Witches Don't Age Quotes

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I know your race. It is made up of sheep. It is governed by minorities, seldom or never by majorities. It suppresses its feelings and its beliefs and follows the handful that makes the most noise. Sometimes the noisy handful is right, sometimes wrong; but no matter, the crowd follows it. The vast majority of the race, whether savage or civilized, are secretly kind-hearted and shrink from inflicting pain, but in the presence of the aggressive and pitiless minority they don't dare to assert themselves. Think of it! One kind-hearted creature spies upon another, and sees to it that he loyally helps in iniquities which revolt both of them. Speaking as an expert, I know that ninety- nine out of a hundred of your race were strongly against the killing of witches when that foolishness was first agitated by a handful of pious lunatics in the long ago. And I know that even to-day, after ages of transmitted prejudice and silly teaching, only one person in twenty puts any real heart into the harrying of a witch. And yet apparently everybody hates witches and wants them killed. Some day a handful will rise up on the other side and make the most noise--perhaps even a single daring man with a big voice and a determined front will do it--and in a week all the sheep will wheel and follow him, and witch-hunting will come to a sudden end. Monarchies, aristocracies, and religions are all based upon that large defect in your race--the individual's distrust of his neighbor, and his desire, for safety's or comfort's sake, to stand well in his neighbor's eye. These institutions will always remain, and always flourish, and always oppress you, affront you, and degrade you, because you will always be and remain slaves of minorities. There was never a country where the majority of the people were in their secret hearts loyal to any of these institutions.
Mark Twain (The Mysterious Stranger)
Worse still, they implement all of these things with brute force: violence, censorship, character assassination, smear campaigns, doxing, trolling, deplatforming, and online witch hunts. Tricks that are deliberately designed to leave people down and out. Ideally, jobless and without the resources to push back.
Dave Rubin (Don't Burn This Book: Thinking for Yourself in an Age of Unreason)
Don’t you ever wish you could go back?” Ellis murmurs, gaze turned up toward the chandeliers; their light glitters off of the lenses of her glasses. My gaze snaps away from the kettle, back to her. “To some other time,” she says, “when things were a little wilder. When the rules were a little less clear.” It’s the opposite of the usual line. A simpler time. A time when a lady was a lady. “Maybe. I hadn’t really thought about it.” I rub the edge of a tablecloth between my thumb and forefinger but feel only the friction of my age-softened gloves. “I suppose it depends on where I was too. I wouldn’t want to get burned at the stake as a witch.” “Oh, but can you blame them? You are a witch. I don’t doubt you would have poisoned the village crops, salted their fields, and led their daughters into temptation.” “Just their daughters?” Ellis glances back. She’s taken off the pince-nez; the frames dangle from an idle hand. “It takes one to know one.
Victoria Lee (A Lesson in Vengeance)
Even if fate decreed that we had a bond, I definitely don’t recognize it. I don’t even like you.” “If we had no bad blood between us, would you . . . like me?” “I’d be attracted to you, but there’s no way I’d want anything permanent with you—bad blood or not.” “What the hell’s so wrong with me?” His eyes flickered, and the hint of uncertainty he’d just revealed was drowned out by a surge of arrogance. “I’m strong, I can protect you, and I’m rich. And I vow to you, lass, once you experience what it’s like to share my bed, you will no’ ever want to leave it.” His eyes bored into hers as he said the last, and despite herself, his utter confidence in this area affected her, forcing herself to wonder what tricks a twelve-century-old immortal would’ve picked up over the years. She inwardly shook herself. “MacRieve, when I settle down it’s going to be with a male that has—oh, I don’t know—a sense of humor, or of modesty. How about a lack of scathing hatred towards witches? Maybe a zest for life? Too much to ask that he’s born in the same millennium?” “Some of these things canna be changed, but know that I was no’ always so . . . grave as I am now.” “It doesn’t matter. We’re just too different. I need a male who will get along with my friends, my witch friends, who’ll be current enough to know the difference between emo rock and jangle pop, and who’ll be able to get me through the ice world in Zelda.” MacRieve was no doubt speculating in what ice dimension this mysterious land of Zelda was. He finally said, “These differences are surmountable—” “And the age difference? You keep talking about how young I am, but all you’re doing is reminding me how old you are. Any minute now you’re going to say something really lame like ‘When I was your age . . .,’ and I’m just not going to be able to keep from laughing at you.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
I just went on a date with a loopy new age witch who read my aura and took me to a play that critiqued consumer culture by spending a five minute segment just spouting off brand names,' she said. 'Niiiiice. That is something. And then you chose to call me, which I’m not sure I’m feeling good about. I mean, you go on a terrible date, and your first thought is to call me? Were you like, "He’s a terrible date, he’ll appreciate someone else being worse?"' Georgie laughed. 'No. You were an awesome date. But I still thought you would appreciate laughing at someone who wasn’t.' 'Now, now, Georgie. I don’t laugh at people. I laugh with them. Otherwise my aura turns puce, and you know I can’t deal with that. It would clash with my eyes.
