“
People," Geralt turned his head, "like to invent monsters and monstrosities. Then they seem less monstrous themselves. When they get blind-drunk, cheat, steal, beat their wives, starve an old woman, when they kill a trapped fox with an axe or riddle the last existing unicorn with arrows, they like to think that the Bane entering cottages at daybreak is more monstrous than they are. They feel better then. They find it easier to live.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Lesser, greater, middling, it's all the same. Proportions are negotiated, boundaries blurred. I'm not a pious hermit, I haven't done only good in my life. But if I'm to choose between one evil and another, then I prefer not to choose at all.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Evil is Evil. Lesser, greater, middling… Makes no difference. The degree is arbitary. The definition’s blurred. If I’m to choose between one evil and another… I’d rather not choose at all.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Nonsense," said the witcher. "And what's more, it doesn't rhyme. All decent predictions rhyme.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
There is never a second opportunity to make a first impression.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
People”—Geralt turned his head—“like to invent monsters and monstrosities. Then they seem less monstrous themselves.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
There's a grain of truth in every fairy tale,
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
You’ve mistaken the stars reflected on the surface of the lake at night for the heavens.
”
”
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
“
Mistakes,’ he said with effort, ‘are also important to me. I don’t cross them out of my life, or memory. And I never blame others for them.
”
”
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
“
Evil is evil, Stregobor,” said the witcher seriously as he got up. “Lesser, greater, middling, it's all the same. Proportions are negotiated, boundaries blurred. I’m not a pious hermit. I haven't done only good in my life. But if I’m to choose between one evil and another, then I prefer not to choose at all.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
I know you’re almost forty, look almost thirty, think you’re just over twenty and act as though you’re barely ten.
”
”
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
“
A mother, you son-of-a-bitch, is sacred!
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
What is truth? The negation of lies? Or the statement of a fact? And if the fact is a lie, what then is the truth?
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Only death can finish the fight, everything else only interrupts the fighting.
”
”
Andrzej Sapkowski
“
It’s better to die than to live in the knowledge that you’ve done something that needs forgiveness.
”
”
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
“
I manage because I have to. Because I've no other way out. Because I've overcome the vanity and pride of being different, I've understood that they are a pitiful defense against being different. Because I've understood that the sun shines differently when something changes. The sun shines differently, but it will continue to shine, and jumping at it with a hoe isn't going to do anything.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
They weren't lying. They firmly believed it all. Which doesn't change the facts.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Świat się zmienia, słońce zachodzi, a wódka się kończy.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
I need this conversation. They say silence is golden. Maybe it is, although I'm not sure it's worth that much. It has its price certainly; you have to pay for it.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
That’s the role of poetry, Ciri. To say what others cannot utter.
”
”
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
“
Remember,” she repeated, “magic is Chaos, Art and Science. It is a curse, a blessing and progress. It all depends on who uses magic, how they use it, and to what purpose. And magic is everywhere. All around us. Easily accessible.
”
”
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
“
Only Evil and Greater Evil exist and beyond them, in the shadows, lurks True Evil. True Evil, Geralt, is something you can barely imagine, even if you believe nothing can still surprise you. And sometimes True Evil seizes you by the throat and demands that you choose between it and another, slightly lesser, Evil.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Why didn't you become a sorcerer, Geralt? Weren't you ever attracted by the Art? Be honest.'
'I will. I was.'
'Why, then, didn't you follow the voice of that attraction?'
'I decided it would be wiser to follow the voice of good sense.'
'Meaning?'
'Years of practice in the witcher's trade have taught me not to bite off more than I can chew. Do you know, Vilgefortz, I once knew a dwarf, who, as a child, dreamed of being an elf. What do you think; would he have become one had he followed the voice of attraction?
