow inside with multiple chins, masses of cellulite. I was his Jacuzzi. But he was my cook, my only pleasure the rush of fast food, his pleasure, to watch me swell like forbidden fruit. His breadfruit. His desert island after shipwreck. Or a beached whale on a king-sized bed craving a wave. I was a tidal wave of flesh. too fat to leave, too fat to buy a pint of full-fat milk, too fat to use fat as an emotional shield, too fat to be called chubby, cuddly, big-built. The day I hit thirty-nine, I allowed him to stroke my globe of a cheek. His flesh, my flesh flowed. He said, Open wide, poured olive oil down my throat. Soon you’ll be forty… he whispered, and how could I not roll over on top. I rolled and he drowned in my flesh. I drowned his dying sentence out. I left him there for six hours that felt like a week. His mouth slightly open, his eyes bulging with greed. There was nothing else left in the house to eat.
Patience Agbabi (Poems of the Decade: An Anthology of the Forward Books of Poetry)
Did the countess tell you what was said between her and me?” Lillian asked tentatively. Marcus shook his head, his mouth twisting. “She told me that you had decided to elope with St. Vincent.” “Elope?” Lillian repeated in shock. “As if I deliberately… as if I had chosen him over—” She stopped, aghast, as she imagined how he must have felt. Although she had not shed a single tear during the entire day, the thought that Marcus might have wondered for a split second if yet another woman had left him for St. Vincent… it was too much to bear. She burst into noisy sobs, startling herself as well as Marcus. “You didn’t believe it, did you? My God, please say you didn’t!” “Of course I didn’t.” He stared at her in astonishment, and hastily reached for a table napkin to wipe at the stream of tears on her face. “No, no, don’t cry—” “I love you, Marcus.” Taking the napkin from him, Lillian blew her nose noisily and continued to weep as she spoke. “I love you. I don’t mind if I’m the first one to say it, nor even if I’m the only one. I just want you to know how very much—” “I love you too,” he said huskily. “I love you too. Lillian… Please don’t cry. It’s killing me. Don’t.” She nodded and blew into the linen folds again, her complexion turning mottled, her eyes swelling, her nose running freely. It appeared, however, that there was something wrong with Marcus’s vision. Grasping her head in his hands, he pressed a hard kiss to her mouth and said hoarsely, “You’re so beautiful.” The statement, though undoubtedly sincere, caused her to giggle through her last hiccupping sobs. Wrapping his arms around her in an embrace that was just short of crushing, Marcus asked in a muffled voice, “My love, hasn’t anyone ever told you that it’s bad form to laugh at a man when he’s declaring himself?” She blew her nose with a last inelegant snort. “I’m a hopeless case, I’m afraid. Do you still want to marry me?” “Yes. Now.” The statement shocked her out of her tears. “What?” “I don’t want to return with you to Hampshire. I want to take you to Gretna Green. The inn has its own coach service— I’ll hire one in the morning, and we’ll reach Scotland the day after tomorrow.” “But… but everyone will expect a respectable church wedding…” “I can’t wait for you. I don’t give a damn about respectability.” A wobbly grin spread across Lillian’s face as she thought of how many people would be astonished to hear such a statement from him. “It smacks of scandal, you know. The Earl of Westcliff rushing off for an anvil wedding in Gretna Green…” “Let’s begin with a scandal, then.” He kissed her, and she responded with a low moan, clinging and arching against him, until he pushed his tongue deeper, molding his lips tighter over hers, feasting on the warm, open silkiness of her mouth. Breathing heavily, he dragged his lips to her quivering throat. “Say, ‘Yes, Marcus,’” he prompted. “Yes, Marcus.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Yep! I was twenty-six years old and an associate beauty editor at Lucky, one of the top fashion magazines in America, and that’s all that most people knew about me. But beneath the surface, I was full of secrets: I was an addict, for one. A pillhead! I was also an alcoholic-in-training who drank warm Veuve Clicquot after work, alone in my boss’s office with the door closed; a conniving uptown doctor shopper who haunted twenty-four-hour pharmacies while my coworkers were at home watching True Blood in bed with their boyfriends; a salami-and-provolone-puking bulimic who spent a hundred dollars a day on binge foods when things got bad (and they got bad often); a weepy, wobbly hallucination-prone insomniac who jumped six feet in the air à la LeBron James and gobbled Valium every time a floorboard squeaked in her apartment; a tweaky self-mutilator who sat in front of The Tonight Show with Jay Leno, digging gory abscesses into her bikini line with Tweezerman Satin Edge Needle Nose Tweezers; a slutty and self-loathing downtown party girl fellatrix rushing to ruin; and—perhaps most of all—a lonely weirdo who felt like she was underwater all of the time. My brains were so scrambled you could’ve ordered them for brunch at Sarabeth’s; I let art-world guys choke me out during unprotected sex; I only had one friend, a Dash Snow–wannabe named Marco who tried to stick syringes in my neck and once slurped from my nostrils when I got a cocaine nosebleed;
Cat Marnell (How to Murder Your Life)
Daniel could feel ir,like a layer of skin was lifting off his bones. His past self's body was slowly cleaving from his own.The venom of separation coursed through him,threading deep into the fibers of his wings.The pain was so raw it was nauseating, roiling deep inside him with great tidal swells. His vision clouded; ringing filled his ears.The starshot in his hand tumbled to the ground.Then,all at once, he felt a great shove and a sharp,cold breath of air.There was a long grunt and two thuds,and then- His vision cleared.The ringing ceased. He felt lightness, simplicity. Free. Miles lay on the ground below him, chest heaving. The starshot in Daniel's hand disappeared. Daniel spun around to find a specter of his past self standing behind him,his skin gray and his body wraithlike,his eyes and teeth coal-black,the starshot grasped in his hand. His profile wobbled in the hot wind,like the picture on a shorted-out television. "I'm sorry," Daniel said,reaching forward and clutching his past self at the base of his wings.When Daniel lifted the shadow of himself off the ground, his body felt scant and insufficient.His fingers found the graying portal of the Announcer through which both Daniels had traveled just before it fell apart. "Your day will come," he said. Then he pitched his past self back into the Announcer. He watched the void fading in the hot sun. The body made a drawn-out whistling sound as it tumbled into time, as if it were falling off a cliff. The Announcer split into infinitesimal traces,and was gone.