Chessela Helm (Chasing the Angel (Runaround #2))
Now men, men never really see women at all. The more famous you are, the less they see you. That’s one thing I know. You can spend a lifetime around men without them ever really seeing you.” Carol was starting to get drunk, which was not a bad thing for an investigation or, I figured, her day. “What do they see?” I asked. “They see one of two things,” Carol said, with no malice. “They see someone who can solve all their problems—someone who can make their dick hard, make them rich, make them grow their hair back. Or they see the mean old lady standing in between them and all of that. The witch. That’s me. You don’t believe me now, but wait until you’re my age. You will. You’ll see how fast you change from one to the other. And Ann, Ann didn’t fit into either category, and that made people uncomfortable. And it made her very uncomfortable, too, I think—always being looked at, never being seen.
Sara Gran (The Infinite Blacktop (Claire DeWitt Mysteries, #3))
Don't even consider it, young lady." Ariel raised an eyebrow at him incredulously. Young lady? In the years that had passed since the duel with the sea witch, she had aged. Not dramatically, but far more than a mostly immortal mermaid should have. There was something about her eyes- they were deeper, wiser, and wearier than when she was a young mer who had never been on dry land. Her cheeks weren't quite as plump anymore; the angles of her face were more pronounced. Sometimes she wondered if she looked like her mother... aside from her own unreliable memories, the only physical evidence of the former queen was a statue in the castle of her and Triton dancing together. But it was all pale milky marble, no colors at all. Dead. Ariel's hair no longer flowed behind her as it once had; handmaidens and decorator crabs kept it braided and coiffed, snug and businesslike under the great golden crown that sat on her temples, like the gods wore. Small gold and aquamarine earrings sparkled regally but didn't tinkle; they were quite understated and professional. Her only real nod to youth was the golden ring in the upper part of her left ear. "Young lady," indeed.
Liz Braswell (Part of Your World)
Sometimes I have thought I heard a Dwarf-drum in the mountains. Sometimes at night, in the woods, I thought I had caught a glimpse of Fauns and Satyrs dancing a long way off; but when I came to the place, there was never anything there. I have often despaired; but something always happens to start me hoping again. I don’t know. But at least you can try to be a King like the High King Peter of old, and not like your uncle.” “Then it’s true about the Kings and Queens too, and about the White Witch?” said Caspian. “Certainly it is true,” said Cornelius. “Their reign was the Golden Age in Narnia and the land has never forgotten them.” “Did they live in this castle, Doctor?” “Nay, my dear,” said the old man. “This castle is a thing of yesterday. Your great-great-grandfather built it. But when the two sons of Adam and the two daughters of Eve were made Kings and Queens of Narnia by Aslan himself, they lived in the castle of Cair Paravel. No man alive has seen that blessed place and perhaps even the ruins of it have now vanished. But we believe it was far from here, down at the mouth of the Great River, on the very shore of the sea.” “Ugh!” said Caspian with a shudder. “Do you mean in the Black Woods? Where all the--the--you know, the ghosts live?” “Your Highness speaks as you have been taught,” said the Doctor. “But it is all lies. There are no ghosts there. That is a story invented by the Telmarines. Your Kings are in deadly fear of the sea because they can never quite forget that in all stories Aslan comes from over the sea. They don’t want to go near it and they don’t want anyone else to go near it. So they have let great woods grow up to cut their people off from the coast. But because they have quarreled with the trees they are afraid of the woods. And because they are afraid of the woods they imagine that they are full of ghosts. And the Kings and great men, hating both the sea and the wood, partly believe these stories, and partly encourage them. They feel safer if no one in Narnia dares to go down to the coast and look out to sea--toward Aslan’s land and the morning and the eastern end of the world.