”
”
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
“
As usual, cats and children noticed him first.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Because I know that in order to unite two people, destiny is insufficient. Something more is necessary than destiny.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
No. I’ve no time to waste. Winter’s coming.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
All around, everywhere you look, is dullness and uncertainty. Even something born of beauty soon leads to boredom and banality, commonplace, the human ritual, the tedious rhythm of life.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
I don't believe in Melitele, don't believe in the existence of other gods either, but I respect your choice, your sacrifice. Your belief. Because your faith and sacrifice, the price you're paying for your silence, will make you better, a greater being. Or, at least, it could. But my faithlessness can do nothing. It's powerless.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Destiny has many faces. Mine is beautiful on the outside and hideous on the inside. She has stretched her bloody talons toward me—
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
I could never resist the temptation of having a look at something that doesn't exist.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
I thought I was choosing the lesser evil. I chose the lesser evil. Lesser evil! I’m Geralt! Witcher…I’m the Butcher of Blaviken—
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
You can't stop a soldier from being frightened but you can give him motivation to help him overcome that fear. I have no such motivation. I can't have. I'm a witcher: an artificially created mutant. I kill monsters for money. I defend children when their parents pay me to. If Nilfgaardian parents pay me, I'll defend Nilfgaardian children. And even if the world lies in ruin - which does not seem likely to me - I'll carry on killing monsters in the ruins of this world until some monster kills me. That is my fate, my reason, my life and my attitude to the world. And it is not what I chose. It was chosen for me.
”
”
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
“
Doubts. Only evil, sir, never has any. But no one can escape his destiny.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Make use of the opportunity to have a bath yourself. I can not only guess the age and breed of your horse, but also its color, by the smell.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
For I must tell you, gentle reader, that Geralt the Witcher was always a modest, prudent and composed man, with a soul as simple and uncomplicated as the shaft of a halberd.
”
”
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
“
always takes action. Wrongly or rightly; that is revealed later. But you should act, be brave, seize life by the scruff of the neck. Believe me, little one, you should only regret inactivity, indecisiveness, hesitation. You shouldn’t regret actions or decisions, even if they occasionally end in sadness and regret.
”
”
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
“
Intolerance and superstition has always been the domain of the more stupid amongst the common folk and, I conjecture, will never be uprooted, for they are as eternal as stupidity itself. There, where mountains tower today, one day there will be seas; there where today seas surge, will one day be deserts. But stupidity will remain stupidity. Nicodemus de Boot, Meditations on life, Happiness and Prosperity
”
”
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
“
We know little about love. Love is like a pear. A pear is sweet and has a distinct shape. Try to define the shape of a pear. Dandelion,
”
”
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
“
Well, we’re afeared. And what of it? Do we sit down and weep and tremble? Life must go on. And what will be, will be. What is destined can’t be avoided, in any case.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
But every dream, if dreamed too long, turns into a nightmare. And we awake from such dreams screaming.
”
”
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
“
And why not?' the merchant replied seriously. 'Why not have doubts? It's nothing but a human and good thing'.
'What?'
'Doubt. Only an evil man, master Geralt, is without it. And no one escapes his destiny'.
”
”
Andrzej Sapkowski
“
You surround the dead with veneration and memory, you dream of immortality, and in your myths and legends there’s always someone being resurrected, conquering death. But were your esteemed late great-grandfather really to suddenly rise from the grave and order a beer, panic would ensue.
”
”
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
“
Do you want to break Roach’s back?’ ‘Is it Roach? Roach was a bay, and she’s a chestnut.’ ‘All of my horses are called Roach.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
You've a right to believe that we're governed by Nature and the hidden Force within her. You can think that the gods, including my Melitele, are merely a personification of this power invented for simpletons so they can understand it better, accept its existence. According to you, that power is blind. But for me, Geralt, faith allows you to expect what my goddess personifies from nature: order, law, goodness. And hope.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Our world is in equilibrium. The annihilation, the killing, of any creatures that inhabit this world upsets that equilibrium. And a lack of equilibrium brings closer extinction; extinction and the end of the world as we know it.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Life, it turns out, isn’t poetry! And do you know why? Because it’s so resistant to criticism!
”
”
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
“
Since when did you know anything about mimicking bird calls, Zoltan?’ ‘That’s the whole point. If you hear a strange, unrecognisable sound, you’ll know it’s me.
”
”
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
“
Women don't have a say in my house. But, just between us, don't do what you did during supper last time in front of her again.” “You mean when I threw my fork at that rat?” “No. I mean when you hit it, even in the dark.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
It’s good to feel fear. If you feel fear it means there’s something to be feared, so be vigilant. Fear doesn’t have to be overcome. Just don’t yield to it. And you can learn from it.
”
”
Andrzej Sapkowski (Season of Storms (The Witcher, #8))
“
What a company I ended up with,’ Geralt continued, shaking his head. ‘Brothers in arms! A team of heroes! What have I done to deserve it? A poetaster with a lute. A wild and lippy half-dryad, half-woman. A vampire, who’s about to notch up his fifth century. And a bloody Nilfgaardian who insists he isn’t a Nilfgaardian.