Lauren Kate (Passion (Fallen, #3))
Consider it a Solstice and birthday present in one.' He gestured to the house, the gardens, the grounds that flowed to the river's edge. With a perfect view of the Rainbow at night, thanks to the land's curve. 'It's yours. Ours. I purchased it on Solstice Eve. Workers are coming in two days to begin clearing the rubble and knock down the rest of the house.' I blinked again, long and slow. 'You bought me an estate?' 'Technically, it will be our estate, but the house is yours. Build it to your heart's content. Everything you want, everything you need- build it.' The cost alone, the sheer size of this gift had to astronomical. 'Rhys.' He paced a few steps, running his hands through his blue-black hair, his wings tucked in tight. 'We have no space at the town house. You and I can barely fit everything in the bedroom. And no one wants to be at the House of Wind.' He again gestured to the magnificent estate around us. 'So build a house for us, Feyre. Dream as wildly as you want. It's yours.' I didn't have words for it. What cascaded through me. 'It- the cost-' 'Don't worry about the cost.' 'But...' I gaped at the sleeping, tangled land, the ruined house. Pictured what I might want there. My knees wobbled. 'Rhys- it's too much.' His face became deadly serious. 'Not for you. Never for you.' He slid his arms around my waist, kissing my temple. 'Build a house with a painting studio.' He kissed my other temple. 'Build a house with an office for you, and one for me. Build a house with a bathtub big enough for two- and for wings.' Another kiss, this time to my cheek. 'Build a house with a garden for Elain, a training ring for the Illyrian babies, a library for Amren, and an enormous dressing room for Mor.' I choked on a laugh at that. But Rhys silenced it with a kiss to my mouth, lingering and sweet. 'Build a house with a nursery, Feyre.' My heart tightened to the point of pain, and I kissed him back. Kissed him again and again, the property wide and clear around us. 'I will,' I promised.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
Had she witnessed his swim? He didn’t see how she could have missed it if she’d indeed been lunching by the water. The more intriguing question was, had she liked what she’d seen? Ever the scientist, Darius couldn’t let the hypothesis go unchallenged. Ignoring his boots where they lay in the grass at the edge of the landing, he strode barefoot toward his quarry. “So I’m to understand that you lunch by the pond every day, Miss Greyson?” he asked as he stalked her through the shin-high grass. Her chin wobbled just a bit, and she took a nearly imperceptible step back. He’d probably not have noticed it if he hadn’t been observing her so closely. But what kind of scientist would he be if he didn’t attend to the tiniest of details? “Every day,” she confirmed, her voice impressively free of tremors. The lady knew how to put up a strong front. “After working indoors for several hours, it’s nice to have the benefits of fresh air and a change of scenery. The pond offers both.” He halted his advance about a foot away from her. “I imagine the scenery changed a little more than you were expecting today.” His lighthearted tone surprised him nearly as much as it did her. Her brow puckered as if he were an equation she couldn’t quite decipher. Well, that was only fair, since he didn’t have a clue about what he was trying to do, either. Surely not flirt with the woman. He didn’t have time for such vain endeavors. He needed to extricate himself from this situation. At once. Not knowing what else to do, Darius sketched a short bow and begged her pardon as if he were a gentleman in his mother’s drawing room instead of a soggy scientist dripping all over the vegetation. “I apologize for intruding on your solitude, Miss Greyson, and I hope I have not offended you with my . . . ah . . .” He glanced helplessly down at his wet clothing. “Dampness?” The amusement in his secretary’s voice brought his head up. “My father used to be a seaman, Mr. Thornton, and I grew up swimming in the Gulf. You aren’t the first man I’ve seen take a swim.” Though the way her gaze dipped again to his chest and the slow swallowing motion of her throat that followed seemed to indicate that she hadn’t been as unmoved by the sight as she would have him believe. That thought pleased him far more than it should have. “Be that as it may, I’ll take special care not to avail myself of the pond during the midday hours in the future.” He expected her to murmur some polite form of thanks for his consideration, but she didn’t. No, she stared at him instead. Long enough that he had to fight the urge to squirm under her perusal. “You know, Mr. Thornton,” she said with a cock of her head that gave him the distinct impression she was testing her own hypothesis. “I believe your . . . dampness has restored your ability to converse with genteel manners.” Her lips curved in a saucy grin that had his pulse leaping in response. “Perhaps you should swim more often.
Karen Witemeyer (Full Steam Ahead)
A hand touched her shoulder. “Miss Erstwhile,” Martin said. Jane spun around, guilty to have just come from a marriage proposal, ecstatic at her refusal, dispirited by another ending, and surprised to discover Martin was the one person in the world she most wanted to see. “Good evening, Theodore,” she said. “I’m Mr. Bentley now, a man of land and status, hence the fancy garb. They’ll allow me to be gentry tonight because they need the extra bodies, but only so long as I don’t talk too much.” His eyes flicked to a point across the room. Jane followed his glance and saw Mrs. Wattlesbrook wrapped in yards of lace and eyeing them suspiciously. “Let’s not talk, then.” Jane pulled him into the next dance. He stood opposite her, tall and handsome and so real there among all the half-people. They didn’t talk as they paraded and turned and touched hands, wove and skipped and do-si-doed, but they smiled enough to feel silly, their eyes full of a secret joke, their hands reluctant to let go. As the dance finished, Jane noticed Mrs. Wattlesbrook making her determined way toward them. “We should probably…” Martin said. Jane grabbed his hand and ran, fleeing to the rhythm of another dance tune, out the ballroom door and into a side corridor. Behind them, hurried boot heels echoed. They ran through the house and out back, crunching gravel under their feet, making for the dark line of trees around the perimeter of the park. Jane hesitated before the damp grass. “My dress,” she said. Martin threw her over his shoulder, her legs hanging down his front. He ran. Jostled on her stomach, Jane gave out laughter that sounded like hiccups. He weaved his way around hedges and monuments, finally stopping on a dry patch of ground hidden by trees. “Here you are, my lady,” he said, placing her back on her feet. Jane wobbled for a moment before gaining her balance. “So, these are your lands, Mr. Bentley.” “Why, yes. I shape the shrubs myself. Gardeners these days aren’t worth a damn.” “I should be engaged to Mr. Nobley tonight. You know you’ve absolutely ruined this entire experience for me.” “I’m sorry, but I warned you, five minutes with me and you’ll never go back.” “You’re right about that. I’d decided to give up on men entirely, but you made that impossible.” “Listen, I’m not trying to start anything serious. I just--” “Don’t worry.” Jane smiled innocently. “Weird intense Jane gone, new relaxed Jane just happy to see you.” “You do seem different.” He touched her arms, pulled her in closer. “I’m happy to see you too, if you’d know. I think I missed you a bit.” “That’s the nicest thing you’ve ever said to me.