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
Sabine dear, you behaved so wonderfully, so poised and mature. I was very proud of you." Huh? Was I hearing right? My mother-proud of me? "You looked lovely and I was very impressed with your young man," she continued. "Has Josh ever considered modeling? I could put him in contact with some key people if he's interested." "I don't think so. But I'll tell him." "Also be sure to tell him he's welcome to visit anytime." "Should I come, too?" "Don't make jokes, Sabine. I'm being sincere." "Well ... thanks. I'll tell josh and we'll plan a visit." "Excellent. He's exactly the sort of young man I'd hoped you'd find, and clearly a very good influence to help you overcome your past problems." "You don't have to worry about me." "I'm not-but I'm concerned about Amy." "Why?" I asked cautiously. "She's at an impressionable age, and I don't want her to experience anything unnatural. I wouldn't have allowed her to stay with you if I hadn't thought you'd outgrown all the woo-woo nonsense." Yeah, like I'm going to take Amy to a coven meeting where we'll dance naked with spirits in the moonlight. Mom hadn't changed at all-my abilities still freaked her out. She'd only called to make sure I didn't corrupt my little sister. Her sugary compliments were as fake as artificial sweetener. Arguing would just bring a quick end to Amy's visit. So I said what Mom wanted to hear-lying through my clenched teeth for Amy's sake. Then I slammed the phone down.
Linda Joy Singleton (Witch Ball (The Seer, #3))
her rest. If she had lived in the Middle Ages, she would surely have been a witch and flown a broomstick Saturday night to keep a date with the devil. But the Bronx is one place where the devil would have died of boredom. Her mother is also a witch in her own way, but a good witch: half rebbetzin, half fortuneteller. Every female sits in her own net weaving like a spider. When a fly happens to come along, it’s caught. If you don’t run away, they’ll suck the last drop of life out of you.” “I’ll manage to run away. Goodbye.” “We can be friends. The rabbi is a savage, but he loves people. He has unlimited connections and he can be of use to you. He’s angry at me because I won’t read electronics and television into the first chapter of Genesis. But he’ll find someone who will. Basically he’s a Yankee, although I think he was born in Poland. His real name isn’t Milton but Melech. He writes a check for everything. When he arrives in the next world and has to give an accounting, he’ll take out his checkbook. But, as my grandmother Reitze used to say, ‘Shrouds don’t have pockets.’ ” 3 The telephone rang, but Herman didn’t answer it. He counted the rings and went back to the Gemara. He sat at the table, which was covered with a holiday cloth, studying and intoning as he used to do in the study house in Tzivkev. Mishnah: “And these are the duties the wife performs for the husband. She grinds, bakes, washes, cooks, nurses her child, makes the bed, and spins wool. If she has brought one servant with her, she doesn’t grind, bake, or wash. If
Isaac Bashevis Singer (Enemies, A Love Story (Isaac Bashevis Singer: Classic Editions))
I glared at her. “Maybe it’s because I don’t give a duck what anyone else thinks anymore? Maybe because I’m tired of people thinking I’m less than because of my age, the size of my ass, or the simple fact that I’m a woman?