”
”
Andrzej Sapkowski (Baptism of Fire (The Witcher, #5))
“
Aridea quite often turned to the Mirror—’ ‘With the usual question, I take it,’ interrupted Geralt. ‘“Who is the fairest of them all?” I know; all Nehalenia’s Mirrors are either polite or broken.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
You won't do it.' Bonhart's voice resounded in the complete silence. 'You won't do it, witcher girl. In Kaer Morhen you were taught how to kill, so you kill like a machine. Instinctively. To kill yourself you need character, strength, determination and courage. And they couldn't teach you that.
”
”
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
“
We won’t manage to do much more than we’re capable of,’ he said more quietly and more warmly. ‘But we shall all do our best to make sure it won’t be much less.
”
”
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
“
when they’re about to hang you, ask for a glass of water. You never know what might happen before they bring it.
”
”
Andrzej Sapkowski (Lady of the Lake (The Witcher, #7))
“
Evil is evil, Stregobor,’ said the witcher seriously as he got up. ‘Lesser, greater, middling, it’s all the same. Proportions are negotiated, boundaries blurred. I’m not a pious hermit, I haven’t done only good in my life. But if I’m to choose between one evil and another, then I prefer not to choose at all.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
When there’s hunger you don’t share out your food, you just devour the weakest ones. This practice works among wolves, since it lets the healthiest and strongest individuals survive. But among sentient races selection of that kind usually allows the biggest bastards to survive and dominate the rest.
”
”
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
“
Nature doesn’t know the concept of philosophy, Geralt of Rivia. The pathetic – ridiculous – attempts which people undertake to try to understand nature are typically termed philosophy. The results of such attempts are also considered philosophy.
”
”
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
“
Now you’re lying, Dandelion.’ ‘Not lying, just embellishing, and there’s a difference.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Well, what can I say, it’s a base world,’ he finally muttered. ‘But that’s no reason for us all to become despicable.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
But you should act, be brave, seize life by the scruff of the neck. Believe me, little one, you should only regret inactivity, indecisiveness, hesitation. You shouldn’t regret actions or decisions, even if they occasionally end in sadness and regret.
”
”
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
“
The Witcher had a knife to his throat. He was wallowing in a wooden tub, brimfull with soapsuds, his head thrown agains the slippery rim. The bitter taste of soap lingered in his mouth as the knife, blunt as a doorknob, scraped his Adam's apple painfully and moved towards his chin with a grating sound.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Mylisz niebo z gwiazdami odbitymi nocą na powierzchni stawu.
”
”
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
“
Don’t be embarrassed,’ she said, throwing an armful of clothing on the hook. ‘I don’t faint at the sight of a naked man. Triss Merigold, a friend, says if you’ve seen one, you’ve seen them all.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
(...) Ale, między nami, nie rób przy niej tego, co ostatnim razem, podczas kolacji.
- Idzie ci o to, że rzuciłem widelcem w szczura?
- Nie. Idzie mi o to, że trafiłeś, chociaż było ciemno.
- Myślałem, że to będzie zabawne.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Dandelion, staring into the dying embers, sat much longer, alone, quietly strumming his lute. It began with a few bars, from which an elegant, soothing melody emerged. The lyric suited the melody, and came into being simultaneously with it, the words bending into the music, becoming set in it like insects in translucent, golden lumps of amber.
The ballad told of a certain witcher and a certain poet. About how the witcher and the poet met on the seashore, among the crying of seagulls, and how they fell in love at first sight. About how beautiful and powerful was their love. About how nothing - not even death - was able to destroy that love and part them.
Dandelion knew that few would believe the story told by the ballad, but he was not concerned. He knew ballads were not written to be believed, but to move their audience.
Several years later, Dandelion could have changed the contents of the ballad and written about what had really occurred. He did not. For the true story would not have move anyone. Who would have wanted to hear that the Witcher and Little Eye parted and never, ever, saw each other again? About how four years later Little Eye died of the smallpox during an epidemic raging in Vizima? About how he, Dandelion, had carried her out in his arms between corpses being cremated on funeral pyres and buried her far from the city, in the forest, alone and peaceful, and, as she had asked, buried two things with her: her lute and her sky blue pearl. The pearl from which she was never parted.
No, Dandelion stuck with his first version. And he never sang it. Never. To no one.
Right before the dawn, while it was still dark, a hungry, vicious werewolf crept up to their camp, but saw that it was Dandelion, so he listened for a moment and then went on his way.