Shannon Hale (Austenland (Austenland, #1))
Most major media outlets covered the story, and people around the world began immediately to respond with prayers and good wishes on social media. When Jep heard what was going on, he jumped on Twitter and tweeted this on Saturday from his hospital bed: Well, I about died this past Sunday…I’m doing much better now. Thanks for all the prayers! #seizuresuck #gladtobealive As if that wasn’t enough, he also posted a side-by-side photo of himself and a bearded Steven Seagal, both unconscious in a hospital bed and wrapped in a white sheet. “Just like Steven Seagal, I’m hard to kill,” it said in a caption at the bottom. It’s always a good sign when you get your sense of humor back. Monday morning, most of Jep’s doctors said he could go home. One of his doctors wanted him to stay for a month, but Jep wanted out. I didn’t blame him. We walked out of the hospital together. Jep could walk, but he was very weak and wobbly. One the way home we stopped to check out the house we were remodeling, and then I got him home to rest. The next day he asked, “When are we going to go look at the house?” “We went yesterday,” I told him. He didn’t remember. I let the kids stay home from school that Monday, and we had a wonderful time just being together. There were lots of hugs and smiles, and Jep played cards with River. I noticed he was talking a little slower than normal, but he was talking. And I knew everything was going to be okay.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Stephen!” Meridith hobbled forward and embraced her fiancé. “What are you doing here?” “I missed you.” He pecked her on the lips, but his embrace felt stilted. Then she remembered Jake. She pulled away and cleared her throat. “Stephen, this is Jake, the contractor I hired. Jake, this is my fiancé, Stephen.” Jake extended his hand. The grasp seemed more like a challenge than a handshake. Or maybe it was her imagination. “Nice to meet you,” Stephen said. “Same.” Jake’s voice seemed deep after Stephen’s. “I’ll turn in now,” he said to Meridith. “You’ll be all right with your ankle?” “Yeah, thanks.” Her laugh wobbled. “Good night.” She’d never gotten around to telling Stephen that Jake was staying there, and now she wished she had. Boy, did she ever. Stephen would have questions. She wasn’t blind to the way it must look, a cozy family returning from a day at the festival. Not to mention the way she’d been curled into Jake’s arms as he’d helped her up the walk. The screen door slapped into place, leaving them alone. Meridith huddled into her thin sweater. “I can’t believe you’re here.” “He’s staying here?” Stephen’s voice had an edge she hadn’t heard before. “It was a trade. I couldn’t afford the repairs, remember? Jake offered to trade for room and board.” “I’ll bet he did.” “Stephen.
Denise Hunter (Driftwood Lane (Nantucket, #4))
6A day will come when the wolf will live peacefully beside the wobbly-kneed lamb, and the leopard will lie down with the young goat; The calf and yearling, newborn and slow, will rest secure with the lion; and a little child will tend them all. 7Bears will graze with the cows they used to attack; even their young will rest together, and the lion will eat hay, like gentle oxen. 8-9Neither will a baby who plays next to a cobra’s hole nor a toddler who sticks his hand into a nest of vipers suffer harm. All my holy mountain will be free of anything hurtful or destructive, for as the waters fill the sea, The entire earth will be filled with the knowledge of the Eternal.
Anonymous (The Voice Bible: Step Into the Story of Scripture)
So what do you do on the days you can’t move on?” Julie smiled, though it wobbled a little. “Trust God and try again tomorrow.
Abigayle Claire (Martin Legacy (Martin Generations, #2))
bike. He wants us to live in grace and walk in love, but at first it is a gangly, wobbly wreck. We might even get banged up a little. Then, after a while, you just know how to do it.