Shannon Mayer (Midlife Witch Hunter (Forty Proof, #6))
Hey, guys.” I greeted the kids with a sheepish smile and upturned palms. “Um … it’s kind of late.” Multiple heads snapped in my direction, although no one made a move to hide what they were doing. The pungent odor of marijuana wafted by, and I briefly pressed my eyes shut before addressing them again. “This is private property,” I said. “You’re not supposed to be out here. I don’t suppose you can … I don’t know … move your party about a half mile in that direction, could you?” I pointed to the east, hoping my smile came off as congenial instead of creepy. “Are you saying this is your property?” One of the boys, a swarthy kid with broad shoulders, dishwater blond hair and too much swagger for his age, narrowed his eyes as he looked me up and down. “I think you’re probably lost.
Amanda M. Lee (Bewitched (Wicked Witches of the Midwest Shorts, #6))
Ah! The Witches are a pragmatic race,” said Mickey in a tone of grandiose modesty. “Toleration is our cardinal virtue, second only to our scientific rationality.” Menelaus raised an eyebrow. “You guys call yourselves scientific?” “Of course,” said Mickey. “Enemies of science are cursed by the Crones.” “The ones who paint fright masks on biplane wings to create lift? Those Crones?” “Don’t be silly,” said Mickey. “Lift is created by the Bernoulli principle: wing curvature magically creates a partial vacuum which the goddess Nature abhors, and so she lifts the windcraft upward to occlude the void in compensation. The Witch-marks are inscribed not to create lift, but to avert malediction according to the law of sympathy and contagion. It is based on entirely different principle of the occult sciences.” “And you believe this because you’ll be cursed if you don’t?” Mickey looked at him with a level-eyed judicious look. “You have told me that you and your enemies can make it fated for nations, tribes, and peoples to rise and fall, meet victory or defeat, expansion or extinction, by means of mathematical hieroglyphs and incantations you found written on a dead moon circling an impossible star in the constellation of the Centaur? And you ask me to doubt something as obvious and elementary as a curse? Everyone utters curses. You utter curses.” “God damn it, I do not!” “You are a scoffer, then! Odd for a magical being not to believe in magic. Odd and dangerous! It is bad luck not to believe in curses! Beware!
John C. Wright (The Judge of Ages (Count to the Eschaton Sequence, #3))
It’s not...witchcraft, is it?” “Oh no,” Maria exclaimed. “It is more like a lot of these, how you call, new age religions: Wicca, Druids...all ancient religions, so I do not understand why people call them ‘new’ age.” “But Wiccans and Druids...don’t they brew potions? Cast spells? Build amulets? If that’s not witchcraft...” Maria laughed. “Madam, we Catholics use holy water, perform exorcisms, wear crucifixes round our necks...are these not potions and spells? Are we witches?
J.C. Martin (The Doll)
We hardly need to be reminded that we are living in an age of confusion. A lot of us have traded in our beliefs for bitterness and cynicism, or for a heavy package of despair, or even a quivering portion of hysteria. Opinions can be picked up cheap in the marketplace, while such commodities as courage and fortitude and faith are in alarmingly short supply. Around us all-now high like a distant thunderhead, now close upon us with the wet choking intimacy of a London fog-there is an enveloping cloud of fear. There is a physical fear, the kind that drives some of us to flee our homes and burrow into the ground in the bottoms of a Montana valley like prairie dogs to try to escape, if only for a little while, the sound and fury of the A-bombs or the hell bombs or whatever may be coming. There is a mental fear, which provokes others of us to see the images of witches in a neighbor’s yard and stampedes us to burn down his house. And there is a creeping fear of doubt-doubt of what we have been taught, of the validity of so many things we have long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong. What truths can a human being afford to furnish the cluttered nervous room of his mind with when he no real idea how long a lease he has on his future. It is to try to meet the challenge of such questions that we have prepared these broadcasts. It has been a difficult task and a delicate one. Except for those who think in terms of pious platitudes or dogma or narrow prejudice-and those thoughts we aren’t interested in-people don’t speak their beliefs easily or publicly.