”
”
Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedźminie, #0.7))
“
Life is full of hazards, selection also occurs in life, Geralt. Misfortune, sicknesses and wars also select. Defying destiny may be just as hazardous as succumbing to it.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
We were all just as brave,’ finished Julia Abatemarco. ‘Neither of the sides had the strength to be braver. But we … We managed to be brave for a minute longer.
”
”
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
“
Anxiety is never irrational, Geralt thought to himself. Aside from psychological disturbances. It was one of the first things novice witchers were taught. It’s good to feel fear. If you feel fear it means there’s something to be feared, so be vigilant. Fear doesn’t have to be overcome. Just don’t yield to it. And you can learn from it.
”
”
Andrzej Sapkowski (Season of Storms (The Witcher, #8))
“
Become a priest. You wouldn't be bad at it with all your scruples, your morality, your knowledge of people and of everything. The fact that you don't believe in any gods shouldn't be a problem—I don't know many priests who do.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Don't you think”—he smiled—“that my lack of faith makes such a trance pointless?” “No, I don't. And do you know why?” “No.” Nenneke leaned over and looked him in the eyes with a strange smile on her pale lips. “Because it would be the first proof I’ve ever heard of that a lack of faith has any kind of power at all.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher 0.5))
“
I shit on justice!” yelled the mayor, not caring if there were any voters under the window.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Yes, we are corpses. But you are death. Ciri
”
”
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
“
There's a grain of truth in every fairy tale.. Love and blood. They both posses a mighty power. Wizards and learned men have been racking their brains over this for years, but they haven't arrived at anything except that-"
"That what, Geralt?"
"It has to be true love
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
During his life, the witcher had met thieves who looked like town councilors, councilors who looked like beggars, harlots who looked like princesses, princesses who looked like calving cows and kings who looked like thieves. But Stregobor always looked as, according to every rule and notion, a wizard should look. He was tall, thin and stooping, with enormous bushy gray eyebrows and a long, crooked nose. To top it off, he wore a black, trailing robe with improbably wide sleeves, and wielded a long staff capped with a crystal knob.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
he who fights with the sword dies by the sword.
”
”
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
“
We enter the world as a minute part of the life we are given, and from then on we are ever paying off debts. To ourselves. For ourselves. In order for the final reckoning to tally.
”
”
Andrzej Sapkowski (Baptism of Fire (The Witcher, #5))
“
Ludzie lubią wymyślać potwory i potworności. Sami sobie wydają się wtedy mniej potworni.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
It’s as though a cabbage tried to investigate the causes and effects of its existence,
”
”
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
“
it is well known that if there is anything that makes men thirstier than the acquisition of knowledge it is the full or partial prohibition of drinking.
”
”
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
“
They didn’t teach me how to tend wounds,’ she said bitterly. ‘They taught me how to kill, telling me that’s how I could save people. It was one big lie, Little Horse. They deceived me.
”
”
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
“
Because I’ve overcome the vanity and pride of being different. I’ve understood that they are a pitiful defense against being different. Because I’ve understood that the sun shines differently when something changes, but I’m not the axis of those changes.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
You catch fear,” Ciri repeated proudly, brushing her ashen fringe from her forehead. “Didn’t you know? Even when something bad happens to you, you have to go straight back to that piece of equipment or you get frightened. And if you’re frightened you’ll be hopeless at the exercise. You mustn’t give up. Geralt said so.
”
”
Andrzej Sapkowski (Blood of Elves (The Witcher #1))
“
A most deplorable sight," she said, folding her arms across her chest. "Someone who has lost everything. You know, minstrel, it is interesting. Once, I thought it was impossible to lose everything, that something always remains. Always. Even in times of contempt, when naivety is capable of backfiring in the cruellest way, one cannot lose everything. But he... he lost several pints of blood, the ability to walk properly, partial use of his left hand, his witcher's sword, the woman he loves, the daughter he had gained by a miracle, his faith... Well, I thought, he must have been left with something. But I was wrong. He has nothing now. Not even a razor."
Dandelion remained silent. The dryad did not move.
"I asked if you had a hand in this," she began a moment later. "But I think there was no need. It's obvious you had a hand in it. It's obvious you are his friend. And if someone has friends, and he loses everything in spite of that, it's obvious the friends are to blame. For what they did, or for what they didn't do.