Bob Goff (Live in Grace, Walk in Love: A 365-Day Journey)
Kryptonite. I love their smell, their taste, the sounds they make when they come inside of me. But between a full-time job, law school, hours of reading cases, and study groups, I barely have time to sleep, much less date. Which is why I gave them up. “Which floor?” His upper crust Brit accent curls around my spine, making mush out of me. “Uh, nine.” I reach across to press the ‘9’ button, and a whiff of his scent reaches me—expensive cologne, clean soap, and a base note I suspect is just him. My legs, already wobbly from the mad dash from the Metro, turn to Jell-O. Damn! No wonder women stuff panties in his pockets. The man is pure sex on a stick. If anybody could tempt me to break my no-screwing-men vow, yeah, it would be Gabriel Storm. The door closes and someone coughs, alerting me to the other people in the elevator. Hoping no one noticed my temporary lapse of sanity, I look behind me. Only blank expressions greet me. Thank God. It won’t do for a rumor to spread around the office that I’ve been caught drooling over the COO of the company we are negotiating against. No one would take me seriously after that. I do the polite thing and wish good morning all around, get back a couple of nods before the car reaches the second floor, site of my law firm’s cafeteria. As soon as the door opens, the smell of cinnamon drifts into the car. Stuffed French toast day. Knowing what’s coming, I step to the side to avoid the stampede. Not that I blame them. With a limited supply of the delicious treat, it’s every employee for himself. When the doors slide shut, Gabriel Storm and I are the sole occupants in the car. For seven floors,
Magda Alexander (Storm Damages (Storm Damages, #1))
Drake's whip hand spun Diana like a top. She cried out. That sound, her cry, pierced Caine like an arrow. Diana staggered and almost righted herself, but Drake was too quick, too ready. His second strike yanked her through the air. She flew and then fell. “Catch her!” Caine was yelling to himself. Seeing her arc as she fell. Seeing where she would hit. His hands came up, he could use his power, he could catch her, save her. But too slow. Diana fell. Her head smashed against a jutting point of rock. She made a sound like a dropped pumpkin. Caine froze. The fuel rod, forgotten, fell from the air with a shattering crash. It fell within ten feet of the mine shaft opening. It landed atop a boulder shaped like the prow of a ship. It bent, cracked, rolled off the boulder, and crashed heavily in the dirt. Drake ran straight at Caine, his whip snapping. But Jack stumbled in between them, yelling, “The uranium! The uranium!” The radiation meter in his pocket was counting clicks so fast, it became a scream. Drake piled into Jack, and the two of them went tumbling. Caine stood, staring in horror at Diana. Diana did not move. Did not move. No snarky remark. No smart-ass joke. “No!” Caine cried. “No!” Drake was up, disentangling himself with an angry curse from Jack. “Diana,” Caine sobbed. Drake didn’t rely on his whip hand now, too far away to use it before Caine could take him down. He raised his gun. The barrel shot flame and slugs, BAM BAM BAM BAM BAM. Inaccurate, but on full automatic, Drake had time. He swung the gun to his right and the bullets swooped toward where Caine stood like he was made of stone. Then the muzzle flash disappeared in an explosion of green-white light that turned night into day. The shaft of light missed its target. But it was close enough that the muzzle of Drake’s gun wilted and drooped and the rocks behind Drake cracked from the blast of heat. Drake dropped the gun. And now it was Drake’s turn to stare in stark amazement. “You!” Sam wobbled atop the rise. Quinn caught him as he staggered. Now Caine snapped back to the present, seeing his brother, seeing the killing light. “No,” Caine said. “No, Sam: He’s mine.” He raised a hand, and Sam went flying backward along with Quinn. “The fuel rod!” Jack was yelling, over and over. “It’s going to kill us all. Oh, God, we may already be dead!” Drake rushed at Caine. His eyes were wide with fear. Knowing he wouldn’t make it. Knowing he was not fast enough. Caine raised his hand, and the fuel rod seemed to jump off the ground. A javelin. A spear. He held it poised. Pointed straight at Drake. Caine reached with his other hand, extending the telekinetic power to hold Drake immobilized. Drake held up his human hand, a placating gesture. “Caine…you don’t want to…not over some girl. She was a witch, she was…” Drake, unable to run, a human target. The fuel rod aimed at him like a Spartan’s spear. Caine threw the fuel rod. Tons of steel and lead and uranium. Straight at Drake.
Michael Grant (Hunger (Gone, #2))
We walked and talked amid the vines. The bees followed and buzzed the juicy offerings. I watched as they sipped, tonguing the vined fruit. We walked in the heat and scent and the Father talked of the natural world and hinted at books to be read and Music, and how the world reflected some larger potential. I struggled with his words. No one had ever spoken to me like that. His words seduced. Their easy flow thrummed and I could see things that day that I had never imagined. We walked and I noted the bees, how they fed and then staggered in ragged lines across the broad grape leaves. The Father said they were making themselves drunk on the older berries in which the juice had begun to ferment in the hot sun. They wobbled and stumbled like old men. He said the bees were drunk, but they fell to the ground and buzzed one last time and then lay still. He said they were drunk. They seemed dead . . .
Michael Nanfito (Rotten Fruit in an Unkempt Garden: A Memoir in Poetry and Prose)
Somewhere someone's uncle or father, a man wearing sandals and khaki shorts who says "back in my day" far too often, is on the grill. He is watching the food like he's afraid it'll change its mind about being a meal and decide to run off when no one's looking. The kids are playing a game that they made up themselves and changing the rules every five minutes. Their smiles are so big, you can fit history inside of them and still have room for right now and the future. The adults hate all the new music, but still want the teenagers to teach them the dances. The cupid Shuffle is common ground and the wobble is a peace treaty signed by both generations. There are no rallies today, no blood on this street, no hashtags here, but there is barbecue, potato salad and greens. The only tears you will see is when someone lifts the foil and all the mac and cheese is finished.
Rudy Francisco (Helium (Button Poetry))
Imagine spending your days surrounded by books, I thought. Imagine selling books instead of overpriced cakes and expensive buns. I could do that. I know I could. And I'd be good at it too. I would remember the sort of books the customers liked, and I'd find other books they might enjoy too. If someone came in looking for a book for a ten-year-old, I'd tell them to read E. Nesbit, and if they wanted a book for a schoolgirl I'd recommend Jane Eyre. I'd read all sorts of books I haven't even heard of yet. And instead of tea urns, there'd be books, and instead of the sink room, there'd be more books, and instead of horrible Wobbly as my boss, there'd be a nice funny girl who knows what it's like to give up on the future you hoped for but find something else good instead.
Anna Carey, The Boldness of Betty
Most nights we sat together at the kitchen table, a bowl of wobbly pink in the space between us, spooning it into our mouths as we tallied up the day’s intake. I always beat her. The game, for me, was easy. When she dropped out, I continued. I felt victorious. I felt I had somehow won proof of whatever it was that would spare me her fate, imperfect and discarded by my father, a man, whose gaze defined us both.
Allie Rowbottom (JELL-O Girls: A Family History)
We can't be perfectly balanced as we navigate the pendulum swing of our days--we can only wobble toward what we need.