Edward Morrow
As the sun dipped below Twin Peaks, Jones wandered toward Castro and Market and saw the huge crowd starting to gather. “It was the most amazingly beautiful, heart-wrenchingly sad, magnificent example of what San Francisco is. It was gay people, straight people, white people, Filipinos, Chinese, African Americans, men and women of all ages, children, the poor and well dressed, people in fur coats next to people in rags. We estimated there were between thirty thousand and forty thousand people. We marched in almost total silence down Market Street to city hall and filled Civic Center Plaza, a sea of people holding candles. I remember standing there and thinking, ‘This isn’t the end of anything. This is the beginning.’ And I was right. “I think every city has a soul, every city is unique and special. But for San Franciscans, I don’t think there could ever be another place to call home. And a lot of it has to do with what I saw that night: with this ability to suffer horrible and dreadful events, earthquakes, civil turmoil, assassinations, and to not only endure but to create something beautiful from it.
David Talbot (Season of the Witch: Enchantment, Terror and Deliverance in the City of Love)
You don’t have to apologize for taking up space, being seen, or existing.
Ellen S. Worth (The Witch Wound: Healing Ancestral Trauma and Rebuilding Community in this age of Increasing Patriarchy and Divisiveness)
Here." Kerresha entered again with a brown, glass bottle with a ring of colorful beads on top. Looked like something straight out of witch doctor's medicine bag. "Hold this to your nose." Marvina waved the bottle away. "I don't mess with new age, psychedelic stuff. I stick with God." "It's lavender. I'm pretty sure God made it." Kerresha twisted the top off the bottle and held it under Marvina's nose. The scent, deep, calming, and pure, filled her the same way she imagined her body would feel if somebody poured the color purple all through her soul. A minute later, the anxiety level had gone from a 7 down to a 2.
Michelle Stimpson (Sisters with a Side of Greens)
But here in the contemporary West, we don’t really do elders: instead, we have “the elderly.” The connotations are quite different. According to the Cambridge English Dictionary online, “elderly” is nothing more than “a polite word for ‘old.’” The online Merriam-Webster Dictionary informs us that “elderly” can also mean “old-fashioned.” In Lexico, the Oxford online thesaurus, the word is associated with synonyms such as “doddering,” “decrepit,” “in one’s dotage,” “past one’s prime,” “past it,” and “over the hill.” It doesn’t paint a pretty picture; these are not exactly the adjectives that most aging women would aspire to embody. But the aging woman has had a particularly troubled history in Western culture. The last convictions might have taken place in the eighteenth century, but in many ways we still haven’t quite recovered from our demonization in the witch trials. Older women, when they’re not rendered completely invisible, are still trivialized and marginalized, and often actively ridiculed. “Little old ladies,” we call them here in Britain; “old bats” (if we think they’re crazy), or “old bags” and “old trouts” (if they don’t live up to our expectations that old women should rarely be seen, and certainly should never be heard).
Sharon Blackie (Hagitude: Reimagining the Second Half of Life)
They reined in before an ancient beech tree. Its trunk and branches leaned inland, bent by many years of ocean breezes. Half-buried beneath a root that arched out of the ground was a rectangular slab of stone that didn't seem to fit the landscape. Annis pointed to it. "What is that stone doing there?" "It's a menhir," the marquess said. At Annis's puzzled expression, he explained. "One of the standing stones---well, this one has fallen over, but there are several stone circles in Dorset. If there was once a circle here---a henge, it's called---it's gone now. The stones have probably been pressed into other uses, fences or walls. I expect this one was too large to move." "I don't know what a henge is," Annis said. Intrigued, she swung down from her saddle and bent to put her hand on the cool, rough surface of the stone. "Have you touched it? It feels alive!" He laughed and slid down to join her beside the stone. He laid his own hand on it, right beside hers, then shook his head. "It doesn't feel alive to me, I'm afraid. It just feels cold and rough and old. A henge is a stone circle, you know, from ancient times. A ceremonial circle, we think. No one knows exactly what it was for.