”
”
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
“
Duny,” said Geralt seriously, “Calanthe, Pavetta. And you, righteous knight Tuirseach, future king of Cintra. In order to become a witcher, you have to be born in the shadow of destiny, and very few are born like that. That's why there are so few of us. We're growing old, dying, without anyone to pass our knowledge, our gifts, on to. We lack successors. And this world is full of Evil which waits for the day none of us are left.” “Geralt,” whispered Calanthe. “Yes, you're not wrong, queen. Duny! You will give me that which you already have but do not know. I’ll return to Cintra in six years to see if destiny has been kind to me.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Then, four years later I received news from Aridea. She’d tracked down the little one, who was living in Mahakam with seven gnomes whom she’d managed to convince it was more profitable to rob merchants on the roads than to pollute their lungs with dust from the mines.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Listen, Geralt—"
"No. You won't win me over with your reasons nor convince me that Eltibad wasn't a murdering madman, so let's get back to the monster threatening you. You'd better understand that, after the introduction you've given me, I don't like the story. But I'll hear you out."
"Without interrupting with spiteful comments?"
"That I can't promise.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Shani smiled even more beautifully and Dandilion was once more filled with the desire to finally compose a ballad about girls like her – not too pretty but nonetheless beautiful, girls of whom one dreams at night when those of classical beauty are forgotten after five minutes.
”
”
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
“
Dear friend…'
The Witcher swore quietly, looking at the sharp, angular, even runes drawn with energetic sweeps of the pen, faultlessly reflecting the author’s mood. He felt once again the desire to try to bite his own backside in fury. When he was writing to the sorceress a month ago he had spent two nights in a row contemplating how best to begin. Finally, he had decided on “Dear friend.” Now he had his just deserts.
'Dear friend, your unexpected letter – which I received not quite three years after we last saw each other – has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it.
I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty – quite understandably – is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list?
Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend.
Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure.
Your friend Yennefer'
The letter smelled of lilac and gooseberries.
Geralt cursed.
”
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Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
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It may turn out,’ said the white-haired man a moment later, ‘that their comrades or cronies may ask what befell these evil men. Tell them the Wolf bit them. The White Wolf. And add that they should keep glancing over their shoulders. One day they’ll look back and see the Wolf.’ When,
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Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
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And you? Don't you have dreams now?'
'I do,' he said bitterly. 'But seldom since we crossed the Yaruga. And I remember nothing after waking. Something has ended in me, Cahir. Something has burned out. Something has ruptured in me . . .'
'Never mind, Geralt. I shall dream for both of us.
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Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
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It was a ceremonial supper. For they were going to part in the morning. In the morning each of them was going to go their own way; in search of something they already had. But they did not know they had it, they could not even imagine it. They could not imagine where the roads they were meant to set off on the next morning would lead. Each of them travelling separately.
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Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
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Hmm…’ Ciri bit her lower lip, then leaned over and put her eye closer to the hole. ‘Madam Yennefer is standing by a willow… She’s plucking leaves and playing with her star. She isn’t saying anything and isn’t even looking at Geralt… And Geralt’s standing beside her. He’s looking down and he’s saying something. No, he isn’t. Oh, he’s pulling a face… What a strange expression…’ ‘Childishly simple,’ said Dandelion, finding an apple in the grass, wiping it on his trousers and examining it critically. ‘He’s asking her to forgive him for his various foolish words and deeds. He’s apologising to her for his impatience, for his lack of faith and hope, for his obstinacy, doggedness. For his sulking and posing; which are unworthy of a man. He’s apologising to her for things he didn’t understand and for things he hadn’t wanted to understand—’ ‘That’s the falsest lie!’ said Ciri, straightening up and tossing the fringe away from her forehead with a sudden movement. ‘You’re making it all up!’ ‘He’s apologising for things he’s only now understood,’ said Dandelion, staring at the sky, and he began to speak with the rhythm of a balladeer. ‘For what he’d like to understand, but is afraid he won’t have time for… And for what he will never understand. He’s apologising and asking for forgiveness… Hmm, hmm… Meaning, conscience, destiny? Everything’s so bloody banal…’ ‘That’s not true!’ Ciri stamped. ‘Geralt isn’t saying anything like that! He’s not even speaking. I saw for myself. He’s standing with her and saying nothing…’ ‘That’s the role of poetry, Ciri. To say what others cannot utter.’ ‘It’s a stupid role. And you’re making everything up!’ ‘That is also the role of poetry. Hey, I hear some raised voices coming from the pond. Have a quick look, and see what’s happening there.’ ‘Geralt,’ said Ciri, putting her eye once more to the hole in the wall, ‘is standing with his head bowed. And Yennefer’s yelling at him. She’s screaming and waving her arms. Oh dear… What can it mean?’ ‘It’s childishly simple.’ Dandelion stared at the clouds scudding across the sky. ‘Now she’s saying sorry to him.