Madeleine Dore (I Didn't Do the Thing Today: Letting Go of Productivity Guilt)
The director said wonderful things about you, that you're very talented," I say, and then smell the cardamom Garrance had given me, and I'm instantly put into a trance from green, earthy, and perfumed aromas. It's like all my troubles are gone. I'm in India, envisioning dances and beautiful saris and delicious naan bread baked on hot coals. Charles taps me on the shoulder. "Kate, where did you go?" I wobble. "I think I was in Mumbai for a second. Maybe Chennai? I don't know. I've never been to India. I've just seen pictures in magazines." He places his hands on my shoulders. "Spices transport you?" "Yes," I say, still a little bit out of it. "Hers do." He grips my shoulders, pulls me in closer. I smell his vanilla scent, and my knees turn to butter. "And I now know why my mother likes you. It makes perfect sense. She was right." "About what?" I ask, breathing him. "Working together and letting go of the bad energy. I know we can do this." His eyes spark with a passionate fire, and he smiles, his dimple puckering. I might melt like fondue. "Let's create a meal for her---the best one she's ever had." He leans against the stove, his sexy, smoldering hazel eyes meeting mine. My neck goes hot. I race over to the prep station and pick up the bag of cardamom, breathe it in---earthy, sweet, smoky, and nutty. Big mistake. Because I'm now licking his muscled chest in one of my deranged fantasies, which is so wrong. I throw the bag down, and the grains scatter on the countertop. Charles saunters over and places a hand on my shoulder. "Kate, everything okay?" "Cool, cool, cool," I say. I shrug off his touch, dip around his shoulder, noticing how V-shaped he is. "I was thinking we add this into the peanut sauce for the satay." "Good idea," he says. "Grind it. Nice and fine." Stop. Stop talking with your lilting English accent. Stop smiling. I'm staring at his hands, his lips, his eyelashes. My mind, my thoughts, and my body are about to explode. "Kate, can you pass me the chilis? My mother likes things spicy." "So do I," I say, reaching for it. Our hands touch as I hand him the spice. I shiver. "Me too," he says with a teasing growl. "And I know you added more pepper into my dish the other day. Good thing I can handle the heat." I can't. It's getting way too hot in here.
Samantha Verant (The Spice Master at Bistro Exotique)
Feyre,' he said- softly enough that I faced him again. 'Why?' He tilted his head to the side. 'You dislike our kind on a good day. And after Andras...' Even in the darkened hallway, his usually bright eyes were shadowed. 'So why?' I took a step closer to him, my blood-covered feet sticking to the rug. I glanced down the stairs to where I could still see the prone form of the faerie and the stumps of his wings. 'Because I wouldn't want to die alone,' I said, and my voice wobbled as I looked at Tamlin again, forcing myself to meet his stare. 'Because I'd want someone to hold my hand until the end, and awhile after that. That's something everyone deserves, human or faerie.' I swallowed hard, my throat painfully tight. 'I regret what I did to Andras,' I said, the words so strangled they were no more than a whisper. 'I regret that there was... such hate in my heart. I wish I could undo it- and... I'm sorry. So very sorry.' I couldn't remember the last time- if ever- I'd spoken to anyone like that. But he just nodded and turned away, and I wondered if I should say more, if I should kneel and beg for his forgiveness. If he felt such grief, such guilt, over a stranger, than Andras... By the time I opened my mouth, he was already down the steps. I watched him- watched every movement he made, the muscles of his body visible through that blood-soaked tunic, watched that invisible weight bearing down on his shoulders. He didn't look at me as he scooped up the broken body and carried it to the garden doors beyond my line of sight. I went to the window at the top of the stairs, watching as Tamlin carried the faerie through the moonlit garden and into the rolling fields beyond. He never once glanced back.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Rhys kept starting at the table as he said, 'I didn't know. That you were with Tamlin. That you were staying at the Spring Court. Amarantha sent me that day after the Summer Solstice because I'd been so successful on Calanmai. I was prepared to mock him, maybe pick a fight. But then I got into that room, and the scent was familiar, but hidden... And then I saw the plate, and felt the glamour, and... There you were. Living in my second-most enemy's house. Dining with him. Reeking of his scent. Looking at him like... Like you loved him.' The whites of his knuckles showed. 'And I decided that I had to scare Tamlin. I had to scare you, and Lucien, but mostly Tamlin. Because I saw how he looked at you, too. So what I did that day...' His lips were pale, tight. 'I broke into your mind and held it enough that you felt it, that it terrified you, hurt you. I made Tamlin beg- as Amarantha had made me beg, to show him how powerless he was to save you. And I prayed my performance was enough to get him to send you away. Back to the human realm, away from Amarantha. Because she was going to find you. If you broke that curse, she was going to find you and kill you. 'But I was so selfish- I was so stupidly selfish that I couldn't walk away without knowing your name. And you were looking at me like I was a monster, so I told myself it didn't matter, anyway. But you lied when I asked. I knew you did. I had your mind in my hands, and you had the defiance and foresight to lie to my face. So I walked away from you again. I vomited my guts up as soon as I left.' My lips wobbled, and I pressed them together. 'I checked back once. To ensure you were gone. I went with them the day they sacked the manor- to make my performance complete. I told Amarantha the name of that girl, thinking you'd invented it. I had no idea... I had no idea she'd sent her cronies to retrieve Clare. But if I admitted my lie...' He swallowed hard. 'I broke into Clare's head when they brought her Under the Mountain. I took away her pain, and told her to scream when expected to. So they... they did those things to her, and I tried to make it right, but... After a week, I couldn't let them do it. Hurt her like that anymore. So while they tortured her, I slipped into her mind again and ended it. She didn't feel any pain. She felt none of what they did to her, even at the end. But... But I still see her. And my men. And the others that I killed for Amarantha.' Two tears slid down his cheeks, swift and cold. He didn't wipe them away as he said, 'I thought it was done after that. With Clare's death. Amarantha believed you were dead. So you were safe, and far away, and my people were safe, and Tamlin had lost, so... It was done. We were done. But then... I was in the back of the throne room that day the Attor brought you in. And I have never known such horror, Feyre, as I did when I watched you make that bargain. Irrational, stupid terror- I didn't know you. I didn't even know your name. But I thought of those painter's hands, the flowers I'd seen you create. And how she'd delight in breaking your fingers apart. I had to stand and watch as the Attor and its cronies beat you. I had to watch the disgust and hatred on your face as you looked at me, watched me threaten to shatter Lucien's mind. And then- then I learned your name. Hearing you say it... it was like an answer to a question I'd been asking for five hundred years.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Try to work on being okay with being a total reject, a freak, a wobbly little weirdo, a loser, a fine-ass hottie, and an ordinary everyday girl with all kinds of struggles. It’s okay. Try to remind yourself, every single day, that it’s you who decides if you’re happy or not, the real you, the current you, not the past you. And your happiness should definitely not be up to everybody else in this goddamn shitty, fucked-up world. Remember that things are always changing. Remember that love, even if it goes bad in the end, was still a good thing, because it came from you, out of who you are as a person. Remember that the good times, when they happen, are worth all the trouble. Remember that sadness and heartbreak, frustration and loss, even bitter, hopeless fucking tragedy, they’re all part of what makes a beautiful story. Just like flaws, freakiness, fuck-ups, and all your fallible character defects are all part of what makes a fantastic fucking you. Remember that making mistakes doesn’t make you a bad person. It makes you a human being, somebody who’s just trying to get through this fucked up life, just like everybody else, and doesn’t know everything. Sometimes you screw up. Sometimes a fuck up ruins lives. But you’re only a bad person if you don’t learn anything from your mistakes, if you just keep going, like a bull in a China shop, hurting people over and over forever, never changing. Remember that you can still love yourself, even if you’ve made horrible, terrible mistakes, even if you’ve ruined people’s lives. You can still love who you are. You have to, or you won’t survive. Remember that the awful things people did to you do not define who you are. Your choices define who you are, and you never chose any of that shit. Remember that you’re not all alone in being a freak. Remember that you fucking rock.