Louisa Morgan (The Age of Witches)
Baby Bear scratched his furry chin and looked at the class. “How many of you want your work to be read by millions?” Every student in the room raised their hands. “And what’s the best-selling novel series of the last twenty years?” Baby Bear asked. Mrs. Hubbard scowled. “It was those dreadful books about that Harvey Potter child. Witches and wizards and all sorts of wickedness.” “A very stupid book,” growled Little Pig. “I stopped reading after the first page, when I saw how that woman maligned those respectable Dursleys.” “And who was the target audience for the Harry Potter series?” asked Baby Bear. Nobody said anything. Goldilocks timidly raised her hand. “Wasn’t it … eleven-year-old boys?” Baby Bear began jumping up and down, clapping his fat little paws. “Yes! Boys, aged eleven. The smallest niche market you can imagine. Everybody knows that boys don’t read. Everybody knows that eleven-year-old boys absolutely, positively won’t read anything. Especially a book written by a woman. And yet …” “Harrumph!” Little Pig snorted. “Lots of people read the Harry Potter series. Although God only knows why anyone would read such nonsense.” Baby Bear scratched his ears. “The author wrote her books for a very tight niche market. Eleven-year-old boys. But she delighted those boys, and they talked about it to eleven-year-old girls. They were also delighted and talked about it to twelve-year-olds. Who talked about it to thirteen-year-olds. And so on, until everybody was talking about it. What made that work?” “A wicked spell?” said Mrs. Hubbard. “Great marketing of an inferior product,” said Little Pig. “Good writing that delighted her target audience?” said Goldilocks. “Exactly!” said Baby Bear. “So when you go to write your story, you are not going to write for the whole world. You are going to choose your target audience and define it as tightly as you know how. You are going to write your story to delight your target audience. You will not care about anybody else.” “But what if other people … hate my writing?” Goldilocks said. She couldn’t bear the thought of anybody not liking her novel. “You. Don’t. Care.” Baby Bear got so excited, he began running in tight little circles.
Randy Ingermanson (How to Write a Novel Using the Snowflake Method (Advanced Fiction Writing, #1))
Mrs. Singe passed on,” said Gammer Brevis. “And Gammer Peavey passed on.” “Did she? Old Mabel Peavey?” said Nanny Ogg, through a shower of crumbs. “How old was she?” “One hundred and nineteen,” said Gammer Brevis. “I said to her, ‘You don’t want to go climbing mountains at your age’ but she wouldn’t listen.” “Some people are like that,” said Granny. “Stubborn as mules. Tell them they mustn’t do something and they won’t stop till they’ve tried it.” “I actually heard her very last words,” said Gammer. “What did she say?” said Granny. “As I recall, ‘oh bugger,’” said Gammer. “It’s the way she would have wanted to go,” said Nanny Ogg. The other witches nodded.
Terry Pratchett (Witches Abroad (Discworld, #12))
So I think I picked that up from Toddo, too. Sitting there in thegarden listening to him, he’d be so wise. A lot of times, I thought he was like a witch. How the fuck did he know how this or that would turn out? But he did. It was amazing. Like, he’d always know when to pull out of a deal—right before the bust.“So one day I finally asked him how he did it. He told me, ‘You know what it is, Sammy? In my position, a hundred people a day come to me with different problems. You see that roof over there? Say, you ask me what would happen to you if you jumped off it. If I’ve never seen anybody jump off before, I don’t know the answer for sure. But if I’ve watched a hundred people jump, maybe I’ve seen ninety-two of them break an ankle,crack a hip, sprain their knees. Eight of them are in real good shape. They don’t get hurt. Now person one hundred and one comes to me and says, ‘I’d like to jump off that roof.’ ‘Don’t do it,’ I tell them. ‘You’ll break your ankle. You’ll hurt yourself.’ I know now that ninety-two percent of the time, I’ll be right. I’m not that smart. I know from my age and from the amount of people who ask me for advice what the outcome will be. I’ve done it over and over. Someday you could be in the same position. You’ll see, this will come naturally to you. I think you have all the right qualities.