”
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Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
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He interrupted her with a kiss, an embrace, a touch, caresses and then with everything, his whole being, his every thought, his only thought, everything, everything, everything. They broke the silence with sighs and the rustle of clothing strewn on the floor. They broke the silence very gently, lazily, and they were considerate and very thorough. They were caring and tender and, although neither quite knew what caring and tenderness were, they succeeded because they very much wanted to. And they were in no hurry whatsoever. The whole world had ceased to exist for a brief moment, but to them, it seemed like a whole eternity.
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Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
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I like elven legends, they are so captivating. What a pity humans don’t have any legends like that. Perhaps one day they will? Perhaps they’ll create some? But what would human legends deal with? All around, wherever one looks, there’s greyness and dullness. Even things which begin beautifully lead swiftly to boredom and dreariness, to that human ritual, that wearisome rhythm called life.
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Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
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Progress,’ he said finally, ‘is like a herd of pigs. That’s how you should look at progress, that’s how you should judge it. Like a herd of pigs trotting around a farmyard. Numerous benefits derive from the fact of that herd’s existence. There’s pork knuckle. There’s sausage, there’s fatback, there are trotters in aspic. In a word, there are benefits! There’s no point turning your nose up at the shit everywhere.
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Andrzej Sapkowski (Lady of the Lake (The Witcher, #7))
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Everyone has some kind of debt. Such is life. Debts and liabilities, obligations, gratitude, payments, doing something for someone. Or perhaps for ourselves? For in fact we are always paying ourselves back and not someone else. Each time we are indebted we pay off the debt to ourselves. In each of us lies a creditor and a debtor at once and the art is for the reckoning to tally inside us. We enter the world as a minute part of the life we are given, and from then on we are ever paying off debts, To ourselves. For ourselves. In order for the final reckoning to tally.
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Andrzej Sapkowski (Baptism of Fire)
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Verily I say unto you, the era of the sword and axe is nigh, the era of the wolf’s blizzard. The Time of the White Chill and the White Light is nigh, the Time of Madness and the Time of Contempt: Tedd Deireádh, the Time of End. The world will die amidst frost and be reborn with the new sun. It will be reborn of the Elder Blood, of Hen Ichaer, of the seed that has been sown. A seed which will not sprout but will burst into flame. Ess’tuath esse! Thus it shall be! Watch for the signs! What signs these shall be, I say unto you: first the earth will flow with the blood of Aen Seidhe, the Blood of Elves… Aen Ithlinnespeath, Ithlinne Aegli aep Aevenien’s prophecy
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Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
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I am very tired. I watched the death of my friends who followed me here to the end of the world. They came to rescue your daughter. Not even knowing her. Apart from Cahir, none of them even knew Ciri. But they came here to rescue her. For there was something in her that was decent and noble. And what happened? They found death. I consider that unjust. And if anyone wants to know, I don’t agree with it. Because a story where the decent ones die and the scoundrels live and carry on doing what they want is full of shit. I don’t have any more strength, Emperor.
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Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
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-[...]-Geralt -dijo Stregobor-, cuando escuchábamos a Eltibaldo muchos de nosotros teníamos dudas. Pero decidimos escoger el mal menor. Ahora soy yo el que te pide una elección similar.
-El mal es el mal, Stregobor- afirmó serio el brujo mientras se levantaba-. Menor, mayor, mediano, es igual, las proporciones son convenidas y las fronteras son borrosas. No soy un santo ermitaño, no siempre he obrado bien. Pero si tengo que elegir entre un mal y otro, prefiero no elegir en absoluto.[...]
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Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
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I predict a bad end for your race, humans,' Zoltan Chivay said grimly. 'Every sentient creature on this earth, when it falls into want , poverty and misfortune, usually cleaves to his own. Because it's easier to survive the bad times in a group, helping one another. But you humans, you just wait for a chance to make money from other people's mishaps. When there's hunger you don't want want to share out your food, you just devour the weakest ones. The practice works among wolves, since it lets the healthiest and strongest individuals survive. But among sentient races selection of that kind usually allows the biggest bastards to survive and dominate the rest.
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Andrzej Sapkowski (Baptism of Fire (The Witcher #3))