Millie Martin
He wanted to fly out into the river proper, but as soon as he gained enough confidence the day betrayed him, the sun losing itself in the west. The final light died over the hills. He turned to the shore and sailed for home, the oars still stowed, a feeling of ecstatic accomplishment flashing through him, a feeling beyond language. His life widened. Time wobbled. He grazed the truth of his dreams, grazed a world frozen perfect, if only for the length of the dusk.
Robbie Arnott (Limberlost)
our bodies, our misshapen, lumpy, wobbly, birth-marked, uneven, scarred, imperfect bodies are our vessels. If only we were more gracious towards them. They won't last forever, they will eventually grow frail, we will miss the strength and vigour of our younger selves. But, for now, when alive, when upright, when walking through days with purpose, without pain, they are vessels for adventure, for sleep, for song, for dance, and a place where we experience joy.
Julia Baird (Bright Shining: How grace changes everything)
A later age would conflate them into a single, featureless demigod, possessed of mythical courage and fortitude, and animated by a determination to rebalance a wobbling world. Keith Douglas, a British officer who had fought in North Africa and would die at Normandy, described “a gentle obsolescent breed of heroes…. Unicorns, almost.” Yet it does them no disservice to recall their profound diversity in provenance and in character, or their feet of clay, or the mortality that would make them compelling long after their passing.
Rick Atkinson (The Day of Battle: The War in Sicily and Italy, 1943-1944 (The Liberation Trilogy Book 2))
You made me a crown. I can’t believe you made me a crown,” her voice wobbles. I palm the air in front of her. “Don’t make a big deal of it. I was waiting outside Peter’s house this morning and got bored.” “You were totally thinking about me,” she sighs. “Jesus,” I mutter, “no good deed goes unpunished. Seriously it’s not a big deal.” “Well, it is to me,” she whispers, “but you know that. Thank you.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
Another day and another passed of rough seas and lowering skies; of rolling and pitching, cold winds, and cold damp eating into bones softened by tropic warmth; of a treadmill of watches in a wheelhouse dank and gloomy by day and danker and gloomier by night; of sullen silent sailors and pale dog-tired officers, of meals in the wardroom eaten in silence, with the captain at the head of the table ceaselessly rolling the balls in his fingers and saying nothing except an infrequent grumpy sentence about the progress of the work requests. Willie lost track of time. He stumbled from the bridge to his coding, from coding to correcting publications, from corrections back up to the bridge, from the bridge to the table for an unappetizing bolted meal, from the table to the clipping shack for sleep which never went uninterrupted for more than a couple of hours. The world became narrowed to a wobbling iron shell on a waste of foamy gray, and the business of the world was staring out at empty water or making red-ink insertions in the devil’s own endless library of mildewed unintelligible volumes.
Herman Wouk (The Caine Mutiny)
Mor rubbed her face. 'You were right about me, though. You were...' Her hand shook as she lowered it. She gnawed on her lip, throat bobbing. Her eyes at last met mine- bright and fearful and anguished. Her voice broke as she said, 'I don't love Azriel.' I remained perfectly still. Listening. 'No, that's not true, either. I- I do love him. As my family. And sometimes I wonder if it can be... more, but... I do not love him. Not the way he- he feels for me.' The last words were a trembling whisper. 'Have you ever loved him? That way?' 'No.' She wrapped her arms around herself. 'No, I don't... You see...' I'd never seen her at such a loss for words. She closed her eyes, fingers digging into her skin. 'I can't love him like that.' 'Why?' 'Because I prefer females.' For a heartbeat, only silence rippled through me. 'But- you sleep with males. You slept with Helion...' And had looked terrible the next day. Tortured and not sated. Not just because of Azriel, but... because it wasn't what she wanted. 'I do find pleasure in them. In both.' Her hands were shaking so fiercely that she gripped herself even tighter. 'But I've known, since I was little more than a child, that I prefer females. That I'm... attracted to them more over males. That I connect with them, care for them more on that soul-deep level But at the Hewn City... All they care about is breeding their bloodlines, making alliances through marriage. Someone like me... If I were to marry where my heart desired, there would be no offspring. My father's bloodline would have ended with me. I knew it- knew that I could never tell them. Ever. People like me... we're reviled by them. Considered selfish, for not being able to pass on the bloodline. So I never breathed a word of it. And then... then my father betrothed me to Eris, and... And it wasn't just the prospect of marriage to him that scared me. No, I knew I could survive his brutality, his cruelty and coldness. I was- I am stronger than him. It was... It was the idea of being bred like a prize mare, of being forced to give up that one part of me...' Her mouth wobbled, and I reached for her hand, prying it off her arm. I squeezed gently as tears began sliding down her flushed face. 'I slept with Cassian because I knew it would mean little to him, too. Because I knew doing it would buy me a shot at freedom. If I had told my parents that I preferred females... You've met my father. He and Beron would have tied me to that marriage bed for Eris. Literally. But sullied... I knew my shot at freedom lay there. And I saw how Azriel looked at me... knew how he felt. And if I'd chosen him...' She shook her head. 'It wouldn't have been fair to him. So I slept with Cassian, and Azriel though I deemed him unsuitable, and then everything happened and...' Her fingers tightened on mine. 'After Azriel found me with that note nailed to my womb... I tried to explain. But he started to confess what he felt, and I panicked, and... and to get him to stop, to keep him from saying he loved me, I just turned and left, and... and I couldn't face explaining it after that. To Az, to the others.' She loosed a shuddering breath. 'I sleep with males in part because I enjoy it, but... also to keep people from looking too closely.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