Peter Maas (Underboss: Sammy the Bull Gravano's Story of Life in the Mafia)
We hardly need to be reminded that we are living in an age of confusion. A lot of us have traded in our beliefs for bitterness and cynicism, or for a heavy package of despair, or even a quivering portion of hysteria. Opinions can be picked up cheap in the marketplace, while such commodities as courage and fortitude and faith are in alarmingly short supply. Around us all-now high like a distant thunderhead, now close upon us with the wet choking intimacy of a London fog-there is an enveloping cloud of fear. There is a physical fear, the kind that drives some of us to flee our homes and burrow into the ground in the bottoms of a Montana valley like prairie dogs to try to escape, if only for a little while, the sound and fury of the A-bombs or the hell bombs or whatever may be coming. There is a mental fear, which provokes others of us to see the images of witches in a neighbor’s yard and stampedes us to burn down his house. And there is a creeping fear of doubt-doubt of what we have been taught, of the validity of so many things we have long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong. What truths can a human being afford to furnish the cluttered nervous room of his mind with when he no real idea how long a lease he has on his future. It is to try to meet the challenge of such questions that we have prepared these broadcasts. It has been a difficult task and a delicate one. Except for those who think in terms of pious platitudes or dogma or narrow prejudice-and those thoughts we aren’t interested in-people don’t speak their beliefs easily or publicly
Edward R. Murrow (This I Believe: The Personal Philosophies of One Hundred Thoughtful Men and Women)
We hardly need to be reminded that we are living in an age of confusion. A lot of us have traded in our beliefs for bitterness and cynicism, or for a heavy package of despair, or even a quivering portion of hysteria. Opinions can be picked up cheap in the marketplace, while such commodities as courage and fortitude and faith are in alarmingly short supply. Around us all-now high like a distant thunderhead, now close upon us with the wet choking intimacy of a London fog-there is an enveloping cloud of fear. There is a physical fear, the kind that drives some of us to flee our homes and burrow into the ground in the bottoms of a Montana valley like prairie dogs to try to escape, if only for a little while, the sound and fury of the A-bombs or the hell bombs or whatever may be coming. There is a mental fear, which provokes others of us to see the images of witches in a neighbor’s yard and stampedes us to burn down his house. And there is a creeping fear of doubt-doubt of what we have been taught, of the validity of so many things we have long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong. What truths can a human being afford to furnish the cluttered nervous room of his mind with when he no real idea how long a lease he has on his future. It is to try to meet the challenge of such questions that we have prepared these broadcasts. It has been a difficult task and a delicate one. Except for those who think in terms of pious platitudes or dogma or narrow prejudice-and those thoughts we aren’t interested in-people don’t speak their beliefs easily or publicly.
Edward Morrow
Naturally, we even made snow angels in the backyard as we stumbled around, and passed out. No one cared what we did really, thus far that was the fun of it all. Oh, and Kenneth was just the boy that only wanted one thing from Jenny. He had no personality to speak of… he would hit on me all the time, and sometimes he would get it from me too, or I would be out of the group by her if he said I was the one that wanted it from him. We could break widows out of old buildings and homes, and who would stop us. Sure, we got chased by the cops, yet that was the fun of it too. There is nothing else for us to do. I remember Maddie leaving her handprints in the wet mud, Jenny her butt, and some of her lady-ness, when the town thought it was time for new sidewalks. Yet we all did, something that would last forever, we thought. Maddie drew a few other things too. You can get the picture! All inappropriate… all there for life. She was just crazy like that, like squatting down pissing, and doing number two in the old man Jackups yard. She has more balls than most guys… I knew. Old man Jackups called us, ‘Mindless slutty hooligans’ So that was payback. At the time- I thought like what is wrong with that, we're just having some fun here… your old windbag, like go and sit on your cane! You know what I mean… I think? I remember being so smashed at my sweet sixteen too, that I don’t even remember it. Yet that is what having a good time was all about, so they say. Bumping and grinding on all the boys with loud music. And as the twinkling lights shine on your skin, that lights the way up to your bedroom. You know that your puffy dress is going to be pushed up a couple of times on that night. I just don’t remember how many times it was, and I didn’t remember who it was with, I am not even sure if I know them at all… all of them or not. All I know is I did it all and was happy to do whatever they asked me to do. But- but I thought I was having the time of my life. I was the birthday girl that had the rosiest pink lipstick on most boys at the party. I thought it was such a horror. In my mind at the time, I thought that I high-jacked the rainbow, and crashed into a pot of gold! All the girls my age did it, yet I was the best at it! I recall the time Liv and I went trick or treating. I was dressed as Hermione from the Harry Potter movies. Liv was a sexy witch! With the pointed hat. So, original…! That is what I told her. That was the night we scared the pants off of Ray in the not-so-scary haunted house. And before you ask, he was dressed as Harry. So, I wanted to play with his wand, that's why I dressed the way I did at the time. Liv was one of those good friends… I thought, which would tell everyone what you all did the day after, to all the girls at the lunch table. She can text faster than anyone I know. Anyways… we jumped out at him, and he nearly craps his nicely pressed pants. I am sure there was a skid mark on his tighty- whities or something. Yet he did yack on Liv’s chest, and that was hilarious to me. She was dancing around, and flapping her hands doing the funky chicken while yelling, ‘Ou- ou- ou- wah!’ As I dibble over in lather, I guess it was funnier when it doesn’t happen to you too many times.
Marcel Ray Duriez (Nevaeh Falling too You)
off from the same line, they were scattered peacefully across the globe for centuries, each mostly disregarding the others. But in the Middle Ages, the witches, who by nature did the most interacting with normal humans, began to be discovered. And then persecuted, and tortured, and murdered. Their leaders went to the vampires and the wolves and begged for help, but both groups turned away, the vampires from apathy and the wolves from fear of meeting the same fate. Wolves are pack animals, and look after their pack before anything else. So the witches did the only thing they could: they looked to strengthen their magic. They didn’t know about evolution and magical lines back then, but during their research, the witches managed to stumble upon a group of plants that magic had bonded itself to, just like the human conduits. They were known as nightshades: belladonna, mandragora, Lycium barbarum (which also became known as wolfberry), tomatillo, cape gooseberry flower, capsicum, and solanum. The entire subspecies was rife with magic. The latter four plants could be used in hundreds of charms and potions, many of which helped the witches to deter the human persecutors. But the former three plants were unique; they interacted with the remaining magical beings in mystifying ways. Belladonna was poisonous to vampires—it took unbelievable amounts to actually kill them, but even a sprinkle of the plant would work as a paralytic. Proximity to wolfberry caused the shifters to lose control, painfully unable to stop from changing, again and again, which was very dangerous to anyone nearby. And mandragora, also called mandrake, was the key ingredient in a spell that could grant a very powerful witch the ability to communicate between living and dead. Which is how I ended up disposing of that naked guy’s body in Culver City, all those years ago. This discovery was your classic Pandora’s box scenario. A small group of witches, furious that the vampires and the wolves had abandoned them during their darkest time, began to use wolfberry and belladonna against them—sometimes without much provocation. The balance of power shifted once again, and while the witches’ discovery didn’t cause a full-out war, it did spawn thousands of skirmishes, minor battles breaking out between the three major factions. Eventually, the use of those herbs was “outlawed” in the Old World, but it was done the way that marijuana has been outlawed in the US—basically, don’t get caught. The witches are always arguing about this among themselves; some of them think it should be open season, and others think the ban should be more strictly enforced. But while they may not be able to pull together a majority vote, in Los Angeles Kirsten has organized the witches into sort of an informal union. I know it sounds crazy, but if actors and directors can have unions in this town, why not witches? As I understand it, the real benefit to joining the union is access: to chat rooms, newsletters, support groups, spell sessions—and me. The witches’ dues pay Kirsten a small salary, and she uses the rest to organize the network and pay me. There are plenty of “non-union” witches in LA, too, ones who either haven’t
Melissa F. Olson (Dead Spots (Scarlett Bernard #1))