In their important masterpiece entitled When the Earth Nearly Died, Allan and Delair write: In Europe immense herds of diverse animals utterly vanished off the face of the earth for no obvious biological reason Coincident with this dreadful slaughter upon the land was the deposition of myriads of contemporary marine shells, and the stranding at great elevations of marine mammals, porpoises, walruses and seals In Siberia, the picture is everywhere one of appalling disorder, carnage and wholesale destruction, with countless animals and plants frozen in positions of death ever since the day they perished. As a result, their remains are amazingly fresh-looking and are frequently indistinguishable from those of animals and plants that have died mere weeks ago The magnitude of the biological extinctions achieved by the Deluge almost transcends the imagination. It annihilated literally billions of biological units of both sexes and every age indiscriminately. Only incredibly powerful flood waters operating world-wide could have achieved such results, and only a flood produced by the means previously suggested could have operated globally They comment on the preposterous Ice Age theories of their predecessors. Although these theories hold little water, they are accepted by supposedly intelligent people. ...it is astonishing that such an unscientific explanation ever came to be formulated, yet in a short time both it and the concept of immense thick ice-sheets descending from a hypothetical northern mountain system, to cover all of northern and eastern North America and western and northern Eurasia, was enthusiastically embraced...as virtually established fact The evidence is perfectly unambiguous. Along with the removal of an “Ice Age” like that which has been hitherto commonly envisaged, the evidence suggests that there is something seriously amiss with the last phases of standard geological chronology Evidence thus converges from numerous directions to support the conclusion that, on the testimony of radio-carbon and other dating techniques, immense physical and climatic changes occurred on earth some 11,000 years or so ago – when an Ice Age that probably never existed came to an end, and an apparently uniformitarian regime was abruptly terminated The gigantic worldwide tectonic disturbances of the ‘late Pleistocene’ times occurred almost simultaneously on a nearly unimaginable scale – precisely what could be expected from a powerful external influence but not from the ‘Ice Age’ conditions conventionally believed to have existed then They note the change in the magnetic fields that occurred during the cataclysmic period of Earth’s recent history: Significantly, a drop in the strength of the earth’s magnetic field appears to have occurred sometime between 13,750 and 12,350 years ago...attended by various other important changes, including earthquakes, vulcanism, water table fluctuations and large scale climatic variations. Of these, severe earthquakes in particular may even induce axial wobble, and polarity reversals
Michael Tsarion (Atlantis, Alien Visitation and Genetic Manipulation)
Morning, Vex. Forget something?” She almost asked him what until she saw the way his gaze smoldered and caressed her almost naked body. Oops. Had she jumped out of bed in only her panties? Nudity wasn’t something that Meena usually noted or cared about. Mother, on the other hand, was always yelling at her to put clothes on. She and Leo had a lot in common. “You should get dressed.” “Why? I’m perfectly comfortable.” So comfortable she brought her shoulders back and made sure to give her boobs a little jiggle. He noticed. He stared. Oh my. Was it getting hot in here? Funny how the heat in her body, though, didn’t stop her nipples from hardening as if struck by a cold breeze. Except, in this case, it was more of an ardent perusal. Did Leo imagine his mouth latched onto a sensitive peak just like she was? “While I am sure you are comfortable, if we’re to go out, then in order to avoid a possible arrest for indecent exposure, you might want to cover your assets.” “We’re going out? Together?” He nodded. “Where?” “It’s a surprise.” She clapped her hands and squealed, “Yay,” only to frown a second later. Leo was acting awfully strange. “Wait a second, this isn’t one of those things where you blindfold me and tell me you’ve got a great surprise, only to dump me on a twelve-hour train to Kansas, is it? Or a plane to Newfoundland, Canada?” His lips twitched. “No. I promise we have a destination, and I am going with you.” “And will I be back here tonight?” “Perhaps. Unless you choose to sleep elsewhere.” Those enigmatic words weren’t his last. “Be downstairs and ready in twenty minutes, Vex. I really want you to come.” Did he purr that last word? Was that even possible? Could he tease her any harder? Please. “How should I dress? Fancy, casual, slutty, or prim and proper?” She eyed him in his khaki shorts and collared short-sleeved shirt. Casual with a hint of elegance. He looked ready for a day at a gentleman’s golf club. And she wanted to be his corrupting caddy, who ruined his shot and dragged him in the woods to show him her version of a tee off. “Your clothes won’t matter. You won’t wear them for long.” Good thing she was close to a wall. Her knees weakened to the point that she almost buckled to the floor. Leaning against it, she wondered if he purposely teased her. Did her serious Pookie even realize how his words could be taken? He approached her until he stood right in front of her. Close enough she could have reached out and hugged him. She didn’t, but only because he drew her close. His essence surrounded her. His hands splayed over the flesh of her lower back, branding her. She leaned into him, totally relying on him to hold her up on wobbly legs. “What about breakfast?” she asked. “I’ve got pastries and coffee in my truck. Lots of yummy treats with lickable icing.” Staring at his mouth, she knew of only one treat she wanted to lick. Alas, she didn’t get a chance. With a slap on her ass, he walked off toward the condo door. Leo. Slapped. My. Ass. She gaped at his retreating broad back. “Don’t make me wait. I’d hate to start without you.” With a wink— yes, a real freaking wink— Leo shut the door behind him. He was waiting for her. Why the hell was she standing there? She sprinted for the shower.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
The sun was warm on my face. I knew we were safe at last. The vast bottle of Champagne, that had sat like some Buddha at base camp for three months, was ceremoniously produced. It took four of us almost ten minutes, hacking away with ice axes, finally to get the cork out. The party had begun. I felt like drinking a gallon of this beautiful bubbly stuff, but my body just couldn’t. Sipping slowly was all I could manage without sneezing, and even like that I was soon feeling decidedly wobbly. I closed my eyes and flopped against the rock wall of the mess tent--a huge smile plastered across my face. Later on in my tent, I put on the fresh socks and thermal underwear that I had kept especially for this moment. First change in ninety days. Heaven. I sealed the underpants in a plastic Ziploc bag and reminded myself to be very cautious when it came to opening the bag again back home.
Bear Grylls (Mud, Sweat and Tears)
There is so little one can be certain of these days,” he begins, voice wobbly. “But finding a hand to hold while we walk this path
Pam Jenoff (The Orphan's Tale)
He swung his legs over the edge of his bed and stood up, but quickly sat back down again as his world spun and his strength evaporated. Jerris turned around and frowned, giving Keiran the once over. He stepped closer and crossed his arms over his chest. Corina had told him several times that Keiran had been increasingly wobbly when he first got up in the morning. Some days, she claimed, it took him three or four times to get up and stay standing. It wasn’t something he’d seen for himself, and he didn’t like it in the least. “Are you okay?” Keiran shook his head and pressed his hands against his eyes, grunting. When he dropped them back to his lap, his complexion had gone waxy. He’d been honestly hoping not to waver like that in front of his friend. The prince generally thought he did a good show of hiding how he felt physically from Jerris most of the time. It was damaging to his pride, so he muttered out the first excuse
Kristen Gupton (The Phoenix Prince (Royal Blood #1))
She slid out of the felze and went to stand beside Falco as he moved the boat through the water. Fog swirled around the gondola. “Don’t expose yourself to the elements on my account,” Falco said with a crooked smile. “I don’t mind playing gondolier for you.” “Is it difficult?” Cass asked. “To steer the boat?” Though she’d ridden in a boat almost every single day since her birth, she had never paid any attention to the mechanics of it. “It’s not so bad,” he said. The wind blew a shock of dark hair into his eyes and Cass had the sudden urge to reach out and rearrange it. “Takes a little strength. Want to try?” Cass was surprised to hear herself saying yes. She secured the cloak tightly around her waist and pushed her hair back from her face. The boat wobbled as she stepped onto the tiny platform beside Falco, and she gasped. “You have to move with the rhythm of the water,” he explained. The platform was tiny, really only enough space for one person, so Falco had to press his body against Cass’s back. His forearms fit neatly across her hip bones; she could feel his soft hair brushing against her cheek. He exhaled, a warm breath that tickled her neck and sent a shiver through her. She stiffened and nearly lost her balance. Falco tightened his grip on her momentarily until she regained her footing. His body radiated heat through her cloak. Falco gave her the oar and put his hands on her waist to steady her. Cass awkwardly thrust the oar through the murky water and the boat skewed off at a funny angle. She felt herself wobbling, but Falco moved one hand from her waist to the oar and helped her guide it through the water. Cass began to relax her body against Falco’s. She laughed, in spite of the mist and the night and their destination. Steering the boat was fun, and she was doing something that probably no other woman in all of Venice had ever done. After a few minutes, she got the hang of steering and the long wooden gondola started to move swiftly through the water. Falco offered to take over, but she persisted, despite the aching in her arms and shoulders. “I’m impressed,” Falco said. “You’re a natural.” Cass was grateful that he was standing behind her, so he couldn’t see her smile. She didn’t want him to know how much the comment pleased her.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
A time later, I located the Fool. He knelt beside me, his arm around my shoulders. I had not been aware of him steadying me. I wobbled my head to look at him. His face sagged with weariness and his brow was creased with pain, but he managed a lopsided smile. “I did not know if I could do it. But it was the only thing I could think of to try.” After a few moments, his words made sense to me. I looked down at my wrist. His fingerprints were renewed there; not silver as they were the first time he Skill-touched me, but a darker shade of gray than they had been for some time. The thread of awareness that linked us had become one strand stronger. I was appalled at what he had done. “Thank you. I suppose.” I offered the words ungraciously. I felt invaded. I resented that he had touched me in such a way, without my consent. It was childish, but I had not the strength to reach past it just then. He laughed aloud at me, but I could hear the edge of hysteria in it. “I did not think you would like it. Yet, my friend, I could not help myself. I had to do it.” He drew a ragged breath. His voice was softer as he added, “And so it begins again, already. Scarcely two days am I at your side, and fate reaches for you. Will this always be the cost for us? Must I always dangle you over death’s jaws in an effort to lure this world into a better course?” His grip on my shoulders tightened. “Ah, Fitz. How can you continually forgive what I do to you?” I could not forgive it. I did not say so. I looked away from him. “I need a moment to myself. Please.” A bubble of silence met my words. Then, “Of course.” He let his arm fall away from my shoulders and abruptly stood clear of me. It was a relief. His touch on me had been heightening the Skill-bond between us. It made me feel vulnerable. He did not know how to reach across it and plunder my mind, but that did not lessen my fear. A knife to my throat was a threat, even if the hand that held it had only the best intentions. I tried to ignore the other side of that coin. The Fool had no concept of how open he was to me just then. The sense of it tainted me, tempting me to attempt a fuller joining. All I would have to do was bid him lay his fingers once more on my wrist. I knew what I could have done with that touch. I could have swept across into him, known all his secrets, taken all his strength. I could have made his body and extension of my own, used his life and his days for my own purpose. It was a shameful hunger to feel. I had seen what became of those who yielded to it. How could I forgive him for making me feel it?
Robin Hobb (Fool's Errand (Tawny Man, #1))